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#Post: Rework
save-the-data · 8 months
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Guardian | S01E02
Chinese Drama - 2018, 40 episodes
~ Episode List ~ |  ~ Chinese Drama Master List ~
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lilybug-02 · 5 months
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Wow. That could not have turned out worse.
Part 23 || First || Previous || Next
--Full Series--
This comic will be on Holiday Hiatus this December and January! While on a cliffhanger? What a scam! >:/
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artofobsession · 1 month
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"it's like there's a rope attached to my chest and it keeps pulling me towards you."
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loved this pose, the robe, the hand placements, etc but now I also love the faces ☀️
Uncensored on the bird app
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redesighned My the twin redesign because I was not a fan of my og designs
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endominator · 3 months
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Guess who's back 👀
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And a small bonus page made by my friend Clevzx
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punkitt-is-here · 11 months
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franky cowurker VIOLENCE
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thimbell · 1 year
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hulloooo i’m back! sorry to disappear, i got suddenly pulled away for some family business stuff. super busy and didn’t have my computer or tablet, bleh bleh. here’s that comic i was working on though!
i wasn’t quite as eloquent as donnie when i spoke my first words, but i did immediately just start speaking full sentences. i don’t remember the transition or the day, but i would pay good money to remember their reactions.
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thebadgerssett · 11 months
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“Hey baby, come on over and take a dip in my giant amniotic fluid tank to have incomprehensible, barely metaphorical, unprotected sex with me, and witness the birth of a new era. Babe! Wait! Where are you going?? Babe!!! WAAAIIIT!!!”
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madpatti · 10 months
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Sorry for sm ghost fanart haha
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shanastoryteller · 3 months
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SURVIVAL IS A TALENT CH 33 IS UP!
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save-the-data · 4 months
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Together with Me | S01E01
Thai Drama - 2017, 13 episodes
This one came out of left field, needed to grab something off an old hard drive and was like...haven't revisited this is a little while, so here we are. Will I continue this right now? maybe after Oxygen not sure.
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1800ratfuck · 9 months
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what really irks me is when upper middle class people act like artificially adopting the so-called “crust aesthetic” exempts them from the politics of the subculture, and, y'know, actually giving a shit about poor people.
i saw someone on pinterest say that they want to wash their crust pants, but don't because "it's part of the aesthetic"...
the reason why crust pants were unwashed to begin with is because the first crust punks were(and many still are!!) homeless and/or transient folk who literally did not have access to consistent methods of cleaning themselves or their clothes. and for some reason now people think looking or being "smelly" is the most important part of the subculture, more important than listening to the music or engaging with their scene and community.
obviously i don't care about people who don't wash their pants because they don't have the energy or spoons to, or who simply don't want to, but the idea of someone struggling to keep themselves from washing their clothing so they can be more "crust punk" really pisses me off.
these are people who have never known financial or housing insecurity. they dare to call themselves a crust punk when they still scrunch their noses at the smell of need, or feel threatened by the sight of homeless people on the subway.
i just have to wonder: do they think choosing to be “crusty” absolves them from the guilt of their financial privilege? does it make the differences between themselves and the lower classes less stark because, hey, they can “dress like a hobo” too!
it absolutely doesn’t. if you want to be a better punk, donate to mutual aid, pick up trash in your neighborhood, volunteer at soup kitchens and food pantries, give food and money to people you see sleeping on the side of the street or scrounging in the trash for a meal. find some grindcore artists on bandcamp, go to a local show, do anything other than posing as something you're not.
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author-morgan · 2 months
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Title: A Dove and a Hound Rating: T Pairing: Sandor Clegane x fem!Reader Summary: A little dove with broken wings must save her wounded Hound. Or in which Sandor Clegane finds something sweeter than killing. Word count: ~3.7k Warnings: Injury/blood and typical Westerosi shenanigans.
ARYA STARK LOOKS at the bleak landscape around where they had made camp for the night in the northern Riverlands—almost in the Vale. It’s all craggy with sharp boulders and high patches of land, and hardly any trees. The names roll off her tongue as they do every night. The Mountain, The Hound, Cersei, Illyn Payne, Meryn Trant...she doesn’t make it to the next name after hearing the scraping of boots on rock nearby. Quiet as a shadow. Fear cuts deeper than swords. Quick as a snake. Calm as still water. Syrio Forel’s words are burnt into her memory. 
"What’re you going on about now, girl?" The rasp of the Hound's voice makes her jump, and she curses him, looking up at the night sky, watching for shadows when she hears the soft noise again.
“We’re being watched,” she tells him, turning on her bedroll to face the Hound, her hand resting on the hilt of Needle.
His laugh cuts through the air—a rough sound that hurts her ears in a strange way. A man like the Hound should never laugh. "Here, in the middle of fucking nowhere?" His scarred face looks all the more hideous with the light of the fire licking at his skin. "Finish your little list, girl, then go the fuck to sleep." Arya frowns and looks around again at the land but sees nothing but boulders and empty plains, but she knows someone is out there. 
Sandor Clegane won’t admit it, but the Stark girl’s warning is the reason he stays up for over half the night. Then, when he’s certain Arya is asleep, he rises from his bedroll and unsheathes his sword, setting off to search between boulders and in the shadows cast by their dwindling campfire. But there’s nothing there. The Hound moves to return to his bedroll, but that’s when he hears quiet cursing and soft crying. And then he finds a woman huddled between two rocks, trying to nurse an injured leg. 
You see the hulking shadow approach too late to muffle your grunts and groans of pain. “Come any closer and I’ll put a fucking arrow through your eye!” You shout. But Sandor Clegane can see the bow in your hand is broken, even if you try to hold the two wooden pieces together to make it seem whole. Then he sees the broken arrow shaft sticking out of your swollen calf, too—the reason for your caterwauling. 
“With a broken bow and the only arrow you got stuck in your leg?” The Hound asks, laughing. “Pay a couple of hundred silver stags to see that done.” Sandor drives his sword into the dirt and awkwardly kneels near you, looking over the wound. He can feel your eyes on him, gaze nigh burning. But the soft white light of the moon softens the sight of his half-burned face. He looks familiar. Like you’ve seen him in passing somewhere—or maybe on the parchments nailed outside taverns noting bounties and the enemies of the Crown. 
You swallow the knot in her throat and look up at him—you might not be able to place who he is, but you know he’s dangerous, a killer. “Well, go on,” you snap, tears stinging in your eyes. “Kill me and get it over with.”
The Hound recoils as though stung by the words—he knows he’s put a lot of people in the ground, but for some damn reason, he can’t stomach the thought of landing the mercy blow now. You close your eyes and wait—no longer fearing death or pain. But the cold bite of steel never comes. Instead, Sandor Clegane lifts you into his burly arms and heads back toward the dying campfire.
Arya’s surprised when the Hound returns and lets you down to rest against the boulder nearest the fire. The girl’s quick on her feet, bringing a half-filled skin of water, and you greedily drink. "Think I'll end up losing it?" You ask the girl—wiping your mouth with a torn sleeve—a glint of humor shining through as you pat your thigh, ignoring the sharp jolt of pain that shoots down to your calf and makes your toes curl. 
“If you’ve gone this long” —Sandor crouches down and looks closer at your injury— “it’ll take more than an arrow to kill you,” he says. It earns him a dry and humorless laugh with a surprising grimness. Given enough time, he thinks he could come to enjoy the company, but right now, he and Arya Stark are already pressed for time, luck, and coin. Neither of them needs the liability of an injured woman—another mouth to feed—on the path to the Eyrie. Be best to leave her come the morning, he thinks, but now that he’s brought you back here, he knows the Stark girl won’t let that happen.
“May I have your name, good ser?” You finally ask—it only seemed proper to know the name of your white knight.  
Sandor Clegane looks at you, and the firelight paints the tangled and twisted mass of scars on his face red—pocking the flesh with craters and cracks. “Not a fucking knight,” he bites back.
And then you can piece everything together—his brute size, the burned half of his face, the posters scattered around the Riverlands. The rumors people whispered are true then, you think. Joffrey’s dog tucked tail and ran while the Blackwater burned. “You’re The Hound.” He grunts. You glance at the girl staring down at you with wide ice-grey eyes. If he’s the Hound then... “You’re Arya Stark.” The girl nods.
The silence that grows between the three of you is heavy and tense. You shift and grimace again. Then your gaze flits back over to the Hound. “Well, are you going to help me get this arrow out my fucking leg or not?” You ask, not understanding why he hauled you back here if he didn’t mean to do something about your current state. “'Cause if you aren’t, I’d sooner you cut the damn thing off or put me out of my misery.”
Sandor moves to you after that and cuts away the fabric of your britches from the arrow, then calls Arya over to set his dagger in the flames—unwilling to go closer. She does as he says, pushing the blade into the hot coals, but then Arya Stark leaps to her feet when she sees Sandor’s hand grip the shaft of the arrow—like he means to tear it from flesh. She knocks his hand away then pushes back on his shoulder, almost hard enough to knock him off balance from where he sits on his haunches. 
“We can’t just pull it out!” She tells the Hound like it should be obvious. But he’s not the one who grew up with a maester in Winterfell or spent time reading any books.  
“Then how you gone get it out, girl?” He asks, gruff and impatient. You glance between the odd pair, wondering how they haven’t killed one another by now. Arya crouches down and prods the swollen and bloody flesh, then without warning, she grips the arrow shaft and breaks off the fletching. Seven hells, you think, biting down on the inside of your cheek to keep a wail of pain at bay, I am going to lose my leg. 
“Push it through,” Arya says, remembering the time she watched Maester Luwin remove an arrow from a hunter's shoulder. The Hound grunts and draws a second, smaller dagger, starting to whittle away at the splintered end of the broken arrow shaft. 
Arya goes to fetch more water and brings back a cloth with her before settling down to watch with wide, curious eyes. Blood starts to seep down your calf around the entry and exit of the arrow shaft from being handled so roughly. Satisfied with his woodwork, the Hound steadies your leg against his trunk and starts to pull on the iron-forged arrowhead. 
You grit your teeth together, fingers digging into the soft earth below, as he begins to ease the wooden shaft through gently and quickly as he can. Arya watches your face twist in pain, but somehow, you don’t cry out. It feels like an eternity. Sandor sets the arrow aside and takes the waterskin from the Stark girl, dumping the cool water over your leg to wash away the blood—there’s a cool but welcome sting.
Sandor tosses the empty skin back to Arya. "More water, girl,” he rasps. 
“Bring wine too,” you insist, and the Hound howls with laughter.
“Seven hells,” Arya remarks. You’re just like him. The girl heads off, then comes back with more water and looks at the open wound on your leg with a scrunched-up nose. 
“Needs to be sealed with fire,” Sandor says, sitting back on his haunches, that’s why he already had Arya put a dagger into the flames. They don’t have salves and ointments and teas and brews to keep infection at bay, and despite his fear and hatred of the fire, he knows it’s the best way to clean and seal a wound like this.
“I’ll do it,” Arya offers. Her hands are steady, and the fire and heat don’t bother her like it does the Hound. He nods, and the girl goes to fetch the hot knife. They give you a strip of leather to bite down on, and then the Hound looks away when the girl presses the flat of the blade against your flesh—you do scream then. He knows that pain—that scream—and the putrid scent of burning flesh that jumps into the air. Black dots and white stars dance around in your vision. It hurts worse the second time. But you fight through it. 
Your gaze settles on Arya after a while, struggling to stay awake. “Where are you taking her?” You ask, eyes flitting to Sandor Clegane. The two are an odd traveling party that much is certain—a Hound and a wolf—made even stranger by your sudden arrival. 
“The Vale,” he tells you, “she has an aunt there.” You hadn’t expected a man with his reputation to do something so kind, not even if heavy coin purses were offered as rewards. A hush falls over you, but then the Hound rises and picks up a threadbare blanket from his bedroll. He drapes it over your shoulders, not ungently. “Best get some rest,” he says. “It’ll hurt worse tomorrow.”
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THE DAYS ARE both quick and slow to pass, and soon, you’ve lost track of the time since meeting Arya Stark and the Hound—it could have been a few weeks or maybe months. But since that fateful night, your wounds have healed cleanly, and the only reminders of them are a fading scar and the limp in your stride after long days or over strenuous terrain. You remember the first time you insisted on walking instead of riding Stranger—a great black, unruly destrier. When you slowed, Sandor Clegane slung you over his shoulder like a sack of flour before depositing you back on the horse and complaining about the slow pace. Arya Stark was particularly amused by it all. 
Disappointment is all that awaits you all at the Bloody Gate of the Vale. Lysa Arryn is dead, and her young son and named protector, Petyr Baelish, will not accept visitors—not even one of Lysa’s own kin. So at the point of arrowheads and tips of steel blades, the Hound turns back, and you and Arya follow, trekking through the Vale and back to the Riverlands, unsure of what to do and where to go. Arya says they should go north, to the Wall—she has a brother in the Night’s Watch—or across the Narrow Sea.
There’s a small village not far, and you take a handful of silver stags and copper stars in hopes of replenishing your stock of ointments and bandages—especially with the now festering wound on Sandor’s neck, a nasty bite from a rogue—and maybe a decent bottle of wine or ale too. But by the time the sun is beginning to set and you return to Sandor and Arya, they’re not to be found. 
The campsite is empty. The fire still burning. The bedrolls laid out for the coming evening. You look around the craggy landscape, feeling panic seize your heart and stomach—mind racing. “Arya!” You shout, but there is no response from the girl. “Sandor!” And again, there is nothing but silence.
If not for the fading evening sun glinting off tarnished pieces of silver armor, you think you might not have found him. You stumble over to him, kneeling at his side, fearing the worst. But his chest still rises and falls, and he starts when you touch his cheek, hand wrapping around your wrist, leaving a thick smearing of blood. 
There’s something in your eyes, not pity, but he’s not seen that look before —almost doesn’t want to think of what it could be, could mean. Sandor’s grip goes slack, and he grimaces, each breath a ragged rasp. You look over his mangled shoulder, the bruises and scrapes on his face, the muscle-deep cuts on his palm, and his lame leg. These wounds are beyond your skills, and there are not like to be any travelers on this path for days.
The Hound tugs free a dagger from his belt and places it in your hand. "Go on,” he rasps, nodding toward the knife, resigned to his new fate. “Get on with it." The Stark girl wouldn’t put him out of his misery for the hatred she still bore toward him, but maybe you would. 
Your fingers curl around the hilt of the blade, grip tightening, but frozen in place—unwilling and unable to move. "I can't," you breathe, fervidly shaking your head. I won’t. He curses you when you drive the blade into the hard earth and not his heart. Sandor Clegane saved you from certain death, and now you’ve a chance to return the favor.
You wet a strip of cloth and dab it over his bloodied face until he turns his head to look at you. "If you think I'm some wounded pup you can redeem, you're stupider than I thought, woman,” he snarls like an aggrieved dog. 
But you don’t pay any mind to his hateful words. “Be still,” you chide, gently, going to collect the pack of supplies from Stranger’s saddle. The Dornish strongwine eases the pain, and he lets you clean the rest of the cuts and bruises to the best of your abilities —his broken leg, though. You aren’t sure what to do, but you know if something isn’t done soon, Sandor Clegane won’t be using that leg again in this lifetime. You lose track of how many times you have to wander down to the nearby stream. All you know is the limp in your step has come back. By nightfall, the wine and pain claim him, and you’ve said your prayers to the Seven, asking them to spare your poor wounded Hound.
There’s a dim lantern on the dark horizon, steadily drawing nearer and brighter, and then you can hear the rattling of a cart and the braying of a mule. You rise from your post and go to intercept the rickety cart thumping along the winding trail. The mule comes to a halt—the path forward blocked. 
The driver has a kind face, rounded from smiles and wrinkled with wisdom, and eyes that are deep and thoughtful but speak of the horrors of the world. “A lady and her knight,” he muses, sparing a glance at the makeshift medicinal supplies illuminated by faint firelight and the state of the brutish man sleeping—half-dead more like.
“Can you help us?” You ask. “Please.” And the broken plea strikes something deep down in the man’s heart.  
He thinks on it for a moment. “Aye,” the man says, “I can try.” If he couldn’t, the others on the Quiet Isle could—especially the Elder Brother. His dusty brown robes dust across the rocky ground as he goes to the Hound’s side. It takes all your strength combined to lift Sandor Clegane into the cart—even with the weight of his armor gone. Then you clamber to the front of the cart next to Sandor, letting his head rest in your lap, and with a snap of the reins, the mule walks on again, heading south along the bumpy road—it would be a long night.
Weary and exhausted, you look between the Hound and the driver. “Who are you?” 
“You can call me Ray,” the kindly man says. “I’ll take you both to the Quiet Isle. The Elder Brother can help.” You’ve heard tales of the isle—where men go to atone for their sins and take vows of silence. Some even say those who reside in the Bay of Crabs live in a world unlike the one ravished by war and pain. Brother Ray can see the growing trepidation on your expression. It’s nigh common knowledge women are not allowed to dwell on the Quiet Isle. “Won’t force you and your knight to be parted,” he tells you. 
“He’s not a knight,” you murmur, eyes trailing from the road ahead to Sandor, knowing he doesn’t like being called a knight—and for good reason. 
“No, but it seems he’s your knight,” Ray says with a chuckle, sparing a wayward glance back at you and the Hound. You flush at the thought and turn your gaze to Sandor, his head resting on your thigh.
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A MONTH PASSES and Sandor is as well as he’ll ever be. The damage done to his leg makes him limp after long distances or strenuous tasks, but no one would be able to say such injuries made the Hound a feeble man. Even now, you’ve never seen a man split firewood with so much power and anger. Sometimes, you wonder if he hates you for not ending it when he pleaded for the blade’s mercy. But on the day when the brothers let you see him again, he wore a fleeting smile, soft and weak—the first time you’d seen such a sight. 
Storms roll in for the night, and lightning flashes through the window—thunder rattling your featherbed. You pull the covers tighter, squeezing your eyes shut, praying for sleep to come. It feels childish to be afeared of a storm, but it’s a reminder of the night the Lannister men destroyed your home and family and put an arrow in your leg. Rousing from the uneasy rest, you pull on your dressing robe and wrap the wool and linen blanket around your shoulders before setting off in search of company. 
His bed is empty, and you frown. Disheartened, you turn back only to bump into a solid wall of flesh and muscle. No man his size had a right to move around so quietly. “What are you doing awake, little dove?” Sandor asks, and you’re unable to meet his gaze with your flushed cheeks as you search for a valid answer. “Can’t sleep?” He surmises, and grateful he spake first, you nod sheepishly. The hand that wraps around your wrist is warm and calloused, yet his touch is light—as though you’re some bird with a broken wing. But wordless, you climb onto the bed next to Sandor, still huddled under your blanket, but not alone, and even with the storm raging outside, within these walls with him, you’re safe. 
The morning light breaks through the small window—only glowing embers remain in the hearth, not enough to chase away the chill in the air. You wake to find yourself alone, and it sends a strange pang of sadness through your heart. Making your way back to your chambers, you change into a plane shift and stride from the cottage to find him—the wet grass tickling the soles of your feet as you head down a winding path toward the water’s edge.
Sandor is sitting down on the rocky shore of the island, his dusty brown cloak fluttering in the wind. You go to him and sit on the weathered rock next to him. The morning is cool, and the spray of waves breaking against rocks in the bay kisses your cheeks. Wordlessly, the Hound pulls his cloak free and drapes it around your shoulders. In comfortable silence, you pull the coarse material tight and rest your head against his arm, looking out over the water and the clear blue sky—as though the Old Gods had not unleashed their wrath upon the land last night.
After a long while, Sandor rises, knowing it’ll be time to head to the Sept and see what tasks the Brothers need help with today. You’re quick to follow after him, but before he can start up the rocky path again, you brush your hand against his with all the timidness of a mouse, daring to have a lingering touch as you gather the nerve to ask something that’s been festering in the pit of your stomach, in the darkest parts of your mind and the deepest parts of your heart. You take both his hands—rough and twice the size of your own—and look up at the Hound. "Sandor,” you breathe, his name like a birdsong in your voice, “will you kiss me?"
He laughs—thinking you are playing him for a fool. No sane woman would ever wish to have his touch or his kiss. “With this ruined mouth?” He mocks. But the next jape dies on the tip of his tongue when you fist your hand into his woolen tunic, hauling him down with all your strength to just the right height where if you stand on the tips of your toes, you can kiss him. And you do. Sandor is surprised at first, but his hard exterior fades, and then a strong arm curls around your middle, hoisting you up and then off the ground entirely. You pull back for only a quick second and smile for him.
“Little dove,” he rasps when you move your hands to hold his face, thumbs stroking over his cheeks—one marred by the flame—and down into his thick, wiry beard. He half expects to find a shred of fear or disgust in your eyes, but there isn’t any. There never had been. You kiss him again, softer and sweeter this time, and he returns it in full. 
Reluctant to part, he places you back on the ground but is quick to pull you into his side and hold you close in the golden hour of the morning. And for the first time since he can remember, Sandor Clegane has a handful of happy memories, and perhaps, in the end, he's found something even sweeter than killing.
[Game of Thrones taglist: @certifiedlittleshit / @erzsebetrosztoczy / @hereforreadandwrite / @hc-geralt-23 / @holysmokesblog / @Idkjj04 / @lady-stark-winter-rose / @mikariell95 / @misskatiewrites / @mrsragnarlodbrok / @nyotamalfoy / @rigshak / @savagemickey03 / @xinyourdreamsx ] if your name is italicized, tumblr would not let me tag you. if you’d like to be added to my Game of Thrones taglist, or any other taglist, just let me know with this Google Form!
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Some ark concepts
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dustykneed · 3 months
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one moment theyre arguing on the bridge the next theyre necking in a turbolift (bickering is their foreplay.) also mckirk is peak "i married my best friend" energy
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also i LOVE the idea of bones being inexplicably more flustered than spock over kissing the vulcan way,, theyre both terrible terrible tsunderes but jim thinks its so funny that they play it up sometimes when hes feeling down just to see him laugh
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commsroom · 5 months
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mission launch for minkowski's crew was in march 2013. ostensibly, they were put through some mission training, though the extent and effectiveness of that is kinda dubious. pagliacci takes place in 2013, exact date unspecified. but it has to be early. let's say... mid-january.
eiffel thought he had ruined the rest of his life before he'd even turned thirty. he probably spent his thirtieth birthday in jail. and then... for some number of days, weeks, maybe even a couple of months, he exists in this state of, well. of limbo. cutter gets him released from prison, and flies him out to canaveral. he doesn't speak to his family, obviously. they don't want to hear from him, and don't even know. he's still a prisoner, but no one around him knows that, either. at some point in this time frame, goddard first exposes him to decima, before hilbert even knows who he is. and he lives wherever goddard is accommodating him, and he has to go about his day-to-day life in this transitory state between a 26-year sentence he'd just started really grappling with, and the very immediate reality he's now about to be sent into deep space instead.
they give him a certain amount of freedom; it's not like he can go anywhere. he doesn't do much, anyway, is not feeling appreciative for his momentary second chance at life, given the circumstances. he blows off most of his mission training, and they're surprisingly lax about that, which in retrospect probably should have been a sign. he sits around and smokes, mostly. gets takeout food. but he goes to see movies, as much as he can. as much as he wants to punish himself, he needs to do something, or he'll go crazy, and it's not like he'll get a chance to see a movie in a long time. he was already resigning himself to maybe never going to a movie theater again.
the film adaptation of les misérables was released in december 2012. it's entirely feasible it could've been one of the movies he saw in this time period. i think the idea adds some resonance to his shared reference with minkowski in the finale, at least, in the way it pulls things full circle. intentionally or otherwise. and, incidentally, the 2012 film adaptation of les misérables, a story that notably features an ex-convict protagonist seeking redemption, was released on december 25th. call that serendipity.
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