I saw someone (I’ve forgotten who!) post a couple months ago, asking if it’s ever established in canon whether Mairon ever found out it was Finrod in Tol-in-Gaurhoth. Short answer, after perusing the relevant text: no.
My personal interpretation, for my own amusement: I think he’d figure out Beren, since his run-in with Luthien and Huan happened shortly afterwards, but had a complete Kronk moment with Finrod, years down the line. Like, you know when you’re an expert in a subject and some things totally fly under your radar, because it doesn’t occur to you that anyone would do anything that dumb? I think that, being a master of deception, he wouldn’t realize what Nereb and Dungalef stood for, not for literal ages, because who uses their real names just backwards/anagrammed when infiltrating an enemy stronghold (and arguably the most dangerous stronghold, second only to Angband), that’s just so stupid so stupid it actually worked XD
(In his defense, there was a lot going on in the First Age. A Lot.)
But.
I like to think it plagued him for years :)
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In Ep55 A Place for Everything, when Minkowski thinks Kepler is doubting the likelihood of Eiffel still being alive after he's floated towards the star in his spacesuit, Minkowski says "Eiffel had plenty of air left, and let's not forget he survived for -" It seems pretty likely that she was about to say that Eiffel survived nearly 200 days stranded in deep space on Lovelace's shuttle. It's interesting to me that Minkowski uses that incident as evidence that Eiffel will survive this time too, because that's not really how situations like that work.
We don't know exactly how much Minkowski knows about Eiffel's time on Lovelace's shuttle, but the reality is that he survived for those 193 days due to an extremely specific combination of impressive ingenuity, incredible perseverance, access to the right resources, a fair dose of stupidity, and an extraordinary amount of sheer luck. Without just one of those ingredients, he would never have made back to the Hephaestus alive. The ingenuity and perseverance could serve him well in this situation too, but the other factors don't exactly apply in the same way.
In my view, it isn't really that Eiffel's survival on that shuttle serves as evidence of any specific attributes that will guarantee his survival this time. I think it's more that the events with Lovelace's shuttle - Minkowski thinking Eiffel was gone forever but then being miraculously reunited with him - have given Minkowski a non-specific sense of Eiffel as a person who survives, a person who ends up in nearly inescapable peril and yet somehow always escapes, a person who makes it back alive against all the odds. It's not a piece of logical practical evidence. It's just an emotional instinct that allows her to believe that she's not going to lose him, allowing her to focus on what she can do to try and find him.
Minkowski's 'Goddamn it Eiffel' when he floats towards the star in Ep53 is so much less dramatic than the way she yells his name as the shuttle drifts away in Ep28. And that's partly about what the story calls for in those moments. And it's partly about the specific situations and the agency Eiffel has had in them. But it's also that in Ep53 she already believes that he will be okay, that he'll come back. He's done it before. He'll do it again.
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Thinking more about my isat au and I'm gonna need to change a LOT more than I thought. First things first, Siffrin's connection to the wish. Since in Of gems and pages, all the wishes stayed the same. So why is Odile the one looping and not Siff? So basically, what I think I'd do in my au is that the Universe decided to change things up a bit.
The first time the Universe granted Siffrin the means to fulfill their wish, things went horribly bad (just look at Loop). So this time, the Universe decided to give this new Siffrin, something a lil different. They still gave Siffrin the timeloop But made Odile his proxy. So that Siffrin may have helpers in this new timeline, with Loop as the guide and Odile helping as well, it Should go better, right??? And since the wish is connected with Siffrin's emotions, the Universe can't just completely make it Odile's problem now, sooo basically... Siffrin can still remember Parts of a previous loop PRIOR to their deaths.
That means during the beginning of canon when Siff was crushed by a boulder, he remembers that. And found Loop as well, but when he accidentally ended up touching a tear, he now Doesn't remember being crushed by a boulder but by being frozen in time. At the same time, he ALSO doesn't remember Anything else prior to it. So he doesn't remember that there's a boulder that can kill him by the entrance of the House, he doesn't remember Loop. All he remembers is that somehow, one way or another, he was frozen in time within the House and needs to be more careful with the tears. And because of the way that the loops affect Siffrin now is faaar too different than how it affected Loop, he can't go forwards or backwards in time. Siff will always awaken back in the meadow and Loop will always have to do their whole speech all over again (which would most likely annoy them immediately cuz why? Why is it so different now? Why can't this Siffrin REMEMBER?)
Odile on the other hand, remembers ALL the loops and finds a lot of discrepancies with Siffrin. It takes awhile for her to meet Loop and they get to talk to each other. Their meeting would be pretty... rocky at first. Loop still getting regarded as a stranger by Odile, Loop finding out that Odile is the one getting affected by the timeloop from their own selfish wish. Even if that Siffrin isn't them, it doesn't change the fact that they both made the same wish. Loop thinkin bout being such a favourite cosmic joke of the Universe that not only were they turned into This, one of their family members are suffering cuz of them. And she doesn't even recognize them. It'd be pretty hard at first too cuz Loop doesn't know that their appearance changed yet, there's no mirror. For Loop, they might still look like Siffrin, right? But Odile's reaction to seeing them says otherwise.
Anyway in this au, stage wise, Odile is the actor, Siffrin is the director, and the Universe is the audience. Book wise, Odile is the character, Siffrin is the writer, and the Universe is the reader. Why is Siffrin the director or the writer and not the Universe? That's because the timeloops are Still connected to his emotions, if something he didn't want to think about happens like, that argument with Bonbon (just as an example. I'm wondering if that'll still happen here considering that only happened because of Siff had memories of all the loops in canon. He doesn't have that in this au anymore), time would loop back still, so in a way, Siff Is writing how the timeloops go.
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i genuinely do think avery loves jameson solely because she so clearly sees them lasting and having a future together. we only have five (more like four bc we dont have ch 4) chapters of them but avery says things like "i could drown in it... in believing we could have it all" and being okay with asking jameson a dozen more times where he got his scar because "someday i'd get the real answer." it doesn't annoy her or irritate her that jameson won't tell her yet because she knows they have someday, that they could have all the time in the world.
avery also struggled a lot with being touched throughout tig. the first time jameson touches her, she notes that no one has ever touched her so gently before. every time someone hugs her or touches her, she has a visceral reaction. she's not used to it. but fast forward to tfg and she's not only okay with having jameson next to her in her bed but also sleeping next to him? she's letting herself be vulnerable with him and trusting him, taking that risk and she clearly finds it to be rewarding. if any of you are emily henry fans, it really reminds me of gus in beach read telling january, "when i watch you sleep, i feel overwhelmed that you exist."
avery never believed in an epic, all consuming kind of love until she saw jameson and everything clicked. when darkness (death) beckoned her forward and she was READY for it to swallow her whole, she heard his voice. then his voice got through to her while she was in her coma when nothing else had. then jameson told her exactly what she wanted to hear, the thing she needed to hear to push her to take a risk, to let herself having everything—for jameson to be her everything and have an epic kind of love.
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Alright, fuck it. I’m getting sick of the bullshit.
I’m gonna try out Helluva Boss and/or Hazbin Hotel, and there’s not a damn thing you can do about it.
Before anyone dreads this means I’ve lobotomized myself and lost all semblance of standards, I’ll have you know I spent the past 5-6 years picking apart an absolute mess of a fanfic/AU (complete with sloppy/samey character design) and written up several Word docs trying to understand what and why any of it even was. Even now, they’re incomplete because I’m missing pieces, and keep finding new ones at random (and they tend to raise more questions than they answer, but I guess that’s the “fun” of it).
If my opinion on the above is nowhere near that extreme, it does not mean I lack the critical thinking to…what, agree with you?
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