Juuuust a little bonus propaganda to encourage people to vote for Grown Apart AU in the @tmntaucompetition preliminaries ❤
Good luck to everyone!!!
(P.S. - Mod Shadow, please feel free to use this image for the polls, if it'll do. :>)
[Grown Apart AU]
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stuck on the fact that a small part of Dongsik hoped for 20 entire years that Yuyeon was still alive. he fantasized about coming across her in random places and was anxious about recognizing her as a 40 year old woman because he genuinely still held onto a glimmer of hope for two decades. ten years and another ten years after than. half his life picturing his sister dead and alive turn by turn. maybe even when he burst the wall open he still thought there was a chance it would be empty.
and isn't it supremely fucked up that for the enormous, cataclysmic impact that Yuyeon's disappearance had on Dongsik and the central place that his love for her occupies in his motivations as a character, the only time they interact on-screen is when he finally finds her body and tenderly cradles her long-dead hands in his.
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In watching more interviews with Liv about Van and the escalation of Van's pragmatism to such dark degrees, I find myself genuinely baffled that anyone could ever think Van the bad guy. I mean, I'm perplexed at finding ANY of these girls The Bad Guy. The bad guy is the situation. It's being lost. It's freezing. It's starving. It's being scraped down to the barest bone of being alive. They make choices that might be snippy, or cruel, or hard-headed, sure--Shauna refusing to just hash it out with Jackie; Jackie being too stubborn to come inside; Taissa refusing to discuss her situation plainly; etc--but by the time we reach the end of season 2, it doesn't even matter. Petty bullshit doesn't matter. Jealousy doesn't matter. Those things are still going to be present and complicated, because--for all their choices, for all the distancing they're trying to do--these kids ARE still human beings. But it isn't the point.
The point is survival. Plain, simple, straightforward. Van's pragmatism is survival. It is the difference between living another day with blood on your teeth or dying pretty. It is the difference between fighting forward through the fire and the snow and the hell of it all, and laying down to die. Van knowing, in watching the ritual violence of Shauna beating Lottie nearly the death, that they will be killing and eating one another soon. Van coming up with the cards for the hunt. Van not blinking when the moment comes, Van choosing a weapon that doubles as a tool to bring the body back, Van refusing to apologize for staying alive--it's not evil. It's not Bad Guy behavior. It's purely about survival, because there is nothing else left to her--or to any of them. They can play the pretty little Sweet Angel Girl game and die, or they can get dirty, bloody, horrific and fight. Van chooses the fight. Van chooses to fight for herself, for her lover, for her team, even knowing not everyone is going to make it out...because the alternate path there is that no one makes it out. Van knew the baby wouldn't live. Van knows the rest of them won't, either. Not unless they start making the hard choices.
And, honestly, the fact that Van sees this narrative coming. Comes up with this plan. Brings out the cards. To me, that is the opposite of Bad Behavior. That is as close to justice as anyone can find in the wilderness. If someone else came up with an idea, maybe it would have come down to voting--but that would have had such a human element to it, with bitterness or hostility or whatever ultimately petty shit always comes of humans selecting who to Other. The cards don't leave room for that. It isn't fair, because the situation isn't fair, because Man vs. Nature isn't fair, but it's as close to a just system as they could possibly find. It's the kindest solution to an unwinnable game. Not to bring it back to American Gods again, but all I can think is "it's easy, there's a trick to it: you do it, or you die." Van gave them that.
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it’s a small thing, but while I was working on the Transmogrification Explained Part 2 I caught something that I thought was interesting enough to share.
At this point (see below) at the end of the finale, after the ceremony, all the housemates go into the fancy room and Nandor says something about playing Parcheesi right before he takes a brief moment to comfort Guillermo the tiniest bit.
Right afterwards however, instead of doing as he said he would and follow everyone else into the fancy room, he heads right, down the hallway, most likely going straight to his room.
All the nonchalance and dismissal and ‘hey, let's pretend everything is fine and back to normal now!’ talk is a feint. Nandor doesn’t go into the fancy room to take comfort with the group and deny that anything important happened, and since he told Guillermo to clean up Derek before sunrise (something I thought was odd at the time because why would it matter if Guillermo left it until sunrise when everyone would be asleep anyways), he knows Guillermo won’t follow him.
Nandor is choosing to be alone after all this. It’s a very neat little character bit that is easily overlooked within the noise of the episode. While the tone at the end of the ceremony looks like everyone is moving back to square one and blatantly ignoring the seriousness of the situation to do something as banal as a board game, the actual actions of the characters show that there really is devastation amongst them. Guillermo’s obvious, but Nandor’s is hidden with a line that distracts us from noticing that he actually retreats from everyone and hides away.
It really makes me wonder what Nandor did after everything. Used the time to get himself ready for bed so Guillermo couldn’t wouldn’t have to do it when he got back? Sulked? Had a tantrum? Went into his treasure room to read Guillermo’s thank you card again and again?
oh and another little thing: Guillermo and Nandor are the only ones who still have their robes on after the ceremony, and actually end the scene still in them. All the other characters almost immediately took them off after the lights went on.
having them the only two that still wear the robes feels so significant to me. like they’re still in this ritual between them. Or, if the bondage rope part of it comes into play, they are still tied to each other. There’s definitely something to be read here, with both Nandor keeping the rope-cape on and pretending like he was going to follow the others but going to his room instead. Whatever it is, one thing’s for certain to me: Nandor is Not Okay after the ceremony.
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The crew make it back to England and a few months later, the admiralty host a social function and crozier is only going so he can check in with the men, see how they're recovering. And while he's there, he spots James. But as he approaches, he overhears him talking about this "beautiful and elegant creature" he has back home
And crozier thinks "ah, alas. He is straight. But I'm happy he found someone..."
Meanwhile James won't stop telling people about his cat. Also he's carrying the BIGGEST torch for his co-captain, who is tragically uninterested in men. Whacky shenanigans ensue
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