Somthing I love about Hetalia is we all just accept anything he gives us. Like he just randomly decides that in the MAIN manga he’s just going to start doing a mafia AU out of nowhere with no transition or announcements that it will be driving away from the main “plot” for a bit plot is in quotes because we all lost the plot long ago. Then he invented a card game to go with it and we are just all like “yes understandable more please” I simply cannot imagine joining this fandom in todays age I would be so confused what the show even is lmao. Like “Yes they are countries. But sometimes they are high schoolers, sometimes they are just like guys hanging out, Santa is real and one of them is Santa but he’s also a country and also not Santa only sometimes, sometimes they are in the mafia playing a card game about themselves and the rules are kind of hunger games-ish where they are playing to move up in power with the other districts and it’s implied better districts have access to better things but they are still countries just also leaders of gangs but the gangs are the country, One of themselves has a best friend who is an alien, and just so you know animals can talk but not all animals and they can only talk to the countries who own them and other animals. Mythical creatures are real and only some countries can see them like Americas pet unicorn that he cannot see and England friend flying mint bunny that only he can see & Norway has head set that only trolls can call him on, sometimes they are all gender swapped and all of the gender swapped versions have their own personality and human name, oh right human names! They all have 2 names the county name and human name and if you don’t learn them quick you won’t have any idea what half of us are talking about, don’t even get me started on 2!p it’s them but slightly edgier and yes they all have their own separate names that you should at least learn the main 8s version of, other times they are all cat- why did you cut me off? What do you mean you are confused? What’s not clicking? Hua fine let me start over. It all starts with the tomato box fairy and Mr. stick…..Hey! Where you going? Come back I haven't even told you how some of them are related, but also not really, but also yes they totally are!"

As I mentioned in a previous post my dad and I are watching bsd together and the conversations we've had while watching it are absolutely wonderful.

Below are some quotes and stories to do with my dad and me watching bsd together (my apologies if some of these don't make sense English isn't the language I use to speak at home lmao😭)

My dad when he sees Kunikida: "Окунь Никита!"

(translated from Russian as "bass Nikita" because in Russian it sounds like his name. He actually also says that randomly for no reason whatsoever throughout the day. Bass as in the fish btw.)

My dad: Are they in love?

Me: I think they're all gay in this show

My dad: yeah especially the kitty (Atsushi)

Me: why specifically him??

My dad: I dont know, he just is

My dad every time dazai is on screen with any other character at all: are they going to kiss?

There's a kitten that comes around my house (he basically mine now lmao) and we named him Kolya and he just happens to be black and white with green eyes (we named him like a week before we got to Nikolai in bsd which is the funniest part).

A couple days ago I was going up to my room and my dad goes "are you gonna let Kolya in?" And I point to the screen and go "that Kolya?" It took him a few seconds but he responded with "NO NOT HIM" (off topic but if bsd Nikolai Gogol was at my window I'd open it immediately‼️‼️)

Yesterday we spent a good five minutes talking about Sigma's whole design and my mom (a graphic designer) went into heavy detail about wires and how exactly she thinks it stays the way it does

(I'm on about the part traced with green specifically)

“The people believe in you Arthur, but it counts for nothing if you don’t believe in yourself” — Merlin

“Merlin should take some of the credit, turns out he’s not always entirely stupid.” — Arthur

Andrew Minyard puts on his black combat boots and black armbands. He wears his black hoodie because Andrew is not like other boys. His newest teammate Neil Josten has an aura of danger that Andrew knows he is better off not getting close. But Andrew cannot help it. He is like a moth drawn to a flame. Neil’s untamed auburn hair that is never styled yet it is messy in an effortless way and his big blue orbs that must have a lot of hidden secrets. Andrew knows he should not play with fire but with that toned body Andrew minyard can not stay away.

Whatever, not like Neil josten would notice him anyways. He is the outcast in his teams and no one likes him. Neil josten would not care about him.

Imagine Andrew’s surprise when Neil josten joins him on the roof and shares his secrets. Andrew is right, Neil has a very dark past that is even darker than Andrew’s. Neil is involved in the mafia! But because Andrew is not like other boys he does not care and promise to protect Neil even though Andrew probably cannot do anything if anything happens. Neil probably has to be the one to save Andrew.

Neil also turns out to be loaded and he buys Andrew a car when his was destroyed and Andrew cannot say no to a Maserati.

Everyone else on the team is so shock when super attractive good looking Neil josten will choose to be with someone like Andrew minyard but Neil does not care and growls at anyone that says anything bad about Andrew.

The bosses love him, the girls love him. He's the most refreshing handsome man.

i have most of my friends on different life360 circles (if u don’t know it’s an app that effectively… tracks your friends? LMAO) but my favourite one is easily the one i have with my two ‘course friends’ and one thing we always do is whenever the ‘____ has 10% battery’ notification comes up we all fucking SPAM the option to tell them to charge their phone. like it’s the STUPIDEST joke but i find it so fucking funny i literally will not notice my battery dying until these two idiots start blowing up my phone with the same damn automated message it makes me smile every time especially bc the one girl finds it SO FUCKING ANNOYING she loses her rag every time it kills me

> be a robin buckley fan

> be lesbian

> project on robin

> look up "internalized homophobia robin buckley" on tumblr because it's cathartic

> 3/4 of the posts are about st3ddie or just about steve

I RUN NOW TO KEEP HER SAFE, AND I WILL KEEP RUNNING UNTIL MY HEART EXPLODES AND I FALL OVER DEAD.

[about the choir room being renovated]

Noel: It’s all sprayed white and feels as though there’s more height to the room. It’s completely an optical illusion, but it feels good. It looks good.

Ocean: It feels a little smaller.

Noel: It’s not small at all!

Ocean: Optical illusion, like the ceiling.

Noel: God, I wish you were an optical illusion.

ngl that one post that goes “to hate your native language is to hate the deepest part of yourself” really unintentionally influenced the way i wrote anne fleur

oh the broadway world review of summer stock (a) loved it as much or more than anyone (b) has as much or more info than anyone and (c) generally has the most vivacity thus far

Summer Stock made its world premiere at The Goodspeed Opera House to a most deserving enthusiastic standing ovation. Based on the 1950 MGM film starring Hollywood legends Judy Garland and Gene Kelly, Summer Stock is a spectacular production with phenomenal dancing, feel-good music, and a sweet story, all modernized for today’s audiences.

Audiences will recognize and love hearing classic songs by Irving Berlin and from The Great American Songbook, including “Happy Days are Here Again”, “Accentuate the Positive”, “I’m Always Chasing Rainbows”, “It’s Only a Paper Moon”, “Me and My Shadow”, “Red Hot Mamma”, “’Til We Meet Again", and “You Wonderful You”. Summer Stock’s writer, Cheri Steinkellner, takes the original film story to a whole new level that both contemporary and classic theater goers will absolutely adore. Steinkellner provides additional lyrics to upgrade the story to first class. It’s hard to believe that she “got the call” to write Summer Stock in October, completed the workshop draft by March, and had the rehearsal draft ready by June for a July opening. Steinkellner clearly works well under pressure - Summer Stock is a diamond.

In the Writer’s Notes, Steinkellner elaborates on the restrictions of bringing the film to stage (like how heavy farm machinery wouldn’t fit up on the Goodspeed stage) and how she tackled answering the many questions that the original film glossed over: “Why is a Shakespearean matinee idol starring in a musical in a barn? What happens when you make show-people wake up at sunrise to muck out the stalls?” and more. She repositioned and repurposed the film’s original songs like “Howdy Neighbor” and “Dig for Your Dinner”, so the classic elements that film fans are looking for are still there - only, frankly, much much better. Lastly, she addresses the challenge of “crafting a [contemporary] story to support a diverse cast of characters with intention, authenticity, and care.” Steinkellner rose to the challenge, knocked it out of the park, and created a great musical in record time.

The story is simple and sweet. Set just after World War II, we meet Jane Falbury (Danielle Wade), a doting daughter working the family farm with her father, Lt. Henry “Pop” Falbury (Stephen Lee Anderson). The Falbury Farm is in trouble thanks to the devious and ambitious Margaret Wingate (Veanne Cox), who has grand aims for a monopoly over the Connecticut River Valley. Scheming with her naive son, Orville (Will Roland), they will stop at nothing to own the farm. Meanwhile, Jane’s showgirl sister, Gloria (Arianna Rosario), has moved to The Big Apple to make it on Broadway. She wins a spot in the chorus line of Joe Ross’ (Corbin Bleu) brand new show. With his sidekick and music director, Phil Filmore (Gilbert L. Bailey II) in tow and a Shakespearean star, Montgomery Leach, ready to take center stage, they hit a snag when they lose their rehearsal space. Gloria suggests uprooting the show to rehearse in her family’s barn. Jane, who is fresh out of farm hands, reluctantly agrees to let the actors stay in exchange for earning their keep. The company’s tight harmonies might not charm Jane at first, but they certainly had us swooning. I won’t spoil the entire plot, but will say that hilarity ensues, hearts flutter, dreams are realized, and it’s wonderful.

When I first heard about Summer Stock, I cynically thought that it felt too familiar. The show is set on a Connecticut farm whose owners have fallen on hard times and risk losing their livelihood. They turn to their Broadway friends, who are amidst the usual uphill battle of making it big in show business, and agree to put on a brand new production in the barn to raise funds to save the farm. It’s based on the film of the same name, features music by Irving Berlin, and includes incredible tap numbers, and spotlights America’s sweetheart Corbin Bleu. Hearing that alone, I’d think this was a copy/paste of Tony Award-nominated Holiday Inn: The New Irving Berlin Musical, which opened at The Goodspeed in 2014 and went to Broadway in 2016. We’ve seen a number of Irving Berlin musicals, including White Christmas, and the most recent Broadway production Nice Work if You Can Get It, starring Kelli O’Hara and Matthew Broderick. So, what more is there to add to this Broadway subgenre? If you’d asked me before, I would argue there’s “Nothing More to Say”. I was very wrong. Summer Stock raises the bar with phenomenal choreography, clever storytelling and humor, beautiful orchestrations, and unparalleled performers.

Speaking of unparalleled performers, the cast is perfection. There’s not a single throwaway line or character. They’re all exquisite gems and I’m running out of words to compliment them all. The “city mice” dancers and ensemble features Erika Amato, Hannah Balagot, DeShawn Bowens, Ronnie S. Bowman Jr., Emily Kelly, Francesca Mancuso, Tommy Martinez, Corinne Munsch, Gregory North, Kaylee Olson, Jack Sippel, and Cayel Tregeagle. Danielle Wade sweetly croons just like Judy Garland and swept audiences off their feet. As I left the theater, I overheard two ladies praising Wade for her stupendous performance, saying it was perfect likeness of Garland, yet even more meaningful. Arianna Rosario, as the sugary sweet sister, is absolutely delightful. Stephen Lee Anderson, as  the veteran and father, tugs our heart strings. Gilbert L. Bailey II and Will Roland had the crowd roaring with laughter as the feisty music director and innocent corporate heir. Veanne Cox, as the melodramatic mother and CEO of Wingate Agricultural Corporate, had the crowd roaring with laughter from the moment she spoke her first line. Not to be outdone, J. Anthony Crane, as the over-the-top Shakespearean star, brought down the house with his entrance alone. Together, Cox and Crane generate instant heat, which is especially appropriate since they rock the stage with Red Hot Mamma. The cheeky, interspersed Shakespearean innuendo is fast-paced, clever, and had the audience hooting and hollering. I would see the show again for this duo.

Last, but far from least, Corbin Bleu, as the show’s director, gives the performance of a lifetime. Bleu radiates pure joy and leads with heart, inviting his scene partners to shine with him. Audiences instantly fell in love with his gorgeous, velvety voice, and, understandably, swooned. Bleu previously won the Chita Rivera Award for Outstanding Male Dancing in a Broadway Show for his portrayal in Irving Berlin’s Holiday Inn, and his transcendent tapping in Summer Stock shows he’s not stopping there. Bleu’s dancing is out of this world! You can’t miss his charming and virtuosic spin on Gene Kelly’s iconic solo dance, featuring the world’s most unexpected dance partner. Corbin Bleu is a national treasure.

The 8-piece orchestra, lead by Goodspeed’s resident music director Adam Souza, performs the remarkable orchestrations, by Doug Besterman, beautifully. The score is demanding, but the musicians don’t let us see them sweat. As much as I’m gushing, I would recommend shifting the show to one hour earlier and give it a little trim. Not a haircutter’s inch, but a discreet tidy-up. As it turns out, I was in slight agreement with the obnoxious subscribers behind me, who disrupted a precious moment to voice their complaints, “This is two hours and forty minutes? Way too long!” I nearly turned to fisticuffs in defense of this phenomenal cast, but chose to deliver an icy, yet effective, glare. I digress, but Goodspeed subscribers are truly spoiled with top-rate performers straight from the Broadway stage. In any case, we could use a couple more developmental scenes to fully flesh out the plot, and I’d be willing to sacrifice by shaving a bit off some of the longer dance numbers (“Everybody Step” and “Dig For Your Dinner”) and songs. (Not too much! Just an inch! And don’t dare recast any characters!)

That isn’t to say that the dance performances weren’t epic: Summer Stock has the best dancing I have ever seen, hands down. The virtuosic ensemble, lovingly called “city mice”, perfectly deliver wildly acrobatic displays all with impossibly high-energy and make it look easy. Director and choreographer, Donna Feore, has made an unforgettable, magnificent Goodspeed debut. Feore makes use of every inch of the stage, making it feel larger than life, and her attention to detail is unsurpassed. The choreography is out of this world! Wilson Chin, scenic designer, set the stage beautifully. The Technicolor New England farm-turned-theater is framed with classic red-sided barn, delicate florals climbing the walls, and hurricane lanterns lovingly displayed as accent pieces. Summer Stock is Goodspeed’s best original production ever. The 12, which opens next, has very big shoes to fill. Summer Stock has its eyes set on Broadway. Does Summer Stock deserve a Broadway run? Absolutely. In this critic’s opinion, it couldn’t get there soon enough.  Perhaps my favorite aspect of the production were the many comedic theater flourishes. Broadway audiences will cry with laughter when they watch the city mice (actors) learn how to play the part of farmhands: “What is the farmer’s motivation?” “E-I, E-I!” Frankly, I want an original cast album yesterday. Finally, when it opens on Broadway, you’ll wish you had seen it at The Goodspeed first.

.

byler tumblr is a crazy crazy place because why do people get booed for disliking some stuff in canon. isn't that idk normal in fandoms

Lesson 1: "White Man Painted Black"?

Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!

You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.

Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!

I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!

(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)

(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)

You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?

It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.

And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!

Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:

Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?

Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)

What if, instead of just changing her palette, we changed her:

Hair?

There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?

Lips?

I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.

Nose?

One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!

Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.

I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!

Backup drummer Steve and lead singer Eddie swap places during a televised interview perfomance after theyre told theyre not allowed to actually play live.

Instead, they're supposed to fake playing while a backtrack plays, and in revenge for this bs Corroded Coffin decides to make it obvious theyre not actually playing ( a la the time the band Muse did this exact thing cause that's where I got this from lmao)

They're scheduled to interview the frontman after, and while Eddie tells Steve the ruse will end at this point, he actually walks off stage with Jeff and Grant and leaves Steve to flail his way through the interview.

Which he does, but in revenge Steve gives increasingly ridiculous answers and lore about the other members of the band.

The fans love it. The fact Steve's not even the regular drummer (which is Gareth) becomes a massive in-joke. People regularly quote some of Steve's more unhinged answers and show up with t shirts with Steve's face on it and regularly demand he "sing."

(Muse did this swap as well, for anyone wondering, though obviously it was the actual drummer giving the interview and I'm sure he knew ahead of time LOL)

More soft Jason ideas since you deserve it and your wonderful and supper cool Girldad!Jason BRRROOOOOOO Oh my goddddddd ok like- - Jason is the kind of dad who always has music playing in the house, he mindlessly sways and hums along as he makes morning (or night-time) pancakes for you and his little girl. She'll come running up to him, her thick black hair tangled over her face, and pull on his pant leg. He'll sweep her up into his arms, her small head fitting perfectly against his chest as she watches him make breakfast, still somewhat asleep and aloof. He'll start bopping along to the music with her little hands around his neck, filling up the kitchen with shrieks of laughter and he peppers her soft cheeks with kisses. - I feel like you and him would like in a beach house, somewhere away from the city and his old job as Red Hood. Your daughter would bring home buckets of pretty rocks and sea glass that Jason keeps in jars along the living room windowsills. He has to dump some back onto the shore every time he sees her washing the new rocks and shells on the front porch. - After long summer days of playing and wrestling in the waves, you would all curl up for a post-beach nap. Smelling like salt with the prick of the sun settling into your tired bones. Your daughter would fit perfectly between you two. Jasons hand behind his head with his other wrapped firmly around you and his little girl. - Get's his daughter obsessed with reading just as much as he is. Would build her book-shelf after book-self as her collection of story-books and middle grade fairy books expands. - Helps his daughter roast marsh mellows during the beach bonfires you guys have when Roy and his daughter visit. Your daughter and Lian are best friends- playdates once a week kind of thing. - When she's little, he'll always have his daughter on his knee during big family dinners. He let's her eat anything off of his plate, keeping his arm around her as he talks with Dick. - Overall, just- every-time he falls asleep next to you he feels like crying into your shoulder, unable to thank you enough for bringing such a precious perfect bundle of laughter into his life. Huge 'my wife showed me how to love and my daughter showed me how to forgive energy lmao.

I want night time pancakes with Jason and my little baby girl wtf!!! Also, thank you so much for sending this in. I love it and I literally fail to understand how you pull up with the most amazing scenarios every time, I’m actually in love with your writing!! You’re amazing!

Anyways lol!! I’m gonna be honest, I don’t want to have biological children but for Jason… I’d do it, no hesitation. He’d be the most amazing girl dad, I love him so so so much.

I’m not sure if people have already said this before but can you imagine him learning how to do your daughter’s hair!! He has a YouTube hair tutorial playing on the TV as your daughter sits in between his legs. He’s got bobby pins in between his teeth and hair ties around his wrist. He’s using a small comb to gently brush through her little curls.

He’s learning how to braid her hair and he’s having some difficulty, but he’s a persistent man, and like he always tells his little girl, practice makes perfect! He will sit there for days, hours upon hours, trying to make the most flawless set of Dutch braids. Once he’s succeeded at his craft, he’ll admire his work and will tell his daughter to go show you his skills. And oh my goodness, how adorable does she look showing off her father’s braiding skills!!

I also saw a quote on Instagram earlier today and it said that “tenderness is in the hands” and I immediately thought of Jason. There is no one with gentler hands than Jason. His fingers may be rough and his knuckles might be permanently bruised from his past, but when he interlocks his hands with his baby girl, they are the most delicate and warmest hands she has ever felt.

He will run his fingers through her hair, as she lays her tiny head against his chest and he’ll read her favourite stories. She’ll take his hands out of her hair and just play with his fingers. Trace little shapes on his palm, measure her small hand against his big, calloused ones. It’ll melt Jason’s heart and he’ll feel like crying. There will be days where he needs to stop reading and take a minute to appreciate the tenderness of the moment, without completely crumbling.

Also, I kind of hate to say it, but it’s so true. Jason would totally try to heal his daddy issues by being the best possible parent.

He’d treat his daughter like an actual princess and not just in terms of materialistic things. He’d be there for her in every circumstance; he’d be the best moral support and the best cheerleader anyone could ask for.

If your daughter plays any sports or plays an instrument, any thing really, he’d always be there to encourage her and comfort her when it started to become tough. He’d attended every game, every practice, every performance. Like I said, the best cheerleader.

Basically long story short, I’d die for soft, girl dad Jason.