STAY OFF MY TERRITORY - Time Travel in Lore Olympus (feat. Springlock, our resident time traveller)
AH YES. TIME TRAVEL. BUILDING COFFEE TABLES FROM IKEA. BOTH A MESS, BOTH SOMETHING YOU SHOULD NEVER ATTEMPT EVEN AS A GAG.
THERE WILL BE FASTPASS SPOILERS IN THIS ANALYTICAL DISSECTION OF LORE OLYMPUS' TIME TRAVEL !!!
Let's establish the "time travel" in LO first of all - it's briefly introduced by Hecate, who says that Hades isn't in a 'where' but a 'when' , hahahaha i so love time travel jokes /s THIS ISN'T A LAUGHING MATTER-
We had already covered this in the criticisms that Kronos' 'dream comas' would have been better allocated to his time travel abilities, and it seems now Rachel is trying to make that a reality at the last possible minute. I'm going to completely tear apart that reality to present to you why it doesn't work in LO.
Aw, Kronos' time abilities are finite? Get on my level, sir.
The caveat is the existential toll that time travel takes on the jumper, and the fact that in most cases, it's impossible to perform due to paradoxes. And Lore Olympus' time travel presents a lot of paradoxes. No wonder Kronos went crazy, I'm going crazy just thinking about everything that's wrong with this.
So Hades is trapped 'somewhere' in time. This isn't something I haven't seen before, but the issue it presents is getting someone back to their present time, as it presents the first paradox -
PARADOX #1 - There are no accidents. If someone is to jump into a timeline outside of their own, even if by 'accident', that would still have to be predestined by the timeline itself. This is in line with the grandfather paradox, which I will let the almighty Google define for us all to keep things brief:
You cannot travel back in time 'by accident'. If you were to travel back in time, it would have been written into the script of reality already, so any effects caused by your jumping would be purposeful, even if they seem like 'accidents' to you - such as becoming your own grandfather, Philip J Fry.
Moving on, in the most recent FastPass episode, Melinoe reveals that she was taken from her timeline by Kronos.
PARADOX #2 - Which version of Kronos took her? Was it the present version travelling into the future to take her from her timeline into his present? Or was it some future version of Kronos who has escaped yet again at some point in the future and then travelled back into the past to interfere with the events of the current present, possibly in an attempt to rewrite the script? If it's the latter, this means that Hera and Persephone can't feasibly stop Kronos indefinitely, as to stop Kronos would mean that he wouldn't exist in the future to take Melinoe from her future timeline and thus this present timeline of events would cease to exist. If we want to get even more granular with it, 'present' Kronos is still 'past' Kronos as it's the Kronos from ten years ago who got his hands on a deity to help him mess with people's dreams, and that deity has been revealed to be Melinoe, who would have had to be ripped from some point in their future timeline. This falls in line with a temporal paradox, or as most people know it, the 'kill baby Hitler' paradox, which designates that one cannot go back in time to kill baby Hitler, as killing baby Hitler would remove all the subsequent events that would lead up to you deciding to build a time machine and go back in time to kill baby Hitler.
Melinoe claims she's only been here a few days. That would be all well and good, as time is funny like that - I've done my fair share of jumps into the distant past only to return a few minutes later - but what doesn't line up is the present timeline of events that would only work unless she's actually been trapped for longer than a few days.
PARADOX #3 - So it's only been a few days, but Hades and Persephone have known about this child trapped in Tartarus for weeks, and we know Kronos has had her since the dream diving arc back near the end of S2. So unless Kronos is simply jumping to different points in time to cause shenanigans - which leads to even MORE paradoxes as you feasibly cannot travel to your own past to change it due to it creating a different future - then it can't have only been a 'few days' for Melinoe, it would have been at least a few weeks, giving some wiggle room to the past events of her appearing before Hades in his dreams due to her being the goddess of nightmares. Kronos escaping Tartarus after using Melinoe to put people to sleep and possess them was not something that happened in a pocket dimension, it was very real and very present.
Hades commits an even bigger sin, however, and the biggest issue with this 'time travel' plotline:
PARADOX #4 - I truly hope 'home' means 'home point in her timeline' and not their literal home. Hades and Persephone cannot take Melinoe, for two reasons: they haven't had their daughter yet, and the future timeline versions of Hades and Persephone need their daughter back. If Hades and Persephone were to adopt this version of Melinoe in their present timeline, it would create a clone paradox, as they would have a duplicate Melinoe from the future, OR it would create the grandfather paradox if they opted not to try for a child knowing they already have Melinoe which would erase the whole sequence of events that led to future Melinoe's birth in the first place.
Ultimately Lore Olympus' time travel suffers from the same issue many time travel stories suffer from - not having consistent rules. It is choosing now , near the finale of the series, to introduce time travel, rather than establishing it back in Season 1 when Kronos was first hinted at. It's also still not clear in what Hades' role is in this, as him being taken to a 'when' could still be read as a dream sequence rather than actual time travel. After all, Kronos supposedly "exhausted" his time travelling powers centuries ago - surely as a way for Rachel to have her cake and cover for the fact that she's had Kronos in the series since S1 and never actually had him do what he's known for - but now she's trying to eat it too by just giving him his time travel powers again for no reason besides rewriting the dream diving finale from S2 but with ambiguous time travel instead.
It's all a huge mess and the best thing I can do for myself is simply not let it keep me up at night. I have enough time travelling problems to worry about as it is. I will be sticking to the Austin Powers method -
(I am not enjoying myself.)
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Thank you for writing "Bittersweet Reunion"! I enjoyed it immensely and it has definitely found a place on my list of all-time favorite Roudise stories! And thank you for offering to answer readers' questions about it! Here are a couple (hopefully, not too many) I've been wondering about:
This is really basic, and possibly it was mentioned in an earlier chapter and I just don't remember, but what age are Louise and Rudy supposed to be in the story?
I would love to know where you got the idea for the story from or what inspired you to write it? As I mentioned in my comment on the last chapter, to me Louise and Rudy feel like the least likely of the Belcher kid friendships to fall out of each other's lives, so I'm curious what led you to think of a story starting from the premise.
In the second to last chapter, Rudy explains that reason he left town was because he needed to get away from his parents. I know you started the story well before "The Amazing Rudy" aired and I was wondering if that episode- where we see Rudy's mom for the first time and see more of his relationship with his dad- changed your view of his relationship with his parents or led you to change anything about how that part of Chapter 11 was written? (Of course, there's all sorts of things that can happen in parent-child relationships between the ages of 9 and 18 that could explain why older teen Rudy would feel the need to get away from them.)
I loved the way you wrote the older Pesto twins in Chapter 3! I find the Pesto twins to be the hardest characters to imagine aged up versions of (I actually decided not to write a scene with them in it for my Roudise wedding fic when I realized I was still writing them like they were 9). I was wondering how you came up with the ideas you did for them and if you had any additional ideas for them that didn't make it into the story?
Similarly, where are there any ideas for any of the other background characters that you weren't able to work into the story but would like to share? (Feel free to ignore if this will spoil other stories you are working on.)
Thank you for reading it, and I'm so glad you enjoyed it! And don't worry, I'm happy to answer all the questions ( ╹▽╹ )
1. Louise and Rudy are in their early to mid 30s in this. I really wanted to capture the vibes of people can find love at any age (vs Gene and Tina who in this au find love in college and right after).
I also wanted to emphasize that Louise has a very established life at this point, she's taken over the restaurant, she has friends and weekly hang outs, she isn't necessarily looking for anything romantic to happen, but sometimes it happens anyways.
I just think it was interesting to explore a budding relationship between two people who very much know who they are, as opposed to younger people just figuring out who they are in life.
2. This story actually started with me thinking about how I really wanted Louise to take over the restaurant when she's older, and things kind of grew from there.
Another thing I really wanted to explore is this sort of abandonment issue Louise has. That's not quite the words for it, but I always got the vibe that she cares so strongly for the people in her life and hates when they have to/choose to leave, which ended up being a really interesting dynamic to explore when coupled with her figuring out she's in love.
3. Rudy's parents seemed to me the easiest vehicle for his moving away. We've seen how Sylvester acts (even though he cares, he obviously has his own problems, as illustrated in the House of 1000 Bounces and The Kids Rob a Train), and in earlier episodes Rudy talked about his mother caring very strongly about his safety and "hating fun".
Obviously that seems to change as the seasons go on, and especially with The Amazing Rudy. I did consider changing the story at that point, but why Rudy left was kind of woven throughout the story, and I realized that it's fanfiction. It doesn't have to be 100% accurate to canon, and the story probably wouldn't be 100% accurate even if I did change it.
I did love seeing how much his parents actually care in The Amazing Rudy, and I think it was a really great episode to analyze the inner workings of our favorite asthmatic boy.
4. My portrayal of the Pesto twins is 100% inspired by @tallgirl14, whose work I saw on TikTok. She's got some really great comics of the kids in high school, and she illustrates the twins as these sort of trouble makers because anyone who is friends with Louise for so long has to be a little crafty.
I sincerely recommend you check out her work, her art is so cute and makes me squeel every time.
Once I had the personality, it did take a little work to figure out where they would be and what they'd be up to, but I really liked the idea of them being restaurateurs with Louise, and even having a fake rivalry to draw business. Of course, leaning more into real Italian food than their father, even taking a trip to Italy to reconnect to their mother's heritage. Don't remember if I did write that into chapter two or three, but that's my favorite detail about them for sure (´∩。• ᵕ •。∩`)
5. I did actually do a lot of thinking about Millie's character, even though she is barely in the story. She's definitely a regular at the restaurant, coming in for coffee every morning and afternoon, and she works as a detective for the police.
I'm still a very acab person, but being a detective just fits Millie's personality, and honestly the way she can be a bit obsessive and a little less than moral fits the cop vibe to me. She's also backed off of Louise a little, and the two have managed to foster a reasonable level of friendship, though Louise is still wary to invite her to things because she flat out doesn't trust her.
The other background characters I absolutely adore are Tammy and Jocelyn. I always ship them, and I thought it would be a cute cameo that they show up to trivia night and just have fun drinking and giggling with each other rather than taking the game seriously.
Thank you so much for asking, and I hope this answered all of your questions (◕ᴗ◕✿) I don't think I have any other Roudise on the backburner (´;ω;`) but if you choose to reas any of my other upcoming stories I hope you enjoy just as much as you did Bittersweet Reunion!
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Hey puff! So you said Hades is a "mess who hasn't spilled over" and there are definitely some warning signs even now - Artemis' dislike, the ominous grin in the last chapter does not bode well for Alex, him treating Minthe pretty badly and dismissively, being open about his attraction to Kore while acknowledging Minthe, eating Dio to shut him up and laughing about it (No Kronos flashbacks, Hades??) Of course he did a lot of this in LO too but that was framed as a good thing and you seem more self aware than that.
My question is are he and Kore still endgame with his bad traits? Or is Kore just hiding a much darker, more selfish side who would like all this?
Hades and Kore are both very, VERY complicated people with complicated backstories that involve both the good and the bad. They're both victims of circumstance as well as their own wrongdoings (even the ones that were well-intentioned, they're both walking the road to hell wink wink), they're both holding on to some pretty dark shit and we're going to be exploring plenty of both sides along the way. I'm obviously trying not to spoil anything, but I will say that Hades and Persephone are not going to have a cut-and-dry 'fairy tale romance' like what was attempted in LO, Rekindled is attempting to be a more faithful retelling of the original Hymn to Demeter after all (or at least its original themes and messaging). They're both incredibly damaged people with a lot of tightly-sealed baggage that DESPERATELY needs to be unpacked and we all know what happens to relationships built on those types of foundations ;0 So that's all ima say on that ~
As for the irony of Hades 'eating' Dionysus, hurt people hurt people. Though I wouldn't worry about Dionysus, he just projects his consciousness into berries, he's alive and well ;) As for Hades... let's just say you shouldn't eat berries possessed by the god of madness, guy is gonna have a harsh comedown LOL
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