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#also i have no idea what GGY is about
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As much as I like matpat I am dreading when he plays ruin because this is just going to fuel his 'gregory is evil' stich which I HATE.
Like, maybe stop demonizing this 9 year old. I get it, he has committed many crimes, as he should, and destroyed the glamrocks, but they can be FIXED. THEY ARE ROBOTS. THEY CAN BE PUT TOGETHER AGAIN AND ARE EVEN STILL FUNCTIONAL EVEN AFTER BEING SHATTERED.
You know who can't be fixed if he loses an arm or an eye? GREGORY (because he isn't a robot because FUCK THAT) like???
He is a homeless kid, of course he's going to be a brutal little shit and prioritizes survival against morals, he is on the fucking streets, and the animatronics have been trying to kill him for an entire night, making him run all across the PizzaPlex. You know how fucking big that place is!?
Also, him betraying Cassie makes zero sense for multiple reasons,
1: He went through fucking hell for Freddy and he only knew him for 6 hours, like. He was willing to steal a car and live with him on the road in one ending, tries to save him in the Afton ending, carries his head around, and is shown to cry when he's disassembled, something he is only seen to do in the Bad Ending or when Freddy is ok.
HE LITERALLY COMMITS MANSLAUGHTER IN ONE ENDING FOR HIS ROBOT-DAD FOR FUCKS SAKE.
Even when Freddy is possessed by Peepaw William, instead of trying to dismantle him, he tries to save him instead, when if it was any other animatronic he wouldn't have hesitated to destroy them.
Because of what the cutouts in Roxy Raceway tell us, Gregory and Cassie have a close friendship, him being the only one to show up to her birthday and giving her a napkin to clean up her tears. When you see his missing posters, you can see Cassie is crying, and due to him being homeless, she probably made those posters herself.
(which i am sorely disappointed if no one has made an angsty thing yet c'mon guys)
(I HC them as siblings, but I guess steel wool said fuck you entropy)
So why, if he was willing to do all of that for Freddy, where it was a plot point for all of the endings, would he betray Cassie and try to kill her? It doesn't make sense to me, adding onto my other point:
2: At the end, as everyone predicted, the mimic was pretending to be Gregory this entire time. I don't know why exactly it was luring cassie, probably to kill her or something, but the mimic is a whole other rant because it brings the books explicitly and that means GGY could be canon which. Ugh.
Anyways, it's revealed again to everyone's predictions, that Gregory isn't in the PizzaPlex, which I think is a missed opportunity but that's just me. Cassie escapes the Mimic and 'gregory' says that she awakened it (Afton) and then the elevator falls.
I see people saying that Gregory killed her, but my question is how?
If he isn't anywhere in the PizzaPlex, and can only see the layout, how was he able to cut the elevator wires if not physically present? Did he teleport? Did he magically get into the mainframe and somehow break it down? No.
In conclusion, if there's an installment following this it better not have a villain Gregory or I swear to God steel wool I am able to forgive you for hello neighbor I will NOT forgive you for that
EDIT: just some more things I want to add because MatPat is playing ruin and I am fueled with dread and excitement.
I see people bringing up the books and the whole patient 46 or 42 or 420 or whichever the fuck, which is still do not get, but I don't understand most things in this franchise anyways so.
Even if the mimic and GGY are canon, I still firmly believe that gregory's actions (if he did do them) were manipulated by William/Glitchtrap, with him being mind-controlled like Vanessa. If your going to demonize him for that, then you would have to do the same thing for Vanessa, who has canonically killed enough children to fill out a newspaper as seen in the Bad Ending when it's revealed Gregory is homeless.
(I don't know how or when old willy put his hands on my boy's mind, but It is not because he is a robot because he isn't. the only reason Freddy say's he's broken is because of censorship.
(PS, please stop censoring horror franchises unless it's actually depicts idk SA, talking to you Megan Is Missing. The original line was that gregory cut himself while in the vents. you didn't need to censor that idqbnofq)
Also, for people saying that Gregory is sadistic for destroying and harvesting the animatronics....
I see your point, and I raise that he is a homeless child who probably just got out of mind-control and is now being chased around a massive mall bigger than a 10 Walmart's and Targets put together, trying to escape 3 (4 and 5 if you count sun & moon and a hell of a lot more counting the security bots and damn endos) eight to seven foot hunks of heavy metal and sharp teeth capable of and known for destroying security bots because of Pizza and Jealousy Issues (Roxy and Chica) another that's infamous for destroying fences, his own room and is rumored/thought to have destroyed another robot, and a security guard who, (in yet again deleted voice lines that should have been in the game god damnit steel wool) he saw change into a skipping bunny with a kitchen knife all trying to kill him with only one protector for 6-7 hours straight with barely a moment to breathe.
What do you expect? him to be all "I'm so sorry *cries* let's all be friends!!" NO. in a better world and in a better made game maybe we could have that, but in this world no. Maybe he's a little remorseful, but in the way you kill a bug kind of remorseful.
Also, again, homeless children who probably had to raise themselves aren't going to be the most morally aware children, of course he's going to worry about his and the one person/robot who took care of him in a while above the ones who are attempting to murder him.
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roxtron · 2 months
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Day 5: Rabbit, Reclaim
AGJGDFJF FINALLY IT'S DAY 5 SO I CAN POST THIS
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For some reason everytime i draw him he looks so young because i'm accidentally overcorrecting since i'm used to drawing older characters. So unfortunately he looks way younger than i meant him to lol, whoops.
But wait there's more- AHAHAHA
While I did initially plan this for GGY week I eventually got the idea to use this as an excuse to draw other GGY designs, soo..
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(Not sure why tumblr formatted it that way with 1 of them big but it doesn't matter lol)
I've been wanting to do this for a while, I put the tags of each person next to their design but ofc I'm still gonna tag them in the post itself so you can see their art for yourself if you haven't already. But I enjoyed each of these in their own ways so if you don't mind I think I'm gonna type a bit of text next to them..
@chipistrate This was one of the first I drew out of these, the design was pretty fun to draw but sorry if I messed up a few details, it was a bit difficult lol. The mask and goggles are really fun to draw and they make for a cool design, along with all the glowing blue. (and yes, I tried to subtly include the heelies lol)
@lunzi0 This was the first fursuit one I did lol. I adore the little stars in the design, they personalize it so well and make it really unique. I wanna try this design again since I feel like the other ones show my improvement a bit better, but I hope you can appreciate the effort I put in on my first attempt <3
@carouselrabbit This one was really fun to draw, I absolutely love the eye shape/lashes, it stands out and I always love drawing eyes with a bit of eyeliner lol, the daycare theme legwarmers is a cool nod to the balloon boy arcade machine being connected to them, and was just a fun addition in general lol, I like the style of legwarmers what can I say, fnaf changed my fashion sense a bit. also the subtle paraells to freddy's design is a nice way to connect a bit to gregory himself.
@puhpandas I can't remember if I talked about this design last time I drew it but, overall I'm really happy with how this came out, it's such an indicator of improvement since I started drawing this and I'm glad I was able to draw it better than last time lol. All the patchwork and similarities to Vanny's suit work really well, and the rabbit you chose to base it off of was a good fit, the colors make it a bit more difficult to shade for but i like detail lol, hope you like it too :)
@dykevanny I knew I wanted to do this since I started but I wasn't sure if I'd have time, and I'm glad I did! I hope you don't mind I combined aspects from the first design I saw and the second one you replied to my ask with, I liked the big purple sleeves lol. (I just realized after doing all the shading I forgot to include the oil splatter on his jacket, sorry!) It was definitely a bit difficult due to the head shape being so different but.. fluffy. i love drawing fluff. And the glowing swirl on the goggles, the shape of the ears, I love a lot about this design. :D
I have a hard time with writing compliments but I wanted to get some of those thoughts out, some of the things I like about these designs apply to multiple lol. I adore every one of these designs but I find it hard to put into words what I enjoy about them, hope the original creators are happy with these. <3
I also kept the ggys without as much lighting effects on a separate file, I felt like I should add them since they're a bit brighter lol, makes them look different.
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Okay now that I've gotten all that- Sorry this post is so long! I didn't think it'd end up taking up so much space lol. Buut.. working on this drawing and thinking about it and potential context behind it gave me an au idea for it, but I'll put it under the cut since I understand most people probably won't care and just wanna see the drawings lol.
Idk if I'm confident enough to write for it but I'll give a bit of a summary.. I'll keep it under the cut for people who aren't interested and just wanna see the art though lol.
After the main events of SB and Ruin, now that the mimic's been set free, Cassie's taken control of by what's left of Vanny, using her as a new host. But with Cassie being the only human left alive down there, after being reawakened, Dr. Rabbit has nowhere left to go but back to his old host.
Vanessa, Freddy, and Gregory hadn't gone back to the Pizzaplex after ruin, but they were trying to figure out a plan to get Cassie back safely. One night after Freddy and Gregory disappear, Vanessa leaves to go find them. As dangerous as the pizzaplex is, it's her best guess for where they might've gone. She doesn't want to think about what could've happened to them, in denial for the worst case scenario. She tries to keep herself calm by telling herself they probably just left to go back for Cassie, maybe they didn't want her stopping them.. but deep down she knows it can't be that simple. She knows something's off, even if she's not ready to admit it.
When returning to the pizzaplex, she brought along her own V.A.N.N.I. mask, though unlike the one Cassie used, it was clear of the mimic's influence. After all, she was going to need some way to travel through potential blocked routes.
By the time she found Gregory, she'd still been wearing the mask, seeing him down the end of a dark hallway. He looked confused, afraid, his mind was a wreck of conflicting emotions. She started rushing towards him, happy to see him okay, until he finally spoke.
"You need to get out of here."
She stepped back, taking off the mask, only to be faced with the worst case scenario.
It was a wreck, covered in stains and tears, but it was still recognizable. He was wearing that old suit again.
As he waved, she could see Freddy's claws peeking out from the doorway, as the two stepped closer towards her.
So, she did what he told her to do, and started running. She could hear a faint voice coming from the mask, and put it back on before finding somewhere she could hide.
It was his voice again, telling her which way to go.
I guess that was the dramatic way to summarize the main idea behind it, lol. Basically Gregory and Dr. Rabbit work the way Sun and Moon work in Ruin, whichever one is in control in the real world, the other is left behind in the AR world. Or at least that's my interpretation of how they worked, considering Sun was always in mask-on scenes and moon was mask-off. I'm not too sure where the plot might go from there, and maybe I'll consider writing for it, I dunno. I've never wrote fanfic before because I get deadly afraid of writing them out of character lol, but maybe?? I have ideas for scenes and premise and stuff but I don't know if I have the confidence to write it.
But anyway! That was just more of a fun side-idea I came up with while working on this, if you read this far thanks, hope you enjoyed :)
here's some silly little lineless doodles as a reward for making it to the end hehe
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now that's what I call an art dump
@ggyweek2024
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puhpandas · 3 months
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Between The Lines
(7,832 words)
Tony thinks that there's something about Freddy and Bonnie that make them seem closer and different than the other Glamrocks. It takes him a while to realize that there isn't on the outside like he thought, and that maybe, he just sees himself and Gregory in them. And that a certain drawing Gregory has given to him might tell him that Gregory had the same idea.
Greg and Ellis had looked like kids in a candy shop when theyd entered the West Arcade for the first time since the Pizzaplex reopened.
Just like all the banners strung about have advertised, theres brand new arcades and games to try out around the place. The place is fuller, not only due to the sheer amount of guests, especially because of the return of Bonnie, but also because of all of the new cabinets taking up space.
Tony had been content just following his friends as they floundered over what game to play first. They had such big smiles on their faces while wandering around... itd been nice seeing them like that. Tony knows Gregory has been having trouble lately. The whole GGY thing takes a toll on him, even after it's been over for months. He's not much different, but... Greg definitely has it worse. Tony's just glad he's loosening up for this.
Even Tony, who hadn't ever really cared for arcade games, can notice just how many new games have been added to the Faz-Cade. Every step brings his attention to a new cabinet here, another one there, all with new themes and art he's never seen before.
Despite how much he likes to be aware of everything around him, he usually can only focus on one thing at a time. His friends voices are only background noise to him while he gazes at all of the new sights in the Faz-Cade. They're saying something about grinding for points and scores, but Tony cant focus when he's just admiring some particularly cool art.
Subconsciously, his body stops along with his friends when they suddenly quit walking to admire some other cabinet. He startles at the change, and goes to open his mouth, a question already on his tongue.
But he never gets it out. His head doesnt turn, and his eyes catch onto a certain arcade game to their right that's angled directly for the cabinet art to be staring right at him.
The bright and contrasting colors of the two characters in the drawing are all he needs to see to recognize them at first glance.
It's a drawing of Freddy and Bonnie; the colors bright and art angled to look dynamic on the curve of the games' outer shape. Its brand new art, Tony's sure of it. Theres been multiple of Bonnie across the Plex so far since he's returned.
He would know.
Freddy and Bonnie... Tony doesnt know why, but he just cant stop looking at the art of them on the cabinet. They're shoulder to shoulder, bodies leaned onto each other and looking at eachother from the corner of their eyes. Not their instruments or who would be the viewer... eachother.
Its like they're in their own little world, Tony thinks. He doesn't know why he thinks that. He's never noticed a difference before. Is there even one? Has there ever been this kind of closeness in promotional art with characters like Roxy and Monty or Chica and Freddy?
Maybe he should get another opinion. He tilts his head, never taking his eyes off of the art on the cabinet over. "Hey, guys? Does this art of Freddy and Bonnie look--"
"Midnight Motorist!" He's cut off mid sentence by Ellis' exclamation. Ellis takes off from his side, and it finally tears Tony's eyes off of the drawing of Freddy and Bonnie. He races to a cabinet a few over and is bouncing in place looking it over. "I cant believe this is one of the new ones they added!"
Gregory is the next to leave his side after that, heading to join Ellis at the cabinet and blabbering on about something himself. But Tony finds it hard to listen when his mind is still stuck on the brand new official Freddy and Bonnie art for some reason.
He shakes it off, leaving it for another time. He knows sometimes his curiosity can take over his brain in the middle of something sometimes. He just... doesn't understand what there is to be curious about this time. It doesn't eat away at him like curiosity does to him every time, though. This time doesnt feel the same.
He shakes it off again, this time shaking his head physically for good measure. Later. He thinks. He leaves the cabinet and joins his friends by Midnight Motorist, and begins to catch their conversation.
"Do you think we can get the first high scores on it?" Greg is asking when Tony gets there. Theres a kind of rare wicked grin on his face. "Just imagine. Setting an example for everyone else before they can even try themselves."
Ellis huffs a laugh, and eyes Tony when he stands beside Greg. "Hey," Ellis grins. "Wanna watch me set the first high score ever on Midnight Motorist?"
Tony smiles, eyeing the completely empty Best Players screen. "Sure."
To Tony's suprise, Gregory let's Ellis play first and waits his turn until he's done. Ellis steps up to the cabinet, and Tony is content watching Ellis get to know the game and his steadily racking points.
The two of them have formed a little huddle around Ellis' shoulder. His shoulder. For some reason, Tony and Gregory arent on each side like they should be. Theyve decided to squish into the left side of the cabinet and watch from there.
Why? Tony's thinking. Theres a weird feeling in his stomach that he cant identify. Why didnt they split up? They're shoulder to shoulder and theyre pressed so close together Tony is hyper aware of Greg's presence.
He feels his voice reverberate through his own arm and it makes Tony's cheeks burn and his thoughts scramble to come up with a reason.
He cant find one, he realizes. The chimes and music of the game in front of him kind of fade into the background while he tries to think about it more. His brain runs at a million miles an hour, and hes half aware of the thoughts in his head and half aware of how his heart is hammering in his chest at the same time.
Its confusing to him why he cares so much. Why this one little simple action has made his thoughts run so wild.
But while searching for why he and Greg are so close instead of far apart, for some reason, in response, his mind conjures up the art of Freddy and Bonnie.
"Yeah!" Greg cheers beside him, and Tony startles slightly, his thoughts coming to an abrupt halt as he comes back down to earth. His voice is right in his ear and Tony doesnt know what the weird feeling in his stomach is. "You got this, Ellis!"
He breathes out, deep but quiet and slow. He tries not to be obvious, but after the past few months, he shouldn't be suprised when Greg somehow notices.
He twists his neck over to look Tony's way, and Tony makes himself look back. Theres concern swimming in Gregory's eyes that Tony's so familiar with from over the past few months. When Tony would be struggling with the GGY incident and Greg would try his hardest to help him.
"Hey," Gregory asks, voice hushed and soft. Despite the loud button presses and the music coming from the cabinet just besides them, Gregory's voice reaches him so clearly. "are you okay?"
Tony doesnt respond immediately. He just stares, and ignores the twinge in his neck from how hes leaning his head back from the proximity. For some reason, he flounders for words.
"Uh, yeah." He says after a second, offering a smile. "I'm, uh, okay, Greg. Don't worry about me."
Gregory doesn't respond immediately, just looking at him a bit longer. Despite the inches of height Tony has on Gregory, his presence just feels bigger. Tony dares to flick his eyes, and deep blue meets gold.
Another moment of silence passes, and it feels like it drags on forever. Then, Greg nods. "Kay." He says, then turns back to the cabinet screen.
And that's that.
The feeling in his stomach doesnt go away, and along with the exchange neither do the thoughts. He tries to focus on Ellis' high score and having a good time with his friends, but he keeps being aware of his arm pressed against Greg's and the way that hes so close to him.
He doesnt know what's going on. He doesn't have anything to think about it that isnt jumbled and incomprehensible, so he tries to leave it for another day. He takes a breath, calming himself and the storm thats going on inside of him that's leaving him wondering and confused, and watches the car move back and forth on the road on the screen in front of him.
During it all, flashes of blue and orange keep appearing in his minds eye.
-
If theres one thing Tony had missed since getting Gregory back, its seeing Greg enjoy his art.
He'd never taken it too seriously, just drawn the Glamrocks and himself and his friends a few times, and always just for fun. But that's the point, isnt it? Tony... Tony may take his writing seriously, but that doesnt mean Greg would have to take his art seriously. That's something Tony's learned the past few months.
That you should appreciate chilling and having fun while it happens. GGY wasnt something easy to come back from. It wasnt easy to have seemingly recovered very fast from his attack and gone back to school while still grappling with what happened. Especially after it'd only taken a day or two for the real Greg to show up at his house and tell him what really happened.
The point is, Greg hasnt really touched a pencil and paper in a while. At least... not that Tony's seen.
He understands. He really does. Even Tony hadn't touched writing for a little while after... everything happened. He needed time to process everything, and writing was just never something he'd wanted to do, despite it being something he has fun with.
Greg just needed time, is all. But even Tony couldnt stay away from writing forever. He's picked it back up relatively recently. He just wishes Gregory would do.
Which is why when he goes over to Greg's house; a small apartment where he lives with Vanessa, Tony immediately is drawn to the sight of colorful paper and pencils on Greg's desk.
And on one page, two very distinct colorful characters standing next to eachother peeking under a couple other papers.
"You're drawing again." Tony says with a smile when he walks over to Greg's desk.
Gregory doesnt respond respond right away. It gives more time to Tony to just admire some of the newest art Greg's drawn obviously recently. Theres some of himself, some of people he knows, like Vanessa and even him and Ellis, one of a girl he doesnt recognize, and lots of Freddy.
But Tony's eyes keep being drawn to the orange and blue peeking out from under the more recent papers, and his right arm twitches, wanting to reach for the paper and pull it out to look at it.
It's a strange urge, one that doesn't feel quite like curiosity but has no other name Tony could put to it. It gets the better of him, and before Greg can utter a word from behind him, Tony reaches out and pulls on the corner to slip it out from under the others.
"Wait!" Greg yells from behind him. It's a little loud, and when Tony turns around, he looks a little sheepish, along with something else Tony doesnt have time to put a finger on. "Uh, which one is that?"
Tony raises a brow, but he let's his eyes fall back on the drawing of Freddy and Bonnie. He holds it out to Greg, trying to smile. "Uh, this one."
Gregory doesnt say anything, just walking up to his side and looking at the drawing himself. Theres an expression Tony cant place on Greg's face, and he cant help but feel like hes maybe done something wrong.
"I'm sorry," Tony blurts out, lowering the drawing. His brows furrow as he turns to look at Gregory. "should I have, uh, should I have not looked at your drawings without asking?"
Immediately, Gregory's shaking his head, waving a hand. "Uh. No. You're fine." He says slowly, and he's glancing at his desk and the corkboard hung above it with old and new drawings hung on it.
"I display them myself. Its..." Greg trails off, looking deep in thought for only a split second before he says, "it's... okay for you to see them."
Tony's quiet for a second, but his heads nodding and hes blinking shortly after. "Okay, good."
"Here." Greg says, coming up to him with a new small smile on his face; usually, all of Greg's smiles are small, so Tony can notice when ones real or not. This one... it's real, but also a little... nervous? Theres an undertone to it that Tony cant place, but any thoughts he could have had about it wash way when Greg's standing next to him again, bringing up the page in his hand he'd held out of sight back in view with a gentle hand. "You can see it."
Tony holds the page like its porcelain glass, his grip gentle and careful. Greg has the other side, and the paper is longways; meaning Greg's pressed against his shoulder again.
It... theres that weird feeling, again. But Tony doesnt really pay it any mind right now. He just admires the drawing Greg's offered him to see and takes in all the details.
In the soft sunlight of Gregory's window, it gives him plenty good view to see the art. Its good. Its really good. Tony knows Greg is a good artist, but... this is better than he thought it would be. Tony takes in the details, the line strokes and the color choices and even the little blocks signature in the corner of the page. He smiles instinctively.
"Its... good." He mumbles, voice quiet, but earnest. The drawing is of Freddy and Bonnie, colors bright and popping like they were on the arcade cabinet back at the Faz-Cade. This reminds him of then, Tony realizes. The drawing is similar, and... it gives him that same feeling. That same wonder if theres something else there between Freddy and Bonnie.
They're standing beside eachother, and the pose isnt as dynamic at the cabinets was. They're facing forward, but looking at eachother. They have one arm on each instrument, but the others that are in-between eachother just... hang limply. It makes Tony's brows furrow. It doesn't fit with the pose Greg was going for.
This whole time, Tony realizes, Greg had been watching his reaction. He suddenly becomes aware of Gregory looking at him and how hes holding the other side of the page and how their shoulders are pressed together. How their hands are hanging limply next to eachother. His fingers twitch and burn, and so does his face.
"You like it?" Greg is asking, and Tony tries to ignore that exact same strange feeling in his stomach he's been having to answer him. His mouth feels heavy and locked shut, and he stammers.
"Ye-Yeah!" He manages, managing to keep looking away from Greg's eyes and at the drawing in front of him. He smiles, and it's real when he says, "Its-- Its great, Greg. Its amazing."
But then Gregory is silent for a second too long, and Tony dares to glance over. It's the exact same time Gregory switches his gaze to the drawing and shifts his body.
Greg takes his hand off of the page, pushing it gently with both towards Tony's chest. Theres a smile that stretches wide across his cheeks when he says, "Its yours."
Immediately, Tony sputters. "What? But--" He gapes. "Yo-You dont have to do that--"
"Its fine." Greg cuts him off, smiling at him. Tony finds himself going quiet and staring. "I... uh... I drew it for you in the first place."
Tony gapes, unfurling the paper from his chest with a gentle grip. He takes another look at it, feeling something warm bloom in his chest. His fingers shake and tremble as he holds the paper in-between his fingers. Just, admiring it again. The orange and blue of Freddy and Bonnie.
"You did?" Tony asks, softer than silk. It's barely above a whisper.
Greg nods in front of him, smile still on his face. It dissolves into a small chuckle. "Dont act so suprised."
Tony shakes his head, whipping his head up. "I'm not!" He says, but his eyes find the drawing again quickly after. It's like hes unable to look away. The drawing... it feels different now, knowing it was made for him. "Its-- its just... really cool, Greg. I love it. I really do."
Gregory goes silent again, this time for longer than a second or two. Tony glances up, and barely catches a blank stare from Greg for a split second, like he'd been thinking about something. It's gone in an instant, and Gregory's smiling at him again, looking at him with yellow-gold eyes that seem to be shining in the light from his window.
"I'm..." He trails off. "I'm glad."
"I'll treasure it." Tony promises, holding the page closer to his face. Theres even highlights in their eyes as they look at eachother in the drawing. "I promise. I wont let anything happen to it, either."
This time, Tony looks up just in time to see Gregory smile softly, and say "I know."
-
Despite Bonnie being Tony's favorite, he's never actually gotten to meet him face to face.
He would be lying if he said he had liked him before his disappearance. It sounds bad, but... Tony hadnt ever cared much for the animatronic characters. It was Bonnie's sudden vanishing that caused Tony to gain interest in Fazbears brand and characters and history and why they would retire him if they meant to. And so abruptly at that.
But... after reading up and seeing all of the history and different iterations of the characters and their merch and art and brand and evolution... he maybe got a little interested.
It goes deeper than a childish interest in the animal characters, though. He... he doesn't know how to explain it. He just feels connected to Bonnie, somehow. It's not like Freddy and Gregory. They... they have something else. But it... it feels like Tony sees more in him than the other glamrock characters. To an extent, Freddy as well. But Freddy has what he has with Gregory, and Tony doesnt feel that connection with him like he does Bonnie.
Which is why he'd been excited when Bonnie had returned in the re-opening. The bowling alley has been flipped and remodeled and the art replaced and updated since hes come back, and the place is pretty packed usually, now. Bonnie performs on his stage sometimes, and will come out and mingle with guests rarely, but Tony's never gotten a chance to talk to him.
Of course, he should have known Gregory wouldnt let it stay that way for long. Not with how he still travels across the Plex behind closed doors sometimes to see the Glamrocks often.
Which is how Greg had gotten Tony into Bonnie's greenroom in-between his schedule later in the day, when not a lot of people are at Bonnie Bowl.
Of course, Greg had always known, but... his sudden action was definitely influenced by how Tony's been talking about it, recently. How he wants to be able to talk to Bonnie alone one on one. How he's always wanted to.
Its just... Tony's been looking at the drawing Greg made him a lot lately. And it keeps reminding him over and over of how it feels like theres... more to Freddy and Bonnie. Theyve been paired together since the very beginning. It feels like theres something else intangible with them that there isnt with the other characters.
They have history. Theyve always gone together, like yin and yang. Fire and ice. Red and blue.
He's... he's just always felt a connection with Bonnie.
It doesnt feel like meeting a celebrity, when Gregory ushers him with a smile into Bonnie's greenroom and shuts the curtain behind him. He doesnt feel starstruck, or like he wants an autograph. He just wants to talk to Bonnie.
Bonnie's sitting at his mirror when Tony inches in, feeling strangely nervous and anxious and fiddling with the Bonnie keychain on his backpack. Bonnies ear twitches, the one with the earring, and then hes swiveling his chair to face him.
"Ah! You must be Tony, then." Bonnie says with a smile. Tony just stays quiet when Bonnie gets up and heads over to him, his mind running wild with what exactly it is he wants to say. "Yeah, Fred and Greg told me about ya. Said you wanted to meet me. That I'm your favorite?"
Tony nods, meeting Bonnie's eyes. "Yeah, that's right."
"Well then, its nice to meet you, Tony." Bonnie says happily, holding out a hand for Tony to shake. Tony releases the keychain and takes it without another word, shaking it politely.
It's only then that Bonnie quirks a brow at him, his ears drooping a bit. Theres a small stretch of silence where nobody says anything, and Tony feels self conscious, the nerves rising up even more.
Bonnie's kneeling down to be eye level. His ears aren't pointed straight up anymore, they're more relaxed. Bonnie looks at him, looking... concerned? Curious? And he sets a hand on his shoulder.
"Alright, now." Bonnie finally says, and Tony glances back at the curtain, than at Bonnie. Bonnie fixes him with a look that's inviting and warm. "What's on your mind, Striker? I may have just met you, but Greg has told me all about ya. He told me you had questions for me and would be bombarding me with them."
Tony's shoulders droop a little more, and he feels the nerves ebb away ever so slightly when Bonnie is nothing but warm and inviting. Once again, Tony doesnt feel like hes meeting a big star. He feels like hes having a conversation with... someone he looks up to. Someone he came to ask a question.
"But you arent." Bonnie points out, not unkindly. When Tony frowns, Bonnie smiles kindly.
"You dont have to be nervous, Striker." Bonnie tells him, his voice quiet and encouraging. "Theres plenty of kids that come to us to ask us things."
"Things that..." Bonnie trails off. "they just need a little friendly advice for that they may not want to tell anyone else."
He says the end pointedly, just enough emphasis to bring it to Tony's attention. It feels so childish. It really does. It makes Tony bristle to think about, that hes a kid who needs advice, and that Bonnie already knows that. That Bonnie is using tactics he uses on young children on him. But... that's what he came for, didnt he?
It sticks out to him, though. And Tony's aware that Bonnie's tactic worked. 'Things they may not want to tell anyone else.' aka, things that Tony had wondered about in bed and at school and at the Faz-Cade when he'd think about the cabinet art or Gregorys drawing. When... when he'd felt like there was something else.
To Freddy and Bonnie. To what appears on the outside. To what there may be on the inside. To the colors orange and blue.
He opens his mouth, not quite speaking yet, and Bonnie's waiting patiently. Hes looking at him encouragingly, and Tony sighs, letting the words spill out. The big question that he's mulled over for months.
Tony takes one last glance around him, not exactly knowing why but feeling like he needs to. It feels personal, or taboo somehow. Like this needs to be kept under wraps and only for his and Bonnie's ears to hear. He grabs at his keychain again, fidgeting with it.
"Bonnie..." He manages eventually, feelings and thoughts that feel disconnected racing through his mind. The keychain gives his hands something to do, but it doesnt help much with his nerves. "Are you and Freddy... uh..."
He stammers over his words, feeling nerves fry his stomach. This is hard to say, for some reason. It feels scary. Bonnie waits, though. Still ever patient, but his head does tilt in curiosity, a quirk to his brow.
Tony opens his mouth, taking a second to continue. "Well... I just..." He trails off, and Bonnie is still looking at him. Theres a moment where Tony says nothing, and Bonnie just meets his eyes and nods, smiling.
Its okay it feels like he's saying. Tony breathes out again, and pushes past the wall he'd been hitting. "Are you two together?"
Bonnie jerks a bit, barely noticeable, but Tony had been searching for any kind of reaction, small or not. Tony watches how Bonnie's face twists in suprise for a moment, and Tony's eyes widen, his shoulders hitching up.
"I just--" He stammers, and averts his eyes when Bonnie keeps staring at him. "I notice sometimes that your promotional art has you two... uh, closer. Than the others."
Its agonizing, watching Bonnie mull over his words. His eyes twitch and look down, and it's clear he's deep in thought. Tony feels his ears burn. He feels embarrassed. It all feels scary. Why? Why does it feel like he's spilling all his deepest darkest secrets?
Tony watches carefully, holding his breath as Bonnie says nothing. He's taking his time, thinking deeply, and Tony watches Bonnie's eyes flick towards the curtain. The curtain Gregory'd promised him he'd wait for him behind.
They widen, ever so slightly, and Bonnie's eyes then look towards Tony's hands, and the keychain hes flipping between his fingers.
Bonnie stares for just a moment longer, and then he clears his throat a bit, and Tony releases the tightness in his chest when Bonnie finally responds.
"Well, Striker..." Bonnie says, voice hushed and quiet, like he's telling a secret. "Just between you and me, Freddy and I do have something going on that... may not particularly be apart of the brand characterization of us."
Tony's eyes widen. Something shoots through his chest, some sort of burning blooming feeling, and he just stares at Bonnie speechless.
There had been something going on between the lines. There had been. Just like he'd thought. Did... Does that mean that the closeness, the undertones that Tony had felt just had to be between them had been there all along? That he really was right.
But... Bonnie had said that last part with the same emphasis he'd used before, and it only just now clicks.
Tony feels something he cant place. It feels crushing, scary, like... somethings caught up to him. Like he was somehow wrong all along. Wrong about Freddy and Bonnie? Wrong about something he never ever knew why he latched onto in the first place?
"So..." He begins uncertainly, shoulders feeling heavy. He realizes he hasnt blinked this whole time, and releases the tight breath he'd been holding. His eyes flick up to Bonnie's. "The promotional art isn't any different?"
Bonnie's ears droop, and he shakes his head. Tony just looks away.
"No, buddy." Bonnie replies. He shakes him a bit, just enough to get his attention, and Tony makes himself look back at Bonnie.
He looks knowing, somehow. It makes Tony bristle. He looks like he just figured it out. But what is there to figure out? Why is Bonnie looking at him with sympathy?
Bonnie doesnt say something like Tony had been expecting him to, though. He just stands to his full height, herding Tony by his shoulders gently to go down the hallway and stand just at the mouth of the curtain. They dont go through, but stay tucked in the shadows. Tony frowns, confused.
"Might there be a reason why you saw a difference with us in the first place?" Bonnie asks, a whisper. He nudges him, and Tony, despite the confusion and how his question begins to weigh on him, joins him in peering through the gap in the curtain.
Tony's not really sure why Bonnie's brought him over here; it's just Gregory and Freddy on the other side, and Tony cant help but feel a little bit of impatient-ness mix with the confusion inside of him, because Bonnie obviously knows something that Tony doesnt and its killing him.
But any remarks over it he bites down, and he tries to decipher the reasoning himself. There obviously is one, after all.
Tony just watches, looking for whatever Bonnie may be getting at. Gregory's faced half away from the curtain, talking to Freddy about something, and he doesnt notice Tony's observing him. Tony watches Gregory's face; theres a smile that goes as wide as to crinkle the corner of his eyes, and it dissolves into laughter soon after. He looks amused, like the funniest joke in the world was just told, and Freddy laughs heartily next to him.
Theres that weird feeling in his chest that been eating away at him again. The one he always gets around Greg and if he gets to looking at the drawing he gave him. The one of Freddy and Bonnie. Or if he remembers the cabinet art.
Tony just watches. He watches and is aware that Gregory barely ever smiles like that and that it makes his eyes sparkle, and it's like the gold in them shimmers even more. How it curves around his cheeks and even after it dissipates a bit, the contentment is still there. He watches him speak and how it flashes his teeth and his home-cut, shaggy hair kinda falls over his face like a curtain and he has to brush it out of the way with a hand. Theres the scar on his face that travels up his jaw and the sharpness to his eyes and the curve of his nose and--
Oh.
Oh.
He's long let go of the Bonnie keychain by now, but now, it weighs heavy on him. Suddenly he's all too aware of its presence, and Gregory's Freddy backpack that Tony can see on his back through the gap of the curtain.
Flashes of the cabinet art at the Faz-Cade and Gregory's drawing run laps through his mind. It makes sense, now. His mind is so jumbled he cant get a thought through, but he still knows what they're all saying. He feels it.
Freddy and Bonnie, the two always paired together that Tony saw a certain closeness between. Bonnie, who had always been Tony's favorite. Freddy, who is Greg's favorite. Who he draws all the time and has bonded with and who he's connected with.
Tony's always felt connected to Bonnie.
"Oh." Tony says outwardly, barely louder than a whisper. His voice cracks in the middle.
Bonnie tries to squeeze his shoulder, to open his mouth and say something, but Tony gently shoves him off, walking out of his hold and stumbling closer the curtain.
"Im--" He stammers, not knowing what to think. "I'm sorry, Bonnie. I-- thank you for this, but--" He sighs out, and it feels a little wet. He ignores Bonnie's worried expression and pushes open the curtain with one arm. "Ive-- I've got to go."
Bonnie doesn't try to stop him. He doesnt yell for him, ask him to wait, nothing. Tony appreciates it. Maybe that knowing look hed given him means he understands.
"Hey." Greg greets him on the outside, just like he said he would. Hes smiling, Freddy backpack still on his shoulders, but it drops a bit when he sees his face.
"Tony?" He asks, softer and less enthusiastic. "Are you--"
"I'm fine." Tony cuts him off, ignoring the guilt curling in his stomach when he walks past both Greg and Freddy. He needs-- he can't think right now. He doesnt know what to do. "Im-- I'm okay. I uh, just think im gonna go home."
Theres no response for a second until Greg goes "Oh." Its a little flat, and one hundred percent sounds disappointed and worried all in one. The guilt gets worse. "Are you--"
"I'm okay." Tony insists, and the tightness in his chest and rapidness of his thoughts dont go away. Greg doesnt get to ask again, because Tony's almost running away, now.
He can feel Greg and Freddys eyes on his back as he leaves Bonnie Bowl, not knowing how to feel.
-
Tony hasnt told Gregory.
How is he supposed to? He-- he hasnt even processed it himself. He doesnt know what to think or how to feel. He doesnt like not being able to think.
Every time he tries, it all gets jumbled and his brain twists in knots. He doesnt need to think to know. To know what it all meant and that he'd always felt this way. Since he'd gotten to know the real Greg.
That those moments where he and Gregory would be close where he'd have those weird feelings were because he liked him. He still does. He likes him. A lot.
He likes him and he'd-- Tony had always seen more in Bonnie and Freddy because he saw more in him and Gregory. Its always been that way. He's always felt closer to Greg. He's... he's the Freddy to his Bonnie.
The thought makes Tony's brain freeze up again. He blinks, feeling his arms burn from being sprawled out on the bed and holding them up for so long. He groans, long and drawn out, feeling lost.
His stomach does somersaults and his face burns when he looks at the drawing again. He's stared at it a lot already. Not only today, but since he got it. Its felt... special, to him. Now he knows why. That this drawing Greg gifted him always felt like it held something deeper. Something that... only Tony saw. That no one else would.
He grips the paper with his fingers, staring longingly at the art. It feels like hes getting a headache, lying flat on his back and straining his arms just to hold the drawing up in the air. He stares at the pencil lines and the colors and how Freddy and Bonnie's shoulders are pressed together and their hands are still awkwardly limp from where they fall by their waists.
Tony frowns, always feeling off about that part. It never fit in correctly. It never felt intentional. Not like everything about Gregory's art always has. It had always left Tony wondering. Like how he had with the feeling in his stomach and Freddy and Bonnie's official art.
He sighs, his arms drooping slightly from the strain. Today was a school day, and Tony hadn't gone with Greg to his house like he usually does. He's barely talked to him since his exchange with Bonnie. He doesn't want to avoid, him, he just... doesnt know what to say.
He doesnt know if he should tell him. Tony has always felt that he and Greg felt different, but he has no idea if Gregory does. Tony had been wrong about it being intentional in the art at the Plex. He'd created it himself because he saw himself in it. He doesnt want to-- to mess things up with Greg. He doesnt want Gregory to have never felt the same.
His brows furrow and he frowns as he readies himself to leave it for today, like he usually does. He takes a last long look at the drawing, eyeing Freddy and Bonnie's hands again, and how they look forced and awkward, and starts to drop his arms.
It's the afternoon, and the sun is setting and just at the right position to shine through his blinds and onto his bed. The blinds are almost fully shut, but the sun peeks through the cracks, shining on the back of the paper and highlighting the details of the drawing.
Tony wouldnt have paid it any mind if it hadn't revealed something hes never seen, never, about the drawing he's spent so long looking at.
He does a double take. Then a triple. Then some more for good measure. He blinks, and scrambles up on his arms to sit upright so he can see it better.
His eyes widen, and his stomach feels floaty. The same feeling from the cabinet art and when he and Greg will sit close to eachother at lunch and let their shoulders and knees touch or, stand closer to eachother than they should blooms in his stomach.
The sun, shining bright and golden through his window, illuminates the blank paper space adjacent to Freddy and Bonnie's hands in Gregory's drawing. They're bending awkwardly, out of the way, and it gives him room to see the faded lines besides Freddy and Bonnie's hands.
It starts from the wrist and the lines show up even through the marker Greg had used to color their hands with. It fits, Tony thinks, with the pose. With the original pose. This way, it doesnt feel forced or awkward. It looks like how it had intended to be from the start.
Because with the sun shining behind it and showing through the color and pen that had carefully covered it up, Tony sees faded pencil lines that before, had connected Freddy and Bonnie's hands.
His face becomes warm, and he just looks, feeling something blooms in his chest. Hope? Disbelief? Excitement? His brain short circuits and he's only feeling right now. He feels how sparks are flying in his stomach and it feels a little less impossible than before.
I... uh... I drew it for you in the first place.
This is how it had always been intended. For Freddy and Bonnie to be holding hands. Theres nothing else it could have been. It had always been unintentional in the Plex art. Always just created from Tony's own relation. But this... Greg wanted this. He wanted to draw Freddy and Bonnie holding hands and for that closeness to be more than an undertone. More than intangible.
Tony feels breathless. His arms and hands shake, and the paper in front of him shakes along with it. He doesnt care, though. The sun is still illuminating what Greg had intended in his drawing all along, the drawing he made for him, and Tony feels less unsure than before. He feels like maybe he isnt alone in feeling this way at all.
-
The next day, after a long night and day at school, Tony goes with Greg to his house.
The drawing sits heavy in his backpack. unfolded unfolded because he'd never want to crease it and he doesnt want the pencil lines to suddenly disappear, either. He handles it like porcelain glass, like itll slip through his fingers if he let's it go too much.
Even Ellis had noticed him acting weird, and Tony noticed Greg looking at him concerned from the corner of his eye. He knows why. He's been distant lately. But... at school today, Tony hadn't felt afraid of Greg. Of messing things up with him. He'd felt the warmth spread through his face and his stomach and fireworks go off and his face stretch in a grin when he'd seen him the first time that day. And he'd felt it times ten all over again when Greg had smiled back.
He wont lose him. Tony knows this. He'd spend all night and all day mulling it over. Greg feels the same. He'd felt the closeness like I had. He'd.. he erased it. He was scared, like I am now.
It feels different, walking into Greg's room. He hasnt been there in a couple days, but it feels almost similar to when he'd walked into Bonnie's greenroom. He knows now that it had been because he knew, deep down. It felt like he was about to confess something then. He pretty much had, saying that Bonnie and Freddy were together out loud.
It's not as far down, anymore. It's not buried underneath characterization branding and pencil lines and marker strokes and only revealed if the light hits it right. It wont stay under wraps. Not after today.
Tony becomes hyper aware of the bag on his back immediately after the door closes on them. Greg walks into his room first, slinging his bag off of his back and kicking his shoes off and talking about watching something, together, or writing like they always do, but Tony isnt listening. He's just balling up the hem of his green corduroy jacket in his hands and staring at the carpet and thinking about the colors orange and blue.
"Tony?" Greg asks him. Tony startles, looking up at Greg. Hes sitting on the edge of his bed, with concern etched on his face. "Are you okay?"
Tony opens his mouth, but theres no words on his tongue. He stands there silently for a moment, and he thinks about the drawing again. He knows it's time. The sun is peeking through Greg's blinds. His backpack and the knowledge that the drawing is inside and his Bonnie keychain weigh on him.
His eyes flick for a split second to Greg's backpack and his sneakers, and then he clears his throat, his mouth feeling dry. "Greg, can I show you something?"
Gregory tilts his head, looking a little worried. He jerks, patting the bed beside him. "Uh, yeah, of course."
Tony swings his own backpack off of his shoulders as he makes his way next to Gregory, but its gentler. Careful about the easily crinkleable paper inside. Pencil lines that have already been attempted to be erased.
It only fully sets in when he sits down next to Gregory on the bed, and he chose to sit close enough that their arms are flush against eachother and Tony's face gets warm. He doesnt fight it. He just unzips his backpack and carefully reaches in, grabbing ahold of the corner with light fingers.
He pulls it out, and Gregory looks suprised next to him, if not also a little but confused. Tony's face is still warm, and his fingers shake and tremble, and he turns his neck to face Gregory.
They're really close like this, and Tony's eyes widen and he has to fight to not look away. His heart hammers a hundred miles an hour in his chest, but he keeps his gaze on Greg's eyes. Gold meets blue, and they stay staring at eachother. Tony hopes deeply that Gregory gets the hint. That he understands.
Nothing, yet. Not a peep. Just a silent moment. Theres closeness now, Tony thinks. Closeness that feels carefully not one sided. That feels mutual. So after another moment, he forces himself to look away, pointing the paper at the wall and smoothing out the corners. Gregory follows his movements, still having not made a sound.
Tony doesnt, either. He just holds the paper up to the window on Greg's wall, or rather the beams of golden light shining through it, and just like how it did in Tony's room, it illuminates the pencil lines around the white of the paper.
Lines that had been hidden. That are being revealed now, brought to the surface because Gregory didnt have to be afraid. Becuase its mutual. It feels less like it was erased, now, and more like it was drawn in invisible ink. Blank to the naked eye, but the two of them know. Greg knows, he has to. He hid it himself. And Tony... well, Tony wasnt crazy for feeling that there was something between the lines all this time, has he? Not when there literally have been.
Tony looks at it for a moment, feeling like it's all being brought up to the surface. He feels connected to Gregory, right now. Like this isnt some big reveal. That its just an acknowledging of feelings. I know. Tony's trying to say. I always have, and now I know that you did, too.
He moves his gaze to Greg, who's staring wide eyed but almost blank faced at the paper. His lips are parted slightly, but other than that, he just looks... shocked. Suprised.
Scared
Tony's scared, too. But not in the way Greg is. Tony's nervous, and afraid, and excited, but Greg doesnt know if Tony knows. If he thinks the closeness is mutual.
He does.
He takes the leap, fire in his chest and on his face and sparks flying from where Greg's shoulder is pressed against his. "Maybe..." He begins, slow and quiet. He looks at Greg, meeting his eyes, and he points a finger at the lines that originally portrayed hands laced together. "...Bonnie and Freddy would like to hold hands. You know, like... in the promotional art".
Theres a fleeting moment of silence where Tony's words just hang in the air. Like in the promotional art, because Tony knows Gregory noticed, too. He knows he felt the same connection Tony had. He knows that he knows. He sets the paper down in his lap, no longer feeling like its needed. His hand lies on his leg, carefully positioned in-between them, like Greg's is.
Then, Greg stops looking so scared, and he meets Tony's eyes. The sun from his window makes them shine like gold, and Tony keeps ahold of his gaze. He hopes desperately that those few words were enough, that a moment like this that cant be shattered by big declarations gets across.
But then, Greg breaks from his eyes first, looking downwards, and Tony follows his gaze.
"Like in the promotional art." Gregory agrees. Tony watches as Gregorys hand twitches, and no matter how slow or agonizing, it moves to lace together with Tonys.
Tony doesnt dare smile, or laugh, or make a peep. He doesnt dare shatter the moment. His chest blooms and explodes with sparks and fireworks, and he knows. He knows that its requited. That Gregory knows, as well. That orange and blue go good together and that he was never wrong about there being something else there.
His head whips up from their hands to look at Greg's face again, and Gregory is looking at him already. Theres red on his face, too, like Tony knows there is on his own. Tony dares to use his thumb to brush against Greg's hand, and Gregory's eyes dart downwards for just a moment, before meeting his again.
Then, without a word, Greg smiles slowly. It's big and it stretches across his cheeks and crinkles his eyes at the corners. And Tony let's a grin appear on his own face.
The drawing sits in his lap, and a ray of sunshine continues to showcase the faded indents of pencil drawing laced together hands. Tony squeezes once, then twice, and shifts his hold to be tighter and more secure. Greg does the same.
ao3 link
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mikodrawnnarratives · 5 months
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TW IMPLIED CHARACTER DEATH
TW BLOOD
(Just like last time, it isn't really graphic but I'm tagging just so you know)
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@naffeclipse
Part 1 | This is Part Two | Part Three | Extra
It. Probably won't need a part 4
I'm doing this all on one cps file so I sure hope so kjlfdkfljs
i'm at like- 750+ layers i'm so sorry my file
...there might be a part 4 but it'll be small sketches and aftermaths
Once again, long post under the cut:
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I am not the only traveler, who has not repaid his debt.
I've been searching for a trail to follow again
Take me back to the night we met
- The night we met by Lord Hurdon
Alright, I didn't make too much of an effort to hide it but how many of you guessed it was gregory and how many of you didn't see it coming?
Gee I wonder who Gregory's companions are
Okay if you don't have a nugget of who these companions are then my rambling below makes it a little more obvious
Anyway, this little comic of self indulgence to mend my broken heart says "YO what if Gregory and other characters saved Vanessa like they did in canon"
It certainly would NOT be easy for Vanessa once she wakes up to that realization. But there are factors that make it a little bit easier for Vanessa to cope compared to other children.
Since Gregory and others proved they could fight and free her as Vanny, it gives her mind a little reassurance that they aren't completely helpless.
Plus, I like the idea of the GGY story (Dr Rabbit) existing as this au's equivalent of the same experience, that would mean Gregory has had his own bad experiences with Glitchtrap and so it wouldn't be like some random kid going against a threat he was unfamiliar with
She still distances herself a lot earlier on and the more time passes, the older Gregory gets, the less he looks and sounds like a kid.
Those make it much easier for Vanessa to stand being around them as time goes by. Earlier on, she only really interacted when absolutely necessary. But she did grow a small soft spot for them.
She remained pretty closed off about herself over the years and never delved too deep about her past. Ness left frequently for her own hunting jobs and at one point Gregory asked where she went. Somethings made it seem like these hunts weren't just random and different
He didn't get an answer of course. But later that day, Vanessa told him about Y/n. In vague terms. This is the most information he ever gets about Vanessa's past.
So Gregory's got no idea who to expect to see showing up to the gravestone ltr on and is just like
Gregory: cool, ur mysterious enough for it to be believable ur related to my mysterious older sister/mentor figure Wanna hear a story
Y/n: ...yes.
Forgive him his brain is ever so foggy from grief and no slep
Anyway, Y/n picked a day to visit Vanessa when they knew they were stable enough not to lash out and attack any humans that may happen to also be visiting the graves. They had eaten pretty recently but not so recent that they were vulnerable.
It's pretty early in the morning where it is still dark and the rain provides some more protection.
If you couldn't tell before, many MANY years have passed since Y/n has been human. Think somewhere between 20-30 years. And while, they still hate who they are now and aren't mentally okay, they've gotten a semi-solid understanding of their limits and what they can and cannot tolerate and when.
And, even though they are nervous, they can manage to have this conversation with Gregory for now.
Why are they talking to Gregory so willingly? despite the risks?
well
the next part will explain that
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thesoulbox · 5 months
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GUYS HEAR ME OUT I HAVE A GGY AU IDEA IF IT HASN'T ALREADY BEEN DONE YET. (if it has please tell me I would love to see it 👀👀)
What if when Tony gets a little too close to solving the GGY mystery, Glitchtrap goes "This small child is getting too close let's go murder him lol" So Possessed Gregory leads him into the Pizzaplex and tries to kill him, but somehow Tony persuades them both to keep him alive, offering to provide his services, like helping with creating fairly realistic cover up stories for the more recent murders, spreading lies and rumors about different things to throw the public off their scent, etc etc. Glitchtrap/GGY is hesitant at first but decides to keep him, not only seeing him as a somewhat valuable asset that he could easily kill if things went awry, but also seeing him as a liability due to how much he knows . So Tony is just following them around at this point knowing that if he doesn't he'll probably get murdered (random sidenote but he is not glitchtrapped/possessed), there are occasionally times where Gregory is actually coherent and aware of himself and he seems to be incredibly grateful that his friend is there helping him and being so understanding, despite the terrible circumstances they are both stuck under. Tony is glad that he can be somewhat of a confidant even considering the dire situation they are both in. Tony watches multiple other people get murdered by Gregory and Vanny, and has unfortunately led people into their own demise unwillingly (He doesn't kill them, he just leads them into a trap and yk) (kill or get killed ✨). The only reason he hasn't entirely broken down / ran away is because he doesn't want to leave his best friend behind. He knows there has to be some way to get him out of there, which is why he spends so much time studying the situation, he is constantly trying to find a weak link, some way to get his friend out of Glitchtrap's grasp. Even though he knows that if he gets caught or slips up, he will most likely get killed or worse.
I would really like to write this into a story but I would need to set an entire timeline and whatnot, think of scenes, the regular old writing shiz biz.
But what do you guys think? would you like me to make this into a fanfic bcuz I'm genuinely interested 👁️👁️
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cactikiki · 7 months
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I have reason to believe Cassie's dad tried investigating into GGY, and it didn't end so well for him.
Let's get into why...
The therapists say to patient 46 (Gregory, while under the Dr. Rabbit (Mimic) influence) that the techs were getting concerned with his diving into the system, hacking it and messing with code to change how the animatronics act. This happens multiple times:
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Now, what is Cassie's father? A Fazbear Technician! Evident by the fact he has a Faz-Wrench, something only Fazbear techs own. Now this is absolutely a stretch, right? Well, it is, until I bring up this note found in the AR world:
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In the AR version of the Plex, Cassie experiences personal things that wouldn't be there for other people-- cutouts of herself with Roxy, of her with Gregory (and subsequently crying when he's gone), missing posters of Gregory, eyes that stare at her, mirrors, etc. So this note is another personal thing to her, and given the importance of the other personal things listed, it's likely this note has a good amount of significance to her too. I previously thought it was because Cassie's dad had left to look into something, but I had zero idea what it could be-- until now.
Either the note was placed by someone else to cover up her dad's disappearance (more likely, death), or he left it there knowing he'd be gone longer than normal while looking into this mysterious GGY. With people repeatedly disappearing, and GGY linked to the animatronics being messed up, he could've taken the initiative to look into it himself- and, possibly, payed the price for it.
When this happened, I don't have much of an idea. But I assume closer to the time SB took place rather than GGY, since it's pretty likely Mimic's influence was dropped right before the game, and RUIN seems to happen maybe a few weeks to a month after the base game? I think Cassie would've done something, or felt something was off, much sooner if it'd happened before then; but we don't know enough about her yet to know if that's the case. There's no mention of any other family she has outside of referenced 'emergency contacts'.
We still don't have a whole lot of information about Cassie, so we don't know how long she was left alone, if she's left alone often, etc.
With Help Wanted 2 possibly being a prequel to Security Breach, it's possible we'll also get a confirmation as to why and how Gregory got stuck under the Mimic's influence, plus what happened to Cassie's father. Maybe the game takes place a few weeks before Security Breach? I dunno. We just gotta wait and see!
I just doubt this note means 'he went away for a while at some point and came back', and it's not like past tense is used when she says her dad has a Faz-Wrench like it is when she talks about him collecting old lunch boxes. It has to be significant, otherwise, why include it?
I believe whatever happened to him, Cassie doesn't know about it yet- but her link to the Mimic, and by extension Gregory, goes deeper than we realised- that's why she was introduced at all in RUIN.
Her story is 100% far from over, but I don't believe we'll focus on her again juuust yet.
We know Scott doesn't drop huge lore without clarifying it in the next installment; Burntrap > Mimic for starters. Dittophobia happened, Steel Wool is now referencing fnaf 4 in tweets tagged as SB and RUIN. GGY is still shrouded in mystery, answers are bound to come up soon! (There are way more examples of Scott confirming lore in the next installment of something, but I can't bring it all to mind right now-- there's definitely plenty of examples, though, and iirc Scott made a steam post about this once)
Gregory had a huge reveal at the start of this year with GGY's release; plus, the Mimic (and how it can control things) was finally introduced in the games.
I think GGY is next to get fleshed out in the game universe, and Help Wanted 2 is the perfect place to start. And, of course, that all links to the people who'd sunk too deep into the mystery; the therapists, Tony Becker, and the technicians.
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chipistrate · 8 months
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Need you more than ever.
Click for better quality
A piece inspired by some tags under one of my posts left by @stillangelxx (sorry 4 tag)
Explanation and very long Help Wanted 2 speculation rambles under cut
This rough piece can be taken as just your usual "save Cassie" AU, because it was kinda inspired by that- BUT it was made with some of the ideas left by Angel in mind, which were basically; What if Help Wanted 2 was split POV between Gregory n Nessa, and Cassie- where Cassie thinks she's the good guy and Gregory is the antagonist in her POV, only for it to be the complete opposite. It just,,, became way more disconnected from Help Wanted than it was supposed to- but it'll probably make more since if you read the thoughts I had to flesh out the idea, which are right below the line-
Honestly this whole piece was made as an excuse to ramble about the idea and my interpretation of how it could go as a (current)believer that HW2 is directly after Ruin, but then it got way too long to just add in a reblog- so now we're here with an original post instead!(hope that's alright,,!)
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Wrote all this at like 3am so cut me a little slack if some of it is incomprehensible- I tried cleaning it up but it's still late so I might not get some points across right
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Basic premise: Split POVs between 3 star fam and Cassie, where the 3 star fam has minigames much more grounded in reality as they venture through the ruined Pizzaplex in search of Cassie, while Cassie's minigames are much more VR/AR based as she finds herself wandering the underground of the Pizzaplex, just barely having made it out of the elevator crash alive, and now finding it hard to distinguish reality from VR/AR. -------
Gregory and Vanessa POV ideas
-Gregory and Vanessa's minigames are more Ruin based, little sections of them trying to survive the many threats of the ruined Pizzaplex. Though some fall into more classic Security Breach territory due to VR/AR shenanigans - -Their "Glitchtrap" is M.X.E.S, and their "tapes" are Parent Nodes. M.X.E.S is not a threat in the same way Glitchtrap was, just a looming figure trying to guide them down to the M.X.E.S room and getting stronger the more Parent Nodes they reactivate. - -Their POVs main hub and select screen area is probably a cam station near the entrance of the Pizzaplex - -We switch between playing as Nessa or Gregory depending on the level and the gameplay can switch up accordingly. Sometimes we're Vanessa trying to protect Gregory, sometimes we're Gregory trying to survive on his own, etc. Freddy might also affect gameplay, whether that be for the better like being the thing protecting us in the minigame, or for the worse- like somehow accidentally bringing more attention to us and making the minigame harder.
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Cassie's POV ideas
-Cassie's minigames are MUCH more VR/AR based, way more centered on the past games, specifically stuff like Sister Location and maybe Pizzeria Sim. - -She's having a hard time differentiating VR/AR from reality - -Her POVs main hub is probably either the room with the elevator or the Mimics lair where she first encounters him(speaking of which I have no clue where he went here but he's gone for now(physically at least)) - -Her "Glitchtrap" could be Gregory calling out to her, an illusion of him created by the VR world that's almost always there in the "main hub", while the voice is actually him- the echos of his calls just barely reaching her and repeating in her head, being embodied by the illusion of him creeping around in the "main hub". He's being genuine with a concerned tone asking where she is, but she thinks he's trying to trick her- probably back to finish her off after she survived the crash. - -Not sure what her "tapes" are… maybe things explaining patient 46/GGY/Rab that only further her thinking he's the antagonist? - -It's kind of hard to tell where Cassie is irl in the heavily VR/AR minigames, but if you look close enough in each level you can piece together where she is and how she's progressing through the undergrounds of the Pizzaplex
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The game has three endings; It ends with 3 star fam and Cassie meeting up in the M.X.E.S room, and branches from there.
We can see it from either POV depending on what POV we're in when activating the ending. 3 star fam enters M.X.E.S room and go to turn them back on, when Cassie ambushes them, jumping out of the Mimics lair and confronting them, starting a tussle with Gregory. There's no boss fight, just different outcomes to the confrontation depending on a few factors;
You 100% complete Gregory and Vanessa's POV and activate the ending before finishing Cassie's POV
You 100% complete Cassie's POV and activate the ending before finishing Gregory and Vanessa's POV
You 100% complete both POVs before activating the ending
Ending 1. Vanessa reactivates the M.X.E.S before something bad happens and M.X.E.S intervenes. Whatever "intervenes" means is up 2 you cause I can't decide - Ending 2. Cassie gets the upper hand(maybe literally if she has the Mimics severed hand as a weapon) and wins the fight. Again, whatever "wins the fight" means is up 2 you cause I can't decide - Ending 3. Gregory is somehow able to convince Cassie that he isn't the antagonist before something bad happens and they make up, turning the M.X.E.S back on and exiting the Pizzaplex
And honestly? I can't see any of these being canon- They're just kinda basic outcomes to the fight, but I can't imagine any of them being canon and where the next game would theoretically pick up from- Most likely it'd be something like "Gregory and Vanessa make it out almost unscathed, but aren't able to convince Cassie to come with them as she's still so stuck in the VR/AR world and the idea that Gregory is a bad guy, and she becomes the antagonist for the next game with this game being the build up to her next appearance and a deeper dive into her as an antagonist" That's what I think would make the most sense at least!
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ANYWAY!!! UHM-
If you're here then- thanks for reading my rambles!! Saw Angel's tags and immediately my brain started going crazy, and this was the result lmao
Don't really know what else to say other than credit to Angel for the initial idea, anybody else who's reading this should definitely go show them some love because her art is REALLY good!!!
Also hype 4 Pax West lets fucking GOOOOOOOOOOOOOOOOOOO
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nixontumbler · 5 months
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hey guys! I’m going for another ramble about fnaf so it’s probably just gonna be me switching topics? This will mainly be a GGY/Patient 46 ramble or beliefs
Or just me trying to cover Gregory’s possible backstories
So you know how Gregory is patient 46. And he leads his therapists to the pizzaplex(as it says in GGY tales from the pizzaplex.) to kill them?
I was thinking about how would he even kill them? I mean he’s short. And a child. I’m not saying he’s weak but what would you do if you see a kid walking around with a knife. (Wouldn’t be the best  disguise after-all. Him being a kid just makes the disguise perfect.) Maybe he used Vanny’s method or something?
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I’m talking about this scene right here. Where she says “dissemble freddy.” And as in the ending where Gregory dissembles Vanny, we know it can harm humans too. Plus, one of the four therapists mentions how one of Gregory’s councilors was found dead.
She mentioned that the body was messed up by machinery, as we see later on in that scene, Vanny gets torn apart by the janitor robots
Since he is a hacker AND a child, it kinda makes sense. I mean, being a child and stabbing a lady with a knife? She would probably have time to run away before i could even stab her again. Plus, in the book he uses an play pass that was hacked into a security pass or something. That’s how he was even able to get in to drag those therapists to their death.
Also, Tony mentions Freddy’s strange behavior in the book. I was thinking about how Freddy wasn’t affected by the virus. Maybe it’s because he was programmed to protect Gregory from any people who might be onto him?
There’s also the part of how Gregory broke out of control (Many people believe it’s the balloon boy game.)
I also thought about why the virus needs gregory anyways? Maybe it’s because he has a resemblance to C.C Afton. Hence the “Let me bring you back to your family” Chica quote?
Also, in the therapists tapes, one of the therapists mentions and inkblot test and gregory takes it. It talks about how it reminds him of a mask.
And the therapists mentions a disguise, and how he likes the idea of running around and being invisible. Which is true, no one would suspect a child murderer. (I was in denial when he was revealed as patient 46.)
There’s also the tape where another therapist mentions Gregory’s childhood. So we know he MIGHT be an orphan but, the therapist did mention him having a good childhood that Greg lied about.
There’s also the fact that he PROBABLY erased his parent records(got this part where Vanessa mentions him) And how (we know he has been to the pizzaplex before but Freddy doesn’t recognize Gregory in the guest list.)
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And here’s Vanessa talking about the records
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His backstory and background is interesting to me, is he an orphan? Or did that virus made him kill his parents? I find it weird.
There’s also the fact where in the story that “Rab” changed is, “GGY was the wizard’s favorite apprentice” It makes me wonder, did the virus get overprotective or something ☠️ and made him kill his parents?
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where i found the line from (Tales from the Pizzaplex: The Boddiedots Conclusion Pg. 64)
It also mentions him having control over the animatronics too. (More proof of my fact of him using the animatronics instead of doing the killing himself.)
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Then there’s also the part where Tony explains how “Rab” looked like a child. His shortness helped with that too(No fr he was twelve how short is he ☠️) Most of the girls thought he looked cute due to his appearance. (They mean he looks adorable)
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Which this is something i find funny since apparently “Ggy” takes two year in the past before the whole Security breach? (Which makes him 14? SHORT☠️‼️) STILL NOT SURE IF THIS IS TRUE BTW..
And there’s also the fact that when Cassie gets killed by freddy, the way how she dies is getting shoved into his stomach hatch(LITERALLY HOW SHORT IS HE)
I also believe he doesn’t remember anything? He just has the natural instinct to run from Vanny/Vanessa. And he also struggles to remember his name.
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Then there’s that instinct of not trusting Vanessa since he just knows something is up with her
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Other then that, that’s basically all I have for today I would love to explain more but, i’m tired💪
But my main idea on who he us is that maybe the glitch trap virus saw C.C in him? And decided “This is my son now because im grieving my family. ☠️” And then made the boy orphaned and decided “mm yes my favorite disguise”
Have a good day yall😭
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idsfantasy · 8 months
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Hey, I have some thoughts and theories about Gregory and I want to know what you think about it since you’re supportive of the Gregbot theory.
With the recent reveal about Gregory, we know that he used to have parents. One of his therapists decides to learn about him from other sources (which to me means that she gets information from those who know Gregory and his parents) instead of reading his file (which appears to be based on his words) seems to further the fact that Gregory has a past. Gregory also has someone who cares enough about him to report him missing. And Gregory goes to school, something a kid with no past and papers couldn’t do.
At the same time, patient 46 has vague connections to the post-it notes room where it implied that a robot with memory and/or knowledge of the Afton once resided. Gregory is supposedly 12 during GGY, which takes place 2 to 3 years before the event of SB, yet he barely looks passable as a 12-year-old by the time SB happens.
Gregbot theory goes with the idea that Gregory is a robotic recreation of the Crying Child but what if he isn’t always that way? What if he is a normal kid who somehow gets infected with Glitchtrap, roboticized and infused with Crying Child’s soul/remnant/agony/whatever which leads to Gregbot waking up with Crying Child’s memory, hence the post-it notes room.
I have a bit of trouble placing when the roboticization happens before decides on before he starts going to therapy. From what I see, he seems to behave more like Crying Child in earlier therapy sessions before Gregory’s personality begins to shine through, possibly due to him going to school and becoming friends with those two kids in GGY. There’s more I want to say but it’s getting into speculating territory. Also, it’s late here and I ought to get some sleep so I will end this here.
Okay but that's like. Exactly what I think happened with Gregbot XD
So yeah I think you're absolutely right lol
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pixlokita · 9 months
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im with you, i dont think the books have ever been canon! like, dont get me wrong, they can tell us stuff about the world - theyre built in the same type of world as fnaf, but theyre different. i think theyre supposed to tell us about things that cant be conveyed as well in the games, like remnant, sound discs, and robot kids imitating real kids. but i think theyre supposed to be like - canon-adjacent, i guess would be a good way to describe it? like, if this scenario were to occur in this world, it would play out like this. i think theyre worldbuilding and exploration of ideas, not canon to the timeline of the games.
also, the names “fazbear frights” and “tales of the pizzaplex”, fazbear frights being ripped straight from the freddys horror attraction in fnaf 3 and tales of the pizzaplex calling themselves tales, both kinda make me think that these books could be produced by fazbear entertainment to poison the well with tall tales and fictional stories. (they did it before - they organized for the first three games to be made to poison the well by saying the developer was a wackjob and the games were complete fabrications. so its completely possible that theyre doing that again.)
i ADORE the content the books give us, but i absolutely do not believe theyre canon to the games. if they are im gonna throw hands.
(i feel like this might come off as aggressive and i dont mean for it to - im just very very very intense about fnaf lol /gen)
Nah you’re right I agree because I thought the books where for explaining how things worked aside from the main story from the games kinda to give it enough sense that we can understand what’s happening or connect some dots that the games just can’t openly talk about ?? LMAO gotta say I love the idea of tales of the pizzaplex being written to confuse people on what’s real and what’s not because that means someone sat down to write GGY to basically trash talk and blame Gregory for stuff he didn’t do 👏😭 that’s brutal must’ve been the same person that wrote two pages talking trash and lies about Helpy in the character encyclopedia Rifp … imagine Gregory sitting down to read this book and just spilling his cereal everywhere and packing his clothes to go on the run because he thought the police were after him for fictional crimes he didn’t commit
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sugarywishes · 8 months
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//SPOILERS for the GGY book (Even though it came out ages ago)
I just discovered this account, so I'm not sure if this has already been asked but what do you think about the "Gregory is Patient 46/GGY" idea? Got any thoughts, theories or headcanons about it?
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Well I've gotta say. It is indeed, an idea.
Like okay, knowing me, I should be foaming at the mouth about this idea. Like HELL YEAH THE POTENTIAL ANGST THIS CAN CREATE!! THE DUALITY OF GOOD AND EVIL THAT CAN FIGHT INSIDE GREGORY AND LEAD TO CHARACTER DRAMA!!
But for some reason, I just don't think this idea works for Gregory?? Like on top of being a surprisingly tech savvy homeless preteen, HE'S ALSO A MURDERER AND MASTER HACKER!! It's almost giving me a nostalgic whiplash back to those edgy overpowered ocs you'd find on fnaf deviantart or God forbid QUOTEV CREEPYPASTA 😭😭
I also think that if it does end up canon, then the hatred for Gregory can now be validated as just and canon "We can hate him because he's canonically evil!!" Even Vanessa and WILLIAM are accepted as innocent babies who do no wrong but Gregory is PURE EVIL according to them ❗❗❗🔥🔥🔥
Also, how can ANYONE die to this small, 12 year old boy? Believe me I was a kid once too (twas a long time ago,,) and I could bite and scratch sure, but kill?? C'mon. You're telling me this probably malnourished (as implied in game) boy can kill grown adults? Not one of them thought of punting him out of existence?? HE'S LIKE- CHUCKY SIZED YOU CAN BEAT HIM
I'm still lowkey wishing at least the Mimic is the only book thing in the games (Absolutely hate the fact that its Canon now but I've unfortunately accepted it, kind of like a disgruntled step parent to the step child yk??) and I'm still hoping Vanessa is patient 46 as was originally implied in the OG version of SB (presumably, might have to rewatch the gameplay again)
But besides all that, as for theories/headcanons...
IF GREGORY CANONICALLY MURDERED HIS PARENTS AS DR. RABBIT I CAN AND WILL SCREAM MY LUNGS OUT 😭😭😭 I can't imagine how fucking tragic that would be!! Like sure it's almost Batman villain levels of insane BUT IT WOULD BE CRAZY
I do sadly expect they'll confirm P 46! Greg in HW2. Or at least they'll put GGY references in the game. I'll be very upset if it does happen BECAUSE I'LL HAVE TO REWRITE MY AUS AND TIMELINES ONCE MORE 💔💔
While the idea of Gregory manually killing people himself is funny (because again, tiny child vs fully grown adult, they can totally kick his ass!!) He probably used the robots as his minions (I actually do think that's what happens in the books?? But I've never read them so I don't quite know) (AND I'M NEVER GONNA KNOW!! GOOSEBUMPS IS SUPERIOR!! 💪🗣❗🔥)
Thanks for asking! If anyone wants more just ask!!
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darthpastry · 7 months
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Disconnected FNaF Rambles.
It turns out listening to FNaF 6 theme right before trying to go to bed was not a good idea and I had random thoughts about FNaF lore both incredibly early this morning and at normal hours. Enjoy.
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Springlock Incident:
At what point did William get springlocked? Obviously at least five children died first. But had CC died yet? I know it sounds crazy, now that it's not 1am I can't as easily justify it as even a theory, but had the location closed by the time he got springlocked, idk.
Was William still able to speak trough Psychic Friend Fredbear after he got springlocked? What if Psychic Friend Fredbear was an early version of Glitchtrap that William created. Like... he put an AI into the plush and somehow or something.
Did Michael start bullying CC after the two became orphans? Where was William during all that if not springlocked? Was he off killing another child? Was he just chilling in an office with Henry discussing the future of the franchise?
Ballora:
Interesting thing I learned is that there's an Irish folktale monster called the Balor that unleashes destruction when opening its eyes. From this, we can obviously deduce that Mrs. Afton is Irish. Kidding. Mostly. But. I mean... Moving on from the Balor.
Obviously, there's some sort of connection between Ballora and Mrs. Afton (I'll just call her Clara because it's easier). After all those theories about their connection then putting a Ballora-themed STAFF bot at the STAFton family table is Security Breach? There's a chance that it's a red herring, there always is, but come on.
The does only provide more questions, if she definitely is meant to be connected, we can assume one of three things:
Ballora is made to resemble Clara
Ballora is possessed by Clara
Both.
We also don't know how exactly Clara died. I have heard that it's generally accepted that she drove off a cliff because that was something from the books, but nothing's been confirmed in the games. For all we know, William killed her and forced her to possess Ballora.
Circus Baby:
Even more of a mini theory, what if Circus Baby wasn't actually made to kill kids? Still capture them, of course, but not kill them. Killing them like that wouldn't have really made sense for Afton unless he was trying to figure out how many souls could possess an animatronic at once, right? Plus, just grabbing them probably generate a decent amount of agony already. If they were kidnapped, they could be put into other animatronics or experimented on.
So why did Circus Baby kill Elizabeth? Pretty much no evidence for this, but perhaps she was too old. I think it's generally accepted she was around 8 when she got killed, but I wouldn't put it past William to be targeting kids younger than that. Most kids that old were probably told to stay away and William stupidly thought they would listen.
Possession vs. Agony:
Is there a difference in the franchise? I can firmly say maybe! I think so. Most likely. I hope so. Agony results in Remnant which attaches to AI while possession just... ghosts possessing animatronic endos. Agony gives life to the metal while possession gives it personality, I think.
You ever think about how Golden Freddy must be absolutely loaded with agony? We got Cassidy and CC from their traumatic deaths in there. Possibly Michael when CC got killed. Heck, maybe even the other bullies added some agony.
GGY:
Gonna jump forward to modern FNaF for the last ramble. If Gregory was possessed by Glitchtrap, why would Vanny attack him? Is Vanny even attacking him? Maybe he was breaking free from the control. If you look at Vanny's jumpscare animation, she doesn't exactly look like she's about to kill Gregory.
But if not killing him, then what? Maybe by coming close she allows Glitchtrap to fully take over Gregory's mind and the jumpscare is just causing Gregory to become Glitchtrap's puppet?
There's seriously no aggression to it. Even in the trailer, she had a scarier jumpscare and earlier in development she even carried a knife! I have seen people say it was because they weren't 'allowed' because it was 'too violent', but was that ever confirmed? How do we know the story didn't change and back when all that GGY hadn't been thought up?
Moral of the story: Don't listen to FNaF music at 1am.
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puhpandas · 3 months
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I like that a lot of the tragedy about new fnaf is about how everyone lived, in contrast to the tragedy of old fnaf where everyone died
like gregory vanessa cassie the animatronics everyone had their lives ripped away from them because of the same source, but they didnt end after that.
the animatronics 'lived', but it was in an abandoned falling apart building while they're broken themselves and slowly losing their sanity. gregory survived the mimic and ggy and the streets but he'll never get back those years of childhood he lost or his parents or friends or old life and he has to live with that and the trauma from everything forever
vanessa lost her life and her free will right as she would have been free from her dad for good and was still put down and hated even as her alter ego. she was forced to leave her little support systems and drag other people into the same boat as her and kill people and after she gets freed abruptly she just has to. get back on her feet. and get a job and take care of Gregory and Freddy and somehow keep living a life as normal as anyone else but things are so different and she doesnt get a chance to sit and process everything
cassie doesnt die in the elevator crash and instead goes on to be trapped underground with something getting in her head. she gets taken over all alone by herself thinking that vanny was a friend and getting 'betrayed' again. once again someone's life is ripped away from them as they're forced to serve this virus, and its made a hundred times worse because no matter what it happened to cassie because Gregory wasnt fast enough. and theres so much tragedy in Gregory failing to stop what happened to him from happening to someone else let alone his best friend
and the tragedy that none of them will ever be free despite how they live on unless they kill the mimic and vanny for good, but theyve always just been too scared to do it. "the family missed the greatest opportunity of their lives" "the woman would kill the witch in the morning" they didnt kill them both when they could have and now other people are getting hurt along with themselves having to deal with it again after thinking they were okay.
and theres also tragedy in the glamrocks and how they lived in the pizzaplex. no matter how you view their sentience theyll always be seen as characters and machines and not real people despite how theyre literally alive and living. and alongside that in canon they push the idea of the animatronics not wanting to fit themselves into the character box (freddy) or not feeling like they deserve to be who they're supposed to (roxy) or not even trying to fit the bill because they're so overtaken with anger at it all (monty) or their programming making them crazy and obsessed with their characters gimmick so they're always trapped no matter what (chica). and how fronnie loved eachother but not only would the brand not have allowed it but bonnie gets decommissioned and Fazbear entertainment doesn't see it as worth it to keep him in the character roster so they just. dont. and Freddy has to deal with how unfair that is.
I just love SW era fnaf and how they do tragedy it's very interesting and cool
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tarpitbell · 3 months
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10:30 / *5:27 / *9:14
This is the journal(ish) I've talked about before. Or, I'm going to be treating it as a journal. This is just my vent account though.
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My main blog ( @sotogalmo ) will only reblog the most important posts, while the rest is going to stay on this blog.
Very “semi-personal” entries are going to be under the “read more”. I do advise for you to not interact with those posts if the tags trigger something (but I cannot fully stop you from reading my posts). — all of my posts are 'semi-personal' though. But some time I know I'll make some non-personal entries, some day.
I suggest you turn on the setting to see the day on my posts, since the time can be weird for others. But it's alright if you don't do that.
But do know, that my typing quirk is setting the time on top. If that bothers you, then I suggest you don't hang around here or my main blog(I do that there too).
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Emojis: to explain why my posts are the way they are ↓
🕵️‍♂️🌂 -> Shuichi Saihara, DRV3
🌘🕵️‍♂️🕳️🧿 and 🟦🤖 -> Avoid/Detach Eye & Blue Robot.
⚡🔥 🐍👾-> Raph, TMNT12/TMNT:MM, Needlem0use & Nemesis/Surge
🔮🩹 -> Casey Jr, ROTTMNT: Movie
🫧🩺 -> Gaster mixed with rise Leo?
👁️‍🗨️⛳🧩 -> Tony Becker: GGY FNAF
🐕‍🦺🐕⭐⭐⭐⭐⭐⭐⭐🌕 -> Servant.
🕷️🌸🦚💞💞 -> Voice of the Smitten & Angel Dust(ish)
🍝🍊 -> THE GREAT PAPYRUS!
🧸🌀 -> CC
Shuichi: remembering, finding out, piano music & stars. Justice seeking and friendship.
Avoid/Robot: detachment, wanting to be detached from a situation/feeling detached from a situation. Feeling robotic or even sounding robotic/too formal. Only when talking about trauma(or just anything serious)
Raph/Needlem0use/Nemesis/Surge: my anger part. Quite obviously and is most present almost all of the time. Many faces for that part but you get the idea
Casey: family issues part. Finding comfort in ROTTMNT/how families are portrayed in ROTTMNT.
🩺🫧: mentality, “fascinating”, “oh! my apologies!”, old timey quotes(??), fancy talk part
Tony: Casey & Shuichi mix. Tony is all about how families work and how friendships work. Mainly will be talking about siblings and what I have left of them in my mind
Servant: how I act in school/me just following rules
Smitten & Angel Dust: love, desires, relationships(romantic), sexual & emotional intimacy part of myself. Also sin, since that connects very much to desires (for me). Validation as well
PAPYRUS: only(maybe?) in all caps. Bravery, autism autisming. General excitement!! Very expressive part of me
CC: little me/me feeling little. Mainly just gonna be emojis of plushies or talk of toys. Ig (if something so serious happens and I regress into them)
I separate a lot of my feelings to be their own characters. And then those characters would be then influenced by other characters. And then they just become different parts of me.
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crunchchute · 4 months
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HELP WANTED 2 SPOILERS
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thinking about how small his hands are in these parts (sc from dawkos vid) its kinda. you know. being normal
also when his hand reached from the charging pod i first thought its just a human hand fhfhgh the lighting and everything made the stitching invisible and previously i just thought of him as huge with the biggest hands ever but seeing those dainty ones im like huhhhh no way thats him
shitty screenshot for comparison (too lazy to take more this one is old) you cant see much but if you know what blob youre looking at, your VR hands are like half the size of his
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man and i still dont know how i feel about this. i wanted to see glitch again, but i was completely fine with not seeing him. like i fully believed that he Wont be in HW2, i even tweeted that before the game dropped. and IF he was to show up, then i expected a completely different form or just tiny hints (like the locked files for example, i liked that), but with what we got im just confused!! what is this lore here!! why is he back like this! what!! whos driving the plane!!
and people are already making more guesses about whos the player, cassie would mean this is post ruin and idk if that makes sense (was there ruined chica? i havent played thru everything yet and only know of SB chica) i dont know. thats a mystery. i also think its not quite it because of the ending and how we didnt see the pizzasim like this in ruin, did we? i gen dont remember and i watched ruin gameplays like 83 times atp
some saying its gregory, i dont think so. why wouldnt roxy remember him and such... at least its not just gregory
vanessa again? i dont know, that was my guess but honestly have no idea. perhaps its set during pre ruin and while she and gregory were setting up the mxes system? like that is my guess here, nothing else makes sense to me
cassies dad. i dont know. not enough proof for me? but the more i think about it the less im against it (with her speaking about him in past tense, if this was his demise, that would sort of make sense if he was the one giving the mask for her, but again need more proof. theres apparently some unused lines that could hint at it but i havent gone through unused stuff yet. i would still consider it as i did with ruinborn afton, if not for that creature i wouldnt even think of the entity being william but would have just stayed with the shadow bonnie theory pff) theres that one bonnie mask in PQ and perhaps the whole bonnie kid = cassies dad = hw2 player theory isnt all that bad
but i thought it might be vanessa and gregory? im thinking of PQ and getting rid of glitch and this 4th PQ is cool but confusing as hell but the thing candy cadet was saying about coming back and stuff idk its all a mess for me rn but yeah perhaps its not that deep and glitch is just that hard to kill off. he always comes back i mean uhh
OR wait wait. how i said mimic shed aftons remains and burntrap split back to glitchtrap and the mimic post SB? that makes sense no? instead of going buntrap -> mimic + entity, its mimic + glitchtrap Again and then vanessa wiped him for good and with gregorys help also locked up the mimic. thats it thats gotta be it right? shrimple as that
and vanessa and ggy while making the security nodes (im not 100% in it but im leaning towards it) something got in (the entity), because you cannot wipe him out, hes forever haunting this place. thats what you get for building this huge plex on top of his gotdamn house and farm and whatever. mansion. whatever he is in there. dear mr. fazbear entertainment, william afton is in your walls
anyway so that would beeee SB, PQ ending, they come back, get rid of any leftover traces of glitch and lock up the mimic, then cassie gets in in ruin. and hw2 would then take place sometime pre-ruin, we dont know how long it is so i would even say hw2 happened post-SB until ruin or it overlaps ruin (because were shown the ending scene with cassie but honestly i would rather see it happen pre-ruin and that just being a hint but i have no ideaaa)
people were also saying that cassies dad made the mxes system or vanessa but i think the system was like there originally for years if not thru the entirety of the pizzaplex' existence and vanessa and gregory only made the nodes to keep mimic inside and cassies dad was just a technician that has used the mask and stuff, i just dont know how it works with the og vanny mask which didnt yet have all the tech inside but perhaps that was just like an in-VR version of it in the first hw. man i dont know.
then theres the mxes entity player theory which is... eh, how would they function in reality? and why would they give cassie the mask if were hinting at some possession of mapbot? i dont like that idea past the entity being you know who and also getting rid of a past version of himself (glitch) man i need like a discussion circle
ooftroop and friends please make another video about this please (please)
one last thought, glitchs color seems to be magenta (or purple if you wanna say that) and the mxes system is that color, but the entity is more blue and idk what to do with that information. mr entity why arent you purple WHY ARE YOU BLUE literally my only missing puzzle piece if that mf was purple i would be 100% confident thats him (but im only 99% because he is more bluish but he is the same color as ruinborn who is afton to me and people saying its not, i dont understand you. what do you mean. what do you mean thats not frights corpse afton with his messed up face and bunny ears springing up out of nowhere. he is literally him)
when ppl say that the only people that disagree with everything being just the mimic and that dont get the current lore are just gacha kids, i WISH i was just a gacha kid making up random stories because this is HELL
also that hand puppet glitch is uglyyyy i want 10 (to put in a blender)
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cactikiki · 5 months
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YOU ASKED FOR THE ASK AND I AM HERE TO PROVIDE THE ASKING 👋
I am assuming that you meant like actual questions when you said specifics but if I saw it wrong I'm sorry😭
But I was thinking like, how did the dialogue between Greg and Ellis go when Greg said he wanted to change the story? Was there any reluctance from Ellis at all or was he totally chill with it? It's hard to really tell because it's stated that theyve been friends since they were younger, but then again Ellis seems a bit careless in some ways, so maybe he was just going along with everything because he wasn't interested in the story in the first place?
And I've been wondering since Greg and Ellis seemed to be around each other alot, if the topic of GGY ever actually came up in their conversations, or if the topic of Greg being GGY came up either. It would add a whole new layer of things if Ellis did know, and it could be why he didn't try to stop Greg from changing the story. (Being forced into submission under the threat of him or his family being harmed in some way, it would make more sense than him just being entirely thoughtless and choosing to let Greg change it all despite how hard Tony worked on it.)
I apologize if this is alot, I just really like talking abt this kind of stuff and the whole GGY thing in general, there is so much missed plot potential 😭😭
I AM HERE TO PROVIDE THE ANSWERING LIKE 2 DAYS LATER
Okay so.
This is gonna turn into a shitty essay so more below the cut
Tony doesn't talk to his friends. Communication is key in any relationship, and he doesn't seem to understand or utilise that. He doesn't tell Ellis or Greg how he feels about things, about his plans, and so on; and it leads to him always doing things on his own now.
I think the GGY trio has a flawed friendship.
Tony and Ellis are the root of it since were friends first-- since childhood. They should be close and know the most about each other; Greg joined the trio last and remains mysterious. It's probably canon that Tony and Ellis never even met the real Gregory, the one in SB and parts of RUIN. Therefore it's not really Gregory to blame for anything Greg does, but the Mimic/glitchtrap/Afton, whoever you perceive it to be
And so, I won't count Gregory entirely because he was being mind controlled and all that. 'Greg' is causing many of the issues between them, it seems, but there's also this oneeee big problem.
Communication.
It's like he expects them to read his mind, to just know what's going on in his head.
I think Ellis and Greg really did want to help, but Tony just... Went off on his own, doing his own thing out of impatience. He did the entire thing without them.
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It is more likely it's the former, though, and Greg would've given Ellis the idea. He needed a coverup, and Tony's little story was too close to the truth; what if others got suspicious?
The thing is with this... Are they really assuming? Ellis just knows Tony always starts without them. He never talks to them about ideas, he just goes off and does it alone. If Ellis (and ig Greg) feel like they can't have input, why would they interfere? And maybe that's why Tony feels like they assume he'll do it all, on purpose.
I wonder though if that's actually what's going on...
I think changing the story was maybe Ellis and Greg's way of getting him back (and I've heard some mutuals share this thought), either upon realising Tony has written it all himself, or they'd planned it when they noticed Tony already going off on his own for the millionth time.
So Greg would've spoken to Ellis, maybe brought up his insecurities. I don't know if Ellis is worried about Tony moving on, given how much closer he is with Greg now than him-- that's just a headcanon I have. But if it were canon, 'Greg' would 100% use that to manipulate Ellis into helping him write a new story as payback. I think he'd hesitate, but in the end be convinced.
And it is hard to manipulate him like that. "Change the story your friend worked so hard on because if you don't, he'll hate you." I think it'd be hard to convince him at all. How does that make sense? But Greg is persistent and Ellis is scared of losing his best friend
Ellis, of course, doesn't communicate either. None of them do. And I think it's definitely 'Greg' making the friendship between the two worse, stirring the pot instead of helping like the real Gregory would.
But honestly... I don't think they got to know the real Gregory before one of them died and the other saw missing posters of his only two friends all over town a few days later.
They're such a tragic friendship but it's interesting to think about... I love talking about relationships between characters especially tragic ones auughhh. This is why whatever happened exists specifically
I hopeeeeee. Everything here makes sense. I'm not always good at writing my thoughts unless I have someone else to bounce off of in a conversation, because that makes me think more about specific things and gives me ideas etc
But I tried!! So enjoy that abjshdhebjd
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