Solaris 8 (2000)

what's good sparky?

part of a project I've shelved for the time being but I might finish it some day

Nikolay Nedbaylo, Garden of Solaris, 1973

USSR (then)

Solaris (1972) dir. Andrei Tarkovsky

Happy B-Day to my fav Sonic game! ✨🎂🎉🎉🎉💙🖤🩵💜🧡

To the game that brought Silver, Mephiles, SSS, more gods, Sonic dying, and infamous failures 🥂

СОЛЯРИС / SOLARIS 1972 | dir. Andrei Tarkovsky

I tried taking a break from constantly working on Dom&Mor comics to do some drawing for fun and got re-obsessed with my and my wife's ocs Rilu and Kye 😭

For newer followers, they're for a project later down the line called Solaris (might rename), a cyberpunk meets wuxia action/romance. Rilu and Kye are an enemies-to-lovers, slightly toxic nblw couple that communicate through their fists. I like to call them my "big cats," but some people call them "arms, the couple." I mainly wanted to see a butch/femme couple where they're both buff as hell lmao

The Brother…

Ryuichi Sakamoto: Coda (2017), dir. Stephen Nomura Schible  

piece of an ocean

SOLARIS by Andrei Tarkovsky

18x24 9-color screen print

With Black Dragon Press

s o l a r i s, 1972 🎬 dir. andrei tarkovsky 'Hari'

Something I think is a bit of an issue is the myth that the "great" films from the past are all boring, unrelatable and incomprehensible. That some black and white foreign film from Sweden can only be a really slow, dour experience. I'll admit that I was guilty of that thought at one point too.

The reality is that lots of these great films are actually broadly enjoyable. The reason they're considered great isn't because of elitism, some snobby ideal that they're hard to watch and therefore better, but because they're just extremely well made and stylized films. The black and white Swedish film? That describes a number of Ingmar Bergman films like The Seventh Seal. And The Seventh Seal is hilarious, even now. I honestly thought it was going to just be really serious and depressing but it's a life riot (when not being serious and depressing). There's a scene where a man is trading insults with his wife's lover, but he's not very smart so another man is whispering insults to him to use. It's about a knight that plays chess with death for a chance at living, but death is a cheating bastard that delivers one liners before he kills someone.

I know that a lot of people really only watch whatever is popular and recent, and that's fine, but I don't want people to miss out on truly great films because they think they'd be hard to watch. I did a showing of a silent film at work (One Week by Buster Keaton) and everyone was enthralled by the stunt work on display. It's over 100 years old and it still holds up because there's no expiration date on quality.

If you are looking to engage with older films though, skip Tarkovsky for now. Stalker and Solaris are two incredible films (Stalker is probably top ten for me), but those are absolutely the cliche of some slow, hard to follow "true art is incomprehensible" film. Terrence Malick as well. Excellent filmmaker, but watching The Tree of Life is work. Kurosawa and Hitchcock are some of my favorite directors and every movie they make is straightforward and thrilling. High and Low is the most incredible police procedural I've seen in my life, and Psycho is still a tense, thrilling experience.

To be clear there is absolutely nothing wrong with liking the most popular stuff. I used to watch every marvel movie that came out, and I still think Wandavision is excellent. I have fond memories of going to watch Captain America with friends. I loved the Barbie movie and that's in the top 15 highest grossing films of all time. I just think that there's a lot of great films to explore if you're willing to try.

It seems to make me return to the place, poignantly dear to my heart, where my grandfather's house used to be in which I was born 40 years ago right on the dinner table. Each time I try to enter it, something prevents me from doing that. I see this dream again and again. And when I see those walls made of logs and the dark entrance, even in my dream I become aware that I'm only dreaming it. And the overwhelming joy is clouded by anticipation of awakening. At times something happens and I stop dreaming of the house and the pine trees of my childhood around it. Then I get depressed. And I can't wait to see this dream in which I'l be a child again and feel happy again because everything will still be ahead, everything will be possible…

Solaris (1972) / Mirror (1975) / Nostalgia (1983) / The Sacrifice (1986) dir. Andrei Tarkovsky

Mephiles the Mind, Iblis the Heart

Basically a breakdown of how I interpreted 06 but also a foundation I use for all my AUs.

Mephiles is highly intelligent and apathetic while Iblis relies on emotion and is more like a wild animal. Mephiles does not have full access to Solaris' time powers, but Iblis does. However, Iblis does not have the mental capacity to actually use them.

Things that are less “interpretive” and more “theory”:

This is why Iblis needed a powerful emotion to be released

In the original timeline, the one which led to Silver’s future, it was Elise’s death which released Iblis. Because the seal was broken improperly, Mephiles could not recombine with Iblis. Therefore, he would need to look for a different way, but he can’t with Sonic being there and being an obstacle (not while Mephiles is still weak). Hence why he brought in Silver—a powerful hedgehog determined to save his future no matter the cost—who is also a completely new factor to change the timeline. Silver would keep Sonic busy while Mephiles figured out how to properly release Iblis… Since letting her die didn’t work last time. When Silver began figuring out the charade, Mephiles didn’t care enough to try hard with his manipulations, especially if it meant Silver would help keep Elise alive. However, once Mephiles realized the way to release Iblis was via an extreme emotion from Elise well… how convenient that the Princess grew attached to a certain blue hedgehog. Turns out killing Sonic really was the key all along. And if you want something done right… you gotta do it yourself.

Essentially (to explain Mephiles’ weird planning in canon), Mephiles did not know the seal was reliant on Elise’s emotions in the beginning, so he sends Silver to distract Sonic while he figures out how to actually free his other half. How ironic that killing Sonic is indeed what needs to happen. Mephiles basically has a “wait, it’s actually that simple?” moment

The strong emotion can be anything—grief, anger, joy, fear—it just has to be strong. Like a “consuming your mind” kind of strong.

The original explosion which killed Elise was too sudden for any strong emotion to pop up. (Even in her last moments, she had faith Sonic would save her.)

Mephiles is the mind while Iblis is the heart. Only once combined does Mephiles—or Solaris now—actually feel feelings. However, Solaris is still adjusting after the disoriented episode of being literally split in two and so acts completely on his anger toward mortals for taking advantage of him.

At the end of 06, Solaris isn’t destroyed but rather is scattered/subdued, and everyone will already be long gone by the time Solaris’ pieces are reunited. Like “after Dark Gaia and Light Gaia have restarted the planet” kind of long time. They are gods after all. Time is different for them.

The rest of this is sparked from my “Trinity Gods” fanon. Aka, Gaia, the Master Emerald, and Solaris are the three gods who created Earth, as well as any planets prior to Earth. The Master Emerald is also called “Mother Chaos”.

While Gaia slumbers, Mother Chaos and Solaris watch over the planet to protect it. During Earth’s creation, Mother Chaos took on a physical form (ie. The Master Emerald) to live on Earth amongst its creatures. Curious about all Mother Chaos learned whilst living amongst mortals, Solaris decided to also take on a physical form and live amongst them. However, this meant limiting his ability to see the future—or rather which future would come true. Thus, Solaris did not see what the humans planned on doing with him until it was too late.

Gaia and Mother Chaos are A-Okay with Solaris destroying the planet. I mean, it wouldn’t be the first time one of them has, after all. It’d be a bummer for it to end so soon, but they can just make another one. It’s because of this that they don’t interfere with Solaris’ plot… as well as the fact that their creations had hurt their friend.

It’s also this familiarity that means the Chaos Emeralds will so easily obey Mephiles. Doesn’t matter who posses them or if they’re on the other side of the planet, if the gods call, they answer.

Imagine that you and I shared a personal language, one that only we two could interpret.

Perhaps we do.

Communication (wikipedia) / The Left Hand of Darkness by Ursula K. LeGuin / Solaris (1972) dir. Andrei Tarkovsky / Ineffability (wikipedia) / Emma by Jane Austen / Solaris by Stanislaw Lem / Making Amends - panel 2 by Holly Warburton / To The Lighthouse by Virginia Woolf / Fool's Errand by Robin Hobb