I'm trying to make a short introductory post about a (sorta) new oc but I'm currently at 1224 words and I'm not done writing about him yet 😭

I just have so many things I wanna share about him but I'm afraid people will skip it if it's too long...

trigunned the hades or hadesed the trigun (id in alt)

one of the first animations i made to this guy and its of him being homophobic enjoy (this was made in like december i completely forgot it existed, hopefully i havent already posted it here yet)

Instruction on Courtship

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A little while ago while hanging out at the manor for game night, Stephanie introduced the family to another one of her current favorite artist.

This was nothing unusual, Steph had a new favorite artist almost every other week. But this one was different. It wasn't just a single person but a group that called themselves ‘Team Phantom’.

Every song was different as every song was sang by a different person. So there was a song for everyone, including Jason.

He feel in love with the soft smooth voice of ‘The Sister’. Her songs were so dreamy and melancholic, and told stories that he often couldn't understand but made him feel like if he were there doing whatever she was doing. Feeling whatever she was feeling.

It was amazing. Her voice was just so beautiful. So calming. So additive, the way it calmed the pits. He didn't know why but every time her songs played it was like the pits disappeared. And so did ever constant green haze that haunted him.

The sense of clarity he was left with when one of her songs ended was like a fuckin high and he couldn't get enough.

Long after the game night he sought after her music. Her songs. Her voice. It was his medicine and his drug. His addiction. Which sucked because just like every other addiction, withdrawal was a BITCH.

It's been six months since ‘The Sister’ has released a new song. Since ANY of Team Phantom had released any new songs. And it was really suspicious considering how consistent their schedules were. But that was okay, kinda. Life was life and maybe something happened. He'll just listen to her old songs on repeat like he's been doing for the last six months.

Is what he said until they posted a new video to their channel.

It wasn't the 3 to 4 minute animated or stagnant image music video he was uses to. Instead, it was a dark shaking video, as if someone was running. Then bright teal eyes appeared on the screen. Everything stopped for a moment. Then came the still soft and smooth but now trembling voice of ‘The Sister’.

She uttered a single word.

“Help.”

Before it ended and turned black.

It could honestly just be a prank. But something told him other wise.

Before he even decided what course of action he was going to take. A message came in through the family group chat. And from the Demon child no less.

‘We need to help Team Phantom. NOW!!!!!’

Everyone agreed.

And Jason felt very validated that he wasn't the only one secretly addicted to their music.

Now it's time to save Team Phantom.

Truly, my sympathies to people watching IWTV and are getting tired/bored of different perspectives. I'm not bored or even remotely tired.

Interviews by their very nature are perspective based. The story has this specific framing. As did the first book. They added to it with Armand now being an active participant and Daniel being more seasoned at interviewing. I understand how Armand's very edited and hyperbolic take on events that Book Lestat describes in The Vampire Lestat rubs people the wrong way. I do think that one could argue the way Lestat writes his own autobiography is the objective truth (note Armand in his book does not contradict Lestat). However, sorry to say, there is never an objective truth. The truth is always subjective.

I was raised by a whole family of lawyers and if I learned anything is that you can spin things in any way, but an objective truth will never exist. Not in crime, not in person to person storytelling, not in fictional storytelling. Hell, viewers seeing the SAME show CANNOT come to a consensus. Why? Because we all put our thoughts, experiences, and feelings to it. That's all perspective.

We see Louis give Armand a kiss in bed. Some think aw domestic and cute. Some think Louis is deliberately withholding and rewarding Armand for good behaviour. Some saw the act they put on in E2 as some version of truth and domesticity and some think it's only an act. Some think Dreamstat is actual Lestat out there somewhere and some think it's Louis' conscience.

Yes, the narrative will confirm one thought or another on some things but not all of them. They're deliberately left up to interpretation. Something btw, Lestat urges the reader to do in TVL when he does not go into details about his time with Louis and Claudia. And part of that has to do with perspective.

We could have a straightforward narrative with no corrections and no perspectives. But would that be as interesting as seeing how minds that far exceed our own twist and bend and interpret events? Would it be as interesting as seeing a vampire who tells himself a story so that he can carry on living despite being miserable? Would it be as interesting as this vampire who tells himself a story get pushback on what he's saying by someone who notices errors and inconsistencies? Would it be an interview at all? Or would it be, as Daniel put it in the very first episode, "a fever dream told to an idiot."

If you want a straightforward non-challenging version of the story, the 1994 movie exists. It's not perfect and a lot of details are missing, but there's only one, unchallenged perspective to it. And even then...how many people didn't (want to) see the queerness in it?

TL;DR I get being frustrated or tired or bored by the way the show is trying to tell the story, but at least it's doing something a little different and not word for word.

This had context but I refuse to tell anyone

as true as the jokes about “everyone wants to rewrite ninjago” are i feel like smthn people forget when complaining about the inconsistencies of the show is that…. it wasn’t planned? it’s not like most other animated shows lately - it didn’t start with a deeply fleshed out world or a meticulously designed pitch bible with grandiose plans for a long-term story or character arcs. the ninja don’t originally get their powers from heredity because they weren’t hereditary powers yet. the magic system doesn’t make sense bc they literally just made it up as they went! they go back and forth on stuff like whether non-elementals can learn spinjitzu bc it’s a collaborative piece of media made by people with vastly different levels of control over the story, the animation, the sets, etc. that varied over the course of the series. it’s totally understandable and exciting to see so many people reworking the early stuff with the lore and logic later seasons introduced but i personally feel that… if you’re doing that. you need to understand why the show is like that instead of writing it off as being bad and shitty. it was working with what it had. it’s only what it is now because of that awkward troubleshooting phase, not in spite of it

she can fix anyone with the power of friendship

behold: my least favorite string of words in the entirety of Tears of the Kingdom.

Imagine putting your heart and soul into a project because you love the source material, but have to work around certain scenarios because they won’t really translate well to screen, which is fine because you’ve gotten help/blessings from the ORIGINATOR of said source material so you’re feeling really good about everything. Maybe you wish you could change somethings, but you’re proud of the story that you’ve told and how true it is to the HEART OF THE STORY…

Only to then read that some of the fans of said source material think the show is awful and (somehow??) worse than the bad movie adaptations that disregarded the heart of the material (the actually STORY), all because of a casino and either adding or dropping minor story beats.

Wow. Just wow.

OK so I know that I’ve shit on both adaptations of the PJO books (cry about it) but I will tell you this… I do it out of love for the series!

This book series literally saved my life. I’m not joking at all. (TW: self-harm mentioned) I promised my therapist that instead of ending my life early… I would read just one more chapter of Percy Jackson. No joke. I still do it to this day.

Excuse me for being extremely passionate about this series so much that I can take the “Rick Riordan hype-train”™️ blinders off and ultimately critique it.

I saw that the show was renewed for a second season. I won’t be watching it. Riordan promised a book accurate adaptation of the series and he ultimately lied to the fanbase. The man was so adamant about it being different from the movies that he forgot what was actually supposed to go on screen.

Every time I think of those books, I think of my happy place, my home.

I tuned into the first episode in a bright orange camp half blood shirt, blue cookies and pizza, (as Percy would) and my room completely decked out in blue lights. I felt safe. I felt like I was going to the one place I felt understood. I had hope for it let me make that clear. I didn’t want to hate it.

I walked away from the first episode, fairly excited about what was to come. I was happy. I re-watched it multiple times. It felt really faithful. I found myself every week after that feeling like I was being killed inside.

I will forever love the books. Every time I travel I bring at least one of the original five with me everywhere I go. I am a passionate fan. I have a Greek mythology tattoo sleeve and Riptide resides all the way down my arm.

Once again, I reiterate, that the Percy Jackson books saved my life and continue to do so. I will always thank Riordan for writing the originals.

There’s my story and my one original post a month

🫶🔱🌊

Arrival! [original characters Max and Jude]

Something rubbed against his leg beneath the table. Jon saw red eyes staring up at him. “Hungry again?” he asked. There was still half a honeyed chicken in the center of the table. Jon reached out to tear off a leg, then had a better idea. He knifed the bird whole and let the carcass slide to the floor between his legs. Ghost ripped into it in savage silence. His brothers and sisters had not been permitted to bring their wolves to the banquet, but there were more curs than Jon could count at this end of the hall, and no one had said a word about his pup. He told himself he was fortunate in that too. His eyes stung. Jon rubbed at them savagely, cursing the smoke. He swallowed another gulp of wine and watched his direwolf devour the chicken. Dogs moved between the tables, trailing after the serving girls. One of them, a black mongrel bitch with long yellow eyes, caught a scent of the chicken. She stopped and edged under the bench to get a share. Jon watched the confrontation. The bitch growled low in her throat and moved closer. Ghost looked up, silent, and fixed the dog with those hot red eyes. The bitch snapped an angry challenge. She was three times the size of the direwolf pup. Ghost did not move. He stood over his prize and opened his mouth, baring his fangs. The bitch tensed, barked again, then thought better of this fight. She turned and slunk away, with one last defiant snap to save her pride. Ghost went back to his meal. Jon grinned and reached under the table to ruffle the shaggy white fur. The direwolf looked up at him, nipped gently at his hand, then went back to eating.

Jon I, AGOT

It's interesting that GRRM would dedicate several paragraphs to a seemingly unimportant exchange between a boy, his wolf, and an unfriendly third party. But there's just something about this passage that has continued to nag at me for years since I first read it because, considering how heavy handed GRRM was with the foreshadowing in AGOT, this feels important.

Jon is sitting at table full of squires - aka would be knights. We don't really know who they are or what families they belong to, but it's safe to assume that they come from a certain level of privilege; this is considering the fact that it cannot be financially easy to be a squire. And these boys already have a slew of tales detailing all their previous knightly exploits regarding "battle and bedding and the hunt" which suggests that they have some capital. So you have boys who will soon be men. And they will, presumably, become men of some power.

These lads eat their fill of the chicken until only half remains, which Jon then gives to Ghost. The direwolf's name is not so important here but what he represents is. Throughout the series, we're told that Ghost is reminiscent of the weirwood trees (because of his red eyes and white fur). He's stated to be of and from the Old Gods and since he's a personification of the weirwoods, he might as well be one of them. It's almost as if Jon is presenting whatever is left on the table to the Old Gods (Ghost). He lets them devour his offerings while he silently watches. And the motif of watching is so interesting here because it's kind of like Jon takes on a stewardship role - to watch over land/people/etc. He oversees Ghost eating the chicken, so he's overseeing whatever has been given to the Old Gods. This is not new imagery to his arc. As a brother of the Night's Watch and eventually its leader, we have several instances where he leads people to adopting the Old Gods in some fashion. In ADWD, several recruits swear their vows to the Old Gods while he watches on as their Lord Commander. The Old Gods are also primarily of the North and we're told that Jon has more of the north in him than his brothers; interesting that this also includes Bran. So perhaps whatever is being offered to the Old Gods relates to the North.

We must also note that Jon initially thinks to give only a small portion, a leg, before pivoting and providing the entire thing. It feels to me a bit like the process of carving up a kingdom or something similar. The lords (represented by the squires) take what they want and leave aside what they don't; or perhaps they have eaten to their fill and can take no more. Then when his time comes, Jon first considers a small piece of land/group of people before eventually absorbing all of whatever is left behind. The concept of carving up a kingdom rings harder considering that we have several callbacks to the ideals of kingship in this chapter. Robert, Jaime, Tyrion, and even Mance though we don't know it yet, all play into this. And then there's the aspect of Jon letting the chicken slip between his legs which evokes birth/fatherhood, a very curious choice when GRRM could've just had Jon place the chicken on the floor. So land/people are carved up and Jon then uses whatever is left to birth his own type of kingdom. And this kingdom is one for the Old Gods.

This also touches on something that has been quite prevalent throughout Jon's arc. It's the concept of accepting the "others" or "those left over" who live apart from the accepted social norms. Arya (a tomboy), Sam (a gender non-confirming boy), the Night's Watch (criminals, extra sons, and men who have no future left or place to go), and even the wildlings are all examples of this. And Jon takes on a leadership/paternal role to every single one of them. He looks after them as a leader would/should. Sometimes, in the case of Arya and the wildlings, he's equated to a king. He's a steward/shepherd/king. There's messianic undertones to this:

Come unto me, all you who are heavy laden, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light." (Matthew 11:28-30).

If you're familiar with Judeo-Christian tradition, you'll know that Jesus is often personified as one who spent the majority his time among the outcasts. The idea is that he came to save them too and that anew kingdom (or new earth depending on your translation) would spring up after the end of the world where he would forever rule as king; which presents the idea of a final king after the earthly ones are done away with. Now GRRM isn't so heavy handed with Christian allusions as other authors out there, but he does have a Catholic background and Jon is so overtly a Jesus figure. And in Revelation, Jesus is king and god at the very end....

One last thing: the mention of the mongrel who challenges Jon has always been rather interesting but confusing to me. A mongrel doesn't really relate to one specific type of dog. But it's interesting that Jon notes several roaming about where he is. They follow the serving girls who carry the food to be offered. Mongrels are used to describe antagonist/villainous groups in ASOIAF. Sometimes, they're used to describe slavers in Essos. But what's interesting is that most of the time, they're used to describe Euron's Ironborn especially in Victorian's POV. So I don't think the mongrel who challenges Ghost is a supernatural threat of death (i.e., the Others) but rather a human one. They represent those who are called to the scene once the lords have finished playing their games. It almost feels like a feast for (carrion) crows....

But it doesn't really matter because this mongrel isn't much of a challenge for Ghost. Though the mongrel is much larger, the direwolf is able to fend her off very effortlessly. Given that "mongrel" is used to describe Ironborn raiders, could this exchange between Ghost and the mongrel point to reavers or sea raiders who rise and fail challenge Jon kingdom? There is a historical King Jon Stark who did this....

When sea raiders landed in the east, Jon drove them out and built a castle, the Wolf's Den, at the mouth of the White Knife, so as to be able to defend the mouth of the river.[1][2] His son, Rickard, followed him on the throne and annexed the Neck to the north.

ref.

So this might shed some light not only on Jon's already published arc, but also on what we can expect in the future. We have some foreshadowing through Jon's ADWD dream that he will not only rise with the dawn (thereby live through the Long Night), but will be in a position to lead people (wildings in that chapter) to a new peace after a hard fought war. Also remember that the wildlings, rather enthusiastically, swear oaths to him as if swearing oaths to their king. In this instance, the supernatural (a dream of the war for the dawn) is followed by the natural/human. So perhaps this particular passage (and Jon's dream) can be used to predict that Jon comes out on top, and quite effortlessly too, as a leader. And he becomes a leader who rules by association with the Old Gods; or rules a kingdom for them.

To end, I think it's of note that this passage immediately precedes Jon's conversation with Benjen where he voices his desire to go out on his own - the hero's call to action. This is the adventure that's going to kickstart his growth as a man, warrior and most importantly, a leader. So it looks like before we even began, GRRM telegraphed how it would all end in just three short paragraphs.

[concept-dump] Space-au - (main(?) Antagonist) Skal, enemy of sun and mentor to iron