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aristia-pjoheadcanons · 4 months

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i love your headcanons! can you write percy jackson x daughter of hades??

(nsfw, sfw, or both)

percy jackson dating a daughter of hades

pairings: percy jackson x reader

warnings: (sfw) + nsfw

author's note: I love writing nsfw, remember that I always age up the characters when writing NSFW!

->masterlist

art by vidia

Being the daughter of hades has its perks, people stay away from you the moment you were claimed. They know better, but the bad thing is that you couldnt find yourself getting comfortable with others if it meant that you couldn't use your powers completely during games/sparring.

Luckily for you, percy is your guy. he can keep up with any attacks or summons or any power you have - and he does not let you down.

he never gets scared of anything you show him (perks of defeating a one titan and one goddess before the age of 18).

Besides, he has two good friends who are also a child of hades/pluto. He is interested in what you can do, but respects it if you dont wanna show him.

In a relationship percy does not mind showing what he likes about you, touching you, holding hands and lacing your fingers together everywhere, staring at you across the room and quirking up an eyebrow in a teasing way (just to see if you react or not).

in a relationship, I feel like percy has no shame in trying to make you flustered, in the same way he does not mind showing you how he likes it.

grabbing your waist when you stand and talk to someone, butting in when you dance with someone other than him, trying to tease you and flirt with you across the room - knowing damn well people are enjoying the show.

He loves to see how you react when he touches your delicate spots, the small of your back, your spine, thigh, inner wrists, anything that has soft skin he is willing to simply graze it with his long fingers - and pull back when you look at him.

other times he just full on stares at you in challenge, like he knows you cant resist the simple touches.

you might ask,

what are you doing?

but he will always give the same answer or some type off variant,

what do you think i'm doing?

by the way, he definetly know you like it when he talks in a husky and deep way. his voice already got deep during puberty, but he really takes it to another level.

he likes to watch you with hooded eyes when he lets out a deep chuckle, he knows you like the vibration coming from his throat.

he knows you like his warmth, and has no issues pressing close to you, even while standing. imagine youre just standing somewhere, and he suddenly comes and bumps his chest close to your body, and keeps it there. he doesnt grind or do anything but he just likes pressing himself close to you.

he wants to know the way you like it.

he likes it when you kiss his neck instead of his lips. or when you check him out from afar, but when he gets close you get shy

ugghhh bedroom eyes pleeeassee stop it percy. he knows a nice blush will form on your face or he has at least memorized what you do, what type of facial expressions you make when you're flustered. this man knows you from the inside out. understands your likes and dislikes and makes it his whole entire personality.

he gets reminded of you whenever he is with someone, wether its someones laugh or anything romantic really. his mind doozes off and he starts to think about you, your lips and your voice, your body underneath him--

he quickly pulls himself away from such thoughts, gets embarassed. but if you are dating, he's bound to think about something at least.

using his powers to make you feel good, forcing the water to give you a nice massage

whenever he watches you use your powers he gets somewhat turned on when you're being intimidating.

i dont want to be stereotypical, but if you do wear dark-coloured clothes and have piercings, dyed hair he just likes the fact that you stick out. but if he likes you, then you are the center of his universe.

things would start out slow between you two,

kisses and flirting->following each other around->

to suddenly backing each other against the wall or any surface

teasing both by pushing your limits, he likes to tilt his head to the side and watch you with his eyes while you try to keep a poker-face.

too bad, percy has mastered the art of poker-faced (refrence to kane chronicles and percy jackson crossover), he can go all day (and yes i mean that in both ways-or all ways)

but he's hesitant to go further with you, so initiate it.

istg, imagine him leaning against the doorframe, his arms crossed over his chest, a smirk on his beautiful face - while you get changed slowly on purpose (he knows but he's enjoying the show), and just cast a glance over your shoulder and hes locked it, he will only focus his gaze on you. even if people call his name from outside his cabin, he wont turn his back. he takes in every feature, every movement,...

sheesh his toned abdomen. he didn't think it did anything to you at first, but he noticed how you would watch his shirt roll up whenever he leaned back or how your gaze would flicker to his biceps - so he started to wear his sweatpants low, like really low just to see your reaction. even if you dont make a big deal out of it, he knows you're screaming inside.

in percy's mind, theres something about knowing that someone desires you that makes him give that in return to you. like if he knows you want him, his desires for you grows twice as strong. knowing someone wants him, every part of him, that is enough to spark arousal in this guy.

do anything and he is watching. you are special to him, his one and only. and as the poets say, you are his other half.

touchign and playing with your hair, expose some of your neck, or just watch him with casual eyes and he just gives you a knowing-smirk. he knows when you want it and when you're up for it.

i feel like hes the type of guy to get turned on when you get turned on, your reactions are important to him. you moan, he moans. its as simple as that.

if you like to change up your style every now and then hes transfixed by the way you're casual one day and suddenly glamorous, or when you dress with clothes that most wouldnt wear or when you dress according to a group like the punks, goths or tomboys - hes just fascinated by you.

licks his lips and watched your lips when you talk. you dont even need to be talking to you. hes just memorizing your features. and when hes done with that he chooses the he likes the most.

ogle ogle ogle

quit staring

is a coming saying from you. you're met with the same response,

*quirks eyebrow and doesnt say anything, poker-faced*

sometimes you're met with a smirk.

sheesh. i feel like when he gets flustered he doesnt want to stop staring at you but he does anyway because he wants to try to hide it. lowering his head, looking away quickly and looking down -> smiling at himself for such a reaction but also silently complimenting you for making him react in such a way. everyday is exciting, he wants more. i guess this guy likes the adrenalin, perhaps is reminds him of the curse of achillies in a way?

sing a song and dance around or lip sync. i feel like he sometimes manspreads guys, like i know its annoying when you're sitting next to someone, but he means no harm. besides, usually on the subway he stands even if theres an empty seat.

but when he is sitting he spreads and leans back and watches you. sometimes he comes forward and rests his forearms on his knees to get a better view. if someone gets in the view ex. stands in front of him or blocks the view, he clicks his tongue and tries to look around. if a guy starts talking to you or dances with you theres a minuscule feeling of bitter hate in his chest that runs pretty hot and deep in his veins, luckily he doesnt make a scene but just sits there irritated. wipe that frown off his face plz.

has developed a habit of touching his hair and scratching his neck because of you. he starting doing does habits becuase he wants to seem cool and look good, but also because he gets nervous

he naturally smells like sea-water, but started to wear a musky, deep, hollow scent as his cologne so that when he puts his jacket around you - you can smell him and smell like him the rest of the day/night.

likes it when you lay in his bed so he remembers how you smell, its comforting - but not always good if it keeps him up at night

not a very innapropriate or suggestive person but gives his friends "the look" when you're being sexy on purpose. not to make fun of you or undermine you, but because he needs to make sure everyone is also getting this, phew.

like i said, he likes your scent - but secretly lays down in your bed (even if you're in the top bunk hes going to climb up there shamelessly) so that it smells like you and hopes it keeps you awake at night too.

if you try to tease him for staring or try to stare back at him he maintains eye contact and sometimes blurts out:

pretty

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twototwotoo · 1 year

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This is the final piece I should be making during this project, being the second single cover, Never Ending. This one, like my previous work, only took one day (6/7 hours) to produce and is, probably, my favourite of my 3 pieces done for my commissioners. The piece focuses on a wall of bubble gum flesh, its surface decorated by an army of blistering eyes and gnawing maws, most shaded by the monstrosity heaving mass. In the distance, a planets surface is seen, and another of these creatures can be seen in the distance. In the background, we can see a minimalist sky box representing a far more clear blue space, a neighbouring planet circling the same sun they are. This piece was inspired by the middle left concept cover from my original plan, and it is the most changed from its original vision.

Originally, the creature was going to be representative of a galaxy, a swirling mess of eyes all encircling the middle of the frame, however, due to the first two projects already encompassing this theme, with the first being a centralised work and the second being a sun with its orbit restrained in an eye, I thought it would be too repetitive and so moved its direction to be more monstrous and alien. Thankfully, this cover is for another single, and so I wasn't restricted to the Gemini themeing and could make it its own thing. I wanted to make a piece that was more complex than the original two, and by adding a background, no matter how simple it was, gave it more death and portrayed their size, I also made it the most colourful piece so It could stand out from its darker and more detailed siblings.

I was going to have the background be more detailed, with a sun burning in the distance, however I couldn't make it look right, and due to time constraints I just forfeited it and left it simple and bright to compliment the main view. I was also going to have the tile bar on the left take up more of the screen by making the shadow fade into it, creating this cool look and saving me time, but as I tried to manufacture this look, it became more and more apparent that the simple border that the title already had fitted it and it was simpler to add more parts to the monster than trying to make it work, it also gives the piece a more rectangular feel, making it feel taller naturally, what is pretty nice.

I also found out that I liked the piece without shadows. Usually I think that my matte flat art looks off, with shadows adding needed depth that makes it fell alive, however, this piece is naturally dimensional, and I think due to that nature it works just as well without it, adding a new view of the piece. In this look the colours hold the piece up instead of the shadows, making it pop far more. I actually can decide with variant is my favourite as they both have their own charms to them, but that is not my decision to make.

No shadows:

Older colours when attempting to make a bigger Title border:

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cards-and-creatures · 2 years

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Art Piece 2: Narcissus and Rasputin

This piece of art came from the conclusion of my first art study where I was inspired by artists Hirohiko Araki and Piotr Jabłoński to do a character styled like Araki’s work but rendered in Pitor’s dark matte shadows present in his Destiny conceptual art. With that piece, I was quite pleased with the outcome, and realising that I had already lost such a tyrannical amount of time, I went straight onto the next piece in that style, choosing it for my project instead of going further, as I was by doing a piece to Ming Doyle for my second study, but I was already so strapped for time. While I think it’s quite sad that I couldn't pay homage to her in a piece that was going to be inspired by her husband's song Spiral of Ants, I was going to slightly reference it by painting the characters in a deep red and blue, however this didn't quite turn out as planned, so I instead left the white colouring to save on time.

This piece took up considerable time in my project, and sadly I think it has been a let-down. While I put my all into the piece, trying to develop my skill by making the characters poses and bases by myself, only referencing clothing and an old image, I think that it has come back in a negative sense. I tried to add more depth by making some pieces of their bodies appear in the foreground, enlarging them and making them stand out, hopefully making the piece feel my dynamic, alas, I see that it looks quite uncanny, especially the human character, (Narcissus,) whose right hand looks abnormally long, what could have worked if the arm was more outstretched but due to its slack nature, it looks goofy.

Thankfully, I do like the rendering I did on the piece, a complaint with my previous work was that I doused it too much in shadow, leaving barely any detail in his torso or legs, so in this piece, I actively made it much lighter, leaving to a more detailed image, with some areas being bleached in shadow with only the light source leaving highlights, this was to make the piece less samey sue to there being much less darkness, as seen in his boots and hair.

I, again, made the characters a simple and rushed Tarot inspired card for the actual game based segment of my proposed game, I, again, Believe this was less successful than my last piece, mostly due to wanting to incorporate both characters in the piece, due to them being far longer than the last piece’s character’s head, that had to appear smaller on my proposed stock tarot card, taking far less space horizontally, making them seem quite squished even when they aren't taking half the card.

I tried to further innovate on this piece, especially on the background, using a more unique star shape for the pattern and using perspective warp to make it seem to flatten out into a floor, like a tarp thrown over a wall. I like how this came out, as it gives the character a floor to stand on what doesn’t need to be rendered as hard as the last pieces that IO left out due to time. I also, on the card design, slightly tilted the stars, giving a more dynamic look to the card than before. I also tried my hand at better clothing, adding areas of tension and shagginess, what actually came out quite nice, even if some of them might not be humanly possible.

Altogether, I can't say that I'm disappointed with the outcome, as I believe it is still held to a high quality that I expect in my work, however, I would be lying if I said I thought it was better than the last piece, even by incorporating more characters, trying more detail and trying to further my skills, it just looks far less interesting with far more errors. Things that could have led to this is lack of highlighting on normal materials due to the softer light, the use of blank white instead of a sun bleached variant and a lack of a secondary colour to show complexity and change in skin and clothing durability and / or thickness.

To improve, I could try to add more fragments from the previous piece into my next projects that were excluded here for time purposes. I could also try more interesting posing, which these characters have less of, just standing looking straight on, whereas the previous piece was more interestingly posed on their side.

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brunboel16 · 2 years

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kurtanaaa · 3 years

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may I ask about comic artist Sam <3 do you have any headcanons?

YES MYLE YOU ABSOLUTELY CAN ASK!!!! thank you very very much for asking im sorry for such a delayed response!!!!

so in my little brain, sam is a neurodivergent individual and while he does love people very much he often prefers going into his own little worlds because theyre much easier for him to understand

and this is why he loves sci-fi and fantasy stuff so much!!!! it consists of written environments that are so much more interesting and people that are much easier to understand because you see their internal thought processes

he gets very fixated on whatever piece of media he's into at the time, but one thing that remains is that he always focuses on visual aspects most and finds colourful things more engaging

so!!!!! he starts drawing and doodling his favourite characters and scenery he really likes, which expands into drawing his own settings and creating aspects of worlds like foods and items and vehicles

then he starts inserting his favourite characters into scenes, which evolves into making little comics out of them, which evolves into him thinking "damn this is a lot of fun"

he starts drawing (unofficial) variant covers for his favourite marvel and dc comics

mercedes sees them at one point during season five and goes "!!!! i have a friend who can help you build a portfolio if you'd like!" and so they start making up a portfolio for sam, and he begins submitting it to places

finally, he starts drawing for independent companies and writers that are also trying to get their stories off the ground!!!!

and the aspect of his characters not being his own is never a problem; he just likes building the visuals. leave it to the writers to understand and build the people, he'll just make them look So Cool

eventually he starts doing really well for himself with both freelance work and steady comic art through bigger companies

he likes to work from home a lot bc its a familiar environment, but sometimes he likes to go out and talk face to face with the writers he's drawing for just bc human connection is nice and sometimes he needs to talk about things with people who also Love Things A Lot

yeah. basically where im going with this is: stay at home comic book artist dad sam who loves his kids and draws them and his wife (miss mercedes jones) into his comics all the time

i love him so much

THANK YOU SO MUCH FOR ASKING THIS I DIDNT REALIZE HOW MANY THOUGHTS I HAD UNTIL NOW!!!

#i hope u enjoy lovey!!!!!#sam evans #glee #glee headcanons #samcedes #rae's headcanons #long post

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elen-aranel · 3 years

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Stars Above the Desert

The Engineer’s Adventures

1-1 • 1-2 • 2 • 3 • 4

For: @autumnleaves1991-blog Writer Wednesday. Thank you so much for these prompts, Autumn, because without them the Engineer wouldn’t exist. Pairing: Captain Christopher Pike x F!Reader (no Y/N) Warnings: fluff WC: 1600 words Tag list: @jusvibbbin A/N: I didn’t think I had inspiration for today’s image and yet...

Alnath III is a desert planet, just on the borderline of Class L and Class M. The briefings you had read did go some way to explaining why the colonists had chosen this planet to settle: some were agriculturalists who wanted to develop drought resistant strains of crops; some were scientists who wanted a world they called ‘pristine’ for some biological experiments to do with the formation of life; and one or two were geologists who thought the planet might have resources they could exploit. Not the most obvious basis for a community but they seemed to be getting along, making it work.

The little town they have built is charming in its way; they have made an effort to make it feel like a home, with a little town square, and adobe-style buildings rather than prefabs. Still, you think, as you lie sweating in the sand under an empty water tank just outside town, powering down your phase compensator, you’d have chosen different a planet to colonise. One where the ground water wasn’t so deep you needed mechanical assistance just to get to it, or so laden with minerals and inorganic compounds that it was poisonous until purified.

At least this time it was Louvier rather than Chris who had ordered you to join the away mission, so Number One couldn’t complain.

“Try it again, Ensign Devrin,” you yell to your Tellarite colleague who is some twenty metres away at the control terminal for the well and purification plant you’re trying to fix.

“Aye, Lieutenant,” he shouts back. Everything is silent for a moment, then you hear the sound of water in the pipes below. But just as you’re about to get your hopes up there is an ugly metal grating sound and everything grinds to a halt.

“Sounds like the gears got stripped as well,” you mutter, entering your findings into a PADD.

You check the time. It’s more than half way through beta shift – 21:00 ship’s time but only 16:00 local time.

“Ensign, you might as well return to the ship. Take this to Louvier – he can add these to the fabrication list, though I’m guessing they won’t be ready until the end of gamma. We can get them installed tomorrow.” You stand and stretch, before handing the PADD to Devrin who has come closer to see what you’re working on.

“Aren’t you coming too?” Devrin looks at you, concern in his expression.

“Nah, there are still some things for me to do before the installation, and I want to check on the solar plant while we’re here – make sure all the batteries are nominal, that kind of thing. We don’t want to get called back next month for something else that’s gone wrong.”

“Well, if you’re sure...”

“I’m sure. Have a good evening, Devrin.” You smile at him as he calls for a beam out. You’ve sent the rest of your engineering team back to the ship because you want them fresh for tomorrow, and the things you have left to do don’t take more than one person.

You finish up installing new software to the water plant to accommodate the new components going in tomorrow, then take a walk over to the solar plant.

You’re glad you checked it – while the hardware is all okay – batteries all full at the end of the day, solar panels operating within tolerance – there’s a slight memory leak in the software. You’ve seen this issue on this type of controller before – it’s the kind of thing where it will be fine for ages then suddenly fail, plunging the colony into the dark and causing a lot of heartache. It’s an easy fix, but you make a note to suggest the colonists recruit an engineer on your report. You will not be volunteering.

It’s around 01:00 ship’s time when you finish everything, but only 20:00 local time. The colony is in the planet’s northern hemisphere, and it’s summer, so the sun is only just going down. Part of you considers returning to the ship, but really you had always planned to stay over. By the time you have some food, get back to your quarters, shower and lie down, it’ll be time to get up again. And much as you wouldn’t want to live here, it is nice to breathe fresh air for a while.

You call the bridge to let them know you’re staying. You’re not going to be the only one planetside overnight; almost the entire exobiology department beamed down, wanting to make the most of the Enterprise’s stay – it’s a change for them from endlessly cataloguing species on new planets and they don’t want to pass it up. The Ensigns at least are having a sleepover at one of the scientists’ houses, but you would rather not hear any more about drought resistant triticale variants. You had brought a sleeping bag, your own water and some protein bars.

You walk through the square, nodding to the couple of colonists who are about, and stop a bit away from the edge of town. You find a large flat rock to sit on, and eat a couple of protein bars as you watch the sun set peacefully below the horizon.

You drink some water, then set up your sleeping bag, hoping to get some rest. You’re usually okay at sleeping in uncomfortable places, but it’s cold. You force yourself to shut your eyes, and you keep your breathing slow and steady even as you shiver slightly. You go to pull your sleeping bag around you tighter, but as you do you feel a gentle weight settle over you. You frown and open your eyes.

“Chris?” You lean up on your elbows. “What are you doing here? You should be asleep.” You soften your chiding tone with a smile as he sits beside you, pulling the blanket he settled over you over himself as well.

“And miss the chance to spend time in the desert?” He presses a kiss to your temple and you move to sit up, leaning against him. “I’ve been looking for an excuse to beam down, and when I heard you were staying over I thought I’d come check on you. I thought you might be cold.”

“For somewhere that’s been so hot during the day the temperature sure does drop at night,” you say, enjoying the warmth of his body against yours. You unzip your sleeping bag to make it into a blanket for both of you. Chris helps, and with the two of you together with the sleeping bag and blanket over you, you feel yourself warming quickly. “But even so, it’s nice to have solid ground beneath me, and—not be running away from anything.” You look up at him sidelong.

He huffs a laugh. “Yeah, that’s a good feeling,” he says, slipping his arm around your shoulders. “Is this your first time in a desert at night?”

“First time in a desert at all. Well,” you pause to consider. “Technically second time, because we had a family holiday to Monument Valley when I was eighteen months old. I don’t remember it though.”

“You never visited when you were at the academy?” You hear the surprise in his voice.

“No – my survival training was in the Alps, and then the Amazon. And my friends and I would take a shuttle to Mars or New Berlin when we had time off.” You look around at the dunes, stretching into the distance to mountains on the horizon, then back to him. “How does this compare to the desert where you grew up?”

“Less alive,” he answers instantly. “There were lots of plants growing – grasses, mesquite. I miss the smell. And animals, too – I found a burrowing owl nest as a kid, once. And there were sheep, tortoises, jackrabbits...” his eyes go a little faraway as he remembers. “But there are some similarities.”

He tips you both back, gently, pulling the covers over you. You’re looking at him, so you don’t understand what he’s doing at first, but you follow his gaze upwards, and gasp.

Above you is the Milky Way, almost like a sparkling splash of paint across the sky. You have never seen so many stars; the constellations are unfamiliar but you almost feel like you’re looking down on them. Like you could reach out and touch a star. “I can’t believe the colours,” you say, as you try to take it all in.

He squeezes you a little and you rest your head against his shoulder, still looking up. “This is why I joined up, really. I would sneak out at night and lie there, looking at the stars. It took Admiral Marcus to help me see that command track was the right path, but...” he lapses into silence for a while.

“There’s something magical about seeing them like this, isn’t there? Even though we get to call space home.” You feel him nod, and you can’t resist anymore.

You turn, reaching out, touching his jaw and tilting his face toward you. You kiss him, gently at first, but he turns, pulling you flush against him as he nips at your lower lip. You open your mouth into the kiss and press your body against him, and for long moments it’s just the two of you and the stars wheeling overhead.

There will be plenty of time for you to worry about getting the well fixed, for him to worry about everything that goes into running a starship...

But for a short while you can let everything go.

#writer wednesday #Christopher Pike #Christopher Pike x Reader #Christopher Pike x You #Captain Pike #writings of the girl from outer space #fanfic #fanfiction #star trek discovery #star trek strange new worlds #The Engineer's Adventures

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razieltwelve · 3 years

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Comparison (Final Rose AU)

Note: If Fang had a twin sister, she’d be called Claw. Because why not?

X X X

Fang raised one eyebrow as Diana clambered up onto the couch and wrapped her arms around her as tightly as she could. “Not that I mind getting a hug, but you’re not plotting again, are you?”

Diana tilted her head to one side and hummed thoughtfully. “Just give me a second, mommy...” She continued to hug Fang for a bit longer before nodding in satisfaction. “Hmm... interesting...”

Letting go of Fang, Diana moved over to Claw and wrapped her arms around the other woman. “Hmm...” She tightened her hold and moved her arms back and forth. “Not quite the same.”

“What’s not the same?” Claw asked.

Diana let go of her aunt and then rubbed her chin. “Aunt Vanille says you two are identical twins, but you don’t feel identical. I think mommy is roughly 2.7 Cuddle Units cuddlier than you.”

“Cuddle Units?” Fang asked. “What are those?”

“Aunt Vanille has been researching how cuddly things are. Cuddle Units are the unit of measurement she came up with.” Diana nodded firmly. “You’re just a little bit cuddlier than Aunt Claw, mommy.”

Claw snickered. “Should I feel bad that I’m not as cuddly as you, Fang?”

“It could just be personal preferences. After all, Diana is my kid.” Fang shrugged. “She might be biased.”

“I’m not biased, mommy.” Diana huffed. “I am being perfectly scientific and impartial. You measure exactly 132.7 Cuddle Units, but Aunt Claw is only 130 Cuddle Units.”

“For reference,” Claw asked. “Who is the cuddliest person in this house.”

Diana looked about furtively. “Promise you won’t tell?”

“Of course, we won’t.” Claw winked. “It’ll be our secret.”

Diana lowered her voice. “Mom is the cuddliest. She’s at least 150 Cuddle Units. It’s hard to be sure, though, since she doesn’t like people hugging her. Averia is around 140 Cuddle Units, but she’s been getting cuddlier over time, so she might catch up to mom. Plus, Averia lets me hug her.”

Fang and Claw exchanged grins. It wasn’t so much Averia letting Diana hug her, as Averia being a complete pushover when it came to Diana’s barnacle-like behaviour.

“Heh.” Claw chuckled. “Who would have guessed the hedgehog was so cuddly?”

“What was that?”

Claw froze and then turned. Lightning was standing behind the couch. “Oh, hey. Nice to see you, my wonderfully kind sister-in-law who would never dream of murdering her wife’s twin sister.”

“Of course, I wouldn’t murder you. Fang would be sad.” Lightning shrugged. “I’d just mangle you and let Vanille patch you back up.”

“...” Claw nudged Fang. “Remind me again how you’ve managed to survive this long.”

“Being pretty much indestructible helps,” Fang replied. She grinned at Lightning. “You’re back early. Where’s Averia?”

“She’s just cleaning up outside since she got pretty muddy at soccer practice.”

Diana’s eyes gleamed at the mention of mud. “Muddy? Can I go outside and spray her with the hose?”

Lightning pursed her lips. On one hand, letting Diana spray Averia with a hose would undoubtedly draw the pink-haired girl’s ire. On the other hand, it would be hilarious, and Averia was absolutely covered in mud. There was no way she’d be able to make it into the house without tracking it everywhere. “Sure. Have fun.”

Diana cackled evilly. “Averia!” she shouted as she ran for the front door. “Let me help you!”

“You know,” Fang said. “That’s just asking for trouble.” Moments later there was an outraged scream followed by maniacal cackling followed by more screaming and the sounds of a scuffle. “And people think I’m the evil one.”

“I do only what is necessary,” Lightning quipped. She nodded at Claw. “Is there a reason you’re hiding out at our house again? Please, don’t tell me you made Acier mad again.”

“You know, for a Dia she can be quite scary. It’s like the only thing she learned from Vanille was that if at first you don’t have a big enough gun, then you should just make a bigger one.” Claw smirked. “But, no, I did not get her mad at me again. She and the kids are off doing some experiments down at the lab with Vanille. I figured I’d come hang out with my favourite twin sister for a while.”

“I’m your only twin sister.”

“Which makes you my favourite by default.”

Fang’s lips twitched, and she ruffled Claw’s hair. “You’re lucky I love you. Otherwise, I’d have to stab you.”

“Lightning really has been rubbing off on you. Besides, you’d feel bad if you stabbed me. I might actually get hurt.”

“Depends on what I stabbed you with. A normal weapon? Not a chance.” Fang picked up the butter knife she’d been using to butter her scones and flicked it at her sister’s eye.

“Seriously?” Claw rolled her eyes, and the projectile bounced off her eyeball. For a brief moment, her entire body gleamed an eerie silvery colour before returning to normal. “That was immature.”

“Meh.” Fang waved off the comment. “But that’s new.” She tilted her head to one side. “Lunarium, if I’m not mistaken.”

“Yeah. Vanille wasn’t keen on letting me eat a block of the stuff, but she figured it would be worth it in the end. Transmuting my entire body into lunarium is pretty handy since it’s impervious to chemical attack and durable enough that even a plasma forge struggles to work with it. It is magnetic, though, but I’m working on combining it with some other things to get rid of that as well.”

“Not bad. How are you going with processing that stuff I made for you?” Fang asked.

Claw chuckled. “The more exotic stuff that Ragnarok makes does take a while to process, and it is more energy-consuming to transmute myself into. However, it is pretty damn useful to have. That material you gave me is about 10,000 times stronger than perfect graphene with none of its weaknesses, so it’s handy to have access to. But lunarium is nice because of it’s Aura-related properties.”

“That’s right,” Lightning said. “If you transmute your body into lunarium, it should massively boost what you can do with your Aura due to how Aura sensitive lunarium is.”

“Yep.” Claw smirked. “In terms of efficiency, transmuting my body into lunarium lets me cut my typical Aura consumption by 90%. It also lets me boost my maximum output by at least 500%. So, yeah, I can fight for longer and hit way harder, even without counting the durability of lunarium.” Claw shrugged. “It does help that lunarium is also self-repairing when exposed to Aura. Unlike some people, I can’t simply laugh off a missing limb.” She looked pointedly at Fang. “That said, transmuting my body into lunarium lets me do that - assuming whoever I’m fighting can even sever a limb in the first place.”

“It’s a pity I can’t give you anything I make,” Lightning murmured.

“Heh. Saviour’s materials give me a really bad case of indigestion.” Claw shrugged. “But what can you do?”

“I can still hear screaming from outside,” Fang drawled. “Should we go and deal with the kids?”

“No.” Lightning’s Semblance flared for a moment to let her see through the walls of the house. Diana was clinging onto Averia’s back while trying to grab hold of the hose. “They should be done any second now.”

X X X

Author’s Notes

So, yeah, if Fang had a twin sister, that’s how she’d be. Her Semblance is a shard of Rangarok the same way that Lumina and Serah have Semblances that are shards of Saviour. In Claw’s case, it lets her transmute her body into various substances.

Initially, she could only transmute her body into a substance that she was in physical contact with, so she had to carry around bits of steel and so on. Later, she developed the ability to digest almost anything. Consuming enough of a material let her transmute herself into that material even without being in contact with it while also reducing the cost of transferring and speeding up the speed of the transformation.

Eventually, she gains the ability to selectively modify what she transmutes into based on the materials she has consumed. For example, not only can she transform into steel, but she can transmute into more exotic variants of steel with differing properties. Of course, steel is fairly pedestrian. Something that both her wife (Acier) and Vanille have made a point of doing is feeding her various materials to ensure she has proper coverage. Lunarium, for instance, is immensely Aura conductive, completely impervious to chemical attack, and has physical durability so great that it takes a high level plasma forge to even work on it at all. Its only real weakness is that it’s magnetic, but it won’t be long before Claw combines it with other substances to create a variant that can’t be influenced by magnetism. Likewise, Fang often feeds her things that Ragnarok has come up with.

Claw’s Semblance is completely reflexive. Even if she is unconscious, her body will automatically transmute to defend itself, provides she has enough Aura. The transmutation is total, meaning all of her tissue is transformed. This means that transmuting herself renders her immune to poisons, toxins, and other similar agents. Likewise, transmuting into a self-repairing substance like lunarium can also heal her injuries. For this reason, one of the most importance substances she can transmute into is the stuff that Vanille’s protospheres are made out of. That substance is a poly-mimetic alloy that can take on complex forms including, but not limited to blades, firearms, and so on.

At full mastery, her Semblance can also transmute her immediate surroundings although in combat, this is typically done by picking up objects. The transmutation, however, is not permanent and will wear off once the Aura invested into the object is depleted. Still, this means she can pick up a piece of paper and transmute it into a sheet of steel. Doing this on something she isn’t in direct physical contact with is immensely more difficult, and maintaining the transmutation is more difficult the further the object gets from her, which means it takes greater effort to transmute long-range projectiles than short-range ones.

But, yeah, that’s how Claw would be.

If you’re interested in my thoughts on writing and other topics, you can find those here.

I also write original fiction, which you can find on Amazon here or on Audible here.

#final rose #fanfiction #lightning farron #oerba yun fang #oerba yun claw #diana yun farron

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umbry-fic · 3 years

Text

To Wish Upon a Lantern

Summary: In the midst of their journey, Lloyd and Colette visit a new town and decide to participate in their lantern festival.

Fandom: Tales of Symphonia Characters: Lloyd Irving, Colette Brunel, Original Character Relationships: Colette Brunel/Lloyd Irving Rating: G Word Count: 3266 Mirror Link: AO3 Original Post Date: 22/06/2021

Notes: Fluff fic with a little bit of angst! Written for @frayed-symphony's birthday!

~~~

“Look at these, Lloyd! They’re so pretty!” Colette exclaimed next to Lloyd. She was pointing out the tiny charms on display in the pop-up cart in the middle of the bustling marketplace. “I wonder what they are,” Colette mused.

“They kinda look like a chef’s hat to me,” Lloyd replied, leaning down to get a closer look at the charms. “You know, the one Professor Raine wore sometimes when trying to cook, just without the folded ridges? It’s even pure white in colour.”

The design resembled a cuboid with an open bottom from which a tassel protruded out, the individual strands all ramrod straight without a kink or tangle in sight. The top of the cuboid transitioned seamlessly into a pyramid-like shape, the same string that made up the tassel extending upwards out of the top of the pyramid, tied into a complicated system of knots. Trying to follow the string down its path made Lloyd’s head hurt. At the end of it all, the string formed a loop, perfect for hanging the charm up on furniture. Threaded on the string above and below the “chef’s hat” were two gems, sunlight reflecting off their polished surfaces and making them sparkle.

“I see what you’re saying.” Colette picked up one of the charms by the loop of string, pursing her lips as her fingers rubbed at the knot. It was a rather satisfying feeling. “But I don’t think a chef’s hat would be important enough to a town for it to be everywhere.”

“True.”

By everywhere, Colette truly meant everywhere. Lloyd had seen multiple variants of this charm at other stalls, some with different colours, some with and without the gems on the strings, some with even more complicated knot designs, some with words printed on the side, some without strings altogether and instead using clasps and hooks, perhaps to better attach the charm to clothing and bags. But it wasn’t just products in the marketplace. He’d seen it in murals painted on the walls of this town, and even walked past some children making a larger version.

“The details are incredible…” Lloyd muttered, feeling the material of the charm. It looked to be folded out of paper at first sight, but the texture wasn’t remotely like it. He wanted to ask the stall owner how he’d folded something so intricate and yet so small.

"Ah, young man, looking to buy one of the lantern charms?"

Speak of the devil! Lloyd nearly jumped out of his skin, gaze snapping up to find that the jovial, bearded stall owner was now right in front of him. The last Lloyd saw of him, he’d been engaged in a fervent discussion with another patron, and that had been just moments ago. How had such a large figure manoeuvred in front of him without any noise at all?!

“No, no! Just window shopping at the moment!” Lloyd quickly clarified, acutely aware of how light the sack of Gald in his pocket was.

“Lanterns? These are lanterns?” Colette interjected, head cocked and hands clasped before her chest. “I’ve never seen lanterns like these before…” When she heard the word “lantern”, she thought of fragile glass and cold metal grips, a flame burning with the faint whiff of kerosene, chasing away the foreboding darkness of winding caverns.

“Ah, I thought you might not be locals. I’ve never seen you around before.”

“Yeah, we’re just passing through. Never been to this town in Sylvarant before, so we thought why not?” Lloyd replied.

“It’s always nice to see travellers now that the Desians are gone,” the shopkeeper said with a hearty chuckle, his smile hidden by bushy black bristles. “To answer your question, young lady, these are indeed lanterns. It has been this town’s proud tradition to make these lanterns and hold an annual festival involving them, where we send them to the Goddess above. Though we’ve only been able to do so again with the Chosen's success. We’re actually holding our second one tonight!”

“A festival?” Colette squealed, clapping her hands together. If she weren’t in the middle of town and surrounded by dozens of other people who could clearly see her, Lloyd thought to himself with a smile, she certainly would have started jumping up and down on the balls of her feet like an excited child.

For that was precisely who she was allowed to be, now that she no longer had to labour under the title of Chosen. The child that had been buried for so long in favour of performing her duty could now come to the forefront. She could show her excitement over experiencing all the strange and delightful customs of each town they came across, whether it be Sylvaranti or Tethe'allan. And it was always so endearing to witness, the clear delight on her face, and it gave Lloyd even more motivation to continue this journey across the reunited world. Both to collect the Exspheres, and to let Colette experience everything this beautiful world had to offer, now that it was no longer denied from her.

“Yes. Everyone is encouraged to participate! All you need to do is purchase one of the lanterns, light it up, and release it into the sky! You can even write custom messages on the sides. Most people choose to write wishes, such that the Goddess can grant them.”

“That sounds wonderful.” Colette’s eyes were shining just as brightly as the gems on the cart. Lloyd was sure that she had built a vivid picture of the festival in her mind, what with her bright imagination honed from years of daydreaming as she sat within the cold walls of the Church of Martel, wanting desperately to escape but only able to do so in her head.

A festival sounded like a wonderful experience to him as well. All festivals were, events that exuded a magical aura as all types of people, strangers, friends, lovers and family alike, came together in one place just to celebrate and have a fun time. He hadn’t gotten to participate in that many, but he’d love to go to more.

"Lloyd, do you want to go?" Colette asked, nudging him in the side.

That was all it took for Lloyd's smile to slip into a small frown. Colette's terrible habit was rearing its ugly head again.

It had taken him a while to pick up on it, to learn to parse through what was innate to Colette’s personality and what was Chosen behaviour. But once he did, it was rather hard to ignore. The accursed mention of “Lloyd, do you want to…” had started to grate on his nerves - she’d done it with regards to the summer festival at Mizuho, and the newly revamped Altamiran theme park, and likely a thousand other times throughout all the years he’d known her that he hadn’t noticed. Asking was all fine and dandy, but only if she expressed her own desires first.

She always did this. Disguised her desires in the form of questions posed to others, too afraid to just do things for herself. She still thought she needed justification to let loose and just enjoy herself, despite her own happiness being justification enough.

Time to flip her question on its head.

"Do you want to go? To release a lantern?" he countered, eyes narrowing as he held her in a stare.

"Uh - uh, I -" Colette stuttered, fumbling at the unexpected turn of conversation, unable to look away from those intense russet eyes. "Well, we're low on Gald! And you did say you wanted to make it back to Iselia by next week, so if we stay a night -"

"That's not what I asked," he interrupted, taking hold of her hand. He didn't like being this forceful with her, but it was required. She needed to learn to ask for herself, and giving excuses was not the way. "I asked if you wanted to."

There was silence as Colette bowed her head, her hair hiding her face. It was but moments later that she raised it again, uncertainty painted across her face. "I… Would like to go... With you… And release a lantern together," she whispered haltingly, like it hurt to get the words out, shy blue eyes meeting his again. For her, it likely did, battling against her instinct to swallow the words down and the fear that there would be retribution, whether from invisible priests or the world at large.

There would be no retribution, not if he had anything to say about it. He squeezed her hand, giving her an affirming nod.

That's it. I’m so proud of you.

A small smile graced her face.

"Then it's settled!" Lloyd declared with gusto, turning back to the stall owner, who’d been watching the whole exchange in silence. “Uh, except the cost. How much is it?” He expected he’d have to haggle; they really didn’t have much Gald left. But no matter how, by hook or by crook, he would make this happen.

The stall owner burst into roaring laughter, slamming a hand on the cart. “For you two, free of charge!”

“What, really?” Lloyd blurted out, hardly able to believe his ears. Surely this was a deal that was too good to be true?

“Yes, really! Take it as payment for putting such a large smile on my face. Go down to the fields at sundown. I’ll meet the two of you there with a lantern. In return, spread the news of our festival to your friends! And if you choose to return next year, you can pay the full price.”

“Thank you so much, mister!” Colette said. “We’ll be sure to tell all our friends! I’m sure they’ll love the idea so much that they’ll all turn up next year!”

“Ha! I like the sound of that!”

Confirming the details of the meetup, Lloyd thanked the stall owner profusely before walking away hand-in-hand with Colette.

“He was very nice,” Colette muttered.

“That he was. So we shouldn’t waste the opportunity.”

Colette mumbled her agreement, that small smile still on her face, soothing Lloyd’s worry that he might have pushed her too far.

There was still the issue of lunch, though. His stomach was growling, and Colette must have been hungry from all the walking they’d done in the morning. But this time, he’d cut her some slack. He couldn’t expect change to occur immediately - it would take time, possibly years.

“Want to go get lunch at that place we saw down the road that sells dumplings? We’ve never tried it before, and Sheena said it was good.”

Receiving Colette’s enthusiastic agreement, (and spotting the relieved slump of her shoulders,) they set off, their fingers tightly locked together. And after lunch, there would be enough time to explore this town to the fullest.

~~~

Colette stood back on the grassy hill, watching the stall owner (whose name she still hadn’t learned), kneeling on the ground and carefully lighting a match. Lloyd stood slightly closer, observing with a keen eye. He was most likely trying to figure out the craftsmanship of the lantern; he’d been obsessed since he’d first seen the charms. She was more interested in the knot, and would likely be spending an afternoon at Dirk’s playing with string trying to recreate it. She didn’t think that would end very well, and a lot of untangling from Dirk and Lloyd’s end would be required, but it would be fun!

Standing too close to the stall owner ran the risk of her accidentally starting a fire, and that would have horrific consequences on plains of short grass such as these, so she was going to keep a safe distance.

As agreed, she and Lloyd had met up with the stall owner at the rolling hills behind the town, though not before exploring every nook and cranny of the town, with its curving arches and winding, narrow streets, watching the children play games with toys she had never seen before and having the honour of joining in. The stall owner had been in the process of unfolding a compact square of an unknown material, unveiling a lantern that was half her height and fitting it with something that resembled a lamp without the glass covering. (How did that fit into a small square?) After which, he’d lent them brushes whose tips were drenched in dark red ink, asking them to write whatever they wanted on the side of the lantern.

Enraptured with the idea of granting wishes, she had written the first thing that had come to mind before she lost her courage to do so. Lloyd had smiled after seeing her wish, choosing not to write another and only adding his name under hers, causing her to giggle as she tried her best not to trip and dot him in ink.

The sun had still been peeking over the hill when they’d arrived here, but in the time it had taken to finish their preparations, it had sunk out of sight, leaving behind only a harsh pink that was quickly being chased away by sparkling stars.

“It’s done!” the stall owner called out, standing up while keeping a secure grip on the side of the lantern. The fire was contained inside the lantern, causing the sides to be lit up in gentle orange light and the tiny words to stick out in harsh red. She’d noticed that quite a lot of things in this town were red. Maybe it was an auspicious colour to them?

Colette ran over to join Lloyd, accepting the lantern from the stall owner so that she was holding one side and Lloyd was holding the other, standing across from her. She could feel the heat of the flame licking at her fingers, chasing away the chill of the night. The lantern was fighting to escape her hold, the surge of hot air doing its absolute best to propel it towards the heavens, where it belonged.

“You can let go at any time,” the stall owner clarified. “Once that’s done, you can sit here and watch your lantern for as long as you want! I’ll be joining my family and giving you two some alone time now.”

“Thank you, mister!” Colette called out after the diminishing silhouette of the stall owner, until he disappeared amongst the throng of others. It seemed like the entire town and then some had turned up for the festival, populating the plains with head upon head. Somehow, upon this one hill, they were the only two present, free to soak in each other’s company.

“On the count of 3?” Lloyd offered, drawing her attention back to him. The flickering flame of the lantern cast him in the same orange light, the tips of his hair catching most of it and rendering the strands an even lighter brown, the features of his face soft while his lower half was covered in twisting shadow. A truly magical sight.

“Okay.”

“1…”

“2…” she joined in.

“3!” they cheered together, throwing the lantern into the sky and angling their heads up to watch.

The lantern rose fast into the sky, wobbling a little in its journey but remaining steadfast. The weather was good today, with no hint of a raincloud and only a gentle breeze that would pose no problems. Theirs was one of the first lanterns, joining the dozen that had already made their way into the clear sky to play by the moon, darkness having fully fallen.

Feeling a tug on her sleeve, she found that Lloyd had settled himself on the grass and was gesturing for her to join him. She did just that, the two of them sitting in silence side-by-side for a few minutes as more and more people released their lanterns.

"Sorry if I was too hard on you in the morning," Lloyd whispered, finally breaking the silence as he pressed a gentle kiss to her forehead.

"No, it was necessary," she replied, taking his hand and squeezing. "You were just trying to help me. Besides, you've more than made up for it today. And I know I need to start thinking about myself more. It's just… Hard.”

It was difficult, to push past the echoes of the priests in her mind, telling her that as Chosen she had to conduct herself with the utmost grace and not indulge in cravings. That accepting gifts from others were already pushing the line, not to mention asking for things. It wasn’t proper.

“I'm -"

"Stop right there," Lloyd interjected, pressing a finger against her lips, a slightly exasperated smile on his face. “No apologising for what isn’t your fault, remember?”

“Ah, right! I’m - Okay, I’m just going to stop talking,” Colette muttered with flushed cheeks, clapping her hand over her mouth as she let her head fall onto his shoulder. She’d gotten better, but whenever she fell back into one habit, she tended to fall into all of them at once.

At least she could stop herself now. And she wanted to shed those behaviours, not only for herself, but to stop seeing the sad frown on Lloyd’s face. He continued to blame himself for not catching on sooner, for unknowingly encouraging those habits, when it wasn’t his fault.

Lloyd chuckled, leaning his head on hers. “It’s alright. I know it’s not going to be easy, but all you need to do is take baby steps. And I’ll be here to help you.”

“I know you will.”

“Let’s just enjoy the view now, shall we?”

“Mm.”

Above them, there were a thousand pinpricks of light as the lanterns rose into the sky. So many and so dense that they seemed to outnumber the stars themselves, though she knew that was impossible. Or perhaps the lanterns were golden stars, each holding a precious wish that its owner hoped could come true with all their heart, prayed would reach the Goddess. It almost reminded her of gazing up at the grand chandelier adorned with candles that hung in the sanctum of the Church, but instead of a sight that filled her heart with melancholy, the sight before her now was a breathtaking and uplifting one, even if she knew there was no Goddess in the sky.

For surely, if this many people came together with a common dedication, a miracle could still occur to grant these wondrous wishes.

She could barely see their lantern now - it was both lost among the crowd and too high up, the words she’d written on it too far away to make out. But they were still held in her heart.

I wish that I can continue exploring this incredible world together with you.

Mayhap it was a selfish wish. It would have been more appropriate for the Chosen to wish for the good of the world. But she wasn’t the Chosen anymore. Besides, she was sure other people had made such a wish. And… If the wishes contained within all these lanterns were to come true, would the world not be a better, happier place? Would there not be a brighter tomorrow awaiting all of them?

“I’d like to come back next year,” she said, trying her best to push out the desires in her heart, to stop battling against guilt that she knew she should not need to feel. “Maybe with all of our friends?”

“That sounds like a wonderful idea.”

Maybe my wish will be different next year.

She snuggled closer into Lloyd’s warmth, enjoying the feel of his arms around her, both a comforting blanket and an impregnable shield.

I don’t think it will.

#fanfiction #tales of symphonia #colloyd #colette brunel #lloyd irving #one shot

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pop-goes-the-sneasel · 4 years

Note

What are the vibes on Ninetales?

Ninetales!!!!

Specifically, Kantonian Ninetales. Because we gotta specify. We’ll get to Alolan Ninetales soon enough!

Ninetales is pretty much Kanto’s single most-elegant pokemon, with a simple yet impressive design that communicates both beauty and just a smidge of low-key menace. Which is deliberate, since this Fire-type is said to be highly vindictive, putting upon those who even so much as grab one of its tails with a 1,000-year curse. I’m not sure how a 1,000-year curse is supposed to be any more intimidating than an 80-or-so-year curse when you actually ponder it for more than a few seconds, but it’s the thought that counts. Maybe Ninetales just has no concept of how long humans live for and wants to be on the safe side.

But yeah, Ninetales is great! One of my absolute favourite Gen I pokes, it often gets associated with spookiness and Ghost-types despite being purely Fire, simply by virtue of its eerie vibes and propensity for curses. It also learns some Ghost-associated moves like Grudge and Will-o-Wisp, the latter of which also being Fire-type but heavily Ghost-coded. The red eyes are a particularly powerful design element for two reasons: they emphasise its fire association, and they help sell this vengeful fox as something definitely not particularly nice. This all notably has a mythological basis as well, with supernatural nine-tailed foxes, or kitsune, being a staple of Japanese folklore.

Come Gen VII though, and we get Alolan Ninetales!!!!

Alolan Ninetales was one of the very first regional variants revealed to the public, representing the concept quite well through parallels with the real-life Arctic fox. Regional variants are basically a particular pokemon adapted to a different environment. And I absolutely LOVE this concept and I LOVE the way it’s executed and I LOVE Alolan Ninetales.

Now both an Ice and Fairy-type, Alolan Ninetales has mellowed out significantly compared to its Kantonian counterpart, no longer throwing around millennium-long curses for minor slights and instead just freezing people solid when they piss it off. Much nicer! Hilariously, it’s said to guide lost travellers down to the base of the mountains in which it lives – not out of benevolence, but rather because it wants them to literally just go away. Its flowy hair gives it an even more ephemeral vibe than the Fire-type version, and the pale blue looks positively beautiful.

Shiny Ninetales is also exceptionally stunning, a silvery grey with blue-tipped tails. All the spookiness of Kanto Ninetales with the eeriness of Alola’s cooler-toned colours. Shiny Alolan Ninetales shifts the blues to pink, with particularly beautiful magenta eyes, which is also a great change even if it lessens the spoop.

Overall, both Ninetales forms are absolutely fantastic, displaying the versatility of this already-strong design. Normally when it comes to regional forms, I tend to find the new one to be almost universally a strong upgrade, but this is a case where the original’s concept is strong enough that I actually find it hard picking a preference. If I had to, I’d probably go with Alolan Ninetales, but they’re both utterly fantastic pokemon.

9tales/10.

#pokemon #pokemon swsh #pkmn #swsh #ninetales #alolan ninetales #vulpix #alolan vulpix #fire-type #ice-type #fairy-type #kanto #alola #gen 1 #gen 7 #alolan form #Anonymous #regional form

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needletail · 3 years

Text

Nintendogs vs Nintendogs + Cats: a review and comparison.

There’s no doubt that most people want a new Nintendogs game for the Nintendo Switch. But when I see these posts, very few of them are referencing the 3ds variant of the game, but rather the original ds version that everyone continues to know and love.

The addition of cats is Nintendogs + Cats’ most notable feature. It was, while cute and fun for a short period of time, notably worse than its predecessor. But why is that? The formula stayed roughly the same, but the charm didn’t quite hit.

Before we dive into this: these are my opinions on the games, and personal comparisons. Every person experiences things differently, and will likely have different opinions.

We can start with breaking down the original Nintendogs. The graphics have not aged well, but the charm and entertainment factor have. While replaying, I found that the general ambience and the music used endeared me further to the game, and I wanted to play more. The half hour timer on going for walks was frustrating (as was the stamina system), but it otherwise engaged me more to figure out where I wanted to go. The map feels surprisingly big with so much to do, and the side-scrolling walk screen keeps the mystery alive in what you’ll encounter. The competitions were fun and the voice recognition system may have been even better than the 3ds incarnation. The only thing that really suffered were the graphics - but this game is 15 years old and this was advanced for its time, so we can let that slide. The dogs can be a little strange to look at at times, but they’re expressive and distinct, which is what matters in a pet simulator.

The information you can take in is optional, but an exciting part of the game for those who are interested. Your dog’s profile is detailed but easy to understand, going as far as to tell you what it ate last. There’s something so charming about it being displayed as if it were a document you had in front of you - it brings another element of immersion into this sim.

[Image ID: a photograph of the informational sheet on Nintendogs. It includes the name, gender, breed, trainer, time together, coat, hunger, thirst, and things eaten. The trick list and contest results are also on this screen.]

From cars passing by to horns in the distance and dog barks from somewhere vaguely nearby, the sound design of Nintendogs is audibly aged, but still strong. The few tracks spread in the game are iconic, and stay in my head a lot longer than I’d like to admit.

The competitions are another huge highlight of the original nintendogs. The banter between the hosts, Ted and Archie, is something that continues to be remembered. Everyone’s seen the line “you make me feel like a man, Archie”, and the banter they keep up in each competition is less like a mindless tapping chore and just more entertainment. The settings are surprisingly realistic - less so on the obedience, but the ring set up for agility certainly is. The balance between realism and fun is another part of why Nintendogs appealed to all audiences.

Agility is my personal favourite event, and the same goes for a lot of people I’ve met. There’s a level of interactivity here that isn’t met by the successor (something we’ll touch on later). Guiding your dog over hurdles and through tunnels, and later having to balance speed with accuracy - it’s an event that keeps you, the player, engaged. It becomes a sort of fine art once you hit the Championship level, as your dog, by that point, is likely going to be very fast and have a mind of its own, often trying to predict which obstacles it’s going to go through.

[Image ID: an angled photograph of the starter agility training course. The dog is laying on the green, and the hurdles and tunnels are in view.]

Disc is in both versions, and is fun in its own way. I, personally, don’t tend to use the disc competition - in the original Nintendogs, the projectiles can be a little speedier than you intend them to be, and the dogs are a little too determined to hold onto their toys. But, with a well-trained dog, this event can be as fun as anything else. In the original, you didn’t have to contend with the other dogs - something that I’ve grown to appreciate over the years. But, like with the event that removed Agility, I’ll be looking at how the changes fared later.

Obedience is held on a stage, and is a fun event for people who take the time to train their dogs. Your dog can typically learn three or four tricks a day (depending on the dog), and between the tricks listed in the Obedience Guide Book and the unlisted tricks that your dog can learn, you can usually blow the competition out of the park. It definitely requires the most time and effort out of all of the events, and it can be frustrating if your dog suddenly stops listening - but the rewards are surprisingly good. It’s always fun to have a well-trained Nintendog, if only because showing them off when I was a child was my favourite thing to do.

Obviously, competitions are the main money-makers in these games. Tackle a solid few of them, and you’ll find yourself able to afford another dog or two. Though your room is limited to three dogs, there’s also a Hotel to keep some other dogs in. As time progresses and you gain more of a bond with your dog(s), you’ll unlock more breeds.

Something that went over my head when I was a child was the method to unlock Jack Russells, specifically. You need to find an incredibly rare book - something which I don’t ever recall doing, and still haven’t. I found this information via the wikia, so I’m not too sure how accurate is, but it is an interesting breed to lock behind a time and patience-based method.

[Image ID: an angled image of a German Shepherd laying on its side. In the corner is an idea bubble.]

Overall, Nintendogs is a solid and fun pet simulator, and it’s clear why so many people have such good memories. The dogs are filled with personality (even being expressive enough to show you when they’re angry vs happy), the competitions are engaging, and though the format will become stale after playing daily for a long time, it’s always a fun game to come back to after a period of time.

Which is why it’s unsurprisingly that it gained a sequel.

I remember being ecstatic when Nintendogs + Cats was shown in advertisements on television. When I got the 3ds, I also got a copy of Nintendogs + Cats. The Golden Retriever version, specifically, but I do own all three. For some reason? As people got bored with it, they usually gifted me them.

At first blush, it’s almost as charming as the original. The graphics style handles much better than the original, with slightly more realistic movements, and less cardboard-y models. I much prefer the Nintendogs + Cats models to the originals, for obvious reasons - though their movements can be a little repetitive and strange at times, and a lot less expressive than the originals. But that said, I much prefer the Kennel system of petting and exploring the dogs and their behaviours (limited as they are) before you adopt, and I enjoy sorting through colours or getting unique colours/patterns. The rare white variants used to be my obsession, as a child.

[Image ID: a german shepherd holding a present in Nintendogs + Cats. The model is significantly better than the original Nintendogs model.]

Immediately, though, there’s a lot less ambience in Nintendogs + Cats. I play with my volume up all the way, and it’s typically just my dogs and cat making noises. I miss the cars going by and the general background noise that the game can provide. It feels just a little too silent, and the music tracks are repetitive and unmemorable for the most part. Obviously sound design don’t make or break the game, so I won’t harp on this point for too long.

The gameplay is...fine? I’m not a fan of petting a shadow of my dog, but I understand they did that for 3D purposes (something which most people didn’t use, to the point that the 2DS was made. I play on a 2DS). The camera control is an incredibly nice feature to have, the showering minigame is a little more thorough. They didn’t really add anything to the care features, though. If anything, they took away a lot of experiences - reading the care books and instead guiding you through the tricks one by one instead of as you want, forcing you to learn a specific set of tricks before you can move on to the next ones. The game is far more hand-holdy, which can be frustrating at multiple points. But, hey. There’s cats! Let’s talk about the cats.

What’s their purpose? Not much. Which is fine, although they take up a slot in your three-pet designation. As cute as the cats are, they definitely got done dirty. There’s three selections to choose from (Standard, Oriental, and Long-hair), with multiple colours, but not much depth beyond that. Obviously, the cats were just a cute addition - I do like having my little cat wandering around the house with my two dogs, and I know from past experiences that once you bond with the cat, it’ll go out and get presents for you if you leave your ds on. Gaining affection with the cats is very slow-going and if you’re someone who likes your pet simulations to be more interactive, it might be wiser to stick with the dogs. I’m not complaining against the addition of cats - it just could’ve been done much smoother, with better mechanics enabled. Be it adding some breeds and a proper grooming minigame to maintain them, or the ability to train them but have them be much harder than the dogs. There were many ways to put cats into the game, and I just don’t think they hit as intended.

So, how did they do with the competitions? Well.

The short answer: they’re pretty bland, and a downgrade from the original. The long answer...

[Image ID: a white cocker spaniel chewing on a banana lure.]

In the competitions, there’s no more Ted/Archie banter. It’s just Ted. Doing his thing. I honestly do not read the text for this game, and instead tap quickly to progress to the events.

Replacing Agility comes Lure Coursing. I’m not sure about other countries, but that’s an incredibly niche section of dog sporting here, and it’s also notorious for being...very boring. And in the game, it lives up to that. Instead of guiding your dog through obstacles, you wind the cog of a lure and honk it to get the dog to follow it. Sometimes you honk it to get them over hurdles. I have to admit, I usually space out when I’m training my dogs with this - it’s an easy moneymaker once you’ve trained them up to Nintendogs Cup level, but it’s easily the most mind-numbing event. Anything would’ve been better. If they didn’t want to implement Agility, there are other dog sports that could’ve suited well; guiding your dog through the Flyball course and using its name to bring it back until it could do it on command (maybe even utilising a team of three, for reason as to why you can have up to three dogs), or sledding, using your dog to pull a lightweight sled (on wheels) through a course in a race against other dogs (or, again, even using your trio). There could have even been scenting sport in which you teach your dog how to scent and go off to find a mark, or herding. The point is: lure coursing is the most unengaging thing to put in a game.

The Disc competition barely changes, so I won’t say much. I don’t particularly enjoy having the other dogs in the ring to compete with as it becomes all too easy for them to interfere heavily with your own dog, but I understand why it was implemented and know that a lot of people enjoy it. I prefer the throwing speed and the control you can have over the disc, and will admit that overall, the Disc competition is generally improved.

But then you come to the Obedience Trial. AR Cards are mandatory. You don’t have a surface to put your AR Cards on, or lost them years ago? Then you can’t do it. I actually ordered AR Cards, having thrown out my old ones due to damages and general...lack of use. As of this post, I have been unable to play the Obedience Trial, so I can’t say much on whether the system has improved. I do know that AR Cards can work on a laptop screen or something similar, but the 3ds camera is pretty horrible and can glitch out, making it unreliable for screen-based AR cards. Unfortunately.

[Image ID: a white cocker spaniel standing on an AR Card.]

The walking system is fine. I love being able to go to different routes (as limited as they can be - but the original was no saint to repetitiveness once you knew the whole map), and I like having to go between grass patches, with a chance for a surprise present. I think the addition of the BARC stores are a cute touch, and the Miis walking their own dogs are cute, too. The interactions between your dog and theirs is based on your dog’s personality as well as theirs, which makes sense - but there’s basically three outcomes. More than the original, but meeting with other dogs tends to be to see if you can backtrack when you’re near the end of the walk by having them invite you to the cafe or park, or to get presents from Streetpass miis. I like the cone minigame to test your control over the dog and its leash, and as a rule, I just...like it. It’s relaxing. I don’t prefer it over the original, but I don’t prefer the original over it. They both have their benefits and downfalls. The biggest upside to + Cats’ system is that you can take your dog on as many walks as you want.

Interactivity isn’t really a thing, with + Cats. Whereas in the original you could legitimately piss off your dog and it would bark and snarl at you for a while before you regained its trust, this game doesn’t punish you for much. I poked and prodded at my dog for a while, and it didn’t really do much for me. This is a game where you sort of just have cute looking models that hold up surprisingly well for their time, and that’s it. There’s not much game to the game, as it were - and that’s from a game where the gameplay was limited as it was.

Adding multiple accessories to your pets is a very nice addition, albeit expected. Overall, though, the gameplay has been significantly dumbed down and while I understand that kids play it, my generation played Nintendogs as small children and we got by just fine. It’s a very intuitive game, and it’s almost insulting how little Nintendogs + Cats thinks of its audience.

Another nice addition to Nintendogs + Cats, though, is body type for your pets. There’s a few that your pet can be: underfed, skinny, optimal, plump, and overfed. I usually have optimal dogs, but apparently plump and overfed dogs run slower and as such they do poorer in competitions, which is a pretty neat feature to have in-game.

In the short of it, Nintendogs + Cats is fine, but Nintendogs (the original) is Good. I have a lot more nostalgia for Nintendogs which may cloud my opinion, but playing it in 2020 is still fun, and I’m especially happy to play the Agility competition.

For an interactive pet simulator with fun competitions and plenty to do, Nintendogs is the way to go. For a pretty enough game with simplistic gameplay, Nintendogs + Cats is the way to go.

Both games have their perks, but I certainly have a clear favourite. If a Switch edition of Nintendogs ever happened, I’d much prefer the original style with some of the quality of life changes made in the successor. In the end, it’s all up to what you’re looking for in a game - but as someone who’s looking for a fun time, I’m a sucker for the originals.

(Note: I have not played the knock-off Nintendogs for Switch, and would appreciate input on if it’s worth buying or not. Reviews are poor at best, as far as I can tell, though.)

#nintendogs #nintendogs + cats #video games #game review #eph reviews

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summoner-chan · 3 years

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✨⭐[幸せな4周年!/Happy 4th Anniversary!]⭐✨

4⭐ Ose came home today with the FIRST ticket and I've never been so happy!! I've been wanting his 4⭐ for so long now and now that I've gotten it, I started writing a self indulgent fic of Summoner-chan using up the Platinum Lil Salomon card just for Ose! Hope everyone enjoy reading it!

Hurried footsteps echoed lightly through the halls, almost resembling like an excited child awaiting their gift under the tree when it was Christmas morning. The brunette couldn't help but giggle and grin with joy, gripping the single card in between her fingers. The thought of surprising her favourite familiar made her heart blossom with flowers, butterfies swooning in her stomach. The short female hastened her steps more, eager of seeing the therian clad in a white suit

The leopard was idling by the garden, the various plants and flowers from otherworldly realms made him felt that he had visited the realm just by looking at them. Truly, it gave him a sense of serenity and tranquility. Being a triple agent was certainly thrilling but exceptionally exhausting to say the least, though, he didn't expect to have become one of the familiars of the very infamous guild master and her guild, Hanasaki Abuto of The Summoners

And he certainly and absolutely didn't expect to be tackled from behind as a loud cry of his name soared into his ears, their arms wrapped around his midsection and as the grip tightened at every second. His suave smile grew even wider as he very well knew who it was before looking over his shoulder only to be greeted with brown orbs glittering in the sunlight, a toothy grin that was accompanied by the giggles slipping through her lips

The fem eased her grip as she let the therian turns his body to face her, diving her face into his broad chest and having to earn a light chuckle out of him. Large diamond spotted hands caressed the cheek of his beloved summoner, his heart swelling with adoration as she leaned more into his touch before placing her small gentle hands on his own, her dazzling smile seemed to pull him more into the dangerous game called love. He had his fair share of affections but not as strongly as he felt towards the young lady

"My, my, boss. You seemed to be such in a good mood while being even more cuter today. Has a miracle happened while you dear handsome familiar was away?" The leopard therian cooed, a surge of pride coursed through his veins when his green eyes caught up to the reddening hues of her features. Now that he had taken a great look of her face, he noticed that the usual full lips was glossed and it was slightly tinted, marvelously enhancing the natural colour and it went gorgeously well with her sun kissed skin.

Oh how ironic it was that he was granted with such a heavenly view despite being a creature from the depths of Gehenna. He wholly welcomed the gift that whatever ethereal beings had given to him, whether it be the Gods of the Heavens or the Devils of the Hells or maybe it was mix of the two but either way, he's not complaining of it. The sight of a card adorned with the lines of gold covered his field of vision before having it lowered, the young lady peaking through as if to see his reaction

It seemed to be that his summoner had recently got a handful of Platinum Lil Salomon tickets as she calls it, from what she had enthusiastically explained to him before, it had the ability to summon a familiar of their own choice, even summoning to an even powerful and stronger variant of the familiar. The male didn't considered himself special or eye catching compared to the other familiars she had on her team like for example, the butler from the Ikebukuro Berserkers and the prosecutor from the Rule Makers as both had evolved into their highest form unlike him, who has still yet to be given the opportunity of having the privilege of such

A feeling had wormed through its way into his heart, a feeling that he tried to extinguish but the leopard had underestimated its untamed fire, rivaling to even the fire that spawned in the lowest pit of Gehenna. The notorious feeling that could sever, crush and erase bonds like no other was jealousy. The man would rather lop his head off than let his charming, collected and flirtatious image to be stained with jealousy, no, he wasn't going to submit and surrender to it so easily without battling the wretched emotion with all his might

The therian closed his eyes and hummed as if in thought as he had guessed that she was going to use it to summon more variants or get the same kind to increase the strength for the other two companions but went along using a trick up his sleeve. "Looks like your devilish familiar is a bit clueless today, boss. Mind enlightening me who's the lucky man who's going to be summoned?" said the spy. The brunette's smile was replaced with a pout, her brows furrowed as she let out a huff and her hand was quick to playfully smack the therian's chest before the male breath out a small 'ouch' from the attack

"You're really going to make a girl say it first?..." Oh? Well that's new. Make a girl say it first? What in the world did his summoner was going to say? The fem felt like she was shrinking under the gaze of her familia who turned quiet and merely was waiting for her answer by the looks of it. Oh how she wanted the ground to swallow her up whole, sadly, miracles don't happen that often so she's left with to deal with her own embarrasment. Her gaze was anywhere else than gazing into those hypnotizing green eyes, resembling to a precious mineral stone that she adored, emerald

Clearing her throat, the fem raised the fancy card up, using it as a shield to block her blushing face and to avoid looking at her own familiar to save herself from the embarrassment. The card slowly started to glow, the colours shifting from red to green to grey before settling down with purple. As the card glowed, the image of the goat transient that was on it, too, changed as well, morphing entirely into another transient. The image swirled vigorously and the glow grew brighter and brighter, the therian having to squint his eyes from the light. With a loud shing, the purple mysterious glow faded and turned into mist, covering the pair as the wind picked up and blew it all away gently

The choice of the summoning has been done, now all the summoner of the card have to do is to cast the card, just like summoning familiars from the App (Gacha). The fem was shaking with anticipation and nervousness, the silence of her familiar was eating her away, was he not happy that he was chosen? "Boss" The sudden call made the therian's summoner jumped at the sound of her addressment, pulling the card closer to her face as she let out a shaky hum as an answer of his call. "Don't be like that... Won't you see your darling familiar's face, boss..?" The brunette bites down her lip when the side of her face was fanned with hot, long, breaths of air. Large calloused hands were placed on her waist, sliding down agonizingly slow before resting themselves on the hips, thumbs drawing circles on the clothed area

A gasp had slipped through, the fem's voice quivering when the therian placed his lips on the unprotected skin of her neck, easing his way up while leaving soft kisses on the flushed flesh, soft pants were also induced from the mere action. "Still not budging, I see? How admirable of you to stand your ground after that stunt I pulled, boss. Though...I doubt that you'll last after this one" With a lick of his lips, his resting hands started to move down further, inching closer and closer to his beloved summoner's backside. Just as he was about to reach, the young lady let out a squeal of surrender, her hand tapping on his white clad shoulder as the other still held on to the card

"I'll look at you! I'll look at you! Just- You're going to make me overheat from all of that..!" Chuckling, the male swiped the card away from her fingers, the young lady letting out a strangled 'hey!' before quickly shutting up when the leopard placed a firm hold of her waist, their faces undeniably close. "Not so hard isn't it, boss? You could have listened to me sooner but, ah, alas you caused your own downfall, didn't you?" The leopard donned in the suit said teasingly, sending out a wink into the fem's direction

"Now there's must be a reason of why you chose me, say boss?" His only response was silence, his summoner batting her eyelashes at him, putting on the 'I don't know what you're talking about' look. Most of her friends and familiar were all too knowing of this look, the girl being a terrible liar while being blatantly obvious that she was hiding something. With the rule that the therian had, he had already seen through her, completely capable of seeing the answer that he looked for but the leopard wanted to hear it from her own very lips instead, it's more fun teasing and irking out the answer rather than by using that Rule of his.

"I w-wanted to summon that Red Oni!"

"Didn't you already have him, boss?"

"I-uh! w-wanted you to be stronger!"

"How nice of you to think of me boss but that's not entirely it isn't it?"

"You said that you wanted evolve right!! Then I took the chance and used the card for you!!"

"Indeed I do but there's no reason for you to willingly do so when you have other tons of familiar befitting of the card. Unless you have something important to tell me..?"

"Urk!.."

The brunette whined, all of her lies were cut down by the statements and questiones that her familiar dropped down on her. There's no more room to run to anymore, she's cornered and the truth is begging to be told, her heart leaping out from her chest from the frenzied situation. The summoner's lips moved but the sound of the words were extremely dimmed and it came out as a muttering to herself, fingers fiddling with the hem of her school jacket. The reaction from her is truly priceless! The male's sensitive ears took note of the words she just said but there's no way he's going to miss the opportunity to tease her more, filling up the desire to take her right then and there from the cute reactions she's giving

The leopard placed his hand behind his ear and leaned down, his signatures smirk on display for the world to see "Hmm? I couldn't hear what you said, boss. Mind repeating that for me?" The young lady started to stutter and trip on her words, all of this amused the therian that embraced her. Her hands reaching up to her face before cupping them, eyes shut and brows furrowed, the blush on her face was apparent "Because I love you, alright!" Yes, the answer that he was finally waiting for, the confession of her love to him. Before all of this event happened, the leopard therian had gotten his answer just by glancing to the cheery summoner of his when they hugged him. Their confession of love was written all over them

Ose figured his summoner had enough of his teasings, gently pulling her hands that cupped her face, his expression softened when the girl looked up to him with the same brown orbs that he stared into when he was summoned. The therian came nearer to his summoner, the space between them no more as two figures melded into one, lips pressed with one another, the summoner's eyes widen in shock before fluttering them close before kissing him back with the same fervor he's giving to her

The therian pulled away reluctantly, his sense of thought chipped when a soft moan of his name reached his ears, quickly regaining back his thoughts as he pressed another kiss on her temple. For now, the silence between them was all he needed. The love that was kept away in his heart blossomed, dancing with joy and happiness as the sun shone on to the waves and bid the flowers goodbye before another beacon of light replaced it, which was the Moon. The spy planned on returning the feelings that his summoner had for him in another different way but this was sufficient for him too, he guessed

Hoho! Quite lengthy than I expected to be honest but still happy with it!! I hope that everyone is having fun with the Anniversary!! Summoner-chan, signing off!⭐

✨⭐[幸せな4周年!/Happy 4th Anniversary!]⭐✨

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ghostboy-gamedev · 4 years

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Learn Log #4 - Grassy Grove

On week 4 of my pixel art journey, I learned how to make objects of nature including grass, bushes and trees. Unfortunately, I had to postpone this to this week when the learning and blog post was set for last week as I was just preparing for a return to university (it’s all online – social distancing dw). Anyway, I ended up making the forest scene you see above, and it was a lot of fun. I think that the GUI elements last week had a focus on technicality and exactness. Letters are very rigid, and we have somewhat set ideas about what each character should look like. However, nature is more flexible and therefore logic isn’t as heavily involved.

Tile Sets

Before jumping into the actual elements of this week’s piece I want to talk about making pixel art tiles. You will have probably noticed that the nature scene is quite rigid like each element is set into a box. This is because I’m learning pixel art to make games and games often use tile sprites to build their environment.

Tile sprites are the floors and sometimes walls of the environment. They often loop or repeat to cover the environment, however, some engines have tools allowing game designers to build environments tile by tile.

In the first case, the tile sprite will have to be created with its looping in mind and details may be added to provide variation in the environment. However, these added details may highlight the repeating the pattern and the more a detail sticks out the obvious the repetition becomes. Additionally, smaller tiles will repeat more frequently, and this also shows repeating textures.

The second scenario requires variation to be created from the creation of multiple tiles. This is great for creating variation; however, the tiles will also have to line up with each other which may be trickier for more rigid surfaces like rocks or bricks.

Since Unity has a tile builder tool and I was creating a natural environment where tiles wouldn’t need to line up so clearly – I decided to go with the second option.

The size of the tiles may also dictate the size of the rest of the game. For example, a bush may be 1 tile large in terms of level design, so the size of that bush is determined by the size of the tile. This also goes for the player whose sprite will typically range from 1 tile to 2x2 tiles. I decided to just make my tiles 16x16 as I enjoy learning within that space.

Grass

A grass tile is typically made of a green background with blades of grass texturing the surface. Many people may open up a couple of green canvases and start texturing them with green lines, however, there’s a much better way to do things I think. Since we’re working with 16x16 tiles there’s a limited number of shapes that look like grass and are small enough to fit within the tile. So, if we make a bunch of lines in green then we have blades of grass that we can copy and paste into each tile (the blades should typically be a lighter green as light will be hitting them).

However, having blades of grass like this make tiles look flat. Adding shading will fix this issue by giving the grass depth, however, more complicated shading will obviously make the background more complicated which can affect the readability of your game.

Each blade of grass can now be copied into a 16x16 canvas to make grass tiles. I made 4 grass tiles shown below putting approximately 10 blades into each tile. I made each tile with different elements of the environment in mind such as short grass, long grass, bushy grass and leafy grass.

With these tiles, I created a larger image to test the repetition of the tiles. The repetition wasn’t a big issue; however, I didn’t think the leafy grass fit with the rest of the grass, so I decided to leave it behind for the next stage.

Next, I was going to add an extra tile for each of the current textures to reduce repetition as well as two flower variants for each tile type to add some colours into the textures. I did another test of the tiles’ repetition and overall look and it looked good but somewhat cluttered though I figured that this wouldn’t be an issue when I deliberately place the tiles rather than randomly scatter them.

I had in my mind the type of scene I wanted to make for this week, but it required dirt paths. Luckily this wasn’t an issue to make. I made two variations of the straight, one-way paths as they would be tiling and altered one of these tiles slightly to make the curve and intersection tiles.

I then assembled these 15 tiles into the image below.

Trees

Next, I wanted to add some plant life which would involve trees and bushes. I decided to do trees first as they would be larger than the bushes. First, I started with the shape of the tree which would be fairly basic. I made a rough tree trunk shape to start with and topped it with a circle that was a little squished before refining the shape a little more to get what’s shown below.

I then added colour into the tree. A simple brown for the bark and 4 shades of green for the leaves. These greens were made by colour picking the base green background and hue-shifting it towards yellow so the tree would stand out more from the background.

The colours are organised into ovals to help give the tree a sense of depth. The dark shades wrap around the edges of the tree to show the tree’s roundness. The colour thins out as it goes around because you’re viewing the shaded leaves from a side-on perspective.

Next, I blurred the lines between these circles by mixing the colours slightly. This was the start of adding leaves onto the tree. Quickly after that, I added more detail to the leaves by spotting the head of the tree with lighter greens. The details added were in ‘leaf-like’ shapes like hearts, single lines, and arrows. They don’t look like leaves individually and can’t receive much detail themselves (such as a stem) but together they make the tree look nice and bushy. I also added some detail to the tree trunk including shading.

The tree trunk seemed a little off when I checked it out with the image I had so far, unfortunately. So, I added some extra trunk at the bottom along with a nice shadow. This shadow was the colour black at a transparency of 127 (or half transparency). This works really well as a quick and easy shadow on detailed background, but it does, unfortunately, mean the shaded area is not hue-shifted as typically preferred. The final product is below.

Looking at this sprite you may think it would be difficult to construct a game environment due to the leaves, trunk shape and shadow involved. However, we can place each section down as a separate 16x16 tile with the main trunk tile being a collider and other tiles not having a collision box (like decoration tiles – we don’t want players to run into tree leaves). This works out really well, and I focused on the main trunk tile when positioning the sprite in the piece. Which is shown below.

However, the scene below is bit lonely so I thought I’d add some pine trees as a level border. The process of the pine tree is similar so I won’t describe each step but will show the images. This time around I did shape the tree a bit more wildly with branches and leaves sticking out from the tree. I also hue shifted towards bluer colours rather than the more yellow colours I used in the round tree.

Next, it was time to add more trees into the scene and add some grass beneath them. I made the grass beneath them short grass simply because it looks a bit neater than the other grass types.

I think it looks pretty neat! I made a pine tree variant by swapping the colours with that of the round tree for some variation which worked as a nice, easy trick. But it would look livelier with some bushes.

Bushes

You might have looked at the trees just before and thought, ‘That kind of looks like a bush on a stump.’ That’s because the techniques used to make bushes and trees are typically very similar depending on the style of the game. Since we’re using a 16x16 size which is somewhat limited they will likely turn out in roughly the same way.

I started with a circle shape that was modified at the bottom to be a bit flatter. This will hopefully give the impression that the bush is touching the ground and rounds out on the top

I did a similar process in colouring the bush as I did with the tree, however, I used fewer colours as I didn’t have as much room for highlights with the bush. The colours used are actually the same as those in the pine tree.

I then adjusted the outline to give the bush a wilder feel as well as texturing the inside of the bush to create the appearance of leaves.

The bush still felt a little flat, so I added highlights to the top of it to add a greater sense of depth. The highlight was rounded towards its end at the bottom to enforce the rounded nature of the bush. This required me to add another outline tone for highlights which I might apply to other elements of the picture. I was pretty happy with the bush, so I made another for variation and added them into the picture with some shadows.

The picture looked pretty good, but I thought some touch-ups might make it just that little bit better.

Touch-Ups/Conclusion

To touch up the piece I added some more trees for denser looking forest, added the lighter outline colour to the tress and expanded shadows around some of the pine trees. I’m pretty happy with how it turned out. I think the shadows could use some refinement at the top border of trees. I also think that top border highlights the repeating pine tree trunk which could also be changed to tile better. I do wish my bushes were a bit leafier than shrub-like, however, I think my ability to make leaves on both bushes and trees will improve as I practice. I also think a 32x32 base picture would allow me to make some more defined leaves. The lighting on the pine trees also uses a different technique to the round tree so next time I’ll try to be more consistent with that. Overall though I’m happy and I quite like the outline highlights as they make the image a bit softer.

That concludes week 4 of learning how to make pixel art. Next week I’ll be looking at sand, water and rocks to make a top-down beach scene.

My learning and this blog post wouldn’t have been made possible without these fantastic resources. Go check them out if you wanna learn some stuff about pixel art!

How to Draw Tiled Pixel Art by TipTut

Creating Variation in Pixel Art TutsByKai

Pixel Art 101: Grass by Pixel Pete

How to Make Pixel Grass Tiles by TutsByKai

RPG Grass Background Tiles by HeartBeast

Pixel Art 101: Trees by Pixel Pete

[Let’s Pixel] Tree by HeartBeast

[Let’s Pixel] Spruce Tree by HeartBeast

Pixel Art 101: Bush by Pixel Pete

#pixel art #learning #gamedev #pixel aesthetic #pixel #gaming #learn

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vasteye-kinnie · 4 years

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So yeah I just listened to the new episode, and well. Firstly it was a great episode, I love Jonmartin just having something of a nice time and I am very intrigued with how the story is going. But anyway, I’m here today because I have some thoughts and theories on The Web

Considering some ideas I’ve seen people throwing around about the Web and its influence over the fear domains, and the possibility of the Eye just being the Web, or at least part of it. The main evidence is how the lack of a choice and overall involuntary actions that people trapped in the fear domains sounds a lot more like its being caused by a Web than an Eye, and this episode is definitely putting me in that camp, and I thought I’d have a look at some of the reasons why in a slightly longer form post than I usually make on here.

So, firstly some excerpts from this episode that made me think Web instead of End or Eye

The last one especially, you can’t get more Web than being paralyzed in place as something digs its teeth into you.

But most of these are basically statement standard this season, the people in them have much less autonomy and will often have their bodies acting against their wishes, and always in a way that maximises their fear of the other entity at play and their fear of being controlled, AKA Web city baby

I really, really don’t trust how much control The Web seems to have other where the Fearpocalypse is manifesting, other domains seem to have thrown the land around them into a state of decay just by existing there, natural life just completely rewritten around them, but they Web being able to just have the Apocalypse not affect an inconspicuous patch of the English countryside is, if you’ll pardon the expression, extremely Sus.

And having the quality of being hidden from Jon is very strange, but could have one of 3 explanations given what we know about how the Beholding works and to what extent the Eye is an actual entity.

Option the First: The Web is on equal standing to The Eye, so can hide what it wants from The Beholding. Given that the Eye seems to have the quality of being top dog because it was the Eye via Jonah via Jon that caused the Apocalypse and brought the other Entities in, this would mean that either the Web is just significantly more powerful than any other entity or, more likely for this option, the Web was responsible for the Apocalypse, so Web via Eye via Jonah via Jon, if these are distinct powers this is kinda confusing and doesn’t make too much sense unless the Web is pretending to be the Eye or just backseat driving the apocalypse from National Trust houses, and is easily my least favourite option

Option the Second: The Web and The Eye are part of the same entity. From what we know about the nightmare logic that governs Entities, they are all already just different expressions of one larger thing, like colours if colours wanted to murder you. So, this version of the theory posits that the Eye and the Web are expressions of the same entity, they are sort of similar if you think about it. The Web has had a lot of relation to physical control, particularly control against your will, and The Eye, as mostly seen through Gertrude and Elias has a lot of mental manipulation, mind games and peering into your deepest secrets to control your will without manipulating your body. Both have a lot of crossover, and could both be part of some fear of control and manipulation, capitalism basically. This also handily explains why Jon couldn’t see the area where Annabelle and Selesa have been hanging out, Jon can’t see the Penopticon because he’s looking from there, and he can’t see Upton house because he’s also looking from there.

Option the third and final: No Eye, only Web. This is a variant of Option 2 where instead of both being part of the same entity, the Eye is just a way for the Web to manipulate in some master plan sort of way. This is basically option 2 again but this time there is not Entity they are both apart of its just Web all the way. It also has the whole thing of why would the Web lie to its avatars, but manipulation is kind of the Webs whole thing.

Also there is a reason that the Magnus Archives Logo for season 5 has a Web pattern making up the shape of the tape recorder, and at the moment I am pretty convinced it is one of these 3

So that's pretty much my short dissertation discussing thoughts on the Web, honestly we don’t really know much about the Web as an entity and what it might be capable of, basically we don’t know how many steps ahead the Web is. I think making it too overpowered (ie “The Web was planning the meeting of Jon, Martin and Annabelle back in the year 842″) would offset the honestly quite well balanced Entities.

But I guess we’ll be getting more Web Shenanigans next episode, so I guess we’ll wait and see if this needs revising

#tma #the magnus archives #tma theories #annabelle cane #tma annabelle cane #jonah magnus #tma Jonah magnus #The Eye #the Web #MAG 180 #thank you for coming to my ted talk #and also thank you all for giving my silly spiral magnus archives post so much love #I appreciate it y'all #<3 #I might be contractually obliged to write a Spiral!Jonah fanfiction now #long post #the beholding

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coffeeandcalligraphy · 4 years

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Bad Vegetarian | Feeding Habits #1

Hey People of Earth!

As you can see from the title, not only do we have a new series of writing updates, we have a new series of writing updates for a whole new novel that was! not! supposed! to! happen!

For any of my friends who miss Moth Work (aka myself), guess who started writing a sequel literally no one asked. :)

I’ve had ideas for spinoff stories for Moth Work (as if MW wasn’t enough of a spinoff) and was peer pressured into starting this novel by @sarahkelsiwrites and I’m really happy about it! I have yet to come up with a title, but the moment I do, shall inform you, but for now, we’re calling this MW2!

This book (if it even ends up being a book) starts with chapter one, Bad Vegetarian. Unlike MW, MW2 starts in Lonan’s POV (not sure I’ll switch but I’m sure it’ll be inevitable), and I’m here for it!

I’ve been wanting to explore Lonan and Eliza’s relationship in more detail since having them come together in MW by complete fluke, and oh! is the tea piping!

This chapter really illustrates how truly dysfunctional this relationship is on both sides. Here’s a break down by scene:

Scene A:

Lonan is paint shopping with Eliza who has just gone vegetarian (which is the def the most normal thing she’s spontaneously done lately). Eliza feels like celebrating by painting their entire kitchen red.

Lonan particularly is drawn to blues, but since this ain’t what Eliza wants, they go with a brilliant red.

Scene B:

Lonan lines the kitchen with painter’s tape as Eliza bothers their neighbours for paint rollers, while trying to convince himself this relationship is still somewhat okay.

While doing this, he gets his weekly call from Unknown Woman who he’s been in contact with for the last few weeks. What for? We don’t know! They talk in code, and he realizes Unknown Woman’s situation is getting worse, and impromptu, tries to do something about it.

Scene C:

Lonan and Eliza bump into each other as he’s exiting the apartment and she’s entering, and have a short, strained conversation about why he’s leaving (she’s not aware of top secret phone calls that make this book feel lowkey like the old dystopians!)

Scene D:

Lonan attempts to drive to Unknown Woman but only knows she lives in Arizona (not great for directions lol). While in the car, he realizes it’s essentially impossible to get there without knowing where he’s going, and eventually gives up and heads home.

Scene E:

TW: blood

Lonan re-enters the apartment only to find Eliza “bleeding” in the kitchen. She’s actually just being wild and this “blood” is wall paint.

Scene F:

If we haven’t already seen the dysfunction, oh does it get worse! As Lonan and Eliza try to have a *moment* Eliza has a conversation by herself and gets a lil gaslighty.

Halfway through this, Lonan gets a phone call from Unknown Woman who we finally find out is his ex-girlfriend Glenne. Sounds like tea but he’s genuinely only helping her out of her toxic situation (which will be clarified later) though Eliza’s skeptical.

This chapter was a lot of fun to write! I wrote a majority of it today, and am really happy to have a *chill* project. While I love my other books (the three I am apparently now working on at once), it’s nice to have a place to dump my ideas with characters I know very well in situations I’m comfortable in whenever I feel like writing but don’t have tons of time/ideas/energy.

Excerpts:

Here are the opening three paragraphs! The first sentence sets up the POV a little weirdly, but I think it works with a later sentence that sort of mimics this “reminder” kind of style:

There are no rules, just remember, Eliza is vegetarian. She’s into earth tones, neutral tones, leafy greens, root vegetables. It’s all new. The day she announced her diet change, she also announced a desire to repaint the kitchen, to fit the new aura, to fit the new ethics, but she wants to paint the kitchen blood red, and Lonan is still a meat-eater. He reminds himself: there are no rules, just remember, Eliza is vegetarian.

In the hardware store he thumbs paint chips. They’re set up in an array, almost like checkers, dissolving in a gradient from reds to purples. Eliza wants red, “Not necessarily earthy, but the root of organism, of life,” so Lonan looks at the blues. They’re all a variant of a seaside theme—Sea Breeze, a cloud-like blue, Beach Umbrella, a wispy aqua, Seafoam Serenade, muted like the soft side of a turquoise. Repainting the kitchen matters little to him, and so do the blues, but the red section, devilish, makes him shuffle his blue deck faster.

Radio from the store’s intercom tins through the speakers, dampened by the hustle of carts, the thud of bodies against the concrete flooring. He holds many cards up to the light, Secret Getaway and Parisian Summer almost the exact shade, but still he flicks through, until half the pile is indistinguishable, and the other half are blues he likes and not reds, like Eliza’s asked.

The next excerpt sort of highlights the last six months of Lonan’s life as he’s been on this whirlwind of keeping up with all the things Eliza has tried. I have added kudzu pudding and other kudzu food just for my pals @sarahkelsiwrites and @shaelinwrites (rlly want kudzu pudding):

Her sudden vegetarianism is not confusing to him. Eliza tries new things all the time, something he’s learned after living with her for half a year. One time, she brought home four different kinds of dried beans to make into tea, and together they drank it atop the balcony, the Vegas strip across them somehow tasting better. One time, they ate a variety of kudzu foods for a week because Eliza said invasive species had to be killed somehow, and so they spooned kudzu pudding into their mouths, kudzu root powder into their water, kudzu salads with salted almonds. One time, she put them on a warmth ban, and they ate only frozen peas, potatoes, raspberries, turned the thermostat down until every surface crackled. She liked the feeling of subtle frost on the countertops, how it jolted her when she touched it accidentally in the morning. He found her many mornings awake before him, transfixed to the table with both palms soldered to its surface, like she’d forgotten she wasn’t a part of it. One time, she paid to have the furniture in the house rearranged, not good enough for her spirit, and then reverted it two days later. “The couch doesn’t like being so close to the refrigerator,” and he could’ve asked “did you ask it?” but said, “Understandable. It shouldn’t be forced to catch a draft.” So her vegetarianism is normal. Already, she’s switched their meat supply to beetroots, chickpeas, tofu she rips apart bare-handed. For the last three mornings, they’ve both taken a shot of spinach and gingerroot, a liquid that burns to make you feel alive, as if you weren’t already.

The next excerpts kind of surprised me with their amount of humour! Not something I expect from Lonan, but I’m glad he has some sass back lol (CW: some upsetting animal imagery):

There is nothing wrong in this relationship. Everything is Eliza’s new favourite adjective—stunning. Everything is scrubbed with kitchen bleach, glittering like a plasticky pool float in the shallow end, stunning. Everything is planned, put in a calendar, a notebook, a flitter of receipts, but always planned, stunning. Everything is better, even better than better, a better that can only be described as stunning.

Lonan uses this word frequently now, rolling out a strip of blue painter’s tape and trying to find different ways it stuns. Sticks when he sticks, peels when he peels, keeps its edge when it needs to keep its edge, so it’s stunning. The bubble television is turned onto a channel about sheep, and as he lines the baseboards, outlets, catches glances of a sheer buzzing against skin, sometimes a hunting knife slicing until there’s blood.

Eliza is asking a neighbour for paint rollers because they bought four cans of wall paint, two paint trays, a box of garbage bags, three rolls of painter’s tape, and a small paintbrush each for both of them but forgot the rollers. Stunning.

The following excerpt highlights that Lonan has a cellphone! Is Fostered just a bizarre alternate reality of a time period that doesn’t exist? Perhaps! (CW: some upsetting animal imagery):

Today, they’ll prime the cabinets, the walls, and tomorrow, scroll a coat of red onto both. The kitchen will look more like the inside of an anatomical heart, the sinks and drawers like ventricles, but this is Eliza’s vision—her tastes come alive.

The sheep are being herded by a collie. As Lonan rips another strip of tape with his teeth, he stares at the screen mounted in the corner, at the almost-naked sheep dashing across a field. How many will be slaughtered, he doesn’t know. The narrator must’ve said that, but there is no plan, really, for death. Even for sheep.

He kneels toward the kitchen vent, the tape roll linked around his wrist, and smooths a line of tape down. Eliza doesn’t want to paint the vent—it wouldn’t complete her vision—and so it will remain the original wall colour, a square of cream so worn, it’s almost grey.

Here we have some hints at Eliza’s weirdness:

He straightens and looks at her. She’s bundled in her fur coat even though she has always insisted she’s good at even Vegas’ warm winter. Since going vegetarian, she’s insisted it’s fake, even though he’s read the lining tag—100% mink. He doesn’t know why she’s needed her coat when she’s only walked up a few flights of stairs but doesn’t care to ask.

She approaches him with her thumb out, and when that thumb presses into his eye socket, he flinches.

“What happened here?” she smooths the dip of his under eyes, her fingertips cold. He smells her perfume, different today, always different, a smell like cloves and lavender. “Are you sleeping?” She presses onto her toes, examines the other side, and her frown deepens. “This doesn’t look like eight hours.”

“I’m sleeping,” he says, though they both know this is a lie. It’s taken her two weeks to notice.

“I can run to the pharmacy,” she says. “If you need a refill.”

“I’m sleeping.”

“I didn’t notice this morning—I would’ve given you another energy shot.”

Here’s a line I like because of a) skin and b) sun:

Lonan goes nowhere. This is not his plan. Asphalt whips under the skin of each tire, the setting sun wringing him blind.

Fully sharing this for the verb zags (and also because I accidentally roast cities tho I love them I am one of these blink-less people):

He doesn’t know where he’s going. Arizona is the only thing he knows about her, doesn’t know if she lives in an apartment, a duplex, a house—fully detached, semi-detached. As he pulls into a residential neighbourhood somewhere along the vague line he’s drawn on the map from Las Vegas to Arizona, he watches for all these options. In the distance, a jogger zags across the street with her golden retriever, children play basketball on a driveway, still in their school uniforms, another woman clips the wilted stems off a magnolia bush.

It’s when he gets closer to the apartments that the sameness is noticeable. High-rises with pearlescent windows that go pinkish in the sunset—all of them identical. Each building evenly spaced, more like a board game than a place to live. Even the space around each building is the same—the same rose hedges, the same iron fence, the same people bustling in and out, all wearing some variation of the same pantsuit, all holding some other hand—child, partner, lover. The same haircuts, smiles, eyes like marbles, as if there’s a store somewhere that sells copies, a catalogue for eyes that don’t blink. He’s been looking into the sun for too long, there must be a difference, but the longer he looks, the more indistinguishable they become.

To get out of explaining where he wants to go when he and Eliza bump into each other, Lonan says he’s visiting his sister (Reeve), and because she’s iconic and must make an appearance, here’s a line ft. our queen:

He could make the lie true. Reeve is somewhere in the country, he imagines, dancing in a faceless city, living in a motel room, tipping everyone well.

(^^ all true)

Here we have Lonan identifying with the animals more than anything else for the second time in one chapter (TW for more blood imagery):

Lonan hooks the car keys onto the lanyard by the front door and slings his coat across the couch. The television is set to the same channel as before, though the program has switched from sheep slaughter to birdwatching. On screen, a heron perches by a riverbed, opalescent in the sunshine.

“Did you hurt yourself?” he asks, the heron now frisking up the white bark of a tree. He glances at the fluorescent red dripping between her fingers, pattering against the tile.

“I was opening the paint cans.”

“With a kitchen knife?”

He gestures to the blade on the counter, blood-free, newly sharpened.

“It’s all I had on hand.” She pulls her wrist closer to her, runs her index finger along the injured area.

“It’s clean.”

“I washed it, Lonan.”

This next one has some blood imagery so TW for that!

The heron has moved closer to the riverbed. It watches the water knowingly, its subtle simmer of movement, and after a moment of watching, strikes its beak down so it spears a trout. He misses the part where it eats. Eliza’s clicked off the TV from behind him.

She slams the remote onto the counter so hard, its back clatters off and onto the tile. “I cut my arm with a kitchen knife while opening paint cans. It happens.”

“I don’t see a cut.”

“Why would I make that up?”

“I don’t see a cut.”

She walks toward him. He expects her to shove her wrist in his face, but she doesn’t. She just holds it, some of the blood fluorescing pink, splashes onto her toes.

“You got to see your sister?” she asks.

“She cancelled.”

Eliza clucks her tongue, examining her wrist, and then she extends her arm, revealing the full patch of pale skin gone red.

Lonan takes it, and with his fingernail carves a line through the red to reveal the healthy patch of skin, painted, uncut.

And finally, here’s the last line of this excerpt that essentially explains where the title comes from ft. predator VS prey symbolism:

He’s reminded once more of the heron, how it plunged into the riverbed with ease, and the trout dangling in its beak, its commitment to life most fervent the moment before being consumed.

So that’s going to be it for this update! I don’t know how frequently I’ll be writing this, but it’s been a lot of fun so far. I’m excited to explore more relationships I haven’t turned over in a while as a little side project while I do other things! Hope y’all enjoyed!

--Rachel

#writing #amwriting #writeblr #writerblr #writingupdates #mothwork #fostered #feedinghabits

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cardandpixel · 4 years

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Die of the Dead - A KickStarter preview

2-5 Players, apx 40min, dice manipulation/area control, Radical8 Games Designers: James Allen and Mark Stockton-Pitt Artwork: Rusembell AS EVER THIS IS NOT A PAID/REIMBURSED PREVIEW, C&P just like the game a lot! Halloween in the UK means cheap masks at Asda, not answering the door for 5 days after 6pm, and eating all the bagged sweets you bought with no intention of ever giving out. For me as a sound designer and composer, it also means hours upon hours of sitting in front of a sequencer from August onwards creating sounds and characters with the sole intent of scaring the behecksus out of the general public. This year is going to be a weird one, with that little viral beastie still kicking around, so a few game nights playing monster and ghost games might be on the cards instead. We like to think of Halloween as a big deal in Europe and N America, but for residents of Central and South America, the end of October is a much more cultural affair. Nov 1st & 2nd sees the celebration of Dia de Muertes – The Day of the Dead. What strikes you first about anything to do with the celebration is the sheer splendour of colour and design. Just about everything involved with the celebration is a panoply of vibrancy, echoing the central philosophy of the holiday of celebrating, not mourning, the souls of those who have passed. What also struck me, was the playfulness of the festivities which often include sharing not just good stories of beloved friends and relatives, but often the funny and ridiculous, even foolish stories of their lives too. Though cultural misappropriation is a very lively topic in boardgames at the moment (and rightly so – 3Minute Boardgames’ current work on respectful handling of the Māori culture in games is a good example, as well as the many discussions over slavery portrayal as part of the #BLM dialogue). The joy, colour and playfulness of Dia de Muertes lends itself more comfortably as a subject for a potential boardgame to me – and yet, there are surprisingly few. Two in a relatively short list are the new version of Skull (though in design only), and the 2017 card game Dia de los Muertos. ARTISTIC DESIGN/COMPONENTS So, loving the aesthetic of the celebration as I do, I was drawn immediately to a small table at Airecon this year where an explosion of colour greeted us to the game Die of the Dead from Radical 8 Games. Die of the Dead is a dice manipulation / area control game where players take the roles of friendly spirits, gently guiding the souls of the departed up the marigold steps and back into the land of the living for the festival. The first player to have one of their souls reach the village step of the altar, is the winner. I’m shameless in my admission that I’m going to be more interested in a game that looks great – I know, but I can’t deny it. Die of the Dead had me hooked immediately. It looks utterly beautiful and features some astonishingly original components. What I hadn’t realised until I dug a little deeper, was how far-reaching this design goes. Radical 8 have not merely lifted a beautiful design aesthetic from a cultural phenomenon (unlike many who slap on sugar skull make up for Halloween, blissfully unaware of any deeper significance), but have done this game – properly. The design, the gameplay, the mechanics, and the components are all deeply inspired by the celebration and in an impressively respectful way.

Just taking the components as a starting point: The tokens – incense, candles, bread and marigolds are all significant gifts laid on the beautiful altars during the festival – the marigolds or cempasủchil especially are highly significant, their scent said to guide souls back to their family homes, an idea echoed in the mechanical use of the token. The 3D stepped altar (or ofrendas) – is highly suggestive of both the domestic and public stepped altars that are laid out with colourful gifts for the dead, again, echoed beautifully in the game. The player boards – these are holding sites for souls before their ascendency. The dice – are representations of the souls themselves and their movement around the board is highly thematic of the journeys that friends and relatives’ souls make over the festivities. The caskets – are both beautifully rendered solid boxes, but also functional as dice shakers / hidden resource boxes – each highly thematically and individually decorated.

It’s truly difficult to know where to start with this game as it has all been done so very well. The press pack for the forthcoming Kickstarter even cites the involvement of a cultural advisor and a Mexican artist, Rusembell on the project, and it shines through on everything to do with this game. It’s a lot of time, trouble and thoughtful effort that should be envied by many other designers. No opportunity to reflect the splendour of the festival has been wasted at all in the design of this game, and Radical 8 should be very proud.

GAMEPLAY But no game is really safe from scrutiny of its mechanics, no matter how beautiful it is, and happily, Die of the Dead does not disappoint here either. In Die of the Dead, the players are each trying to guide their supply of souls (dice) from their home player board, via the caskets, to their final destination on the 3D altar at the end of the play area, back to the land of the living. Players will prepare their souls, add them to caskets, undergo a number of ‘area control’ style comparisons and finally, ascend their souls onto the steps of the altar where they may be rewarded with gifts or abilities.

The 4 caskets are the real heart of the game. It is here that most of the player interaction takes place, and it uses a clever and unique little mechanism to transport souls from the first casket to their eventual goal on the altar steps. Players will be adding their dice (souls) to the open first casket and from there on, the caskets are in constant motion. A player will take one action on their turn, by selecting a casket and carrying out the action associated with it. Each casket location has a different action, and these are noted on cards numbered 1-4 underneath the caskets themselves. Each casket also has a secondary ‘consequence’ action at the bottom of the card. Casket position 1 – players can add 3 prepared souls or 1 ‘free’ (unprepared) soul. If there are 2 players’ souls in the casket, the casket is shaken, if there’s a 1 rolled – move the casket along.

Casket position 2 – players may prepare 2 souls. The casket is then shaken and the souls compared (a variant on area majority) and the winner prepares another soul. If a 1 is rolled, the casket moves along.

Casket position 3 – the casket is shaken straight away, any duplicate souls are removed leaving 1 soul per player min in the casket. The player then takes a token, allowing additional abilities.

Casket position 4 – the casket is shaken and the souls compared again. 2 of the winner’s souls are ‘ascended’ to the altar steps. The casket is then either: moved along, a power soul gained (more later) or 1 of your own souls ascended to the steps.

Once again – this shifting and constant play for majority also feels very thematic to me and reminiscent of the playfulness of the festival itself “Oh our Uncle was so argumentative, he could have a fight in his own coffin!” I only noticed going through the rulebook that this was actually reflected in the artwork on the action cards, but when I was playing the demo I recall thinking that each of the locations was a little like a different aspect of the soul’s journey. Arrival, sorting, a little tussle with your neighbours and finally ascendancy. Always nice when a game rewards you like that by confirming you got the idea right! The use of the dice is interesting and once you get your head round the travel of the caskets, can provoke some immensely strategic decision making. Only 3 dice can be held in preparation, so the timing of free slots for preparation or potential return of dice from losing roll comparisons in the caskets makes for some very complex chain decisions (which then, of course, can be overturned in a second by another player’s actions). Dice in your pool are considered ‘free souls’ and usually have to be prepared before the caskets, but Casket 1 allows a free soul a ‘bye’ which is useful if you have no prepared souls or have no empty slots. There are also ‘Power Souls’ which can be won on the altar or selected by the Casket 4 action. These have a skull in place of the 3 & 4 and are considered wild in comparison rolls. Ascending souls means bringing them into the family altar – the very cool 3D steps at the end of the table. The first ascended soul goes on an empty space on stair 1. A player may select which bonus space would be best for them. The more players land on stair 1, the less choice of bonus, until the final player in a 5 pl game, who has to use an empty space with no bonus. As soon as a soul is placed on the 9th step, the game ends and the player who owns that soul is the winner (ie not the person who placed it – who may well be different due to Casket 4’s secondary action) This feels like a game that warrants replay to improve your strategy each time, though you are still delightfully at the whim of player interaction. This sort of ‘out of my hands’ game really appeals to me, it prevents run-away leads, often levels play a little and makes for much more fun for less experienced players. I like that skill is rewarded, but that it is not the sole way to win. The tokens are won either from Casket 4 or again as an ascendancy bonus. The tokens boards are double sided: Side A being a generally simpler action; Side B for a more strategic game. Eg The Candle on side A allows the caskets to simply be moved along, however, Side B allows 2 adjacent caskets to be swapped. Again, this allows for some much deeper strategic gameplay – especially tokens which allow ‘peeking’ into the caskets. I have a notoriously terrible memory and lost track of what souls I had in what caskets very quickly so a mitigating token I could use at just the right moment was really useful.

CONCLUSION York-based Radical 8 don’t have a huge back catalogue as yet, but Die of the Dead deserves to do really well as it’s an absolute belter and hopefully the start of great things to come. I’m not going to lie, there were a few times during the shortened demo, where the game was a lot to take in, but that’s as much about the way I learn games as the game itself. I learn best from going step-by-step thru the rules whilst shuffling pieces around and there just isn’t time for that in the scope of a convention demo (though the guys were amazingly patient and very clear with their explanation) – I did keep running to the casket ability cards during the demo though, so I have to hope they might put a small set of player aids in the box for 53 yr olds who are sat at the end of a 5pl table (hint). The game packs a satisfying amount of gameplay into its relatively small box, and the quality of the components is insanely good. I would happily play the handmade version from Airecon, but I’m guessing the final production will be even better.

It scratches a lot of gaming itches for me: variations in play each turn; lots of decision making; huge numbers of routes to winning; a nice bit of player interaction; and a decent chunk of screw-over and luck that means you can always blame someone else for your bad gameplay. I like the attempts to make for a simpler initial game, especially as there is a lot to keep track of in your first game. The player boards are actually doubled sided allowing an asymmetric start bonus for each player, and of course, the Token cards are double sided also. I appreciate efforts such as these as I think it helps newer gamers, slow learners (like me) and more casual gamers alike. I also appreciate the Open Casket variant which allows potentially for some much more devious play. However – there’s always a dark side, and it wouldn’t be fair to let this go in a balanced overview. Yes, the game has a fairly steep learning curve and a lot of concepts to take in from the get-go, but any game with a lot of strategic depth can have that same issue and so long as you don’t mind that, this game is no different from many others. But, my big issue is the one that has dogged mine and ‘Ers gaming life for years – 2 player variants. Die of the Dead does class itself as 2-5 player, and honestly, without going too much under the hood, I can’t really see a reason why it shouldn’t work normally at 2 players, but that’s for the designers to tell me as I’ve doubtless missed something. But…. The solution suggested in the box is one of my least favourite ways of solving the 2pl issue – effectively a dummy hand. My feeling on this solution has always been – if a game needs a dummy hand, then it doesn’t actually play at that player count. Especially here, as there is actually little stopping the dummy hand from winning. Nothing says you played a crap game more than the dummy hand actually winning. I’m genuinely hoping Radical 8 can come up with a much better solution for this between the KS campaign, and the final release. It’s worth it as it strikes me as an ideal 2pl game. It also feels to me like a great ‘strategic beer & pretzels’ game – of which I guarantee there are very few. It’s not far off as far as I can see, which is why the current rulebook 2pl solution feels so clamped on with my sort of standard of welding. It seems particularly odd especially when so much variation in the game has been offered for higher/lower strategy. I only have a preview copy of the rulebook at the moment, and I had to read it thoroughly to make sure I’d recalled the game correctly - and I know there’s a lot of time between now and delivery, but it’s already a pretty decent rulebook and one that I’d feel confident learning the game from scratch from. It’s very clear and describes some quite complex ideas very clearly. I sincerely wish Radical 8 well with this on Kickstarter when it launches on August 25th 2020. The price looks to be about £27 + shipping, which feels like an absolute bargain for a game that’s been this well presented. It’s a lot of game for your money both design-wise and strategically and I would heartily recommend at least paying the page a visit. Happy gaming y’all!

https://www.kickstarter.com/projects/radical8games/die-of-the-dead

Photo attributions: Beautiful game pics - Ross Connell (moregamesplease) @moregamespls Catrina image - By Paolaricaurte - Own work, CC BY-SA 4.0 Altar image - By AmbarCCPM - Own work, CC BY-SA 4.0 Artwork: Rusembell @Rusembell rusembell.deviantart.com Other images – official rulebook and our own.

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