wdym she's dead no look at here she's fine don't look at the right everything is okay trust me bro

niche but a concept i'm fond of: once miguel makes a more concerted effort to connect with his mother's heritage (which includes clumsily learning spanish through grueling hours flipping through children's books), he also makes a spur-of-the-moment decision to start picking up cantonese for xina, too. it would mirror miguel's evidently intense want to connect with her when they were children—and notably, the most common way for chinese speakers to say goodbye is 再见, which transliterates to "see you again." most other ways to say goodbye are variations on the same theme: 一会见 (see you later) and 再联系 (stay in touch), for example, are popular. the sentiment is such a domineering feature in how goodbyes are said to the point that the most frequent way someone might avoid expressing the intention to see a person again is to quite literally say bye-bye in full english.

and that suits the both of them, to start using it when they part ways. for these two, goodbye always means they'll see each other again, one way or another.

i do not enjoy harry potter anymore and even when i did, snape was not a character i ever liked, but for some reason my ‘for you’ page is just full of dedicated snape stan accounts and i hate it

if i finish writing my fic about chilchuck teaching marcille to knit it'll be over for you guys

while aaravi remains firmly within "yeah miranda has a difficult personality and isn't very easy to get along with + has many rough edges which are slowly being worked on but still going to be an issue" after having been very much so within the camp that miranda is a Vexing Bitch upon first contact/getting to know her, she DOES go from "miranda is unpredictable and dangerous as a merfolk and large macropredator and her emotions are inscrutable and random" to "merfolk aren't very hard to understand or predict and it's very easy to stay on the safe side if you keep basic rules in mind and don't freak out the second something unexpected happens"

At the end of the day, it just really sucks when you can't even enjoy a new release by your favorite artist because the greater internet has decided she's their acceptable outlet of misogyny and they have to comment or hate on her every move every single time.

I was maybe halfway into this when I realized this could have been an edit but. Can anyone hear me

I might be in a very small minority here, but I actually really don't want Alina to have a corruption arc in any future seasons of s&b! (Mostly because I hate the trope of victims becoming just like their abusers, and it seems to me that that's where the show is going with her arc)

So here's what I want for her. (Under a cut because it got longer than I thought it would)

I want her to be angry and terrified about her new powers. I want her to be furious that the Darkling gave her his powers - one final act of violation that means she will never be able to forget him, no matter how hard she tries. I want her to be scared, constantly. I want to see her break down in tears after killing the Fjerdan assassin, because she didn't know she had his powers and is she turning into him? I want her to be scared of the adrenaline rush she gets whenever she uses her new powers. To refuse ever to use them again.

I want her to have PTSD. Nightmares. I want to see her wake up in the middle of the night, tears running down her face because she dreamed that the Darkling came back and forced her to train her shadow powers. I want her to reach for Mal only to remember that he's not there anymore - and maybe she wonders, is it her fault he's gone? Maybe he knew that she would turn evil. Maybe, just like the Darkling, she's going to push away everyone she loves.

I want Nikolai to transform into the demon, and Alina to see it and have a panic attack because what if that means the Darkling's back? I want her to talk to Zoya, and ask how she manages to stay so fucking calm all the time. I want Zoya to break down when there's nobody around but Alina, and tell her that even if she seems fine, she's terrified, looking around every corner to check for shadows. I want Zoya to confess that she fears becoming just like the Darkling, and Alina to reply "try having his powers"

I want them to bond over their fear, and each promise to pull the other out if they ever do start becoming like him. I want Alina to retreat further and further from the throne because she doesn't trust herself with power, and Zoya to step forward because even if she doesn't trust herself with power, she wants to test herself, to prove to herself that she is nothing like him.

I want Alina to be completely unstable, to panic every time she's in trouble and has to defend herself. I want her to stop using her Sun Summoning because she's afraid that even that might make her more like him, and I want her to get sick from it. I want her to be on the edge of collapsing at any given moment.

I want Nikolai to not notice a single thing about how Alina's breaking down, because he's busy and has a kingdom to run. I want Alina to scream at him and tell him that he's one of the only people in the whole country who actually gives a shit about her so can he act like it? I want him to look at her for the first time in months and realise that oh shit, his best friend is dying. I want him to write to Mal, begging him to come back, because as much as he wants to be able to save Alina himself, he can't.

I want Mal to come back and tell Alina everything she needs to hear. I want him to convince her that her light is beautiful, that it is nothing like the Darkling's shadows, that she is nothing like him. I want her to bury her face in his chest and break down in tears, because she almost forgot how good he is at saying the right thing when she needs him. I want him to offer to take her away from Court, and her to protest, saying that she can't leave.

I want Mal to stick around, and while he's still there, Alina to tell Zoya about his offer. I want Zoya to tell her to take it, to go while she still can, before the wedding. (And if Zoya's saying this partly because she and Nikolai have gotten closer while Alina's been having her mental breakdown, and she doesn't love the fact that he's engaged to somebody else... well, Alina kind of guessed that anyway. She's happy for them.)

I want her and Mal to run away. Maybe they fake her death, maybe she just leaves. Either way, they don't go back to Keramzin. (That would require them to confront exactly how messed up their childhood had been.) Instead, I want Zoya to suggest something that the Little Palace desperately needs - something she knows the pair of them would be good at.

I want them to start a new orphanage, on the outskirts of Os Alta, for Grisha orphans. The Little Palace simply isn't equipped to handle children who aren't being raised into soldiers, and most Grisha children stay at home now, unless they or their parents want them to learn control over their powers. Grisha orphans, on the other hand, have nowhere to go but the Little Palace - so Zoya and Genya work on creating a school, and the orphans Mal and Alina are raising go there to study every day, then come back home to the orphanage. I want Alina to start using her powers again. Slowly at first - creating little balls of light that she plays with when she's alone. Then I want her to remember how much she loves using her powers, how much joy and euphoria it brings her. I want her to become happy and confident in her powers again, and return to full health. (She won't ever be completely comfortable with the shadow powers she got from the Darkling, but one day she uses them with the kids - making shadow pictures on the wall one evening, and she realises that even with his powers, she can do good. She can make them her own.)

I want the news to spread about this. Do people know that it's the Sun Summoner running the orphanage? Maybe, maybe not. Whether or not they know, the orphanage gets more and more well-known. Otkazat'sya parents decide to send their children there so they can study at the Little Palace. After all, they've heard of the couple that owns it, and they seem trustworthy enough. I want Mal and Alina to recruit a team of Fabrikators to help them build an extension onto the building so there's enough room for all the new arrivals.

I want adult Grisha - rogue Grisha, many of them - to stop at the orphanage if they're in need. Whether they've been injured or fallen ill, they ran out of food, they just need a place to sleep for the night - they come to the orphanage. They know it's safe. Some of them have no home to go back to once they leave. I want Mal and Alina to offer them a permanent place to stay at the orphanage. Almost everybody accepts the offer. Many of them find they have something they can teach the kids - whether that's a special trick you can do with specific Grisha powers, or something else (a dish they love to cook, a sport they played as a child, their favourite place to shop in Os Alta) - the children learn eagerly from each new arrival.

And I want Alina to realise, after a few years, that the orphanage has become a sanctuary for Grisha of all ages. I want her to wonder briefly if that makes her like the Darkling. He'd wanted to create a sanctuary for Grisha. Then I want her to look around at the happy children, at the older Grisha entertaining the younger kids, and realise that she succeeded where he had failed. She and Mal have created a safe place where Grisha aren't being thrown into battle. Sure, some of the children from the orphanage grow up and join the integrated army (the First and Second Armies have been combined into one army. Ravka is stronger together, and that's reflected by the army defending it) - but nobody is ever forced into military service.

I want her to know that, without even meaning to, she has become not only the Darkling's equal, but she has become better than him. She has made the country safer for Grisha. Not him. Her and Mal. She and Mal changed the world. (Again.)

BACK TO ONE PIECE LETSGOOOOO

While Cassandra does suffer from Middle Child Syndrome (she's sassy and dramatic, more than her sisters are), I do believe that Alcina makes sure to spend a lot of one-to-one time with her to quell some of those feelings. Because yes, Bela IS the one in charge. She handles things and often gets their mother praise. Daniela, being the youngest, is very spoiled and has many youngest child privileges.

Yet, throughout the castle section, we get to see Alcina paying more attention to Cassandra than her other two daughters. For example, she locked Daniela in the library to keep her safe while she sent Bela to the cellar to go after Ethan. She chose to hover around the main hall and the upstairs area with Cassandra.

Alcina knows that she is the best huntress out of her children. She acknowledges her skill and she teams up with her to bring Ethan down. She knows what her daughter is capable of and she enjoys working with her to go after a prey together.

Like, she could've done it the other way around. She could have sent Cassandra to the cellar alone while teaming up with Bela, but she didn't. She deliberately ensures that she spends adequate time with her middle daughter and this love and attention she gives her is clear as day.

Honestly, she does love her daughters the same, and has no favorite. It was a stressful situation yet Alcina made sure Cassandra doesn't feel left out of anything.

Went on a voice acting rant last night while watching Poppy Playtime with psys I'm going mildly insane

literally the people in the BrBa fandom who like think its super important to focus somewhat on the bad things Jesse's done instead of just acknowledging those things tend to have misunderstandings on either how selling drugs increase harm (which while there's other complexities to parts of the drug trade, simply making and providing drugs alone does not increase the harm those drugs cause) or they have misremembered some of his actual actions as being more in his control than they actually were, and with some people it really feels like it comes from the stigma against addicts even if they think they're not falling into that

and like again this lack of understanding around everything relating to drugs and addiction especially, even from people that mean well, is the whole reason it's more important to focus on the good in Jesse and how he's the victim rather than acting like there's no one acknowledges his flaws and the bad things he's done, cause a huge fucking swath of people outside our little tumblr circles do and act like every single bad thing in his life as entirely his responsibility without aknowledging any way that the world worked against him or the abuse he faced and see him as less of a person because he's an addict

and like I do think if Jesse wasn't the type of person that sees his own flaws and ultimately tries to do his best to change and learn even in the terrible situation he's in that doesn't want that change to happen, and instead needed people to like... constantly tell him to be better, then yeah it'd definitely be much more important to focus on those flaws and the bad things he did... but that's not the case, even the one thing he plans to do that was awful AND fully his choice (trying to sell drugs to the rehab group) was something he snapped himself out of when he was able to concretely see a consequence he hadn't considered before, this doesn't negate that trying to sell drugs to the rehab group was wrong, but it does add complexity to how we judge that action playing into Jesse as a whole

like you can't just sit there and act like ur so smart for aknowledging a character written like a real person is complex without thinking about the greater social commentary you're getting across when you insist we can't simply aknowledge the bad things a character does and have to still really judge them on those things or say calling them a "good person" erases the bad they've done and not consider if what you're saying is like... useful on a wider scale in combating the stigmatization of characters like Jesse (especially surrounding drug selling/making/using drugs) or if you're just refering to "woobification" bullshit that isn't particularly prevalent in the wider world

"...Walsingham, the monastic author of the St. Albans Chronicle, was by far [Alice Perrers'] harshest contemporary critic, who in his venom has (somewhat ironically) left us with the longest and most detailed account of her background and personality, her influence as Edward’s mistress, and her subsequent trial. He describes Alice as a shameless lowborn meretrix (a word variously translated as mistress, whore, or harlot), who “brought almost universal dishonour upon the king’s reputation […] and defiled virtually the whole kingdom of England with her disgraceful insolence.” Although Walsingham was not always accurate and, specifically in this case, clearly heavily biased against Alice, he nevertheless provides a truly contemporary account, and his importance as a source should not be underestimated. Likewise, the anonymous monk of St. Mary’s York recorded that in the Good Parliament the Commons (represented by their speaker, Sir Peter de la Mare) stated that it “would be of great gain to the kingdom to remove the said dame [Alice] from the presence of the king both as a matter of conscious and of the ill prosecution of the war.” During the same assembly, the bishop of Rochester, Thomas Brinton, preached from St. Paul’s Cross that “it is not fitting nor safe for all the keys of the kingdom to hang from the belt of one wife.” Although the word wife (uxoris) is used, it is widely accepted that this is a reference to Alice.”

-Laura Tompkins, '"Edward III's Gold-Digging Mistress": Alice Perrers, Gender, and Financial Power at the English Royal Court, 1360-1377", "Women and Economic Power in Premodern Courts" (edited by Cathleen Sarti). Italics by me.

Link to the artice: https://www.vqronline.org/essays-articles/2018/03/male-glance

I like how as the season goes on it's made more and more clear how Kirishima's shift from "demon" to "kind and reliable adult figure" isn't actually as unprecedented as some characters in the show feel it is. Like with him entertaining Yaeka when they were both younger, before Miyuki's accident, and how he went with Sugihara to apologize to the antique seller lady when theyd just met.....like I just. love how it shows he always had the seeds of kindness in him! even in his terrible youth! It's just that he's finally starting to grow them now

footnotes arent enough I need you to talk to me like im fucking Amelia Bedelia