We all know how a lot of Luffy's opponents have been in some ways premonitions of the type of person Luffy could end up as if something went wrong in his life. For example Moria is what Luffy could've become had he truly lost his entire crew at Sabaody if Kuma had not saved them
And we know Crocodile is what Luffy maybe could've become had Luffy given up on his dreams and become jaded after losing to him. But like, when you think about it, that's not the only dark reflection of Luffy in Crocodile, is it
'Cause Crocodile, despite employing people for Baroque Works, did not trust anyone around him and did not considder anyone to be anything else but an employee to him. And we know he had been planning on taking over Alabasta for like 14 years (at the very least), BW being a thing for only the past four (pre-timeskip)
So like. Did Crocodile spend the last 14 years alone
Like yes he had his workers at the Casino and Robin etc, so he was like, around people, he wasn't like Brook who was in Total Isolation. But on an emotional level, has he not spent the last 14 years all by himself, completely detached from anyone, unable to trust or rely on anyone else?
That is sad as fucking shit, holy hell
'Cause then you compare him to like Luffy and like
Our sweet baby boy was so afraid of being alone that Luffy literally went through hell just to gain Ace's approval despite Ace trying to signal to him he wasn't interested befriending him
And through out the whole series Luffy reiterates time and time again how he needs and wants his friends around because he literally can't live without them, both on a literal "he can't cook or navigate or have fun by himself" level but also on that emotional level
And Crocodile just. Spent 14 years of his life, if not longer, alone.
Sweet jesus what happened to this man
And that just makes me further wonder, what the absolute fuck were Crocodile's Rookie Pirate days like?? Like did he have a crew or was he just yolo'ing it by himself???
Like. Mihawk's never been on a crew as far as we know. Kuma was a Revolutionary, not a pirate, but he wasn't like alone still. Doflaming, Hancock, Jinbei and Moria however have/had crews of their own. So what was Crocodile's deal? Did he have a crew before? Was he a captain or was he on someone else's ship? (Although surely the Government wouldn't offer the position of a Shichibukai to a cabin boy or the first mate, right)
And if he did have a crew, the hell happened to them??
Like we know Crocodile got his ass kicked by Whitebeard, I just find it unlikely Whitebeard would've pulled a Kaidou on Crocodile's crew and slaughtered them, that's not a very Whitebeard-y thing do, right?? ...Unless Whitebeard was just different 20+ years ago and was willing to annihilate entire crews. We don't know.
Or maybe Crocodile and his entire crew were like Turbo Rotten from the beginning and Whitebeard figured they deserved to get wiped out, much like how we saw Shanks wipe out Kid's crew at Elbaf. Or maybe Whitebeard saw no reason to have mercy on someone affiliated with the World Government.
That all said, if we wanted to assume Crocodile had somekind of trauma that lead to him viewing people not only as disposable but also untrustworthy, then maybe losing people dear to him like that wouldn't lead to that mindset. Like Moria witnessed his beloved crew die and that caused him to want to create a crew he couldn't die, so he wouldn't go through that emotional trauma again.
Which leaves me to wonder. If something caused him to lose his ability to (emotionally) trust people, and if Whitebeard broke his dreams...
Maybe Crocodile had a crew. And maybe they abandoned him when he lost to Whitebeard. Figuring they didn't need a weak captain who was probably going to bleed to death anyways.
Or maybe the crew tried to take his head (after Whitebeard kicked his ass), after all, he was already a Shichibukai, anybody who took Crocodile's head could maybe attempt to take that title for themselves if the Government allowed it, and if not, at least gain more fame for themselves.
Either of these scenarios would certainly result in you losing your ability to rely on others. And leave you willing to spend the rest of your life alone. Who would have in them to go through that again.
Or maybe he came out of the womb unable to trust people and he was just yolo'ing it by himself like Mihawk right from the begining, who knows
Regardless I'm just
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In defense of the original, while I do agree the episodic vibes were a bit much at times, and it was something I kinda had to work my way through slowly rather than binging all in one...
I do kinda prefer the more gradual approach to laying out the information; getting to know both the setting and who Vash is as a person and the different facets of both, before getting the context that lets it all click into place. Plus the main quartet having ample time to grow together so that later developments have stronger emotional weight.
I will agree that Knives definitely suffered in focus, and I am interested in how Stampede handles him, but admittedly he wasn't really what I watched Trigun for in the first place. ^^;
yeah my gripe is less with the way the setting and characters were handled and more with the way the. actual plot was handled. it honest to god felt to me like they realized about halfway through their run that they didnt have enough episodes left to get the backstory in in a cohesive way so they just shoved it all into one episode and pretended that that explanation didn't create more questions than it answered. you spend 20 episodes teasing your audience like "ooooh what is vash?? clearly hes not human!! clearly there's something going on!!! don't you want to know whats going on?? keep watching and you'll totally understand whats going on!!" and then your big reveal is that. He Is Not Human. which is something that any idiot who has watched the last 20 episodes has already figured out. the question the audience ACTUALLY has at that point in the runtime is what, EXACTLY, is vash, and what the context is behind the conflict he and knives are in. the backstory episode explains that Knives Is Here, and it gives context to the setting and everything, but it pissed me off that it STILL didn't answer the actual mysteries i cared about, i.e. vash's real identity and the thing with the gun and his fucking arm and knives's motivations and everything. maybe that gets answered in the last episode that i neglected to watch but personally I prefer a story where i UNDERSTAND WHAT'S GOING ON by the time the final confrontation hits. with trigun it got to a point where vash was going out for the final battle with knives and i STILL didn't know who vash was, who knives was, where they came from, or what the hell their motivations were. that just made that final confrontation seem so wholly uninteresting to me that i didn't even feel like watching it. it was like "hey look vash is fighting a cardboard cutout that he is Afraid Of. Why? lmao idk man. probably has something to do with that weird spaceship that shows up in one whole episode before this point. not going to tell you how tho." I think some writers have this tendency to think that mystery = good writing and that not revealing anything to your audience will consistently draw them in for more, but that only works for so long. after 20 episodes of virtually net 0 information it got to feel like I was being strung along and like my questions were never going to be answered, so I gave up on the show in the final hour. Again, i'm not saying it was BAD necessarily and i understand the context in terms of writing and production that led to the show being produced that way but i think it really noticeably suffers due to the fact that it refuses to give the audience ANYTHING but crumbs of information for about 80% of it's runtime. that being said. i did genuinely like a lot of it. it has its moments. im not trying to discourage anyone from watching it or anything lol i just think stampede is a little more successful in keeping the viewer engaged in the story throughout by constantly feeding you bits of information and actually answering your questions as they become plot-relevant.
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66 - So Small
Don't stand so close, my sweet, for the heat of your skin might cause me to catch and burn away to nothing. Oh, that I could stand to look upon you for just a moment longer, but you shine so bright that I cannot see clearly…! There is nowhere to hide from the merciless rays of your attention - the darkness melts at your approach and between your warming hands I feel so small.
Don't look to me, my dear - your gaze might pierce my frail veneer and you'll see the insufficiency I disguise. For what succour might a shadow such as I provide to the very sun which casts it? I have no gifts to lay at your feet - you already gifted them all to me. You have so much more than I could ever offer and in the shadow of your greatness I feel so small.
Don't leave me here, my love - for I'm nothing without you, don't you see? What is a moon without its sun, or a sky without its shining stars? Though I fear the feelings you inspire in me, to feel nothing at all is more terrifying still. So abide with me a moment in this lonely cosmos, my brilliant light, though you are so big and I am so small.
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The Dark Menagerie No. 66
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Still not feeling confident at all with my writing, so here, have a random headcanon instead.
Given how often my Elwin hung around and talked with the different servants and Bearers of Rosalith Castle -- including of course those who worked in the kitchen -- he picked up at least the fundamentals of numerous useful skills from them. Among this list are cooking and baking, although as one might expect, he never had the opportunity to explore these beyond occasionally sneaking to help the cooks.
Miles, on the other hand, is a different story. Even if the circumstances of the changes are incredibly dire, he does have freedoms that he had previously lacked during his life as royalty...
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