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andrewwtca · 1 year

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a Soriku Endgame, Actually essay on Light and Darkness

Also available to read on Archive of our Own.

Kingdom Hearts, with Sora and Riku in particular, has been on my mind as of late. It’s always been on my mind, to be honest, ever since I first got into the series. It’s grabbed my hand and hasn’t let go, especially with all the new lore. And yet, I’ve been struggling to make peace with myself.

On one hand, I don't want to get my hopes up, thinking that Sora and Riku would ever become something 'more' or that what I’m seeing is anything other than in-depth speculation. I've had my heart broken before and this series means too much to me for me to foolishly dive in like this.

On the other hand, I can't ignore what the story is telling me, as a literary analysis enthusiast and as a diehard fan. There have been parallels established, setups finally going through, and Nomura has said before that “this series is not intended to be child-focused, and so the complexity of the story is purposely made prominent.” I can’t keep turning a blind eye, knowing everything I know, thinking everything I think. If I did, I feel like I would be doing a disservice to both my experiences with the series and my experiences as a person.

So yeah—Soriku Endgame, Actually. Today, I’m arguing its canonicality because of the balance of Light and Darkness (or lack thereof) throughout the series. Please enjoy my messy and impassioned essay!

a sky of falling stars

The Children of Destiny is a new concept introduced to us in the finale of Dark Road. To summarize, they are people with the ability to feel what others feel, connect, and become one with them—empaths with Light.

It appears that the Children of Destiny are all descendants of Ephemer, characterized by silvery hair. There's Ephemer, there's Baldr, there's Xehanort—and, oh yeah, there's Riku.

Upon the release of the finale, a lot of people—myself included—quickly jumped to the conclusion that Sora is a Child of Destiny, which isn't all that wrong. If we're going by what the games have given us, Sora is very special. What other character has housed five different hearts inside his own? What other character had an entire arc in Birth by Sleep talking about how he felt the pain in someone else’s heart?

But Nomura has insisted since the beginning that Sora is an ordinary boy, that he wasn't born with anything special, explaining that he “had the premise that a heart like Sora’s exists within all the players. Sora is ‘ordinary’, therefore everyone is ‘ordinary.” (Before anyone argues Nomura is just going through a retcon, I doubt he would go through with one to this extent, given how he has had the ending to the Dark Seeker Saga in mind for years.)

Riku, on the other hand, has not been given this kind of treatment at all. He's always been painted as a golden child, better than Sora at everything, being the original bearer of the Keyblade. For crying out loud, he had a light in Birth By Sleep that was seen from space, not Sora. If you factor in bloodlines, it wouldn't be too far off to theorize that Riku is a descendent of Ephemer's line. Riku isn't who most look at first, but all signs lead to him being a Child of Destiny.

But that doesn't explain Sora at all. He may not have been born special like Riku, but he's special somehow. After all, Nomura did finish his ‘Sora isn't special’ line with, “I figure even if you’re ‘ordinary’, for something important, everyone can exhibit a special power just like Sora.” Aqua even calls out that Sora is the one who can set things right, the boy who can touch others’ hearts.

And that is where the necklace theory comes in.

Sora has always been associated with royalty, sitting on a throne in box art or having crowns plastered around him—or on him. From his debut, Sora has had a crown necklace that has never been explained. Despite wearing it in every outfit, it's never been addressed how it came to be.

It’s after Aqua and Terra came, judging by the BBS cutscenes of him and Riku. But it’s before KH1, as that's when his journey began. That’s a huge timeframe, from being a kid to deciding to leave the islands, but it's easy to pinpoint a time when considering something the games still never fully fleshed out: the meteor shower.

In Chain of Memories, Sora and Riku fight over this memory they supposedly both had of Namine one night during a meteor shower. One of them promised they would keep her safe, and it's all cute until we remember that Namine wasn't actually in these memories. And Namine can't make any new memories—she can only rearrange old ones.

Sora and Riku both share this memory. And the way they fought over this memory gave it the utmost importance. It becomes obvious at this point that the both of them witnessed a meteor shower, and given what we know about their dynamic (and that's a lot), it would make sense to assume it was Riku promising Sora to keep him safe—almost like a charm.

The necklace theory has been around for years, but it’s only after the Dark Road finale that it was expanded upon (or perhaps it’s just me and maybe three others who think this, but I don’t mind one bit.) It isn't just Riku promising to keep Sora safe. In giving Sora a necklace, a crown, Riku has metaphorically crowned Sora. He has brought Sora up to his status as a Child of Destiny, putting all his love into a charm that he hopes can keep Sora safe.

There’s a flaw in my logic though, trust me, I know. I just said that this meteor shower didn’t happen until after BBS, and yet it’s during the game that Sora feels the pain of others, it’s during the game that Aqua says that Sora is going to be the one to set things right. But I still stand firm in my belief. Riku has always been painted as the golden child, the Child of Destiny, but his love for Sora runs deeper than his love for anything else.

Riku’s light is the one that brought Terra and Aqua to Destiny Island but Riku’s light shines for Sora; sort of like step one to Sora’s crowning. Riku’s light rubbed off on Sora, ever since they were kids—after all, a Child of Destiny’s power is to connect hearts. Why not connect his own with another? Why not share his light?

Further, in BBS, Sora can feel Ven’s pain and take care of his heart, but he isn’t fully aware of this nor is he able to really do anything about this. It isn’t until KH1 that Sora ever exhibits a power of truly connecting to another’s heart when Sora entered the darkness swallowing Riku and touched Riku’s heart’s light to obtain his Keyblade, explained by Nomura himself. And it isn’t until KH3 that Sora finds the power to wake up Ven’s heart.

Regardless of whether or not I’m right about this, it means Nomura isn't technically wrong about Sora being normal. Sora, no matter what, doesn’t have some divine birthright, but he still has the makings of someone who can bring peace to the world—all thanks to Riku.

This helps set the tone of their relationship, of the depth of Sora and Riku’s bond. It also moves the storyline forward to how they will be the ones to instigate change—but I’m getting ahead of myself. Let’s first talk about who once were and who they could’ve been.

in another life

Kingdom Hearts is pretty on the nose on parallels between Xehanort/Eraqus and Riku/Sora. Besides personality, Xehanort and Riku are both Childs of Destiny who give in to the darkness and Eraqus and Sora are endless sources of light. But the parallels don't exist to make us empathize with Xehanort/Eraqus: they're to tell us a cautionary tale of what our protagonists could've been.

So it begs the question, what actually separated Sora and Riku from becoming like Eraqus and Xehanort? Let’s start with Riku.

To recap, Xehanort was a student in Scala ad Caelum alongside Eraqus, who watched all his classmates die. He learned from Baldr about their roles as Children of Destiny and in his grief, became obsessed with wiping the world clean. He wanted a Keyblade War to create a fresh start, void of Light and Darkness, so that the world could try again.

Riku seemed to have been walking the same road as Xehanort. He stopped fearing Darkness and started dancing on the line between it and Light. Riku was angry at the world and angry at his friends, and perhaps in another life, he may too have wanted to wipe the world clean.

But every time I compare him and Xehanort, I can't help but think that a cautionary tale isn't what Xehanort/Eraqus is. Because I can't help but think that it just could never have happened to Riku, and it's for two main reasons:

1) Hope.

Riku has hope in the world. When we look at all the other Children of Light, they all had a Darkness that took them down (although in Ephemer's case, it was a literal Darkness that killed him). Baldr lost himself in grief. Xehanort lost himself in rage. But not Riku.

When Xehanort saw that the world couldn't be fixed (to how he believed it should be), Riku did not even see a world that needed fixing. Riku saw the world in all of its complicated glory. For instance, Riku is one of the first characters to acknowledge the feelings of Nobodies; their pain, and their love. He doesn't see them as an extension of Darkness or Light. They simply are.

Riku believes in redemption. It's been his entire character arc, after all, to redeem himself and walk the Road to Dawn, a term coined way back in CoM. Ever since then, Riku has been closely associated with the sunrise—night turning into day. Darkness becomes Light. Redemption. This symbolism is shown in box art, said in interviews, even his Keyblade is called the Way to Dawn.

The fact that Riku was even able to think of the Road to Dawn proves that he's nothing like Xehanort. Xehanort believes that there is no redemption because the world needs to be wiped clean. But Riku believes that there is a road he can walk, a road he can take to salvation because the world is not good or bad, but made for people to live and learn. But how? How was he able to walk that road? He has hope, but how was he able to use it? And that's the second reason.

2) Sora. Riku has Sora.

It may feel a bit obvious to say, but it's true: the fact that Riku is Riku; Sora is Sora; and their relationship is the way it is, is the key to why they would never have fallen to the same fate. We don't know the full extent of Xehanort and Eraqus's relationship, but it's safe to assume it wasn't as kind or loving as Riku and Sora's ever were. The two would play as kids, promise to keep each other safe, tell secrets—the two became princes of destiny together, destined to fight their way home.

I can't see Xehanort and Eraqus as anything more than students in a fucked up situation. Because when things got bad for Xehanort, he didn't think of Eraqus as his guiding light. He only thought of what he lost. There’s even a line in Dark Road of Xehanort hearing Eraqus crying in the other room, yet he never comforts him, never approaches him. They suffered alone, too afraid or perhaps too blind to reach for one another.

When things got bad for Riku, he saw Sora. He saw how Sora loved Kairi and sacrificed himself for her, and he saw that Sora was forgiving towards him. The reason why Riku and Sora didn't end up like Xehanort and Eraqus is that they simply aren't them. Their bond is deeper and their love is stronger, and Riku’s hope is simply stronger than Xehanort’s ever was.

It’s important to emphasize that this truly is a feat that only Riku (and Sora, one day) could’ve accomplished. It's natural to us that Riku, one of the series' protagonists, was able to do this. It's easy to shrug off the balance he managed to strike between his Light and Darkness, but for so many actually in the series, it's an incomprehensible thought. Mickey even stated in CoM, that Riku introduced Light and Darkness in a way nobody has ever seen before. To understand how this affects Sora and Riku’s relationship, it’s important to understand the way things currently are.

the light we pass down

Light and Darkness are the very core of this series. Light represents the connections you make with others, while Darkness represents the lack thereof—those with Darkness in their hearts are those who walk alone, while those with Light are those with many friends around them. Darkness is selfishness, and Light is selflessness.

Darkness is usually framed as an inherently evil source in many stories, but it's something that cannot be extinguished. Light needs to be there to balance it.

But Kingdom Hearts seems to be going down the path less taken—yes, Darkness isn't 'good', and it isn't desirable to isolate yourself from the rest of the world. But the series is asking the question many like to ignore: when does Light become Darkness?

In nearly every game, you can trace one character fed into the illusion that Light is good, everything else is bad, and the needs of the many outweigh the needs of the few. MoM to his pupils in Union X; Odin to Baldr in Dark Road; Eraqus to his children in BBS; Yen Sid to Mickey in forbidding him to speak of Aqua; Donald and Goofy to Sora in telling him that their ship runs on happy smiles. It is generational trauma.

A cycle of hypocrisy has been forced on not only the 'defenders of Light' but 'agents of Darkness.' Xehanort doesn't care who he hurts as long as he can get his own idea of balance in the world, believing his judgment to be supreme to others—despite his initial thoughts in Dark Road, that unless someone's heart is pure Light, how can one know for sure what is right and wrong? To which Eraqus responded that they as Keyblade Wielders held the supreme judgment towards morality.

Again and again, this cycle of defending what they believe is good and Light repeats, hurting themselves and hurting others, and even Sora is not free of this hypocrisy. While he doesn't go out of his way to hurt others the way Xehanort has, he is capable of hurting others: Riku was hurt by Sora in KH1 when he was silent when Kairi suggested leaving him behind or when he shrugged off Riku going missing in Traverse Town. In CoM, when the idea of him ‘abandoning’ people was presented, he acted out harshly and completely rejected the idea (this is all another parallel to Eraqus!)

He even denies the idea that Riku has hurt others. Despite Riku acting out of his own free will, the reason he feels the need to atone and walk the path to redemption, Sora believes that the Darkness was forced on Riku by others.

Sora has been carved into the same mindset as so many others, the idea heavily tackled in Dark Road, that Darkness is only brought upon by others, and that it needs to be expunged. Sora is a firm believer that the Darkness is something to be eradicated, such as with his encounter with Vanitas in KH3. When Vanitas states that he is simply Darkness, Ven is quick to understand and even accept. Sora, on the other hand, rejects this and insists that it isn’t okay.

Even our series’ protagonist is unable to shake himself from this self-righteous, black-or-white thinking. Riku is the only character in the series who has formed an actual balance in himself, with all other characters having to pick one side. Lea, Xion, and Roxas leave the Darkness of Organization XIII and become Keyblade Wielders. Terra embraces his Light, Aqua leaves the Realm of Darkness, and Ven is literally separated into a being of Light and Darkness (although not out of his own volition).

The series is not framing any of these things as negative—there’s nothing wrong with embracing Light. However, these characters are falling into the same cycle that the generations before have; they will once again be faced with a Darkness too deep to defeat and ignore. It must be talked to, reckoned with, and faced with open arms. Riku has been the only one able to return the hug and walk away.

We’ve explored what makes Riku’s character arc so significant and what Sora’s flaws are, and it’s time to dive into the murky waters of the future.

when does the sun become the night?

Sora. Oh, Sora. I love you, Sora. Now let me tear you and your smile apart.

The parallels between Xehanort and Riku are very on the nose and easy to distinguish; meanwhile, Eraqus and Sora are a bit more challenging.

In BBS, Eraqus is the Master of Aqua, Terra, and Ventus. He forms a bond between them, as one would expect, mentoring and looking out for their well-being. The Light in his heart is strong due to his connections with them, alongside being a Keyblade wielder. Although not perfect (feeding into Terra's insecurities about his Darkness, cough), he does care for them. But when the world falls to Darkness, Eraqus doesn't hesitate to be selfless, to give up his connections, the Light in his heart, to kill them to save a greater good. As long as someone somewhere can benefit from his actions, he isn't harming.

But is that selfless? Is sacrificing for a 'greater good' truly selfless? Is there a line between the needs of the many and the needs of the few? Or is there a certain ‘darkness’ that comes with these acts? Disregarding yourself, disregarding others, selfless yet selfish; it's not the right thing to do, and the series doesn't hesitate to frame it as that. What Eraqus did was wrong. He hurt others, even if he refused to acknowledge it.

And yet, no one seems to make any noise toward Sora.

Sora is a Guardian of Light. He is the cheerful protagonist who makes everyone smile and feel better. Ever since the first game, when Donald and Goofy (although not with ill intent) told him that the Gummi Ship runs on happy faces, he's been under the precedent that his emotions do not matter in the greater scheme of things. In the long run, what matters is that others are safe, the people he cares about.

Once again, like how Xehanort and Riku deviated in terms of having hope, this is where Eraqus and Sora begin to deviate from their parallels. While both are selfless to the point of ‘darkness,’ they show it in dramatically different ways. Eraqus is willing to hurt the people he cares about (and by extension, himself) to serve this 'greater good', but Sora is only willing to actively hurt himself.

I feel the need to remind everyone that this is a teenager we're talking about. If we weren't in a franchise partially owned by Disney, I feel like more people would be willing to call this what it is: suicidal. This is not Light.

We've already seen ways that this harms Sora outside the narrative and the whole getting sent to Quadratum thing in his Rage form. Sora transforms into a drive form that’s oddly reminiscent of his time as a Heartless and can unleash powerful attacks that lower his HP (hmm). Furthermore, this form only appears when his HP is low (double hmm) and stated by Nomura, “based on him going into a rampage state, controlled by feelings of anger (triple hmm).”

Back inside the narrative, the climax of KH3 was Sora believing that he's worthless without his friends, genuinely worthless, and unable to fight at all. This is the very definition of a Light gone too far when remembering that Light is the connections you form with others. With too much Light, Sora lost himself. He couldn't find himself past who he was for others.

In the section prior that broke down generational trauma as it appears in Kingdom Hearts, I mentioned that Sora does not only end up hurting himself but passively hurting others around him, most notably Riku. Sora is unable to understand that Darkness is not the absence of all good but rather the shadow that simply follows you around. Sora cannot understand that Darkness is not something to be shunned, to never talk about. (This could also be tied back to his Rage form—while he does not actively channel his anger to hurt, that is what happens; only to never be acknowledged by him.)

(Off-topic, but I find it funny that Sora, who is so keen on the idea that Darkness is Not Good, was only ever to have a proper conversation with Riku in the Realm of Darkness. It’s very telling to their characters.)

Kingdom Hearts is setting up a narrative that Light and Darkness cannot exist in excess. That Light doesn't exist to balance out the Darkness, to stop it from becoming too strong—you need Darkness to exist as well.

Sora has gotten this far along the story and still hasn't managed to learn this, because it’s just not something you can learn (or unlearn, rather) on your own. Because this kind of thinking isn’t undone with hours of contemplation; in a fitting Kingdom Hearts fashion, it’s connections that lead to the revelation.

the roads we walk

Xehanort and Eraqus fall out with each other. They stop talking and sever the connection with each other. That was a core reason things got as out of hand as they did for each other; they weren't keeping each other in check. Xehanort's Darkness left him blind and unable to see that there was Light after all, and Eraqus's Light blinded him and left him stumbling with a Keyblade for a 'greater purpose.' Their hearts fell too far to one end of the balance, leaving the scales unbalanced.

Riku and Sora do not have that. They have a connection like nothing seen in this series before—Riku had literally raised Sora to become a Child of Destiny alongside him. The Light of their hearts is just so awe-strikingly bright.

Sora, however, has lost himself in all his light. He is stuck in the same bright room that Eraqus was, stumbling around with his Keyblade. But where Eraqus was forever lost, Sora can be found: because where Riku had Sora to guide him to the Light, Sora will have Riku to guide him through the Darkness.

Riku spends the majority of his character simply proving that he is capable of redemption. It takes him the ending of a game to realize the errors in his ways and another game to figure out the solution he must fight for, and these weren't revelations he finds on his own—he found the first with Sora and the second (in CoM) with Mickey and Namine.

For Sora to even have the revelation that he cannot keep shutting out the Darkness in him unless he wants more pain for himself and others, he needs someone to help show him that is an option. And who else but Riku, who is living proof that existence isn’t just black-or-white, Light or Darkness?

Riku is Sora's foil. A foil is a character who either has pronounced differences between themselves and the protagonist or is so alike that a contrast appears. Riku is the ladder, similar enough to Sora that one can begin to make assumptions about where the story is heading. Their similarities aren't hard to find: they both hail from Destiny Islands, they both have a love for adventure, they both were assumed to walk a path of Light for the rest of their lives, and they both care deeply for each other. The contrast begins in KH1 when Riku begins his fall to Darkness while Sora remains firm in his standing.

Riku’s arc ended with acceptance; he needed to accept the Darkness and the Light inside him to find peace. It’s only natural that his foil, struggling with the same imbalance, would go through a similar arc but still different enough to be his own.

It isn't just the story telling us this. Riku has always been associated with imagery of dawn, the breaking of Darkness into Light, and Kairi is always associated with imagery of dusk, the breaking of Light into Darkness (which is a conversation all on its own). Sora, on the other hand, is associated with a large blue sky (his name, after all, does mean sky.) It's not hinting towards a journey of any kind—not a redemption like for Riku.

He is the daylight. He is the Light in everyone's lives. But ‘Sora’ doesn't mean the day sky. It simply means sky. Sky, at day or night—and I don't mind if you call me reaching at this point, but it feels like it's calling out to the fact that Sora needs to accept that he is both Light and Darkness, the way the sky is both day and night.

Nomura has even stated in an interview before when asked about the two different versions of the Dream Drop Distance illustrations that he “wanted its composition and look to remind [the player] of the title’s catch copy, ‘Darkness becomes light, light falls into darkness.’” The parallel structure of the tagline serves to mirror the parallel structure of Sora and Riku’s paths, Sora’s road to night and Riku’s road to dawn.

But I digress. Exhaustively, it’s very apparent that Sora is heading toward a climax, a Darkness he cannot ignore. His breakdown in KH3 was left unspoken, unresolved, and his disappearance only contributes to the fact that he’s heading toward another breaking point, where the cheerful protagonist can no longer remain cheerful. But like in KH3, something is going to be the same: Riku.

At his lowest point, it was Riku who was next to him, telling Sora that he believed in him. It was Riku who carried on when Sora couldn’t. Riku is going to be key in Sora's journey to night. Riku was able to find his Road to Dawn by remembering Sora. He was able to walk by remembering his love, his passion, his everything, and it was because of Sora that Riku found balance. He found the Light within himself, and he learned to accept that the Darkness would always be a part of him, the way it is for others.

Sora's arc will be spun into motion because of Riku. The next installments of Kingdom Hearts are setting up that Riku's dreams are the key to finding Sora, implying perhaps that it may be Sora and Riku all alone in a world. Whatever the case, Riku is going to be by Sora's side, as that is where they are at their best, to face Sora’s worst.

And it's fitting. Riku had to go from Darkness, defined as a lack of connections, to a balance with Light, having connections. He went from his isolation, wearing a blindfold and not being able to face anyone, to being the charming Riku we all love, fighting alongside the Keyblade wielders. His journey would have him open up, so he would be joined by memories, ghosts, not by people until he began to embrace others.

Sora will be going from Light to a balance with Darkness. He'd be going from connections to a lack (though not in the same extremes that Riku did), in a sense. Understandably, he can’t do it alone, make such a drastic change; he'd need someone.

This change, this balance, this emphasis on connections, it’s guiding us to what the narrative has been trying to tell us all along.

we can be the darkness, and the light, and the sunsets and sunrises too

When asked about the theme of KH3 and the entire series, Nomura answered, “It’s in the title: hearts. The consistent theme across the whole series is ‘What is a heart?’”

Kingdom Hearts is going to be doing something unprecedented in not only a lot of media but in its world itself. While the idea of Light and Darkness existing within characters is not new, the characters aren't exactly behind that idea. Most of the Keyblade Wielders and Guardians of Light cherish the Light above all else—while all the primary villains worship the Darkness. They fight for a balance but don't fully grasp that within (nearly) all of them lies both entities.

Riku seems to be more accepted in the world, as he did join the Light in the end. But what Sora would do is... just absolutely bonkers. He will be embracing a Darkness in him, the same kind that Terra and so many others were taught to push out. Sora will be... well, a teenager. Happy and angsty and all the things teens are.

This is where Kingdom Hearts has the chance to seal the deal, to fully welcome this balance of Light and Darkness: a relationship between Riku and Sora.

For all Guardians of Light, there is a generational trauma hanging over their heads and haunting them, and Sora will need to accept his Darkness to combat it, but the story can't end there. The games have been building up the idea that Sora will be the one to bring change to the world, that Sora will be the one to end this cycle. He won’t just accept his Darkness but lead a new age. He will be the one to show that there's a different way (or really, only one other way) to move forward:

Love.

Unconditional love. Not love depending on whether they fit the wielders' definitions of Light and Darkness, not love depending on the amount of Light in someone's heart, not love clouded by hypocrisy. Just pure love, forever forgiving and growing.

So who better for Sora’s love than Riku?

Let’s get all the arguments for Kairi out of the way first. Some may say that Kairi could still fulfill this role of spreading love in the next games, but that’s only if her role in the story is completely revamped. She represents friends growing apart as they grow older yet remaining close. While Sora and Riku represent a balance between Light and Darkness, Kairi represents holding a Light close to your heart, even when it's so far away; fitting for her story of being ripped apart from her home.

The games keep pushing the friends' growing apart narrative rather than pulling from it, having Kairi remain with Aqua to train while Riku goes after Sora. There is little space for Kairi to suddenly walk a road to dusk that leads to romance. Especially because it’s Sora and Riku who are the Children of Destiny, they are the ones who will connect to other hearts and bring change, not Kairi. Her lesson would be for herself, not for the world to see.

A relationship between Kairi and Sora would just be backtracking on this message. Sora needs to accept his Darkness, but joining forces with a Princess of Light does not challenge any norms, it does not provide a new answer. It makes sense because the core of Kingdom Hearts isn’t a Prince and Princess of Light—it’s two boys who saw the night sky fall one day, two boys who grew up together, two boys destined for something greater who write their own paths anyway. It’s Sora and Riku. Nomura himself has stated that “Sora and Riku represent the theme of the Kingdom Hearts series, which is the ‘light and dark sides of the heart,’” the essence of this essay.

Carrying on, some may stop me here and say that their love doesn't need to be romantic for a point to be made. But I argue that there is no other way.

Romantic love in stories often serves as the culmination of the story’s themes. In Leigh Bardugo's books, her romances serve to show the importance of love and healing. In the Shadow & Bone trilogy, Alina has the options between the Darkling, representing power, Nikolai, representing nationalism, and Mal, representing love. Just love. Not one befitting of a Saint, someone to change the world, but that’s not who Alina wanted to be; she just wanted a happy ending. Shockingly, she picks Mal. In Six of Crows, Kaz and Inej's romance, both traumatized teenagers, serves to show that you can heal and you can love. They're both scared of people, scared of intimacy and yet they still love with all their scars on display.

In Revolutionary Girl Utena, the romance between Utena and Anthy reaches its climax at the end of the show, displaying the vulnerability of both girls and the rawness of their feelings. But most importantly, it drives home the message: that the power to bring revolution is not the power of a prince or a witch. The power to change the world is love. The only way to change the world to be suitable to live in is through love. The power, a revolution, brought by love.

Romance is a revolution. It’s often saved for the last act of stories because of how it acts as a thread between all of the themes. In Kingdom Hearts, the theme needing weaving is balance: balance between yourself and others, balance between selflessness and selfishness, balance between Light and Darkness. Sora and Riku getting together would be Yin and Yang—a boy who had to accept his Darkness and a boy who had to fight for his Light. They complement each other and fill where the other lacks.

Likewise, a relationship between them stresses the importance of connections. Tai Yasue, co-director of the series, has stated that “the theme of the KH series is ‘connections of the heart,’” and the narrative will take advantage of any opportunity to let that theme shine. Previously, many defenders of Light would sacrifice their connections with others for a greater good. But Sora and Riku choosing to love each other, choosing to love the Light and Darkness in each other instead of trying to chase away their Darkness, is showing that love is their other option.

Sora getting with Kairi challenges nothing. It tells the others that Light must be with Light, that good must be with good. Even their grand attack in Re:Mind is two giant angel wings where they proclaim, “Light!” Sora and Riku, however, show that Light does not mean good. It shows that people can do bad things, and it doesn't make them bad, because people are not black and white. Like two kingdoms forever at war with each other, finally coming together and realizing that the other side is human and that you can't simply demonize them.

Sora and Kairi say there is nothing wrong with the world. To carry on. Sora and Riku say that there isn’t anything wrong with the world; it’s the people looking the wrong way. There is nothing wrong with what’s around us. Nothing wrong, nothing right. “Nothing is whole, and nothing is broken.” It’s simply being: being Darkness, being Light, being both, being neither.

It has to be Sora and Riku. It's always had to be them. Riku brought Sora up to the status of a Child of Destiny, and their journeys were led by each other, their character development taught by one another, and their acceptance will come from (an eventual) conversation between the two about their pain and hurt and Darkness, it’s all always been leading here. To this moment in time where they show the world all the hurt they hold and how they carry on with.

All of that, and loving each other?

They are crossing the line, as Hikaru Utada sings in Don't Think Twice. They are going to be crossing every line established in Kingdom Hearts, and this is their power. Their revolution. Their predetermined yet self-made destiny. The payoff for years and years of searching and yearning and pining and chasing is a love that brings revolution, and oh...isn't that just romantic?

That is the answer to “What is a heart?” The heart is the love you have, despite it all. The heart is the connections you make, despite it all. The heart is your Darkness and your Light and your experiences and your fights, despite it all. The heart is Sora and Riku, despite it all.

grant us the power to bring the world revolution

A lot of this analysis really depends on whether or not you believe Sora and Riku are in love with one another, I realize. You may agree with me that it seems fitting that their coming together as a pair would catalyze all the themes in Kingdom Hearts, but you disagree that it means they'd ever be a pairing. Which, I'd like to thank you for at least hearing me out.

The queerness of their relationship means there will always be naysayers to them getting together, there will always be people claiming that I'm reaching. I do not care if you see them as brothers or ‘just’ really good friends. I see a love story. I see a love story and a love story saying to love, above all else. Do not judge others for you don't know what is wrong or right, for you are biased, for you are flawed, for you are human. Love others for that is the heart's will. Love.

I see that their getting together would be a testament to that love. To that forgiveness, to those flaws we have. It would be an acceptance of Riku's pain and Darkness that he mysteriously doesn't want to acknowledge, it would be an acceptance of Sora's pain that he's been bottling up ever since the beginning of his journey, and it would be an acceptance to the Light they both share. It would be the balance that so many generations have looked for and couldn't find because they did not practice acceptance, only judgment.

Sora and Riku getting together is acceptance and it's proof that love is the answer to a generational trauma that has been around ever since the beginning of time. So yeah: Soriku Endgame, Actually.

Thank you so much for reading! I’m a really big fan of stories about light and darkness and the balance between them, stories about love, and just Kingdom Hearts in general. I didn’t want to keep these thoughts in the back of my head and I’m glad I wrote them all out, even if it’s messy (and a shocking 6k words long...) Kingdom Hearts is a bit messy, after all.

If you're interested in more about Sora and Riku's relationship or just literary analysis of KH in general, please check out Constructing Kingdoms on YouTube, as it helped give me the words to write a lot of this essay. Further, if you're in total denial that there is any queer text in Kingdom Hearts, please check out this amazing video essay on Riku being gay.

That's all I have. Please feel free to share if you have any disagreements or if any parts really spoke to you, or if you have anything to add, or anything really. These two live rent-free in my mind, and I don't mind talking about them or about how they're just so perfect to change the world.

Thank you. Spread love (and the Soriku agenda.)

#kingdom hearts #sora #riku #sora and riku #soriku #soriku endgame actually #media analysis #literary analysis is my special interest #andrew's essays #meta essay #kh meta

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organizationhimself · 1 year

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just kinda having some thinky thoughts about how dark road totally rewired eraqus's character and what a phenomenal job they did.

like here's your problem you have. you need to take this cloistered old man who raised his students in the jedi way, somehow put up with Old Man Villainy being That Way presumably on the regular, lost every last iota of his shit and turned on the Apocalypse Child he adopted as well as his surrogate son who was infested with The Evil (which the series has long established as not necessarily being good or bad without context) to say nothing of the headtrip he gave his direct heir, and you need to reduce him to a version of himself as a child that is. like. fun. someone who has a genuine friendship with xehanort and is regarded by xehanort as someone who is a "sly fox," i.e. not the sort of buffoon who tests for mastery of the keyblade by child-proofing some orbs of light.

where do you even begin?

YOU TRAUMATIZE THE UNGODLY HELL OUT OF HI--okay i'm getting ahead of myself, let's start with principles.

because eraqus is principled. he believes really firmly in the light in a way that's nearly sora-adjacent in its intensity, but the thing is that sora has this flexibility that eraqus was simply not raised to appreciate. yes, nomura, we understand you like the bright sunshine one and the wry brooding one, you did it with sora and riku, god knows what you did to axel's spine to fit him into the sunshine kid's mold next to isa as brooding anti-crybaby, and now we're doing the same thing to eraqus. ok. i love it when you're optimistic, let's do it.

so first we need confidence. easy; he's a smug little rich kid. worked for riku didn't it? (source: kh1 manga, and the fact that you cannot convince me anyone can maintain a kid with that build on a budget) but we also need to see how dark road changed him as a person. let's contrast his uptight stick-up-his-ass future with a present day class clown who doesn't take things seriously; a headstrong fighter who jokes that he'll just run away. and hey speaking of emotional damage, let's start easing into the inevitable terrible, horrific, unspeakable traumas we're going to visit on this defenseless creature with a little one as a treat:

HIT HIM RIGHT IN THE GRANDPA.

and there you go! we now have a source for eraqus's rejection of the darkness that is not simply a function of his career as a jedi keyblade master, but has an actual personal experience he can point back to in order to say "hey, darkness is the pits!! here is why." it sets the stage early for him to be already butting heads with xehanort, who takes a much more flexible look at the worlds and the way they work and is more willing to view things from the perspective that he is not an authority on the moral peculiarities of whatever world he is currently inhabiting.

xehanort is also a child of destiny [citation needed]. an isolated visitant who was born for finer things but never slept a day in his life without waking up with sand in his mouth until he reached out and took his fate in his bare hands and let it drag him all the way to scala.

where he met the blueblooded child of a keybearing legacy thousands of years in the making, just like his.

and suddenly what you have are unwitting equals. we're ready to set them both up at the chess board; eraqus's legacy is plain, he moves first and he makes no apologies for it because it's his birthright. but xehanort's half of the board is still buried in shadow, implied but never stated, never surrendered to eraqus's probing questions or revealed by his moves, but already aimed at a clash with destiny, fated, inevitable.

shall we say, already written.

and this is brilliant!! now we have a source for our "sly fox," a reason for xehanort to be extremely familiar with the way eraqus thinks (and not to star wars on main but the obi-wan kenobi series did something really similar to this narratively by using anakin and obi-wan's familiarity with each others' fighting styles to predict the actions they would take in a situation, and i will actually never be over it in my life, absolutely stealing it for a xehaqus fic sometime, just shamelessly mugging ewan mcgregor in the street for that solid gold good shit). not only that, but we also have an explanation for xehanort's motivations as described by kh3. he is not looking at the fight from the perspective of one of the pawns; he is looking at the fight as a player, deciding which pawn gets taken. selecting which rook to sacrifice in exchange for the queen.

and eraqus is opposite him, doing the exact same thing (sort of, kh3 was a little cerebral with that), but there's an important difference here that we'll come back to later on.

so, okay. we have a vague outline in the shape of a sunshine kid now. he has confidence tied to his role in society, his legacy gives him perspective, his trauma ensures that he will one day calcify against the darkness with such emphasis that he will unwittingly pad the therapy bills of an entire generation. so far so good.

but uh, yeah, his kids? he fights them? like okay, axel has his differences with his kids too but he's not trying to kill them (mostly). eraqus really definitely for real is, and ven is defenseless. so that'ssss...hard to square with the sunshine kid we're building, nomura, how do we explain that? we really can't handwave it as amnesia this time, we're not working with ansem the wise here.

(BALDR. BALDR IS HOW--

ok but wait wait wait, before we even get to baldr, there's something we can do:

make eraqus impulsive.

and i mean impulsive. make eraqus spoil for a fight with so much unmitigated howler monkey energy that he will fight his friends just to vent. (this isn't even a unique thing, riku and xion and even sora do it all the time, and we're not here to talk about ven's crimes against miners but it's clear that violence is a spoken language in kh.) eraqus is fluent, so we're making it so that all of eraqus's intensity and passion can be focused on a single point if xehanort pushes exactly the right switches in his head.

and then, y'know, yeah. make baldr slaughter all of his classmates, several of them right in front of him, because of unchecked darkness and baldr's own inability to see past his own grief and resentment for long enough to understand that all he's really doing is inflicting his own suffering on other people in a murderstorm of nihilism and bitterness. unrelenting trauma conga line, check.

and now we have almost all the elements. eraqus's principles can't allow him to accept darkness, both because his grandfather was lost to it and because it left him (by all accounts a bourgeois slacker at the bottom of his class, someone vidar doesn't even consider as a candidate for one of the lights despite what baldr has to say about eraqus as a light source) one of the only survivors of an event that completely resculpted his life and community. time to pack him off to the jedi temple land of departure to be least okayest teacher of the year, right?

well...no. we need eraqus to wait.

because he doesn't take on students. and doesn't, and doesn't, for decades. first he fights xehanort, and as we have established he is spoiling for that fight (white moves first!). and then when xehanort finally visits him to drop off that half-dead kid he found (ven was like that already shhh), he's kind of like politely like "oh, you have apprentices. they seem...bright," like he's congratulating eraqus on finally reaching a life stage that eraqus should have hit approximately 50 years ago, and eraqus is like "yeah yeah whatever shut up anyway YOU'VE got one too now right." (yen sid talks about the role of "seeker" like it's a different thing from "keyblade master" so that's where i'm extrapolating this distinction from, but regardless i don't think anyone ever seriously expected xehanort to take on students.)

my point here is that eraqus waited until the last possible opportunity to take on students. to carry on the legacy that was so important to him as a child, and to re-experience the closest thing to the camaraderie he had as a keybearer-in-training that he could ever have back. that is how impactful baldr's actions were for eraqus.

i'm veering completely into speculation now but i think eraqus was terrified. how could he not be? his class wasn't even taking the mark of mastery and still got decimated by it. how could he risk going through that again, but from odin's perspective this time? what guarantee would he ever have to avoid the same tragedy his master had failed to prevent?

so, NOW we know why eraqus's mark of mastery was a handful of light pinatas and a duel. (i like to think xehanort felt a certain level of professional embarrassment for him and wanted to make it just a little more like a real challenge.)

(this is a sidebar and i'm going to talk about my other blorbo for a second but terra has a beautiful dream of being a sly manipulator. that's why he doesn't worry about investing himself in villain schemes, because he assumes he'll see the snare coming before he gets his head caught in it, but it's never coming from directly in front of him like he expects. so this is a dream that will never come true, but he has it, and i think given what we knew about eraqus as early as blank points, its only possible source is a master who was strict and exacting, but--very occasionally--also a sly fox who secretly delighted in his students' nascent abilities to surprise and outwit him.)

back to the trauma, we also have, obviously, the explanation for eraqus's attitude towards terra, and later ven. terra is a tragedy in slow motion that eraqus has seen happen before. baldr was unable to control his darkness; it overwhelmed him, and eraqus does not have the context that xehanort does, that baldr was in some ways a product of his own darkness-shunning society. even if eraqus does have that context, i can't really see him agreeing with it--and even if he at one point agreed with it, he would have gotten that context from the same guy who last showed up at his house talking about kicking off the apocalypse for the vine.

so like. eraqus has never seen any damn thing in his whole life that doesn't confirm his bias against the darkness. does that make him innocent of parenting Incorrectly? no, he is a Bad Dad. does it explain his hopelessly unsuccessful parenting strategies? yes, it does.

what it reinforces is also that eraqus didn't want to have to fight terra and ven. the original bbs is honestly not very good about establishing this: he cries one Sad Tear. yawn. still child abuse, asshole! the stakes in bbs are also not very well established, because there's approximately six people in it and some of them are just the same guy over again, so we don't really have a sense that terra being taken over by the darkness is like...gonna mean something to eraqus that is sincerely worth the personal cost of killing him. since we're clearly no longer worried about ven, there aren't other students to protect (besides aqua, but she's a really hard sell on the "needs to be protected from terra with so much urgency he must not live another moment" front). there is no immediacy to ven's status as Apocalypse Child; if anything vanitas seems like the obviously more important threat, and maybe eraqus should be less concerned about weeding out students and more focused on vetting friends like Old Man So Clearly The Villain My Guy. bbs eraqus is just genuinely hard to like as a character.

but now we have dark road context.

and white moves first.

eraqus is not seeing terra or ven in that moment, he's seeing baldr. he's seeing the summoning of kingdom hearts that almost was, and he is gripped by meticulously prearranged, bone-deep, irrational, traumatized, unbridled impulse. the emotion must vent. the thing he was powerless to stop has returned to haunt him and he must resist it. he knows what will happen if terra strikes him down here and heads back out into the worlds in search of other hearts, other lights. he knows.

but terra resists, using the full spectrum of his strength without remorse, and it is only when eraqus's keyblade is ready to fall from his hand that he realizes the truth:

My own heart is darkness.

and when this happened in the original birth by sleep all i could think was yeah star wars dad!! nailed it your heart IS darkness you fuckin dillweed, about time!! what took you so long!!

but after dark road, this context is completely changed. eraqus is not just realizing that he fucked up.

he is realizing that he fucked up the exact same way baldr fucked up.

that he let his own grief and suffering cloud his judgment and guide his blade to strike out at his loved ones. that instead of finding a way to live with what's already happened to ven, what was long ago fated for terra, he turned his resentment outward and gave that darkness leave to consume them both whole.

but unlike baldr, eraqus regrets it.

it is that moment that xehanort cuts him down anyway, not because eraqus can't be saved the way baldr couldn't but because xehanort is cleaving away the last of his own attachments to the world so he can follow through with the rest of his plans, and i am SO NORMAL ABOUT THI

but okay anyway. eraqus has exactly one move left.

he can't see the board. unlike xehanort, he has no extra pieces of himself he can just bandy about; the warriors of light must assemble without any of his direct input, chasing the echoes of eraqus's students and pushing and pulling in reaction to xehanort's steady advance through the center. he has only one chance. he can't afford to waste it.

the kings are meeting in the middle of the board. the stalemate will come any moment, when they're both out of moves and out of time, leaving the fate of the worlds undecided.

and it is at this moment that eraqus pulls the same penultimate move that xehanort himself used on baldr, confronting him with the first victim his darkness ever struck down. eraqus almost doesn't have to say anything, at all, because xehanort has to know what it means. has to know what it says.

xehanort resists. the world is too far gone. too many horrible things can happen in it; it must be reset. not purged and filled with darkness, like baldr wanted, but returned to a state that can never mutate into the conditions that made baldr exist in the first place. that doomed all their classmates to die. it's too late.

For us, perhaps...but not for them.

and now we go back to the distinction.

the thing that makes xehanort's chess game different from eraqus's is that, for xehanort, it's only chess. the pieces he's moving have ceased to exist in his mind as individuals. they are pawns on a line of white and black squares, and they may weave away from his will here or there but they cannot be swayed from their march.

eraqus never forgets.

and it's actually eraqus's capacity for forgiveness that i haven't even touched on yet. this isn't a word i ever expected to associate with him, but eraqus spends dark road forgiving. five minutes after any altercation he's already forgotten about it. name-calling. arguments. rejection. opposition. full-on fighting.

murders.

when xehanort kills baldr, eraqus is still calling out for him to stop. when xehanort later strikes out at him with darkness (the thing eraqus is scared of the most!!), permanently disfiguring him, eraqus has already forgiven him before seeing him the next time in person.

he does not forget that baldr is a person in spite of his darkness, and eraqus doesn't want him to be killed for it. that terra is a person in spite of his darkness, and eraqus doesn't want to see it consume him. that ven is a person in spite of the darkness that was cleaved from him, and eraqus doesn't want to see it return.

(if you think about it the real tragedy is that we were robbed of him looking aqua in the eye and telling her that she isn't tainted forever, that it did not take her, and even if it had, that will always, always matter less than her finding her way back. i refuse to believe terra was not already made aware of these facts.)

but he also does not forget that xehanort is not a faceless player in the skies, impossible to convince of the significance of a pawn; he remembers that xehanort, too, is still a person.

this point is important because eraqus's last move is not a checkmate (I KNOW HE SAYS CHECKMATE but it is not checkmate), but it is calculated to produce something else: a concession. he doesn't need the board to support his win or xehanort's loss; he needs the player on the other side to put down the pieces and follow his beacon out of the dark.

and that is how nomura shows us our sunshine kid at last, fully formed, as he takes xehanort's burdens from him and spirits them both well beyond the reach of the board.

anyway yeah microwaving him in my brain along with axel (and also roxas and terra because if i don't collect all my blorbos AND their hot mess dads i'll never fill out my pokedex).

#eraqus #xehanort #kingdom hearts dark road #khdr #xehaqus #i would apologize for the length if i were sorry

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mythicalartistx · 7 months

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So people blame Terra....

And it's not his fault.

Like essentially he wanted to do good and he wanted to help people.

Maleficent manipulated him like she did with Riku.

Terra and KH1 Riku are actually similar

Xehanort was probably a mentor he looked up to and he didn't know he was bad. Like from the viewer everyone is like he screams bad guy it's Xehanort— but Terra didn't know this.

Xehanort planted the seeds in his head and had him use darkness. Though Darkness isn't inherently evil, Eraqus was only worried.

Because of DR events where the darkness killing all of Eraqus and Xehanort's friends, Eraqus was worried for Terra. Xehanort , however, by experiencing that and seeing that went astray after the fact. Eraqus however knew this about Xehanort.

Maybe he thought he changed with putting Ventus in his care.

But because of DR events, Eraqus was worried and wanted him to be safe (he viewed him like a son) and would rather him just stay at the land of departure.

That's why he tasked Aqua with watching him. But at kh3 Eraqus admits he shouldn't have done what he did.

First seeing BBS you think oh he's a bad teacher when actually he's one of the better ones. He's just worried they will turn out like what happened in his and Xehanort's past. He only knew darkness as bad at this point too, they didn't have anyone like Riku who is in the light but also used Darkness for good

He keeps Ven sheltered, asks Aqua to bring them back and watch over them, and has Terra go out to prove Eraqus is wrong.

But by having them leave, Xehanort takes advantage of it.

Eraqus admits he was a foolish teacher and asked so much of them.

The reasons Terra was different from Riku is that he knew that darkness was bad and didn't want to use it. He then uses darkness to protect Ven something Riku probably would have done and that's when Eraqus realizes what he did was sorta wrong too and that he shouldn't have raised his hand against them.

However, Xehanort, takes that opportunity to attempt and kill him as Eraqus hides in Terra's heart.

Xehanort set the three of them on a path that led to distrust and separation.

It's no one's initial fault. It's bad circumstances.

After the final battle, Aqua saves Terra by sending him and her armor to the world of light.

And before anyone says she shouldn't of done that because he ends up causing his problems with Xehanort obtaining his body, Aqua didn't know that would happen.

Literally none of the characters knew the outcome of things. They didn't know Xehanort was filled with darkness, trying to sway them. Ventus lost his memories from being split from Vanitas.

They trusted their master for some reason let Xehanort around, that's the only thing I honestly really question.

He probably was just wanting to reconnect with their tragic yaoi

I see people hate on Aqua too but it's not her fault. She didn't really let being Master go to her head, she just wanted to do what was right and what she was told. Again because of separation there was distrust.

Anyone it's just Xehanort's plan, no one is at fault.

#kingdom hearts #kh #wayfinder trio #wayfinder #terra #terra kh #ventus #ven #ventus kh #ven kh #aqua kh #aqua #birth by sleep #kh discussion #discussion post

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blowingoffsteam2 · 7 months

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not to be that person, but to be that person - do we think there’s a potential for Riku to end up being a “prince of light”? sort of like how the disney princess’ + kairi are referred to as the princesses of light? Basing this off of the “riku is the light” theory as well as the potential discussion of his lineage in kh4….maybe he’s really royalty? OR maybe he’s Sora’s prince of light since Sora pretty much ended up becoming a child of destiny via touching Riku’s light and that’s why Aqua told Sora to take care of Riku when they were kids ? Idk it’s very much giving a prince ( Riku ) and knight and shining armor ( Sora ) vibe. What do you think ?

Oh absolutely there’s potential for something like that. I don’t know if it would be exactly the same as the princesses of heart (could they even use darkness like Riku can?) but I definitely think he’s /something/ special. Seeing as the crown necklace was almost definitely Riku’s- and the Kingdom Key- him being some kind of royalty wouldn’t be surprising at all. It’s just a question of what exactly the sort of royalty are we talking about here? On one hand I think there’s a strong possibility Riku is a descendant of Ephemer, and according to what we know about missing link, his descendants are basically treated as royalty or an upper class at least. But I also think there’s more going on with Riku than just that. His body might be descended from Ephemer but what about his heart? Well there are theories that he is “the True Dandelion”, the child of destiny, even the avatar of Kingdom Hearts itself analogous to Data Riku being the avatar of Jiminy’s Journal. Honestly he could be all of these things.

One mystery that I think could be connected too is the “seven crowns” that were brought up only once in khux. Could it just be a gender neutral term for princesses/princes of heart? Maybe. I’ve also theorized it is referring to the seven pieces of light that were shattered from the original x-blade which iirc are what the 7 hearts of light protect

#kh theories #Riku is the light

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pretty-weird-ideas · 11 months

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Xehanort and Friendship

I’m such a big fan of the concept that Xehanort and explicitly Terranort do think that his friends are his power. But more specifically him abusing his friends is what gives him power.

Because when you look throughout Xehanort’s story and how far he’s gotten you see how his power is built by taking the good will, love, and acceptance that others have given him and using it for the power of evil. It’s not that he doesn’t use the power of friendship. He just doesn’t give his ”admirers” (and those that worship him out of fear) much in return.

His friend’s being his power is why he consistently is seen rubbing shoulders with others. Why he calls the organization his “Friends”, why he choses to hunt those who he has connected with in the past. He didn’t kill, maim, and later puppet around random “Nobodies” (unintended pun). He chose to hunt for people he knew intimately for years. The people he had known since he was a baby(Ventus, Marluxia, Larxene), the children he saw grow up (Riku, Ienzo), he didn’t just chose the guys next door. He chose people that cared for him too much to hurt him at first. He chose those whose hearts he could see into.

Xehanort’s dynamic with Eraqus in BBS (and the 23 year old timeskip in DR) and Terranort’s speech in KH3 was so important to his character. In KH3 quite literally says, “The chains of your friendship is what binds you” while using chains to bash them into the floor in the KH3 climax. He knows that they care too much to hurt him when he’s in BBS and Terranort. His ability to hurt them is because of how close he is to them.

In BBS, Eraqus is hopeful that he can “fix Xehanort” but Xehanort’s aware that Eraqus is attempting to do so. He completely takes advantage of Eraqus’ willingness to accept Xehanort. Eraqus’ hope for better, his savior complex is a part of his plan. I could go on for hours about how Eraqus’ savior complex and self-confidence that he will essentially talk-no-jutsu Xehanort out of his issues is how Xehanort and Eraqus end up where they are in BBS. Eraqus thinks that he can just hug the problems out of Xehanort. In fact, Xehanort barely hides his evils for a second around Eraqus, and yet Eraqus still forgives him unflinchingly. He has literally admitted to great villainy while Eraqus makes googly eyes at him at age 82! That’s some commitment to the “I can fix him” ideology.

This issue is brought to light even further in DR where Xehanort and Eraqus fight over Vor thinking about leaving the group. Eraqus tells Vor that it’s best that friends remain friends forever, while Xehanort mocks this idea wholesale and verbally tells Vor to ignore him and leave. Here, Xehanort questions the idea if being close with Eraqus is as “good” as a deal as he advertises. Eraqus sees himself and friendship as a whole, as a permanent and neverending good. Something that can fix every issue, heal all wounds. And Xehanort disagrees, seeing friendship as something that changes, and also something that can be unhealthy. He sees a neverending friendship with Eraqus as a trap, even when he is currently friends with Eraqus. When Eraqus pitches a fit over Vor drifting away as a friend, Xehanort gets very snippy, and equates being his friend as a type of imprisonment of sorts. He confronts the idea that Eraqus’ savior complex in it’s early stages is an ends up controlling and trapping his friends. (This later becomes deeply hypocritical as Xehanort quickly veers into literally turning his friends into meat puppets... but ya know). But this is where Xehanort’s opinions of friendship being a tool rather than being an emotional relationship becomes apparent.

(Don’t get me started on how the MoM quite literally talks to Xehanort about how people can love you as a type of darkness to cast doubt on Eraqus’ relationship with Xehanort, while also forshadowing Xehanort manipulating Eraqus in return. The MoM names things like jealousy, possessiveness, and attachment issues, as things that are soon to follow in their friendship.).

Xehanort, especially since his powers hinge on other’s hearts, sees love and friendship as transactional. It’s all about what he can get out of it. Sora is using the power of friendship, Xehanort is abusing it. He’s aware that these people would kill for him, die for him, even become him. He simply doesn’t care. Xehanort is very convinced of the power of friendship. He’s just selfish and knows that people can give him power, and he can give nothing in return. That’s a huge part of his martyr/God complex mess he has going on.

He is quite literally the: “I would die for you,” “You will” interaction personified.

#young xehanort #kingdom hearts dark road #Xehanort #kingdom hearts meta #khdr spoilers

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dominicsorel · 5 months

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Why exactly were BOTW!Zelink and KH3 Soriku so alike?

Ever since I made a gifset pointing out similarities to BOTW!Zelink and KH3 Soriku, I've been hesitating to point out some things I already did, albeit in more detail. But I just can't stop myself anymore.

There's a deeper understanding to be had here.

From Mipha talking about what she thinks about while she's healing and the implication in the narrative that it's love that brought out Zelda's light power to Mickey talking about how sometimes you care so much for someone that other feelings disappear, leaving no room for fear or doubt and Sora finally using the Power of Waking to find his way to Riku in the Dark World because of that same reason.

It is almost downright infuriating to me how obvious some of this is being that BOTW came out TWO YEARS before KH3 did. It's one of those things where you notice and get mad that you didn't notice earlier because a lot clicks together in this case. The entire KH series has taken inspiration from the LOZ series from the very start. It's not that big of a leap to think they'd go, "Hey, this is a good depiction of a more modern romance in gaming. Maybe we should take notes for our slow burn of the century romance between two boys."

AND THEY DID.

Now let's go over just a few BOTW!Zelink and KH3 Soriku parallels. I have to keep it confined to KH3 Soriku because what I want to show are things that I feel were directly inspired by the events in BOTW.

Take a look at the Yiga Chase scene side by side with the scene where Aqua chases an unarmed Riku while his back is turned.

(they even both turn to look back send help)

So here we have a very clear M/F romance (Zelda's canonically in love with Link in BOTW) having an incredibly similar rescue scene to another one which involves the relationship between two boys.

What would be the purpose of this if not to give the player something to reference back to as it's also a popular game? KH does it with Disney films all the time, even Final Fantasy titles.

Why not any of the other series it's directly inspired by?

And it doesn't confine Sora or Riku into a set role as one character much like the other times they're compared to Disney couples. It adds a lot more depth by not restricting them to relating to only one.

We may never actually get LOZ in KH but I think it's fair to say its inspiration is and will continue to be very much so alive in the story from start to finish and that it can't be disregarded as an important influence just because it's not a Disney or FF title.

Even in the case that it supports the reading of a gay romance.

#kingdom hearts #the legend of zelda #soriku #botw zelink #kh meta #didi speaks #text #btw watch the mipha memory and lod kairi scene back2back

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golden-flute · 1 year

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No one asked for my opinion on The Sun and the Star, but I’ve been thinking of nothing else since I finished the book, and I have to write my thoughts or I will explode, lol.

Fair warning: Spoilers and long-ass thought dump ahead.

Gif Originally posted by riptides

On the Themes

I picked out a few different themes that I found carried through the book:

Self-acceptance

Living with trauma

Embracing change

What healing looks like

I thought they were brilliantly approached because there was a lot of nuance for each theme. Particularly when you consider that these are pretty heavy topics for middle-reader age groups!

The biggest theme directly relating to Nico was this idea that it's possible to embrace your trauma, to accept it, and to grow around it. In his case, it's literal, with the Cocoa Puffs hanging around him now like a little parade of Walmart Ghibli Sootballs, lol.

I think that Nico was working through his trauma well before he ever heard the prophecy. The fact that he was able to accept his darkness so easily once Nyx forced him to confront it was more a mark of how far he'd already progressed than it was a big moment where he was suddenly magically healed from all of his baggage. The entire purpose of the Cocoa Puffs was to act as a physical representation of Nico's existing trauma. They will always be a part of him, but they don't define him. He's simply accepted them and freed himself from them without avoiding the fact that they'll still be there. That's such a healthy place to be, particularly because I think a lot of people tend to fall into the same trap of toxic positivity that Will did....

Many people who are natural healers and problem-solvers often fail to realize that being healed doesn't always mean that pain has totally been eradicated, hurray. In their minds, there's always some way to fix broken people. And I think that's why Will's conversation with Persephone was so important for his growth. I think he always saw Nico as someone who needed to be fixed, and to Will, that meant that Nico must hide from his trauma, or ignore it. Will's story arc centered around his acceptance that he can't (and shouldn't) always try to heal people "his way." With Nico, he had to get on his level, see him, and accept his pain. I've known people in my life who tend to avoid negative emotions because they think it's totally bad. But hiding from the pain can often make it worse. Darkness only grows stronger in the shadows, after all.

Nico and Will's internal journeys were two sides of the same coin in that respect. I loved it. Nico was ready to accept his trauma, but in a way, Will had to accept it too.

By the time they reach Nyx, these internal struggles had been mostly resolved and simply need to have their big final moment to totally hit home. But there's another kind-of-subtle-but-also-not theme for Nyx that ingeniously ties into the idea of questioning gender and sexuality. Nyx sees things as black and white. Even her own children, who are more than their labels, have to fit into these perfect molds in her mind. She's the BBEG because she struggles to change or to accept others changing around her. Talk about a heavy topic, right? But then at the end of the book, this idea of change is also beautifully encapsulated in Nico and Piper's discussion about sexuality labels. Particularly from Piper's perspective, since she's still figuring herself out and just going with what feels right in the moment. People are beautifully complex creatures who are capable of being something new every day.

On Characterization

Over the years, I've discovered that I gravitate toward the reformed, darker characters--the gloomy cinnamon rolls, if you will. Nico. Laudna and Caleb from Critical Role. Hunter in the Owl House. Zuko. Kaladin from the Stormlight Archives. Riku from Kingdom Hearts. So on and so forth. Something about their stories is so compelling to me. Perhaps seeing them overcome their own trials is a symbol that light comes after darkness, which is a message I have clung to my entire life, because it gives me hope for myself. And that’s exactly one of the messages I got from TSATS. This time, it was Nico’s turn for a reprieve from his trauma.

Y'all. Nico's a fucking NERD. The moment we met him as a little kid, he was talking everyone's ears off about Mythomagic, and he revealed he had a pirate phase and... yeah, he's just a nerd. His carefree personality took a huge nosedive after Bianca was killed, and then he became this unrecognizable dark creature of vengeance. I know some folks felt that he was really out of character in TSATS, but I find the shift just harkens back to the themes of change. Nico's transforming before our eyes, guys. Though Apollo's series and into TSATS, he's come to a place of peace where he could let go of his anger and his darkness... or at least accept them. And that's given him the space he needed to kind of get back on an even keel. He's finally able to return to his natural progression as a hyperactive dork. That's what we saw in TSATS and I loved it so much for him.

I found Will's progression really interesting as well. He's always been seen as the intrepid healer with a sometimes-literal glowing halo around him. In this story, the tables were turned and he had to accept that he needed support sometimes too. But more than that, this is the first time we've really gotten inside Will's head. We've only ever really seen him from the perspective of Nico (his admirer) and Apollo (his affectionate father). But this time, we were able to get Will's thoughts, and he's... not as perfect as we expected. And I love it. No one is perfect, and I think that in the absence of more information on Will, people sort of developed headcanons of him that understandably made the TSATS version of him a bit jarring. But if he were this perfect pariah of a character, that would hardly be interesting. I really enjoyed that in the first half, he spent so much time complaining about the Underworld, because it just meant there were some lessons for him to learn as well. He's complex, just like the rest of the PJO cast.

Other Incongruent Thoughts

Guys, I'm dead. When we finally heard the fated prophecy, I was... really underwhelmed. It didn't feel like it was literarily as impressive in the same way the other prophecies had been. It just... wasn't very good poetry. But then Dionysus criticized the rhyme structure and called it "a bit forced" and I was like "Hang on..." Come to find out, Hades made up the prophecy to get Nico to go save Bob! Can you just imagine Hades sitting at a desk, surrounded by crumpled pieces of paper, writing bad poetry that's convincing enough to get Nico off his butt and into Tartarus? I'm deceased.

The reunion between Nico, Maria, and Bianca BROKE me, y'all. I was full-on sobbing and my eyes were swollen this morning when I woke up. I was confused by how they were there, since past books said that they'd "moved on," insinuating they'd tried for rebirth. But I saw another post someone made about how Hades (or Bianca?) mentioned that they were the barest of essences remaining. I'm not saying it very well, but it made a lot more sense, and I hadn't caught that insinuation in my read-through. But I absolutely loved that we didn't get this reunion until after Nico had already accepted his trauma. If this meeting had come before, I'm sure he would have fought to "save" his mom and sister--I mean, he even says it in the book. But by that point, all he needed was to say his piece and get some closure, and that was enough for him. It was a mark of how much he's grown, and I just... *chef's kiss*

I love Hades. He's genuinely a good dad. Well... sort of. Maybe not at the beginning of PJO. But he, too, is changing his ways and taking more of an interest in his children. Or at least Nico. I wonder if we'll ever get more Hazel/Hades content? But Nico pretty much confirmed that Hades was around when he was a kid, and Hazel said the same thing in a previous book, which is more than pretty much every other demigod can say, so there you go. By Olympian standards, Hades deserves that #1 Dad mug.

I was really surprised that it took over half the book for Nico and Will to make it to Tartarus! Don't get me wrong, there was still plenty going on, but I was so used to the idea of Percy and Annabeth dropping in at chapter 2, it surprised me!

Anyone else peep the really big typo on page 401 of the US hardcover? "My mother is Bianca di Angelo, and she loved me and my sister." I stared at that for a long time last night wondering if I was going crazy, lolol. From what I've heard, the typo has already been fixed on the kindle version of the book, but those of us with physical copies have got the OG mistake. Whoops, lol!

I'm having a hard time discerning if the "'Dam it,' said Nico." on page 352 is a typo or not, for the pure and simple reason that there were so many dam jokes in PJO. And somewhere else in the book, Nico actually says "Damn," so... was it a typo? The 'dam' joke didn't really have a purpose for being there, and it wasn't repeated later, so I feel more like it might have been another typo?

We got a little Percy and Annabeth action! And Sally and Estelle! I have to admit, I was a little disappointed that Percy and Annabeth had already forgotten about Bob. Especially since Percy's whole growth in the House of Hades was to realize how many people he'd left behind. I never expected them to join Nico and Will in their Tartarus journey, but they apparently brushed him off so fast I got whiplash! What was that about? I wonder if we'll get more on that in the short story that comes out later this year?

We got a little mention of Damasen in this story as well, and obviously if he hasn't regenerated yet, there wasn't much they could do for him. But... I'm surprised that Percy and Annabeth didn't mention him or ask Nico to keep an eye out for him as well because he was there at the Doors of Death, making the same sacrifice as Bob. Will there be another Tartarus rescue mission in the future? Nemesis told Nico that any future journies into Tartarus would be unsuccessful. While I feel like it's unlikely we'll get any more Tartarus field trips, those little asides made me wonder if Rick Riordan's got more ideas floating around that he wanted to leave open for later, just in case.

They used the words gay, bisexual, and lesbian! I don't think this book series has ever done that before! I have a sneaking suspicion that this was part of Mark's contribution to the book. RR usually tends to talk around those words--he'll make it obvious, like when Apollo talked about his love for Hyacinthus, but I don't think Apollo ever actually used the word bisexual to describe himself (correct me if I'm wrong). I think that it was a really good step forward for children's literature. If you're going in, go all in, you know?

Lil Nas X made an unbelievable appearance! Lol! Though I have to admit, the inconsistency of the timeline of references sometimes gets me. Like many books ago, some character probably dropped a reference from ten years ago, and a year or two in book time, we get a Montero reference. Like, it's a small nitpick, but that inconsistency always pulls me out of the story a bit. Yeah, you heard right--I'm totally fine with the issues everyone else had with the books, but the weird timeline of references messes with me, lol. That's where I draw the line! That's not the say the Lil Nas X reference wasn't spectacular, though, lol.

Do I... like Mr. D now? I love Dionysus from the mythologies, but Mr. D was always so... blegh. But he's like legit a decent person to Nico. He shared his popcorn! That. Was. HUGE. Hahaha.

We finally got the full scoop on Nico's first trip to Tartarus!

The nickname "Night-Light" is endlessly adorable. And then Will ruins it by turning around and calling Nico "Death Boy" lol.

The trogs were never my favorite mythological creature ever, but they grew on me in this story.

So... Menoetes and Geryon, huh? Menyon? Geroetes? What's our ship name? Lol.

Will having the hots for Persephone was not on my bingo card, lol! I did really enjoy their talk, though. It really set up Will's character arc very nicely. And I loved that Persephone seems to be taking a leaf out of Hades' book and trying to be a bit kinder towards her stepchildren. It's not their fault, you know?

I'm seeing a lot of reactions to Nico's coming out story. I agree, that's one part I felt was a little bit forced. Introverted people can have moments where they're feeling brave and don't mind an audience (Hi, I'm exhibit A), I wouldn't say it's out of character per se. But it was a little bit... shall we say out of context? Since we didn't get the actual scene, but Nico and Will's recollection of it?

I really liked Gorgyra. The random chapters of stories from Nico and Will kind of jarred me a bit, but I think they were a nice touch, but would have been too much if they'd all been told chronologically. I agree with Rick and Mark's decision to split those up.

Amphithemis was a trip! I wish we could have lingered a bit more on Nico being upset at Will for tricking him away. I was glad that Nico at least asked Hades to free Amphithemis.

I saw some complaints that Nico and Will were super cringey around one another. To that, and as someone who's ace, I say... most couples are cringey around each other, particularly young couples. Nico and Will are still feeling out their relationship, and they don't have the years of friendship that Percy and Annabeth had that made their relationship so easygoing. I think Nico and Will's relationship is a bit more realistic in terms of first loves.

I loved the frank conversations about PTSD. I eat stuff like that up, because when I read it, I can just imagine someone else who really needs that sort of representation reading this book and finding comfort in characters like them.

And I'm literally out of space. I had no idea Tumblr had a character limit, but I hit it, lol. But if you got this far, thanks for reading!

#the sun and the star spoilers #tsats spoilers #spoilers #sun and the star spoilers #tsats #the sun and the star #nico di angelo #will solace #percy jackson #hades #sun and the star

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forgotten-lumis · 8 months

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So. Who wants to watch me go insane about Chain of Memories and the necklace theory? Usually I just do this in private but I'm feeling a little bold today so... here we are. Also I cannot find anyone posting about this picture??? Maybe I'm just blind but I swear we need to talk about this more-

The kh2 intro in itself could just all be about what happens to Sora's memories. We start off with seeing the island/Riku/Kairi being what I'm assuming is "forgotten", they turn into dust then dissapear into blankness in a way that reverse-parallels a later scene when he's "remembering". See here:

Aftrer that, theres a bunch of scenes and the end of kh1 gets recapped (from the start of Hollow Bastion) and that section ends with Sora closing the door with Riku and saying goodbye to Kairi. (Maybe as a way to both recap, but also show the memories he's forgotten? When he fights the heartless they turn into the same sand material at the beginning of the intro, and Sora disappears into a sort of white light when hes promising Kairi of his return, which is followed by showing her aged-up, current appearance, as if to possibly show how she's forgotten about him? She also phases from her previous look to her current one with a transition that uses the sandy material. This part is a lot of speculation and personal interpretation, so please take what I say with a grain of salt and try to come up with your own interpretations.) Sora then chases Riku around up some stairs/Riku chases Sora up some stairs, and I think could totally represent Castle Oblivion, and them trying to find eachother there. Riku also has revered gravity at a point and is running on the opposite side of the spiral upside down, which could show his whole "reverse-rebirth" darkness journey, and Sora fights heartless and stuff to reach him (These also turn into the swirling dust material like they did earlier). We are shown their corresponding Castle Oblvion battles with Marluxia/Ansem before Sora opens the door to reach Naminé.

Things start getting really interesting here. First off, theres the scene with Sora in The Egg™️ and Sora being put into it by Naminé.

We get her telling him something we can't hear and he falls asleep so she can fix his memories. Then there's the scene that reverses the one earlier where everything fades out, and instead, it all fades back, but as "pieces" this time, as if it's being, you know... pieced back together and Sora returns to the island he lost/forgot earlier when it faded from his memory.

And after that, Sora gets to meet his freinds on the beach again. It's very nice and sweet, so very happy for him. But he hasn't actully met them in game yet and they are still wearing their kh1 outfits, despite the fact we have seen Kairi's future appearance already in the intro (Although they just might not wanna spoil Riku- but still. I dont think the shows the actul reunion), so this is probably just him "reuniting" with his memories of them, aka remembering. Hes also holding hands with both of them, which might be showing how his connections to them helped him to remember/return/Naminé put his memories back together?

It's after this is the part that Namine just decides to do whatever this this- like- ok here lemme show you-

Excuse me??? What the heck is that? Someone just- ugh- Okay so I'm going to assume that you already know about the necklace theory and its relation to CoM when I go on this rant, here, if you dont I would highly reccomend reading the resources I have listed later down. But- Why the crown made larger? Why is it the only thing in the whole drawing that is outlined? Why is it yellow? (Like its... glowing...? A light? Within darkness? Sorry lmao one second, we'll get to that.) Is only shown for a moment as Naminé closes her sketchbook, finished with whatever it is she had been doing (Cough- piecing Sora's memories back together, cough-) She's now done fixing them, and the way it is shown makes it seem like this is the thing she used to do it, or maybe just that this is Sora's light in the darkness that she intended for him to find. She had a different drawing out before he got Egged, but when she finishes putting them back, this is the last thing she has. A drawing of Sora, asleep, with a giant, very intentionally-attention-drawing, possibly glowing, crown necklace over his heart.

Like, I'm sorry, but that is EXTREMELY SUSPICIOUS?

Especially if you consider what she says to him in Chain of Memories:

"You made a precious (taisetsu) promise with an irreplaceable person."

"That is your light. Light within the Darkess."

Like, oh boy, I wonder what she could be referring to. Especially after seeing- that-

(Disclaimer: I do not speak Japanese fluently at all. If my translations are messed up, someone please tell me IMMIDIETLY and I will fix it. Thank you!)

(I chose to put the Japanese text here and translate it to show that she doesnt use feminine pronouns at all here. She uses "hito" (人) which just means person, and unlike the English, where she uses "she", no gendered pronouns are used.)

But wow, a precious promise, huh? A light within the darkness? Shown in the intro as Sora's memories of his freinds literally being pieced back together, by Naminé, as her page is open to a drawing of Sora with a glowing crown necklace.

Hmmm...

What could it mean?

Resources: (Concluding thoughts are posted below)

Steam's AMAZING theory post:

Some CoM Translatios that are quite mind-blowing and just add more context to the whole "taisetsu"/pronouns thing:

Part 1:

Part 2:

(Warning: These Documents are quite large and may be difficult to open on your phone. That didn't exactly stop me from doing so so idk what I'm on about but- hshshhs)

And there really is a lot of strangeness/nuance when it comes to this whole situation. Sora probably attributed the recovery of his memories to Kairi, and remembering her probably did help him recover a lot if not most of them. Though, saying that the memory of her was the light in the darkness that Naminé was talking about... theres a lot of evidence against that. It really just lines up with the necklace theory all too well. The talk of a "precious promise" that is Sora's light in the darkness, the intro showing her piercing his memories back together, Namine's drawing of his GLOWING CROWN NECKLACE directly after she's done this- ugh.

Also the use of "blankness" here, like a blank canvas. Castle Oblivion (aka Castle of Forgetting) being completely white and blank, almost as of it represents a lack of memories/experience, and the way you add color to it is through using the memories stored on the cards to open doors. Or the way that Naminé's canvas is blank until she draws out the memories onto the page.

But yeah, these are just my thoughts on the matter. I hadn't seen anyone post about how Naminé's drawing and the weird "piecing back together" transition in the intro were probably related, and I just wanted a spot to put my thoughts down so I guess that's what this is. I hope you enjoyed my insanity, and god these games make me go INSANE-

#kh com #necklace theory #soriku #istg i am going insane someone help me #kh #i probably overanalyzed a lot of it but the necklace is the thing im very confident about #so if you are going to take anything away from this take that lol

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ultraericthered · 4 months

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Kingdom Hearts Divergence, the Hearts In Chaos Chronicle

THE GOOD GUYS

Ephemer - The main protagonist of the saga, debuting as a dual MC next to Sora in KH4 before Sora's Keyblade of Light chooses Ephemer to be its new wielder. Ephemer's background is opposite of Sora's in that he's always known of other worlds, Keyblades, powers of light and darkness from the heart, Kingdom Hearts and all that because he's actually a member of the Dandelion Guild who comes from the distant past, having been thrust forward in time after running afoul of a conspiracy being set in motion by the then-current Guild Masters. Ephemer is a kind-hearted, empathetic and curious youth who wishes to solve the mysteries of the World, such as the Book of Prophecies and what exactly transpired between the Unions of the Dandelion Guild that caused Keyblades and Masters to become scarce. Much hard-hitting and less easygoing than Sora, he can be a bit cocky when he fights but is also known to be hesitant when he is unsure he's up to a big task, particularly true for becoming the next Keyblade Master, but he gradually starts to grow into the role. Ephemer is voiced in the English dub by Michael Johnston.

Skuld - The series' new female lead is quite special, as she's come to the present timeline from a far off future. It's never confirmed outright where she hails from and who her family is, but it is strongly implied that she's the future daughter of Squall Leonhart and Rinoa Heartilly, with similiarities in hair, fashion sense, and even the use of a sort of "Gunblade" as her weapon of choice. Skuld, like Riku, has dabbled in the powers of Darkness and can now uses abilities derived from the twilight in-between. Despite being something self-serious, driven, and something of a loner at first, Skuld cares greatly for her friends and doesn't like seeing others fighting and getting hurt, which is why she tries to carry the burdens all by herself. As she befriends Ephemer and begins to loosen up, we see she is every bit as empathetic as him and willing to take great risks to protect others.

Skuld is voiced in the English dub by Cristina Vee.

Brain - A young man living in the present day's Daybreak Town, Brain (pronounced BRYNE) is a cool, laid-back, and studious person by nature. The first person befriended by Ephemer when he lands in this timeline, Brain becomes protective of the boy like a big brother. He is very clever and tactically gifted, good with analytics, deduction, and making plans to be implemented in times of conflict. Brain was also hesitant about becoming an adventuring, world-saving hero, believing himself incapable of fulfilling the role, but resolves to perform his duties to prevent another war from breaking out. It is later revealed that Master Luxu's heart cast itself into Brain's and melded with it (akin to Ventus with Sora), so the Luminous Vanguard seek to recruit him into the Lost Masters, but Brain fights to assert that his heart is his own and he "makes himself" who he truly is. Much like Organization XIII's Zexion, Brain's weapon of choice is a magic book.

Brain is voiced in the English dub by Max Mittelman.

Huey, Dewey, and Louie Duck - In the year between KH2-KH3 and KH4, Donald's triplet nephews underwent a growth spurt and got even more deeply involved with being entrepreneurs under their great uncle Scrooge's mentorship, finally deciding they were ready to take on adventures of their own across the galaxy. As fate would have it, their first such endeavor leads them to Ephemer, and from them on they are inseparable from him. The Nephews act as a constantly rotating unit. In some worlds Ephemer can switch between which Nephew he wants to have fight along with him, but in select worlds, only one nephew will be available. Their specialty is utilizing magic like their uncle, but through high-tech gear rather than staffs.

The Nephews are voiced in the English dub by Danny Pudi (Huey), Ben Schwartz (Dewey), and Bobbi Moynihan (Louie).

Max Goof - The estranged teenage son of Disney Castle's lead guard, Goofy, Max is a squire still in training whose tastes tend to differ from his doofus dad's, including his belief that the best defense is a good offense, which is why he fights with a very shield-like blade. When Goofy and Donald accompany Sora to look into the rise in blight power and the Demi-Deterged, Max steals away on his own to prove himself, running into Donald's Nephews and Ephemer in the process. As one of Ephemer's constant companions, Max fears being as clumsy as his dad or being seen as needing of constant supervision and help, but eases into becoming a knight on his terms.

Max is voiced in the English dub by Jason Marsden.

Timothy Mouse - A mouse who used to be a big name in show biz but has since fallen to the wayside and become homeless. Timothy accompanies Ephemer and his friends on their journeys. The whole joke with him is that as he is a mouse and he's joined up with ducks and a Goof, Timothy believes himself a potential successor to King Mickey himself only to find himself the new Jiminy Cricket instead.

Timothy is voiced in the English dub by Chris Edgerly, who also voices the role of Cid.

King Mickey - We all know who he is by now, and of course he was going to involve himself somehow. Following KH4, he gets seen much less in the plot, making it a big deal whenever he does pop up.

King Mickey is voiced in the English dub by Brett Iwan.

Figaro - A stray cat from Disney Town who tags along with Max and with the main party, being attracted to Ephemer, Skuld, and Brain's monochrome colors they wear that match Figaro's own fur.

Figaro is voiced in the English dub by Frank Welker.

Chirithy - The Chirithy were the ancient predecessors to Moogles in the World, but only one such Chirithy remains in the present day.

Chirithy is voiced in the English dub by Lara Jill Miller.

The Blue Fairy - The very same Blue Fairy who brought Pinocchio to life, it's her magic that draws Ephemer, Brain, and Skuld together, as she fills Yen Sid's old spot as the primary magic-powered mentor.

The Blue Fairy is voiced in the English dub by Rosalin Landor.

Merlin - Speaking of magic-powered mentor, Merlin is still very much around, still working with the Committee, still in possession of the Winnie The Pooh book, and still offering magic training to any who need it. He becomes particularly close with both Brain and Max.

Merlin is voiced in the English dub by Jeff Bennett.

Scrooge McDuck - Donald's uncle and the great uncle of Huey, Dewey, and Louie who mentored them in the ways of big business. Uncle Scrooge is still around the hub worlds, always doing his thing.

Scrooge McDuck is voiced in the English dub by En Reitel.

Wreck-It Ralph & Pals - First obtained as summonable allies by Sora in KH3, Ralph, Vanellope, Felix, and Sgt. Calhoun are allies in their own world in KH4 and become recurring aid to Ephemer's party.

They are voiced in the English dub by John C. Reily, Sarah Silverman, Jack McBrayer, and Jane Lynch.

Kermit The Frog - No one quite understands what Kermit's deal is, but he was displaced from his home world when it got torn up by blight, so now he seeks application with Leon's Committee in KH4. Later reunited with his Muppet friends in KH5, Kermit continues to help out while also serving as the host for entertainment venues and mini-games. He's generally good-natured, but not good at handling frustration, and has next to no combat capabilities besides dodging.

Kermit The Frog is voiced in the English dub by Matt Vogel.

Elrena, Lauriam, & Strelitizia - The resident "Hayner, Pence, and Olette" of Daybreak Town, this trio is unique in that there are two girls and one guy this time! The three of them were in the very last remnant of the old Dandelion Guild and like a family to one another, but Strelitiza tragically lost her heart in an incident a few years ago, with Lauriam and Elrena losing their hearts to the Heartless when they invaded their world. Now fully restored to life, the trio become loyal allies to Ephemer upon learning his ties to the Dandelion Guild.

Elrena, Lauriam, & Strelitzia are voiced in the English dub by Shanelle Workman-Gray, Keith Ferguson, and Madison Davenport.

THE ENEMIES

The Demi-Detergered - A truly bizarre and unexpected evolution has occurred within many of the Heartless that still roam the worlds. Powers of light, light stolen from the hearts of others, have entered their veins and changed them from within. Rather than be attracted to the darkness of people's hearts with the instict to prey upon those hearts, these Heartless seek out darkness and attack it in ways that prove dangerous to hearts and destructive to the fabric of the World. Called the Demi-Deterged, this brand of Heartless and the "blight" they possess is exploited by the Luminous Vanguard in their quest to purge reality of darkness and re-organize it around eternal light.

Neodarkness - An entity made of pure raw darkness who's become ruler of the Dark Realm, ensuring that all dark beings like Darklings, Heartless, Unversed, and Nightmares return to the World. In his previous existence, Neodarkness was Vanitas, the dark half of Ventus who served Master Xehanort. In accepting his nature, his dark soul was able to evolve into something else. Pure evil as he seems, Neodarkness doesn't always disturb the peace and finds himself frequently acting on the defensive against beseiging blight.

Neodarkness is voiced in the English dub by Haley Joel Osment.

Pete & Duke Mortimer - While Maleficent plays the chief antagonist role in KH4 along with Judge Frollo, she's brought down and sapped of all her dark magical power in the end. Unable to act anymore, she tasks Pete with tending to all her tasks and searching for a way to restore her power to her, and knowing that her chief flunkie is hardly reliable on his own, she inducts a new flunkie into her service: Duke Mortimer Mouse, King Mickey's rival from Disney Town who debuted in KH4. Creating a faux Keyblade for his use, Mortimer also comes in handy for slaying Demi-Deterged as he and Pete travel the worlds.

Pete and Duke Mortimer are voiced in the English dub by Jim Cummings and Maurice Lemarche respectively.

The Luminous Vanguard - A clerical society of white mages made from what used to be different unions for the Dandelion Guild. While their seven masters entering stasis in time made the group unable to function for ages, it has finally reactivated and is out to achieve its leader's vision of a reconstructed Kingdom Hearts whose pure light can spread to not just all worlds, but all Worlds, and burn away all darkness so that all hearts will be forced into obedience to the light. Having eliminated the ability for hearts to unite with Keyblades in frequency ages ago, the Vanguard abhors the very existence of the Keyblade, believing such a weapon to not be fit for human hands.

Master Narix - Founder and leader of the Luminous Vanguard. Narix has long believed that the majority of hearts are naturally weak and susceptible to darkness that begets dark powers that defile the World, and that only the strongest and purest of hearts should set the course for the World and its denizens. Envisioning a reality where darkness no longer exists, light conquers all Worlds, and he reigns supreme as the light's oppressive guardian, Narix arrogantly looks to use blight to tear down and reconstruct Kingdom Hearts from within its innermost heart, and will eradicate all that would get in his way. The road to the deepest darkness is paved with good intentions.

Master Narix is voiced in the English dub by Johnny Yong Bosch.

The Lost Masters - The six Masters who accompanied Narix in forming the Luminous Vanguard were Avali, Fura, Gorgeyo, Jelus, Ecaed, and the now deceased Luxu. Aside from Luxu, the only truly prominent Master is the young Avali, whose pure heart and convictions to doing good by others for the cause of light enabled her to become one of the new Princesses of Heart. More than the others she has doubts about the rightness of the Vanguard's course, but tends to quickly dispell those doubts and show why a pure heart of light can be incredibly dangerous if exploited by the wrong crowd.

In the English dub, Avali is voiced by Jenna Ortega, Fura by Travis Willingham, Gorgeyo by Matthew Mercer, Jelus by Katelyn Gault, and Ecaed by Adam McArthur (and Luxu by Hector Elizondo).

Justice Minister Frollo - Having lost his authority in La Cite des Lumieres, Judge Frollo was beckoned out from his world by the Lost Masters, who annointed him as Minister of Justice to lead the test run faction of the Luminous Vanguard, with the leftover Nightmare energy Frollo had attained granting him the power to control and exploit the Demi-Deterged. Gladly compliant with the Vanguard's mission to purge the World of darkness but holding himself in such esteem that he frequently changes the course of plans without the Lost Masters' imput, Frollo's broad defining of what is sinful sees him seeking the destruction of many Disney villains and Disney good guys alike, as all this grows and enhances his own heart’s darkness yet he remains ignorant or in denial of it due to his sense of self-righteousness.

Frollo is voiced in the English dub by Timothy E. Brummud.

Evanesse' - A very different sort of adversary Ephemer finds himself faced with later in his quest. Created as a Hollow Replica by the late Xehanort, he's inadvertedly found and given life by Ephemer, making him a Xehanort replica whose essence is but a pale copy of what came from Ephemer's heart. Calling himself Evanessé, he seeks to find his own aim and to define his place in the World, but plagued by self doubt that he can live up to his own expectations for existing and by the specter of Xehanort, he comes to resent life and decides he just wants everything around him to disappear into nothingness...

Evanesse' is voiced in the English dub by Dylan Sprouse.

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