apparently suki got sexy lamped (i didn’t watch the show but that’s what i heard) and that is one of the worst things that could ever happen to me. suki is snarky and passionate and excitable and bad at making jokes and she is way too cool for sokka but that’s why they work.
yeah what they did to every single girl in that thing is unconscionable but what they did to suki and yue especially is crazy because we’re meant to believe that they’re both #StrongWomen but also going crazy stupid for white devil sokka even though he has nothing to offer either of them, and is not attractive, charismatic, or intelligent. suki doesn’t like sokka because he’s a hot guy with a six pack (couldn’t even type that without snorting. sorry) she likes him because he displays humility, open-mindedness, intelligence, humor, and bravery. none of which he actually displays in natla, for the record (although i guess you could call him telling suki that “they should put a bell on her” humor???? if you’re stupid??????), certainly not humility or a willingness to expand his worldview. he doesn’t apologize for doubting her skill, he doesn’t admit he was wrong, he doesn’t let her feminize him (WHO is this cis white boy!!!), and he doesn’t change his mind on anything.
in fact, SHE is the one who thanks HIM for “showing her the world,” which is obviously crazy if you spend even a second thinking about it. SUKI is the one who firsts presents sokka with a reason to expand his worldview. SUKI is the one who disrupts SOKKA’s entrenched paradigms. the whole point is that sokka knows NOTHING of the world and SUKI is the first person who teaches him something. suki is the first person to show him that being a warrior is not a biologically determined fact, but rather a state of mind. suki is the first person to actually train him formally. suki is the first person who helps sokka to realize that people beyond his immediate family can value him outside of his role as protector/martyr. that she can like him because he’s open-minded and makes her laugh (and certainly not because she’s entranced by his shiny muscles). suki is, in fact, the one who shows sokka the world. yes, they’re both isolated and sheltered when the show begins, and suki’s decision to leave kyoshi island is in large part influenced by meeting sokka, and she does kind of go crazy stupid over him and is the first one to initiate their romance, but she’s still the one imparting a valuable lesson onto sokka, not the other way around.
suki works so well with sokka, like natla very unsubtly points out, because they do have a lot in common as kids who are also the designated leaders and warriors of their respective villages. they understand each other on this implicit level, and they’re both very smart and share a (quite dark) sense of humor, so they’re able to banter and spar and hang out as equals. but they’re also different enough to balance each other out. sokka plans while suki reacts. sokka is cerebral whereas suki is kinetic. sokka is tightly wound whereas suki helps him relax. suki is confident in her own skin whereas sokka is deeply insecure and neurotic. she helps him loosen up and get out of his own head, and in turn he supports her and admires her unconditionally. sokka demonstrates to suki that he would do anything to help her, and suki demonstrates to sokka that he can accept her help and doesn’t need to shoulder every single burden alone out of some perverse guilt/martyr complex. they protect each other, have each others backs, make jokes together, hype each other up. they’re each other’s right hand arm man silly rabbit.
the reason suki is able to forgive sokka for his sexist comments is because he immediately apologizes when she proves him wrong. he humbles himself and demonstrates that he knows he has a lot to learn from her. he then also, after like, a couple hours at most of receiving any kind of formal hand to hand training for the first time in his life, manages to beat her. the thing about suki is that she’s also very proud. even prouder than sokka, if you consider that her confidence is 100% real and not a feigned defense mechanism like his is. and so the fact that she loses to him, even just in this one moment, does force her to reevaluate him. like, he’s obviously full of shit when he boasts of his skills (he has no formal training to speak of), we all know that, but he is nonetheless incredibly skilled. and suki has to acknowledge that, because i don’t think anyone who has been learning the form she’s spent her entire life mastering for less than a day has ever gotten the better of her like that before. and it’s certainly not because he’s a boy, or biologically superior; it’s because he’s smart enough to know how to adapt. and that intelligence is demonstrated not only in his skill, but also his willingness to completely upend everything he’s been taught within the span of a few hours.
this episode is in fact crucial for sokka, not because he learns how to fight or because he “stops being sexist” (imo, he’s still sexist, but that’s for another post), but because it demonstrates to the audience how sokka’s mind works, and how fucking impressive he is. i know that it may seem like this episode is just an after school special teaching young boys to be nicer to their sisters (and it is very much that), but it’s also illustrative of how sokka is able to process and synthesize new information and immediately change his mind. i’ve called sokka the personification of the scientific method before, and what i mean by that is that he is constantly absorbing new empirical data into his worldview and updating it accordingly. contrast this mindset with zuko’s, or even katara’s. how many times do they have to have the same lesson drilled into their heads over and over and over again before they actually properly internalize it? i’m not saying that zuko and katara are bad or stupid, to be clear, they’re actually incredibly realistic. sokka is the one who is unrealistically open-minded and intelligent. toph is really the only other character in the gaang who matches his sheer level of brilliance, creativity, and ingenuity.
so the reason this episode is valuable for establishing who sokka is, is just. completely negated by the way he’s portrayed in natla, as just some “hot” guy to ogle over. he doesn’t display his scientific mind, he doesn’t expand his worldview, he doesn’t complicate his own gender identity by wearing traditionally feminine garb, he doesn’t give suki or us, the audience, any reason to actually like him. and when he gets to omashu and starts expressing to the mechanist his aptitude for engineering, it feels completely hollow and unearned because at no point prior has he demonstrated that this mind works in a scientific way. we’re just expected to believe that he’s an engineering prodigy despite being given no prior evidence that even thinks logically.
in fact, everything that is unique and subtle about sokka is completely stripped away by this white devil. he isn’t “the only man” left in the village so he seems absolutely stupid insisting that he shoulders a unique burden. he constantly communicates his deepest emotions so he ends up sounding more like zuko or katara than sokka. he isnt funny, although i think he tries to be but simply lacks any charm. he isnt humble, he isnt depressed, he isnt intelligent, he isnt stupidly loyal and self-sacrificing. he acts more like a jock who magically knows engineering than a nerd who kills people. and suki seems like an absolute fool for being so obsessed with this absolutely worthless white boy, instead of the wonderful, confident girl who knows exactly what she wants and gets it.
meanwhile, yue, on the other hand, IS a girlboss who knows exactly what she wants, and it’s CRAZY. they completely reduce everything that makes her character important by turning her into a liberated woman (despite the nwt still being sexist???) who breaks off her own arranged marriage because she just wasn’t feeling it (even though THIS version of hahn is gorgeous and kind and respectful, so like…… huh??) and is a badass waterbender who talks back to her father. she wears euphoria makeup and a party city wig as she tells us (like she may as well be talking into the camera) that sokka is the hottest guy she’s ever seen (which would make more sense if the guy who played sokka played hahn and VICE VERSA, but i digress) and she loves him for…. reasons??? certainly not because he represents a figure beyond her limited paradigm, and certainly not because he’s charming or kind or makes her laugh or treats her like a person. and certainly not because they both feel restricted by their respective patriarchal duties to their fathers and to their people, because yue doesn’t feel restricted at all, and the extent of sokka’s daddy issues are simply “hakoda was mean to him because he sucks at ice dodging” (which is also crazy, for many reasons). they just feel like two people who were forced together because the narrative demanded it, and not because they have any sort of meaningful thematic connection that deepens both their stories. it’s horrendous.
ultimately, the ways in which these characters (and every character) are reduced are reflective of some incredibly dire patterns in these soulless, corporately produced objects of commerce that barely pass as art. “sokka’s sexism is too problematic so instead we’re going to change every single element of the story so that no one has any sort of objectionable flaws — or depth.” i know i talk a lot about sokka here, but they also massacre aang, and (especially!) katara, and even zuko (even though the guy playing zuko was definitely giving it his all). and azula and iroh and everyone else (except for ken leung and danny pudi who are innocent). they don’t want to create anything nuanced or intricate, but they want to make it marketable, so they advertise it as “appealing to a game of thrones audience.” i’ve always hated game of thrones, but it’s still leagues better than this. in fact, i think it might even be better for women than this. i don’t think it’s that hard to understand a Y-7 nickelodeon cartoon (although the takes ive seen on here do make me wonder…) and yet somehow the writers of this monstrosity managed to get every single facet wrong. distressingly wrong. every time i think about it i get mad all over again. smh
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