#Pointe-a-Pitre | Explore Tumblr Posts and Blogs

nobody-nexus · 6 months

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Okay so like since it's canon that Pomni doesn't like physical contact, but not to the point where she isn't willing to touch others, I have a cute lil headcanons as to how this affects the ship Ragapom, or Jesterdoll as I like to personally call it (Also this has just a BUNCH of other headcanons that got nothing to do with the canon thing, but most involve the canon statement)

Pomni's love language is basically everything BUT touch. Words, poems, gifts, just existing near one another with some personal space, even butterfly kisses are ALWAYS an okay

Ragatha 1000% respects and understands Pomni's boundaries and won't touch her UNLESS Pomni does it first. If Pomni grabs Ragatha's hand, that means SHE is okay with hand holding. She may ask for a cheek kiss occasionally but Pomni HAS TO BE THE ONE TO ASK FIRST other then that Ragatha WILL NOT TOUCH HER

The only times where Pomni is touched without asking first is whenever there's danger and Ragatha's too quick to ask- however Pomni DOES understand that

Even with this lack of touch, there's ways to get around this. Pomni holding onto Ragatha's dress, one of them being wrapped in a blanket for cuddling, and stuff like that. Pomni purrs when she's content, so that's how they figured out physical contact without ACTUAL contact

Ragatha is UBER PROTECTIVE of others respecting Pomni's boundaries. Jax was the last one to be aware of the jester's distaste for touch, so the doll absolutely wrecking his shit was a good way to learn about the boundary

Unrelated to the rest of the hcs, Pomni's teeth are as expressive as her eyes. Her clean slate teeth can turn sharp if aggressive and/or unhinged, and if she smiles big enough, she naturally has fangs

In cade they have long nights, Ragatha always asks if she's allowed to carry Pomni to her room in case she gets tired. No matter how many times she asks, Pomni will say yes because she'd rather be in a bed then passed out on the floor

Pomni is more okay with touching others then people touching her, so whenever Ragatha needs stitching, she'll be willing to help (even though she's absolute ASS as sewing)

Pomni LOVES certain textures. Her top favorite ones are squishy and fluffy/warm (thus why she loves blankets so much)

If Pomni's having an episode, Ragatha will sit near her and calmly talk, giving her things to hold/wrap herself in. She won't invade her boundaries unless Pomni, verbally or nonverbally, asks for some like cuddles or hugs so she can let it all out

Ragatha constantly has red lipstick on in case Pomni asks for a kiss, just so the others KNOW that Pomni's hers

Pomni has no nicknames for Ragatha, but the doll has SO MANY FOR HER. Ragatha's favorites are Pom-pom, Princess, Sweetie, Lil Jester, Pitre (Clown in French), and Kitten. Pomni easily gets flustered by any and all of these nicknames

No surprise I think Pomni's on the spectrum, and Ragatha knows when Pomni's overstimulated with the environment. She'll help her walk to a less colorful and loud area to help her calm down

Of course, Ragatha herself has her moments, so to comfort back, Pomni will read to the doll until she either sleeps or feels better. Even if its poems and books Ragatha's heard a tousand times, hearing Pomni's voice helps her

Pomni's least favorite texture is carpets. GOD she hates carpets

Ragatha bakes! She mostly bakes muffins (Caine doesn't know she does this)

Jax, being a worse wingman ever, quite literally pushed Ragatha over to land atop of Pomni one time. The touch left Pomni stressed and Ragatha yelled at the rabbit

I think that's everything. I hope you enjoy the headcanons! There's also a Roxica one I'm working on so stay tuned lol

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lizzypuppet1711 · 2 months

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things about toronto’s production of the great comet at crow’s theatre/musical stage co that i need everyone to know about because i am obsessed with this show.

as of writing i have seen this show five times.

very long under the cut:

full cast listed here. at time of writing, donna garner replaces louise pitre as marya, tyler pearse replaces lawrence libor as dolokhov, and ben carlson replaces marcus nance as andrey/bolkonsky. currently i’ve seen the og cast four times and the replacements once.

the stage is set up with seats on three out of four sides, with front rows at tables, back of house left and right sides at barstools, and a small balcony with some seats on house right. there are balconies on either side, with a revolving platform in the middle of the stage (revolving by being pushed by cast members or stagehands). seats around 200 people or so.

the actors are EVERYWHERE. it is so incredibly immersive

the music is very punchy

during prologue, everyone is taking shots as they’re introduced, except dolokhov, who drinks straight from the bottle and sprays it into the air

i’m a dolokhov girlie through and through and once he nodded hello at me during the prologue and i legit swooned

mary is walking around holding a program showing off the family tree, actors will point to them on tables etc

once anatole pointed at his face on it, pointed to himself, all in a very flirty manner

he winked at me during prologue once and i’m still thinking about it

evan buliung is acting his ass off as pierre

he is definitely is more gruff and acting focused (think dave malloy over josh groban)

at “hours at my screen”, pierre takes an audience member’s phone (from one of the tables… or once out of someone’s hands LMAO) and mimes tapping, scrolling through it etc

two stagehands move things on and offstage (such as the sofa, church props etc) and they are also in little costumes. it’s very adorable

dolokhov’s little soldier walk thing??? during moscow????? i’m sure there’s a reason for it bc both of them do it but i have no clue why it’s there???? love it tho

heeyun park as mary is also acting her damn heart out

private and intimate life has a faster tempo and is SUCH a banger as a result

an audience member gets briefly pulled up on the platform to be the cheap french thing, he typically kisses up their arm, hugs them, and sometimes sits on their lap a bit

pierre is playing the tambourine in the background during natasha and bolkonskys and it is honestly kind of funny

hailey gillis plays natasha very emotional and headstrong. her no one else has a sense of urgency, desperation, and deep longing

the platform is spinning and people are walking around and she is singing like an angel…

basically i want to be hailey gillis when i grow up

actors are rotating the platform during no one else and it ends with andrey standing behind her and pierre standing in front of her. no one talk to me i’m losing it

as the run has continued, dolokhov’s adlibs during his intro in the opera have increased drastically

lawrence libor as dolokhov had such an air and presence (rizz?) about himself i cannot DESCRIBE. the comphet he gave me… i miss him v much. he was also very much giving toronto mans. and he made SO MUCH eye contact. he loves to look at you. i miss him. i need him. who said that

tumblr theatre girlies you would go insane over lawrence libor. if this show had ANY b roll footage i know i would be seeing edits all over the place

i am president of the lawrence libor fan club and everyone should join me

tyler pearse as dolokhov has heavy frat boy energy. he is also gayer, and somehow, sluttier. gives short king energy despite only being an inch shorter than lawrence (apparently)??? don’t ask bc i don’t know either he just does. anyway thank u tyler pearse for making dolokhov bisexual for real

either way dolokhov is doing SO MUCH in this production. he is wild he is a whirling dervish he is arrogant he is a bastard he is everything to me

“YEAH BABEY LETS GOOOOOOO” -lawrence libor as dolokhov, upon his entrance

in one performance he would go YEAH BABEY three separate times in act 1. yeahh

flirting with a girl in the balcony, dabbing up a guy in the balcony, generally being hilarious

and tyler pearse leaning over the balcony, rose in his mouth, wolf howling… i can’t.

basically i can’t with this production’s dolokhov. i’m obsessed

anatole’s entrance… he’s a whore. all i can say

rita dottor (ensemble) does the high soprano bravooooooo and she always sounds so fantastic. live laugh love rita dottor

george krissa, who plays anatole, is probably the most attractive man in ontario. like if you googled hot guy he would be the first result.

“where did they find this anatole. was he made in a lab or something. he was perfect” — my friend after seeing it

tumblr theatre girlies you would also be obsessed with george krissa. like jeremy jordan andrew rannells level obsessed. please love these toronto actors with me

i’d let him ruin my life ANY DAY. it is a fact that lesbians love george krissa. i hope he knows

the way he plays it… my friend described it like “lucas steele is like an alien david bowie, and george krissa is a bridgerton man. just a very charismatic, but normal, guy”

while i would say that lucas steele’s anatole believes he is truly in love with natasha, i would not say the same for george krissa’s. some of the manipulation happening here during the opera is. quite clear

when he is entering the box natasha struggles to open her fan, fans herself frantically, under the arms etc. then when he enters immediately shifts to fanning in a cool and collected manner. hailey gillis master of comedy

“we are speaking of most ordinary things” is especially like. this is a male manipulator if i’ve ever seen one

natasha lost was added back in!! fantastic obviously

anatole checking his hair in the mirror before waking pierre up. fucker

“look dolokhov’s coming around… and we’re off to the CLEURB”

brendan wall (ensemble) walking around during the club scene with a glowstick necklace on is peak comedy to me

i’ve said it but tyler’s dolokhov is an absolute slut at this scene. and for what AND FOR WHAT!!!!

also fun tidbit but all the glasses (other than shots) and any clear bottles have real liquid in them. i am very concerned something will spill one day

when dolokhov gets right up in the audience’s face during “known only to his intimates” i LOVE it idk

during the duel, marya and rita steal off to house left directly beside the barstools and chatter about how bad of an idea this is, they’re so drunk, etc

special shout out to divine’s “he will kill you STOOPID HUSBAND” so good

dolokhov’s adlibs during the duel… i need him. sorry

dolokhov gets shot in the side rather than his shoulder, and unceremoniously rolls off the platform as it’s moving. looks painful

hélène screams when dolokhov is shot but not pierre. so much to think about here

a life changing dust and ashes from evan. i can’t describe anything more just that he’s incredible. i’ve learned so much about acting just by watching him a few times

natasha’s face at “am i guilty…” breaks my heart she is so tormented

we are canadians we are going to pronounce our french correctly! no more charmantay

hélène has started adding some very fun runs into charming as the run has gone on. divine brown marry me

anatole is shirtless during charming. btw.

again i know he’s gay and i’m gay but.

the entirety of this rendition of the ball has been stuck in my head since december

his “don’t lower your eyes i love you” that whole section is delicious i want to eat his voice

plus “BEWITCHING AND I LOVE YOUUU” UGHHH such an ear worm but only when it’s their voices

the choreo going on here is very nice btw

i love the way he says natalie at this part idk. it’s not overly enunciated and the vowel is just right <— vocal nerd

the kiss feels like it lasts forever

music gets very very loud at the end and you can feel it in your skin

also fun fact the house music before and after the show is orchestral but during intermission it’s electronic. bc. anatole. gah details

when marcus was still in the cast you could really hear his voice during letters and it sounded sooooo.

dolokhov’s stupid little thumbs up to indicate he will be ok. pleaseee. i laughed i did

generally lawrence would grab at the place he was shot at a lot; while pushing the revolve etc. loved that detail. (tyler does too but less so)

sonya and natasha just sounds so great. like they just always sound fantastic i love that song

sonya alone. yes i am weeping. yes camille eanga-selenge is everything i want to be and more. she’s phenomenal

dolokhov sitting in a big fuckin chair at the beginning of preparations just absolutely clearly regretting every decision he’s made to facilitate this. is great.

i know i keep talking abt lawrence libor but the image of him at this part is just. really great. to me. sorry

very campy and exaggerated scowling and grimacing from anatole

dolokhov is so sick of anatole’s shit

“here feel how it beats” is NOT entertained he pushes him back immediately

lawrence dolokhov’s “dawdling” business was him tuning his guitar i miss musician dolokhov sooooo much gah

balaga truly does not sing any of his lines. he is basically yelling the entire time. i don’t know how he does it. it’s chaotic and hilarious and so fun

sonya and mary hand out the egg shakers on house right and left respectfully

near the end of balaga, four audience members are brought up to dance with the cast! (i got to dance with mary once!)

dolokhov writhing on the floor during anatole’s long held note thank u

during the goodbye section, anatole comes around to said audience members and interacts with them; dancing with them, booping them on the nose etc, and at “kiss me one last time”, invites a lucky audience member to kiss his cheek. (this once, was me. yup. still processing it.)

once he accidentally knocked someone’s egg shaker from their hand, dolokhov picked it up, laughed, gave it a shake, and handed it back, and yes i’m still thinking about it

when they sit down, balaga and dolokhov will sit on the house right stairs, though once there was an empty seat nearby so dolokhov wedged his way in between two people, guitar and all. so fucking good

anatole will squeeze himself between two audience members on house left, put an arm around each, and look around at everyone sitting in that area, out into the audience, etc. if one is going to make eye contact with him, it is now

once he threw his head back to look at the people behind him, and someone, at the speed of light, took their phone out and snapped a picture of his upside down head. i scream laughed

lawrence’s BETRAYED BETRAYEDDDD was sooooo good. so so so good

hailey gillis is an absolute powerhouse during in my house

usually when “natasha’s whole body shook” she falls to the ground silently but last time i went she YELLED and i gasped so loud

at “i have refused him” louise would go NO in shock and i FREAK OUT ABOUT IT.

and i loved her “what then? would that be alright???”

“NATASHA CRIED OUT! GO AWAY! GO AWAY YOU ALL HATE AND DESPISE ME” sounds SO FUCKING GOOD!!! I LOVE YOU HAILEY GILLIS

when the call to pierre music starts i always get goosebumps

the fight choreo when pierre grabs anatole by the collar is very good

if we’re comparing to broadway, it feels less like anatole’s life is in danger here but like i’m not upset about it

at this point anatole does not seem sad or upset to me more just. pissed off that it didn’t go his way. like annoyed

as anatole leaves during pierre and anatole the staging has him stepping around/over natasha as she is choking from the arsenic and it is such a. show of his shallowness

his petersburg note is fantastic obviously. live laugh love george krissa

marcus nance (andrey) has such a deep and beautiful legit singing voice. it’s sooo gorgeous. any word that raises against marcus nance will fall.

I MISS HIMMMM ok sorry.

i am more sympathetic to ben carlson’s andrey, however. marcus was Incredibly stoic ben has a bit more emotion to him i think

i could swear sometimes hailey is actually crying during pierre and natasha

her “pytor kirillovich” sounds so tiny and fragile ugh my heart breaks

and his “…pierre” is so assuring AUGHH

it’s such a beautiful scene obviously. i love the two of them so damn much i hope only good things happen to them forever

“it was clear and cold” also. chills EVERY TIME

“having traced its parabola” and “like an arrow piercing the earth” hit me so hard i cannot explain

genuinely evan buliung gives the most effective inspiring fantastic mind blowing performance i maybe have ever seen on stage. he is such an incredible actor and he inspires me beyond belief

the end when the lights get really really bright and then fade out. god. so simple and so fucking beautiful

now this post is very long. thank u for reading it all if you did! (will update after seeing it more times if there’s things to say!!)

if you’re anywhere near toronto i BEG of you to go see it!! it’s closing march 24th :(( so if you get the chance i deeply implore you. beg borrow or steal a ticket just get there! best comet production ever in my biased opinion :)

#rbs encouraged!!!#natasha pierre and the great comet of 1812 #the great comet #npatgco1812 #tgc #great comet #great comet toronto #musical theatre #toronto theatre #lizzy.txt #aka i rant about lawrence libor more than i need to #i can’t get over this show and neither should you #watch it. and talk to me about it PLEASEEEEEEE PLEASE #if u have anything u didn’t like abt this. keep that shit to urself #sorry that you’re wrong idk what that’s like tho #live laugh love crows theatre

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