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#and hate how much potential i as a shipper was robbed of
saffron0v0 · 22 days
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First time trying to replicate the bsd manga style.
Idk how to feel about the results.
Anywho, this piece was drawn in tribute to the first drabble of sasazai on Tumblr, written by the amazing @littencloud9 , as per my request (⁠人⁠ ⁠•͈⁠ᴗ⁠•͈⁠)!
I loved it so much, and I was high on artistic motivation (while trying to run from my studies), so here we are!!!
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littlemisssquiggles · 2 months
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Do you think ozpin and qrow could some how be friends again/ qrow trust ozpin again
Hello there anon-chan! Thank you for the inbox!
In all honesty m’fam, this was a subject matter I was hoping the series would’ve covered after V6. After that season, I was hoping that part of Qrow’s development moving forward would’ve had him reconsidering his entire relationship with Ozpin; touching base on things such as how they first met and really giving the audience a further deep dive in their history together. This would then ultimately leed up to Qrow realizing that he was wrong for how he treated Oz after the reveal, learning to forgive him again and the two would essentially reboot their friendship with deeper feelings of trust and understanding.
Judging from the events of V6, a lot of Qrow’s feelings about himself were synonymous with his ties with Oz. There was no doubt that Oz was someone Qrow revered and thought of highly.
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It’s as he told him back during that season. No one else in his life---not his clan, not even his own sister---ever believed in him due to his misfortune semblance. According to Qrow, he was cursed. But it was Oz who made him gain some confidence in his own self worth by making him believe in the good he could accomplish even with the type of semblance he had.
Words alone are not enough to surmise my disappointment in the fact that right after the writers teased the history and meaningful dynamic that Qrow and Oz shared together, they just dropped it after V6. Instead of making Qrow focus on his bond with Oz, they instead awkwardly did everything they could to have Qrow not discuss Oz.
Instead they had Qrow pining over his relationship with Clover for two seasons. Clover---a character he barely knew and just happened to develop a small kindred comradery for like a couple of months versus Ozpin who he has known FOR YEARS. Probably since he was even a student at Beacon and had remained loyal to well into middle age. Like seriously?
Don't get me wrong, I liked Clover as a character. However I honestly hated how he was the focus
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Qrow wasn’t even allowed to focus on his friendship with Winter since even their rivalry dating back to the events of V3 was pushed aside in favour of Clover who only first appeared in V7.
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Don’t get me wrong. I actually thought Clover was a decent character. However I really didn’t like how he suddenly became a person of massive importance to Qrow when the two barely knew each other.
If Clover shared the same past with Qrow or the two were actually good friends/rivals who knew each other dating way back to their academy days then I can get behind why Qrow cared that much about him after his death.
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But no. There were other characters that Qrow shared deeper bonds than Clover, like Oz, and yet, all Qrow focused on between V7 to V8 was this one dude. I will never understand why the Writers chose this route to go for Qrow. It just felt so off and misplaced; at least to me.
Shout-out to my fellow Snowbird shippers since we too were robbed of any potential further development between Qrow and Winter since that it seems their dynamic was replaced in favour of one brewing with Robyn Hill.
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So, in a nutshell anon-chan, I do think Qrow can trust Oz again and rekindle their friendship. However, it’s up to the CRWBY Writers to implement that into the story canon. Thus far, they haven’t done a good job on having Qrow focus on his ties to Oz. But who knows? Perhaps we’ll get something in that epilogue series that was recently announced by RT. RWBY Beyond.
Hopefully that series will drop some crumbs on the aftermath of Qrow and Oz’s relationship, finally giving closure to of us who were wondering about it.
LMS (2024)
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dastardlydandelion · 1 year
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SPOILER! SCREAM 6 REVIEW WITH SPOILERS! DO NOT READ IF YOU DON’T WANT SPOILERS ALSO I AM HIGH.
my thoughts and feelings on scream vi. i have a lot of them!
boy howdy, that was a ride! so overall I enjoyed it a lot! gonna start out with the positives before i leap into the negatives.
spoilers under the cut!!!
my favorite part was the carpenter sisters, by far. i am aware that there are plenty of people who dislike sam. that’s valid, obvi, people are entitled to their opinions. nevertheless, i do feel like a lot of the hate directed toward her is honestly unfair. hate from billy/sydney shippers who cannot conceive billy having cheated on her even tho he was like, a literal murderer. said shippers angry that their conspiracy theories about sam being sydney’s daughter are just blatantly untrue bc sam is latina, the stu/billy shippers angry that billy evidently enjoyed sex with women outside of using sex to manipulate syd, etc. these are kinda stupid reasons to hate sam, u guys.
now, others were not a fan of sam bc they didn’t care for melissa barrera’s performance in scream 5 and ykw, fair enough. HOWEVER, i would like to interject here that i am personally more forgiving toward some of her wonkier scenes bc i understand what the directors were going for. scream 2022 is a fan movie and sam is a fanfic character brought to screen. her dialogue is what u would read in a middle schooler’s fanfic and that’s…weird but nostalgic, so i get it. this movie was swaddled in nostalgia. also we have to understand sam as a character who intentionally represses her emotions bc of her internal proclivity for violence. much of her performance is restrained until act 3 and while i 100% understand why this didn’t work for some people, it didn’t bother me personally bc i’m sympathetic to the intent behind it.
i was supposed to be spilling my thoughts about scream vi and instead just went off on a tangent about 5. bc context needs context and i can never get to the point without detours and most of my detours involve giving context to the context or covering my bases, for those who potentially wish to poke holes…
ANYWAY. i genuinely enjoyed sam and tara in scream 5. some of my biggest beefs with 5 were the changes to the initial script that decreased the tension between the sisters and robbed us of their familial context. ykw, like amber and tara being romantically involved + amber and sam’s mutual dislike of each other, which would’ve layered amber’s motivations as well as added to the conflict between the sisters. the originally scripted scenes with their mother drunkenly displaying her fear of sam, particularly her fear of sam harming tara, which would’ve helped the audience understand why sam was desperate to leave woodsboro and why sam represses herself so heavily…and here i am still talking about scream 5. but my point is i already loved the sisters and i was very much looking forward to them and seeing how their relationship developed in 6.
and it did not disappoint!! oh my lordy. i love how sam just goes completely into mama bear mode over tara!!! it works so well on so many levels. she wants to protect her because for five years she wasn’t even there, because she spent the most horrible three days of her life nearly losing tara, because their mother and tara are now estranged specifically bc tara chose to allow sam back into her life, and bc she feels like she has to be hyper-vigilant bc tara coped in the opposite direction and chose not to deal with what happened at all.
i loved the push and pull between them, how tara clearly loves sam very much but is straining under her smothering and frustrated bc their coping mechanisms clash with the calamity of a car crash. adore how tara defends sam even when she’s upset with her but i think my very favorite thing was at the end when sam HAS PUT ON HER FATHER’S COSTUME LIKE I HAVE WANTED HER TO FOR FUCKING MONTHS AND STABS BAILEY TWENTY TIMES AND ONLY STOPS HERSELF FROM DELIVERING THE FATAL BLOW WHEN SHE HEARS TARA!!!! AND THEN TARA VISIBLY GIVES HER PERMISSION TO KILL HIM SO SHE UNLEASHES IT AND STABS HIM IN THE FUCKING EYEBALL OH MY GOD.
whew, lotta caps lock, but yeah. yeah, no, i was just that excited. tara didn’t even have to say the words, it was the look in her eyes and the soft tilt of the head and sam knew it would be okay. that was so touching. hands down, my favorite scene. <3 <3 <3
also the storyline surrounding sam? perhaps a tad exaggerated in this horror movie context but not at all unlikely or untrue to life.
a woman who only resorted to violence in retaliation to her more dangerous boyfriend’s violence being DARVO-ed by social media? a woman being turned into the monster of the story while internet fans fawn over and infantilize the man who victimized her? a woman who chose violence only to survive vilified while terminally online fans edit flower crowns onto her actually evil boyfriend’s pics and proclaim his innocence in cutesy fonts??
yeah, that’s pretty fucking familiar. this probably would’ve happened to sam even if billy loomis wasn’t her father, her heritage just makes it 10x easier for people to manipulate the story against her.
this is where the social commentary of the movie is a little ambiguous and i actually prefer it that way. are they calling out scream fans? true crime fans? media misogyny? could be any of the above, take ur pick. i personality interpreted it as a combination of all three.
the subtlety on that front was a breath of fresh air considering so much was…not subtle at all. i greatly enjoyed this film and i adore mindy BUT her explaining the new rules of a “franchise,” was a little bit too much. it’s a scream film so there has to be a scene like that, ofc, but it could’ve been shorter and it didn’t have to spoon-feed us that hard.
speaking of subtly? uh, yeah. i mean, unfortunately bc of unmarked spoilers i knew detective bailey and ethan were ghostfaces. i did not, however, know any of the ghostfaces other than these two, nor did I have any idea what their motive was. but between quinn mentioning the death of a brother and sam getting called from richie’s phone? yeaaaaah, that clicked into place pretty damn fast. soo not subtle, but amusing. amusing so i’m not complaining yet, i actually had a laugh.
now i feel like i’m rambling without direction but my goal was to tackle positives first, so more positives?
the core four. love them. the way their relationship developed in this film was warming and believable to me, even if the character interactions were perhaps more abridged than they should’ve been give the rapid-fire pace of the film. mindy and chad are great, easy to love, and mindy especially is so relatable to me. kirby is back and she got screen time!!!
the minor characters? not too many, but the ones that were here somewhat fleshed out the setting. i would love a fanfic where sam kills date rape frankie. also the owner of the bodega, shoutout to that guy. a kind stranger in a city famous for rudeness, he dead ass lost his life trying to help our leading ladies. he looked away from ghostface to get his keys so they could unlock the door. r.i.p bodega owner.
the kills! everyone is raving about the kills and i am also a fan. not without my nitpicks, i wish maybe a couple would’ve been more creative BUT mostly i am pleased. i love gore and there was more gore. the ladder scene delivered on the suspense that was promised to us, oh my. my heart was pounding the entire time and altho were barely got to know anika, i truly felt for her. bleeding, scared, doing her best to hold on, gazing at mindy through a blur of tears and panic as she moans, “I don’t want to die, i don’t want to die.” 😢
that said i was hoping the kills might be a tad more creative? it was mostly just a lot of stabbing. which. yes, ghostface stabs. the franchise is famous for the buck 120, which i can attest is a very sharp knife— i have used it to stab through frozen meat and not only did it go right through the package, the tip of the knife got embedded in the table. which is okay bc it’s an old table with a ton of stains and it’s already beat to hell, but that’s not the point. THE POINT, lmao. unintentional pun, I swear! but idk, i was hoping for some variety especially bc the trailers kept emphasizing that this ghostface was “different.”
many of my predictions were correct but where they did manage to surprise me, they really surprised me! like the first killer unmasking himself right after her killed laura?? i gasped! the choreography of the fights in the shrine, dude! i loved the carpenter sisters + chad taking on the ghostface how they did it as a pack. that was awesome! and then chad is gonna finish ‘I’m off and BOOM, the second one pops out! the way the ghostfaces take chad down was brutal but also, like they’re twinning?? the dual knife swipe was spooky and this is genius when we find out that these two are actually twins. or…I think they are? they’re siblings at least, i wanna think twins bc I’m pretty sure the characters are supposed to be the same age even tho the actress who plays quinn is a few years older irl.
misc fun things: jason watching jason takes manhattan in his apartment. mindy’s fashion sense. kirby eating. ethan is not dressed in blue plaid like the ghostfaces before him, but he is wearing red plaid over a blue shirt, so close enough. nancy loomis finally being acknowledged as sam’s murderous grandma. gale dodging sam’s punch just to get hit by tara, pffft. last but not least, ALL THE HALLOWEEN COSTUMES. 😍
those were all the positives. but balance is balance so as much as i loved this film, i still have to touch on the negatives.
the killers? i was right about the anti-dewey angle, but i’d pegged the wrong pig. kirby reed, i formally apologize for ever suspecting u. i appreciate the anti-dewey angle with detective bailey and that being a cop gives him power and authority that ghostfaces before him did not have. but the motive reveal complicates things and it’s pretty convoluted and too convenient the way these ghostfaces were able to worm into our cautious protagonists’ lives. i know let some things slide because of bailey’s aforementioned social power by virtue of being a cop, but this is over the top. i have so many questions. did the siblings go to college just to follow the survivors? they all have fake names?? how did they find out about jason and greg? how is the *whole* family like this?
ur telling me richie’s entire fam indulged his stab obsession to the point of them not only accepting his being a serial killer, but becoming ghostfaces to honor him in their vengeance driven kill spree??
umm…yeah, this is all a little too kookaburra for me. but i will say i liked their style. i like that they actually seemed to be bringing the costume to life. the ghostface costume was originally packaged in-universe as the “father death” costume, it’s the grim reaper by another name. and these ghost faces were actually kind of swooping around like a reaper, an angel of death. cannot emphasize enough how much i loved the twinning with the knife wipe and just like, having multiple ghostfaces onscreen in general. i am too high right now to look up the actress’s name who played quinn but kudos to her for chewing the scenery once she unmasked. but some of their choices didn’t make sense to me. why did ethan help mindy after quinn wounded her? why was a target put on anika’s back at all??
so…more negatives?
um…let’s talk about suspension of disbelief for a moment. we all have to have some of that when watching slasher films and movies wouldn’t be movies if we expected them to be exactly like real life. i like to think that as long as a movie follows its own logic, i have a pretty healthy suspension of disbelief. i can accept the improbable in the scream ‘verse…but not the impossible.
u know what’s impossible?? chad surviving that. fml. yeah, no, that guy’s internal organs are soup. it’s even a stretch that he survived scream 5 since amber clearly slashed open his femoral artery even before she stabbed his guts, but this???? chad was being carved up by two ghostfaces and blood was dead ass gushing from his mouth like a waterfall. i love chad, truly, i do, but his survival was insane, i can’t accept that.
on that note, i found it frustrating that the injuries in this movie were seemingly only as severe as the storyline wanted them to be. again, it’s a movie so we have to have a level of suspension of disbelief and that’s fair! i can accept people being more durable on the screen than in real life but where they lose me is when they’re keeping semi close to reality in one scene and totally ignoring it in the next. anika loses a lot of blood and is in great pain, which hinders her ability to escape (so she doesn’t). i buy it. gale is stabbed in the abdomen twice, deeply, and loses so much blood she entrusts the carpenter sisters’ with last words, passes out from blood loss, and is in bad shape when paramedics arrive. i buy that. mindy is similarly stabbed in the abdomen multiple times, survives because ethan helps her for some mysterious reason, which I buy…I don’t buy her RUNNING TO THE SHRINE MERE HOURS AFTER.
we have a throwaway line about her being on drugs, but no, i still don’t buy it. story time. my work mom, okay, so she was in a really bad car accident once. running on pure adrenaline, she raced out of the car with broken bones and punched the driver of the other car that hit her. immediately after, she collapsed and guess what? she’d injured herself further by punching this lady. so even if mindy wasn’t feeling her wounds because of the drugs (which i could buy easily enough), no responsible hospital would allow her to run wild like that.
at the shrine tara is stabbed UP TO THE HANDLE IN THE BACK and it doesn’t?? effect her like at all? okay, okay, i could possibly buy this with the adrenaline excuse, cause I mean, again, that is a thing. my work mom paid the price for it. but after being stabbed in the back, tara is also stabbed in the torso after being dropped from quite the height and that wound similarly has no tangible impact beyond a few pained pants while she was struggling against a larger, more physically powerful ghostface…and adrenaline wears off? at the very least, after they’re finished off the ghostfaces, tara should’ve been shock-y and sam should’ve been trying to get her medical attention ASAP. at this point the movie wasn’t following its own logic in regards to injuries that’d previously occurred in the movie.
i find it so hard to believe laura’s character at all, that she would go into a dark alley searching for a strange male she had never, ever met in person before dead ass a blind internet date. no girl or woman would ever do that, let alone a supposedly a highly educated New York newcomer.
the pacing in this movie was almost a little too fast. i feel like there wasn’t much room to breathe? i didn’t want it to be slow or anything, but it was almost dizzyingly speedy. i LOVE the chase scene with gale but what the fuck. they made a point to talk about how they weren’t safe in broad daylight, then they cut to gale’s apartment and it’s like nighttime? huh?? how many days did i just watch???
the secret celebrity cameo was jack quaid? boo, letdown, boooooo.
neutral stuff: i feel like sam’s bf only existed in this movie so they could do ladder scene LMFAO. but i didn’t want to see romance so that’s perfectly fine with me.
…possibly have more to add, but idk? i’m high af. overall i really enjoyed this film though. especially the carpenter sisters. sam put billy’s costume on in the best way. it was a monkey paw wish for detective bailey that backfired on him majorly, she looked fucking great in it, she literally stayed in it and then at the end, she let go of the mask. because sam isn’t a murderer. she may have internal violent desires but she keeps that part of her in check cause she’s a good person and only acts on those impulses when real danger is afoot. she isn’t her father and the wants to leave that mask behind its past behind, and follow her sister into the future.
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lycorogue · 3 years
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Thoughts about episode “Lie”
Okay. Here we are. This is back to the better writing I was talking about the other day. I love me parallel stories, so this was just *chef kiss* in that department. 
Before I delve into my thoughts on the episode itself, I want to take a step back and talk about my views of the non-love-square ships Lukanette and Adrigami. (Feel free to skip ahead; I have a header for when I start talking about this episode again)
Lukanette and Adrigami
For me, Marinette and Luka had romantic chemistry from the word go. As much of a Marichat shipper as I am, I knew that if anyone could make Marinette forget about Adrien, it wouldn’t have been Chat Noir. It would be Luka. Chat Noir would then come in at a close 3rd (a bit ironically) when it comes to Marinette’s heart. Meanwhile, Kagami slowly grew to have a crush on Adrien post-Riposte, and then charged forward knowing exactly who she wanted. On the flipside, though, I stand firm that there wasn’t really much romantic interest coming from Adrien. If anyone was going to make Adrien forget about Ladybug, it would be Marinette; not Kagami.
The episode “Frozer” - the one where Kagami makes her crush known for the first time, and Adrien first attempts dating her - practically gives us some foreshadowing of their entire relationship. Aside from clearly finding Kagami attractive (as showcased by the pink-bubbles-vision when Adrien first sees her sans-helmet in “Riposte”), he doesn’t seem to have any romantic inclination towards Kagami until after she cups his cheek and lets him know, in not so many words, that she likes him. Even so, it isn’t until Marinette basically gives the thumbs up that he should pursue this relationship does he give it a try. He’s still very uncomfortable around her, and only gets a bit more comfortable in “Animaestro”; probably because he’s seen his father around Kagami’s mom and just mimics that (as seen in “Backwarder”). Going back to “Frozer” though, Adrien spends most of his time with Kagami watching Marinette, and even abandons Kagami in favor of checking in on Marinette - something Luka could have easily done and probably doesn’t because he sees Adrien already on it and knows Marinette would prefer Adrien’s comfort. So Luka doesn’t push the issue. That whole ice rink interaction shows that, while Luka trumps Chat Noir as a potential alternative love interest for Marinette, Marinette still surpasses Kagami as a potential alternative love interest for Adrien. This, for me, is again hinted at in the episode Heart Hunter where, while enjoying himself seemingly equally with both girls, there’s just these little hints - complimenting Marinette more than Kagami, asking Marinette to choose the ice cream - that, at least subconsciously, Adrien is leaning a touch more towards Marinette over Kagami. His heart just isn’t all that into this relationship. This is again showcased in the New York special when Adrien (at least in the English dub; I haven’t watched it in other languages) asks Marinette to dance with him with an almost pleading tone in his voice. (To be fair, clearly Marinette isn’t thinking of Luka at all during that trip either...)
I think the final Foreshadowing nail in the Adrigami coffin is this dialogue from “Frozer”:
Kagami: “You still keep doing what other people want you to do.” Adrien: “No, I just want him to be happy.”
In the end, Adrien did the same thing with Kagami: he did what he thought would make her happy because he’s a people pleaser to his core.
Adrien of course found Kagami attractive and fun to hang out with. She was a fantastic companion, and I love their companionship so much. However, I feel like he dated her mostly because he knew he had to find some way of getting over Ladybug, and here’s this pretty girl who clearly has a thing for him, so why not???? Their parents were practically setting them up as a couple anyway, between the trip to the royal wedding and the movie premiere. Plus, this “approved” friend meant he could spend more time outside of his father’s house while genuinely enjoying the company. Win-win. He then did all the pseudo-dating stuff he’s clearly witnessed in media; kind of following a play-book as it were. 
However, he never did anything even remotely romantic or flirty towards Kagami that was on par with his romantic gestures and flirtations towards Ladybug (or even Marinette, for that matter). His love language is obvious after watching him with Ladybug, and he uses some of that same language (albeit subconsciously... probably...) while interacting with Marinette. Things like leaning in playfully (ending of “Troublemaker” and when asking Marinette for a macaron in “Despair Bear”), sharing a romantic picnic (“Glaciator”) even if it was just to cheer Marinette up, winking (the endless winking in too many episodes to list here), whispering in her ear (“Despair Bear” and one other that I can’t recall right now), Soft SmilesTM (“Chameleon”, pretty much all of the NY special, tons of season 3 episodes), confessing insecurities or secrets (“Gamer” and “Gorizilla”), or asking her to dance (“Despair Bear” and “NY Special”). I’m sure there’s tons more and each example has more episodes it’s showcased in, but you get the idea. Alternatively, Adrien just never used that same love language with Kagami. With her it all felt like calculated moves; it was expected of him to lean in for the kiss in “Heart Hunter” and “Miracle Queen”, or wipe away the smudge of ice cream by Kagami’s mouth, so he did it. Aside from his protectiveness and care for Kagami in “Onichan”, Adrien never really treated Kagami any different than his other friends.
Marinette, on the other hand, does show some of her love language towards Luka. She blushes around him and does that bashful little shoulder shrug. She makes excuses to touch his arms, hands, chest, or back. She literally leans on him. She has an interest in his interests and even goes above and beyond for gifts, such as the necklace (yay; Luka looks so good in a necklace!) and, unofficially, the contract with Bob Roth for Kitty Section. 
Granted, she doesn’t flirt with Luka like she does with Chat Noir, but, as someone who also used to flirt with my guy friends without truly realizing the romantic implications (I was a disaster as a teen, okay?), I don’t know if Marinette has truly realized how flirting is part of her love language. If she is anything like I was, flirting is more a fun past-time to see if you could get a rise out of someone in some sort of sextual-tension game of chicken or something. It’s not something you do with someone you have serious feelings for. 😝
Back to Kagami though. I want to stress that, while I didn’t see any romantic future for Adrigami, I do still very much like Kagami and appreciated the character development the writers gave her. I love her as one of Marinette’s potential friends and, as I mentioned, a companion for Adrien. I just never saw any romantic interest coming from Adrien towards Kagami. He never even truly seemed himself around her the way he is around Ladybug or Marinette. I don’t think he’s comfortable enough to not be Textbook BoyfriendTM around Kagami. He even mentions in this episode that him being a clown IS the real him and she calls bullshit (although @gale-gentlepenguin​ does have some nice commentary on how even that wasn’t exactly truthful and Kagami was right to call him out). Point being, Adrien loves to be nerdy and goofy and playful, and she just doesn’t get that????? A lot of what Adrien likes she seems to dismiss.
I’m sorry, Adrigami shippers. There could have been potential there as these two grew, but as it stood? I just didn’t see it.
The Episode “Lie”
Going back to my thoughts on “Lie” though with all of that above commentary for context. I just feel a bit cheated that Clearly-There’s-Mutual-Pining Lukanette gets ONE kiss lean-in for the whole “love rival” arc they’ve had set up for 1.5 seasons before the relationship implodes, but Clearly-Only-One-Has-Feelings-And-The-Other-Is-Just-Kinda-Going-Along-With-It-Because-Hey-He-Likes-Hanging-Out-With-Her-And-She’s-Cute-So-Why-Not Adrigami has THREE kiss lean-ins in THIS ONE EPISODE ALONE (not to mention the 2 from Heart Hunter/Miracle Queen)!? Like I said, I feel a bit robbed, but... well fed, Adrigami shippers, I guess...
Anyway, my heart hurts so much because yes, Kagami deserves someone who will take the time to be with her (just like how Luka deserves the same), but also, it’s not like Adrien WANTED to abandon her (much like Marinette not wanting to abandon Luka). These poor kids. All four of them. My heart breaks. 😢
I did feel a much stronger emotional gut-punch with this episode, which is surprising because a) we already saw a good 5-10 min of it in “Truth” so this episode was essentially shorter than the premiere, and b) I’m a much stronger Lukanette shipper than an Adrigami shipper (see above). So, bravo to the writers on this episode. I hate that this team broke so many hearts, but this is the caliber of writing I was hoping for. 
(I know Marinette is the Guardian, but can we agree to have more Adrien-centric stories, please? They’re just so good).
My final thoughts though: WHY ON EARTH DID THE WRITERS EVEN BOTHER WITH THE “LOVE SQUARE RIVALS” STORY LINE IF THEY WEREN’T GOING TO FOLLOW THROUGH!? ADRIGAMI AND LUKANETTE FINALLY GET TOGETHER AFTER 1.5 SEASONS ONLY FOR THE RELATIONSHIPS TO BE DOA BASICALLY THE NEXT EPISODE!? WHY!? TO RESET THE STATUS QUO THEY WORKED SO HARD TO SHAKE UP!? I already talked Friday about the lost story potential with Lukanette, but there’s also a lot Adrien could have learned from his relationship with Kagami. 
Adrien is still VERY vocal about his love, and, while he has learned a lot, matured a lot, and has eased up a lot, Adrien does still semi-burden Ladybug with his feelings; something Luka never did to Marinette. Adrien, possibly due to witnessing his parents - I have theories about the romance dynamic between Emilie and Gabriel - seems to have this view of love being okay even if unbalanced. Ladybug is far more powerful and crucial to the protection of Paris, but they are still partners and equals in their eyes. So maybe he feels the same about love; he may be more romantically devoted to her, but as long as Ladybug loves him even a little, it’s like they’re equals in romance... right???? So... yeah, a more balanced relationship with Kagami could have taught him how important a romantic balance is as well. Plus, if I am right in my assumption that he just kind of went along with the relationship because he thought it was expected, then he could have also learned something about being a people-pleaser. There was a lot of growth potential for both Marinette and Adrien in these non-love-square relationships, and it just feels squandered.
Also, as I mentioned with my review of “Truth”, I’m fearing that the writers are kind of railroading the Ladynoir ship. First, there’s Marinette realizing that she can’t have a boyfriend because he wouldn’t be safe, nor could she be truthful to him about why their time was so limited. The exception being Chat Noir, who can very much protect himself (except for when he’s shielding Ladybug, but she yelled at him for that in “Lie”), and she can be fully honest with him as long as it doesn’t involve their identities, and he very much knows and understands their time restrictions. In fact, he even goes so far as to state that ANY time with her is a gift he cherishes. He’s basically the perfect boyfriend for her in her situation; she just needs to be lonely enough to “realize” it. >3> On the Adrien side of things, Kagami tells him that she can’t trust someone who isn’t honest with her, but there’s Ladybug: fully understanding and completely trusts him even when she knows he’s lying. She also doesn’t fault him for their lack of time together and understands if he needs to run away without a moment’s notice. He’s already in love with her, but this whole situation just paints her even more as the perfect romantic partner for him. I get it, but I also hate it. I hate this feeling of this one corner of the love square being railroaded. It basically dismisses the other 3 corners as possibilities right alongside the Lukanette and Adrigami ships.
All that grumbling aside, I would like to give some applause to how the episode ended. I very much enjoyed that Kagami was like, “nope. You lied to me, and I can’t trust you, so we can’t be friends. I need time away from you. I’ll let you know if we’re ever okay again.” It shows the consequences of playing with someone’s emotions, even if under the best intentions. It also shows that it’s perfectly okay to cut out toxic relationships, even if the other person didn’t intend any harm. Well-intentioned people can still cause toxic relationships, and if you need to step away from them (as Kagami did), then you are completely valid in that decision. It’s an important lesson for kids to learn, I think. I’m just worried that Kagami brushing off even being Adrien’s friend (while justified) might mean not really seeing her in the show anymore, and that would be a shame. 😟 I do enjoy her as a character, and would love to see more of her growth. Plus, she is so limited in social interactions as-is, so I hope we see more Kagami and Marinette friendship growth.
I am also interested in how Adrien reacts to the knowledge that he can indeed ruin his friendships with people if they aren’t in the same emotional space. This is most likely what’s preventing Marinette from confessing: fear that Adrien will reject her so severely that he might not even want to be her friend anymore. So having Adrien now possibly have that fear as well has some interesting story potential (if the writers don’t drop the ball like they did with the Lukanette/Adrigami ships). Meanwhile, having a dejected Luka still offering friendship and support to Marinette - something clearly Adrien assumed would happen with Kagami; once a friend, always a friend - might give her the confidence to confess to Adrien, now trusting that they are good enough friends and he’s a kind enough person that they can still remain friends even if he doesn’t return her feelings.
There’s a lot of potential birthed from these opening episodes, but especially from “Lie” and I’m interested to see what the rest of the season is going to look like now.
Also... ARE WE SURE THAT LUCKY CHARM BRACELET IS ACTUALLY LUCKY!? IT’S BEEN THE HIDING SPOT FOR AN AKUMA TWICE NOW!
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bbwoulfc · 4 years
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ML NY Special Review
Finally finished my review on the ML NY Special and it’s going to be a long review, I won’t lie.  I will be breaking this down in two sections.  First section will be focused through the perspective as a professional (animation industry) and the second section through the perspective as a viewer and ML fan.
I won’t deny, I will be criticizing a few things and really give large opinionated thoughts; I’m sure it will piss people off, but I’m gonna be honest and I don’t give a damn.  I’ve been here since the beginning and I’m gonna go all out.  It wouldn’t be the first time I pissed people off.
Again, keep in mind these are my views/opinions as a professional and as a viewer/fan.  If you can’t handle some of the strong opinions that will come from this review, then keep moving on.  Don’t waste your time if you can’t handle certain characters or subjects being discussed in a different light.
If you wish to continue, then click the “keep reading” option.
As an animator, this is one of my favorite things to do with animated shows or movies.  I absolutely love breaking things down and giving opinions on the whys, whats, and hows.  Never do I aim to prove my opinions right.  My goal is to simply make you think and consider.  And if you don’t agree then that’s completely fine.  That’s how it works.
Now, the NY Special has definitely exceeded the quality than what I expected.  I absolutely love SAMG as a company.  I think this is by far one of the best that SAMG has produced for Miraculous as a whole.  Even better than the origin episodes. The lighting is probably the best I’ve seen in a 3D animated tv series, by far. It was stunning and gorgeous and worked well with the given mood that was set throughout the hour of the special.  I would say there are two scenes in particular that I felt were the best lit scenes. 
The first scene is definitely near the beginning when the class landed in NY and where traveling in the bus.  They stopped either at the hotel or museum and the shot was the buses in front of the large building where you have the other city buildings around it.  That shot was gorgeous; the orange hues falling on top of the buildings and gaining that purple and blue shadows was great.  It’s honestly one of my favorite complementary color schemes to use when lighting most scenes in animation.  It helps achieve a nice balance when setting mood but also to get a nice glance at the shapes of the models in the scene.  Perfection.
As for the second scene, I would have to say it was the moment Adrien left and Marinette was biking to chase after him and she fell.  That moment the scene focused on Marinette on the ground and in the rain spoke many volumes.  The color tone of the scene was perfect and captured the common traits used in many shows and films to further drive the sense of sadness and overall emotional effect; using the traditional trait of rain made the scene work and stand out during the struggles that Marinette was dealing with. 
The rain in general was outstanding on it’s own.  Liquids in animation are tough, not an easy thing to do. The way the rain was animated was probably the best rain I’ve seen in most 3D animated tv series.  I will even say it beats the rain from the origin episodes which is amazing because it shows the growth alone that SAMG has come from since the first season of the series.  
They create stunning quality work and by far are the best of the best from all the companies that ZAG uses or had used for the show.  I won’t lie, I still can’t fathom how Jeremy/ZAG could let such a company go but Jeremy isn’t the greatest with the money, so it’s not a shocker.  It definitely shows that man doesn’t know how to properly run a company and treat a show.  I honestly blame him for pretty much the entire outcome of the series and that’s my god honest opinionated truth as a professional. 
The pacing of the special I felt was good, though I do think it would have been nice to have had an extra 30 minutes to help flow areas a bit better or more, but I can understand the time constraints, especially after hearing about how Thomas stated that the special was going to be two hours originally. And I will be honest, I wouldn’t have minded that.  I think it would have been fantastic to have had a longer span episode special, but I understand a lot of the struggles that no doubt the team had endured.
Overall, some issues, but 10 out of 10 on animation and quality output.
Now the second section; viewing through the eyes as a viewer and fan.
As a fan of ML, I will not beat around the bush, I truly believe this special was disappointing plot wise.  And I don’t blame Thomas and his team for the issue.  As stated previously, my anger and frustration is more on Jeremy/ZAG for everything that has come from ML as a show and especially the result of the NY special.
My biggest issue with the special was the focal point: Adrinette.
How many damn times must I hear, “they’re meant for each other” or “aren’t they perfect together” and so forth.  I get it. You can adore Adrientte but I don’t need it shoved down my throat every five minutes.  I don’t give an ounce of care that Adrien and Marinette are endgame and that they’re “soulmates”.  The romance between those two means absolutely nothing to me.  It was cute and fun in the beginning when the series first started, but I’m tired of it.  I don’t care about the love square.  I don’t care about the “soulmate” trope when in reality anyone can be someone’s soulmate with the right care.  That was no doubt the biggest issue for me in the entire special.  
In my opinion, it would have been perfect if it wasn’t Adrinette centric.  This was the best moment to show Marinette is improving herself but it had to become fan service because god forbid it felt like they needed to please the Adrinette shippers that their ship is still valid. If we’re judging this based off the season 3 finale, I won’t lie, this special fit better as a season 2 finale or mid season 3 than the end of season 3.
I’m seriously more disappointed that the special wasn’t more on Marinette and herself as a character.  They were in New York, another strong hub for fashion.  This was a perfect opportunity to explore more of her interests as a fashion designer and maybe meeting some new people.  Who knows, maybe even Jagged Stone as an international rock star. But overall it was a lost opportunity to expand more on her for the sake of shipping.  
I think it would have also been cool to see her and Chat Noir maybe learn some methods/training from the US heroes and get a glimpse into a world of heroism that is different in cultures and circumstances.  Which honestly made sense to me how US heroes didn’t care about identity because Ladybug and Chat Noir have magical based items that are no doubt more powerful and outside sources that I’m sure would be willing to destroy to obtain it.
Another problem I had was how I felt we were robbed without having Kagami and Luka go to New York. Or if anything, more with Luka than Kagami. I love Kagami with all my being, but I doubt her mother would let her go to New York.  But imagine Luka being there. We could have had a flipping jam session between Luka and Jess.  I felt we were cheated, it would have been amazing to see two incredible guitarists jam it out and two people who have a passion for music find a friend in each other. I would have given anything to have had that moment.
Though in general I would have enjoyed anything else if it just wasn’t Adrinette centric.  I’m positive everyone in the fandom is on the same page that they’re “soulmates” but there’s more that can be done than a damn ship that has followers that attack and annoy anyone who doesn’t ship them.  Because, god forbid, Adrien and Marinette apparently aren’t allowed to be happy with others. I swear, half the fandom (hardcore adrinette shippers) treat Adrien more as an object than the ML characters themselves. 
Nothing against the ship, but it’s just not for me and that’s okay.  I simply can’t relate to Adrien as a romantic choice of a character.  When Luka came into existence, I was in awe. I found a character I could relate too because I was as close to similarity than any other character in a show before.  And that’s something I’ve noticed with this fandom, hating characters because to them they’re nothing but boring.  
Fans need to understand that one will not understand everything in a show, especially characters.  Just because you hate a character and find them boring doesn’t mean they’re terribly written.  You as a viewer simply can’t relate to them and that’s completely fine.  There will always be some who can relate and understand while others don’t, but that shouldn’t be a reason to argue against people who love a certain character.
And I’m being serious, I enjoyed the 30 seconds of Kagami and Luka with their love interests more than the hour of Adrinette.  It’s just overall sad.  There is so much potential that could have been the special focus wise but felt it was there to show why Adrinette is “superior” when it’s really not.  They’re only one of many ships that are equally good.  It comes down to how it’s portrayed and done.
However, since I know we’re stuck with Adrinette no matter what, I’m going to end this review with this as a food for thought but again, this is a simple opinion.
There was one thing that stood out and caught myself and some of my friends in a ML server attention.  In the NY special there were strong moments that revolved around bikes.  So, out of curiosity, I searched for symbolism meanings about bikes during the server’s conversation and it might hint to what might happen or what might come in the future of the show.   
The bike symbolizes the moving circle of life. 
Seeing a bicycle is a hint that you will reach somewhere. This could either be your motivation or your future plan. Cycling refers to the different moods that a person feels. Bicycles are also related to the ups and downs of life. For instance, riding a bicycle gives you both smooth edges and rough pebbles on your journey. The smooth edges are related to the happy times of your life and the rough pebbles denote the challenges of life. 
So, if we want to use this to break down ML, this in a way, represents Lukanette and Adrinette.  Luka are the smooth edges in Marinette’s journey.  He’s the one that calms her, helps her think things through, focuses on what Marinette wants to do rather tell her what she should do.  Never once does he tell her to do this or do that, but simply asks her what it is she wants. Luka, is pretty much her guide. The happy times as Marinette where she appears happiest without the burdens and overwhelming stress of her other life.  Whereas Adrien is the rough pebbles in her journey, the challenges to properly talk with the one she views as a love interest or simply to build that perfect friendship/relationship.  Yes, they’re friends, but they’re not as strong as friends like Marinette and Alya or Adrien and Nino. Adrien is a challenge in her life and always will be until she learns to let go and mature.   
The other moment that stood out with the bike was the moment Marinette was pressured to chase after Adrien to get him to stay.  She chases after him on a bike but falls off in the end. 
Falling off the Bicycle: This indicates that you are losing your self-confidence. 
Spend time with your loved ones and take suggestions from the experienced people. Join a course on building your personality and motivation. Do things that interest you the most and this will surely help to bring back your confidence level. This indicates a frenzied lifestyle and the need to slow down. 
This here makes me believe that Luka is the “experienced people” in Marinette’s life.  Other than Kagami, Luka is the only mature one in Marinette’s life in her friend group.  He’s one of the biggest motivators in Marinette’s life as of recent.  Putting her interests at heart that have helped her build her confidence.  We know Marinette has a frenzied lifestyle with everything that she has on her shoulders as well as her passions.  And Luka is one of the very few, if not, only one in her friend group that can calm Marinette and help her slow down and simply relax.
I know Adrinette is endgame, but I won’t deny when I say if there was anything that ML could do, is that they make Adrigami and Lukanette endgame.  So many shows always pair the two main characters, always.  If there is any message that I would have loved to see come from a show like ML, it would simply be “Your first love/crush will not always be the one and that’s okay. That your first crush/love could be the greatest friendship you ever have. And the second chances in your life are just as valuable as the first and may be even better for you.”  
Fans might hate Kagami and Luka, but as far as I’m concerned from everything I’ve watched since the beginning, the only reason you’re getting your Adrinette in the end is all because of Luka.  If it weren’t for him majority of the time, y’all wouldn’t have half of your love square moments.  So, Luka is the true MVP in my book.  Because unlike many of the others, he doesn’t put pressure on Marinette and that’s what Marinette doesn’t need right now, more pressure.  
Adrien and Marinette might be endgame, but those two need people outside of their classmates because everyone is too tunnel vision.  Luka and Kagami are the only ones that will help Adrien and Marinette mature, cause those two will not be able to do it themselves.  So, if you want your Adrinette, you’re gonna have to suffer through Lukanette and Adrigami.
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remythologise · 3 years
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Hearing that podcast that Misha did where he talks about the horrible treatment he got from b*onlies/w*ncest shippers makes me so sad. It also makes me at least somewhat grateful in a way that they killed off Anna* and had Cas take on the role she was intended to serve because if Misha as a white guy is treated this bad, I couldn't imagine the vile treatment Julie would get from those fans as a woman
*Though tbh I'm a little upset they killed off Anna so soon. Julie didn't have much chemistry with Jensen but imo she was a good actress and she did have chemistry with Misha and I think exploring the whole backstory of Anna and Cas would be really cool. Alas though, TPTB (with a few exceptions) don't have an ounce of creativity and hate making stories that can't be tied to the brothers in some way so of course we had to be robbed of a potentially good story
Oh like let’s be real the idea that they had planned an OTP endgame love interest for Dean that wouldn’t get killed off (for what? twelve seasons?) is laughable. I mean CASTIEL got killed off multiple times he just got brought back because his love for Dean was that powerful in the meta text wow! I agree that Anna is interesting but rewatching bits of that season a couple of days ago her backstory makes NO sense with the angel lore we get later on lol. I was just thinking about Anna with respect to the thing I was saying about Anael the other day with writers not exploring interesting ideas, they’re sort of parallels to each other (although I’m still mad they appropriated Anael’s angel name because in order to have ‘Sister Jo’ named after two of Jensen’s love interests on the show*). I am inherently more interested in Anael’s story but that’s also because Castiel ended up getting a way more interesting version of Anna’s. And there were plenty of other interesting stories they could have told with angel characters (Lily Sunder an excellent example of this). 
With respect to the bibros/wincest shippers it’s funny because their inability to accept other characters genuinely would have driven the show into the ground I cannot express how boring the show was when it was only about the brothers in later seasons rehashing the same angst. I actually think Misha was treated pretty as badly or worse than a female star would have been (or like, in a different way and acceptable target rationale in here), and Cas threatened the Wincest base even more than a female love interest - he fractured the fandom in a huge way and spawned a more popular ship. He also became a third lead which I’m not sure Anna would ever have been. Imagine being in fandom from season 1-3 and then the ENTIRE fandom dynamic changes because of Castiel. I can see why they resent him tbh even if it’s vile what they did with that resentment.
*really highlights how Dean has had no love interests** since season 5 HUH **no we won’t talk about Amara, and canonically not the case anyway
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stray-tori · 3 years
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TPN S02E05 - Initial Thoughts (anime-only)
the reaction video: Google Drive
.
. Blue friend!
That i didn’t immediately catch that they were two different groups was kind of embarrassing asuhjd- they do be surveilling. They clearly already tailed them, but idk why they didn't just show up at their hideout --- I guess that would have been too undramatic.
It was kind of obvious towards the end and I felt like they could have made it a little more dynamic. I don’t need still shots. Make them attack and the mask comes off after he also speaks or... idk, so many still frames; masks hiding any emotional reaction (though I do like the whole taking off mask reveal in theory); and then also the kind of.... EH reaction I’m just... idk, I expected more somehow but I can’t exactly pinpoint what I wanted differently.
(This whole thing kind of goes back to my initial theory way back after s1 how Norman might try to infiltrate the system as a demon and then have to pretend to not be their ally in front of them and have to pull through with something, or some tragic shit like that. Or one of them trying to kill him, but he can’t say anything and then they realize when the cover comes off --- yeah VERY BAD, I’m glad that’s not what’s happening.)
I’m assuming the tidbit about farms being raided “recently” means he’s not been out for that long (at least not longer than a few months) so that’d explain why it wasn’t brought up with Isabella.
I also don’t think anything happened when he was removed from GF - but between Norman’s surprised expression when entering the gate room and him being here now, I don’t think he was shipped out for food (unless the high quality ones don’t get flower’ed right away and instead only at their “eater” --- since that’d at least give the support duration for someone to rescue him or him to do something about his situation).
So I’m very curious to hear about that whole story and I have a small bit of hope that the recap episode will be framed as Norman talking about s1 from his perspective and then also transitioning over into what happened while they were apart either in next episode or the episode after that. Don’t think we need a recap either way, but OH WELL, I hope there’ll be SOME framing to it at least.
edit: I thought episode 6 would be a recap, but it’s 5.5 and likely due to production issues so forget my rant here, I’m fine with the recap. I’m not fine with staff being overworked but oh well that’s a whole different dilemma.
They got so much to do and so few episodes AHHH
I wonder if there’s any meaning-parallel to be drawn between the old demon having a walking stick and Norman also having a walking stick??? idk it just felt odd to me-- Norman why are you old.
Though gotta also appreciate that anime really went opposite manga approach here, he didn't age AT ALL duisjsd. still babey. (edit: I didn’t know about his “inbetween” design as much and seeing them side by side it’s actually pretty accurate so yayyy. he babey anyway though)
what did that one guy out of Norman's group do when he leaned down to presumably Don I'm confusion
Norman, surrounding his friends: "lets ominously walk up to them"
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. The demons' form
I didn’t post it I think but I actually made a “you are what you eat” joke in my ep3 post but discarded it because Sonju and Mujika look completely fine despite never having had any humans and I thought that’d throw a wrench in my thought.... and it still does so... that’s really interesting.
It also seems as if him saying “The world won’t change” is kind of..... like a prophecy sort of thing? It could just mean the massive class divide of course, but maybe if all the demons were well fed with humans, they’d achieve greater things? Since when you’re dying you’re kind of not in the condition to do anything, and if eating their body parts makes the demons adapt; is the implication that eating their brains makes demons smarter? if so that's a pretty literal parallel to the lower classes of society being robbed the chance to do something great by sheer circumstance. they're just actually dumber bc they don't get provided the materials to be smart
Honestly I’m a bit confused and not sure what it means, i can think of:
once a demon has ever eaten a human, they have to continue doing so
eating singular body parts makes them generate on you and you need “higher quality” humans to counter-act it. Would explain why Mujika and Sonju aren’t affected, since they don’t eat humans at all. Would also be an allegory for a healthy/balanced diet I GUESS but I don’t think it seems very plausible? it just seems kind of random.
They’re descendants from different demons and Sonju&Mujika simply don’t need to eat humans to maintain their form.
I also brought up that maybe it’s faith related / a placebo? But that seems even more forced.
I also don’t know if the implication is that they need ANY food, but then why are there hands on them?? So I do think it’s that it’s humans specifically that are either the problem or the solution. But since the bigger demons don’t seem to be affected AND the higher ups also not, I doubt it’s what causes the problems, unless it somehow is the whole balanced / “have to KEEP doing it” angle.
Also the demon scene in the ruins was so interesting, I really liked how it was so somber and kind of just... quiet. Emma, our queen, emphasizing once again.
I wonder if the demon realized it secretly or not... he seemed kinda overall nice and reasonable so I wouldn’t be super surprised if he noticed and just didn’t really care...
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. The timeline
GF kids have been escaped for 1 year, they were a month at the bunker, so they’ve been out and about for another ~11 months.
Anna says nothing happened in the past 6 months; what else happened to them? just that they hid somewhere and had to flee again?
Is that also where they got their new clothes? i fail to see why they couldn’t just get them at the bunker, would make a bit more sense imo- but oh well.
farms keep being attacked recently and stealing children. it was def not our group, Norman's group potentially? They seem to be pretty badass, so that’s probably not unlikely.
Alternatively, it could be an overarching even bigger group that also rescued Norman, I think.
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. Other things I liked
the scene of Emma being kind of lost was... pretty good, seeing our sunshine kind of doubt herself (understandably so after not making progress for an entire year) is pretty impactful. But i also feel like she’d try even harder to hide it in front of the others. but also why are you talking to a wall, are you mentally okay, probably not--- 
LOVED the nice subtle reveal to show how they mask their scent in the Lani and Thoma scene when they wanted to go with them
shot of the apple rolling and the screen turning over but head-down was cool!!
Emma and ray flinching when the demon's hand reaches out to Lani and Thoma
That convo between Lani and Thoma and how the older ones always give them the food and pretend to eat I'M EMOTIONAL
also their costumes are so colorful :sparkles: it’s such a big switch from their usual outfits-
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. Other things I didn’t like
i'm not even a rayemma shipper and I still wanted Ray to do more than say a few lines and WALK AWAY?? ray what ya doin-
[Lani and Thoma] also literally why did you let them come. This season does really depend on someone fucking up and it’s kind of annoyingggggg :) Though in this case it isn’t that much their fault, they just stood around.
also why Norman only say “Emma” pls kill me. I was so happy that (very light manga spoiler) ...... Ray and Emma were both there for the reveal but fuck, the anime just straight up didn't care about Ray being there anyway :V
they better gife me a good trio hug to make up for this next (... uh... next-next TvT) episode
I do agree he’s back too soon but..... I kind of can’t hate them, with the whole 1 season to wrap it up chaos. Anime industry bad.
Well at least I’m excited and didn’t hate it. I’m somehow a little empty-headed but it was a good episode, and the surrounding anxiety probably just makes me a little iffy.... Hope the recap episode next week will have some merit and otherwise, see ya in two weeks.
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Someone wrote a hunger games atla fic for zutara. Great now they ruined my favorite trilogy about child soldiers and ptsd. Fuck zutara
I agree. Fuck Zutara.
I love me some good story telling however, so if it's done well I might read excerpts of it, could you send me the link? I promise I won't leave anything bad for the author to see as I'm an author myself and I refuse to hate-read anything.
Rambling on...
I have to acknowledge that there are some good Zutara shippers, and they I believe to my knowledge, are usually the quiet and/or agreeable ones who are satisfied with what they have, which is making content themselves for the ship or enjoying the content many others have created, for Zutara was never meant to happen. 
I understand why Dante Basco enjoys Zutara, even now. He's the voice actor of Prince Zuko, but I don't think he has much influence over what happens and the fact that he never stated himself that he had vouched for Zutara any harder than he implies says something to me: It says that he respects whatever production does with the story and characters and even if he made a - probably biased - suggestion (and on some occasions the creators do listen to the voice actors as they do play and spend a lot of time with the characters) in the end what he said was still treated simply as a suggestion as everyone knows ATLA’s ending. He’s a good role model for Zutarians.
At least we have head writer, Aaron Ehasz on our side or at least on a more neutral, progressive, and chill side. Not saying Kataang is that. I'm not saying either that there aren’t some bad apples outside of the Zutara fandom in the general fandom. Despite my blog name, it (to be fair to myself) is a hyperbole of how I actually express my views of Zutara.
Edit: lmao ignore the aaron ehasz part, I was referring to when he'd debunk those fake interviews he apparently gave to an intern that was paraded around zk communities
I don't believe Bryke are bad creators and were just heavily discredited by passionate Zutarians because they didn't agree with what they said and did with their creations that others (Zutarians) have merely come to love, and more distinctly interpret.
It's a pattern I see all the time, not only in fandoms but in human psychology. I only know the basics of that topic however, so I'll never elaborate further than "don't fuck with people's feelings/what they attach themselves to for whatever reason". 
It's Basco's prerogative to ship whatever, but I honestly believe it adds fuel to the fire as Zutarians sincerely and continuously believe they were robbed.
Zutara was never as clearly interwoven into the storyline as much as Kataang was. Their moments are not even comparable and they're not equal ships. I'm bringing up that last point because I've heard that stated too many times in the past even though the only thing that makes Zutara so powerful is the mass appeal it has in the fandom which I have speculated on some reasons as to why. 
It's a choice to view Kataang and Aang in such a negative light.
Zutara having so much potential in so many people's eyes is plainly because of their minuscule positive interactions. Their romantic development being null primarily because of the romantic love they had for other people by the time they reconciled too, in which it also contributed to the idea that they had so much potential.
Anyways, despite not liking the fans more so than the ship, I don't think it's healthy to be so attentive to that side of the fandom if you have such strong bad feelings for them. Meaning, don't keep such watchful eye of what they're doing and instead watch for when they come for Kataang, Aang, or spew more propaganda that'll spread like wildfire and divide the fandom even more if you dislike either as well for whatever reason.
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zuzuslastbraincell · 4 years
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1, 5, 23 for the salty asks please
1. What OTPs in your fandom(s) do you just not get?
I think I *get* the appeal of most of the major pairings, even if I don’t necessarily like them.
The exception being, while it’s not really anyone’s OTP, I have never understood the appeal of Jet/Zuko outside of a very brief fling that never went further than making-out on that ferry that one time. Jet hates the fire nation with such a passion, it ties into very personal trauma, why would this ever be a good idea, finding out that he’s dating the literal prince of the Fire Nation who lied to him about that would hurt him so much?? how traumatising?? and for Zuko to pursue a relationship while lying about something so important and not coming clean... idk, it’s bad, it’s really cruel, quite honestly? And Jet’s not in a place where he could work past that, certainly not forgive, even if Zuko did all the right things and owned up and apologised and defected to the EK resistance right there and then. I also feel like Zuko honestly hates lying and would know better than to lie about something so important (we see him shed his anonymity in Zuko Alone over less). Also, knowing Jet feels this way about the FN, it’s the sort of relationship I can only see Zuko entering as a means of self-harm?
(For whatever reason people always portray Jet as the abusive partner when it seems clear to me, given his ignorance of Zuko’s background, it’d be him most likely to end up hurt?)
5. Has fandom ever ruined a pairing for you?
oh, z*tara. I was open to z*tara when I rewatched the show, and I’ve actually read a lot of popular z*tara fics in hope of finding something salvageable there but been so disappointed, almost every time, there’s just so much shitty and racist writing there. Honestly in another world where it wasn’t 1. the dominant m/f ship to the point of being oversaturated 2. filled with racist AUs and concepts like slave AUs or pocohontas AUs 3. true to their characters, instead of writing katara as a self-insert or zuko as your standard edgy white boy antagonist, I think I’d actually quite like it? I am a sucker for cheesy comparisons to celestial bodies and silly fire/water parallels, and honestly *in theory* it could actually be quite good – in an AU, ideally, since on rewatch, the supposed rock solid canon evidence for it seems very very flimsy, and Katara hates Zuko (with good reason) until the penultimate episode. I also think the relationship would look very different to how most people would imagine it (I think you’ve mentioned this before, but they have great summer romance potential, as something with great chemistry that would probably never last).
Also, a small bugbear of mine about z*tara: a lot of z*tara fans these days seem also to be r*ylos, and quite frankly, I can’t think of a ship I despise more than that, and it’s so telling that that’s the kind of fictional dynamic they’re drawn to. (also the idea of zuko being compared to kyle ren makes my skin crawl).
z*kka is sometimes testing my patience, but it’s not quite there yet, I still love it. In fairness, I don’t think the fandom is quite as bad as the z*tara fandom – while there are a LOT of issues with the sexualisation of sokka, the reduction of sokka to a trophy husband / the erasure of his water tribe background, all the fucking arranged marriage fics, I feel like the writers/artists are more open and receptive to criticism, on a whole? (but I could be wrong there). there’s certainly none of that insufferable entitlement z*tara fans have – none of that ‘we were robbed!’ or claiming to have a monopoly on feminist interpretations of katara’s character (LMAO) nor is there half as much character-bashing with a lot of appreciation for suki’s character in particular (although a lot of them write the worst itteration of jetko I’ve seen with abusive jet). there’s also the excessive amount of explicit fic, and the way it’s becoming pervasive at times, like it seems unavoidable in a lot of meta. it’s also frustrating as z*kka shippers tend to be some of the worst offenders of reducing zuko to a soft blushy nerd boy these days and erasing the fact that he’s an asshole (z*kka is an asshole/asshole ship I’m not taking criticism). I still don’t hate z*kka. Wish it was still a rarepair though :((
23. Unpopular character you love?
I don’t think there are *many* unpopular characters in ATLA. I want to say suki as I love suki a lot and have a lot of thoughts/headcanons on what she’s like, her background, etc. but I honestly don’t feel like I talk about suki enough to justify that opinion!
I also love Yun from the Kyoshi novels, terrible tragic villain right there, and nobody seems to talk about him :(
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amillioninprizes · 5 years
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An entirely too long post on how to fix Veronica Mars
So, anyone who has followed this blog for any length of time knows: 1) What a massive Veronica Mars fan I was and 2) how distraught I’ve been over the most recent season that debuted on Hulu in July. I’ve been pretty angry about it since it dropped, but the first month after I was pretty occupied with real life stuff. Now that I’m more settled, I’ve found myself getting sadder and angrier over time with just how terrible S4 was and what an obvious fuck you to longtime fans it was. It feels dumb to be so upset over a tv show, but this show got me through a lot over the past 8 years, and I feel like it’s been taken away from me.
 It’s anyone’s guess as to whether there will be a new season. Ideally it would end here with maybe an alternate ending filmed to avoid alienating fans further. On the one hand, the botched release, overwhelmingly negative response, and silence from the creators after initial interviews don’t look good for renewal chances. On the other hand, Hulu doesn’t have a lot of streaming hits, it probably did relatively decent numbers, and there are rumors floating around that its pickup chances look good. On a personal level, I hate the idea that this is where the legacy of Veronica Mars ends, while at the same time being extremely wary of what the creators have planned. I think a big part of the disappointment with S4 was that the movie and books set up what could have been some really interesting storylines and situations, all of which RT and co. squandered for cheap drama and to apparently turn the show into an entirely new vehicle; additionally I had hope that S4 would be a chance to rectify some problems the show has long had, but again, S4 exacerbated them. At this point I don’t expect anyone higher up in the creative process or at Hulu to give a fuck about the fans or making the show better as long as they hit streaming targets, but here are some suggestions:
Fire Rob Thomas
 While he created the show, it’s become clear that not only has he lost touch with the audience and the original spirit of the character, he doesn’t seem too keen on putting much effort into writing the show (as I will discuss below). Then you have his clear misogyny: his views that women in relationships can’t be interesting, that what makes Veronica interesting as a character is her trauma and how much she can endure, and the fact that basically every female character in the history of the show has a history of sexual victimization. He thought that making the Mexican cartel hitmen “philosophical” was subverting expectations (which says a lot of what his expectations of Latinx characters are). Then this is the way he essentially exploited his long term fan base to earn a new season of the show, only to turn around and tell us that we don’t matter. From a business perspective alone keeping him doesn’t make sense; selling a streaming platform on your loyal fanbase and then proceeding to purposefully piss ~80% of them off would be pretty questionable to me as someone in charge. The sheer cruelty with which he treated not only the fans who have supported him for 15 years (I fucking used to liveblog iZombie y’all. iZombie!), as well as how he callously dismissed long time cast members in favor of celebrity guest stars should not be rewarded. He’s admitted in interviews that he would be ok with younger writers doing a reboot many years in the future; why not just let him have a producer credit and then hand the show over to someone who’s invested in making it good?
Put a woman in charge and diversify the writing staff
A big problem with a) Veronica’s characterization in S4 b) RT’s ideas about what makes female characters interesting c) the show’s long history of problematic treatment of sexual assault is that it comes from a man’s conception of the female experience. The Veronica showcased in S4 and that RT wants to write in the future is very much a male fantasy: hates marriage and children, traumatized, DTF, and is too cool for other women. RT stated in interviews that he wanted to show Veronica at a “crossroads” this season in a way he claimed had been shown for men but not women; many female viewers found this depiction to ring false (few women are spending their time fretting about how committing to marriage after five years in an established relationship will bar us from strange sex going forward). In addition to having RT at the helm, most of the show’s writing staff for the majority of its run has been white dudes, which doesn’t bode well for telling the story of a female PI in a diverse community in today’s political climate. Putting a woman in charge would hopefully help rectify these issues to make the character feel more true to life and put a damper on the misogynistic storytelling. The show has a natural candidate in RT’s second-in-command Diane Ruggiero-Wright (despite her problematic history, never forget #KeisterEggGate), who has admitted to not being able to watch the last episode. Jennifer Graham, who wrote both of the books, would also be a worthy addition to the writing staff; while the books had a mixed reception, most fans agree that she got Veronica’s character right. And with the show’s problematic historical treatment of minority characters, adding more POC writers going forward is also necessary.
Bring back Logan (alive)
You don’t have to be a LoVe shipper to recognize just how integral Logan has been since the inception of the show, not just as Veronica’s partner but as a character is his own right. Logan’s journey in many ways parallels Veronica’s, and shows a contrast in how different characters respond to similar trauma. The most critical plot line in the show’s history, the mystery of who killed Lilly Kane, simply doesn’t work without Logan’s importance to Veronica. RT and his defenders like to claim that Logan was holding her back from true growth, which is frankly bizarre as he is the only character to consistently challenge her, like when he tells her that she obviously isn’t happy this season. Additionally, Logan’s scenes this season were the lone highlight of what was otherwise a painful slog of a season. Of the people who have said they would watch a potential S5, a good portion are only interested because they believe that the ambiguity of the last 10 minutes of the season means he’s not really dead (despite what RT has said in interviews). Then there’s what Logan’s death does to Veronica’s character, effectively cutting off what would have been an interesting character arc and stagnating her forever. No matter how much they try to shove Leo the pedo creep and other milquetoast RT self-insert love interests on us, no one else can possible measure up to Logan’s level in terms of being able to match Veronica as a character, intellectually or as a result of shared history.
Plus, the fact that we haven’t had a Weevil/Logan interaction since S3 is a goddamn travesty and should be rectified immediately.
Bring back Veronica
As sad as I am about Logan’s death, for me the most upsetting aspect of S4 was the assassination of Veronica’s character. For many viewers (including myself), the character we saw Kristen Bell portray in S4 wasn’t Veronica Mars but a different character with the same name. Between her abusive behavior towards Logan, her general indifference to her father’s medical condition, her dismissal of Wallace, and her racism towards Latinx characters (using a kid’s lawyer to threaten deportation: not a good look!), she was lacking the marshmallow-y center that always balanced out the pricklier aspects of her character and made her compelling. This change in characterization was especially jarring given that she was not this way when we last saw her in the books, where she mused about having children and sent her half-brother Hunter to summer camp (side note, but does he even exist anymore?). Many of us who had grown up with Veronica were hoping to see her grow with us as a character; instead we got an extreme regression lower than we’ve ever seen her. It would be one thing if they were trying to depict a PTSD storyline, which would make sense given her background, but since her change in behavior is never addressed by the narrative, it just makes her look like a cruel asshole and makes it impossible to root for her. This is exacerbated by the fact that RT has made it clear he has no interest in portraying her inner life, as shown by his wanting to avoid showing her grief over Logan’s death because it would be a real downer compared to the entertaining but ultimately hollow banter and quips he wants to focus on. Veronica this season was also just plain dumb: you mean to tell me that the girl who nearly got killed by Aaron Echolls in her back seat wouldn’t think to check her backseat every time she gets in a car?  (And let’s not even start with RT’s bizarre assertion in an interview that she apparently votes Republican). Not helping matters was Kristen Bell’s performance, which felt very flat for me this season compared to S1-3 and the movie; I don’t know if this was due to personal limitations or a reflection of the bad writing. Writers of future installments and KB herself would be wise to revisit S1, the movie, and the books to figure out what makes sense for Veronica’s character, leading me to my next point:
Get reacquainted with canon, develop a show bible, and hire a continuity director
This show has long had a problem with dropped plots, timelines, and continuity issues. Shelly Pomroy’s party has two happened either in the summer, or the fall. Then we have the movie paradox: Veronica graduated high school in 2006, which means her 10 year reunion should have taken place in 2016. The movie was released in 2014 and the books seem to keep to 2014 dates. Then S4 states that Keith’s movie accident took place in 2013, and mysteriously ages Veronica up to 35 when she should be 32 in 2019. Logan mentions an Aunt Naomi in S4--why didn’t she take care of him after Aaron was arrested (and what happened to Trina)? How the hell is Leo working as an FBI agent when he presided over the disappearance of the Lilly/Aaron tapes? Veronica is shown to be tentatively forgiving of Weevil taking the settlement from the sheriff’s department in Mr. Kiss and Tell, but is then shown to be extremely angry towards him for it in S4. This is just a small selection of the inconsistencies within the show. Plus there is the problem of repeated plot lines: Veronica rejects Leo in favor of Logan in S1, then rejects Leo in favor of Logan in Mr. Kiss and Tell, only for her to...reject Leo in favor of Logan in S4 (and RT says he wants to leave the high school plots behind). This sloppiness doesn’t bode well for a series that is supposed to be about mysteries, which require tight plotting. It would behove TPTB going forward to once and for all determine a timeline of Veronica’s life, keep a detailed record of past plot and character points, and have at least one person on staff who thinks to remember this stuff (RT notoriously has only a “solid, not spectacular” memory of the show, no matter what Kareem Abdul-Jabbar says).
Make an effort (and do your fucking research) 
Moving on from continuity issues to more general problems with the laziness of RT’s writing. He has basically admitted that he doesn’t care much about facts or characterization when writing plots--he shoehorns details to fit the plot rather than have it evolve organically from the characters and prior canon. I know that when writing it’s often impossible to make every story detail 100% accurate, but the extent of RT’s sloppiness is alarming. This excellent Reddit thread details a lot of the problems with S4 in particular, but this has been a problem since S2. Did anyone ever understand exactly why the Fitzpatricks were invested in framing Logan for Felix’s death? In the movie, it makes no sense that if Cobb and co. wanted Carrie silenced, they would add the complication of framing Logan for her murder--given her history, it would have been a lot easier just to make it look like she had accidentally overdosed. Given his previous patterns of villain writing fans were able to guess the identity of the S4 bomber based on casting alone. The mysteries in both Mr. Kiss and Tell and S4 are both ripped from the headlines, which indicates that RT wants to turn VM into the next Law and Order. Meanwhile, he complained about how hard including Logan in the story in S4 was, while Logan arguably had the best lines and most interesting scenes this season--apparently when you put an effort into things, they work out! This laziness extends past storyline issues and into factual problems that detract from the quality of the plot. Longtime fandom pals are probably tired about hearing me go on and on about how there’s no way Aaron’s lawyers could have gotten Veronica’s medical records due to HIPAA laws. Logan’s career change from naval aviator to intelligence is highly unlikely (and unnecessary, given that they changed it only to fridge him at the end of the season). Meanwhile, I know fanfic writers who have spent hours on the phone with strangers in order to research what type of firearm would cause a specific type of bullet injury. It’s very puzzling to me that RT wants to take the show in the direction of being mystery-only when apart from that one time he is piss poor at writing mysteries and puts no effort into them. I shouldn’t have to tell television writers to, you know, do their job but this is what we’ve come to in 2019.
Know your audience
A majorly annoying thing about the promo for this season is how in every single interview Rob Thomas did he was always talking about how he wanted VM to be like other shows and movies: Fargo, True Detective, Game of Thrones, Chinatown (which is apparently the only noir movie he’s ever seen). The thing is, if I wanted to watch those shows, I would; I watched Veronica Mars specifically because I enjoyed its unique qualities, and I would say most fans agree. The general perception within the fandom is that with this season Rob Thomas seems to have been aiming to dump the old, majority female, CW fanbase in order to achieve what he perceives as a cooler prestigious male fanbase; the issue is, new people aren’t going to take up a show in its fourth season if they didn’t watch or didn’t like earlier seasons. Also, trying to write a prestigious show doesn’t make your show prestigious. Considering that based on anecdotal evidence most of the people who like S4 seem to be male, he may have succeeded in the first part of his aim. However, this majority female fanbase he was so willing to cast aside are the ones who have run fansites and rewatches during fallow times (i.e. between S3 and the movie and then between the books and S4), so drumming up interest among fans (and therefore streaming views) in the future may be a challenge. Plus, women are a better advertising demographic since they are more likely to be in charge of household purchasing decisions, so maintaining us as a fanbase makes business sense as well. He may have tricked enough people into watching S4 that S5 is given a go, but I wouldn’t be surprised if streams are weak beyond that. If the show is to succeed as a commercial endeavor, better to go with appealing to a known quantity than trying to make a generic show that very few people have expressed interest in watching.
Bring back the mystery of the week
This is a more minor thing I felt was missing from S4. I think after the criticism of S3 not having a season-long arc RT overcorrected in focusing on one mystery. However, the mystery of the week had the following benefits: 1) giving chances for the characters to interact and telling us more about them 2) helping to modulate the pace of the season-long arc. With better writing a season-long standalone mystery could maybe work, but in the case of S4 specifically the mystery was kind of dull and repetitive and could have stood to include a couple of diversions in the form of a smaller case here and there.
Re-evaluate the creators’ interpretation of the word “adult”
Much of the promo and reviews for this season noted the more “adult” content to be expected this season now that Veronica’s grown. Many fans hoped that meant seeing Veronica act like, you know, an adult with adult problems rather than a teenager less mature than the actual teenager she was. Unfortunately, the show’s interpretation of the word seems to be more in keeping with a television rating sense of the word--meaning sex, drugs, and gratuitous violence (But apparently not the word “fuck.”). Look, it was expected that as the show moved to a streaming service and given the overall dramatic scope that there would be an upgrade in some of this sort of content (and I’d be a liar if I said I wasn’t looking forward to steamier LoVe moments, which were sorely overpromised), but the way it was included this season felt like RT and co. included this stuff just because they could and not to serve the storyline. For me, personally, the biggest example of this was Veronica’s drug use, which I know didn’t necessarily bother everyone. Given her history as the daughter of an alcoholic as well as someone who had been the victim of two roofie attacks, not to mention the fact that her character never seemed to be into partying, I found it very out of character (and book writer Jennifer Graham agrees). It felt like RT included this just bc they thought it would be funny to see Veronica on drugs without considering whether it made sense for her character. Also, were the beheadings strictly necessary? Plus there’s RT’s little temper tantrum over not being able to use curse words this season--they weren’t present in the original show, no one was going to miss them now, and the “cuss” thing was just annoying and reminiscent of The Good Place. 
Dealing with a parent who maybe has dementia--that’s an adult storyline. Too bad RT ended it with a dumb excuse about “mixing meds” (another factual error! Pharmacy software would have caught it!) rather than actually exploring what it would mean for Veronica to see her father in decline and take over the family business (and give Rico Colantoni the exit he appears to want). This is the kind of adult content I would hope to see in future seasons.
Adult is not a synonym for “unrelentingly bleak” either. The original show, while dark, always had an element of hope that was completely removed from S4 (no matter what KB might claim). And would it have killed the writers to show Veronica wearing disguises and going undercover like she used to? There was nothing fun about this season (and no, I don’t count the multiple partying scenes as fun, more like sad).
Kill your darlings
It’s cliche, but it’s true. Another issue the show has long had is the writers keeping around characters or inserting jokes and references for their own personal amusement rather than for the story. The most notable example of this is the continued presence of Dick, a highly problematic character considering he pushed Beaver into the room with Veronica the night of Shelly Pomroy’s party, among a whole host of other racist, sexist, and generally obnoxious actions over the years. But because Ryan Hansen is so widely beloved among the cast and crew, so he stays. Then there’s the matter of the infamous Keister egg in 3x08, which the writers and KB have all expressed love for, despite the fact that said Keister egg is an example of sexual assault--which, even if the victim is a douchey fraternity president, is never funny. 
Also the constant Big Lebowski references are tiring. Watch a new movie.
Improve Neptune’s gender ratio
Veronica Mars, despite having a female lead, has always been a male-dominated show; other than Veronica herself, the only consistent female character over the original show was Mac (and she didn’t even come back this season). This is unacceptable in 2019, for any show. The books introduced promising female characters in the form of Marcia Langdon and Petra Landros, but Marcia’s character was was watered down for S4 and Petra was nowhere to be found. Additionally, Veronica and Mac have always been written as “cool girls” who looked down on other women for their femininity, which isn’t a great message. Almost every other female character, even the innocuous Parker, is portrayed as somehow bad or incompetent. I would love nothing more than a season centered on the women of Neptune and their interactions with each other. While we’re at it, stop giving every woman on this show a background of sexual victimization.
Treat VM as an ensemble show, not a Kristen Bell vanity project 
A major complaint from Burnt Marshmallows and S4 defenders alike was how little time was given over to the original core cast this season. While Veronica may be the protagonist, a large part of how the show became so beloved was her relationships with the other characters. Yet RT has decided that going forward VM will be a KB solo project, with her traveling town to town quipping and sleeping with strangers. This seems strange, given Kristen’s recent interviews talking about how difficult it is to shoot VM and how she never wants to be first on a call sheet ever again, not to mention how she asked for less screen time all the way back in S2, which resulted in the Weevil-Logan storyline, which was way more interesting than Veronica’s storylines during the first half of that season. (The traveling detective thing also seems weird considering that KB is pretty insistent on shooting in LA to be near her family.) Additionally, if this is truly the last season of VM with all the original characters, then no one got a proper sendoff. 
I’m not sure how willing much of the cast will be to return for future iterations, given how uncomfortable many of them seemed during promo as well RT and KB’s treatment of them (insensitive at best, deliberately mean at worst) this season (shout out to Tina Majorino for recognizing what a shit show this was going to be), but bringing back all the original characters into the fold and giving them significant storylines would go a long way to mending fences with fans, improving the show from a character arc perspective, and would also give KB the break she apparently wants. 
Recourt the fanbase
What has VM always been renowned for above all else? It’s incredibly loyal fandom which not only got it renewed twice during its original run but also put up their own money to get the movie made--I know many people who donated when they really couldn’t afford to. RT basically owes the last 6 years of his career to VM fans--the success of the Kickstarter arguably got him the iZombie show running gig, and the fourth season likely wouldn’t have even happened if not for it. Thus, the blatant cruelty and disregard with which RT and KB have treated fans during the promotion of S4 has been incredibly insulting and hurtful; I still can’t fathom what in the world possessed RT to think that throwing away this 15-year relationship was a good idea. It’s not a good sign when the 2 fansites most active during the post-movie period (VMHQ and VM Confessions) cease operations in the wake of S4, and when at least 3 out of 8 board members of the oldest running fan group, Neptune Rising (who were dormant during the post-movie period but played a critical role during earlier fan campaigns and in the S4 promo) resign. A fandom this loyal that was betrayed will not stand idly by if the S5 RT wants to make goes ahead; given the number of tweets the official Hulu VM account has had to delete in the wake of S4 due to the overwhelmingly negative response as well as the controversy over editing out Logan from S4 promos, I imagine that S5 will be a PR nightmare. Even if future seasons are amazing the trust can probably never be fully repaired, but it would be helpful for RT (or fingers crossed, a new show runner) and KB (as star and EP) to go overboard in reaching out to fans and at least admitting they made a misstep with the entirety of S4. Back in the day, the old Mars Investigation fansite was invited to set to conduct interviews; maybe do that again. Also someone should get KB some sort of VM fandom-fluent media trainer because I don’t think she has conducted a single interview during her entire stint on the show that didn’t anger fans (it might help if she actually bothered to watch the show).
Map out an endgame
Look, this can’t go on forever. As long as RT keeps leaving every installment open ended with the hopes of maybe getting renewed again five years down the line, the story is going to keep running into the issues the movie and S4 faced with having to shoehorn the characters into nonsensical plot lines to reconcile those endings and deal with actor availability issues. Either plot another 2-3 seasons to wrap the show up with a satisfying conclusion, or map out a greater timeline of Veronica’s life with spots where a mini series or movie here and there could fit in.
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shirtlesssammy · 5 years
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15x03: The Rupture
Then:
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Long Live the Queen
Now:
We start right where we left off. Hunters are guarding the failing perimeter, while our team heads back to the crypt to perform Rowena’s spell. They set to salting the place while Rowena casts her spell. It starts to reinforce the barrier, but then things start to flicker and Rowena is knocked back in a blast. The spell didn’t work.
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There are too many ghosts and they’re too strong. Dean suggests killing as many ghosts as possible before the wall falls, but Rowena scoffs at the idea. Belphegor walks off and Cas follows him. Dean gets all soldier mode and starts yelling about not giving up. 
*Samwitch Alert* Sam, ever the mediator, hunkers down next to Rowena to ask if she needs anything. He rests his hand gently on her shoulder and they share meaningful looks. 
Meanwhile, Bel and Cas wander the graveyard. Bel tells Cas, “You can’t even look at me.” Put a pin in that comment. They wander to the hell mouth. 
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Sam and Dean discuss strategy. Dean’s pissed at God. (*AHEM*). He’s not going down without a fight. Sam is distracted, staring at a lovely framed Rowena looking at the Book of the Damned. 
Bel has an idea. He suggests finding Lilith’s Crook, a horn Lilith used to keep order with all the demons in Hell that she sent to Earth.
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If they get it and use it, they can draw all the ghosts and demons that are now topside, back to Hell. Rowena has a spell of her own devising to close the hole in the ground. (Crack thought: This is a healing spell. Maybe she’ll use it on herself to heal her own wound.) The spell only takes a couple ingredients, and she’ll need an assistant. She says this while looking at Cas, but then says, “Dibs on Samuel.” Lololololol. That’s right, girl, he’s all yours. 
Someone will also have to lob the spell bomb over the edge of the tear. Belphegor then pipes up asking for help in Hell. “I want protection. Muscle.” Without a beat, Dean responds, “Yeah, Cas’ll go.” And Cas’s look of WTF sums things up quite nicely. Cas has been to Hell before. I mean, yes, uurgh, saving your sorry ass from it, Dean (ok, I’m on no Dean hate-train but it’s easy to lash back at him when he’s being this way.) “Well, it sounds like I don’t have a choice.” I feel like all three members of Team Free Will uttered something along those lines tonight and I’m not well. Dean says, “Go team.” There’s no free will in this house. 
Ketch is still in the hospital and is visited by the demon, Ardat. Things don’t go well. (Remember in Temple of Doom when they ripped a still beating heart out of someone and an entire film industry created a whole new rating because of it? Now they’re just showing this shit on network TV at 7pm. What a time to be alive.) (Also, good riddance Ketch. You killed Eileen and I’ll never forgive you.)
Belphegor continues to needle Cas with the idea that he’s not wanted by the Winchesters. Cas tries to ignore him. Cas asks how they get down there. Belphegor isn’t sure and walks closer to the edge to look over. Cas pushes him over the edge and a good time was had by all. Cas jumping in after him, not so much fun. 
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Bleached hair hunter (what’s her name, she seems cool and I hope she sticks around) shows up with all the spell ingredients for Rowena. Dean reveals that he DOES know about Harry Potter. 
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Dean hears from Ketch, but it’s not Ketch, and Dean spills their entire plan to Ardat. Question: If Castiel is spelled with one ‘s’ but his nickname is spelled ‘Cass’, why wouldn’t Belphegor’s nickname be ‘Bell’? (Why yes, I do like to rehash centuries old fandom sticking points.) 
Cas and Belphegor wander around a very quiet Hell. Everyone is topside apparently. 
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Belphegor tells Cas that he thinks he’s growing on Sam and Dean, “like a cancer.” Cas tells him that they’re using him and that he shouldn’t mistake that for care (AAGHH, stop). They find Lilith’s vault. 
Inside the vault, they discover a demon happily looting the place. He greets Belphegor cheerfully. Looting is fun! When the other demon doesn’t have the horn, however, Cas kills him immediately. Cas is SO DONE. Belphegor leads Cas to the box containing Lilith’s crook and we learn that it’s warded by an Enochian hymn praising Lucifer. How very on brand for Lilith! She was also the only one who could read Enochian so, Belphegor points out, it’s a damn convenient thing that Cas came along on this trip to Hell. 
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Cas tries to recite the incantation on the box but it fails. Belphegor points out that perhaps it ought to be sung. We as a fandom are then ROBBED of Misha singing the entire incantation. (CC: Shaving people punting things? After a suitable mourning period, of course.)
Dean sets up next to the Hell pit while inside, Sam’s torn between fighting alongside his brother and performing the quieter (but essential) magics inside. THIS SCENE -- this tiny line represents so much of what I hope for Sam’s journey this season. That he’s described as a witch by Rowena, that he’s GOOD at this and leadership… There’s so much potential just waiting below the surface for Sam to give voice and form. “And magic isn’t fighting?” Rowena asks him as he frets. “[Dean’s] doing his part; it’s time for you to do yours.” GUH
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In Hell, Cas pulls out the crook. It is indeed a sheep’s horn. He’s about to hand it over when he’s tossed across the room. It’s Ardat! She’s been onto Belphegor since the gates flew open, suspecting that he’d try to take over Hell. Cas and Ardat fight, Ardat arguing that Belphegor’s aspirations are much higher than he lets on. Belphegor kills Ardat and Cas confronts him about her claims. Belphegor laughs and then casts Cas from the vault. 
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He crows over his victory to Cas. The crook is a siphon that can pull all the souls into him, giving him godlike power. Cas realizes that every move by Belphegor has been carefully planned to somehow get Cas down to Hell with him to open the chest and get him the horn. WHERPS.  As Belphegor blows the horn, the Earth and Hell resonate with it. Cas struggles against a forceful wind to try to get back into the vault and stop Belphegor. 
For That Shirt Barely Survived Science
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In the crypt, Sam and Rowena join hands and start the spell.
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They chant together. Sam turns away for a moment to look towards the door, no doubt wondering what’s going on outside. Rowena calls him to task with a gentle smile and “Sam.” GUH that’s what finally broke me. (Boris has always been the more ardent Samwitch shipper but this gentle remonstrance really did me in.) The spell ignites. Dean’s hex bag glows and he hurls it into the pit. Belphegor fills with souls. It’s happening! All the things!
And then Cas tackles Belphegor and the horn ceases abruptly. He punches Belphegor again and again. (It has been a VERY trying couple of days.)
Upstairs, something’s wrong. The rift continues to crumble but Rowena looks…afraid. 
Cas is interrupted from punching Belphegor by the demon pleading for mercy in Jack’s voice. “It’s me. Jack.” UGH fucking demons. Cas is visibly tormented by this. He spreads his hand, hesitates, then summons his grace. It...FLICKERS. (Ruh roh) Still, it ignites enough for him to press his palm to Belphegor’s forehead - to Jack’s forehead - and smite him. (Ever since that Shaving people promo, I’ve been expecting Jacks’ body to burn but I never imagined that Cas would have had to be the one to do it. What a horrible, traumatic thing. Excuse me while I wrap Cas in a blanket, then myself, then Boris, then all of you readers.) (Boris: *crying noise, crying noise*)
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Sam and Dean compare notes over the phone. The crack is closing but “something doesn’t feel right.” That old hunter instinct is correct, because things are about to get even worse. Rowena wanders across the room while Sam is on the phone. He looks over in time to see her STAB HERSELF in the shoulder. She pulls out her resurrection sachet. “Won’t need that where I’m going.” 
Rowena bitterly explains that they’ve bungled their last option. Or, penultimate option. There’s one more spell she can use to contain the souls. “Death is an infinite vessel,” she explains. “It draws its power from its caster.” Tears linger on her cheeks as she reveals that there are only two ingredients: her “still-coursing blood and the last is my final breath.” She’ll absorb all the spirits and after a time, her body will break down and release them all to Hell where they belong. (She will also, of course, be trapped there AND dead which SUCKS BIG TIME.) 
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Sam tries to talk her out of it but she doubles down. She needs to die and Sam’s the one who must do it. “My real, permanent demise is in your hands. It’s in Death’s books.” Sam tries the “screw fate” argument on her but it doesn’t fly.
Outside, Cas reemerges from the pit and Dean confronts him about the shaky spell. Cas explains that he had to kill Belphegor and the crook was destroyed, and Dean handles it with his customary grace. JK Dean flips the fuck out. 
Rowena says something incredibly intriguing to me, then. Rowena tells Sam that she wouldn’t kill herself for the sake of anybody, but she would do it for prophecy. For magic, to which she’s devoted her life. (I’m looking directly at Billie here, who chose to reveal the agent of Rowena’s demise to her. Who MEDDLED and helped bring this about. Billie! What’s your game? Call me!) Sam tries to pull away from Rowena, who has gripped his hand and pressed the knife to her gut. “We’ve gotten quite fond of each other, haven’t we?” she asks and places a friendly hand on his shoulder. I’d love to write that suddenly PUPPIES ran into the crypt and they played with them for the rest of the episode but…
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Rowena tearfully commands Sam to kill her, weighing her life against the fate of the world and the survival of Dean. She pushes AAAALLL of Sam’s buttons. Sam embraces her and stabs her right in the gut at the same time. She forces him to look her in the eyes afterward. “That’s my boy,” she tells him and I take a crying break from this recap because this performance is too goddamn much. 
And just like that, the first ingredient is in play. Rowena walks from the crypt in her flowing pink gown like a stained rose and souls fly into her. She strides to the edge of the pit and looks at Team Free Will one last time before saying, “Goodbye, boys.” She throws herself down into the depths of Hell. The ground seals behind her. It’s done. 
For Buffy Summers “Death is your gift” Science
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In the bunker Dean’s footsteps echo down an empty hallway. He checks in on Sam, who’s sitting sorrowfully in his room. Sam brushes away tears before turning to face Dean and I’m basically dead right now. 
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Dean drops a quick recap: the town is safe, Hell is closed, Ketch is dead. Dean tries to rally Sam. They beat Chuck’s final apocalypse. Hooray?
Afterwards, Dean throws a giant taco party for all their hunter friends. JUST KIDDING! Dean drinks hard liquor alone in the library when Cas comes in.
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Cas asks how Sam’s doing and Dean is just…so angry. Dean asks Cas why he didn’t stick to the plan. Cas defends his decisions. “Something always goes wrong.” 
Dean rejoins with: “Why does that something always seem to be you,” and I’m feeling sudden empathy for Ketch, for I have also just had my heart ripped out of my chest and held, still beating, up to my face. 
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“You used to trust me. Give me the benefit of the doubt.” But that’s no longer the case. Cas winds through the issue quickly, with spare words. He’s tried to talk to Dean about what he’s going through, about his failing powers, but Dean freezes him out. Dean still blames him for Mary’s death. Cas realizes it now fully, perhaps. He is DEAD to Dean. This is all delivered so softly. So TERRIBLY softly.
Dean meets this all with utter silence. He is so emotionally shut down, he can’t even shout anymore. There are no broken lamps. It’s just one non-functioning Dean with no words and bare flickers of eye contact.
“I don’t think there’s anything left to say,” Cas concludes and turns to go. 
Finally, Dean speaks. “Where you going?”
“Jack’s dead. Chuck is gone. You and Sam have each other. I think it’s time for me to move on.” Dean speaks not a word, doesn’t move a muscle, and Castiel turns and walks out the door. And just like that, Team Free Will fractures.
We’re back to Sam and Dean against the world, and doesn’t everybody just…feel great?
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______________________________
Oh, My Still-Beating Quotes:
Get me close to the epicenter, find me a nice protected ghost free space. I’ll patch those crumbling walls right up and we’ll all be home for high tea.
I’ll be damned if I’m gonna let some glorified fanboy get the last word
To put it in American action movie terms, you’ll be carrying the bomb, I light the fuse, you toss it in
Oh Cas, your voice, it’s like an angel
I’ll be a god. Or, you know, close enough
I know this in my bones. It has to be this way.
I know we’ve gotten quite fond of each other, haven’t we?
______________________________
Want to read more? Check out our Recap Archive! 
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monkeydluffy19920 · 5 years
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“I don’t need a parachute, baby if I’ve got you Baby if I’ve got you, I don’t need a parachute You’re gonna catch me, You’re gonna catch if I fall”
- Ingrid Michaelson - Parachute
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Sannami week 2019 Day 7: Protect
Alrighty-o! Here is another prompt for @sannamiweek ‘s amazing event!
Parachute is probably better known from Cheryl Cole’s version but as far as I understood, it’s originally made by Ingrid Michaelson but they are all good in my opinion but for this project, I used her acoustic version of the song because well, it kind of fit plus ever since that bridal carry panel and the reunion hug, I wanted to add that scene to the end of the acoustic version. So this has been a thing in the to do list for a while so Sannami week and a few day offs was perfect timing because otherwise it would’ve taken forever because procrastination, trust me. The publicication schedule kinda failed but at least it’s done *thumbs up*
So, in last prompt (passion) I pondered about how their pasts have affected on their view to love in general and that both might have fear of loss and rejection which can strongly impact them in their own ways. Nami especially seems that kind of person who really would want to be more open about her feelings (she is pretty open in general but when it comes to romance, she might be really private about it) but for some reason, she is very private about these things.
Although both of them have done lots of sacrifices for each other and helped in the tight situations, I think this song is more from Nami’s point of view because of her way to keep certain feelings inside her whereas Sanji is very openly having a crush on her and he admires her in all ways.  Well, One Piece is mainly about adventures and friendships and chasing dreams so if there was going to be some canon romance in the end, Oda-sensei wouldn’t give direct hints about them.
don't tell anyone about the way you hold my hand I don't tell anyone about the things that we have planned I won't tell anybody, won't tell anybody
Well, if they started to date Nami would probably want to keep low profile first because well, becoming an official couple would be quite a step whether they were still on the middle of the adventures or after them.  Headcanonish thinking but Sanji would try to keep their dating as a secret but of course, he would be all hyped up so it would probably not be a secret long enough *laughs*
They wanna push me down, they wanna see you fall down
This was a direct reference to their own arcs where they fought with their demons because well, the Fishmen practically wanted to keep Nami forever as a hostage before the Straw Hats came to save her and then Sanji had to face his disrespectful family after years of abuse so both of them have the ghost of their pasts that probably still gives them nightmares and insecurities at times.  
Won't tell anybody how you turn my world around I won't tell anyone how your voice is my favourite sound Won't tell anybody, won't tell anybody
More things she only can admit to Sanji, like how his smooth voice can calm her down and how she enjoys him pampering her. I think fellow Sanami fans are familiar with @sanjiafsincedayone ‘s post where was ponders about how Nami might get relaxed from Sanji’s continuous smell of cigarettes (because it reminds her of Bell-Mere).
Don't believe the things you tell Yourself so late at night and You are your own worst enemy You'll never win the fight Just hold on to me, I'll hold on to you It's you and me up against the world It's you and me
The second verse reminded me of he Zou/Totto Land arcs and it would’ve been shipwise very remarkable if Nami saw him on his weakest moment (when Sanji realized that the marriage wouldn’t have solved a thing) but it’s understandable that Oda-sensei wouldn’t make anything so obvious. I’ve said this a lot when the chapters were fresh but it’s still a fact that taking care of the crew mates and taking a share of the huge emotional burdens of theirs is part of Nami’s personality.  She was distressed from Usopp’s and Luffy’s separation and worried to death when Robin suddenly disappeared so Sanji’s case would stress her as much as it did and probably even more because she was literally witnessing it and couldn’t do a thing since Sanji wanted to solve it all by himself.
I don't believe anything, don't trust anyone any more
This part of the lyrics reminded of Nami’s past again, how she fought all by herself to save a whole village. Wherever she robbed, she was hated and she had to learn to survive in order to gather the money and she also hated pirates because Arlong’s era made her very cautious.
But I believe you when you say we're never gonna fall Hand behind my neck, arm around my waist Never let me hit the ground, you'll never let me crash (Down)
With the power of friendship, they managed to free Nami and ever since that one building (that had her “office” and maps there) was put into pieces, she finally felt the freedom. Sanji has always shown interest in her and he has always shared compliments to her for example, he keeps telling her how talented she is with navigation and how beautiful she is. So, definitely, he has been a big emotional support to her. Well, others have been too but Oda-sensei has given interesting parallels that give us the feeling that they’d have potential to end up becoming canon, just like the other shippers see other details a significant. Of course, it’s again all about interpretation but there are similarities (for example, they are temperamental but deep down in their heart they are sensitive and emotional persons who are very compassioned and who put others’ need in front of theirs. Also, both of them share a soft, maternal/paternal side which is seen when they act like big siblings to younger crew members.  They both remember flashbacks where their pasts have been mentioned (Sanji in Fishman Island, Nami in Zou). Also both of them  grew in foster families, both lost their mothers who were dedicated to their children although both fought with their own problems (Sora fought with her health and Bell-Mere struggled with money), both become invisible prisoners and craved for freedom.
Then as said, there are lots of parallels many sharp eyed SaNami fans have pointed out and analyzed. For example, their childhoods were pretty much opposite, Sanji was rich and despised whereas Nami was poor but loved and encouraged to hone her skills.  Then there is this theory that All Blue is a place which means their dreams might have a link (which would mean they’d need each other to fulfill their dreams).
One of the biggest parallels so far is that both have been dealing with the marriage in their own ways, both were forced to get married and both made huge effort to prevent it to happen.  Also, both have been unconscious when the other was coming to save them or thank them (Sanji in Skypiea, partly also when Nami fought Kalifa and Nami didn’t have a clue of what happened in Thriller Bark when Absalom tried to steal a kiss from her). On top of that, Oda-sensei gives ship-tease with their “Do you love me”- gag where Sanji goes all mellorine and Nami is like “yes yes, focus!” but on the other hand in the later happenings, she hasn’t been as ignorant with the reply as she could be. Perhaps she won’t say it out loud in front of everyone but maybe she starts to develop deeper feelings (or has done it already) but well again, it’s all up to what we fans see and in the end, it’s Oda-sensei who makes the final decisions about their futures. 
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By the way, it was very nice from Toei to add some more shippyish scenes to the let’s escape from Big Mom-episodes because as far as I remember, when Prometheus attacked them (before Nami made Zeus attack Bg Mom) , there wasn’t this kind of scene or when Big Mom attacked them with sword, there wasn’t the scene about it either so the animation team deserves a big high five.
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Frankly spoken, had to edit quite a lot the length of the song so it would be shorter because the last part is basically just repeating the same lyrics but anyway, maybe the main point of this video project was to add as many shippy moments as possible to the choruses to demonstrate where Sanji has been with her and what if those moments have affected her view on him.
Well, like said, she wasn’t aware of Thriller Bark but she has seen so many sacrifices so she is at least impressed probably and they both definitely share huge respect on each other and who knows, maybe this song will become canon? If not, then at least in our headcanons, fellow shippers :)!
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threephasebird · 5 years
Text
(spoilers)
Jumbled thoughts / reaction to the first BBC episode under the cut:
The story is told chronologically, which means we start out with Waterloo, which I liked (and possibly was the best overall scene of the episode). However, it also means the story later jumps back and forth between Fantine meeting Tholomyès and Jean Valjean in Toulon, which felt very disconnected and made it hard to become invested in either storyline because every time something happened, the tone shifted completely and very suddenly
We’ve talked about this exhaustively after the trailer, but so far all of Dominic West’s scenes look a lot like the 2012 movie. Dominic West himself looks like the 2012 movie. There’s nothing distinctive about the visuals there, some shots (for example Jean Valjean eating at Myriel’s table) have an almost eerie resemblance
I tried to hold this back and not make it the first bullet point but Jean Valjean straight up tries to kill a man and laughs about it
I don’t even know what to say to this one
It’s so wrong
I was most hopeful about Fantine’s storyline -- seeing how her story picks up much earlier than usual, I was hoping that she would be more active in this adaption (and her plot not solely driven by what happens to her), and as much as I hate Tholomyès, there was great potential for her characterisation in this section. I was wrong, and this is so far the greatest disappointment of the series for me. It might be very subjective, but I felt like Tholomyès gets tons of screentime -- and lines! -- compared to any of the girls. Fantine’s story seemed completely driven by Tholomyès and not really told from her point of view, and moreover, the adaption didn’t really seem interested in how Fantine felt about any of this
I liked Favourite as a character, but in contrast Zéphine got about 5 seconds screentime in total
They really did pee, though! It was not a drill! #soexciting
I’m not entirely sure what happened to Jean Valjean, but if this series was my first introduction to Les Mis, I wouldn’t really care about him. It’s like, yes, prison bad nineteen years long, but he was very calm about it and I didn’t really feel the unjustice of it -- after he is released, there is only one scene where he gets a job and is paid slightly (?) less then the other people and he was robbed of about half the money he should have earned from prison labour, but without background knowledge, just relying on what the series shows, for some reason it doesn’t seem so severe? And then, again, he did try to kill a man. And he stole the money from Petit Gervais completely intentionally. And laughed in both instances.
So just to continue that thought, a person who’s watching this for the first time is left with a possibly unlikeable Jean Valjean and an unmemorable Fantine who’s been sort of sidelined in her own plot at the end of the first episode. Tbh I’m not sure if I’d continue watching
And like, there were good things! I liked Waterloo. I liked Georges Pontmercy and the scenes in the Gillenormand household (and the nightmarish qualities of Gillenormand himself). David Oyelowo has great potential as Javert and I sincerely hope he gets good scenes in the other episodes. All of the other actors were good, too! Myriel’s characterisation was very close to the book and he had some delightful lines! But to me personally, it wasn’t exciting good. It didn’t compensate for the switching back and forth making for a weird pacing, and the script’s disinterest in Fantine, and the fact that (I’ll have to say it again) Jean Valjean tried to kill someone. So in the end, my verdict is: there were some goods in this. There were some serious bads in this. Some stuff was unintentionally funny (such as Jean Valjean randomly screaming at Myriel or Javert tying up Jean Valjean to tell him about his life). And apart from that, the first episode was just kinda...forgettable
But I want to say congrats to all Valvert shippers who might rejoice about Javert checking out butt naked Valjean. You’re #valid
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whyareyoulikethis1d · 5 years
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What do you think about Zigi situation and the talks going on about it from the media as well as online?
Oh anon why are you making me do this… Well I have time today.
When it comes to online/ fandom let me go by categories.
1- The Ziams & anti-zigis:
These people from the start have been atrocious. Not only have they harassed Gigi & her family but same with Zayn & his family. They have been intrusive and have spread lies online (those so called “exposing accounts”) Whether it’s on IG or Twitter. In my opinion they are tinthats and just mad weird. They keep on saying everything is fake, is a stunt, TPTB, etc… 
It’s repetitive, predictable, pathetic & boring.
 Guess what tinhats ZAYN & LIAM WILL NEVER BE TOGETHER ROMANTICALLY!!! 
For someone that they claim to love & stan they sure have a low opinion of Zayn and what he is willing to do for his status. Not only that but their false rumors and stuff is at times picked up by tabloids. So kudos to you for helping your fave dummies…
So when it comes to them I am just like:
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2- Zigis:
I never really liked real couple shipping or should I say being a “stan” of a couple. I find it cringy and they also do go overboard and cross boundaries. Just because one is supportive doesn’t mean that they are not just as invasive or annoying as tinhats. (You can check my blog and how I was annoyed with the “Freddies”). 
So when it come to Zigis they were to me just like that. Anything that either Zayn and or Gigi did they were linking it together. Any like, comment, follow is or was being reported online. They even had/have update accounts. 
The ugly side of it is when the couple breaks up and they can’t let go or accept it. Think the Jelena (Justin & Selena), the Robsten (Rob & Kristen Stewart) or even the Zerrie (Zayn & Perrie) shippers/stan. Look at how ugly they got towards one or the other person especially when one of their OTP has moved on to a new partner (ex: Justin with Hailey, Rob with FKA Twigs & Zayn with Gigi). They actually become conspiracy theorists because they cannot accept that their OTP is over.  
Now when it comes to Zigis, they have actually turned into the Zerries that they were complaining and making fun of back in the day. LET IT GO!! Stop making connections and thinking that any follow, like or comment means something more. Don’t go harassing their possible new partners. Stop sending family DMs to find out the status of Zayn & Gigi’s relationship because you want some type of reassurance that your OTP are still together. BUTT OUT…. Last year during their first break up, the Zigis went on to attack Sofia & Iskra Lawrence because they thought something was maybe going on between them and Zayn. They said some pretty misogynistic things (feminist/girl power 101 my ass). They also went after (although to a lesser degree) they were being nasty and shady towards Lewis Hamilton when rumors were going around that him & Gigi were maybe going out. They are cringy…….
So when it comes to them, I am like:
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3- Zstans & Gigi stans:
Both side have shown their true colors or their true feelings once it has been said that they are no longer together. 
On the Zstans side, some were sad others were happy (that is excluding the ziams & antis), others were relieved but for the most part at least from what I saw they were chill up until the first US weekly article. Then the ugliness started. Some even sided with conspiracy theorists out of all people.. Like eww… I get wanting to defend your fave (and at times you were damn right to defend him) but come on now do better…. 
You gleefully were rejoicing when you assumed that Zayn was shading Gigi with his tweets and thought that he was proving you right when you were calling her manipulative, disgusting and all that jazz. Nevertheless, Zayn himself went off on all of you and set you guys straight pretty quickly.
You doing all of that, made things worst for the person that you claim to stan & love because guess what tabloids picked up on it and it created negative press towards Zayn. So kudos to you for helping your fave dummies…  
As for the Gigi stans I don’t follow many of them to be quite honest but the impression that I always got is that while Zayn & Gigi were together they kept quiet but there were some indirects here and there and then they just let loose when the break up happened. They 100% believed what tabloids were saying and were now overtly being nasty towards Zayn online. I get wanting to defend your fave (and at times you were damn right to defend her against the nastiness said about her) but come on now do better…. 
They always seemed to think that Zayn was the one preventing Gigi from going out, partying  and being seen or being super active & interactive on social media like back in the day when she was besties with Kendall. They don’t think big bad Zayn is good enough for their queen Gigi.. Well guess what Gigi stans to my knowledge she’s still not yet doing the stuff you expected her to do. So sucks to be you….
You don’t know Zayn or Gigi personnaly. You are not part of their inner circle. You don’t know what their relationship is or was like except from what they have chosen to share or from what the media/tabloids have decided to spin for clicks. It’s their life, their relationship and their choices. PERIOD!!!!!!! 
So when it comes to them, I am like:
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4- The media/tabloids + Zayn + Gigi
The media has been atrocious but more so towards Zayn than Gigi. Not surprised. Tabloids have rarely ever been on Zayn’s side. Most likely because he doesn’t curate his image as much as Gigi does. Zayn definitely hasn’t helped himself with some of the things he has said, done or tweeted online. I have said so in my tags. I don’t know what has prompted him to remember Twitter but it wasn’t a good idea at all. As a celebrity, social media is not a place to vent especially the cesspool that is Twitter. Also the vague tweets are open to interpretation and people will run with it and assume the worst automatically. I get it Zayn is still a human being like any of us but still…Be smart about how you use your platform you are not just anybody.
The media, loves to kick someone when they are down or bring up stuff. That’s what they do. They gossip, they speculate, they look for drama, they make up stuff. Anything to drive traffic on their site. Most of the articles have been basically about how Zayn is a deeply troubled young man (his anxiety issues, he is seen as a recluse, his tweets or some of his IG posts that would be 2018, his weed smoking..)  who is at an all time low (his management has allegedly dumped him, his second album did not do well commercially, still not touring, his gf has left him..) and was holding the super successful supermodel Gigi back from her full potential because she was always trying to help him. Basically that Zayn was dead weight. Then they brought in what Louis said about Zayn… You know all around just gross stuff.
It’s an easy narrative to paint for tabloids and quickly believed based on the bias people already have of Zayn that has been solidified by his reputation and the years of bad press that he hasn’t deemed worthy enough to respond to. 
That to me has always been a mistake but then again even when he does try to correct stuff or tell his side of the story, his words are ignored or not believed. He’s fucked either way. Even when he’s silent minding his own business there are still articles popping up. If my memory is correct, Zayn was pretty much silent online other than selfies up until March when he tweeted the Love You Gigi and yet since January Zayn was being mentioned in articles that were either about Gigi or about the status of their relationship (ex: the first US Weekly article).
 Nonetheless, I do think he needs an image overall and should hire a publicist to change that narrative. Zayn call Scooter Braun and ask him to give you the name of the pr people that were involved in cleaning up JB’s image just before his Purpose album…
I don’t know Zayn nor do I know what is going on in his personal life. I hope that he is doing well. If he is going through something, I hope that whatever is going on bts that he is dealing with it properly, that he has a strong & supportive system and will come on top of it. Whenever he is ready, if he wants to, he can open up about that time period in his life. (LOL who am I kidding my noisy self would love for him to write another book or do an in depth filmed interview where he talks about the Z2 era and what has been going on up until now.)
As for Gigi, she cares about her image and reputation. Gigi is smart and savvy. She’s very mindful of how she is seen and perceived in the media. She knows the game and plays along. That’s smart because she is in an industry where it does matter. Zayn should have learned that from her. Her IG is curated to showcase happiness & serenity as well as her achievements & projects. She’s photographed/papped with her friends or family, attending events, on a photoshoot or going to the gym. Break up, what break up? what heartbreak? She doesn’t need a man. She’s a strong independent woman. Girl power! Her career is going extremely well and keeps on going stronger and stronger. Kudos to her. You can’t hate her or criticize her for that. She has every right to do so.
However, what I will say is at times there are things that she has done that I was like girl wtf are you doing. For example responding to things that are not even necessary to respond to which then creates press that puts her in a good light and by default directly or indirectly throws Zayn under the bus. That tweet calling out the media about linking her to a guy..Sweetie there were no articles. Nothing had been written. No outlets had picked up the pap pics of her and her friends. It was her own fans at first that had shared the pictures on their update accounts. Or that time she responded/clapped back at a Zayn stan that hadn’t mentioned her name or tagged her but shared what was deemed an unflattering  picture of her and people in the comments were making fun of her… I was like girl how did you even find this???? Are you lurking???? Anyway both times, it made the press and Zayn was dragged into it. 
Or back in January when she was papped 2 days in a row at Zayn’s apartment. For that though, I won’t blame her in the sense of she called the paps on herself like tinhats or antis would. Being seen at his apartment, led to articles..
Gigi is still a human being like any of us and has her moments but still…
I would also like to remind people that Gigi is not in any way obligated to come to Zayn’s defense when it comes to what has been said about him by the media or online from her stans or anyone else. However, in my opinion, I do think if she has the time to tweet/call out the media about articles that hadn’t yet been written, she could tweet about some disturbing articles that have been written about someone with whom she had an on/off relationship for 3 years or so. Same thing for Zayn. Zayn has come to her defense when he tweeted for people to leave her alone. Just saying….
Finally, as for the 2 US Weekly articles, in light to what Zayn has tweeted recently, I choose to think that Gigi and her camp had no part in it. 
I know that many including mutuals of mine have entertained the theory that these articles were Gigi’s doing because of Yolanda’s connection to US Weekly. 
So for arguments sake:
As I’ve said in previous conversations, prior to even Zayn tweeting, I hope that she had no part in it. If she did, then yep I would side-eye her and call this tactic sneaky & cowardly. Why go that route? Own up to it. Why use a tabloid with “sources” instead of making a proper statement via your social media or at least via your “rep” so that it’s clear that it comes from you? 
That first US Weekly article was written after she was papped at his appartement twice. Zayn had not been seen out, he hadn’t tweeted or done anything. That article went up and was picked up by many outlets. In it, they said Zayn had issues that Gigi couldn’t help him with. She tried everything, she was no longer hanging out with her friends, etc.. etc… 
The timing of the 2nd US Weekly article was mid-March two weeks or more after Zayn tweeted the “Love you” tweet to which Gigi had not responded to (she wasn’t obligated to do it either). In that article, it mainly said that Gigi has love for Zayn but he has MAJOR ISSUES (yep this time around they added major. last time it was just issues) and it’s over for good because they are not compatible. Again it was “sources”.. I was like why wait two weeks or more to write this? Why not write that article immediately after Zayn had tweeted it. The story had died down. That article was again picked up by many other news outlet.
But like I said anon, I choose to believe or at least hope that Gigi & her camp had no part in it. I would think she’s better than that to go that low and from my knowledge, it wasn’t/ or isn’t her MO. If she doesn’t address things directly usually it’s via a rep.
So when it comes to the media, I am like:
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As for my thoughts on the status of Zayn & Gigi’s relationship:
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Zayn and Gigi are two young good looking rich adults. Aesthetically/visually, Zigi was a stunning couple. Bottom line, It’s their lives, their choices. Whatever happens, happens. They are two celebrities that I don’t know personally. At the end of the day it doesn’t affect my life or livelihood.
So those are all my thoughts. Have fun reading anon!!! 
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mistresstrevelyan · 7 years
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Why I, a Rumbeller, have no compassion for entitled CSers
This won’t be a long essay but it is something I want to get off my chest.
I’m a multishipper & part of several shipper communities on here.
SWEN. We never got anything beyond “coincidence”, queerbaiting and heartbreak.
Stable Queen. Literally murdered. Apparently a good man like Daniel wasn’t “worthy” a second.....oh wait........OH WAIT!
Outlaw Queen. Literally MURDERED to save CS. And again, another good man dead who didn’t get Hook’s second chance. Huh.
Rumbelle. Literal SEASONS of angst, loss, heartbreak, betrayal, hurt......unlike both of the privilege clad toxic people in CS Rumbelle suffered consequences, losses, abuse (Even by both Hook AND Emma, tee hee, how quaint) & extremely limited screen time.
Snowing. Did they have ANY arc post having Neal and being Hook’s tittering, meddling future in laws or?
Swanfire.....Literally MURDERED so CS could BECOME a thing because it wouldn’t have worked otherwise. Robbed the show of its essential narrative thread (That’s when it switched from family focus to ship focus..er...CS Focus) and destroyed a lot of potential pretty much everywhere else.
Need I go on?
With these experiences in mind, I usually always offer support to hurting shippers, even ships I don’t ship (Frankenwolf, Gremma etc.).
But CS? They’ve burned their bridges. They got EVERYTHING these past three seasons, alienated other shippers by calling us deluded and what not, their entitlement is off the charts and their “Once Upon a Hook” show being GONE is a relief. Nvm their history of bullying, abuse and hate. I have no sympathy for them. They’ve made their own bed and that’s that.
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fear-is-contagious · 7 years
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A Letter to the Sherlock Fandom
You may think that this is a lot of text and too long to read but I implore you to try so that you can better understand these points of view.
I apologise if this isn't as eloquent or measured as I intended it to be but I am honestly so angry at the Sherlock fandom right now. Not all, obviously, many are conducting themselves amazingly no matter their opinion on the episode. However, there are a large (and loud) number who are not and not only are these people making the rest of us look bad and acting as if they speak for the fandom as a whole, I fear that they are doing (and may have already succeeded in doing) irreparable damage to what could have been a great community.
There are several points I wish to address in this post so I will try to dissect each one individually to the best of the ability.
Harassment
No matter what you thought of the episode it is NOT okay, or even productive, to harass members of the cast or crew in any way (whether it be through social media, through official complaints (which can actually have further effects on their professional lives also which are definitely not yours to mess with) etc.). It started with Amanda back when season 3 was announced and that was just downright cruel and now it seems the lesson has not been learnt. They have worked hard on this show and even if it did not turn out as you personally expected it or wanted it to you cannot hate them for having a different view of where things should go than you. I have seen many people on Tumblr saying things along the line of 'it our show anyway we can do what we want and it can be what we want it to be'. No. It is their show, we merely enjoy it - they created it and they have final say on what happens. I for one would not wish to see a world where the fans get to decide what happens as that would only ever cause further divide in communities and result in one section of a fandom having superiority over the others which is already happening in the Sherlock fandom with some Johnlockers/TJLCers.This harassment also extends to the harassment of other member of the fandom - labelling someone as homophobic because they don't ship a same-sex ship is not only detrimental to the LGBT+ cause it puts up further barriers for the normalisation of non-traditional relationships.
On a similar topic, complaining to the BBC because you didn't like the episode is not only petty but also counterproductive - these people are not asking for change in doing so they are calling for an end to the show and a witch-hunt in which those who created it are to be mocked in a public sphere. I have seen many people proudly posting images of their complaints and encouraging others to do the same and even petitions to a similar effect and it saddens me that people have become so arrogant in believing that the show is theirs and they were owed more that they would stoop to such levels. You were not owed anything. You didn't like it, deal with it, move on.
Queerbaiting
I cannot express how much I dislike this term. Sometimes, yes, the teasing of fans with a potentially queer couple is done in an interpretably malicious way. With Sherlock, this is not the case. The cast and crew have said from the start that Johnlock (the main ship brought up in such discussions) was not going to happen. If you missed that and were not aware - fine; but if you knew this and then continued to be upset that it wasn't happening - that is on you.  It is not queerbaiting if there was never any potential for the relationship in the first place - especially when neither character has been canonically stated to be queer.
Fetishisation of Gay Relationships and the Anti-Straight Trend in the Progressive Community
Wow, that was a long title. I have seen many of the aforementioned complaints to the BBC, petitions and Tumblr posts claiming that by not making a ship such as Johnlock canon they have let down a large portion of the community who are LGBT+ and have not given them the representation they deserve. Whilst representation is good and everyone does deserve to be able to see someone like them on television, as I said before, we have known from the stat that this was not going to happen with these characters. If you didn't understand that clear message - again, it is on you, not the creators who have always been honest about the future of such a ship. You can be upset that they did not become canon in the same way that you would for any other ship but you cannot claim that you have been robbed of representation, misled in any way or owed better because you were never promised it in the first place.
As for the title of this section, I have seen a common trend in fandom communities towards making canonically straight characters gay, which whilst harmless if not taken to the extreme (as I feel some members of the Johnlock community have) actually highlights a double standard and serious problem that must be addressed. If one were to take a canonically gay character, strip them of their identity and make them straight they would be called homophobic in an instant. However, when it is the other way around, no one complains. Heterosexual is an identity too and to keep classifying it as separate from the others, in a class of its own, is only going to slow down progress and make it harder for true unity to occur. By stating that two characters, one of whom has categorically stated that they are not gay (and of course only one would be enough) have to be gay because of they way they interact (via your personal interpretation - often though tinted lenses) you are not only arguing that two men cannot be simply very good friends without harbouring romantic feelings for each other, you are also denying John of his own self-proclaimed identity.
The Bad Side of TJLC
(The previous paragraph is also relevant to this section and thus again I must state that whilst shipping two characters is fine, outright ignoring their identity and labelling them yourself is not.)
On paper, TJLC (The JohnLock Conspiracy) is not too harmful, you can speculate as much as you want. Where it becomes harmful is where people delve into the realm of delusion. There are many TJLCers who wholeheartedly believe that Johnlock is already canon or has to be canon and it is these people who appear to harbour the strongest negative beliefs about the recent episode and who are doing the most damage to this community.
I have seen countless posts recently along the lines of the following: 'clearly we know more than Moftiss', 'how could they not see it was so obvious', etc. Such arrogance as to your own beliefs is extremely harmful to the wider community. You do not know more than the creators of the show, the show is as they intended it to be - anything that you find within the show (with your TJLC-tinted glasses) that supports your predetermined theory is simply you putting two and two together and making five. It was not intended and therefore not symbolic of your beliefs and so your interpretation is no more than that - an interpretation not fact.
Believe it or not, for those of us not in the TJLC community, JohnLock was not obvious - for someone like me, when I first heard of this ship and TJLC I was incredibly surprised because I saw no romantic connection whatsoever - just two friends; and that was all that they were intended by the creators to be. If you were aware of the cast and crews comment of the subject and still deluded yourself into believing that TJLC was true - that was on you. No one else is to blame for your beliefs not lining up with the facts of the show.
Your ship does not rule this fandom and you do not speak for the whole fandom so those of you saying they didn't give the fandom what they wanted - you are wrong. They didn't give you what you wanted. You don't speak for me and you don't speak for the countless others like me who actually enjoyed the episode and/or are not in any way JohnLock shippers.
Sherlock Holmes and the Delusion of the Fake Episode
For those of you who still believe in some way that the episode was a fake one, that a  new episode will come out and say that it was all a dream etc. Again, you are deluding yourself and this is not healthy and will only lead to disappointment. It is what it is. Failure to accept reality for what it is and move on from there, living in a constant state of denial is a serious problem.
 I have so much more to say and honestly not the words to say it without going off onto too much of a tangent right now. I may add continuations (in fact I most likely will once I can formulate sentences again) to this if I think of anything.
I know that one post on Tumblr isn't going to make a whole lot of difference and the fractures in this community may never heal but I honestly could not hold this in any longer.
You are welcome to ask questions or for clarification on any point made or any point you wish me to address.
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