Les Misérables is written about three or four different time periods depending on the given chapter and the level on which you're reading it (literally versus historically versus philosophically, etc.). I don't think I appreciated until episode 7.13 of Mike Duncan's Revolutions podcast when he broke down how intensely all of the political factions involved in the 1848 revolutions were influenced by their opinions of the French Revolution, however, how much Les Mis talks about 1848.

I'm gonna be making a post later with a theory about Hugo's characters and structure they pertain to this history and these factions and most especially Cosette's future, but in the meantime, I've transcribed from around 13:10 to nearly the end of the episode so that you all can also appreciate how many levels were involved and have it in writing to refer to and research as you like, because I think it also summarizes pretty well the non-Bonapartist political forces in play at any point in the bricc.

(I also cannot recommend this podcast highly enough for jumping into not just the world of French Revolutions but also Western Revolutions in general.)

So at one end of the spectrum, we have those who looked back at the French Revolution with nothing but horror and disgust and who believed that above all and no matter what the cost, Europe must be kept free of the menace of revolution.  But this category of anti-revolutionaries divided up into three broad groups who agreed on practically nothing but the fact that revolution was abhorrent.

First and most obviously, we had the conservative absolutists who returned to power after the Congress of Vienna. The chief leading light of this group was Metternich, and the spectre of the French Revolution haunted no man so much as Metternich. Men like Metternich were so opposed to revolution that they were even opposed to reform. King Louis XVI had invited reform in 1789, and look what had happened to him. So across Europe in 1848 there were conservative writers and members of the clergy and major landowners who believed that you could not even let three guys sit down for a drink or they'd start plotting revolution. You certainly couldn't have a free press. You had to be stubborn, unfair, and ruthless. It was simply too dangerous to be anything less. And this extended to things even as seemingly banal as allowing a kingdom to have a nominal constitution, because in the conservative mind, once you granted the premise that rights came up from the people, rather than down from God through the king, you could just kiss the whole thing goodbye. These conservatives still pined for the days before 1789, and they hated the memory of even the most moderate of French revolutionaries, whose seemingly innocent and earnest appeals for reform had simply been the thin end of the wedge.

But absolutist conservatives were not the only ones who recoiled at the memory of the French Revolution and who wanted to do everything in their power from ever letting it happen again. So this second group of anti-revolutionaries were constitutional liberals who worshiped the rule of law and for whom revolution was anathema to everything they held dear. In France, we would put both Louis Philippe and François Guizot into this category, even if they had oh-so-ironically come to power thanks to the July Revolution [of 1830]. Both men admired the principles that had animated the men of 1789 but who had nonetheless concluded, no less than Metternich, that acquiescing to reform was only the beginning of a very slippery slope. Guizot himself had written a history of France and believed that the king's concessions in the early days of the Estates-General had led directly to the Reign of Terror — and remember, Guizot's father had perished in the Terror, as had King Louis Philippe's [Louis Philippe II, Philippe Égalité]. By the mid-1840s, both men had become stubbornly convinced that everything that needed to be achieved had been achieved and that any further reform would invite that slip into radicalism and the return of Madame la Guillotine. This kind of thinking could also be detected in the minds of rulers over in [modern-day] Germany, where we've discussed that there were these constitutional regimes — Ludwig in Bavaria, Leopold of Baden, and Frederick Augustus in Saxony. Those constitutions existed more as a stopper to prevent revolution than any kind of liberal expressionism.

Finally, there was a third group that cringed at the idea of the French Revolution but who drew the opposite conclusion from Guizot and Metternich: where Guizot and Metternich thought that reform was an invitation to revolution, they felt that reform was a necessary release valve to prevent revolution.  So in this category you would find Odilon Barrot and the dynastic left in France who wanted to save the monarchy by reforming the monarchy.  You would also find in here a guy like Alexis de Tocqueville, who would go on to write his own book on the French Revolution where he would argue that all of the quote-unquote “gains” of the French Revolution had already started under the Ancien Régime and that basically you didn’t need revolution to change society, you just needed continuous, gradual improvement.  We’ve also discussed so far two massively influential reformers in [modern-day] Italy and Hungary who fit this same basic mold.  In Italy, we talked about the Count of Cavour in episode 7.09, and in episode 7.08 I introduced István Széchenyi.  Both of these guys have broad, sweeping visions for the futures of their respective countries.  They believed in liberal constitutional government, economic modernization and social improvement, they simply did not believe revolution was the means of achieving their ends; in fact, this was the very lesson they had drawn from the French Revolution, that the ends had been just, but the means counterproductive.  The attempt to cram a century’s worth of work into a single year had not just had disastrous consequences, but they had upset the whole project of reform.  I would also throw into this group of anti-revolutionary reformers all of the Austrian liberals in Vienna, who we also talked about in episode 7.08. They believed that the stubborn brittleness of Metternich’s government was inviting a revolutionary upheaval that could be headed off by intelligent and necessary reform.

So those are the guys who desperately wanted to avoid another French Revolution, who instantly shuddered at the idea of ever having something like that happen again. But is that how everyone felt? Oh my goodness, no. There were those who had picked up the thesis of Adolphe Thiers and believed that the revolution of 1789 had been a good thing, a project launched for noble reasons and in fact launched because the existing regime was simply too stubborn to change without revolutionary energy. In this telling, men like Lafayette and Mirabeau were heroes to be emulated while you kept on constant guard against villains like Robespierre and Saint-Just. As you can imagine, this was a very attractive thesis among liberals in Germany and the Austrian empire who saw their own situation as analogous to the Ancien Régime of 1789. Their kingdoms were reeling from an economic crisis, their governments were financially shaky, their natural rights were trampled on by tyrants. So the French Revolutionary project that unfolded between 1789 and 1792 was absolutely a model to be emulated. Bring the liberal, educated intellectuals of the country together and force the kings to grant them a constitution and to guarantee basic civil rights. If they were going to be denied a constitutional place in government, if their local assemblies were going to be neutered, if they were not allowed to vote, if the government was unresponsive, then it was perfectly acceptable to look to 1789 and say, “Yes, we want that too. A moment when men of good will and conscience join together to define the rights of man and the citizen.” Now of course, these neo-1789ers knew the lesson of history well, and they knew that they would need to guard against the villains of 1792, but they did not believe that the Reign of Terror was necessarily inevitable. It had simply happened that way in France thanks to a variety of coincidences, mistakes, and bad luck, so liberals across Europe believed that they could forge constitutional governments that defined civil rights and popular sovereignty without falling prey to the Reign of Terror. Thus, the spectre of the French Revolution would loom very large indeed in the minds of these liberal revolutionaries as the course of 1848 rapidly progressed faster than they could keep up with. As we will see, they will all hit a moment of truth where they have to decide whether to keep pushing and join with more radical forces or quit the whole project, reconcile with the old conservative order, and fight against those radical forces that might lead to the new Reign of Terror.

But there were also those who rejected this whole contrived moralizing of the “good” revolution of 1789 and the “bad” revolution of 1792.  They did not recoil from the insurrection of August the 10th, the First French Republic, or the Jacobin Committee of Public Safety.  They idolized not the buffoon Lafayette and hypocritical traitor Mirabeau, but rather, the steely resolve of men like Danton and Robespierre and Saint-Just and Marat.  These had been men who saw the tyrants of Europe for what they were and knew that one must stand up when the going got tough, not go hide in the corner.  These more radical republicans further believed that there was just as much injustice perpetrated by comfortable liberals as conservative absolutists, so they saw the Revolution of 1789 as merely the precursor for the much more important, much more glorious, and much more necessary Revolution of 1792.  So though they were enemies of each other, these radicals actually agreed with Metternich that reform really was just the thin edge of the wedge, that it would lead to a greater revolution that would overthrow the despotic monarchies of Europe.  In their minds, the widespread slandering of the First French Republic and even the portrayal of the Reign of Terror as the most terrible crime in the history of the world was the nefarious propaganda of the comfortable classes, whether of conservative or liberal stripe.  Their propaganda emphasized the dramatic horror of the guillotine in order to cover up the horrors the common people of Europe lived with every day, and the best summation of this argument actually comes from A Connecticut Yankee in King Arthur’s Court, Mark Twain. 

Now the book wasn’t published until 1889, but in it, Twain writes a passage that would have had a lot of radicals nodding their heads in 1848.  He wrote, “There were two reigns of terror, if we would but remember and consider it.  The one wrought murder in hot passion, the other in heartless cold blood.  The one lasted mere months, the other had lasted a thousand years.  The one inflicted death upon ten thousand persons; the other, upon a hundred million.  But our shudders are all for the horrors of the minor terror, the momentary terror so to speak; whereas, what is the horror of the swift ax compared with lifelong death from cold, hunger, insult, cruelty, and heartbreak?  What is swift death by lightning compared with death by slow fire at the stake?  A city cemetery could contain the coffins filled by that brief terror, which we have all been so diligently taught to shiver at and mourn over.  But all France could hardly contain the coffins filled by that older and real terror, that unspeakably bitter and awful terror, which none of us has been taught to see in its vastness or pity as it deserves.” 

(Sounds an awful lot like like a certain conversation our favorite bishop has with a certain conventionist, no?)

Now granted, I don’t think many of these radicals were actively pursuing a new Reign of Terror, but they were also not planning to settle for a constitutional monarchy bought by and for the richest families of their country.  And as we’ve already seen in France, these guys were not going to let the blood of patriots be spilled simply so they could swap one Bourbon for another and give another hundred thousand bankers and industrialists the right to vote.  What in that represented the nation?  Where in that were the people?  Where was liberty leading the people?  Oh right, that painting was locked now in the attic so it did not offend the forces of order.  In Italy, these radical republican forces who celebrated 1792 rallied around Giuseppe Mazzini and later Garibaldi; in Hungary they would rally around Lajos Kossuth, and when I get back from the book tour, I will introduce you to the radical leaders in Germany, who would not be satisfied by the mere token reforms promised by men who celebrated 1789 but feared 1792, men like Friedrich Hecker, Robert Blum, and Gustav Struve.  Everywhere, they would find their support not solely in the salons and cafés but among artisans and workers and students.  Those who would mount the barricades not just for the right to publish an article or to mildly criticize the government or the right to vote if you made a gargantuan amount of money: they fought to topple the king and to bring power to the people — all of the people.

So, so far we have men who idolize the conservatives of 1788, men who idolize the liberal nobles of 1789, and men who idolize the Jacobin republicans of 1792.  Well, there was also in 1848 also [sic] now emerging a small clique of men for whom even 1792 was not enough.  These guys believed that 1789 had been merely a step to 1792, but also believed that 1792 was simply a step to something greater.  So where did these guys look?  That’s right: they looked to 1796.  “1796?” you say.  “  What are you talking about?  The Directory?  Surely not.  Nobody says, ‘Ah, yes, the good old days of the French Directory, let’s definitely go back to that.’”  And no, of course I’m not talking about the directory, I’m talking about Gracchus Babeuf and the Conspiracy of Equals.  With the small but ever-growing, increasingly influential spirit of socialism and communism beginning to take root, men like Louis Blanc and Karl Marx looked to Babeuf and his gang as the first example of what the force of history was aiming to make of humanity.  Communities and nations that shared not just political rights but the wealth of the nation.  How indeed are you going to sit back and say, “Ah, yes, the declaration of the rights of man and the citizen, and one citizen should have one vote,” and then call it a day when so few had so much and so many had so little?  The vote was nothing to an entire family — dad, mom, children, who were all stuck working eighteen hours a day for starvation wages.  It was thus not the spirit of 1789 or the spirit of ‘92 that moved them, but the spirit of 1796; and it was not the name Robespierre that got their hearts thumping, but rather Babeuf.  Babeuf had been among the very first of the socialist revolutionaries who had not stopped short at merely answering the political question, but who wanted to answer the social question as well.  And as we’ll see as we move further down the road on 1848, that the memory of Gracchus Babeuf was not simply a matter of picking some obscure hero out of the historical record: there was actually a direct line of revolutionary succession, because one of Babeuf’s fellow conspirators in the Conspiracy of Equals was an Italian revolutionary socialist named Phillipe Buonarroti [Filippo Buonarroti].  Buonarroti was in prison but later released and would then go onto a long and active career inside the revolutionary secret societies that sprang up after the Congress of Vienna, and we’re gonna talk more about the role that Buonarroti played in kindling and spreading this revolutionary socialism, but for his small cadre of disciples, the revolutions of 1848 would be a chance not to complete the work of Lafayette in 1789 or Robespierre in 1792, but the work of Babeuf in 1796.

One piece fans are great cause no matter who you are, where you come from, what your age, gender, sexuality, socioeconomic status is, 1 of these 4 middle aged men will inevitably become your blorbo. Margaritaville uncle, big titty mob boss, morticia addams, or assigned clown from birth. They're all hot, homeless and obsessed with a teenage boy. The world's worst polycule. Choose wisely.

this tale ends by daniil, with the intention to prank, leading vlad jr to the edge of town and telling him they bury all post-op tits here. later that night vlad jr begins digging underground for what he later explains as a Scientific Curiosity. a third outbreak happens

Meme Prompt 10

and you may say to yourself: "my god! what have i done?" and you may tell yourself: "this is not my beautiful wife!" and you may tell yourself: "this is not my beautiful house!" and you may ask yourself: "well, how did i get here?"

time isn't holding up, time isn't after us, time is a pony ride! (images described in alt text)

Trying (and failing) to be normal about the PEELED NECK

📸: adamross

BE CONTROVERSIAL, KING 👏

The sexiest touch in movie history and no, nothing's ever gonna change my mind.

yeah, sorry, I can't come in to work today. yeah, I've got to think about how the tv adaptation of the last of us expertly made you comfortable with joel's violence through making you care about ellie enough it all feels justified so that by the time he gets to the hospital, you're genuinely conflicted about the carnage he enacts, some of which may not have been strictly necessary at the level of brutality he carries it out. yeah, it's gonna be all day

So, mutual-pining Cherrisnake duet with Pentious singing in Heaven and Cherri singing in Hell when???

of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:

rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)

i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.

donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.

i made a joke post about raphael being unconcerned, unbothered, moisturised, staying in his lane, etc when haarlep fucks someone else even though he can feel every second of it

except i am thinking about it so much actually 😳

because when you're given raphael's boudoir invite, you're told it's where he conducts business and pleasure. you're explictly told to share yourself with haarlep

if you give yourself over to haarlep entirely, they say that you're going to be a loving doll for them and their master, that you're going to pleasure all the beasts in the hells

why would he be concerned about haarlep fucking anyone in his house when it is always a good outcome for him. he's creaming his pants in some devil meeting(tm) on a different plane and maybe he gets a brand new toy

good lord the man may not get fucked by anyone except haarlep but he's into an endless list of gloriously fucked up shit

may i offer yall some gwaine studies

looking for reference pictures to doodle lister and i cant stop laughing at this jacket

cant stop thinking abt him scouring the ship to find as many officers badges as possible just to piss rimmer off

I saw the strawhats chronic pain asks and had a moment of CROSS GUILD CHRONIC PAIN-

Crocodile is an amputee. Like. Canonically. Phantom pains.

Mihawk has HELLA light sensitivity vibes ((I Gift him,,,,, my migraines))

And Buggy? Oh my favorite little punching bag, I bet the spatial awareness necessary for his DF must he OFF THE CHARTS, not to mention bomb making, harmful chemicals, etc, I feel it in my bones that he has an autoimmune disorder of some kind and also migraines bc the highest flattery I can give is projection.

Ignore this if you wanna, t'was just a Thought, love your blog, Bean!!!!!! ♡♡♡♡♡♡

YAY CROSS GUILD ASK I AM IN SUCH A CROSS GUILD MOOD LATELY YESYESYESYES!!!!!!!! And I'm making this romantic because if I don't make cross guild gay I might die. Thank you.

Okay, so what I'm hearing here is that they keep their lights real low on their shared tent, and whenever they have meetings: At the start of their business relationship, they're still learning how to get used to being together. Buggy is used to stage lights but only for a while and he doesn't want these two to know another weak spot of him (also the pain around his whole body is killing him sometimes), so he tries to deal with the migraines and being uncomfortable because he knows that complaining will only lead to these two using him as a punching bag. But lucky for him, Mihawk does mention one day that he hates brightness (because edgy vampire can't say 'my head fucking hurts' like a functional human) and so he says something about candles. Buggy is afraid they might set the tent on fire but he prefers this over the headaches. Crocodile doesn't give a fuck about this, honestly. Then, they start growing closer and y'know, I'll just skip to them dating- They're dating. They share a tent there at Karai Bari. And now it's something to do instinctively? Like they just keep the lights low or light up some candles and they just live like that. Whenever they're on a ship they do this too.

Following what I just said, they're affectionate but like, in a weird way. Because, y'know, look at them. Buggy ends up crying and complaining about his headaches and also when his body won't stop hurting. He's a drama queen, of course, a diva. He lives flashily. Cries flashily, too. He always curls up beside Crocodile so the big big comfy man can provide him some comfort and warmth and pats on the head or something. Crocodile just runs his hook through his hair softly and lets him be annoying for a while until he falls asleep on top of him. If he has to do something he just??? Won't do it??? He's a pirate but he isn't a fucking monster. One day Mihawk catches them and they share that look of understanding that only cat owners understand, because God (Nika is the only one I believe in, something something amen) is watching and if you dare to move when a cat's in your lap, you go instantly to hell. On the other hand, when Buggy cries and Mihawk is the one around, he gives him some painkillers and turns off the lights completely to then read Buggy one of his books. He does this without saying a word and the first time this weird, silent sign of affection happens, Buggy is speechless. And also, yes, Mihawk can read in the dark perfectly well because he's a cat. He sees in the dark. I even think Buggy can see his gold eyes staring at him. They're like the headlights of a car. Oh, and Mihawk deals with his migraines in perfect silence but when it's a bad day he gets into a very irritable and irascible mood. Most people would be complaining about it but at least this way he's more talkative? Somehow? He's a bitch to Buggy for a while and then they just talk shit about other people together while Crocodile makes a comment like "If you're well enough to complain, you're well enough to continue worki-" and it's, like, the and only time Buggy instinctively throws a pillow at him to shut him up. Never again, though. Scary mafioso-looking boyfriend.

Now that we're talking about Crocodile, the phantom pains: They stress the fuck out of him. They're painful and uncomfortable and he wants to strangle somebody. On a good day, that somebody isn't Buggy. And on a bad day, Buggy really tries to be the sweetest fucking thing on earth by making everything comfortable for him and disappearing right away. Maybe he starts an argument with Mihawk for something stupid but they make up later, it's fine. But, you know what? Sometimes he needs comfort and somebody to distract him too, so one day (when Buggy is about to disappear for hours so he doesn't end up suffering the consequences of staying too long with him) he tells Buggy to stay. The clown is frightened, but he does what he's told and- And it's surprisingly sweet? Crocodile just tells him to talk to him. Explain something. Anything. Complain about the fucking weather or tell a joke. Anything. And Buggy is genuinely surprised but ends up either talking shit about people or telling him anecdotes or just reading him the paper. And Crocodile seems to like it??? A surprise for both, really, but the man actually likes having the clown around because it is working really well as a distraction and when Buggy is not being annoying Crocodile realizes why he loves him. He loves him when he's annoying too, though, he bullies him out of love. Sometimes he just tells Buggy to come sit on his lap and stay there and Crocodile is still in pain but somehow being with the clown makes him feel better. Mihawk tries to be comforting on these days too but it's more of a "you ought to rest, otherwise you'll be irritable all afternoon and you cannot keep frightening the subordinates" type of silent care than anything.

Also, I want to add Crocodile almost murdering a man one day because they were doing business with him on his ship and he had a lot of lights on (when he was asked not to) and both Mihawk and Buggy were visibly uncomfortable the second they entered the room. I love protective Crocodile. He looks like he'd just murder men without any remorse for talking shit about the other two. I like it.

So I'm confused about something. There was a cover story about Ms Goldenweek and other Baroque works agents breaking Crocodile out of prison but he just. Told them no? And stayed there with Mr 1 and Mr 2? I don't get why he wanted to go to Impel Down just to break out when he had the chance

I can't tell you 100% why Crocodile chose to stay in prison and go to Impel Down, but my best guess really is that he was just...

Taking the L with grace

More specifically. Crocodile had lost everything. I think deep inside he might've been literally too depressed to want to go free again.

Like he does literally say that. He gave up.

He had been building his reputation as "the Hero of Alabasta" for at least 10 years at this point. He had built not just a criminal organization that he had been running for four years, but also he had been running legal business stuff (like his casino) for probably longer than that. A decade's worth of work and effort to take over a country, and most importantly, get away with it. The reason he had orchestrated that whole rebellion was so that the rebels and the royal family could "take each other out", leaving the country wide open for a World Government Official such as himself to take up. The reason Baroque Works was doing this all in secret was so that the WG never found out, otherwise they wouldn't have let him have Alabasta.

But indeed, his plans were foiled by a kid in flipflops in less than 24 hours, just at the final moment before Crocodile would win. He lost everything. And the World Government found out about what he had been planning.

So even if he escaped from that prison with his former agents, what was he going to do?

He wouldn't be able to take over Alabasta anymore because he did not have manpower (as he had lost all his goons), and having lost his financial empire he wouldn't be able to build a new army any time soon. And even if he did, now that they knew what he had done the people of Alabasta would not accept him as their new king, even if he personally assasinated Cobra and the entire family. Not to mention, the WG finding out about his plans meant that they had every fucking reason to try and stop Crocodile if he did as much as set foot on that island again. By which I mean, they could launch a Buster Call on his ass. Send all the fucking Admirals after him. And so, even if Crocodile still believed Pluton was somewhere in Alabasta and that he just had to comb through the entire desert to find it... Between the Alabastan people and the WG in the way, finding Pluton would not be easy. Especially when Robin wouldn't even be there to just point him directly to it. It could take years, if not decades, while fighting off the WG by himself. And that's while assuming Pluton was somewhere in Alabasta. Like WE the readers now know Pluton is in Wano, but since Robin didn't tell him that. All Robin said was that the Poneglyph "didn't mention the weapon", and Cobra's reaction to the name merely proved the weapon's existence in Crocodile's mind. But surely, because Crocodile is a smart young man, he'd understand there was a risk that Pluton could exist, but just not be in Alabasta, right? Like that would be a possibility too, right?

I think this is why Crocodile has given up on Alabasta. He had one opportunity at seizing the country, and he failed. And without Robin, he could spend the rest of his life combing through a haystack for a needle when there's no needle, and he'd have no idea. I think is why he explicitly says in Impel Down he no longer has "interest in that country". He won't be able to pull off another stunt like this, ever.

And that leads us back to "why not escape earlier and avoid going to Impel Down to begin with". Thanks to his status as a Shichibukai, Crocodile hasn't been on the run from the WG for like two decades. And the past 10 or so years he has seemingly lived a life of luxury in his funny little casino. But now, having lost everything, he'd be back on the run. And because he's a world famous former "hero of the people", there would be nowhere he'd be able to go where people would not recognize him and send the marines after him. So he'd be on the run, for the rest of his life or until he'd get capture again. And mind you, the guy does not trust anyone, so he'd be on the run alone. Without any purpose or goal.

And you might be thinking, "Daz and the rest of BW was still there!", yeah, arguably true. But at this point Crocodile had no reason to trust any of them. Like personally, I think the reason Crocodile ended up taking a liking to Daz was BECAUSE he chose to follow him to Impel Down when he really did not have to. Like Daz showed an unusual level of loyalty to Crocodile, and I think Crocodile recognized that. That's why Daz is still with Croc, post-timeskip. But Miss Goldenweek and co? Crocodile had no reason to believe they wouldn't betray him if given a chance and a reason. And if the WG would come chasing his ass, they'd have plenty of reason to try and betray Croc (handing Crocodile over to spare their own lives). Not to mention, when they come release their former boss from jail, what did Miss Goldenweek say?

"Let's do Baroque Works again"

As I've already explained in detail, I think we might know why Crocodile wasn't interested in being Baroque Works' "boss" again.

So. Yeah. If in Crocodile's mind he'd be on the run from the Government for the first time in two decades all alone, in a situation where rebuilding what he had before would be bloody hard if not downright impossible, and he wouldn't be able to obtain what he had spent the last decade working for regardless...

Taking the L and just going to prison might've been the easier option