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#also please read more books
brsb4hls · 9 months
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Ok, but if you wanna circle that Siken quote around, maybe post the whole thing?
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The second part is the important one.
Also, for those who still can't seperate fiction from reality and are obvi already pestering him, because he dared to name that ship:
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julijbee · 2 months
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girlbossing too close to the sun.
#art#ive literally just been treating this game as a library simuator#i walk from bookseller to bookseller opening up all of their books#vivecs sermons are either a highlight or the point at which i stop reading#ive been trying to convince the ordinators that imitation is the highest form of flattery but it hasnt been working#let me wear your helmets please theyre so funny..#posting morrowind in 2024 isnt a cry for help but youre not wrong to be concerned.#morrowind#almalexia#vivec#im going to explain the chitin armor give me a moment#so the bonewalker nerevar on the shrines is adorable and it was only after drawing it however many times that i realized#it looked relatively close to a modified chitin armor#and so i modified chitin armor a few times and this was probably the cutest result#i also know i drew almalexia relatively pristine and untouched by years and vivec not so much but my thought process was#vivecs role as if not a favorite then the most accessible divine or the most “hands on” in a manner of speaking#acting in ways visible to the general population or actions explicitly brought to their attention#like not that almalexia isnt doing anything she is#but the dissemination of information regarding that is very different etc etc etc#anyways to a certain extent a god is the face on a shrine or in art or upon a statue or carving#but vivecs presence is interwoven with the geography of vvardenfell especially and his actions and writings with pubished materials#and the arts and culture and customs etc etc etc#so to me the face of a god you know and feel a commonality with or a god that walks alongside you is a face you would recognize#and vivec is already otherworldly looking enough#the simple mark of the years on his skin in some way grounding him in reality felt more right#that and i think the ways in which he and almalexia care about outward appearance are slightly different- they prioritize different things#and the ways they present outward power and their embodiment of their respective attributes share some similarities as they both have that#important preoccupation with physical power and physical strength to a certain degree#oh my god nobody read this i am yapping so bad.#tes
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unforth · 1 month
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Danmei and Baihe C Novels and Manhua Officially Licensed in English
Things are getting licensed fast enough that keeping a list like this up-to-date is basically impossible, but I saw someone asking in the tags so I figured I'd try. All titles are danmei unless otherwise noted (very little baihe is licensed so far). I've included Chinese titles and linked novelupdates for each title when I was able to find them, but sometimes publishers change the original titles so much that I can't track them down, apologies.
Basically: this is everything I know of as of April 12, 2024. There might be more. I tried.
For the latest danmei news, Danmeinews.com is a great resources.
Note that some of this information was sourced from this Carrd, last updated in March 2023.
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Seven Seas:
The full list of danmei novels licensed by Seven Seas is here. The full list of danmei manhua licensed by Seven Seas is here.
These titles are in various stages of publication, from "entire series released" to "license literally announced less than a week ago." As far as I know, all Seven Seas titles are available world-wide, through major distributors and libraries, and in e-book and print formats.
Mo Xiang Tong Xiu titles:
The Scum Villain's Self-Saving System (Ren Zha Fanpai Zijiu Xitong).
Grandmaster of Demonic Cultivation (Mo Dao Zu Shi)
Grandmaster of Demonic Cultivation (Mo Dao Zu Shi) manhua
Heaven Official's Blessing (Tian Guan Ci Fu)
Meatbun Doesn't Eat Meat titles:
Case File Compendium (Bing an Ben)
The Husky and His White Cat Shizun (Erha he Ta de Bai Mao Shizun)
Remnants of Filth (Yuwu)
Meng Xi Shi titles:
Thousand Autumns (Qian Qiu)
Peerless (Wushuang)
priest titles:
Guardian (Zhenhun)
Stars of Chaos (Sha Po Lang)
Other titles:
Ballad of Sword and Wine (Qiang Jin Jiu) by Tang Jiuqing
I Ship My Rival x Me (Wo Kele Duijia x Wo de CP) manhua by PEPA
Run Wild (Saye) by Wu Zhe
The Disabled Tyrant's Beloved Pet Fish (Canji Baojun de Zhangxin Yu Chong) by Xue Shan Fei Hu
You've Got Mail: The Perils of Pigeon Post (Fei Ge Jiao You Xu Jin Shen) by Blackegg
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Rosmei:
Rosmei licenses are Singapore distribution rights only. There is a list of international partners organizing group orders here. I've personally placed my orders through Yiggybean, as discussed in reply to this ask.
These titles are only being released as print editions.
Eta: titles that weren't originally on JJWXC (of which there are several here) WILL have e-book editions.
Ning Yuan titles:
BAIHE: At the World's Mercy by Ning Yuan
BAIHE (I think???) The Creator's Grace by Ning Yuan
priest titles:
Coins of Destiny (Liu Yao)
The Defectives (Can Ci Pin)
Drowning Sorrows in Raging Fire (Lie Huo Jiao Chou)
Other titles:
Albert from Earth by Jie Mo Jun
The Bat (Bian Fu) by Feng Nong
Breaking Through the Clouds (Po Yun) by Huai Shang
Don't You Like Me (Ni Shi Bushi Xihuan Wo) by Lv Tian Yi
The Earth is Online (Diqiu Shangxian) by Mo Chen Huan
Everyone Loves the Cannon Fodder (Chuan Cheng Wan Ren Mi de Paohui Zhuma) by Qie Zai Shan Yang
Global Examination (Qianqiu Gao Kao) by Mu Su Li
Gold Class Enforcers (Jinpai Dashou) by Pao Pao Xue Er
How to Survive as a Villain (Chuanyue Cheng Fanpai Yao Ruhe Huming) by Yi Yi Yi Yi
Kaleidoscope of Death (Siwang Wanhuatong) by Xi Zi Xu
The Killer of Killers (Sha Qing) by Wu Yi
Nan Chan by Tang Jiuqing
Obsessed (Ki Ma) by Wu Chen Shui
Wine and Gun (Jiu yu Qiang) by Mengye Mengye
Wow, You Guys are Really Good at Gaming (Nimen Nansheng Da Youxi Hao Lihai O~) by Yi Xiu Luo
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Peach Flower House:
Peach Flower House titles are primarily for sale through their website and through some distributors, such as Amazon.com. Whether titles are e-book only, print only, or both varies by title.
Da Feng Gua Guo:
The Imperial Uncle (Huang Shu)
Peach Blossom Debt (Taohua Zhai)
Other Titles:
Golden Terrace (Huang Jin Tai) by Cang Wu Bin Bai
In the Dark (Zai Hei An Zhong) by Jin Shisi Chai
Little Mushroom (Xiao Mogu) by Shisi
University of the Underworld by Ziloi
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Via Lactea:
The full list of danmei novels licensed by Via Lactea is here.
Via Lactea titles are primarily for sale through their website and through some distributors, such as Amazon.com. All titles are either print-only or e-book + print. Only a handful have actually been released, the rest are licensed and presumably in progress.
Jing Shui Bian titles:
Salad Days (Jing Jiu)
Silent Hearts (Mo Mai)
Other Titles:
Dawning (Liming Zhihou) by ICE
Euthanasia by Feng Su Jun
Falling (Luo Chi) by Yu Cheng
Psycho (Feng Zi) by Xiao Yao Zi
Limerence (Wo Xichen Ni Nan Pengyou Henjiule) by Jiang Zi Bei
Lip and Sword (Chun Qiang) by Jin Shisi Chai
The Missing Piece (Maoheshenli) by Kun Yi Wei Lou
Raising Myself in 2006 by Qing Lv
Rose and Renaissance (Wo Zhi Xihuan Ni de Renshe [Yule Quan]) by Zhi Chu
Killing Show (Sha Lu Xiu) by Fox
Soul Vibration (Linghun Saodong) by Dr.solo
To Rule in a Turbulent World (Luan Shi Wei Wang) by Gu Xuerou
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Monogatari Novels:
It is unclear to me if Monogatari Novel titles are available for world-wide distribution, but there are group orders being organized or I think they can be ordered directly from their webpage; they are based in Spain. These titles can also be ordered from at least some major retailers. Note that there has been some controversy about Monogatari Novels.
BAIHE: A Clear and Muddy Loss of Love (Jing Wei Qing Shang) by Please Don't Laugh
BAIHE: Female General and Eldest Princess (NuJiangjun he Zhang Gongzhu) by Please Don't Laugh
How to Survive as a Villain (Chuan Yue Cheng Fanpai Yao Ru He Huo Ming) manhua by Yi Yi Yi Yi
The Legendary Master's Wife (Chuanshuo Zhi Zhu de Furen) by Yin Ya
The Silent Concubine (Ya Nu) by Qiang Tang
BAIHE: Soulmate manhua by Wenzhi Lizi
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Aloha Comics:
A tiny, Hawaii-based press focusing on manhua. Titles appear to primarily be available through Diamond Comics. There are also pre-orders on Yiggybean. All of these are pre-orders, though the earliest are coming out by the end of April 2024 (about two weeks after when I'm posting this).
All these titles are manhua!
Day Off by Qing Cai
Here U Are by DJUN
Link Click by Li Haoling and Haoliners (not technically danmei!)
Nirvana in Fire (Lang Ya Bang) by Hai Yan (not technically danmei!)
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Chaleuria:
As far as I can tell, Chaleuria has not updated their webpage since April 2023, so the current status of in-progress titles is unknown. All titles are digital and/or e-book, and I'm not sure how to purchase them as I haven't tried.
Complete Guide to the Use and Care of a Personal Assistant (Zhuli Shiyong Zhinan) by Why Radiance
Deep in the Act (Ru Xi) by Tongzi
Fake Slackers (Wei Zhuang Xue Zha) by Mu Gua Huang (no longer available)
From Body to Love (Leng Yan E Nan: Xian Shenhou Ai) by Wan Wan Yi Xia
Interstellar Power Couple (Xingji Qiangli Lianyin) by Kun Cheng Xiongmao (no longer available)
Intoxicated Friends (Zui Qing Zhi Pengyou) by Ye Shu Ying
The Long Chase for the President's Spouse (Zongcai Zhui Fu Lu Manman) by Three Thousand Crow Language
Reborn into a Hamster for 233 Days (Chong Shengcheng Cangshu de 233 Tian) by Yi Shu
Records of the Dragon Follower (Cong Long Ji) by Yueren Ge
Urban Tales of Demons and Spirits (Dushi Yaogui Lu) by Qie Er
World Hopping: Avenge Our Love (Ni Wufa Yuliao de Fenshou, Wo Du Neng Gei Ni Song Shang) by Xiaomao Bu Ai Jiao (no longer available)
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Honorable Mentions:
There are a handful of titles I know of that are official translations of C Novels, where the C Novels aren't danmei or baihe but are often treated as adjacent within fandom (as in: I've seen people shipping characters from them, lol). I've included two above under the entry for titles from Aloha Comics (Link Click and Nirvana in Fire) and here are a couple others I currently know of:
The Grave Robbers' Chronicles (Daomu Biji) by Nanpai Sanshu (six volumes are available in English from Things Asian Press
The Legend of the Condor Heroes (She Diao Yingxiong Chuan) by Jin Yong from St. Martin's Press
Romance of the Three Kingdoms (Sanguo Yanyi), attributed to Luo Guanzhong, available in multiple translations
The Seven Heroes and Five Gallants (Zonglie Xiayi Chuan), attributed to Shi Yukun, there are two translations to English listed at the linked Wikipedia page
Note that to the best of my knowledge both of these are considered very substandard translations. I've personally read the official DMBJ translations and... yeah... and I've heard the LOCH translation is also mediocre.
I will add to the "Honorable Mentions" list if I find any other more mainstream titles with official translations.
Please don't come at me for including a couple classics. The characters shippable, what can I do? I've written fic for Romance of the Three Kingdoms...
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A handful of other licenses are mentioned on the Carrd I linked at the beginning of this post; I have no idea the status of those titles and wasn't able to find information on them while putting together this post other than what was listed on that Carrd, so I've omitted them.
As a final note, I've personally purchased from every printer on this list EXCEPT Monogatari Novels (I'm holding off because of the controversy and will see how things play out) and Chaleuria (which I vaguely knew existed but nothing beyond that).
Seven Seas translation varies but the editing is general strong and the editions are sturdy and nice. Extras that have come with final volumes are lovely. I am buying literally everything they publish except for You've Got Mail, due to information about the author that was shared with me that the author is a transphobe. Note that Kinnporsche by Daemi is not danmei as it's Thai (and I've heard unsavory things about the author - I don't have a link for that as the information was shared with me on Discord, and I encourage you to do your own research rather than taking my word for it). No judgement if you make a different choice than me, to be clear, I'm just sharing the information I have and why I personally am not buying the books). Note that Seven Seas isn't without controversy, especially for treating their contractors poorly resulting in them unionizing. Some people have also been unhappy with the fidelity of their translations compared to the original Chinese (I've been satisfied personally but ymmv).
Peach Flower House has inconsistent inconsistent editing quality, but the books are very readable, and I'm excited that they're working with translators such as E. Danglars. I haven't bought any of their special editions so can't speak to their extras, but I've bought all their print translations and will continue to do so going forward.
I just got my first title from Via Lactea last week and finished reading it on Sunday, and the translation read very well and there were minimal errors. It also came with a bundle of cute extras, which I wasn't expecting and pleased, and writing this post has caused me to cave and spend $150 to buy the rest of their books. Thank you, tax refund. (Should I spend this money? No. Did I anyway? ...)
No Rosmei titles have actually shipped yet, so I can't speak to their quality, though the previews they've shared on social media (as outlined here, for example) read decently and I'm optimistic. The cover art is also lovely, and they've been communicative and responsive, for example they've already issued a statement related to a recent controversy over perceived poor marketing for At the World's Mercy.
Tl:dr, the above is absolutely everything I personally know about mlm and wlw Chinese novels and manhua that have been licensed for English publication. I hope it helps someone.
Now go forth, and buy some books!
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scudden · 7 months
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Daenerys Targaryen, Mother of Dragons
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mickittotheman · 8 days
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Pipher, M. (1995). Chapter 1: Saplings in the Storm. In Reviving Ophelia: Saving the Selves of Adolescent Girls (pp. 19–23). Ballantine Books.
Debbie pt. 1
(click here for Mandy pt. 1)
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benevolenterrancy · 10 months
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I started reading A Marvellous Light and I'm already deeply invested in this poor bastard just having THE worst first day of his new desk job.
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nibbelraz · 2 months
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Does CQM sect knows how long SQH has worked for MBJ? YQY let's SQH come back (presumably because he is that good at his job?) but do they ever interrogate him? Do they have any idea that SQH has been working for MBJ for years? I just find it funny that from their perspective SQH betrayed them but in a way you could argue that SQH was never loyal to the sect. Yes, he was already part of the sect, but he was an outer disciple and while they don't know, SQH already knew he would one day work for MBJ. While he feared for his life he probably had already in his head that he would be loyal to Mobei, so he entered the sect knowing he would spy for him. From the beginning he joined the sect with dishonest notions. But other than SQQ does any other Peak Lord has any idea about this? Because honestly, how fucking scary and impressive that SQH did this 😂
I don't think it's ever stated how long they knew about Shang Qinghua being a traitor (My memory is absolutely horrible, so I could be wrong) However im sure they can pinpoint the time a demon killed a lot of disciples with Shang Qinghua being the only survivor and was missing for some days then they mightve connected the dots to how long he's been a spy for Mobei Jun. I also don't think they interrogate him either, they just kinda let him back in after all the shit that went down
Looking back into the novel, Yue Qingyuan does let him back but there really was no interrogation from what I can find
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So YEAH HE REALLY JUST MANAGED TO GET AWAY WITH IT
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raycatz · 14 days
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I'm not including a situation where someone might be injured because in that case I'm thinking the bed goes to them by default or they are nominated for it. anyone who wants to be chatty goes to join the living room floor gang.
What are your thoughts and headcanons? Do you have thoughts on how the boys tend to approach assigning beds in inns? Who do the chain choose to sleep near when camping and why? What are their dynamics like when settling down for the night and getting ready for the day?
In "Mirror Vs Open Closet Door: Fight!" by Gintrinsic (here) Four refers to the chain's decision on how to split up between inn rooms as the "Link-per-room ratio" which I find very funny. He, Sky, and Time also talk about their thought process behind why they do or don't want to sleep in a room with some of the others which I find fun and interesting.
So! If you have thoughts and want to share them! *gestures to the post!*
#linked universe#linkeduniverse#alrighty! now for my answers-#for the ranch question I think it varies which is why I'm asking in a poll. What do you think happens most often though?#each answer is a fun scenario so it's difficult to choose#but I think they'd try to act politely around Malon and Time for the first couple visits with straws or rock paper scissors#or showing generosity by offering the bed to someone else. (I bet Malon saying they're charming is quite the incentive#for more possible compliments. The chain as a whole would want to prove her right xD )#Once they're more comfortable in the house though I can totally see Wind and Legend making a mad dash for it while Wars yells after them xD#Wind probably ends up sharing with Four a lot since they're the littles#or Wind snuggles in with Wars Legend Wild etc#Wild and Twi/Wolfie have claimed the spot on the floor by the fireplace.#For inn rooms / castle rooms / camping - I tend to group them by how they're grouped a lot already#but a lil mixed up#Time - Sky - Wars are the good rest trio. they want a good night's rest please let them get their beauty sleep. often joined by Four#Wars goes between this group and wherever Legend is depending on how chatty he is that night.#Twi - Wild - Hyrule are snuggle/proximity buddies#Legend is attached to Hyrule's hip or sets up near Warriors to gossip and gripe. I can also see him setting up near Wild#in the eye of the storm as it were or just an interesting place to be. Wild and Hyrule can get to chatting about everything and anything#so if Legend wants background noise (Hyrule and Wild podcast omg)-#or a conversation he can be half a part of and jump in and out of while getting ready for the night or in the mornings-#this is a good place to be. add Wind and things get a bit more chaotic.#Wind gravitates to Wars and Legend too when curious and chatty. He gravitates towards Time when he wants something calmer.#Four tends to be near Sky or Twi or to Legend's group for the same reasons#I can see Four and Twi having a little book club going during downtimes where they talk about what they're reading. Sky likes to listen. <3#Wind thinks they're nerds but so is he and he can't resist a good story so he orbits and sometimes settles in and peppers questions.#it's funny that Time Sky and Wars want to sleep the most but Legend follows Wars to chat (and ends up bringing people with him xD )#there could be some conflict there oooo#Twi is by Time#it's almost a circle but with clusters of sleeping bags near on top of each other and filling the gaps
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hm. im not very big on new years resolutions, they're too much pressure. but... perhaps i can handle new years Desires
this year i want to complete a lil comic, fan-based or otherwise. i'd like to also complete some sort of storyboard/animatic thing. i want to develop a coloring style that i can be proud of. i want to get to a point with my dragons where they can have a coherent story & world to live in. i want to think of so many fun, trivial facts about my characters. i want to post more about them. i want to write and post an original thing, be it 1k words or 10k. i want to finish the rough draft of a book i outlined. i want to be kinder to myself. i want to create more gift art for others. i want to put more effort & care & love into my art. i want to force myself into the world and figure out how to live. i want to make an irl friend. try a new craft - scrapbooking, maybe, or making an enamel pin. i want to finish that last commission and make a new sheet for more. i want to be freer with myself. i want to finish at least three fics. i want to go whale watching again. i want to improve my art, especially in the matter of drawing people. i want to bake something tasty and share it with the neighbors. i want to be content with existing. i want to have more good things in life to list on bad days. i want to build a birdhouse.
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hephaestuscrew · 6 months
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
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picturefirelizards · 11 months
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I am begging the artists on tumblr to read Gwen and Art Are Not in Love because I am desperate for sword lesbian art
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nellasbookplanet · 9 months
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Book recs: many worlds, portal fantasy edition
A typical portal fantasy follows a human from our world who steps through a portal into a magical land (think of narnia). But there are many fun variations of this trope! Sometimes it's the magical people who come to our world; sometimes we get to follow people who have returned from their adventures and are seeking for new meaning; sometimes our world isn't involved at all. As might be assumed, most portal fantasies are fantasy stories, but some lean more toward magical realism, others toward sci-fi. It's a fun spectrum!
I'm separating portal fantasies from alternate timelines/parallel worlds type stories (which will get their own rec post soon-ish). I also generally do not include stories where the character travels to fairyland/land of the dead/etc as those feel like a genre of their own to me, but the lines between them sometimes blur and this is, obviously, a subjective list.
(Titles marked with * are my personal favorites)
Other book rec posts:
Really cool fantasy worldbuilding, really cool sci-fi worldbuilding, dark sapphic romances, mermaid books, vampire books
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For more detailed info on the books, continue under the cut.
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The Magicians (Magicians trilogy) by Lev Grossman*
You may not have heard of this book, but you have probably heard of the scyfy series of the same name that crashed and burned a few years ago. This is the book it’s based on (pros: it doesn’t end in the same way; cons: it doesn’t feature the juggernaut ship of the show in any major way). For the uninitiated: features what is essentially a (secret) magic university for tormented geniuses. When he finds magic isn't enough to grant him happiness, main character Quentin goes digging into the truth surrounding his favorite childhood books searching for meaning, and finds out that the magical other world they describe might not be so fictional after all.
Stray (Touchstone trilogy) by Andrea K. Höst*
Young adult told through diary entries. Including this as a portal fantasy is a bit of a stretch, but essentially: Cassandra unkowingly walks through a wormhole and lands herself on another planet, where she has to survive on her own until she is rescued. Soon she finds herself embroiled in a war between creatures from dreamlike other dimensions and the people who saved her. Skirts the line between scifi and fantasy (it has psychic space ninjas!), but generally feels mostly like sci-fi. Absolutely fantastic worldbuilding.
In Other Lands by Sarah Rees Brennan*
Young adult. Kids who can walk between our world and a magical one get recruited into a magical school that trains them either to be fighters or sort-of diplomats. Our lead decides that fighting is stupid and that he’s going to peacefully solve every conflict ever, all while being the most delightfully obnoxious little brat possible and getting incolved in the most bisexual love triangle imaginable. Very good, funny, and heart-felt coming of age story.
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NPCs (Spells, Swords, & Stealth series) by Drew Hayes*
This one only counts as a portal fantasy on a technicality and on the fact that I love it and this is my list. Follows a group of DnD players whose characters immediately die, forcing them to make new characters, and, parallel to their adventures, a group of NPCs from the fantasy world who find themselves forced to take the place of a party of recently deceased adventurers. The two parties do cross path on occasion, but there aren't actually any portals involved as all characters (mostly) stay in their respective world. A fun and light-hearted adventure that turns a lot of the expected tropes of the genre and of character archetypes on their heads.
The Time of the Dark (The Darwath series) by Barbara Hambly
1982 classic. Medieval history student Gil and biker Rudy are complete strangers, but when they get mixed up with a wizard from another world the two must work together to survive and get back home. Fairly traditional fantasy with its fair share of issues, but! It has cool swordswomen, creepy lovecraftian monsters and also mammoths!
The Twelve Kingdoms by Fuyumi Ono*
Young adult, light novel. Yoko Nakajima is a regular high school student, or at least she was one until a strange man showed up in her school, swore allegiance to her and whisked her away to another world. As the two get separated, Yoko is stuck on her own in a strange world, hunted by humans and demons alike as she travels in search of a way home. Absolute high point of isekai literature, with an incredible main character and really cool and unique worldbuilding (also available as an anime, however I have yet to watch it and can't speak to its quality just yet).
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Peter Darling by Austin Chant*
Novella. An older Peter Pan returns to Neverland after years spent in our world, only to find that everything is different. Before he knows it, he finds himself working with his lifelong enemy, Captain Hook. Very gay and very trans, with interesting takes on toxic masculinity. Made my heart ache in the best of ways.
A Curse so Dark and Lonely by Brigid Kemmerer
Young adult. A retelling of beauty and the beast, where 'beauty' is a girl brought in from our world to a fantastical one and the narrative focuses a lot on what actually happens to the kingdom when the royal family suddenly disappears, and whether it’s even possible to fall in love with someone you know is deliberately trying to seduce you to break a curse. This is part one of a trilogy, however I'm only really recommending the first book as the second did not work for me at all.
The Golden Compass (His Dark Materials trilogy) by Philip Pullman
Young adult/middle grade, fantasy but has a lot of sci-fi aspects as well. Already well-known and for good reason, the His Dark Materials trilogy starts as what seems a pretty typical fantasy with some cool unique aspects (everyone has a soul-bound animal only they can speak to as their best friend!), and soon veers into a truly one of a kind story. It has magical portals, it has strange worlds with equally strange inhuman creatures, it has physics, it has god murder, it has gay angels, it has tragedy, and it’s very much worth your time.
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Every Heart a Doorway (Wayward Children series) by Seanan McGuire*
A tumblr favorite, the Wayward Children novellas feature a school open to children who have returned from adventures in other realms and now have trouble adapting back to regular life. Some installments are set in our world, others follow children as they have their otherworldly adventures. The main characters vary between books, but are generally pretty diverse with among others asexual, trans, intersexual and sapphic leads. Both funny and dark, it takes a closer look at the trauma many endure growing up different.
Otherside Picnic (Otherside Picnic series) by Iori Miyazawa
Sapphic light novel with a surreal and episodic horror vibe. Following the directions of an urban legend, university student Sorawo finds her way to a reality populated by horrifying creatures from ghost stories and modern urban legends (of which I'm sure you'll recognize many). Here she teams up with fellow explorer Toriko, both to both find out more about this strange world and to help Toriko find a missing loved one. Also available as a manga and (one season of) an anime.
Last Bus to Everland by Sophie Cameron
Young adult. Brody is dealing with a lot, but it all gets a little easier when he meets Nico, who shows him how to access Everland, a magical land where he feels less out of place. But when the doors to Everland start disappearing, Brody must choose which world is really home. I'd categorize this less as fantasy and more as coming of age with a fantasy slant. It's also very gay.
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The Starless Sea by Erin Morgenstern
Surreal and fairy tale-esque, The Starless Sea is stories within a story, following graduate student Zachary as he finds a strange book which, in-between other tales, tells a story from his own childhood. Trying to find out how this came to be, Zachary gets involved with a pink-haired woman and a handsome man who are doing their utmost to protect a strange, otherworldly library available only through magical doors. It's a book hard to put in words, but which I once described as "romantic without being a romance while stile having a love story at it's core", and which can be summed up only as "an Experience". It's also quite gay!
The Memory Theater by Karin Tidbeck
Listen, there’s a whole bunch of Swedish portal fantasies I read growing up that I'm dying to include here, but I'm not because they’re not available in English. The Memory Theater however is available, and is very good. Two children who were stolen into an otherworldly realm that wants them dead fight return to earth, and are followed by one of their captors across universes. The story has the feel of a dark fairy tale, and their captors, while not fey, are very reminiscent of them.
The Ten Thousand Doors of January by Alix E. Harrow*
Historical young adult, more magical realism than fantasy. In the early 20th century, January is living under the care of her father's employer while he travels the world searching for valuables and secrets. But both her father and her caretaker are keeping something from her, something about her own family's history. When she one day stumbles upon a strange book, one that speaks of other worlds, she finally sets out to find the truth. However, there are those seeking to stop her and destroy the doors between worlds, no matter what.
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The Hollow Places by T. Kingfisher*
Horror rather than fantasy. After having divorced, Kara moves to stay with her uncle and help him run his museum of curiosities, until one day she discovers a hole in the wall of his house. The hole leads to a strange bunker, and beyond that, a dark and dangerous world beyond her understanding. In the company of a friend, she goes to explore this world, but quickly comes to regret her decision to do so.
The Unspoken Name by A.K. Larkwood*
The sort of portal fantasy you get when all the worlds connected by portals are fantasy worlds, and none of them are ours. The portals themselves become simply a part of the worldbuilding that the characters use to travel between fascinating places, and it's all really cool. It follows Csorwe (lesbian orc assassin whom I love), who grew up in a cult, indoctrinated as a child sacrifice to a god. But on the day she was meant to die, she instead chose to follow a powerful wizard and train to become his loyal servant and sword. Aside from being an excellent fantasy, it's also a close look at the hard path of unlearning indoctrination and the search for love and validation where you'll never find it, and learning to live for yourself.
Odin's Child (the Raven Rings trilogy) by Siri Pettersen
Norwegian (vaguely Norse mythology inspired) young adult. Fifteen-year-old Hirka grew up thinking she simply lost her tail to a wolf attack, but one day she finds out she never had one: she's an Odin's child, a human, sent from another world and rumored to spread rot and ruin wherever she goes. To keep her secret safe, she goes on the run, but there are forces hunting for her, wanting to use her in their war. This reads mostly as a fairly typical epic fantasy, with the portal aspect not playing a major role until the second book.
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The Barbed Coil by J.V. Jones
1997 classic. Tessa is a young woman with little going for her, until she stumbles upon a strange ring that transports her to a magical and dangerous other land. Here she meets Ravis, a mercenary who takes it upon himself to protect her, and discover her own special abilities, which she must use against an evil king whose mind has been corrupted and taken over by his crown, the Barbed Coil.
Skeen's Leap (Skeen trilogy) by Jo Clayton
1986 classic. While most portal stories are fantasy, this one has a distinct sci-fi flavour. Skeen is master thief wanted in a myriad solar systems, until her spaceship gets stolen and she's stranded on a backwater planet. Here she hears rumors of ruins leading to a strange other land. Hoping for treasure enough to get her off-planet, Skeen goes in search of this place, but finds herself stuck and unable to get back. This one has a unique, almost stream of consciousness prose that takes a while getting used to, but rewards you with a one of a kind experience.
Inkheart (Inkworld trilogy) by Cornelia Funke
German middle grade/young adult, in which the fantastical other worlds are those told of in books. Young Meggie's father has the ability to, when he reads, bring things and people out of the books, or put other people into said books. However, once having done so, he knows of no way to put anyone back where they belong. Now, years after he accidentally brought the terrible villain Capricorn and his henchmen out of their book, he and his daughter must evade them at all costs or be forced to bring further horrors out of the page and into the world.
Bonus AKA I haven't read these yet but they seem really cool
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An Accident of Stars by Foz Meadows
A teenage girl accidentally follows a worldwalker from her world to a magical realm on the brink of civil war. I believe this on has both a major polyamorous relationship and ace/aro characters?
The Sleeping Dragon (Guardians of the Flame series) by Joel Rosenberg
1983 classic. A group of college dnd players find themselves transported to the magical realm they previously thought just a game.
The Wandering Inn by Pirateaba
Webnovel. After having been transported to a magical world, Erin decides to, rather than become a warrior or a mage, start running an inn.
Honorary mentions AKA these didn't really work for me but maybe you guys will like them: The Marked Girl by Lindsey Klingele, The Summer Tree by Guy Gavriel Kay, Child of a Hidden Sea by A.M. Dellamonica, Spellsinger by Alan Dean Foster, The Shattered Gates by Ginn Hale, The Awakening by Nora Roberts, Daughter of Smoke and Bone by Laini Taylor.
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nighty-night-nh · 1 month
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Should've expected something to go wrong today, it is the ides of March, but I did not expect to spend 8 hours in a power cut. Thanks for that one Ceasar.
In other news, I read the entirety of Alex Rider - Skelton Key today! Great 3rd entry but also wtf do you mean their putting this 14 year old through the Unimaginable Horrors for 11 more books??? He's already had to deal with a nuke in this one??? Hello??? Alan Blunt I'm going to strangle you???
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blood-teeth · 3 months
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ALT TEXT: Elena’s thumb moves back and forth across the Traveler’s cheekbones. Back and forth. Back and forth. “Can I tell you what I thought about you the very first time I saw you?” She doesn’t wait for a response. “That you don’t hide your heart. That told me you were kind, that you love first and think last.” She smells Elena’s strawberry flavored lip balm, can taste the fragrance across her lips. Dizzy. “That you hold everyone you come across in your heart, and you won’t ever let them go. No matter how badly it hurts you.” She’s quiet for another moment. “I admire that. It’s a quality I wish I had."
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tending-the-hearth · 10 months
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Also Jasmine almost kills Jafar using dark magic and we get a whole genie backstory about how his wife died in the apocalypse within the djinn’s world
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ivorysodapop · 4 months
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😭😭😭😭 Baby Xuanyu in your comics ❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️ he's so cute please my heart
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Isn't he!! I am very proud of him I love him sm
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