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opbackgrounds · 4 years

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Oooh can you do a post on the tenryubito?

So I feel like this is going to be an unpopular opinion, but I pity the Celestial Dragons.

That isn’t to say that they aren’t all (mostly) abhorrently evil megalomaniacs with an institutionally enforced god complex who treat the torture of human(oids) with the same blasé disregard as a kid pulling the wings off of a fly, but there’s a part of me that just finds them pathetic. The Celesital Dragons are a group of people who have the world as their silver platter, yet are so small-minded and infantile they literally trap themselves in a tiny bubbles because they’re too scared to breathe the same air as the so-called lesser races.

There was a time when I didn’t think much of the Celestial Dragons because I thought that Oda’s exaggerated storytelling had gone one step too far. They were too cartoonishly evil to be believable—nothing but a bunch of mustache-twirling villains too ridiculous to be taken seriously—and though I found Luffy punching one in the face very cathartic I wasn’t terribly invested in the World Nobility as a worldbuilding element.

But if there’s something I’ve realized as I’ve gotten older, it’s that there is a depressingly-large number of cartoonishly evil people who through no merit of their own find themselves wielding enormous amounts of power, and the Celestial Dragons are more realistic than I ever thought possible.

The Dragons are One Piece’s exploration of the idea that power corrupts, and absolute power corrupts absolutely. Eight hundred years is a ridiculously long time to be in control of a single territory, let alone an organization as massive as the World Government. To put it in perspective a little, eight hundred years ago was when the Magna Carta was signed. Even real-world dynasties tend to have major fluctuations in power over the course of generations, but It seems that the World Government—and by extension the Celestial Dragons—have for eight centuries kept an iron hold over what they consider theirs.

Which just happens to be everything.

The actual origins of the CD tie into series lore and will probably play a big part in Robin learning about the True History, but I fall in the camp that believes that they originated on the moon because 1) they’re the Celestial Dragons 2) there’s gotta be some significance to Enel’s cover story, and 3) Oda clearly modeled their hairstyles and clothing off of the King and Queen of the Moon from the movie The Adventures of Baron Muchausen

Which, if true, makes them a foreign imperialistic force that used military might and a totalitarian regime that specializes in censorship and terror in order to turn the One Piece world into a giant colony while presenting itself as an egalitarian, unifying coalition where no single ruler is fit to sit on the Empty Throne.

And to think, there are some people who don’t think One Piece is political.

What’s really fascinating is that most of the rank and file Celestial Dragons don’t seem to realize their own history. Their traditional enemy has become a bedtime story used to scare children, and they’re too preoccupied in their petty games and pleasures to even notice that they’re not really the most powerful people in the world. It’s like their freedom to commit atrocities is the world’s worst example of bread and circuses, because as long as their attention is held by the shiny new slave or fixated on bringing in another tribute then they can’t use their immense power to actually do anything, and for the most part they’re too stupid to realize they’re being used.

Granted, I’m doing a lot of guesswork here, but we don’t really know where Im and his giant pointy crown fits into all this, or how aware the average Celestial Dragon is of his existence. Is he a world noble? Are the Elder Stars? I personally don’t think the latter are, but is it possible that there’s an even more secret and exclusive group within one of the most secretive and exclusive groups on the planet? And what in the world does the straw hat locked in a freezer have to do with any of it? Was that the treasure Doflamingo used to blackmail the Celestial Dragons into submission, and if so, who did he parlay with during his negotiations? Because I can’t see idiots like Saint Charlos or Mysogard before his character development giving two shits about any of it. Was it CP0, and if so, how much do they understand about the man who sits on the Empty Throne?

What I’m trying to say here, is that there’s a whole lot we don’t know.

What isn’t guesswork is how little the Celestial Dragons understand about the real world, and this is where I go back to feeling sorry for them. Even the best-intentioned noble we’ve seen so far (Homing) has no idea of what it is to be “human”.

This mansion is just...comfortable. It’s a downgrade. It’s how Homing thinks normal people live, and he thinks he can just plop his family out in the real world and live a quiet, normal life without blowback from a population that has suffered terribly at the Celestial Dragons hands. His ignorance and naivety, while well-intentioned, is staggering.

Because remember, slavery is technically illegal within the World Government. Only criminals and people from nations not affiliated can be taken to auction. What initially seems like a kindness turns out to be sending pigs to the slaughter, because what nation wouldn’t react the way this one did once they found out the truth?

Because what the WG (and by extension the CD) have done is punish nations who don’t kowtow to their power in order to fulfill the demand for slaves. Even the bit about criminals is terrifying when this is a world where for some it’s a crime to even be born, to say nothing about the Celestial Dragon’s refusal to obey their own laws if it means they can get what they want, when they want it.

The whole Homing situation puts a different spin on Doflamingo’s speech during the Marineford War. People who have only known peace can’t understand those who have only known war, and that lack of understanding is what ultimately led to his undoing.

That’s not to say that the Celestial Dragons are incapable of change on an individual level. One Piece is, ultimately, a very optimistic series, so while I was initially surprised that Saint Mysogard returned during the Reverie chapters as a good guy, upon later reflection it made sense with the points Oda was trying to make during the Fishman Island arc—that if different groups can try to understand one another, they can get along.

But it took an extraordinary event in almost being killed by his own former slaves and an extraordinary diplomat in Queen Otohime to change the mind of one (1) Celestial Dragon, and it doesn’t look like Saint Mysogard has been able to bring anyone else around to his point of view in the 10 years since he realized he was, in fact, human. And when feel like you’re due everything because you’re a god, why would you want to lower yourself to the position of a lessor being?

The Celestial Dragons are trained from birth to think of other human(oid) beings as less than animals, where sadism and torture aren’t only encouraged, but celebrated. The system has corrupted to the point where there’s no incentive to change and no oversight to prevent the abuse of power, and with the ability to call the admirals on anyone who pisses them off the average person has no hope of fighting back. It’s difficult to guess how noble the progenitors of the current Celestial Dragons were, but judging by what we know of the Void Century we can guess not very. At the same time, it’s hard to imagine them starting out as the mustache-twirling villains as we see in the current day. The only difference between the Nefertitis and the other kings was one man’s choice to stay with his people. In an alternate universe Vivi could have been a Celestial Dragon.

Now there’s an AU idea.

At the end of the day, the Celestial Dragons play an important role within the One Piece universe, but they are not, by themselves, important to Luffy. He hates their guts and enjoys punching them in the face, but he’s a pirate, not a Revolutionary. The future for One Piece is delightfully opaque, and it’s hard for me to see how the Natural Enemy of God ends up tearing the system to the ground. Will the Straw Hats end up going to space? I don’t know, but there are a lot of people who think it’s at least a possibility.

I personally find them at their most interesting when they’re playing the part of the outside influencer. The Celestial Dragons have only been the direct opponents to the Straw Hats a handful of times, but they’ve played a direct role in the lives of so many other characters—both heroic and villainous—that without them the series could not exist as it currently does.

And that’s the power of good worldbuilding. I don’t need Luffy to face off against Im to be satisfied with the series. In fact, he was brought in so late that I’ll be a little disappointed if he ends up as the final boss fight. I’m okay with the Revolutionary Army storming Mariejois off-screen, because while those are important players and major chess pieces, that’s never been where Luffy’s focus has been. He’s the man who’s going to become the Pirate King, and until the Celestial Dragons somehow get in the way of that dream he’s not going to bother with them. This lack of focus allows the inherent darkness of the Celestial Dragons not to overshadow the more lighthearted, whimsical aspects of the series. They explore certain themes that are important to One Piece, but the story doesn’t dwell in the mire, and I think it’s all the stronger for it. .

#long post #celetial dragons #world building #sarc talks

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majoraop · 3 years

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Another contribution for the One Piece Bingo organized by @op-pirate-fleet: a short story from Doflamingo’s point of view based on the “heroic gesture” prompt of my card. If you’ll enjoy this fanfic or find anything to fix please comment! ^^

The Untangled Puppeteer Donquixote Doflamingo didn’t like heroes nor believed in good endings. Life wasn’t fair. When someone won, someone else lost (a loved one, freedom, a place to belong—the list could go on and on), and the ending that felt “perfect” to some might be unsatisfying to others. Doflamingo smirked even if his head still hurt as the result of his opponent's “heroism”. Usually, people root for the protagonist—the “hero” of a story—and the people of Dressrosa had rooted for that stupid monkey. They had even called him their “saviour”. How naïve of them! They were not safe nor free when they still had to pay a gold tribute to those other monkeys sitting on their opulent thrones. But they will fall too, one day. Soon. Dressrosa's people had got excited for the fighting more than they ever had for the half-hearted colosseum skirmishes. They had wanted to see the "good guys" prevail against the "bad guys". In the end, while some betrayed him (as usual), some others remained faithful. Maybe, his “family” had a real meaning after all. Doflamingo smiled. He could claim that victory at least. That Monkey D Luffy was interesting. While acting like a “hero”, he didn't consider himself one. He was different from most people: not after revenge like he and Law, but just a crazy free bullet that had only seen him as an obstacle to overcome. Sure, he had fought for Viola’s niece and the other people once he had discovered his plan, but Doflamingo couldn’t blame him: even if he had had his own rightfully reasons, he had still literally caged him and his friends. He had never seen someone fighting so fiercely to get his freedom back. Voices told the truth: Monkey D Luffy wanted to become the freest person in the world. The Pirate King. Doflamingo wasn’t surprised he hadn’t become a revolutionary instead. The Revolutionary Army fought for freedom, but its members were not free; they were too bond to their “liberty” ideal to pursue it for themselves. Pirates, instead, weren’t bound to responsibilities. Yet, that brat’s answer to his provocation (what’s the point of acting like a hero?) had still surprised him. If you cannot save everyone, why even bother? What good will bring an imperfect justice? His brother had acted upon “justice” too, but still a flawed one: he had “saved” a single child leaving the rest back with him. Maybe, it wasn’t a matter of justice but hope. However, Doflamingo had learned as a child that there couldn't be real hope in an unjust world where the winners—the “heroes”—decided what “justice” was for everyone else. Doflamingo's bitter laughter startled the guards, and he savoured the worried glances they threw at him. So-called “heroic gestures” were just the result of egoism: a “good” one for some, but still egoism. In the end, it’s just a matter of point of views. Doflamingo wondered if Monkey D Luffy, too, had felt angry, lost, or lonely as a child. Sometimes, he might have feared for his life or someone else's (nobody wants to remain alone). He must have cried—all children do—even if some only cry in secret, when nobody can see them, and people end up thinking they are fearless monsters (Doflamingo still remembered the fire, the screams, his angry tears). Why didn’t you understand, Roci? He imagined his brother smiling light-heartedly, joking, making plans for the future together with Law. Without me, your older brother. He had loved Roci so much he had killed him to forgive him. For breaking free of his cage without permission. For putting his morals as a marine—as if they weren’t assassins too, and of the worst kind!—over love for his family. For leaving him behind. Doflamingo felt irritated with Rocinante for even giving up his goal—stopping him—to stay together with Law. Someone so similar to me, not the less. Law knowing that made it slightly more tolerable, but in the end, he too became free from his past. But I won’t let it go. Victims turned into executioners had condemned him and his brother when they were just innocent children. He could not accept such injustice—such “justice” of the masses—and had fought back with his Conqueror's Haki. After that, he had tried to protect his family: he had helped Roci surviving in the streets, brought food to their ill mother. He had tried everything, unlike their inept father. Why wasting time asking for help from the same people who abandoned us in this hell? His disgustingly good-hearted, foolish father! He had betrayed all of them to follow his impossible ideals, so he had killed him. He had done it for Roci, too. To save him from a terrible life. But it had been useless: the Celestial Dragons had never admitted them back to Mary Geoise, and his brother had run away. His brother lost, Doflamingo still cared for his found family. He had mourned the death of Monet and then Vergo. He even felt remorse when they died for him, but that had been necessary in his ultimate goal to destroy the world: a world full of hate and discriminations, of prejudices and ignorance. People called him “Heavenly Demon”, and yet he had accepted in his family individuals no one wanted around. He did feel superior to the others, but he knew that they were all humans in the end, no matter how some still called themselves “gods”. No matter how he played along and claimed to be one too sometimes: it was just a game, an act. Doflamingo knew very well that his Conqueror's Haki wasn’t proof of some no-existing "birthrights". He deemed himself worthy of reigning over others only because he had earned that for himself. Despite all of that and his unshakable will to survive, though, he had lost. Now, he had no right to choose how to die anymore nor decide what “justice” was; winners did that. Yet, he still had his curiosity. What would the Riku family do from now on? Did they expect peace on Dressrosa? He laughed again, amused this time. He could see hordes of pirates invading it since the very day he had fallen. What would Law do? He hadn’t killed him in the end, so maybe he felt empty, his revenge unfulfilled? Or did he find something or someone else filling the void in his existence? And what about me? Despite lying chained on the cold floor of a cell, he didn’t feel so bad. Had his (spare) glasses shattering at the end of the fight been a catharsis? At least, he deserved punishment this time around. He could live with that. It felt strange to think that his confrontation with that crazy monkey might have been the best thing ever happening to him. Even if in a way he had not predicted, that event had broken the spiral of deceiving and violence that had entangled him ever since he was a child. For the moment, at least. He still had plans, cards to play. Maybe, one day he would also find hope again—no, better leave such useless things to guys like Fujitora (apparently, the Marine admiral had become a fan of Monkey D Luffy). He would rather keep his prudent stance, the protection of his glasses up again against that shitty world: he didn’t care if, from the outside, that may look like a last desperate tentative to keep control over his life. Probably, one day I’ll take them off myself. As much as he didn’t believe in heroes, to see the world unfiltered and not through rose-coloured glasses would be a heroic gesture by itself. How ironic! In any case, he believed that his role hadn’t ended yet. Maybe, his defeat had been a necessary step before a new beginning. He would find a way to free himself and the remaining members of his family. He would probably find new people worth his attention and time, too. He would be even more careful from now on (he would still ignore the remorse that sometimes bit him). He was still alive, meaning that he had a second chance. At worst, he would even help the revolutionaries if that meant finally seeing the World Nobles’ demise. He knew firsthand the pain they caused to people, so he may connect with the revolutionaries—or maybe not. Not on a deep level, at least. He liked to have people around but couldn’t let his guard down, ever. Unlike his stupid father, though, he wouldn't waste his potential and hide away from his fate. He would take things into his own hands. Not like a hero, but like a man. Even if nobody ever really treated him like a human being. So, why should he act like one? Abused for being a (fallen) Celestial Dragon or supported as a king by his new family, there was no middle ground. His found family had recognised his worth but eventually used him as much as he used them. Probably, only that crazy monkey had ever treated him as equal. Despite fighting Monkey D Luffy had made him relive his past trauma with parallels worth of a well-written story, it had also made him somewhat free. I can’t believe this just crossed my mind. Was that a “side effect” of his opponent’s “heroism”? After all, Doflamingo had been the one making the cage, but he had still been at the centre of it, caged himself, as he pulled strings and controlled others. But now, my threads have been cut. He could start anew.

#opbingo2020 #doflamingo #donquixote doflamingo #onepiece #one piece #opfanfic #opfanfiction #majoraop #long post #(Probably Doflamingo is a bit out of character here since I tend to mix my own headcanons with canon stuff. ^^’ )#(Sorry for not using the read more feature but that would count as a link and posts with links often don't appear in searches and tags...)#queued

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libralita · 3 years

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The Ballad of Songbirds and Snakes

Suzanne Collins

Summary: Ambition will fuel him. Competition will drive him. But power has its price. It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He’s been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined—every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.

Rating: ★★★★★

Review:

So, this is a bit of a “disclaimer” or more of an interesting fact: I’ve technically never read The Hunger Games Trilogy. I had to read the first book for my English class, and it was a time where I hated being told what to read so I used SparkNotes. We also watched the first film in that class but that doesn’t really matter because A) that was like 8 or 9 years ago and B) it was for my class so you can bet I wasn’t playing attention. So, for all intents and purposes, I have not read the Hunger Games. Now you may be asking why I decided read this…seemingly controversial book rather than the much beloved original trilogy. Cuz my friend said I should, the audiobook sample intrigued me, and when are you going to see a review of this book from someone who hasn’t read the original trilogy?

Before I go into spoilers with this book, I just want to say as someone who has at best a surface level understanding of the Hunger Games trilogy, I think people are being a little bit harsh about this book. This book made me completely understand why Coriolanus Snow went down the path that he did while also not glamourizing it or making excuses for it. I genuinely felt bad for this young man who has delt with so many hardship that no one would should suffer through. However, he still does horrible things and the book recognizes that he does horrible things. It is a fascinating character study with a bit of background on how the Hunger Games came to be. Perhaps my opinion will change once I read The Hunger Games trilogy (which I intend to do) however at this point I think this was an amazing book and you should give it a fair shake. Now, onto spoilers.

The only flaw I found with this book was it was a bit too on the nose with a couple of things. First some of the names. Gaul. Satyria. Highbottom. I know that Collins started off as a middle grade writer and these feel like very middle grade character names. They just describe the characters a little too perfectly. In YA, it’s more popular to make characters where their names’ meanings give an insight into their character. Not a huge problem but a bit silly.

Second, I’m a little conflicted on the political talk. On the one hand, holy shit a YA book that talks about political theory? In an intelligent way? That’s not just screaming about real world politics? Oh my! On the other hand, it’s a little too on the nose. Gaul having Coryo write about the Social Contract and then this conversation:

“‘I do. Unless there’s law, someone enforcing it, I think we might as well be animals,’ he said with more assurance. ‘Like it or not, the Capitol is the only thing keeping anyone safe.’ ‘Hm. So they keep me safe. And what do I give up for that?’ she asked.”—Page 434

Hobbes would swoon over Coryo. It wasn’t bad just on the nose. And to a degree, I get it, I’m working on getting my masters in political science and I’ve read Hobbes and Rousseau whereas most the intended audience probably hasn’t. So, I call this a nitpick for me

Other than this book being a little too on the nose, I found very little fault in this. Maybe the Post-Games story line was a little less interesting but it still wasn’t bad by any means. This book is a character study of Coriolanus Snow, so I’d like to talk about him and his dissent. While reading this, my friend asked me if I hadn’t known that Coryo would one day become President Snow, if I could see it coming. And, while it’s hard to tell exactly, I think Collins manages to balance both Coryo being sympathetic and showing how he could become the person that he is in the trilogy. There are three…phases or Coryo’s life that really illustrate how he becomes President Snow. First is his life during the War. Second, is his life During the 10th Hunger Games. Then his life Post-Games. Collins does a wonderful job of portraying what it was like for Coryo during the war. The horrors he had witness of enjoying the life of luxury at an early age and then his world crashing around him. Of his family dying. Of the struggles to survive. Of him witnessing his friends’ parents restore to something horrible like cannibalism. It’s brought up a lot because it’s something that scarred him.

Now his During-Games life/the first half of this book. Coryo and the people around him are clearly dealing with the PTSD of growing up in a war zone. He’s essentially starving through most of this section during the book and on the verge of losing of what little he’s held onto since the War ended. I feel really bad for him. There was a part of me during this section where I hoped along side him that Lucy Gray would win the Hunger Games, he could go to University and continue his relationship with her. Maybe they could have changed Panem for the better. And while in this section he was no pure angel, you could see Gaul and Highbottom pushing him to become a worse person. You could also see the red flags that become worse in the Post-Games section.

There are two major red flags I picked up on during this read through. First, is his relationship with Lucy Gray. He’s very possessive of her and he gets very jealous when she sings about another guy during The Hunger Games. This made the relationship slightly uncomfortable for me…though let’s be honest if Sejanus was pining after Lucy Gray he would be acting no different from any other YA love interest (shots fired.) He actually reminded me a lot of Jace from The Mortal Instruments. The second red flag is his treatment of Sejanus. In a meta sense Sejanus is your typical hero and the fact that Coryo is using him (and really anyone besides maybe his family?) is a giant red flag to me as a reader. He doesn’t like Sejanus or Mrs. Plinth. He just wants to use them. Which is really sad but shows that is eventually dissent into Post-Hunger Games Coryo is foreshadowed.

Now, let’s talk about Post-Games. I took a break once the Games ended because I was a little unmotivated to keep reading. I didn’t know if I would like Coryo leaving the Capital. I liked seeing the political maneuvering of the Games and his dynamics with his classmates. However, watching his dissent was great. His relationship with Lucy Gray went from slightly concerning to full blown toxic. His possessiveness of her really amped up. Coryo also isn’t really happy to see Sejanus because it’s a friendly face, it’s because there’s someone to recognize his status and for someone he can use. Again, another moment of possibility of where Coryo could have let Sejanus and maybe Lucy Gray escape and he could have gone off to become an officer. Work his way up and become the President. However, he didn’t take that path.

It was so heartbreaking to see Sejanus die, there was still a glimmer of Coryo’s humanity where he genuinely felt guilty but you could see his self-preserving nature showing its ugly head. And then his journey is cemented when he can’t handle being out with Lucy Gray so he may or may not have killed her, then he goes back where his family pictures are ruined and his mother’s powder is mush. The only thing left his is father’s compass.

Speaking of his father, one final character I’ll mention is Dean Highbottom. I wish we got a little bit more of him because his view of Coryo is interesting. It seemed like Collins gave a very subtle story about how Highbottom was worried that Coryo would turn out like his father. But Highbottom ended up created the monster he wanted to prevent. If he had shown Coryo compassion and understanding, he might have turned out differently. This ended up getting Highbottom killed which was a great way to end the book. Sad but great.

Overall, I think this is a great story. I loved seeing all the different roads Coryo could have taken and how things could have turned out differently. I am planning on buying the Hunger Games trilogy so it’ll be interesting to see how this changes things for me.

#the ballad of songbirds and snakes #the hunger games #suzanne collins #reviewsdaytuesday #ballad of songbirds and snakes #hunger games

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stray-tori · 3 years

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TPN S2E01 Thoughts (anime-only)

Watching with friends:

youtube

Opening thoughts so far

of course this parallel which i already cried about in its own post. I just. my emotions. AHHHH-

I’m not sure what it means but the cut from two hands forming a grid to the chains being aligned similarly and creating a chainlink fence. The hands covering someone's vision could be the deception of the farms or something of the like, especially since it comes after the shot with all the moms lined up. But those illusions are a prison, therefore the chains. I'm just not sure how it correlates to the post-escape. I guess the system/society overall

I rly just wanted to appreciate the smooth transition work haha

Another TPN server member pointed out its not two hands covering someone’s vision, it’s a demon and human hand, making a deal. I’m blind. Match cut still cool.

I also can't believe my prayer for empty space composition got real. I JUST LOVE IT BECAUSE I WAS SAYING IT THE WHOLE TIME I was like "I hope they do a thing on the poster or something, where its framed like the three of them are there but norman's is just empty space" AND THEY DID IT!! ONCE AGAIN MY FEELINGS. IM SO HAPPY THEY DID IT BUT ALSO OUCH

The episode

A lot happened but it didn't feel rushed particularly for me personally, excluding the few shots it didn't stay on long enough to really make out anything (and you can pause on those so). They reference they've only recently entered this type of forest (implying they've been on the way for a while), and the forest before that wasn't as... "fantasy", they also referenced being up on a high point of view (likely the cliff they stand on at the end of ep12 or another high point they've been at) where they've seen the river.

The only thing that I feel could have used some time is Ray. Having him have that sort of resolution like 5 minutes in (when before he was sure he'd be dead and therefore didn't plan to take any responsibility for what happens after the escape) feels kind of weird, especially if we haven't seen Emma burdening that much by herself except emotionally and implied also for other activities (I feel that there's some setup missing for her leaving Ray to do the bait thing later in the episode).

I also think having a bit more time between the "oath" and him breaking down being like "I can't give up, I promised" (which was amazing angst, I approve) wouldn't have hurt, but it's also kind of a nice circle within the episode I guess.

Overall, they seem to be moving fast (although I'm not really bothered by it personally), but unless they directly contradict something from the manga, I think if someone wants more details, they can read the manga and add those informations into their experience! Not everything needs to be reiterated, sometimes. And so the anime can move forward faster, both for better and worse.

Haven't read the manga though so I don't know if that works the way I think it does.

But yeah. I feel like an earlier point would have been a good cliffhanger too, maybe around the time Emma faints?

[About the carving in the tree]

What I assumed was that Ray gave them the clear signal, but if he didn’t returne, they'd gone looking for him and get hold up. So he carved that, i assume, to tell them what happened and make them go the other way instead of looking for him. Not that they'd listen probably but YKNOW.

I'm not entirely sure.

My friends and I had this whole tangent about “it'd be funny if the demons saw it and just showed up at Minerva's base. Minerva dead”

though I also assume that the coordinates are minerva internal stuff but then again the one scientist did just randomly lose the pen for krone to find so. yknow. idk if their system is the most competent in being secretive and not having a demon pick one up at some point haha-

“ what do you feel about the general vibe of this new direction? ”

tainted anime-only but I'll try to give thoughts udsihsdj

Hmm I don't really have any particular feelings I suppose? I'm definitely excited though, I feel like even though the setting and feel has changed from kind of subtle thriller to like, out-right scary monsters and survival, the underlying kind of angst and sincerity stayed the same? I guess it could also be argued that since the anime put less focus on the internal planning and more focus on the character expression and stuff, it's not as extreme of a shift for the anime in a bubble.

I guess I initially thought TPN was kind of "grounded" - ..... aside from the yknow, big children eating demons - if that makes sense? But I think it's also interesting from a meta perspective that the outside or at least segments of the outside (since they said that the previous forest didn't have all those fish bugs and plants) are so fantasy based because in the bubble of GF house its kind of easy to assume the world is just kinda ours but slapped demons on top of it (so in a twist of events, the trapped children who grew up in a lie knew a lot more about their world than we did).*

So I think the fantasy direction is kind of interesting (i also find it interesting that it's only segments of the world, apparently, so I wonder if that has any implications for why the fish bugs and plants are limited to those regions aside from... I guess just natural territory).

* which i also find interesting, because apparently they had a book on it in GF. Which heavily implies that either those things existed before the demons or the demons didn't "take over" fast enough to stop the making of books that depict those things. So I guess really the fantasy elements for them in-universe aren't really surprising. It was kind of surreal, watching them talk about them so normally when so much of the setting up until now was very non-fantasy (again, demons aside of course)

I wrongly assumed the last book being from 2015 implies that the demons took over then, but that contradicts another observation I made before and I totally forgot about but I like it more. So I’m going to redirect you there: Year Count based on demons thoughts

It’s probably gonna go more into demon stuff and all that so that's cool and I'm curious. I'm still not sure if the two new demons designs imply that they're lesser or not, because they have those masks that essentially "fake" what other demons seem to have naturally (the multiple eyes, the horns) but I'm not sure if that means they use that to substitute or if it's the other way around. It kind of feels like paying tribute to those characteristics but I can't really... explain it well haha

#tpn s2 #tpn s2e01 #tpn #tpn anime #tpn anime-only #tpn s2 spoilers #tpn s2 ep1 spoilers #tori talks #tori has opinions #long post

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bard-llama · 4 years

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The Witcher Fic Masterlist

Masterlist of all of my Witcher fics, updated as of June 5, 2021.

If you like my writing, consider donating to my ko-fi! I am writing gift fics for all donors.

Here is a masterlist of all completed multi-chapter fics.

Series:

Families of Choice

Geraskefer Canon Divergent AU

Summary: The best families are those you choose. Jaskier realized that early in life, but his family continues to expand over the years.

Series Masterlist

Cintra Happily Ever After Series:

AU from the Families of Choice Series (as of the end of 5 Dinners with the Lioness chapter 5)

Summary: A series in which I pretend everything is fine and nobody dies, and Geralt makes Cintra his home base after the feast in episode 4.

Series Masterlist

Chronic Pain Series

Summary: Unconnected shorts in which I vent my pain onto fictional characters.

At Her Back

Summary: Yennefer was born with a twisted spine. Her transformation had cured her, but she still felt the pain as if nothing had changed. Geralt offers Jaskier's services as a masseuse.

Coming to a Head

Summary: During a confrontation gone wrong, Jaskier gets hit with a spell that is supposed to cause unimaginable pain. So why does Jaskier seems mostly unaffected?

When Pigs Talk

Summary: When seeking pain relief, Yennefer takes something that makes the pigs in her pig pen start talking. It’s the start of an interesting evening.

Your eyes aren’t rivers there to weep

Rated E

Summary: Geralt’s eyes burn and ache like he’s undergoing the trials again, so Jaskier does his best to help distract from the pain.

Don’t Cry for Me, Temeria

Iorveth/Roche Witcher 2 Different First Meeting AU

Summary: A Witcher 2 Canon AU in which Iorveth and Roche meet before either of them know who the other is. Somehow, this changes absolutely everything.

Series Masterlist

Fish Out of Water

Iorveth/Roche MerMay AU

Summary: Once upon a time, all elves lived in the sea and had mer forms. Now, Iorveth is something of a novelty, one of the last true elves.

Series Masterlist

For You, My Love, I Bleed

Iorveth/Roche angsty AU

Summary: Iorveth and Roche had been happy, or so Iorveth had thought. Then King Foltest recalls Roche to the capital, and suddenly Iorveth is left alone as Roche returns to Foltest. Roche made his choice, clearly, and Iorveth just has to deal with that. But all is not as it seems, and Roche considers everything worth sacrificing if it protects the man he loves.

Series Masterlist

A Hard Day’s Night

Iorveth/Roche interrogation AU

Summary: Iorveth ends up imprisoned, with Vernon Roche as his interrogator. From there it only gets worse - or better, depending on your point of view.

Series Masterlist

If You’re Good to Mama

Iorveth/Roche Outsider POV

Summary: The Clarabelle is the finest brothel in town and its located in the shittiest part of town. Follow the adventures of the Madame, Eliza, and the brothel workers as they start working to supply food to the terrorist elves in the Scoia'tael.

Series Masterlist

Keep Me

Iorveth/Roche fanart AU

Summary: All Vernon Roche wants in life is someone to keep him and appreciate him. Surprisingly, he may find exactly that - in the form of his enemy, no less. Based on this art.

Series Masterlist

King and Country

Iorveth/Roche divergent AU

Summary: When Foltest rejects Vernon Roche, he sets into motion a series of events that have consequences he never could've expected. A universe in which Roche's anger and hurt at Foltest remove the rose colored glasses.

Series Masterlist (NEW ADDITIONS!)

Love Shack

Iorveth/Roche Secret Relationship AU

Summary: The Love Shack: a ramshackle cabin in the forest that happens to be Iorveth and Roche's only respite from a reality full of violence, war, and hate. In the Love Shack, all that matters is each other.

Series Masterlist

The Lovestruck Fox

Iorveth/Roche Schoolgirl Crush AU

Summary: It’s obvious to anyone with eyes that the Scoia’tael Commander holds his opposite in the highest esteem.

Series Masterlist

Petals and Stripes

Iorveth/Roche Hanahaki AU

Summary: Those that felt the deepest of deep loves could develop a condition known as the wasting disease. Those afflicted slowly suffocate as their lungs fill with fruit representing the one they love. Well, it's supposed to be fruit. So why is Commander Roche coughing up flowers?

Series Masterlist

With A Look I May Not Meet

Iorveth/Roche capture AU

Summary: When Iorveth is captured using his relationship with Vernon Roche, Roche is forced to make a decision. Stand with King Foltest and Temeria as he has always done - or choose Iorveth and go on the run.

Series Masterlist

The Woodland Fox and The Temerian Hound

Iorveth/Roche animal transformation AU

Summary: Roche usually didn’t mind Triss’s magic much. Sure, she poked at him with it all the time, but it was always playful, inviting him in on the fun. This time, however, something had gone very, very wrong and he was quite sure that it would take him a long time to trust her magic again. Because somehow a rebound spell had hit him, and now he had a tail. A dog’s tail. Well, he was always getting called Foltest’s attack dog. Now it was just a bit more literal.

Series Masterlist

Under the cut:

New! Gen fics (22)

Yennefer fics (4)

Geraskier/Geraskefer fics (25)

Geralt getting railed fics (4)

Cintra fics (Calanthe/Eist and others) (9)

Lambert/Aiden fics (6)

Lambert/Jaskier fic (1)

Wolf Witcher fics (2)

New! Iorveth/Roche fics (45)

New! Saskia fics (3)

Gen Fics:

(They came after me) With Masterful Deceit

Summary: When Jaskier discovers that Yennefer has Elven blood, he is forced to confront his prejudices.

Beauty and Imperfections

Summary: Jaskier signs up to be a nude model. He's expecting it to be a fun, sexy time. It goes a lot differently than he expected.

The Blood of the Covenant is Thicker Than the Water of the Womb

Summary: Found Family prompt fills, focusing mostly on Iorveth and Roche. Chapter 1: Geralt invited all of his family to join him in Corvo Bianco, which is great, but has the downside that finding a moment alone is near impossible.

Cards Out For Your Country

WiP

Summary: In which a great number of people are convinced or coerced into posing for a Gwent Pinup Calendar.

Greg the Demon Horse

Summary: Jaskier tries to make a stuffed toy for Ciri. If only he knew how to sew properly.

Gwent, The Good Old Game (NEW!)

WiP

Summary: Zoltan, Dandelion, and Priscilla decide to go all in on a new money-making scheme involving gwent. This time, they are going to sell stories and dolls of the characters that appear on gwent cards. It's guaranteed to make a killing.

History is Written by the Victors

Summary: “Dara said grandmother’s men laughed as they raped women and killed babies by - by swinging them by their legs, bashing their heads in.” Fuck. Tentatively, Jaskier wrapped an arm around her shoulder, pulling her into a hug when she didn’t flinch away. In his head, he could hear Filavandrel’s voice, the humans proudly watch these very fields grow... our babies fertilizer for their grain. He swallowed against rising bile. Against his neck, he could feel Ciri finally succumb to tears. “How could grandmother order that? I know her, that wasn’t what she was like! But Dara wouldn’t have lied.”

Wherein our characters struggle with knowing that good people can do awful things, and that everything you think you know is probably wrong.

How to Train Your Roach

Summary: The story of how Jaskier's stupid ditties on the road accidentally trained Roach.

Inspired by Her Fire

Warning: Spoilers for Witcher 2, specifically something from the end of Iorveth’s Path.

Summary: Saskia's POV during the Council Meeting where Saskia introduces Iorveth.

It’s the Little Things

Summary: A collection of fills for various prompts! Chapter 1: “You. Rest. Now.”

jaws that crack the bones the lion leaves

Summary: Jaskier writes a song about the Slaughter of Cintra.

Life is a Cabaret

Witcher 3 Canon/Spoilers

Summary: Set during the Cabaret quest, after Geralt helps Dandelion with his staged fight, he decides that Dandelion's big comfy bed at the Rosemary & Thyme is perfect for a bit of rest. Dandelion doesn't exactly mind.

The Lion That Haunts My Dreams

Rated M

Summary: Calanthe does what is needed to protect her kingdom. Dara just wants to forget. Two perspectives on a genocide.

Marilka

Summary: Geralt knew he couldn’t claim his Child of Surprise. Destiny had punished him harshly the one time he’d thought about raising a child. He could not risk its wrath again.

Power

Summary: Yennefer had been forced to fight for every bit of power she had. So why does the power to make people see her seem so unattainable? An introspective look at Yenn during the Dragon Hunt (but ignoring the break up because I can)

Sentenced to Write

Summary: A collection of fics from 1 sentence prompts. Chapter One: Thief!Ciri Chapter Two: Kid!Calanthe

Soft Words and Kind Hearts

Summary: A collection of fills for Geralt Fluff Week 2020. Day 1: First times. Geralt gets a tattoo and becomes part of the Blue Stripes Commandos

Sweat and Blood and Tears: A Geralt Whump Collection

Summary: Collected shorts for Geralt Whump Week

What Makes a Family

Summary: Ciri spends her first birthday since the Fall of Cintra at Kaer Morhen.

What You Meme to Me

Summary: A collection of Witcher fics inspired by memes. Just because. Second chapter: Jaskier doesn't understand why people are so obsessed with gender. Why would what's in their pants matter?

The White Wolf

Summary: Geralt always gets named the White Wolf in fight clubs, even before Jaskier gave him the name. Sometimes he even hid his medallion and gave a fake name, and still, he was always called the White Wolf.

Your Voice is Your Life

Summary: “Your voice is your life.” His old teacher used to tell him. Jaskier largely disagreed, but then a djinn steals his voice. Bottled Appetites from Jaskier's point of view

Yennefer Fics

To Be...

Summary: Collection of shorts for Yennefer Appreciation Week on Tumblr!

A Tribute to the Fae

Rated E

Summary: When Yennefer accidentally trespasses on fae land, she must pay the price.

Viscount Pankratz and Wife

WiP

Summary: When Jaskier receives an invitation to a fancy party addressed to him and his wife, he decided he deserved a night of fun causing problems for people. Who better to help than Yennefer of Vengerberg?

Yenn & Djinn

WiP

Summary: Bottled Appetites AU Jaskier’s last wish is for Geralt to appear. This manages to change everything.

Geraskier/Geraskefer Fics:

(I would not wish) Any Companion But You

Summary: I’m not your friend, Geralt always insists whenever Jaskier calls them such.

100 Ways to Love You

Rated E

Summary: A drabble collection for Witcher OT3 sex Okay, it might be more double drabbles than drabbles, but shhh

Awaken in Pleasure

Rated E

Summary: Geralt dreams of having Jaskier waking him up with sex. He finally manages to ask for it.

Bounce a Coin Off Your Witcher

Rated E

Summary: Jaskier has lots of thoughts about Geralt's arse in leather pants. And then they get stuck in a small room together.

Butter That Biscuit

Rated E

Summary: Bottled Appetites Ep 5 AU – When Jaskier awakes in Yennefer’s room, he does, in fact, butter that biscuit.

Five Almost Kisses and One Happily Ever After

WiP

Rated E

Summary: What it says on the tin. Geralt knows he wants Jaskier, but why would the bard ever be interested in a witcher? Five times Geralt ALMOST figures it out and one time he actually makes a move.

Five Times Geralt Frotted Against Jaskier’s Ass and One Time He Fucked It

Rated E

Summary: Based on this tumblr post about Geralt frotting against Jaskier's ass in his sleep.

Fulfilling a Need

Rated E

Summary: Geralt has been twitchy and restless lately. When Jaskier confronts him, he discovers that what Geralt needs is for Jaskier to take control and fuck his face. So he does.

Gestures of Affection

Rated M

Summary: A collection of shorts featuring any configuration of the relationship between Geralt, Jaskier, and Yennefer and the ways they show affection to each other. With bonus Ciri, because she’s their family.

Hit Me Baby (One More Time)

Rated E

Summary: Jaskier desperately wants physical evidence of Geralt’s love for him.

How to Spoil Your Pet

Rated E

Summary: Yennefer and Jaskier team up to give Geralt everything he wants. He wants a lot. Good thing they're amenable.

Howling Swirling Storm

Summary: Jaskier is a winter spirit who has always been shit at hiding his powers. But somehow Geralt still never figured it out?

Jaskier’s Words are Horseshit

Summary: The thing about Jaskier is, he never shuts up. Literally, ever. That was the first thing Geralt noticed about the bard, but he was not prepared for all that entailed. Jaskier was, quite literally, always making noise of some sort. If he wasn’t singing, he was humming, muttering, strumming at his lute. Even in his sleep, the bard hmm’d and sighed and mumbled and snored continuously.

A Kiss With a Lash

Rated E

Summary: Geralt asks Jaskier to punish him for the Break Up (TM)

Making Amends

WiP

Rated E

Summary: Jaskier is putting his life back together after the Mountain™. So what is he supposed to do when Geralt arrives at his doorstep?

Pamper Your Witcher

Rated E

Summary: Geralt doesn't let himself have the finer things in life. So Jaskier decides to pamper him.

That Wild Blue Yonder

Summary: Jaskier lives in the modern world as Julian Alfred Pancratz. When his family vacations at an old castle his cousin owns, he discovers an old wardrobe that leads to the Continent. Specifically, it leads to a wardrobe belonging to Madeline de Stael.

The Pleasure of a Good Bath

Rated E

Summary: Geralt had always enjoyed baths. Since Jaskier had joined him, they'd gotten even better - and it was making it difficult to hide that he wanted more.

Porny Prompt Pile

Rated E

Summary: Just porny fics based on prompts. First chapter: Geraskier - blow job while standing Second chapter: Geraskier - Jaskier riles Geralt into rough sex

Relationships Require Communication

Summary: Jaskier liked to joke about him being allergic to the word ‘friends’, but he wasn’t far off. Geralt was aware that he was not good at talking, not good at feelings, and definitely not good about combining the two. After Yennefer and Jaskier leave him on the mountain, Geralt does some thinking about what happened and how exactly he messed up. And how to fix it.

Rushing Thoughts and Pulsing Hearts

Rated E

Summary: Geralt knew he was in love with Jaskier, but what could he do about it? No one believed Witchers could love. Not even him, sometimes.

So hold me, lover, like you used to

Rated E

Summary: When Geralt brings Cirilla to Oxenfurt to search for Jaskier, he was not expecting to walk into a concert the bard and another were giving together. Songfic based on The Amazing Devil.

When Words Act As Phantoms on Horseback

Summary: Jaskier gets Geralt used to the lack of silence. Without him, the silence creeps up on him and itches at his mind until he must break it. AKA how Netflix!Geralt slowly becomes more like Game!Geralt.

With Knot But A Look

Rated E

Summary: Jaskier asks tamed werewolf!Geralt to fuck him in the forest under the full moon.

Worth 100 Words

Summary: This is a Witcher drabble collection, using prompts. Mostly OT3 and family fics with Ciri.

Geralt getting railed fics:

A Cintran Welcome

Rated E

Summary: Geralt’s Witcher stamina is too much for Jaskier to handle alone, but he wants Geralt to experience being fucked to exhaustion. So he arranges a gangbang in Cintra. Featuring Geralt’s self–loathing getting overwhelmed with pleasure.

Forest of Plenty

Rated E

Summary: Geralt goes to visit his friend Mousesack for some fun and discovers that Mousesack and Jaskier have already anticipated his arrival and prepared quite a surprise for him.

I’m Yours to Claim

Rated E

Summary: Geralt knew he would eventually agree to go to Cintra. It was Jaskier asking, after all. He hadn't expected to run into his old friend and fuckbuddy, Mousesack, but it was nice to see him again.

Size Matters: The Geralt Size Queen Chronicles

Rated E

Summary: Just porn about Geralt being a size queen.

Cintra Fics:

5 Gifts from Family, 1 Vision of the Future, and 1 New Start

Summary: Pavetta gets to know her family after the banquet.

Artistic Endeavors

Rated M

Summary: Calanthe discovers that her daughter has a habit of drawing rather explicit art. For the Banned Together Bingo prompt "Porn". Set before Episode 4: Of Banquets, Bastards, and Burials

Falling Into the Lion’s Den

Rated E

Summary: Calanthe and Eist have slept together many times, but it was never about feelings. So why does Eist propose to her and insist on changing everything?

Her Mother’s Legacy

Summary: Ciri had always had trouble with schooling. So if Geralt wants to train her in monster lore, he's going to have to do some things for her. Featuring ways Pavetta helped Ciri figure out how to manage her ADHD.

Like a Punch to the Face

Summary: “Oh sweet Cintra, you were so promising, from your spoiled princess to your stupid old king! But when I arrived, the royals were dead! Tossed out a window or shot in the head!” Ciri forced herself to keep walking past the puppet show, feeling like a fist had reached into her chest and ripped out her heart.

The Lion in the Woods

Summary: Mousesack teaches Ciri about the importance of balance.

The Lioness and the Seahound

Rated E

Summary: A collection of Calanthe/Eist porn fics. Chapter One: Calanthe positions Eist so that she can ride him while giving the illusion that she was taking him. Eist loves it.

Mousesack’s Educational Retreat for Proper Young Nobles

WiP

Summary: 13 year old Calanthe gets sent to a “whip-your-heirs-into-shape” 6 weeks and she is not happy about it. She’s also not delighted by this kid Eist, who is determined to become her friend, and sharing her room with 2 other noblewomen was not fun. Featuring 13 year olds’ interpretations of cultures, some significant cultural misunderstandings, and some slow but sure developing friendships.

O war! Thou son of hell

Summary: In the aftermath of war, Calanthe waits to feel the way everyone said she was supposed to.

Lambert/Aiden Fics:

An Evening of Frippery

Rated E

Summary: When Lambert and Aiden get invited to a fancy party, it’s the perfect excuse to dress up, dance, and have some fun.

Fuck Me Properly (NEW!)

Rated E

Summary: Aiden stumbles upon Lambert getting fucked by a plant. With tentacles. Then his brain kind of shorts out.

One Way to Skin a Cat (NEW!)

Summary: A reflection on Aiden's thoughts in the aftermath of his near death, and a realization of what Lambert must be thinking.

pretty witcher (walking down the street)

Rated E

Summary: Lambert decides to finally make his move, dressing up in his prettiest dress to encourage Aiden to give in to temptation. Before he has a chance, though, bandits force them into an unexpected position.

Silk and Lace

Rated E

Summary: When Aiden and Lambert split up on the road to tackle separate contracts before meeting again, Lambert takes the opportunity to spoil himself with pretty clothes and slow, drawn out pleasure.

Sweet Dreams Are Made Of This (NEW!)

Rated M

Summary: Lambert wakes up when Aiden has a bad dream. Fortunately, he knows a good way to get Aiden's mind off of it.

Lambert/Jaskier Fics:

Desperate Affection

Rated E

Summary: Lambert didn't know when he'd fallen in love with the bard, but he could no longer imagine life at Kaer Morhen without him.

Wolf Witcher Fics:

Ensnared

Rated E

Summary: Lambert, Geralt, and Eskel have a long tradition where Eskel ties them up. This time, they've invited Aiden and Jaskier in on the fun.

The School of the Wolf

Summary: Vesemir is old, the oldest Witcher alive. Witchers don’t retire, they get slow and they die. He knows he's slowing down, but all he has left in this world is the boys he trained, and the legacy of the School of the Wolf.

Iorveth/Roche Fics:

A Kiss Can Mean A Thousand Things

Summary: Fills for kissing prompts based on the 50 Types of Kisses Writing Prompts

And Ghosts Did Shriek and Shrill

WiP

Rated M for violence/gore

Summary: After the unjust murder of his team, Vernon Roche is willing to do anything to get them back. Even if it means drawing on unspoken-of beliefs from a childhood in Velen.

Before All Else, Be Armed (NEW!)

Summary: Iorveth and Vernon Roche are finally getting together. But when it comes time to disrobe, they run into a few problems. Namely, the sheer number of concealed weapons each of them carry.

Brewing Romance and Dissent

WiP

Summary: When a spear to the eye means that Iorveth needs to take at least a year to recover, he decides to spend it undercover in a coffeeshop in Vizima's Royal Quarter. He's also not expecting his favorite customer to be a human.

Can’t We All Just Get Oolong?

WiP

Summary: In which Iorveth and Roche discover that Roche's mom Eliza works for both of them, drink lots of tea, and slowly get to know one another.

The Chase

WiP

Rated M

Summary: Iorveth likes making Roche chase him when the Blue Stripes and the Scoia'tael clash. When Roche manages to catch him one day, something entirely unexpected happens. And then it keeps happening.

Commander Roche’s Secret Lover (NEW!)

WiP

Rated E

Summary: Commander Roche is very clearly hiding a lover. His team tries to figure out who it could be.

Deep Inside Me (NEW!)

Rated E

WiP

Summary: Iorveth longs for things he shouldn't want and his attempt to ignore that ends up making everything worse.

Devour What’s Truly Yours

Rated E

Summary: When Roche discovers Iorveth inside a magical circle of flowers with pollen that makes you feel good, he was not at all prepared to find out what they had to do before they could leave.

A Dh’oine’s Only Use (NEW!)

Rated E

Summary: Iorveth arranges for his Scoia'tael to make use of his new whore, Vernon Roche. After all, a dh'oine's only use is as a hole to be fucked.

Dream a Little Dream of Me

Rated E

Summary: It totally doesn’t mean anything that Roche dreams of Iorveth.

‘Ere Our Souls Are Ground To Dust

Summary: After Nilfgaard conquered the continent and deigned to let Temeria be self-governed, Roche finds himself drowning in work trying to build a new government and keep an economy afloat (well, more get it back there for some parts of Temeria). Meanwhile, he and Iorveth were managing to live a fairly domestic life together. It had only been a few months, but it was going well. Then they have their first fight. Over coffee, of all things.

Every Kiss Begins With Kayran (NEW!)

WiP

Rated E

Summary: Every once in a while, there was a local brave enough to seek out the Kayran for a pleasant distraction. The Kayran was delighted to oblige. And sometimes, sometimes there were people who wanted a more regular experience. People like Iorveth, who had scheduled monthly fuck dates to work off the stresses of command. Neither of them expected to get discovered during one such session.

Explore That Which Sets Your Soul Aflame (NEW!)

Rated E

Summary: Iorveth very much was not expecting Vernon to ask about his ears. But if he's going to satisfy Vernon's curiosity, it's only right that Vernon satisfy his in return.

Eye on You

WiP

Rated E

Summary: 5 Times Iorveth Accidentally Watched Roche Come and 1 Time Roche Watched Him

False Positive (NEW!)

WiP

Rated E

Summary: When Iorveth sneaks into Lobinden in disguise to enjoy the Imbolc festival, the last thing he expects is to deal with Vernon Roche - especially because Vernon doesn't know it's him.

The First Seeds of Trust

WiP

Rated E

Summary: As soon as Iorveth had started fighting vines rather than fighting him, Roche knew something was up. Still, nothing could have prepared him for what happened next.

Great Eggspectations (NEW!)

WiP

Rated E

Summary: In the aftermath of Temeria's fall, Vernon Roche is feeling unmoored. So it only makes sense to track down his once-enemy. Iorveth has always encouraged his mind to bring its best and right now, he dearly needs that. He's in for a slight surprise when he actually finds Iorveth, though.

A Heart’s Fire (NEW!)

Summary: Skellige is the only kingdom without a price on Iorveth's head, so it only makes sense to seek shelter there after the Scoia'tael are disbanded. The isles are nice, but what had been pleasantly cool in summer now turns freezing in winter and elves were not made for temperature extremes. So of course Iorveth manages to get caught in a blizzard.

How to Fluster an Elf

WiP

Summary: When Geralt, Dandelion, and Zoltan make a casual remark about never having seen Iorveth flustered, Roche decides to take it as a challenge. Featuring Nilfgaardian feasts, cultural differences, really fancy beds and baths, and a witcher, a dwarf, and a bard who are having the time of their lives watching Roche try to catch Iorveth off guard.

It’s the Little Things

Summary: A collection of fills for various prompts! Chapter 1: “You. Rest. Now.”

The language of friendship is not words but meanings

WiP

Summary: When Geralt is hired by the Blue Stripes and the Scoia'tael to find their missing commanders, he discovers that not only have said commanders somehow turned into children, but that the two groups managed to scare them away before introductions could be made. Fortunately, Roche and Iorveth both have their own ways of making themselves understood.

Leap of Faith

WiP

Summary: When Roche changes the rules of engagement in a skirmish with the Scoia'tael, Iorveth ends up captured.

Needs More Dragons

Summary: Frankly, 2 dragons in all the Witcher stories? Not enough. So have some fics with random dragons! Chapter 1: Honey, I Adopted A Dragon: Iorveth may have acquired a baby dragon while Roche was traveling. Roche is about to find out.

Never Have I Ever

Summary: The Blue Stripes have an evening off. What better way to spend it than by playing drinking games?

On Knife’s Edge

Rated E

Summary: After they assist in the Battle of Kaer Morhen, Iorveth and Roche end up traveling back to Temeria together. An injury to Roche’s arm leaves him unable to shave himself, so it’s only polite for Iorveth to offer his assistance… right?

Olfucktory Senses (NEW!)

Rated E

WiP

Summary: Iorveth typically found the smell of human exertion to be nauseating. But when it's Vernon Roche's sweat, somehow he finds himself responding entirely differently.

Orificial Business

Rated E

WiP

Summary: When Roche hears a rumor that the Scoia’tael might be frequenting a brothel on the edge of town, he decides it’s worth going undercover to see.

Pining and Poignards (NEW!)

WiP

Rated E

Summary: Iorveth may spend a lot of time thinking about Vernon Roche, but it didn't mean anything. It couldn't mean anything. Doesn't stop him from contemplating the possibilities, though. Meanwhile, Roche attempts to teach himself Elder Speech to translate the carvings on a knife Iorveth stabbed him with.

The Portrait of Cirilla Fiona Elen Riannon (NEW UPDATE!)

WiP

Summary: Ciri hates the portrait from her childhood that Geralt displays openly and proudly and loudly. He shows it off to everyone he can and she wants to destroy it. Lucky for her, two fighting enemies present a prime opportunity to make the portrait's destruction look like an accident.

The Pride of Temeria

The Blue Stripes are Temeria's elite Special Forces Unit. Their mission is to hunt down the Scoia'tael, but in between fighting and drilling, they get up to an awful lot of shenanigans. “He looks like he’s dead,” Shorty said, poking the sleeping form of their commanding officer with a stick. “Shorty!” Silas hissed shrilly. The newbie was still scared of breaking rules and he fidgeted nervously. “What?” Shorty shrugged, “He sleeps like the dead, it’s fine. As long as he’s not actually dead, anyway.” “He’s not,” Ves, their erstwhile second in command, rolled her eyes. “He’s just fucking weird.” “Are you sure he’s okay? How can he possibly breathe like that?” Igo frowned in worry, which wasn’t surprising for the man who had accidentally become their de facto team therapist. “What he needs,” Thirteen pointed in what would have been a dramatic gesture if not for the drunken stumble, “is a goo’ pair o’ tits to bury his face in.”

Red is the Rose (Complete!)

When Roche gives Iorveth a rose of remembrance, Iorveth doesn't know what to think. Legend has it that if you give a rose to someone you love, then it’ll live forever, but surely that can't be true. After all, Roche is his enemy.

Run Away With Me

Summary: Iorveth and Roche spend a starlit night together. “Run away with me,” he murmured, only half aware of the words he was saying. But when Iorveth froze, they truly processed and suddenly cold fear gripped him. He stuttered a correction, “I mean – I know, obviously, you can’t just leave your people. It’s – I–” Iorveth cupped his face, cutting off the stream of words. “Vernon,” Iorveth said, voice soft and wondrous. “Vernon,” he said again, tugging Roche forward into a desperate kiss, full of wanting and longing and regret. Even though Roche already knew the answer – of course they couldn’t just run away together – he still had to close his eyes and brace himself against the words he knew were coming when Iorveth drew back again. “Cariad,” Iorveth whispered, stroking his face. “Were my life my own, I would go anywhere with you.”

Scenes from Another World

Summary: Standalone scenes based on different trope AUs, but set in the canon Witcher universe.

Sentiment and Condescension

Summary: Roche hadn’t been planning to go to the Vengelbud party, but as soon as Emhyr told him not to... Now if he could just get Iorveth to leave him alone, he could get wasted in peace.

Seven Seconds in Holding

Summary: Iorveth is very, very unclear on how his last fight with the Blue Stripes led to him here, spooning Roche in the Blue Stripes’ holding cell, both their wrists cuffed together.

Spousal Privilege

Summary: Stuck at a diplomatic conference, Roche is frustrated that none of the elves in the room will even acknowledge he exists. Then Iorveth enters and it's like seeing an old friend. And then somehow they end up pretending to be married.

A Stubbornly Persistent Illusion (NEW!)

WiP

Rated E

Summary: Roche wakes up in a different world, one where he and Iorveth are raising Foltest's children in the dwarven city of Vergen.

These Boots (are gonna walk all over you)

Rated E

Summary: Neither Iorveth nor Roche had expected their fight to go like this. Inspired by this gorgeous art.

Time is Cruel, To Rob Us from Ourselves

WiP

Summary: An AU of Don’t Cry for Me, Temeria/(Im)Perfect Strangers where a magical artifact sends everyone back through events of Iorveth’s past. Iorveth is less than pleased, but the insights into his character may be invaluable for more than one person present.

Under Pressure

WiP

Rated E

Summary: When Iorveth defeats Vernon Roche, he intends to take his time interrogating his enemy. Fortunately, an abandoned mage’s house nearby provides him with the perfect toys to make this fun.

The Value of a Man

WiP

Summary: When Iorveth finally defeats Roche, he decides that such a valuable prisoner is worth ransoming back to the King. After all, surely the King's Enforcer is worth a few concessions to elven rights. Right?

To Weave The Strands of Fate (NEW!)

WiP

Summary: There is a tradition in Velen. Whenever a child is born within Velen, a lock of their hair is cut off and gifted to the Ladies of the Wood. According to whispered legends, the Lady Weavess could add the hair to her loom and thereby change their Fate.

What Happens in the Cave-In Stays in the Cave-In

WiP

Summary: When Iorveth and Roche’s fight ends abruptly because of a cave in, they find themselves trapped together as they wait to be unburied. In the meantime, Roche is injured and Iorveth has herbs that could help - but all he knows about humans is “they need more”.

Wolves and Squirrels and Stripes

Rated E

Geralt/Iorveth/Roche

Summary: A collection of Witcher 2 short fics featuring Geralt, Iorveth, and Roche. Chapter 1: Iorveth had never expected this to happen when Geralt invited him to visit Kaer Morhen.

Saskia Fics:

Damned Be The Thoughts That Refuse To Leave (NEW!)

Rated E

Saskia/Iorveth/Roche

Summary: When Saskia gifted him a toy shaped like a large human penis, Iorveth had sworn he would never use it. After all, it wasn't as if there were any humans he desired... right?

Shared Custody (NEW!)

Rated E

Saskia/Iorveth/Roche

Summary: Iorveth wasn't sure how walking into Saskia's office to see her talking with Vernon Roche of all people led to the three of them jammed into a closet with him in the middle, but he supposed it could be worse.

What Goes Around Comes Around (NEW!)

Rated E

Saskia/Philippa

Summary: Philippa decides to give Saskia a little treat to wake up to. Saskia repays her in full.

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cogentranting · 4 years

Text

Tracing the Fall of Snow

*Warning: Full Spoilers for the book*

The Ballad of Songbirds and Snakes is a story about human nature. Within it characters embracing different philosophies (Collins cites Rousseau, Locke, Hobbes, and the Romantics) are thrown together and their philosophies tested. While characters like Lucy Gray, Sejanus, and Dr. Gaul are fixed in their outlook, Coriolanus is not. This book asks questions about human nature, while also crafting an origin story for the evil tyrant we see in the original Hunger Games trilogy.

When we meet Coriolanus in this book, he’s not evil. But he’s not good either. He’s closest to being a “blank slate”-- a Locke theory that Collins describes as a “theory in which all we know comes from experience”. Coriolanus at the start of the book is not fully a blank slate, but he’s a mix of his experiences and influences. We’re shown the way he connects with Tigris and the Grandma’am. Generally positive relationships. However, we also see his elitism, his ambition, and his disdain for the districts. In essence, the competing forces can be summed up in two representatives: his parents. His mother was gentle and sweet, and loved music. His father was hard and cold and went to war.

Coriolanus’s development over the book is complicated but generally negative. He’s disgusted by the cruelty of Dr. Gaul, but excels in her way of thinking. He is saddened and horrified by his classmates’ deaths, but quickly moves past his initial grief reaction to focus on his own interests (e.g. writing the proposal for class, or criticizing the portrayal of Arachne at her funeral). It could even be claimed that his initial reaction was not grief at all, merely a reaction to the violence and chaos. Which, as an interpretation, leads us to the central question of his development: his relationship with Lucy Gray.

Coriolanus’s two “closest” connections-- Sejanus and Lucy Gray-- are two characters who are cast in positive light, though to different degrees. Sejanus we are meant to view as good and noble. Coriolanus is perceived as being very close to Sejanus, going from friends, to best friends to “like brothers”. But Coriolanus’s inner monologue, as expressed through the narration, makes it clear that this is all a show. All of the actions that Coriolanus takes which are perceived as demonstrations of support and friendship are really done with his own good in mind: he hands out sandwiches with Sejanus so that his own tribute will get food; he goes into the arena because he is forced to; he goes to check on Sejanus’s injury in the hopes that the Plinths will reward him. The narration never indicates any sort of affection from Coriolanus. The most positive reaction he ever has to Sejanus is when he first joins him in District 12, but even then Coriolanus’s excitement is for the news and ideas that Sejanus brings. Sejanus himself is really only appreciated for being “someone to talk to who knew his world and, more importantly, his true worth in that world” (344). Coriolanus appreciates having someone who can appreciate him; he does not value Sejanus himself.

The same distinctions can be drawn within the more central relationship between Lucy Gray and Coriolanus.However, Lucy Gray is-- as her name suggests-- a more gray character than Sejanus, and the connections between her and Coriolanus are proportionately more complicated. While Sejanus’s motives and actions are generally clear, Lucy Gray is at times ambiguous. She is generally kind, cares for her family, values freedom and beauty. She does not condone or value killing like some characters, but unlike Sejanus she does kill in self defense, and unlike him, she has no noble cause she fights for. There are also points of distinct ambiguity-- what were her intentions with the snake at the reaping? Do Billy Taupe’s comments about her suggest a complicated past? And most significant, did/would she turn on Coriolanus at the end?

Coriolanus believes that he loves Lucy Gray. However, much like with Sejanus, the narration does relatively little to suggest that this is the case. When the narration shows his thoughts, it rarely, if ever, reveals thoughts about him liking her. Most of the time their relationship is discussed in terms of him wanting her to want him. Rather than actual affection we see possessiveness. His strongest emotions come when she sings about or speaks to Billy Taupe. This aggravates Coriolanus because his possession of her feels threatened. During the interviews before the games his mindset is expressed in this way: “Hi girl. His. Here in the Capitol, it was a given that Lucy Gray belonged to him, as if she’d had no life before her name was called out at the reaping”(172). When that idea is challenged by a song about another boy-- note: not even current lover, an ex-- Coriolanus feels “betrayed” and “humiliated” as if Lucy Gray has wronged him by existing separate from him. When she does eventually sing a song directed at him, Coriolanus’s first instinct is not to respond directly to her, but to make sure his ownership of her is noted, thinking that “it was nice, after all, to have someone else who knew the significance of the song” and wanting “to tell people around him. I’m her true love. And I saved her life” (367). Throughout the relationship, Coriolanus is paranoid about having Lucy Gray stolen away by Billy Taupe. Even after his rivals death when he and Lucy Gray are planning on running away together “he would have preferred not to meet up at her old lover’s rendezvous spot” (486). Jealousy is still the primary emotion defining their relationship.

In the same way that selfish acts were perceived as being for Sejanus, many of Coriolanus’s actions are interpreted as being for Lucy Gray when they are not. The basis of their relationship is that he helped her survive the games. She sees this as him saving her life and risking everything for her. He even begins to take this view of his own actions himself, seeing it as a grand act of love where he “risked everything to save her in the Games… risked it all again to save her from Mayfair”(480). But his motivations during the actual games were clear; he was trying to win in order to secure his own future. Again in the murder of Mayfair, where his first thought was “with her would go his entire future” (460). In both instances, Lucy Gray’s wellbeing was secondary, if a consideration at all. The truth of his feelings come out when he for the first time is asked to actually give up something solely for her. When the climax of the book comes and he has the choice of giving up the life he’s dreamed of to run away with Lucy Gray, or to go train in District 2, it’s revealed that his love-- the one noble thing he could potentially be credited with at this point-- isn’t real. It’s not even just that the love isn’t strong enough. He doesn’t just choose his ambition over love. If he had he would have just left her. Instead, he instantly turns on her and tries to kill her, suddenly projecting his own deviousness onto her as he convinces himself she would destroy him if he left her alive.

The falseness of Coriolanus’s positive instincts are seen elsewhere as well, even at the start of the novel. He claims that he has a strong moral compass, and Tigris calls him a good person, but this view of Coriolanus is never demonstrated. Similarly, Ma Plinth believes Coriolanus to be compassionate and generous, though the reader knows the truth of his motivations toward Sejanus and the Plinth family. Most people in Coriolanus’s life see him as a better person than he really is. Part of this is because, even before his real descent into evil begins, he’s highly manipulative. This is most clearly demonstrated through his hyperfixation with appearances. The attempts to dress as if his family is still wealthy, and control how he acts around food are harmless enough. The real origin of his downward spiral is in how he manipulates emotions. Particularly in his Academy interactions, Coriolanus’s reactions are more often expressed in terms of what attitude or emotion he’s trying to convey, than what he’s actually feeling. The most glaring early example of this in action comes with Arachne’s death; when she is attacked he goes forward to help her, not because he has anything to offer or because he it is his impulse to help, but because “he did not want to be seen cringing and clinging” (180). Even before he begins to do wrong things, Coriolanus seems to lack a nature that pushes him to do right things.

Still, early in the book Coriolanus does have things that could be considered good. He has a fondness for his mother. He is reviled by the violence and by Dr. Gaul. He is loved by and to some degree cares for people like Tigris and Lucy Gray. So despite his potentially sociopathic traits, he is a dynamic character who goes from being a neutral force to an evil one. This descent is demonstrated through the deaths he causes.

Coriolanus’s descent is demonstrated through seven deaths. The first is Arachne. This death is not Coriolanus’s fault, he does not wish for it, and he actively tries to prevent it, despite his motives being less than heroic. This is the baseline for Coriolanus’s moral character. The second death does not actually occur-- Clemensia. Here Coriolanus is present for the attack (which could have killed her) and makes a minor attempt to intervene, but after he becomes more aware of the situation he does nothing; he does not visit her in the hospital, he does not tell her parents, and he does not reveal the truth of her attack. For this instance, he is passive and does nothing to prevent a potential murder out of fear. The third death is Bobbin. Coriolanus kills Bobbin out of self defense, though the force used is excessive and the death itself could perhaps have been prevented without endangering his own life. Still, it’s something he was forced into to defend his own life. The fourth death is Sejanus. This death is a betrayal. Coriolanus does it to protect himself but in a more calculated, self-serving sense. However, though the betrayal was intentional, the death was not, and Coriolanus seems to have genuinely not intended for Sejanus to die. The fifth death is Mayfair.This one is murder. Coriolanus justifies this murder by calling it self defense, but it is his “future” that he worries for in the moment that he kills her, not his life. There is no panic or instinct this time-- it’s cold blooded, killing an enemy to protect his ambitions. The sixth death is Lucy Gray, though we’re left unsure whether or not she actually died. This one is premeditated, and the worst sort of betrayal. He claims to love Lucy Gray and yet tries to kill her to secure his own ambition. The seventh death is Dean Highbottom. Self-preservation was present in all the previous ones. This one is simply cold blooded for the sake of petty revenge, and perhaps ambition.

However, Coriolanus’s murder of Lucy Gray (or attempted murder) is the climax of his progression. The scene where he chases her is his final choice of which influences he will cave to. He chooses the Capitol and its control over freedom. He chooses himself over Lucy Gray. He chooses evil over good. And this is symbolized through the emblems of his father and mother. During the entire journey out of 12 and the chase, he is carrying his mother’s compact powder, pictures of his family and his father’s compass. His mother’s powder has been throughout the book a symbol of love and comfort. During the chase, this powder and the pictures are destroyed. These were items he treasured throughout the novel but here he “threw the whole thing in the trash” (506) with no mention of any emotion over this loss. His choices in the woods have destroyed his connection with the gentle loving mother. All that is left, is his father’s compass. From now one, he is steered by the influence of the cruel manipulative father* who first conceived the Hunger Games.

The Epilogue demonstrates the fullness of this change, first through the casual murder of Dean Highbottom with the method that will become Snow’s signature. Second through the use of names. Through the entirety of the book, the narration refers to Coriolanus by his first name, separating him from the evil figure in the original trilogy. The Epilogue switches to referring to him exclusively as “Snow”, further embracing the legacy of his father, and clearly demonstrating that he has become the man we saw in the original trilogy. Coriolanus is dead and President Snow has been born.

*EDIT: His father who is responsible for the initial inception and instigation of the Hunger Games.

#coriolanus snow #president snow #the ballad of songbirds and snakes #the ballad of songbirds and snake spoilers

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drshojo · 4 years

Text

The World, My Childhood And My Hero Academia: Vigilantes

Hello friends!

Its Dr. Shojo coming at you with a post that will be divided into three parts!

Part One: The world as we know it!

The world has changed a lot since we last connected. For starters, TOILET BOUND HANAKO KUN HAS NOT ONLY A PHYSICAL RELEASE BUT A GORGEOUS ANIME! And not only that, but MY NEXT LIFE AS A VILLAINESS: ALL ROUTES LEAD TO DOOM! IS GETTING AN ANIME AS WELL! The last time I wrote about Katerina there wasn’t even an official English translation of that long-ass light-novel-title. And now?

A WHOLE ANIME. A BISEXUAL HAREM AWAITS! I am JAZZED!

Do you think it’s my fault? No matter, I’ll take all the credit. All the manga I talk about are getting anime adaptations. I’LL DO MY DUTY AND TALK ABOUT SOME MORE!

But first. Let us address the Covid-19 shaped elephant in the room

I deeply regret that it took a whole-ass pandemic to get me back to writing. In my defense, I bought an iPad and started drawing like 900 kokichi oumas. I was really busy with that. And then I started reading fanfiction. Then that got me thinking about how fanfiction such an interesting look into how people interpret fandom, use it for wish fulfillment and escapism, and good god is everyone OK cause that bulimia fan fic was super detailed....and I am officially on a tangent. Off track. Ahem.

We are all staying inside a whole lot more which means y’all probably need some reading material and Dr. Shojo has your back! Go read “Horimiya”! It’s amazing! Ahhhh, my work here is done! I'm serious, if you’re here for a Shojo rec, that’s it! There's also like 8 million more Otome Isekais to check out now. It’s like they’re multiplying like rabbits..............

As a Doctor, I must advise you to stay inside and read some manga and practice social distancing. Embrace your inner hikikomori.

Allright? All good? Okay now one final disclaimer:

This post is going to be talking about something a little different than usual and I want to start by giving you some context about who Dr. Shojo is in real life.

Part Two: Dr. Shojo Exposed

You see, when I was little I was obsessed with Japanese media. This doesn't surprise you at all I can tell. Probably because I walk around calling myself Dr. Shojo and shout about manga that you should read.

Anyways, the reason why I was obsessed wasn’t because of the big eyes or the spikey hair or the interesting new culture. It was because it tended to have more character development and overarching plotlines than the media I was used to in Canada. Dexter’s Lab, Magic School Bus, pretty much everything I saw on TV was episodic in nature, so imagine how much my mind was blown when I saw Naruto and Card Captor Sakura, heck, even Pokémon had the Indigo Plateau! Here were kids that were learning more and more each day and got to see enemies become friends and vice versa. They lived and grew older just like me. Except they were cooler than me. And had more interesting lives than me. I gotta tell you, I was so sad when I was 12 and Kero didn’t tell me I had latent magical powers. But there was magic in my life and it was the magic of a complex narrative story. And not only that, it had a sense of movement and had cool costumes. I was hooked immediately.

Also, fun fact, at that age I happened to be a complete and utter tomboy! I loved pretending to fight my friends in the playground and was really worried that puberty would ruin my life because being a girl sounded so CUMBERSOME.

Which leads me up to my confession. Before I became Dr. Shojo, I was in fact......Dr. Shonen.

Bleach? Naruto? One Piece? I've read every single chapter there is.

Hundreds of hours of watching fight sequences. Another fun fact, I only got into shojo because my aunt bought me volume 7 and 8 of Fruits Basket thinking “all mangas like the same right? Kids love comics?” It’s a tribute to how episodic western media was back then that she thought buying volume SEVEN and EIGHT was a REASONABLE PLACE TO START READING.

Now you might also say, Hey! Dr Shojo! Cardcaptors was a shojo! And you are right! but back then the anime was marketed to boys over here in the west and they actualy like, edited out episodes that they thought wouldn't interest boys?! Second fun fact, Once when I was in Grade 3 I was told I was not allowed to join a club under the stairs cause I was a girl and it was BOYS ONLY. The point of the club? To talk about how great Cardcaptors was! I Kid you not!

So anyways, your pall Dr. Shojo loves Shonen manga to this day!

The only reason I made this Dr. Shojo blog specifically about shojo is because, being a tomboy with no female friends, reading shojo manga was the first time I really thought about what it meant to be a girl and fall in love. And y i k e s. Shojo manga, like most media, fails miserably most of the time in displaying real world relationships. Or at least, it doesn't prepare you for how disappointing everything can be. When I had my first kiss, I was thinking about how it didn’t feel at all like how I felt reading Zen and Shirayukis kiss in Akagame No Shirayuki Hime. Those were formative years, and shojo was one of the only places I saw romance being talked about for younger audiences. I liked reading romances where no one had any sexual experiences and were figuring out what love meant to them. But let’s shelve this topic for now.

The point is that gender roles are dumb and if you have an open mind there's a world of stories out there for you. Take this time inside to read something you wouldn’t normally. Critically think about the ways that the worlds you see in stories and how you experience the world differ. What are the messages a story is trying to tell you? And why do you like the stories you do? Reflect on how the stories you tell yourself color your view of the world. Even mindless entertainment leaves an impression on us. Anyways.

Whilst you're doing that, I'm going to absolutely lose my hecking mind over the Shonen Jump series MY HERO ACADEMIA: Vigilantes!

WARNING: SPOILERS AHEAD!

Part Three: I downloaded the one month free trial of the Shonen Jump app and made you read all that, so I can tell you that today Dr. Shojo is going to rant about a spin-off of a shonen manga

THAT’S RIGHT, OF COURSE I READ HERO ACA AND YES I DID PICK UP THE SPIN OFF SERIES. SHONEN JUMP LETS YOU READ ALL THE NEW CHAPTERS FOR FREE ON THEIR APP. KIDS, IF YOU LIKE SHONEN AND YOU’RE PIRATING ON A SCANLATION SITE STILL GET OUT BECAUSE YOU DON’T NEED TO SEE THOSE WEIRD PLASTIC SURGERY AND DENTISTRY ADDS ANY MORE.

SHONEN IS HERE AND ITS LEGAL AND ITS FREE FOR YOU. GET OFF MANGA FOX OR MANGA ROCK OR WHATEVER THE KIDS ARE USING THESE DAYS.

OK, so by this point in the article you have learned two very important things about me: 1) I love Shonen manga and 2) I read a lot of fanfiction.

Specifically, I read an absolutely biblical amount of My Hero Academia fan fiction and let me tell you, A solid chunk of it is vigilante/ Deadpool / criminal with a heart of gold themed.

So when I saw Hero Aca had a spin off, and it was about vigilantes, I was NOT SURPRISED IN THE SLIGHTEST. Ao3 sure is powerful.

Now, if you will permit me a tangent in a post full of tangents—HOLY CRAP, THERE ARE TOO MANY VIGILANTE AUS. I CAN'T KEEP TRACK OF EM. IT’S THE ISEKAI PROBLEM ALL OVER AGAIN. I GET AN EMAIL A FIC HAS UPDATED AND I’M LIKE IS THIS THE FIC WHERE DEKU HAS AN ABUSIVE MOM OR THE ONE WHERE HE HAS SPLIT PERSONALITY DISORDER OR THE ONE WHERE HE’S VIGILANTES WITH HITOSHI. OH WAIT, nvm, it’s the one where deku has a healing quirk.

OH WAIT WHICH OF THE 6 DEKU WITH HEALING QUIRK VIGILATE AU FICS IS THIS ONE?! ARGH WHY DIDN’T I WRITE A DESCRIPTION IN THE BOOKMARK FOR THIS!

My gripes aside, there's a reason why there's such an abundance of vigilante story telling—

Deadpool made like an absolute buttload of money and people love sass and memes.

People have a desire for a story in which they see themselves. Or, how they think of themselves.They like a story about someone who maybe came from nothing. Someone who has less money, maybe someone who is unlucky and had some bad breaks. Someone who never learned they had magic, never got their Hogwarts letter, never saw Kero, someone who never got that God-level quirk from All Might. And if your on Ao3 They want someone who also has seen a lot of memes and kind of wants taco bell and is also questioning their sexuality a bit?

Enter our new hero VIGILANTE DEKU.

But the cannon can't do this, cause hey, Deku is the chosen one. Albeit, chosen by All Might, He’s got his own thing to do. But how can we still cash in on a vigilante story?

And thus enter our New-New hero KOICHI HAIMAWARI—code name Nice Guy and then later The Crawler. True to his relatable roots. He’s just a dude in an hoodie who can go about as fast as a bike.

First off, I love Koichi. He wants to be a hero and fight crime, but most of the time he has to run away because at the end of the day he's just a dude.

He’s cute but not wildly good-looking, A bit of a nerd but not like an extreme okaku. He’s got a part time job and hates violence.

And this is where Koichi really shines—in every day stuff. He helps out wherever he can. Often, that just means listening to people complain and maybe helping his friends out with whatever they’re going through. He’s the kind of guy who smiles, not because he's especially brave, but because he just takes things one at a time and doesn't sweat the past. I think it’s really telling that he missed getting into hero high-school because he skipped the entrance exam to help someone. He’s the kind of person who lets us experience the superpower of human decency and empathy. And you know what? That’s something the world need desperately.

This theme of human decency is really the driving force of Vigilantes—it’s a manga about how the laws are there for a reason but sometimes they unfairly impact the poor and vulnerable. It's about how a lot of criminals are just people who fell into bad social circles or on bad times. People have the capacity for cruelty and violence but that’s never all they are.

Now, speaking of crime, the entirety of Hero Aca falls into some murky water when it comes to its evil doers. Much of the fandom has a huuuuuge problem with how much the franchise is willing to sweep under the rug in the name of redeeming their baddies. RE: people getting mad about forgiving Endeavor’s child abuse, or Bakugo’s suicide baiting. Or Mineta’s blatant sexual harassment.

But this theme is in Vigilantes even more than it ever was in the main series. To start off with, there’s this guy who tries to rape Pop Step early on, and the later he later winds up befriending everybody. It becomes a running gag that each new villain winds up befriending the other villain guys and then they all open a cat café together.

Using jobs as a way to lift people out of lives of crime is great and all but in the story there is no nuance or consequences for past wrong and well.....it feels very weird. It's like Vigilantes plays at having an opinion about moral ambiguity and the complexity of human existence and then just.......lets everyone get along because who has time to get into all that. Make of that what you will but it sits weird for me personally.

Anyway, let's move on and talk about POP STEP our main girl!

I love pop stars and I love vigilantes and a guerrilla performer is defiantly a character I could get behind. And I think they do a good job with Pop. She is actually kind of shy, but has this secret edgy persona she puts on when she performs. She is every girl on tumbler in the early 2000s. I also looooove that they make her not that great a singer. SHE’S GOT PASSION AND CHARISMA and maybe not born talent but like why should that stop you! Talent can be earned through practice and this is a great lesson to show people.

Unfortunately, Pop is also a great example of everything wrong with romance in Shonen.

It’s established early on that Pop loves Koichi because she is the girl he rescued all those years ago and yada yada yikes we’ve heard this one before. Many times before.

Sure, it's fine that they’ve met before, but gosh am I sick of damsels in distress. It's like she can't love him just because she respects what a great guy he is in her life and in the community at large, no no, she just needs to be rescued on top of that. And LOLOLOL isn't it funny he never noticed she was a girl because she was a child with short hair?! Once he realizes she has boobs now they will for sure fall in love! That’s how love works!

She's just with him all the time—nothing romantic ever happens she just gets a little tsundere.

I am never ever going to believe Koichi likes Pop because he spends like sooooo much time with her and they never have like, a moment. The first time he considers her is when Makoto is like, ‘hey I would love to get together with you, but have you thought about if you are crushing on Pop’. (Also this entire plot point is suspect—she's arbitrarily falling for Koichi cause he.......is the protagonist?)

Say what you will about shojo, they give you the emotional conversations, the moments where you think.....ahhh I can see why she is falling for him. They give you context! Shonen likes to just say HERE’S A GIRL YOUR AGE. YOU CAN DATE LATER WHEN THE ADVENTURE IS DONE.

Just when they might get together, Pop suddenly turns evilllllll. The evilllll beeeees made her eeeevilllll (and more sexy).

*Siiiiiiiiiiiiiiiiighhhhhhhhhhhhhhhhhhhhhhhhhhhhh*

Because why on earth would they get together if Koichi didn’t get to rescue Pop one more time?

I’m tired. These troupes are tired. I’m sure you are too. HOWEVER! If your still with me, Let’s move into why I'm really writing this post. Let’s get to the part that got me screaming to my friends, who by the way, don’t even care bout Hero Aca….but listened anyways. May you all find nakama like these my friends.

Anyways,

HOLY FUCK ERASERHEAD’S ENTIRE BACK STORY IS IN THIS AROUND CHAPTER 60 AND IT IS WONDERFUL AND ABSOLUTLY HEARTBREAKING AND IS ONE OF THE BEST CHARACTER BACKSTORIES I HAVE EVER SEEN AND IS THE REASON WHY THIS SERIES IS A MUST-READ FOR MAIN SERIES FANS.

AND BY ALMIGHT.

WHY. IS. IT HERE.

I present to you my late night text messages to my friends

ALSO, AIZAWAS TEACHER IS PRINCE?!?!?!

AHEM, so as you can see, I kinda lost my shit.

And now, I would like to formally defend my claim that DESPITE HOW AMAZING IT WAS, ERASERHEAD’S BACKSTORY HAD NO BUISSNESS BEING IN THE VIGILANTES SPIN-OFF MANGA.

Eraserhead, aka Aizawa Shouta, is a side character who is working with the police on some crime stuff. He is not a main cast member in this spin off. He’s a guest character that fans of the main series will be like OH COOL. GRUMPY CAT MAN LIKES CATS ON HIS OFF HOURS TOO. LOVE THAT FOR HIM.

So, my imagine my absolute surprise when Aizawa runs into Koichi and the following happens:

It starts to rain, so, like in any good manga, this means some great FORCED BONDING TIME

Except no. It doesn't because rather than start talking, Aizawa JUST STARTS REMEMBERING—ABSOLUTLY SILENTLY TO HIS OWN PRIVETE SELF—HIS ENTIRE TRAGIC BACKSTORY.

AND THIS GOES ON FOR CHAPTERS.

THIS GOES ON LONGER THEN ARC ONE IT FEELS LIKE.

I LOVE IT, BUT KOICHI IS ABOUT TO JOIN ATSUSHI NAKAJIMA IN THE DUBIOUS CATEGORY OF “PROTAGONISTS THE SERIES FORGOT ABOUT IN LIEU OF COOLER SIDE CHARACTERS”.

AND LO IT HAS NO BEARING ON THE REST OF THE PLOT, CHARACTERS, OR STORY

What the ever-loving-just WHY?

WHY?

WHYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY?

SURE, IT’S A COOL TIE-IN.

YES, OF COURSE I LOVED IT. I SHIP ERASER MIC, I DREW THIS FOR HECK’S SAKE:

AND YET I AM ANGRY.

I AM ANGRY BECAUSE MY FRIDAY WAS RUINED BECAUSE VIGILATES SUCKER PUNCHED ME WITH AN AMAZING STORY THAT REALLY WASN’T PLOT RELEVANT AND PROBABLY SHOULDN’T HAVE BEEN THERE.

IS THIS WHY THEY TOOK LIKE NEXT-TO-NO CARE WITH POPS ARC?!?

I mean its ongoing, so it’s too early to say but—

In conclusion—

Excuse me one more,

AIZAWA WAS TAUGHT BY PRINCE!?!??!?!?!?!? PURPLE RAIN PRINCE!?!??!?!?!? WHAT!??!?!?!

It’s so ABSURD that I HAD TO WRITE SOMETHING ABOUT IT. I HAD TO WRITE PARAGRAPHS TO JUSTIFY YELLING ABOUT THIS ONE THING. WHAT THE ABSOLUTE—

Ahem,

Anyways, I hope you liked this weird rant/personal-story/random-diatribe in three parts.

If you’re reading this, thank you, stay safe, and I’ll be back with more shojo manga next time.

Ciao!

Dr. Shojo

(aka Dr. Shonen)

#my hero academia vigilantes #koichi haimawari #pop step #my hero academia #erasermic #Cardcaptors #Shojo manga #Shonen Manga #Dr Shojo #read Horimiya

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nitrateglow · 4 years

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Favorite film discoveries of 2019

Every year, my new-to-me favorites list always shocks me in some way. This year, the sheer amount of movies made in the 2010s on display is INSANE by my standards. Of course, most of the modern movies here are throwbacks or tributes to older styles of cinema, so maybe it’s not that shocking in the long run.

Another running trend this year: movies that are old but not as dated as we would wish. Many of the older films here deal with xenophobia and political strife in ways that still feel shockingly prescient today-- the more things change...

ONCE UPON A TIME... IN HOLLYWOOD (DIR. QUENTIN TARANTINO, 2019)

I never thought the day would come where my favorite movie of the year would actually be made after the 1970s, let alone by Quentin Tarantino. Then again, this movie is all about the end of Old Hollywood as well as a big love letter to the 1960s, so maybe it’s not that shocking a state of affairs. I adored this movie, the level of detail, the laidback yet elegaic vibe, the comedy and the relationships between all the characters. It was one of those movies where I loved even the scenes where nothing seems to be happening at all-- I mean, who knew Brad Pitt feeding his dog and watching TV could be entertaining?? But it is and I can't wait to see this one again!

INTENTIONS OF MURDER (DIR. SHOHEI IMAMURA, 1964)

Intentions of Murder has an insane premise, one that runs the risk of being tasteless: a housewife in a miserable, exploitative marriage is raped by a sickly burglar during a home invasion. Even worse, she can’t shake him, as he’s suddenly infatuated and wants her to run away with him to the city. And weirder still: her current existence is so miserable that she’s TEMPTED. While abuse and rape are grim subjects for any story, Intentions is actually about a woman coming into her own and finally standing strong against all these men trying to use her. It’s a weird blend of drama and dark comedy, a truly savage satire on patriarchy and class-snobbery.

JOKER (DIR. TODD PHILLIPS, 2019)

I went into this movie expecting to think it was overhyped and when I first left the theater, I was all ready to say “it’s good but not THAT good.” But it ended up haunting me for weeks afterward, and I found myself thinking about how everything just tied up so well together, from the grotty urban hellscape which serves as the setting to Phoenix’s brilliant performance. It reminded me a lot of A Clockwork Orange in how intimate it lets you get to this violent man while never pretending he is someone to be glamorized or imitated.

SIMON (DIR. MARSHALL BRICKMAN, 1980)

How do I even describe Simon? Alan Arkin is brainwashed by a group of overpaid intellectuals into believing he is descended from an alien toaster. Then he gets a messiah complex and starts gathering disciples as he rails against television, condiment packets, and muzak. It’s a little uneven at times, sure, but the satire is really inspired. The whole thing is like a combination of Mel Brooks, Stanley Kubrick, and Woody Allen’s styles, and it is quite hilarious for those who thrive on cult oddities.

PEEPING TOM (DIR. MICHAEL POWELL, 1960)

Though it came out the same year as Hitchcock’s Psycho and has been nearly as influential for horror cinema, Peeping Tom remains underseen by everyone save for film theorists. And what a shame that is, because this movie is more frightening than Psycho. Sure, that may be because Psycho is so predominant in popular culture and just so influential that it no longer has the same shock value, but there’s something about Peeping Tom that gets under my skin, something sad, even disgusting. I felt dirty after watching it-- and this is 2019!

MIDNIGHT MARY (DIR. WILLIAM WELLMAN, 1933)

Loretta Young got one of her juiciest roles in this pre-code crime drama. Her Mary Martin is more than just a good girl forced into criminal circles-- she’s a complicated creature, compassionate and desperate and lonely and bitter and sensual all at once. This movie is a fast-paced, beautifully filmed ride, cloaked in that Depression-era cynicism that makes pre-code Hollywood of such interest to movie geeks the world over.

WILD BOYS OF THE ROAD (DIR. WILLIAM WELLMAN, 1933)

Wild Boys of the Road is a quintessential Depression-era movie, relentless in its bleakness and rage. That the main characters are all starving kids only looking for work makes their struggles all the harder to watch. William Wellman is quickly becoming one of my favorite directors: his gritty style and compact storytelling are just perfect for a ripped-from-the-headlines drama such as this. And the “happy” ending has one little moment that just knocks any smile you have right off your mug. Absolutely see this.

THE RUSSIANS ARE COMING, THE RUSSIANS ARE COMING (DIR. NORMAN JEWISON, 1966)

Sometimes, when you watch a movie only because a favorite actor is in it, you get subjected to pure trash like Free and Easy (oh, the things I do for Buster Keaton). Other times, you get cute gems like The Russians are Coming, The Russians are Coming, which, as you probably guessed, I mainly sought out for Alan Arkin. But the whole movie is hilarious, the best kind of farce comedy, populated by enjoyable characters and a sweet-tempered humanism that grounds the wackiness. While a little overlong, this movie is quite underrated-- and sadly, its satire of American xenophobia and Cold War panic is not as dated as we would like to believe.

ALL THE PRESIDENT’S MEN (DIR. ALAN J. PAKULA, 1976)

Who knew a political thriller where most people know the twist could be so intense and riveting? It’s about as nonsensical as feeling suspense when you watch a movie about the Titanic and hope the boat won’t sink-- but damn, it’s magical. All the President’s Men is real white-knuckle stuff, with Robert Redford and Dustin Hoffman projecting both youthful excitement and deep panic as they proceed with their investigation. It scarcely seems to have aged at all.

WHISPER OF THE HEART (DIR. YOSHIFUMI KONDOU, 1995)

There’s a scene near the end of Whisper of the Heart where the protagonist Shizuku shows the finished first draft of her fantasy novel to her first reader, the grandpa of one of her schoolmates. She weeps because it isn’t the perfect image she had in her head, despite how hard she worked on it, but the old man tells her that it takes polishing and discipline to make the work come to its full potential. Few movies about artists are so honest about how hard it can be, how unsupportive others can be in their demand that everyone be “practical.” As a writer who struggles to create and constantly doubts herself, this movie spoke strongly to me. I recommend it to any creative person.

THE PHANTOM OF THE PARADISE (DIR. BRIAN DE PALMA, 1976)

I’d been wanting to see this movie since my high school phan days. Holy crap, is it WEIRDER than I could have ever imagined, a true camp masterpiece. I’m shocked it was never tuned into a stage show actually, but then again, we would miss those trippy camera angles and we wouldn’t have Paul Williams as one of the greatest villains of all time.

DUEL (DIR. STEVEN SPIELBERG, 1971)

When people talk about the best movies made in the “Hitchcock without Hitchcock directing” tradition, why is Duel so seldom mentioned? The scene in the cafe, packed with paranoid tension and tense camerawork, alone should qualify it. Duel is most known as the movie which put the young Steven Spielberg on the map. It’s quite different from his later work, grittier and less whimsical for sure. Even the ending seems almost nihilistic, depending on how you view it. But damn, if it isn’t fine filmmaking.

CAROL (DIR. TODD HAYNES, 2015)

This gorgeous throwback to Douglas Sirk melodramas is also one of the best romantic movies I’ve seen in a while. Cate Blanchett and Rooney Mara have the sweetest, tenderest chemistry-- it was like seeing Lauren Bacall and Audrey Hepburn as love interests in a film. Unlike Sirk, there is little in the way of ripe melodrama here-- everything is underplayed, aching, mature. And I can say this is an adaptation that is better than the source book: it just feels so much warmer.

12 ANGRY MEN (DIR. SIDNEY LUMET, 1957

All I can say is that this was every bit equal to the hype. Common movie wisdom says people sitting and talking in a room is going to be boring on film, but movies like 12 Angry Men prove this is not so when you’ve got an excellently tense atmosphere, an inspired script, and a stable of fine actors to work with. Like The Russians are Coming, the Russians are Coming, this movie has not significantly aged-- much to society’s discredit.

A STAR IS BORN (DIR. GEORGE CUKOR, 1954)

Another movie I went into not expecting to love as much as I did. When movies from the 20s or 30s tended to get remakes in the 1950s, I always find them too garish and big, victims of glossy Cinemascope and overlong runtimes. Compared to the lean 1937 classic original, I expected sheer indulgence from this three-hour remake. Instead, I got my heart torn out all over again-- the longer runtime is used well, fleshing out the characters to a greater degree. Judy Garland and James Mason both give what might be the best efforts of their respective careers, and the satire of the celebrity machine remains as relevant and scathing as ever.

BLANCANIEVES (DIR. PABLO BERGER, 2012)

Oh, it feels like this movie was made for me specifically. It’s shot in gorgeous, expressionistic black-and-white. It’s set in the 1920s. It’s a clever adaptation of a classic fairy tale. It’s as funny and charming as it is bittersweet and macabre. Instead of more superhero movies, can we get more neo-silent movies like this? PLEASE?

THE FAVOURITE (DIR. YORGOS LANTHIMOS, 2018)

I’ve heard The Favourite described as a “bitchy lesbian Shakespeare play,” but this description, while a little true in terms of general tone, does not get to the heart of what makes this film brilliant. More than love or sex, this movie is about power-- particularly the corrupting influence of power. And it corrupts not only morals but love itself. Innocents become Machiavellian schemers. Lovers become sadomasochistic enemies. Good intentions turn to poison. This certainly isn’t a happy movie, but it is moving and, strangely enough, also hilarious. I was reminded of the chilly, satirical world of Kubrick’s Barry Lyndon more than once-- and for me, that is not a bad movie to be reminded of.

ON THE WATERFRONT (DIR. ELIA KAZAN, 1954)

Another classic that’s been on my list forever that I was delighted to find worthy of its reputation. It’s a classic tale of redemption and social justice, perfectly acted and shot. While I still prefer A Streetcar Named Desire as far as Kazan is concerned, this might be a better movie in the objective sense. Actually, more than even Brando, Karl Malden is the acting highlight for me-- he plays a priest torn between staying silent or truly speaking for the Gospel by demanding justice for the poor parish he serves. Just brilliant work.

KLUTE (DIR. ALAN J. PAKULA, 1971)

A perfect thriller, just about, and a great example of the “NYC is hell on earth” subgenre of the 1960s and 1970s. Jane Fonda is a revelation: she feels so real, not at all like a starlet trying to seem normal if you know what I mean.

KISS KISS BANG BANG (DIR. SHANE BLACK, 2005)

As far as subversive noir goes, this is the most entertaining. I would put it up there with The Big Lebowski as far as goofy takes on Raymond Chandler are concerned-- I don’t even really know what to make of it, but I laughed my ass off anytime I wasn’t going “WHAT???”

What were your favorite film discoveries in 2019?

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