Tumgik
#and his feelings were valid
turtleblogatlast · 3 days
Text
[ cw: death mention / family death mention / ]
Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.
I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.
Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.
#rottmnt#rise of the teenage mutant ninja turtles#rise of the tmnt#rise karai#rise leo#rottmnt karai#rottmnt leo#I think a lot about these two in particular#and how that dynamic could have flourished#the way it was depicted in the finale is so purposefully unique and painful like#that hug man#can you imagine how much more heartbreaking that would have been if we knew her longer#not that it wasn’t already sad but we just simply didn’t know her long enough to be completely attached#also imo having more episodes with her and in general would have presented something I’ve been thinking about since the finale#so like - I like to think each bro kinda immediately leans more toward certain family members#Mikey has Draxum#Donnie has April#Raph has Splinter because this is another one that would be SO GOOD and make the finale moment where Raph sees his memories hit harder#if they had an ep or two more of Splinter and Raph together bc I really do feel like Raph respects Splinter most of the four#and finally- Leo has Karai#and then he loses her#imo? this would align with the movie even more#because it was the act of heroism that kinda killed her in a way - makes sense that Leo would initially be leaning away from that#and yet he ends up exactly like her anyway#haha sorry for rambling I just really love the interesting dynamic these two tend to have#and it’s a shame we didn’t get to see it really explored in rise#but yeah make no mistake while I’m focusing on Leo here I wanted more for all the boys and karai#Mikey’s little moments with her were so sweet and we already know how much he yearns for more family#Karai being from an age long gone would mean she’d be super impressed by literally any invention Donnie has (adult validation!!)#and could you imagine her training with Raph - with this training being referenced in the finale?
168 notes · View notes
Text
THE AUDACITY OF THIS HEDGEHOG!!
So i was rewatching Shattered for a post when i noticed something for the first time.
Usually on that scene where Tails tells Sonic i usually look at Tails becuse he stands out more to me, but for the first time i was looking at Sonic instead, and i noticed he made some sort of expression, but couldn't discern what, so i looked at it again and
this
motherfucker
Tumblr media
rolled his eyes at him
He literally just forgave you after you ignored his warnings and fell for Eggman's trap (whether Tails could have explained himself better is not relevant, he felt ignored and you apologized), and literally the same day, he tells you to be careful and you roll your eyes at him. No wonder he was so upset at you ignoring him, no wonder he was so dismissive about your apology. You probably ignore him all the time, he knew you were just going to do whatever you wanted, of course he didn't take you seriously.
143 notes · View notes
Text
dennis is an angry character btw im sorry but he is full of rage but that rage is not exclusive his anger does not negate sadness and fragility and insecurities in fact they work together and dtamhd was one of the first times where his anger was not used as a joke via a surface level rage explosion from him but instead explored the fragility of his anger. the way he keeps reassuring the workers he encounters (and himself) that he's not mad. when he tells daisy he's not mad but he is a little bit upset. dennis is angry and that anger is what makes him so fragile. he was upset and it manifested as rage bc he doesnt know what to do with his own sadness
#disclaimer tags yes i would like to see his emotions explored more but i disagree that we ONLY saw anger in dtamhd#and EVEN IF IT WAS ONLY ANGER... anger is just as VALID and fragile and vulnerable as sadness. they are family#we saw how his anger makes him fragile how it exhausts him#how it works with his stress and fears and insecurities and sadness#he was UPSET!!!!#angry dennis in dtamhd WAS big feelings dennis in tends bar. that was the same#he expressed anger in tends bar bc he was upset he expressed anger in dtamhd bc he was upset etc etc#and i think the sadness people were expecting was present. the sadness and fragility we would have seen if he cried on the beach like most#of us anticipated (btw he did cry at the beach <3 technically <3) was THERE. it was just in his anger#sewerkingcharlie talked about this already and worded it very well but im honestly kinda bothered by how some people have treated#the portrayal of anger and emotions in this ep#you dont have to like the ep or how they portrayed dennis but some posts have really given the vibe of#his anger and his emotional outburst not being as valid because it wasnt portrayed in the way you expected#or that it wasnt palatable enough#and honestly if you dont like it thats okay! but can we please be careful with how we talk about mental illness and anger outbursts!#yes it is frustrating when people ONLY see dennis' anger or see dennis' anger in a very shallow way#which a lot of the audience unfortunately does because its been treated like a joke#but it wasnt a just a joke here#and maybe this will all go past dudebros heads frankly i dont give a shit lol but thats for another post
158 notes · View notes
hephaestuscrew · 6 months
Text
The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
146 notes · View notes
stinkrascal · 5 months
Text
the person who i stopped being friends with came to my fucking house to ask me if i blocked her???? oh my fucking god lady you are 35 YEARS OLD??????
73 notes · View notes
m4ndysk4nkovich · 7 months
Text
i wonder what the response would’ve been from the fandom if mickey had been the one to not sign the marriage license in 10x08🤷‍♀️ i feel like people often give mickey the benefit of the doubt, but never ian. ian was open about the fact that he did it because of his parents, so i wonder if mickey had said that people would’ve sided with him. i feel like people don’t acknowledge what frank and monica did to ian as abuse that often, because it’s always compared to what terry did to mickey. it’s really not a competition even if terry’s actions were more horrific and extreme
85 notes · View notes
nico-di-genova · 9 months
Text
Thought about Caspian for too long and now I’m sad again.
He lost his father, his mother, the uncle that he once knew - a man who might have loved him at one time, before Caspian was twisted into nothing but a threat in his eyes. He’s nearly assassinated by the very man who had stood beside him at his father’s funeral, a man who had told Caspian he would take care of him.
He learns of the Narnia of old and takes comfort in the stories, but he will never be like the son’s of Adam before him. He cannot be, because he was given a crown and a name that drips with the blood of a Narnia that was destroyed by his people. And he will answer for their crimes, bear the weight of atrocities he has not committed, if only to begin to atone for a war he did not start.
He will spend his life searching for a home that will always slip right through his fingers. He will remember a kiss that might have been more, the weight of a sword pressed into his hands, the laughter of a girl who befriended lions and the embrace of a boy who could have been a brother, but when he wakes it will be to the silence of an empty room.
And he will yearn and ache for the comfort of the fairytales of his childhood, but the reality will forever remain sharp tipped and deadly. He will be told to lead, but never truly belong. A boy between worlds, Telmarine in blood, Narnian in heart, but never fully either.
104 notes · View notes
I feel bad for Starlo. (pt. 8)
The FF could have just told him how they felt years ago if this "damaged personality" started as soon as the Wild East came to be (which now I think only happened after Clover showed up... so... for a few hours. For a few hours was Starlo's personality "damaged"). Star is the type who'd give up anything for his loved ones, even his biggest dream. Ceroba didn't have to pretend all this time and lie to him to make him feel better (we know this whole Wild East thing often annoys her though she tries to hide it).
His friends just spilled the truth to him when he was at his most emotionally damaged (after they admitted that they didn't like or appreciate his efforts, he STARTED to break), then decided to leave him all alone. And you wonder why he cracked. And you wonder why he tried to kill Clover. Because the kid represented everything you all were shaming him for, for no reason other than he was too passionate for your taste, too willing to feel important, too hurt to face the truth of feeling like a nobody. And you were not willing to understand.
Tumblr media
this is what ultimately broke him
No one tried to ask, "Hey Star, you doing okay? Need some help? What's about Clover you admire so much?" No, they just leave. Feisty Four, you could have quit this job long ago and gone home (but apparently they DO like the job since the gang doesn't split up; in other words it took them less than 1 day to give up on Starlo until he came to beg them for forgiveness.. sigh).
38 notes · View notes
iasconsumesmedia · 8 months
Text
Never forget, that Gally was named Galileo Galilei in the books because he was RIGHT, but not believed, just like the real life Galileo.
116 notes · View notes
redgoldblue · 22 days
Text
Tumblr media
i'm. sobbing [x]
29 notes · View notes
uhbasicallyjustmilex · 8 months
Text
fire and the thud came on my spotify shuffle while me and my sister were listening to music this afternoon, and at the end of it she turns to me and goes “who was that? the lyrics sound like the kind of thing you’d write” and honestly i think it’s one of my favourite unintentional compliments i’ve ever received
56 notes · View notes
Note
Amnesia!Dabi: "So, did I get on okay with my dad?" / Everyone else: *sweats nervously* "UHHHHHH-"
YEAH ABOUT THAT
15 notes · View notes
Text
Ok so. Miles Edgeworth is trans. Gregory was definitely a trans affirming father so when Miles told him he was like “sure son. What name do you want to go by?”
And so all Manfred von Karma knew was that Gregory Edgeworth had a son. When he gains custody of Miles, he just. Does not realize that the kid he’s now in charge of is a trans boy. (Maybe Miles already had a name change. Idk. Somehow legal name wise, von Karma just. Does Not realize.)
So Miles grows up being raised as a boy and von Karma just. Doesn’t realize. Until puberty begins.
And he notices something, that Miles isn’t experiencing puberty the way he would have expected and he’s like hmmm. I am not sure what is happening.
And then like preteen Miles, incredibly nervous, comes to him and he’s like, “excuse me, Mr. von Karma, sir, but would I be able to start puberty blockers please?”
And von Karma’s just like “WHAT!”
He’s so caught off guard and so used to thinking of Miles as “Gregory Edgeworth’s pathetic son” that he just… kinda lets Miles medically transition bc he’s so caught off guard by the realization.
And for his entire life, Miles is like. Unable to wrap his head around von Karma being surprisingly trans accepting???
#especially because von karma was decidedly NOT accepting of the fact that miles is gay#for the rest of miles’ life he is forever confused about this. and he never realizes that von karma just. didn’t know he adopted a trans kid#in my headcanon franziska is also trans and basically i think that like. von karma was so shooketh by having one trans kid in the house#that he was like. I. I. I don’t know what to do#and also Franziska would TOTALLY weaponize the fact that miles had transitioned without comment#‘why does miles edgeworth get to but I don’t??’#also also. Manfred von karma probably has some toxic ideas about what it means to be a man. that were definitely taken to heart by miles#especially bc he wanted to prove himself as being ‘valid’ in the eyes of bin karma#I like to think that as he let go of the other ideas von karma taught him he also let go of this ideal and let himself embrace#less ‘traditionally manly’ things#this is the ‘not traditionally masculine transmasc’ in me coming through#I feel like that’s such a specific thing to work through when it comes to reconciling masculinity ESPECIALLY if you’re someone who’s#felt like they’ve had to fight to be accepted for it#wow. that got actually serious on my stupid lil post.#anyway miles as of chief prosecutor wear jewelry and makeup and maybe sometimes skirts#also fun like trans kid headcanon: Phoenix comes out during the year he miles and Larry were best friends and his mom went to Gregory#for advice about how to support your trans son :)#ace attorney#miles edgeworth#phoenix wright ace attorney#manfred von karma#trans miles edgeworth#miles edgeworth is trans dammit#and so is Phoenix Wright#Phoenix Wright#mention#gregory edgeworth#franziska von karma#tw transphobia#like. Hinted but tagging just in case
63 notes · View notes
cabinetduo · 6 months
Text
tubbo is genuinely so so good at this villain arc thing, he's thought this out fully and has his motives laid out and is wholly committed to ruining quackity by forcing him to spiral via psychological warfare.im getting chills every few lines like he's grinning and giggling and genuinely getting so much joy from the idea of causing q to suffer. also after he delivered a sick line to fit, post dramatic exit he went "THAT WAS SO COLD" like yes king hype urself up
28 notes · View notes
lavenderjewels · 7 months
Text
saw a comment about how Gojo’s afterlife could’ve actually been a product of his imagination that was his acceptance of death—I never even considered it, although now it feels like an obvious option on the table. Haibara mentioning him butting into Nanami’s death is the only thing I can see going against that, but Gojo knows of their past that affected Nanami his entire life, so it doesn’t debunk it. When Jogo was dying, he spoke of reincarnation with Hanami and Dagon, and that too was vague in how real it was (at least for Hanami and Dagon being there), but was likely Jogo himself accepting his and their ends. A surprisingly similar end to Gojo’s. That interpretation does make everything 10 times sadder though.
27 notes · View notes
silviakundera · 2 months
Text
Love for Love's Sake (2024)
Extremely Spoilery Meta about the Finale
A drama that really REALLY worked for me. Just like "A Journey to Love" is my exception to a hate for tragic ending romances, "Love for Love's Sake" is an exception to my burning hatred to unclear endings.
In this case, I think the ambiguity is fine for me because it's not "open" and unsettled. The ending is definite. It's how the viewer personally interprets the ending that is open. And the director/screenwriter earned the multiple interpretations every step of the way. I felt satisfied with my own answer (and the protagonist's peace at demanding no answers), which is all that matters for my enjoyment.
The whole drama is set up to reward a rewatch and it's intended to be enjoyed more the 2nd time around. There are subtle clues from the start that the protagonist has died & it's an AU "adaption" of his own backstory that he's been dropped into. (for example, not just the mirrored history he has with Cha Yeowoon, but also multiple settings we see from the flashes of his Real Life show up in the Game World. The world is being populated with places from his repressed memory. omggggg guys when the game is 'glitching' and he appears damp [SCREAMS] )
"He suffers so much from beginning to end. ..The perfect happy ending you're talking about might just be an inescapable tragedy for others."
"It can't be helped that some people's lives are like that."
This could be referring to Cha Yeowoon, from the storyline The Senior has introduced. But more I think it's directly referencing Tae Myungha and the tragedy of his short life. Even with altered memories of a truth he isn't ready to face, he feels an injustice. In the liminal space between life and death, with a blurred recollection of what came to pass, he faces the author.
The whole opening has an unreality feel as they discuss death and how some people get left behind from others' happy endings. How dark and unfocused the background is just emphasizes that this conversation is occurring in no place & time.
Then he drops into The Game, unsettled and unmoored.
The sense of urgency they give the character is interesting. It plays 2 ways. The drive to save your favorite character from his doomed narrative. And the secret, hidden drive behind the wall holding back his memories. That last second desire not to be extinguished.
So what do I ultimately think is the meaning of what Tae Myungha experienced and of the ending? 🤔 I think there's no 1 truth. The drama's narrative is intentionally ambiguous. And so I don't want to tell anyone what their interpretation should be.
But what I ended up believing is that this is Tae Myungha's journey to make peace with his regrets, forgive himself, and find love & happiness like he failed to do in his life. He is given an opportunity to seize these things (by death, by buddha, by some god-like author idk) but he has to go through a journey to solidify his place in this next life. An afterlife of sorts - call it The Good Place. ;) Many different theologies have the concept of a mid-place waiting area and it's not guaranteed that you will cross over to what comes next.
"Please carry out the missions and build the world."
Cha Yeowoon starts out as his mirror but Cha Yeowoon isn't a version of Tae Myungha. I might say he's the RPF AU version of Tae Myungha lmao. [my meta on this topic here] Once the world begins to take shape, the core people our protagonist interacts with become real and gain autonomy. Tae Myungha's actions could stabilize & help build out this new world he's entered. But he couldn't make Cha Yeowoon act as he wished or be happy exactly when & how Tae Myungha wanted & expected it. Myungha can't predict him.
What does it mean to be 'real'? If the core people who are built out in this world develop their own feelings and thoughts, can hurt & care, then they're real enough to love and be loved back. Cha Yeowoon picked up the pen himself at the end and decided not to accept Tae Myungha's erasure. Ultimately, they were both able to wield the pen. It was by both of them joining hands that Tae Myungha got to stay.
In the end he is in a warm & bright room, almost hazy with light. His grandmother is there with him, looking healthy & happy. His friends and the boy he loves are waiting for him. They're going to the beach, young and careless. It looks like an endless summer day. The game is over, a reward offered: the happy ending.
Episode 1: "So is this reality or not?"
"This place is better than the real world. Should I just stay here?"
Finale: "In the daily life that is too ordinary to be called destiny but too beautiful to be called a coincidence, I finally realized I have all the answers I want. Our days are filled with unquestionable happiness."
19 notes · View notes