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goalhofer · 9 months

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2023 Texas Rangers Roster

Pitchers

#17 Nathan Eovaldi (Alvin, Texas)*

#21 Ian Kennedy (Westminster, California)*

#22 Jon Gray (Chandler, Oklahoma)

#23 Jake Odorizzi (Highland, Illinois)*

#25 José Leclerc (Esperanza, Dominican Republic)

#31 Max Scherzer (Chesterfield, Missouri)*

#33 Dane Dunning (Green Cove Springs, Florida)

#35 Chris Stratton (Tupelo, Mississippi)*

#44 Andrew Heaney (Warr Acres, Oklahoma)*

#45 Albertín Chapman (Ciudad Holguín, Cuba)*

#46 Brock Burke (Jefferson County, Colorado)

#48 Jacob DeGrom (Ormond Beach, Florida)*

#51 Will Smith (Newnan, Georgia)*

#52 Jordan Montgomery (Sumter, South Carolina)*

#54 Martín Pérez (Guanare, Venezuela)

#59 Brett Martin (Morristown, Tennessee)

#61 Cody Bradford (Aledo, Texas)**

#66 Josh Sborz (Fairfax County, Virginia)

Catchers

#11 Austin Hedges (San Juan Capistrano, California)*

#18 Mitch Garver (Albuquerque, New Mexico)

#28 Jonah Heim (Snyder, New York)

#55 Sam Huff (Phoenix, Arizona)

Infielders

#2 Marcus Semien (Berkeley, California)

#5 Corey Seager (Kannapolis, North Carolina)

#6 Josh Jung (San Antonio, Texas)

#13 Brad Miller (Windermere, Florida)

#20 Ezequiel Durán (San Juan De La Maguana, Dominican Republic)

#30 David Lowe; Jr. (Marietta, Georgia)

#47 Josh Smith (Baton Rouge, Louisiana)

Outfielders

#3 Leody Taveras (Tenares, Dominican Republic)

#4 Robbie Grossman (Houston, Texas)*

#16 Travis Jankowski (Lancaster, Pennsylvania)*

#27 J.P. Martínez (Ciudad Baracoa, Cuba)**

#53 José García (Ciudad Ciego De Ávila, Cuba)

Coaches

Manager Bruce Bochy (Melbourne, Florida)

Bench coach/offensive coordinator Donnie Ecker (Los Altos, California)

Hitting coach Tim Hyers (Conyers, Georgia)

Assistant hitting coach Seth Conner (Rogersville, Missouri)

Pitching coach Mike Maddux (Las Vegas, Nevada)

Bullpen coach Brett Hayes (Los Angeles, California)

Catching coach Bobby Wilson (Dunedin, Florida)

1B coach William Ragsdale (Jonesboro, Arkansas)

3B coach Tony Beasley (Fredericksburg, Virginia)

Associate manager Will Venable; Jr. (Marin County, California)

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sheetmusiclibrarypdf · 1 year

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Genesis - Anyway - The Lamb Lies Down in Broadway (piano solo sheet music)

Genesis - Anyway - The Lamb Lies Down in Broadway (piano solo sheet music) Genesis: the story of a progressive rock band Best Sheet Music download from our Library.The origin of a great band Genesis the stage of Peter Gabriel (1970-1975) The leadership of Phil Collins in Genesis Genesis - Live - 1972 With Peter Gabriel - Belgian TV (Complete Show) The worldwide fame of Genesis Genesis the return of a legend Please, subscribe to our Library. Thank you!

Genesis - Anyway - The Lamb Lies Down in Broadway (piano solo sheet music)

https://dai.ly/x8d3x6b

Genesis: the story of a progressive rock band

The origin of a great band The seeds of the great genesis group began to germinate when two school groups known as Chaterhouse came together , made up of singer Peter Gabriel (born February 1950) and keyboardist Tony Banks (born 1950); and Anon, consisting of guitarist/singer Anthony Phillips (born December 1951) along with bassist/guitarist/vocalist Michael Rutherford (born October 1950). These four brilliant musicians, joined by unlikely drummer Chris Stewart , convinced producer Jonathan King to represent them and chose New Anon as their band name. This last name lasted just long enough, as Jonathan King did not like it so much, who preferred the name Genesis, whose meaning refers to the first book of the Christian Bible. However, because there was another American band that had the name Genesis, and knowing that repeating the same name is quite unoriginal regardless of whether it is patented or not, they preferred to stay as From Genesis to Revelation which, despite Being a very long name, it was very attractive. With this new name and line-up they released their debut album called, likewise, From Genesis to Revelation , managing to convince the discography of how valuable the group was and the potential it had accumulated. At this stage it should be noted that the great drummer Stewart only recorded the songs “ The Silent Sun ”, “ That's Me ”, “ A Winter's Tale ” and “ One Eyed Hound ” with the group; Well, apparently, the drummer got tired of the way his colleagues worked and decided, curiously, to go live in the south of Spain, far from any detail that associates him with the band. The good news is that it didn't take them long to find a replacement, therefore, with the services of John Silver who, in turn, would complete the work of the ex-drummer by recording the rest of the pending songs. The matter did not end there, but, in addition, the group fired Jonathan King, since he did not contribute what was expected of him. Along the same lines, they managed to enlist the services of their new producer, Tony Stratton Smith , with whom they recorded the second album Trespass . In addition, there was a change in the line-up, the newly incorporated John Silver being replaced by drummer John Mayhew . However, the blow that hurt the most was the decision of Anthony Phillips to leave the group, who decided to leave to be able to train in the classical style and therefore create his own music. In addition, Phillips himself claimed to have a bad time because of his stage fright, which interfered with the work of the group. With this, the group says goodbye to the most creative member, accompanied by drummer John Mayhew. Genesis the stage of Peter Gabriel (1970-1975) This glorious stage begins with the search, by the group, to fill the two vacancies that, after the departure of Anthony Philips and drummer Mayhew, became available. For this they had the services of guitarist Steve Hackett and drummer Phil Collins . The two new members together with the rest of the group created the true identity of the group and the characteristic sound of the band. The musical brilliance in conjunction with stage creativity, due to the change of costumes, makeup and the interpretations of vocalist Peter Gabriel, made the group's tours a great spectacle. These details are already visible in works like Nursey Cryme or The Musical Box . If we delve into the musical style, we see that it is much more complex than the progressive rock songs of that time, since the theme covers historical, futuristic, fantasy themes, and even contains some criticism of social behavior. This together with the show that we have talked about before and that, each time, was more elaborate, complex and creative including video effects, sounds, lights, visual effects (it must be remembered that this is dated in the seventies); made the viewer simply speechless Along these same lines, the composition “ Supper's Ready ” was the band's hit, such has been its originality that some highly regarded music critics in the music world put it in the top 5 best songs in the history of progressive rock. Also notable at this stage was the album Selling England by the Pound , considered by many to be the album that symbolizes the musical peak reached under the command of the great Peter Gabriel. Already in August of 1975, Gabriel, for personal reasons, decided to leave the group, closing, in this way, a first stage full of brilliance, maturity and creativity in every way. The leadership of Phil Collins in Genesis Before Gabriel's departure, everything seemed dark, the public vision towards Genesis was quite pessimistic, since they could not imagine the band without its former leader Peter Gabriel. However, the members armed themselves with will and decided to find a replacement for the singer. At first things looked bad, and they had to draw on Phill Collins ' experience as a vocalist and relying on his past as a theater actor. The quartet managed to get their claws out and release A Trick of the Tail , oddly enough Genesis' best album to date, reaching number 3 in the UK and number 31 in the US. Seeing that the matter was going smoothly, they looked for a drummer vacancy, since Phil Collins could not do both things at the same time. At first, they opted for the fame of Bill Bruford who belonged to bands of great prestige like YES or King Crimson ; However, his stay did not last more than a few months, being the drummer Weather Report , a former member of bands like Frank Zappa or Chester Thompson , who put on the crown. It must be emphasized that this stage has lasted three decades (1976-1996), being, without question, the best of all. Genesis - Live - 1972 With Peter Gabriel - Belgian TV (Complete Show) https://www.youtube.com/watch?v=A_l1M_cpqKY The worldwide fame of Genesis Contrary to what used to happen with rock groups that started strong in the late '60s, peaked in the '70s, and waned as they entered the '80s, with Genesis things didn't go that way, but instead Just as wine gets better with time, with Genesis its highest point was achieved in the 80s thanks, without a doubt, to the creativity shown in its work and the brilliance when it comes to knowing how to follow trends and make timely improvements so as not to be forgotten. came to light in the 80s This is how excellent albums such as Abacab , Genesis and Invisible Touch ” deserve great mention, . From this last album, the songs “ Throwing it all away ”, “ Tonight, Tonight, Tonight ”, “ In Too Deep ”, “ Invisble Touch ” and “ Land of Confusion entering the top 5 in the US with style. Of the aforementioned, Land of Confusion was a musical bombshell, being awarded the Grammy for best video and show of the year, highlighting, above all, the caricature of the former UK Prime Minister Margaret Thatcher and the 40th president of the USA, Ronald Reagan. This glorious stage ends with a lot of style thanks to the publication of We Can't Dance in 1991, including various musical styles, with an incomparable production and Collins being the great protagonist of said work. This album managed to set the anchor by positioning itself as number one in England and achieving great worldwide achievements with songs such as “ No Son of Mine ”, “ I Can't Dance ”, “ Hold On My Heart ” and “ Jesus He Knows Me ”. Without a doubt, it was the best way to close this chapter, since it was also one of the best-selling works to date. Genesis the return of a legend Finally the band Genesis will tour the United Kingdom again at the end of 2020, for this the fans have had to wait no more and no less than 13 years, after the last concert as a band held in 2007. It will be the same formation as the of the second stage after the departure of Peter Gabriel in 1975, although, yes, with some modifications. The three legends of that historic stage, Phil Collins , Mike Rutherford and Tony Bankd , will be present with their 69 years of age, in a tour curiously named as " The Last Domino? ” With some modifications, we mean that the position of the drummer will be occupied, this time, by Nicholas , the son of Phil Collins, in the place of Chester Thompson , who is in a state that not only prevents him from playing his favorite instrument, but also that prevents him from walking without the help of his cane. And as a fifth member we have bassist and guitarist Daryl Struemer. Starting in Glasgow, it will continue with three straight days in Birmingham, followed by two shows in both Newcastle and Manchester. Then they will head to Dublin with two nights included and will also do a concert in Belfast and end the tour in style with two recitals in Leeds, Liverpool and London. Genesis discography (studio albums) Genesis discography (studio albums) From Genesis to Revelation (1969) Trespass (1970) Nursery Cryme (1971) Foxtrot (1972) Selling England by the Pound (1973) The Lamb Lies Down on Broadway (1974) A Trick of the Tail (1976) Wind & Wuthering (1976) . ..And Then There Were Three… (1978) Duke (1980) Cabbies (1981) Genesis (1983) Invisible Touch (1986) We Can’t Dance (1991) Calling All Stations (1997) Read the full article

#sheetmusicdownload #sheetmusicscoredownloadpartiturapartitionspartitinoten楽譜망할음악ноты

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julio-viernes · 5 years

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“Rock and role”, del segundo LP en solitario del difícil e inabarcable Peter Hammill, “Chameleon in the Shadow of the Night” (1973). Tony Stratton-Smith, mánager de Genesis y Van der Graaf Generator y creador de Charisma Records, le consideraba a él, y no a Peter Gabriel, un genio.

#peter hammill #van der graaf generator #peter gabriel #genesis #tony stratton smith #gail colson #canciones

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mrepstein · 7 years

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I got to know Brian, and I learned a lot about rock ‘n’ roll management from him. Rock ‘n’ roll management in England was invented by Brian Epstein. It was through his success that people saw real money being made. Other people of entrepreneurial bent started moving in.

Music manager and entrepreneur Tony Stratton Smith (Off the Record : An Oral History of Popular Music by Joe Smith [1989])

#Brian Epstein #Tony Stratton Smith #quote #Off The Record: an Oral History of Popular Music #Tony Stratton Smith quote

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strange-spaghetti · 5 years

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Luxford House in Crowborough, East Sussex; a Tudor manor formerly owned by Tony Stratton-Smith, founder of Charisma Records. Notable acts such as Neil Diamond, Lindisfarne, Bert Jansch, Genesis, & Van der Graaf Generator have rehearsed, recorded, & taken residence here. Hosted by label manager, Stratton-Smith, in Summer of 1971, Van der Graaf Generator lived in the manor rehearsing material that would later be known as Pawn Hearts. The house is featured in the album’s inner sleeve where the band can be seen playing “Crowborough tennis”, a game invented during their stay at the Luxford House.

#Tony Stratton-Smith #Charisma Records #Luxford House #Crowborough #East Sussex #England #Genesis #Neil Diamond #Bert Jansch #Van der Graaf Generator #Lindisfarne #Pawn Hearts #Tudor house #Tudor manor #English manor #Genesis band #You're totally welcome to delete & add your own info- not the greatest pictures of the house but it is a really beautiful period property

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randomnotesnet · 3 years

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In April 1970 Lake […] and Keith Emerson began auditioning drummers for their new band. Among the candidates they auditioned was Mitch Mitchell, who had been a drummer with Jimi Hendrix and he proposed setting up a jam session with Jimi.

Tragically, Hendrix died before the session could take place. However, this led to a longstanding false rumour that Hendrix would have joined ELP. All of ELP dispelled the rumour in interviews […] commenting that […] having another virtuoso showman as a permanent member would not have worked; but all of ELP stated they would have liked to have the jam session happen.

— Greg Lake – Wikipedia

[…] though the session never took place, it caused the press to report rumours of a planned but abandoned supergroup named HELP, an acronym for "Hendrix Emerson Lake Palmer", which Lake debunked in 2012.[16] […] Emerson was close to searching in America before he asked his manager Tony Stratton-Smith for names of good drummers, who suggested Carl Palmer of Atomic Rooster and previously, The Crazy World of Arthur Brown.[18]

[…] after several weeks of further sessions, Palmer agreed to join.[18] Triton was a group name that Emerson said "was buzzing around" for a little while,[19] and "Triumvirate" and "Seahorse" were also in contention[20] but they settled upon Emerson, Lake & Palmer to remove the focus on Emerson as the most famous of the three, and to ensure that they were not called the "new Nice".[21]

After a series of rehearsals at Island Studios in Notting Hill,[19] the band formed a live set featuring "The Barbarian" […].

"It was the biggest show any of us had ever done. The next day, we were world-famous."

— Greg Lake about the band's show at the Isle of Wight Festival.[22]

— Emerson, Lake & Palmer – Wikipedia

Photos

Left: Axma Solar Wind Energy Park, Germany. Source: Axma Solar.

Right: Pete Townshend playing his Rickenbacker guitar “windmill style”, 1960s. Contact sheet outtake. Source: Ealing Club.

Bottom: The members of The Who meet Jimi Hendrix, around October 1966.

# 185

#germany #electricity #wind energy #windmill #united kingdom #pop music #the who #pete townsend #rickenbacker #electric guitar #jimi hendrix #emerson lake and palmer

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maybeginny · 5 years

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TeamStarKid Descriptions

TeamStarKid: a bunch of thirty-ish year olds acting like children by making fun of other franchises but they're on a stage and they’re hilarious

Members (not all, but a lot, of them):

Nico Ager, Julia Albain, Rachael D. Albert, Chris Allen, Nick Anderson, Joel Arnold, Julie Ballard, Clark Baxtresser, Jaime Lyn Beatty, Jeff Blim, Mary Clare Blake Booth, Michael Bou-Maroun, Pat Brady, Cory Braun, Adam Brunetti, Tyler Brunsman, Mike Burke, Jamie Burns, Richard Campbell, Joe Carroll, Phil Chester, Amalea Chininis, Kavin Chung, Britney Coleman, Mason Cormie, Brant Cox, Darren Criss, Sam Crittenden, Matt Dahan, Corey Davis, Drew DeFour, Kevin DeKimpe, Denise Donovan, Corey Dorris, Jess Dumbroff, Ilana Elroi, Jason Emmendorfer, Erdem Ertal, Max Evarard, Mariah Rose Faith, Elona Finlay, Justin Fischer, Josh Fleury, Andrew Fox, Scott Fussey, Paul Gabriel, Nick Gage, Matt Glenn, Arielle Goldman, Ali Gordon, Gordon Granger, Lisa Griebel, Hayley Hanway, Samara Harand, Michael Hart, Andrew Hill, Jeff Himes, Brian Holden, AJ Holmes, Justin Hong, Jade Ingardona, Sam Johnides, Marta Johnson, Nick Kabat, Eric Kahn Gale, Max Kaufman, Proma Kholsa, Jon Jackson, Bob Joles, Craig Kidwell, Bruce Kiesling, Angela F. Kiessel, Justin Kono, Mike LaFond, Justin LaForte, Scott Lamps, Jen Lang, Matt Lang, Nick Lang, Mark LeGrand, Lauren Lopez, Chris Lorentz, Corey Lubowich, Evanna Lynch, Devin Lytle, Robert Manion, Jon Matteson, Lily Marks, Ryan McDiarmid, Lana McKinnon, Jama McMahon, Kaley McMahon, Curt Mega, Alle-Faye Monka, Joe Moses, Yonit Olshan, David Orlicz, Lauren Pais, Alex Paul, Devon Perry, Sarah Petty, Eric Pidluski, Tony Pisaneschi, Madeline Platt, Amy Plouff, Jim Povolo, Ryan Proch, Carolyn Reich, Corey Richardson, Joey Richter, Molly Rife, Claire Roche, Josh Romero, Brian Rosenthal, Cami Ross, June Saito, Jacob Saleh, Lena Sands, Dylan Saunders, Matt Script, Pierce Siebers, Christopher Smith, Teia Smith, Bonnie Socha (née Gruesen), Rachael Soglin, Miles Spagnola, Katie Spelman, Mike Sportiello, Meredith Stepien, Taylor Stanton, Jack Stratton, Nicholas Joseph Strauss-Matathia, Emily Stromberg, Ruby Summers, Jade Svenson, Mark Swiderski, Sango Tajima, Emily Thomas, James Tolbert, Anna Troiano, Ronnie Vail, Carlos Valdes, Meryl Waldo, Joe Walker, Lauren Walker, Russ Walko, Andy Warren, Kim Whalen, Liam White, Tiffany Williams, Clara Wong, & Marguerite Woodward

*this list most likely does not include all of the StarKids

Productions:

Little White Lie: a YouTube show about bands but Duder's a spy

A Very Potter Musical: Harry Potter but Harry is an ass, Ron is a jerk in love, Hermione is bullied, and Voldemort is hot and in love in Quirrel

Me and My Dick: Joey Richter plays a sex-crazed version of himself but it's a musical with singing dicks and vaginas

A Very Potter Sequel: Harry Potter but they go back in time and the actor who played Voldemort in the first one plays a chubby little fuck but is still hot

Starship: the little mermaid but with bugs and in space

Holy Musical B@man!: Batman but Dylan Saunders' voice fucking slays and instead of the Joker they have Sweet Tooth who makes a lot of candy puns

A Very Potter Senior Year: Harry Potter but Harry is even more of an ass, Voldemort is even hotter, and you will cry

Twisted: The Untold Story of a Royal Vizier: Wicked but for Ja'far and Aladdin is a dick

ANI: A Parody: Star Wars but the villains are the heroes, Darth Vador is not threatening, Tarkin is in love with a stormtrooper, Jar Jar is lovable, and they pod race again

The Trail to Oregon!: the game but the characters are named by the audience and they are all idiots

Firebringer: cave people but with revolutions, love, and fucking awesome choreography

The Guy Who Didn't Like Musicals: a musical about a guy who doesn't like musicals but a meteor crashes in his town that turns everything into a musical

Black Friday: a horror comedy commentary about capitalism and corruption but Dylan Saunders is BACK and fucking bops (i will add everyone who worked on this incredible musical to the list of StarKids as soon as i have time, sorry)

*this list does not include tours, concerts, reunions, The Harder They Fall, Hobbit, Hobbit 2, Yes, I am Afraid of the Dark!, 1 Night 2 Last 3 Ever, Airport for Birds, Movies, Musicals, & Me or their YouTube Short Comedy Sketches for the sake of simplicity

Tin Can Bros: a separate but similar theater company created by a few StarKids but they are still StarKids

Members:

Corey Lubowich, Joey Richter, Brian Rosenthal

Productions:

Spies are Forever: a musical about spies but they say the word spies way too many times and the plot twist will smack you and call you a bitch

The Solve It Squad Returns: Scooby Doo but they avoid copy-right infringement by changing all of the names and they are aged-up and depressed

*this list does not include Alive! On Stage!, Seriously Not a Joke, We Didn’t Plan to Kill Our Guest, Idle Worship, Flop Stoppers, Wayward Guide, Choose Our Destiny, or their YouTube Short Comedy Sketches for the sake of simplicity

If I forgot or am wrong about something, please let me know so I can fix it

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elvagodevil · 4 years

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Sobre supper's ready, la obra magnánima del rock progresivo.

Una piedra angular en la historia del rock progresivo, Supper’s Ready encontró que este género aún en desarrollo estaba apunto de alcanzar su apogeo. Había habido pistas de álbumes de dos dígitos de longitud antes, no menos la propia The Musical Box de 10 minutos de Genesis, pero nada tan conceptualmente épico, tan ambiciosamente ejecutado como Supper’s Ready. Construido a partir de siete partes distintas que forman un conjunto musical irregular, instantáneamente se convirtió en quizás la aventura musical más famosa e influyente en un género y luego estalló en sus bancos creativos con pistas clásicas de todos los tiempos: la plantilla para el adornado, clásico influenciado, lisérgicamente -cargada, heroicamente tonta, peculiarmente inglesa variedad de rock progresivo que luego gobernó el mundo. Según el tecladista Tony Banks: “Cuando lo comenzamos, pensamos que estábamos escribiendo una especie de seguimiento de The Musical Box, y todo iba bastante bien. Luego tuvimos esta canción bonita y bonita, Willow Farm, por sí sola, y pensamos, ¿qué pasaría si de repente pasáramos a esa secuencia de acordes descendentes y feos? Nadie lo estaría esperando. Y una vez que nos metimos en eso, pensamos, bueno, estamos aquí ahora, continuemos, con libertad, y veamos a dónde nos lleva. Cuando reunimos todo y lo escuchamos por primera vez, dijimos: "Oh, esto es bastante bueno". Sin embargo, el ex guitarrista de Genesis, Steve Hackett, insiste ahora en que no estaba convencido de que fuera una buena idea: "Pensé, nadie va a comprar esto, porque es demasiado largo". Las referencias [líricas] son demasiado remotas. Es totalmente ambiguo. Pensé que la primera vez [el jefe de Charisma Records] Tony Stratton-Smith escuchó que iba a decir: 'Lo siento, muchachos, se acabó el juego, se canceló el contrato, recibirán noticias de nuestros abogados' ". En cambio, fue Stratton-Smith quien alentó positivamente a la banda a llevar su música lo más lejos posible, según el productor de Foxtrot David Hitchcock. Al ver su papel como "esencialmente un facilitador", Hitchcock dice que su mayor contribución a la canción fue "explicando que no tenían que tocarla todo el tiempo para grabarla, que podíamos hacerlo sección por sección, con fundidos cruzados y ediciones, luego póngalo todo junto más tarde. Eso les permitió concentrarse durante los tres o cuatro minutos de cada sección, y obtener el mejor rendimiento posible, al mismo tiempo que les permitió traer diferentes sonidos para cada sección, en lugar de reproducirlos directamente con un sonido largo y homogéneo ".

La presión también estaba sobre la banda para encontrar éxitos en las listas. "No en el sentido de hacer que suenen más comerciales", dice Hitchcock, "sino en el sentido de llevar lo que hicieron lo más lejos posible". Las tensiones en el estudio eran abundantes. "Principalmente entre Tony y Peter", dice Hitchcock. "No hubo grandes reventones, solo mucho enfado". Cuando Gabriel comenzó a cantar sobre el solo de teclado en la sección titulada Apocalypse In 9⁄8, Banks admite: “Estaba enojado. "¡Estás cantando en mi bit!" Entonces me di cuenta de que ahora tenía toda la emoción que habíamos estado tratando de crear, especialmente la sección "Seis, seis, seis". Tienes mucho drama en los acordes, entonces lo que hizo en la parte superior lo llevó a otro nivel. Sí, ese medio minuto más o menos es nuestro pico ". La otra gran batalla que Gabriel ganó fue por la letra. "Todos estábamos involucrados como letristas en Foxtrot per se", dice Hackett, "pero Pete insistió en escribir todas las letras para Supper’s Ready". Posteriormente se difundió el rumor de que el núcleo de la narrativa lírica se basaba en una experiencia "sobrenatural" que Gabriel había vivido con su entonces esposa Jill; que Gabriel había estado convencido de que estaba poseída y blandía una cruz improvisada con velas, a lo que ella reaccionó violentamente. Según Hackett, sin embargo, la situación era probablemente más prosaica. "Creo que ha habido un cierto consumo de drogas. Creo que estaba teniendo un mal viaje en un momento dado, y que Pete y un amigo lograron convencerla y sacarla de los horrores o lo que fuera. Así que eso es parte de lo que trata la canción, pero en cierto modo hay una especie de implicación de redención que va con eso

Walking across the sitting-room, I turn the television off

Sitting beside you, I look into your eyes

As the sound of motorcars fades in the night time

I swear I saw your face change, it didn't seem quite right

And it's hello babe, with your guardian eyes so blue

Hey my baby, don't you know our love is true

Coming closer with our eyes, a distance falls around our bodies

Out in the garden, the moon seems very bright

Six saintly shrouded men move across the lawn slowly

The seventh walks in front with a cross held high in hand

And it's hey babe your supper's waiting for you

Hey my baby, don't you know our love is true?

I've been so far from here

Far from your warm arms

It's good to feel you again

It's been a long long time

Hasn't it?

I know a farmer who looks after the farm

With water clear, he cares for all his harvest

I know a fireman who looks after the fire

You, can't you see he's fooled you all

Yes, he's here again

Can't you see he's fooled you all?

Share his peace, sign the lease

He's a supersonic scientist

He's the guaranteed eternal sanctuary man

Look, look into my mouth he cries

And all the children lost down many paths

I bet my life you'll walk inside

Hand in hand

Gland in gland

With a spoonful of miracle

He's the guaranteed eternal sanctuary

We will rock you, rock you little snake

We will keep you snug and warm

Wearing feelings on our faces while our faces took a rest

We walked across the fields to see the children of the West

But we saw a host of dark skinned warriors standing still below the ground

Waiting for battle

The fight's begun, they've been released

Killing foe for peace, bang, bang, bang

Bang, bang, bang

And they've given me a wonderful potion

'Cause I cannot contain my emotion

And even though I'm feeling good

Something tells me I'd better activate my prayer capsule

Today's a day to celebrate, the foe have met their fate

The order for rejoicing and dancing has come from our warlord

Wandering in the chaos the battle has left

We climb up the mountain of human flesh

To a plateau of green grass, and green trees full of life

A young figure sits still by a pool

He's been stamped "Human Bacon" by some butchery tool

He is you

Social Security took care of this lad

We watch in reverence, as Narcissus is turned to a flower

A flower?

If you go down to Willow Farm

To look for butterflies, flutterbyes, gutterflies

Open your eyes, it's full of surprise

Everyone lies like the fox on the rocks

And the musical box

Oh, there's Mum and Dad, and good and bad

And everyone's happy to be here

There's Winston Churchill dressed in drag

He used to be a British flag, plastic bag, what a drag

The frog was a prince

The prince was a brick, the brick was an egg, the egg was a bird

(Fly away you sweet little thing, they're hard on your tail)

Hadn't you heard? (they're going to change you into a human being!)

Yes, we're happy as fish and gorgeous as geese

And wonderfully clean in the morning

We've got everything, we're growing everything

We've got some in, we've got some out

We've got some wild things floating about

Everyone, we're changing everyone

You name them all, we've had them here

And the real stars are still to appear

(All change!)

Feel your body melt

Mum to mud to mad to dad

Dad diddley office, Dad diddley office

You're all full of ball

Dad to dam to dumb to mum

Mum diddley washing, Mum diddley washing

You're all full of ball

Let me hear your lies, we're living this up to the eyes

Ooh, aah, na-na-na

Momma I want you now

And as you listen to my voice

To look for hidden doors, tidy floors, more applause

You've been here all the time

Like it or not, like what you got

You're under the soil (the soil, the soil)

Yes, deep in the soil (the soil, the soil, the soil!)

So we'll end with a whistle and end with a bang

And all of us fit in our places

With the guards of Magog, swarming around

The Pied Piper takes his children underground

Dragons coming out of the sea

Shimmering silver head of wisdom looking at me

He brings down the fire from the skies

You can tell he's doing well by the look in human eyes

Better not compromise, it won't be easy

666 is no longer alone

He's getting out the marrow in your backbone

And the seven trumpets blowing sweet rock and roll

Gonna blow right down inside your soul

Pythagoras with the looking glass reflects the full moon

In blood, he's writing the lyrics of a brand-new tune

And it's hey babe, with your guardian eyes so blue

Hey my baby, don't you know our love is true?

I've been so far from here, far from your loving arms

Now I'm back again

And babe, it's gonna work out fine

Can't you feel our souls ignite?

Shedding ever-changing colours

In the darkness of the fading night

Like the river joins the ocean

As the germ in a seed grows

We have finally been freed to get back home

There's an angel standing in the sun

And he's crying with a loud voice

"This is the supper of the mighty one"

Lord of Lords, King of Kings

Has returned to lead his children home

To take them to the new Jerusalem

youtube

#peter gabriel #genesis

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daybydaywithmercury · 5 years

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Az első lemezkiadói ajánlat / The first record label offer

A stúdiómunkálatok során jelen volt egy producer is, Roy Thomas Baker, akinek annyira tetszett a srácok „Keep Yourself Alive” című száma, hogy el is kérte a demót. A Queen tagjainak sikerült néhány megbeszélésen részt venniük, azonban hiába voltak magabiztosak és hiába volt profi demó a kezükben, senki nem vette őket igazán komolyan. Végül a Charisma Records vezetője, Tony Stratton-Smith, 25 ezer fontos ajánlatot tett nekik. Ez akkor rendkívül magas összegnek számított, főleg olyan fiatal zenészeknek, mint a Queen tagjai, akik szinte napról napra éltek akkoriban. Épp ezért volt megdöbbentő a Queen válasza, ugyanis elutasították az ajánlatot.

A Charisma Recordshoz tartozott ebben az időben, a Genesis nevű zenekar is. A Queen tagjai úgy érezték, hogy ők mindig csak a második helyen kullognának a Genesis után, rengeteg pénzt kellene költeniük az új eszközök megvásárlására, illetve nem tartották elég jónak a kiadót. „Amint kész lett a demó, tudtuk, hogy ott köröznek körülöttünk a cápák. Kecsegtető ajánlatokat kaptunk, olyasmiket mondtak, hogy mi leszünk a következő T-Rex, de nagyon-nagyon óvatosan jártunk el, nem akartunk fejest ugrani semmibe. Nem akartuk, hogy közönséges zenekarként kezeljenek minket. Úgy voltunk vele, hogy „Vagy komolyan vesztek minket, vagy hagyjuk az egészet!”.” – mesélte később Freddie. Döntésükből kristálytisztán látszott, hogy nem csak hitték, hogy jók, hanem tudták, hogy azok.

Az ajánlat elutasítása után kénytelenek voltak visszatérni a londoni és a London környéki koncertezgetésekhez. Mindeközben Freddie szabadidejében azon kísérletezgetett, hogy hogyan is nézzenek ki a színpadon. Egy ismerőse, Wendy Edmonds így emlékszik vissza Freddie törekvéseire: „Freddie tudott varrni. Elég jól is ment neki, például fel tudta varrni ő maga a flittereket a ruhára. Én megvarrtam neki azokat a tapadós felsőket, amiket viselhetett a színpadon. Nagyon konkrétan tudta, hogy mit akar, és mondta, hogy mit, honnan másoljak le.”.

**************************************************************************

A producer, Roy Thomas Baker, was present during the studio work and liked the guys' "Keep Yourself Alive" so much that he asked for a demo. The Queen's members were able to attend some meetings, but despite being confident and having a professional demo in their hands, no one took them seriously. Finally, Charisma Records chief Tony Stratton-Smith offered them £ 25,000. This was an extremely high sum at that time, especially for young musicians like the Queen’s members who were living day by day. That is why the Queen's response was staggering, as the offer was rejected.

Also belonged to Charisma Records at that time, the Genesis band. The Queen felt that they would always rank second only after Genesis, spend a lot of money on new equipment, and they didn’t think the publisher was good enough. “As soon as the demo was finished, we knew that the sharks were circling around us. We got promising offers, something that we were going to be the next T-Rex, but we were very, very careful not to skip to nothing. We didn't want us to be treated as ordinary bands. We were told, "They either take us seriously or we leave the whole thing.” - Freddie said later. Their decision made it crystal clear that they not only believed they were good, but they knew they were.

After rejecting the offer, they were forced to return to concerts in London and around London. Meanwhile, in his spare time, Freddie was experimenting with how to look on stage. A friend, Wendy Edmonds, recalls Freddie's aspirations: “Freddie could sew. It worked out pretty well for him, for example, he could sew sequins on the dress himself. I sewed him the sticky tops he could wear on the stage. He knew exactly what he wanted and said what, where to copy it.”

[Irodalmak/References: 📚 - Lesley-Ann Jones (2011): Bohemian Rhapsody, The Definitive Biography of Freddie Mercury. - Matt Richards, Mark Langthorne (2019): Bohém Rapszódia.]

#freddiemercury #brianmay #rogertaylor #johndeacon #queen #queenband #roythomasbaker #keepyourselfalive #charismarecords #london

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goalhofer · 6 years

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2018 U.S.A. Olympic Roster

Alpine Skiing

Stacey Cook (Mammoth Lakes, California)

Breezy Johnson (Victor, Idaho)

Megan McJames (Park City, Utah)

Alice McKennis (New Castle, Colorado)

Laurenne Ross (Bend, Oregon)

Mikaela Shiffrin (East Burke, Vermont)

Resi Stiegler (Jackson, Wyoming)

Lindsey Vonn (Vail, Colorado)

Jacqueline Wiles (White Pass, Washington)

Bryce Bennett (Squaw Valley, California)

Tommy Biesemeyer (Plattsburgh, New York)

David Chodounsky (Crested Butte, Colorado)

Ryan Cochrane-Siegle (Stowe, Vermont)

Mark Engel (Salt Lake City, Utah)

Tommy Ford (Bend, Oregon)

Jared Goldberg (Sugar House, Utah)

Tim Jitloff (Park City, Utah)

Nolan Kasper (East Burke, Vermont)

Ted Ligety (Park City, Utah)

Wiley Maple (Aspen, Colorado)

Steven Nyman (Park City, Utah)

Andrew Weibrecht (Lake Placid, New York)

Biathlon

Emily Dreissigacker (Morrisville, Vermont)

Susan Dunklee (Barton, Vermont)

Clare Egan (Cape Elizabeth, Maine)

Madeleine Phaneuf (Fairfax, Virginia)

Joanne Reid (Boulder, Colorado)

Lowell Bailey (Lake Placid, New York)

Tim Burke (Lake Placid, New York)

Russell Currier (Stockholm, Maine)

Sean Doherty (Conway, New Hampshire)

Leif Nordgren (Marine, Minnesota)

Cross County Skiing

Sadie Bjornsen (Anchorage, Alaska)

Rosie Brennan (Anchorage, Alaska)

Sophie Caldwell (Stratton, Vermont)

Jessie Diggins (Stratton, Vermont)

Kikkan Randall (Anchorage, Alaska)

Ida Sargent (Craftsbury, Vermont)

Liz Stephen (East Burke, Vermont)

Caitlin Patterson (Craftsbury, Vermont)

Rosie Frankowski (Anchorage, Alaska)

Annie Hart (Stratton, Vermont)

Kaitlyn Miller (Bowdoin, Maine)

Erik Bjornsen (Anchorage, Alaska)

Simi Hamilton (Middlebury, Vermont)

Andy Newell (Bennington, Vermont)

Patrick Caldwell (Lyme, New Hampshire)

Logan Hanneman (Fairbanks, Alaska)

Scott Patterson (Anchorage, Alaska)

Reese Hanneman (Fairbanks, Alaska)

Tyler Kornfield (Fairbanks, Alaska)

Noah Hoffman (Aspen, Colorado)

Freestyle Skiing

Kiley McKinnon (Madison, Connecticut)

Maddy Olsen (Park City, Utah)

Ashley Caldwell (Ashburn, Virginia)

Maddie Bowman (South Lake Tahoe, California)

Brita Sigourney (Park City, Utah)

Devin Logan (Mt. Snow, Vermont)

Annalisa Drew (Andover, Massachusetts)

Jaelin Kauf (Steamboat Springs, Colorado)

Morgan Schild (Pittsford, New York)

Tess Johnson (Vail, Colorado)

Keaton McCargo (Telluride, Colorado)

Maggie Voisin (Whitefish, Montana)

Caroline Claire (Manchester, Vermont)

Darian Stevens (Park City, Utah)

Eric Loughran (Park City, Utah)

Jon Lillis (Park City, Utah)

David Bohonnon (Madison, Connecticut)

David Wise (Reno, Nevada)

Torin Yater-Wallace (Basalt, Colorado)

Alex Ferreira (Aspen, Colorado)

Aaron Blunck (Crested Butte, Colorado)

Casey Andringa (Park City, Utah)

Troy Murphy (Park City, Utah)

Emerson Smith (Dover, Vermont)

Bradley Wilson (Butte, Montana)

Gus Kenworthy (Telluride, Colorado)

Nick Goepper (Lawrenceburg, Indiana)

McRae Williams (Salt Lake City, Utah)

Alex Hall (Park City, Utah)

Ski Jumping

Michael Glasder (Lake Forest, Illinois)

Sarah Hendrickson (Park City, Utah)

Nita Englund (Steamboat Springs, Colorado)

Abby Ringquist (Salt Lake City, Utah)

Kevin Bickner (Chicago, Illinois)

Will Rhoads (Concord, New Hampshire)

Casey Larson (Barrington, Illinois)

Bobsleigh

Codie Bascue (Whitehall, New York)

Evan Weinstock (Las Vegas, Nevada)

Steven Langton (Malden, Massachusetts)

Sam McGuffie (Cypress, Texas)

Nick Cunningham (Latham, New York)

Hakeem Abdul-Saboor (Powhatan, Virginia)

Chris Kinney (Stockbridge, Georgia)

Sam Michener (Gresham, Oregon)

Justin Olsen (San Antonio, Texas)

Carlo Valdes (Newport Beach, California)

Sgt. Chris Fogt (Orem, Utah)

Nathan Weber (Denver, Colorado)

Elana Taylor (Douglasville, Georgia)

Lauren Gibbs (Denver, Colorado)

Jamie Greubel-Poser (Princeton, New Jersey)

Aja Evans (Homewood, Illinois)

Curling

John Shuster (Duluth, Minnesota)

Tyler George (Duluth, Minnesota)

Matt Hamilton (Duluth, Minnesota)

John Landsteiner (Duluth, Minnesota)

Joe Polo (Cass Lake, Minnesota)

Nina Roth (Madison, Wisconsin)

Tabitha Peterson (St. Paul, Minnesota)

Aileen Geving (Duluth, Minnesota)

Becca Hamilton (Madison, Wisconsin)

Cory Christiansen (Duluth, Minnesota)

Figure Skating

Alexa Knierim (DuPage, Illinois)

Madison Chock (Novi, Michigan)

Madison Hubbell (Ann Arbor, Michigan)

Maia Shibutani (Ann Arbor, Michigan)

Speed Skating

Shani Davis (Chicago, Illinois)

Jonathan Garcia (Katy, Texas)

Kimani Griffin (Winston-Salem, North Carolina)

Brian Hansen (Milwaukee, Wisconsin)

Emery Lehman (Oak Park, Illinois)

Joey Mantia (Salt Lake City, Utah)

Mitch Whitmore (Waukesha, Wisconsin)

Heather Bergsma (High Point, North Carolina)

Brittany Bowe (Ocala, Florida)

Erin Jackson (Ocala, Florida)

Mia Manganello (Crestview, Florida)

Carlijn Schoutens (Trenton, New Jersey)

Jerica Tandiman (Kearns, Utah)

John-Henry Krueger (Pittsburgh, Pennsylvania)

Thomas Hong (Laurel, Maryland)

Aaron Tran (Federal Way, Washington)

J.R. Celski (Federal Way, Washington)

Ryan Pivirotto (Ann Arbor, Michigan)

Maame Biney (Reston, Virginia)

Lana Gehring (Chicago, Illinois)

Jessica Smith (Melvindale, Michigan)

Hockey

Tony Granato (Madison, Wisconsin)

Keith Allain (New Haven, Connecticut)

Chris Chelios (Chicago, Illinois)

Ron Rolston (Fenton, Michigan)

Scott Young (Southborough, Massachusetts)

Chad Billins (Marysville, Michigan)

Noah Welch (Needham, Massachusetts)

John McCarthy (Boston, Massachusetts)

Brian O’Neill (Yardley, Pennsylvania)

Garrett Roe (Vienna, Virginia)

Brian Gionta (Rochester, New York)

Ryan Gunderson (Bensalem, Pennsylvania)

Broc Little (Phoenix, Arizona)

Bobby Butler (Marlborough, Massachusetts)

Ryan Donato (Scituate, Massachusetts)

Chris Bourque (Topsfield, Massachusetts)

Jordan Greenway (Canton, New York)

Jim Slater (Lapeer, Michigan)

Will Borgen (Moorhead, Minnesota)

James Wisniewski (Canton, Michigan)

Bobby Sanguinetti (Lumberton, New Jersey)

Troy Terry (Denver, Colorado)

Jonathon Blum (Rancho Santa Margarita, California)

Mark Arcobello (Milford, Connecticut)

Ryan Zapolski (Erie, Pennsylvania)

Brandon Maxwell (Winter Park, Florida)

David Leggio (Williamsville, New York)

Chad Kolarik (Abington, Pennsylvania)

Ryan Stoa (Bloomington, Minnesota)

Matt Gilroy (Manhasset, New York)

Cayla Barnes (Eastvale, California)

Megan Keller (Farmington, Michigan)

Kali Flanagan (Winchester, Massachusetts)

Monique Lamoureux-Morando (Grand Forks, North Dakota)

Emily Pfalzer (Buffalo, New York)

Meghan Duggan (Danvers, Massachusetts)

Haley Skarupa (Rockville, Maryland)

Kelly Pannek (Minneapolis, Minnesota)

Brianna Decker (Brookfield, Wisconsin)

Jocelyne Lamoureux-Davidson (Grand Forks, North Dakota)

Gisele Marvin (Bemidji, Minnesota)

Hannah Brandt (Maplewood, Minnesota)

Hilary Knight (Lake Forest, Illinois)

Kacey Bellamy (Westfield, Massachusetts)

Dani Cameranesi (Plymouth, Minnesota)

Kendall Coyne (Oak Lawn, Illinois)

Amanda Kessel (Madison, Wisconsin)

Nicole Hensley (Littleton, Colorado)

Alex Rigsby (Hartland, Wisconsin)

Maddie Rooney (Duluth, Minnesota)

Amanda Pelkey (Randolph, Vermont)

Sidney Morin (Minnetonka, Minnesota)

Luge

Chris Mazdzer (Pittsfield, Massachusetts)

Taylor Morris (Salt Lake City, Utah)

Tucker West (Ridgefield, Connecticut)

Justin Krewson (Eastport, New York)

Andrew Sherk (Ft. Washington, Pennsylvania)

Matt Mortensen (Huntington Station, New York)

Jayson Terdiman (East Stroudsburg, Pennsylvania)

Summer Britcher (Glen Rock, Pennsylvania)

Erin Hamlin (Remsen, New York)

Emily Sweeney (Portland, Maine)

Bryan Fletcher (Steamboat Springs, Colorado)

Taylor Fletcher (Steamboat Springs, Colorado)

Jasper Good (Steamboat Springs, Colorado)

Ben Loomis (Park City, Utah)

Ben Berend (Park City, Utah)

Skeleton

Matthew Antoine (Prairie Du Chien, Wisconsin)

John Daly (Smithtown, New York)

Katie Uhlaender (Breckenridge, Colorado)

Kendall Wesenberg (Modesto, California)

Snowboarding

Chris Corning (Silverthorne, Colorado)

Red Gerard (Silverthorne, Colorado)

Kyle Mack (Detroit, Michigan)

Ryan Stassel (Anchorage, Alaska)

Ben Ferguson (Bend, Oregon)

Chase Josey (Hailey, Idaho)

Jake Pates (Eagle, Colorado)

Shaun White (Silverton, Colorado)

Jamie Anderson (South Lake Tahoe, California)

Jessika Jenson (Idaho Falls, Idaho)

Hailey Langland (San Clemente, California)

Julia Marino (Westport, Connecticut)

Kelly Clark (Mammoth Lakes, California)

Arielle Gold (Steamboat Springs, Colorado)

Chloe Kim (La Palma, California)

Maddie Mastro (Mammoth Lakes, California)

A.J. Muss (Rumson, New Jersey)

Mike Trapp (Hyannis, Massachusetts)

Nick Baumgartner (Iron River, Michigan)

Jonathan Cheever (Saugus, Massachusetts)

Mick Dierdorff (Steamboat Springs, Colorado)

Hagen Kearney (Bradford, Pennsylvania)

Faye Gulini (Vail, Colorado)

Lindsey Jacobellis (Danbury, Connecticut)

Rosie Mancari (Steamboat Springs, Colorado)

Meghan Tierney (Edwards, Colorado)

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juicemagazine · 7 years

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Juice Magazine #75 features Scott Oster @osterstyle on the cover. Photo by Arto Saari. @artofoto Juice Magazine’s Surf Skate Style edition features interviews with Aaron Murray, Aaron Astorga, Abraham Paskowitz, Animal Chin 30 Year Reunion, Art Brewer, ‪Ben Harper‬, Bennett Harada, Bones Brigade Chronicles, Brad Bowman, Brandon Cruz, Brian Brannon, Bro Gumpright, Carter Slade, Cattleboro, Chet Childress, Chris Miller, Chris Russell, Chris Strople, Christian Fletcher, Christian Hosoi, Craig Stecyk III, Darren Ho, Dave Tourje, David Hackett, Dedicated To The Core, Dennis Martinez, Dibi Fletcher, Don Redondo, Eric Britton, Garrett McNamara, Gerry Lopez, Glen E. Friedman, Greg Falk, Greg Galbraith, Greyson Fletcher, Herbie Fletcher, James O’Mahoney, Jef Hartsel, Jeff Ament, Jeff Divine, Jeff Ho, Jim Fitzpatrick, Jim Gray, John Van Hamersveld, Jonathan Paskowitz, Josh “Bagel” Klassman, Kalani David, ‪Keith Morris‬, Kirra Kehoe, Kona Skatepark: 40 Years of Gnar, Larry Bertlemann, Laura Thornhill, Lizzie Armanto, Marc Emond, Michael Denicola, Michael Early, Nano Nobrega, Nathan Fletcher, Nathan Florence, Neil Stratton, Norton Wisdom, Oliver Percovich, Pala Graverobbers, Pat Bareis, Patti Mcgee, Randy Katen, Ray Flores, Rob Nelson, ‪Robert Trujillo‬, Sam Ogden, Scott Oster, Shane Allen, Shannon Smith, Shaun Tomson, Shota Kubo, Skateistan, Solo Scott, Stacy Peralta, Steve Alba, Steve Olson, Steve Van Doren, Surf Skate Style Story, Takuji Masuda, Terry Nails, Tim Curran, Tim Hendricks, Tim Kerr, Tom Groholski, Tony Alva, Wes Humpston and Zach Miller. Subscriptions are available online at www.juicemagazine.com. Link in bio. Thank you! 🏁🏁🏁 #surf #skate #style #punkrock #surfskatestyle #lifers #ogs #dedicatedtothecore #inspiration (at Juice Magazine Hq)

#dedicatedtothecore #surfskatestyle #style #skate #inspiration #75 #ogs #surf #lifers #punkrock

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julio-viernes · 7 years

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Un pequeño homenaje a Gail Colson, una de las mánagers más importantes del rock aunque lleve retirada desde 2011. En los 80 se ocupó de los asuntos de Peter Gabriel, Peter Hammill, Morrissey, Chrissie Hynde y Pretenders.

Dio sus primeros pasos en el mundillo musical como secretaria de Jonathan Rowlands, representante de Tom Jones, Engelbert Humperdinck, Rod Stewart, Fontella Bass y Freddie Lennon (padre de John).

En 1966 pasó a ser ayudante de Shel Talmy (Who, Kinks, Manfred Mann) ella decía que en aquellos días Talmy era EL productor, y se convirtió en sus ojos porque Talmy era ciego. Gail se hizo cargo de los asuntos de The Rockin´ Vickers, el primer grupo de Lemmy Kilmister, cuando sacaron su remake de “Kids Are Alright” de los Who.

En el interesante “El libro de las Revelaciones” de Genesis (del cual está sacado básicamente este post) Gail recuerda como Talmy iba a producir a un grupo llamado The Creation, cuyo mánager era Tony Stratton-Smith a su vez futuro mánager de Bonzo Dog Doo-Dah Band y The Nice, y más tarde también de Genesis, Van Der Graaf Generator y Lindisfarne.

Tras la enriquecedora experiencia Talmy, Gail comenzó a trabajar para el “temible” mánager Tony Secunda (The Move, Procol Harum) pero aguantó sólo 5 semanas. Dice que el Malcolm McLaren de los 60 no paraba de fumar hachís y que era un “lunático”.

En 1969 Stratton Smith estaba muy descontento con la industria musical y convenció a Gail para crear un nuevo sello discográfico, porque había trabajado en el sello Planet de Talmy y pensaba que estaba capacitada para crear uno nuevo. La discográfica se llamó Charisma, en referencia al carismático Tony Stratton-Smith. Glen Colson, hermano de Gail, fue el tercero en discordia como agente de prensa, y Terry “The Pill” (Terry el Pastillas) y Fred Munt, marido de Gail, completaron el equipo como grafista y gestor, respectivamente.

Tuvieron un gran impacto inicial con “Sympathy” de Rare Bird en diciembre de 1969, éxito que tardaron unos años en repetir y ampliar. Hasta que Genesis dieron el “pelotazo”.

Gail comenta en el citado libro (Philip Dodd, Global Rhythm Press 2007) que a Stratton-Smith y a ella no les llamó demasiado la atención el nivel de pijerio de los Genesis porque tanto Van Der Graaf como los Audience de Howard Werth eran todos niños bien de colegios privados con lo cual no era tan raro.

A Tony Stratton-Smith le gustaba mucho Genesis y Peter Gabriel, pero su favorito era Peter Hammill, al cual consideraba un genio. Genesis se quejaban continuamente a Glen Colson de que no conseguía sacarles en la prensa y él les respondió que eran una panda de sosos y que nunca pasaba nada con ellos. Gabriel se puso un vestido rojo de mujer, una máscara de zorro y Genesis fueron portada de Melody Maker. El resto es historia.

A finales de los setenta Gail Colson montó su propia empresa de management, GailForce, llevando la carrera de los artistas citados en el inicio del artículo.

#gail colson #shel talmy #tony stratton smith #tony secunda #the creation #genesis #peter gabriel #peter hammill #van der graaf generator #fotos #carteles #the move #philip dodd

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diceriadelluntore · 7 years

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Quella che è una delle formazioni più leggendarie di tutti i tempi si forma esattamente 50 anni fa, nel 1967, quando un gruppo di giovani studenti della prestigiosa Chartehouse School di Godalming, nel Surrey, decide di provare a suonare insieme. In verità due piccoli gruppi si unirono: da un lato i Garden Wall, formati da Peter Gabriel, Tony Banks e Chris Steward e i The Anon (con un nome così oggi spopolerebbero) di Anthony Philipps e Michael Rutherford. Nel 1968 il primo lavoro per la Decca sono due singoli di un discreto pop sinfonico, The Silent Sun / That’s Me (febbraio 1968) e qualche mese più tardi A Winter’s Tale / One Eyed Hound. I singoli sono preludio al primo album From Genesis To Revelation, con John Silver al posto di Steward, primo vagito della musica che sarà con riferimenti ai testi biblici (e che darà di fatto il nome alla band, dal primo libro dell’Antico Testamento, Genesis appunto, che non lo aveva ancora trovato). Il successo è così inconsistente che il gruppo si scioglie e i giovani ritornano ai propri studi. Nel 1969 Tony Stratton-Smith, fondatore della leggendaria etichetta Charisma, decide di dare una nuova opportunità al gruppo. Nel 1970 esce Trespass e tra le musiche pittoriche di brani come Dusk, Looking For Someone e il primo grande brano, The Knife, inizia un cammino musicale tra i più strepitosi di sempre, fatto di tecnica, emozioni, una creatività esagerata e una voglia di stupire che segneranno un periodo, uno stile musicale e un’intera generazione di ascoltatori. Trespass è ancora acerbo, ma nel 1971 a Gabriel (voce e flauto) Banks (chitarre e tastiere) e Rutherford (chitarre) dopo che Phillips torna a studiare, con un annuncio sulla nota rivista musicale Melody Maker si aggiungono Steve Hackett (chitarra) e Phil Collins (batteria e voce) per una formazione leggendaria, che rimarrà nella storia della musica come una delle più sensazionali di tutte. Nursery Crime (1971) ne dà le prime conferme: il suono inizia a crescere in spessore e misticismo, Gabriel inizia a scrivere tra miti, leggende e giochi di parole testi che diverranno iconici, canzoni come The Musical Box, The Fountain Of Salmacis e The Return Of The Giant Hogweed sono il trampolino per Gabriel, durante i concerti, per travestimenti, cambi di costumi, momenti dove musica e spettacolo si fondono, con echi alla commedia dell’arte, ai saltimbanchi e al teatro classico. Dopo una storica tournée europea, con clamorosi concerti in Italia, la band inizia a pensare al nuovo lavoro. E da una terrazza di un hotel di Napoli, di prima mattina, con la città stranamente deserta, Banks e Rutherford hanno l’idea di come sarebbe il mondo una volta che la civiltà umana si fosse estinta. E la immaginano con un intro di melletron davvero soprannaturale, che per oltre un minuto e mezzo prelude alla voce di Gabriel, affilata e potente. Così inizia Watcher Of The Sky. Così Inizia Foxtrot. Uscito nell’ottobre 1972, il disco è un capolavoro, il primo di un trittico eccezionale, e uno dei più amati dai fan. La macchina musicale e autorale è un complesso gioco di ingranaggi, ricchissima di invenzioni sonore e liriche. Dopo l’inizio leggendario di Watcher Of the Sky (che diverrà l’apertura classica dei live del periodo), Time Table, con elegante intro pianistico di Banks, è una amara riflessione, quasi romantica, sulla decadenza e la caducità delle cose. Poi Get 'Em Out By Friday è una trovata geniale di Gabriel, una sorta di mini opera rock dove Gabriel canta cambiando toni e timbro diversi personaggi e che parla di una colossale speculazione edilizia, con susseguente sfratto di decine di povere famiglie, e che viene proiettata in un futuro alla 1984 di Orwell (ma Gabriel sceglie il 2012 come anno futuro). Poi altro classico in Can-Utility And The Coastliners, che riprende la leggenda nordica del re Canuto il Grande (da cui il gioco di parole Can-Utility) che la leggenda narra pose il suo trono davanti alla acque per provare ai suoi sudditi di essere non invincibile, finendo per perire tra i flutti. Il dolce strumentale Horizons eseguito da Steve Hackett in punta di plettro è quasi un’introduzione alla lunghissima, affascinante Supper’s Ready, altra capitale opera rock (da 23 minuti, l’intero lato b), dove Gabriel immagina una sorta di lotta tra bene e male nella storia di due giovani innamorati che viaggiano per mondi magici. Il brano, diviso in sette parti, è così stupendo che merita un piccolo approfondimento: Lover's Leap è un dolce preludio al viaggio dei due verso la magia, che continua con The Guaranteed Eternal Sanctuary Man, dove i protagonisti della storia si avviano in una città dominata dalle due figure di un contadino e un santone che dicendo di saper governare il fuoco ipnotizza tutti gli abitanti costringendoli a firmare un contratto, il guardiano del Santuario Eterno; Ikhnaton and Itsacon and Their Band of Merry Men descrive come i due generali del santone (Akhenaton è il nome di un Faraone dell'antico Egitto, mentre Itsacon è un gioco di parole che deriva da It's a con, "è un truffatore”) guidano l’esercito delle forze del male inviato dal custode del Santuario Eterno per uccidere tutti coloro che non hanno ancora firmato la pace e il contratto, che si rivela una "Licenza di Eterno Asilo"; How Dare I Be So Beautiful? che vede una musica più elegante e calma è l’incontro degli innamorati con un Narciso moderno innamorato della sua immagine che si specchia nell’acqua; Willow Farm è invece il posto dove i due innamorati, che come Narciso vengono risucchiati dall’acqua, si ritrovano, dove con un fischio tutto si trasforma e il testo descrive figure tipiche dell’immaginario campestre inglese (da un Winston Churchill en travesti al papà che sta in ufficio mentre la mamma a casa lava i panni, dove risuona il carillon (The Musical Box) di Nursery Cryme); Apocalypse in 9/8 (Co-Starring the Delicious Talents of Gabble Ratchet), in gran parte strumentale, è uno dei passaggi chiavi della musica Genesis, con lavoro immenso di Collins alla batteria, di Banks all’organo, con storico assolo, e descrive come i due innamorati, trasformatisi in semi, aspettino l’Apocalisse biblica, che poi nella conclusiva As Sure as Eggs Is Eggs (Aching Men's Feet) non solo si ricongiunge con l’inizio di Supper’s Ready, ma delinea un mondo circolare di vita e morte verso una nuova Gerusalemme. Se mi sono permesso di dilungarmi tanto è perché mai nella storia della musica si era arrivati a tanta ricchezza e complessità, e da sola Supper’s Ready vale l’eternità musicale alla band. Dopo il bellissimo Genesis Live (1973) nel 1973 la meraviglia continua prima con il leggendario Selling England By The Pound e poi, nel 1975, con l’altrettanto epocale The Lamb Lies Down On Broadway, opera rock incredibile. Dopo quel disco, Gabriel se ne va, e finisce un’epoca. Ma rimangono queste gemme preziose a ricordarci che cosa erano capaci di fare.

#genesis #foxtrot #1972 #recensione

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