Okay but the love triangle in Strong Girl Bong-soon was really top tier stuff
Park Bo-Young, Park Hyung-Sik, Ji Soo
Strong girl Bong-soon (2017)
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Who is this guy?
It's none other than Mrs Kobayashi's grandson Riku! Riku is the only relative who lives the closest to her, so he finds the time to visit outside his busy work. Training on the slopes can be intense and he's also a model from a popular agency, but he tries to come at least once a week. When he came today, his grandmother was so excited to introduce a girl to him! Well he's been single for a while and he loves meeting new people; of course he'd be happy to go on this blind date!
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sorry sometimes i think about mako and my heart hurts so much. this kid raised himself and his brother on the streets in homelessness and utter poverty from eight through fifteen, promptly after seeing the violent death of his mother and father. he turned to the triple threats because they couldn't survive as a pair of wretched kids without any adult support, and the environment forced him to turn into the exact character that killed his parents in a terrible twist of irony. and after sheer-fucking-luck hits and they aren't homeless anymore, their livelihood wavers on the outcome of what's a literally game to everyone but them; and after things are finally starting to look up and their team is going places and things just might be okay, his gradually stabilizing world unceremoniously expands and everything goes to shit.
and the city that chewed him up and spat him back out, ruined him as a child and took away his ability to stay afloat in a true sense of normalcy as an adult — when it's on the verge of destruction and falling to pieces before his eyes, he gives himself to save it with the full expectation to die. he went from the kid who didn't and couldn't care about anything outside of himself and his brother, to finding redemption for his younger self in his police work despite its injustice against him, to willingly sacrificing himself to a world that had never loved him.
he's a desperate people pleaser, socially and emotionally stunted for the adult he had to be as a kid, unable to navigate interpersonal relationships easily yet still trying his damned hardest. he's intensely and entirely devoted to the things that matter to him and for so long it was only him, bolin, and ensuring their survival — yet by the end, that devotion has expanded to protecting the rest of the world. he starts out entirely self-reliant and ends in trusting the people he cares about to know their own needs, to be able to take care of themselves, to be okay without him despite having spent so much of his life defined by his role in others' well-being.
just. what the fuck i'm such a big fan of this fictional guy and i'm unashamed about it at this point. also let him cry please (if you won't i'll do it i'll let him cry)
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Deep in my enemy I find the lover;
Scene from a post-DSOD AU (ryou sandwich = tendershipping + gemshipping) I've been picking at for a while.
Part I is detailed here (contains malik/ryou but the relationship ends).
Part II is in progress (the actual tender/gem saga).
Everything will be posted under the #occult killer au tag when it's done. But here's a summary, so major spoilers.
Post-DSOD, supernatural entities start targetting Ryou. While figuring out why, he fights them with the help of his friends. On top of that, Bakura reappears, followed by Thief King Bakhura―and it definitely doesn't help when Ryou instigates/ends up in a very complicated (and physical) relationship with the two.
Eventually, the mystery unravels. The final entity reveals to Ryou that he's been an anomaly for a very long time: He was supposed to die in that car crash as a kid, but due to being Bakura's destined host (the events of YGO needing to happen), the accident took Amane and his mother in exchange. This devastates him.
What Ryou and Yugi initally thought was a "new evil" born because the Millennium Items were disturbed once again during the events of DSOD is really just the Outer Gods now more aggressively trying to restore a long lost balance (Ryou has "died" a total of three times in YGO but is brought back each time because of Bakura/'s influence). As long as Ryou's borrowed lives are not "returned", entities will always be after him/attempt to take the lives of those around him as compensation.
"Death is your gift."
This AU started because of two things: ① the slew of fanart I see of Ryou beating Bakura up/threatening to throw the Ring away, ② Spike from Buffy the Vampire Slayer reminding me of Bakura 🤭 (demon, pale hair, black coat, Spike dresses like a punk vs JP Bakura talks like a street punk, Buffy is stronger than Spike vs Ryou defeats Bakura in Monster World). I'm like, ah yes. Tendercore jk.
Anyway, the story takes some inspiration from Buffy (scenes and lines are borrowed), but it's not a 1:1 AU. It's not a vampire AU either. This comic is actually inspired by dialogue from Buffy S6E10.
If you're wondering what's up with Bakura's outfit, it's based on Takahashi-sensei's illustration (the IG link there no longer works). It plays a role in this story btw (even the nail polish). It's not just a glowup to me!
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Finding out there are people who read the Goldfinch who do not think Theo is some variation of queer will knock the wind out of you. Mind boggling, truly!!! Like there is no way we read the same book!!!!
Anyway heteronormativity must be one hell of a drug for some people, but it is rotting brains fr 🥴
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power coming to love two humans despite originally believing they all deserve to die and aki coming to love two devils despite originally hating them and thinking it was impossible for him to care about one and denji who toes the line between the two coming to love aki and power like siblings despite his history of being abused by men and seeking validation through sexual/romantic relationships with women. and denji turning down a vacation to take care of power and aki trying to keep them from having to fight the gun devil and them going with aki to visit his family’s grave and lightening the mood for him and trying to cook him dinner and power asking denji to find her even though she won’t know him and to love her until she’s her again anyway i hate this manga for making me sob hysterically multiple times.
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i personally could never be in a love triangle bcs if one of them start forcing me to choose, my petty ass would choose the other just out of spite
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Cardigan x Keeley // i knew you’d miss me once the thrill expired and you’d be standing in my front porch light / and i knew you’d come back to me.
Betty x Roy // yeah, i showed up at your party / will you have me? / will you love me?
August x Jamie // back when we were still changing for the better / wanting was enough / for me, it was enough.
Folklore Teenage Love Triangle Adult Throuple
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aurghhh ok still rewatching '97 and the way guts and casca only have the room to breathe and really come to understand and care for each other in griffith's absence because he has such a strong hold over them both.... and the way their mutual dedication to him is what causes them to bicker for years (casca thinks he's not serving him well enough, guts thinks she doesn't get that he cares/how much he cares, casca's jealousy over griffith's feelings for guts, how he won his heart without even trying or being aware of it or doing anything with it) and is also a big part of what brings them together (earlier when guts deviates from the plan to save griffith and she commends him, in the cave casca opening up about griffith and her's past, showing that vulnerability, while it's mostly confrontational, leads to guts kinda getting her better, and his efforts to save and protect her (falling off the cliff with her, taking on the 100 men so she can escape, encouraging her to return to griffith so she can help him because it's what she feels she's meant to do (her dream, the direction in life guts shares and yet is questioning because of griffith's speech at the fountain, whether or not it's enough to serve him if it means he'll never be a true friend in griffith's eyes because he's not an equal), supporting the idea of her being with griffith/being his most important person like he won't because he doesn't view it as a competition like she has been since day one) leading to her realizing that he's kind of not that bad a guy and they have a lot more in common that she thought. and how the bonfire of dreams conversation is guts opening up to her in kind, the answer to her talking about how griffith saved her, how she feels. how neither of them ever call it love but it's something they know they both have for griffith. how it's something they're beginning to have for each other, different in ways they couldn't put a word to. because they're equals this time. the way griffith kind of becomes less and less important as they find other reasons to live and fight, as they become less singularly obsessed with him. how griffith is unable to stand it, guts' personhood, that agency and peer-to-peer equality he claimed to want (and perhaps truly did) that disappeared guts from his life, his plans, his side. how it barely even matters to griffith how casca changes because he never wanted her like she wanted him. god i can't fucking stand their shakespearean nonsense drama (<- hopelessly in love with their interpersonal dynamics)
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