I keep hearing that sex has no place onscreen and doesn't further the plot, but Jordan having sex with a man in their dorm and talking about Marie the whole time is the epitome of furthering the plot.

My Lawyer is going to Get Your Ass.

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please help i just had a dream where svsss was a dating sim. so, of course i tried pursuing shen qingqiu, but it ultimately backfired because suddenly he realized that he was in a dating visual novel?? and since i put myself as a guy, he just refused to show up to special in game events to avoid me interacting with him???

and obviously i was like "wtf why isn't he here?" when he didn't show up. then at some point i explored the area, and the screen suddenly zoomed in to show sqq talking to sqh (supposedly telling him all about the little situation). next thing i know, both of them are slowly turning their head to stare at the screen in pure and utter terror

also in some part of the dream, i think i did some liu qingge events or something and as his affection levels rose, he would continuously jump scare me by popping up out of nowhere and go, "its not like i like you or anything!!" while covered in blood and holding out a demonic beast head as if it were a box of treats

anyways, totally random question guys haha if i made an svsss visual novel dating sim would you guys play it. no reason in particular at all.

Dress me up, make it tight, I'm your dolly You're my doll, rock'n'roll, feel the glamour in pink Kiss me here, touch me there, hanky panky~

Inspired from This post of @just-dol-headshots and this ask from @hakusins. Don't worry I'm still aiming for your ass Haku-Dean :) References and something under the cut

We all have to agree Bully Robin should have some softer and caring sides. When there's only them two and no one else is around to judge, he can let loose and slip back into that kinda of "Original Robin" we know and I love. I mean, that's what JDOLH made that got me into these swap messes from the beginning jsjkhskjhd you knowww the HUG!!

Reference: Barbie Girl (Aqua) and this cute ecchi Clamp Chobit piece

All in all I'm a pink bietch and Dollya won't be losing her V-card anytime soon that I can promise so hang in there okay mr.Bully.

edit: OMG THIS IS MY 1000TH POST TTOTT)) JKSDJLASKJKDLA

SELF-INDULGENT HERE WE GO

is lyney the first character who actually is at a disadvantage in rainy weather. first character from the water nation is the first character in the game who doesn't like rain

doodles of my fav sillies

anton belongs to @poicyss

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

in the EMTTS, does Diane ever find out about the death threat letters to Steve? if her daughter watches Eddie’s tiktok she would’ve seen the videos about it so did she tell her mom? how would Diane react? would her reaction annoy Steve or would he actually find it sweet?

Oh man, her daughter would show her Eddie’s TikTok and Diane’s response would be the same one she has for a death in the family and divorces: desserts and being a pleasant presence in their lives.

Steve doesn’t immediately put two and two together because he kinda assumes that Eddie told their friends about it and that’s why people knew, not that he posted about it on the internet. He honestly just thinks that Diane is being her usual annoying self and thus, following the rules of upper-middle class etiquette, keeps having to bake for her.

She stops by one evening and brings them a plate of macaroons and spends an hour standing on their front porch talking about the neighborhood watch. They gained three new members. Steve interprets this as dig about his sleepwalking and then spends the rest of the evening hate-baking her a pie.

Steve is sitting outside waiting for his carpool one morning and she accosts him to have him try this new doughnut recipe she’s trying out. They’re begrudgingly delicious, but her interrupting the only peace and quiet he’ll get all day to talk about the neighborhood watch again is unforgivable. Steve makes her brownies.

Steve is laying with his back flat against the deck in the backyard, listening to Eddie chase Ozzy around the yard. His eyes are shut but he can feel the sun shining on him, and it’s the first time in a long time that he doesn’t feel like complete shit. So, of course.

“Yoohoo, boys,” Steve hears called over the fence and when he cracks his eyes open, he can see her waving at them. She has a tin of cookies with her and is already handing a homemade dog treat to Eddie, and Steve just sighs so deep within himself that he can feel it in his toes.

When he peels himself off the deck and drags himself over to have a pointless conversation by the fence, he can hear her talking about the neighborhood watch. Again. She is saying something about Suzanne down the street seeing a car circle the block a few time this week with their lights off, and Steve’s just had enough.

He doesn’t have it in him to bake another fucking pie.

He cuts off her rambling about being bad at guessing the make and model of cars with some barely concealed frustration, “That’s Ryan and Jackie’s kid. The one that just got a permit. He and his friends take their car out and joyride it around the neighborhood because Ryan refuses to teach him to drive.”

“We live in a cul-de-sac,” Steve adds because he thinks that she’s being a little ridiculous. He says it like he was no longer a person that had trouble leaving the house, that could open the mail without their hands shaking, that wasn’t in their backyard instead of on a run because they’re afraid – Wait.

Steve’s eyes flicker over to Eddie and then to Diane, and everything slots into place like the most obvious puzzle. Of course, she knows. Everybody probably knows. That’s why the neighborhood watch is suddenly so popular, and yeah.

Later when Steve can think about it all more rationally, it is sweet that their neighborhood is looking out for them and that they’re concerned. But in the moment, Steve feels like he’s been hit with a tidal wave of pity, and he gets frustrated. He gets angry.

He barely registers that he drops the cookie tin on the ground or hears Eddie’s blasé response about Steve’s clumsiness. He knows that he’s about to get mean and he doesn’t want to, so he just turns around and goes inside.

Eddie follows him a few minutes later, asking questions and says that it’s not a big deal that people know. He says that it’s actually better because it means there are more people looking out for him. Steve tells him that he’s not talking about it and goes to bed early.

He wakes up early too. He puts on his shoes and he goes across the street, and he tells Diane when she opens her door, “This needs to stop.”

“Oh good, you’re awake. When I saw you on the porch, I thought you might be…” She trails off, making a twirling gesture at her temple and then frowns. “Oh, that’s not correct, is it? April is always trying to teach me these new rules. I mean nothing by it, dear.”

“I’m not – I’m not broken,” Steve says. “I’m not sick, or weak, or – and I don’t need you to bake things for my husband or form a neighborhood watch for me. I need-“

“Dear, that’s simply not true,” She says, voice dropping into something serious. This might be the first time that Steve has ever seen her not smiling. “I heard about those awful letters you got sent to your door and you may not like it, but at times like these. You need people. You may not like that it’s me, sweetie, but that’s what you got.”

Steve hates how he feels like he’s ten years old and making up excuses for why his parents didn’t pick him up, “I can look after myself.”

“I’m sure you can, but do a girl a favor and let us look after you too,” She says. She must see that he’s not thrilled with that statement because she tells him about a sorority sister she had and the anonymous notes she used to find, and how they buried her two years after graduating.

So, she takes his hand and gives it a squeeze, “Let me do this. For me.”

Steve doesn’t pull his hand away and admits maybe for the first time, “I’m so scared all the time.”

made a little something ill call “the spectrum of gay repression amongst secondary riders” bc it is a phenomenon to be studied. many thanks to @shoceted for his input. also feel free to add!! this is a community effort or something

i finally have a character page! all thanks to @buglaur for the code (i am the beginner and your instructions are so friendly!)

there's only two characters and i have no working links for most of it but just ignore that for now. they're serving as placeholders for when i get around to them.

my very serious writing advice for people who are trying to write more morally complex characters is to stop caring about their morality and focus instead on their individual motivations

it’s hard to articulate exactly what I mean, but the essence of it is basically: when a character does a murder, not only do I not care about whether they’re justified in doing so, it’s straight-up irrelevant. a character’s moral standing from some nebulous universal standard has no bearing on the plot or their interactions with other characters and has no use in the story for me as a writer. what does matter is why the character thought they were justified and then if it comes up to other characters, what they think about it.

you can obviously think about your characters’ morality but it’s not your job as a writer to interpret your stories for your readers and tell them how to judge your characters. your readers can see the evidence for themselves and draw their own conclusions. your job is just to understand why a character is motivated to act in a certain way and have it make sense

focusing on character motivations is a much more versatile framework than trying to give them specific personality traits or moral alignments, and frankly more useful to understand why a character would do a certain thing instead of just what they do. that way when something fucked up happens and your character starts acting differently, there’s an actual logical reason for it that isn’t you forcing characters to do things because it’s what’s required to make the plot go

when you write your characters with the understanding that people are not static and they act differently under different circumstances, complexity in character and morality follows naturally.

Get Their Ass.

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idk if this makes sense. but i kind of love that the last of us makes me cry and viscerally FEEL true emotions on a weekly basis. like i cant remember the last tv show i watched that had me consistently bawling my eyes out and so immersed in a show because of the characters, the story, the incredibly strong writing, etc. and it doesn't feel manipulative. it just feels profound and beautiful and poetic but also tragic and... human.

ok but im rly into the idea of till having a new era that brings the light back to his eyes and drives him forward if he gets to escape the arena. idk where he'd go from there but i want to see ivans sacrifice both haunt him and drive him to actually live his damn life after being the captured bird refusing freedom cause of mizi. once he knows she's alive with the resistance he might be able to actually experience other things and widen his world and if that happens and he puts his personal sense of rebellion towards the human cause OR settles into finding some other way to feel fulfilment that isn't a single person that could be deeply fascinating to me i think

The idea of Mike “gently rejecting” Will in S5 is such a silly concept to me. It truly would make zero sense from a narrative perspective or from a character arc perspective. That’s why many Mlvn diehards don’t even really believe it will happen. They believe the show will move on without ever really addressing the Mike-shaped elephant in the room. They believe Will’s happy ending will simply consist of his friends and family accepting him and giving him a hug, and that’s it. And maybe he’ll get an unnamed bf in the finale. (That is, unless the show makes Will a secret villain and kills him off. Then at least he’d be interesting).

Some even take Will’s words at facevalue, believing that El truly commissioned the painting or at least that the intense romantic feelings Will described really belong to her. Now that Mike has confessed his love, they believe that S5 will finally consist of happy Mlvn couple moments, so there won’t be any time for Mike and Will to be together even as friends to talk about any lingering feelings. And why would there be time, since it’s the apocalypse after all, and Will is just a plot device and isn’t really relevant to anything? The Duffers must be exaggerating his importance to S5. The Core 4 is Mike, El, Lucas, and Dustin. Will’s romantic desires are meaningless.

They have to believe all this, cause if they don’t, and they still want to believe in Mlvn endgame, they have to conclude that Will’s emotional desires will be central to the plot of S5, Will’s feelings are the glue that put Mlvn back together, the painting will come up again because El didn’t actually commission it, Mike and Will will be close enough in S5 to have meaningful heart-to-hearts, AND Mike is 100% straight and will…. gently reject Will and promise to always be good pals; he just sadly doesn’t swing that way?

Silliness, objectively.

Anyway, Byler endgame.