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#OR our favorite fandoms we’re in :0
kukos-satellite · 2 months
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Do you just want to pop in a call or voice channel and talk about our favorite ships or fandoms together? I mean we don’t have to if you don’t wanna 👉👈
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dreamii-krybaby · 8 months
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Behold my essay on why plp shouldn’t be sleeping on the ship involving Doll’s parents.
Ok ok but like- ISTG doll’s folks are driving me crazy HNNNGNGNFJF
(Btw watch of all if this get absolutely ripped to pieces by future canon)
Even we have very few info of Yeva, in the pictures she has appeared she looks distressed, paranoid, anxious and doesn’t seem to have the same social skills and relaxed vibes as Nori. She gives me the impression she was recluse, shy even or standoff-ish
For all we know she could have a drastic change of character after the core collapse.
What am saying girlie definitely developed all kinds of fucked up issues.
ok but like the fact that Yeva decided to stay and live with and make a family with her parter got me thinking
Like girl witnessed and lived THE HORRORS and if my theory is correct, she ALSO got momentarily possessed by the AS causing the Site-48 “incident”. (Which I theorize she created a massive black hole on the site similar to how the AS controlling Uzi’s hand did it on the elevator in EP6)
Her first meeting with her-now-husband was literally traumatizing and was probably very awkward (group photo after the core colapse in EP4)
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They saw something, and it wasn’t good news.
But after that, like- how did it go down?
Bc I speculate Yeva’s husband knows a bit more surrounding the AS:
-like I mentioned before, his overall expression in the group picture shown in EP4 post core collapse alongside Yeva’s expression seems to imply they saw or witnessed smth horrifying around the camp 98.7 which left them scarred
-the fact that Tessa’s quote in EP6 implies the idea that he is also infected (Either he may be a runaway experiment or he wasn’t necessarily involved with CFL and somehow had the AS, or maybe the quote is a red herring)
“She reckons the humans did something to her folks down there, gave them a sickness she inherited”.
Like, the idea that her partner saw past the horrors, the AS, the shady things Yeva was involved, and just- decided to be a couple, and saw yeva…as an individual, not a danger, not a monster, not a sinner, not some lab rat, just, her, a sentient being capable of feeling just as he is.
He saw her as “Yeva”, not as “048”, not someone whose just her “sickness”
Like the fact that YEVA was also to look past her traumas and her knowledge of the danger of the AS to live and become her partner’s wife
Just the idea of them going, “you know what? I want you as my partner, live in a place that we can call home, and raise our own kid”
Its just- *screams*
also Yeva would actually be introduced to the concept of home, not a house, a home
SHE FINALLY HAD SOMETHING SHE COULD CALL A HOME
AND SHE ACTUALLY HAD A PERSON WHERE SHE COULD PROBABLY FEEL COMFORTABLE AROUND (we don’t know exactly how Nori’s and Yeva’s relationship went, they could have gone through drastic changes)
SHE COULD FINALLY LIVE, NOT SURVIVE, SHE COULD JUST- LIVE, NOT HAVING FIGHT FOR HER SURVIVAL
CAN YOU JUST IMAGINE THE FACT THESE TWO DESPITE THE HORRORS, DESPITE THE AS, DESPITE EVERYTHING THEY FELL FOR EACHOTHER AND THEY GOT TO THE POINT THEY WANTED A KID?!?!? BE A FAMILY?!?!? HAVE A PLACE TO LIVE TOGETHER!??!?
AND WHEN THEY WENT OUTSIDE BEFORE DEATH THEY DECIDED TO GO TOGETHER!?!?!? (If my theory that they died outside is true)
THEY PROBABLY KNEW THE DANGER BUT THEY WENT “we’re gonna do this together” THEY COULD HAVE LOWER THE CHANCES OF RISK AND DEAL WITH THE UPCOMING FUCKED UP SHIT ON THEIR OWN BUT THEY WENT TOGETHER
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LOOK ME IN THE EYES AND TELL ME THAT ISNT LOVE
(Imagine if it’s later revealed that they are actually a super fucked up couple- or just created a family for any other reason but wasn’t out of sentiment)
Me when I realize my favorite ship that is actually canon has barely any content or fan-content:
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I want to claim myself as CEO of this goddam ship if it blows up in the fandom after future canon info.
Bc bro I shipped them when there wasn’t a single edit of them and when there was like 1 or maybe even 0 fanfics of them on AO3. Bro there wasn’t even fanart of them.
Bro I have doodles of them, created AU’s involving them, I have made moodboards, stimboards, have made HCs of them, made fan desings and plan to make fanart of them.
I am so normal about them I swear-
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threebooksoneplot · 9 months
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Three Books One Plot FAQ
Who are you?
Hosts Shannon and G are both relapsed 2000s twihards from the DC-Maryland-Virginia area of the US who found their way back to Twilight fandom just in time for the Renaissance™. They met through fandom in 2019 and have been friends ever since!
Shannon (@flowerslut) lives and works in LA. When she’s not obsessively writing 250k-word fanfictions, you can find her at Emo Nite LA or making her own music under the name Maybe. Her personal blog is @uncancellable. You can also follow her on Goodreads/Storygraph!
G (@volturialice) lives in Colorado and works remotely, which leaves plenty of time for her to take long walks in the mountains and look for loose bears in the neighborhood. She is a graduate of the Fanauthor Workshop and spends a shocking amount of time at the library. You can follow her on Goodreads/Storygraph here!
What is Three Books One Plot?
3B1P (2022 - present) is a podcast created to compare and contrast Twilight and its two published rewrites: Life and Death: Twilight Reimagined (genderflipped Twilight) and Midnight Sun (Twilight from Edward’s point of view.) One part literary analysis, several parts jokes, and the rest utter shenanigans, it’s a bimonthly read-along in which hosts G and Shannon take turns reading and recounting chapters of Life and Death/Midnight Sun, and a rotating guest of the week reads and recounts Twilight. For more information on the podcast's genesis and the history of the three books, give Episode 0 a listen!
Where can I listen?
You can find us on Spotify, Apple Podcasts, Amazon Music, and Pocket Casts.
Are you planning to do episodes on New Moon/air a season 2?
Yes! Season 2 begins 9/13/23 (Happy 36th birthday to Bella Swan.)
How will you keep your “three books” gimmick going into Season 2 and beyond?
We’re not telling. You’ll have to listen and find out 😏
When do you post new episodes?
We post new episodes every other Monday! Season 1 of 3B1P aired from June 2022 through May 2023, while Season 2 (New Moon) will air from September 2023 through June 2024 (reverting back to Monday releases after a Wednesday, September 13th premiere.)
Why do you have an episode 0/8.5/11.5? And why is your season 1 finale episode longer than Return of the King (2003, dir. Peter Jackson)?
Listen, we never claimed to be perfect.
What are the "show notes" and where can I find them?
After each episode, we compile any references we or our guests made into a post full of links, images, videos, articles, etc. Find them on our tumblr here!
How can I support the podcast?
You can slide us a few bucks over on the 3B1P Ko-fi. Anything we raise that goes over the cost of breaking even will be donated to the Quileute tribe’s Move to Higher Ground project! If you’d rather not shell out, we’d also love getting ratings/reviews on your listening platform of choice. Or you can recommend us to your goofiest friends!
Where can I find you on social media?
We post (and reblog) the most stuff here on our tumblr, but we also have an Instagram, TikTok, and previously had a (now-defunct) Twitter. You can also contact us with inquiries or long-form comments and letters at [email protected] 🤩
How can I interact with the podcast?
We love responding to tumblr asks, emails, and other comments! Sometimes we even read out comments during an episodes. We also post weekly polls and short-answer questions both here and on Spotify (only accessible from the mobile app.) We even occasionally host contests and challenges! You can also join our spinoff project Bella’s Book Club, a virtual book club open to anyone, which meets on discord once a month in order to discuss “Bella Swan’s” (Stephenie Meyer’s) favorite books as listed in Midnight Sun chapter 11 (and sometimes watch movies!) More info on Bella's Book Club can be found on its dedicated tumblr (here) Goodreads (here) and Storygraph (here!)
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sevdrag · 1 year
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dreamwidth update: FINAL FANTASY KISSING BATTLE 2023: FASHIONABLY LATE
murderstomps into the lecture three days late with starbucks what's UP CHUCKLEFUCKS it's time for your favorite kissy event of the year: Final Fantasy Kiss Battle 2023 is a GOOOOO!
[BANNER COMING SOON I PROMMY]
This event is open to everyone, even if we aren't DW circlefriends! (feel free to friend me too; i promise i'm not crazy that's a lie but at least i'm sometimes funny). If you aren't on DW, you can still play via anon or OpenID!
The Kiss Battle is simple. Players leave prompts in comments under each specific fandom, using generalized fandom nomenclature: a relationship of some sort, and a concept to inspire other players.
For romantic relationship kisses, we use X / Y
For platonic relationship kisses, we use X & Y
Absolutely open to relationships with more than 2 people involved! X / Y / Z (/ A / B ...) welcome to this party!
Prompts can be a word, a sentence, an image, a song lyric; it's a suggestion, rather than a request
it's a kiss battle! there will be smooches!
Players then go looking for smoochin' prompts they'd like to fill. Fills can be fic, art, interpretive dance, whatever you're inspired to; they can be filled in a responding comment, or as a link (to AO3, tumblr, etc). FILLS GOTTA HAVE A KISS IN 'EM. IT'S A KISS BATTLE. What counts as a "kiss" is up to you, though -- you can be creative!
Fills should use the comment header to let people know what the fill is; please use a format like "X / Y, (title), (rating), (any content warnings that might apply)"
"Eiko & Vivi, friendship, G"
"Aerith/Tifa, memorial, G"
"Cloud/Squall, just in time, R (blood)"
Prompts can be filled multiple times! Don't worry if someone got there first; we love Two Cakes up in this event! The more kisses we get, the better!
You can fill as anon if you want/need for any reason
You can of course crosspost anywhere you'd like
It's a very simple game, and is meant to be played in good faith without anybody being a shitbag about pairings or characters. We're all too old for this.
FANDOM LINKS Fandoms with compilations and expansions should fall into their titled macrofandom. For example:
FFXIII also includes FFXIII-2 and Lightning Returns (FFXIII-3)
FFX also includes X-2
FFIV includes the After Years
If you need to specify a certain microfandom / singular canon, please do so in the prompt or in the comment header!
FINAL FANTASY I FINAL FANTASY II FINAL FANTASY III FINAL FANTASY IV FINAL FANTASY V FINAL FANTASY VI FINAL FANTASY VII FINAL FANTASY VIII FINAL FANTASY IX FINAL FANTASY X FINAL FANTASY XI FINAL FANTASY XII FINAL FANTASY XIII FINAL FANTASY XIV FINAL FANTASY XV FINAL FANTASY TACTICS FINAL FANTASY TYPE-0 FINAL FANTASY RECORD KEEPER FINAL FANTASY BRAVE EXVIUS BRAVELY DEFAULT OTHER FINAL FANTASY CANONS FF CROSSOVER PROMPTS FF / OTHER CANON CROSSOVERS
MAKE FRIENDS! If you're interested in meeting more FF fandom people, this comment thread can be used as a friending meme! Tell us a little about yourself, which FFs you've played, favorite characters/ships, and look around for new friends! FF FRIENDING THREAD
You can also join the Final Fantasy Old Folks Home Discord and come gripe about those kids on our lawn and the old days where you had to level grind by hand lmao. Open to all FF fans! -- EDIT Discord link has been updated!
AO3 COLLECTION If you're posting your work on AO3, add it to our collection here!!!
BLITZ KISSINS If you already know what smooches you want to write, you don't need to wait for a prompt -- just comment into the relevant fandom thread with your kiss!
REMEMBER It's only fun if everybody plays, so if you leave a prompt, try to fill someone else's!
COMMENTS OR QUESTIONS?? Hit up this thread and myself or lassarina will help you out!
SHARE just copy and paste the following line anywhere you like!
[COMING SOON as soon as we have a banner yall]
AND NOW... GET TO THE KISSING!
comments Comment? https://ift.tt/q0DxumK
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true-blue-megamind · 2 years
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FAN THEORY THURSDAY – Megamind’s Psychology
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Special thanks to Sombertide-0for suggesting and discussing part of this week’s topic! If you have a fan theory you’d like to see explored, feel free to message me on Tumblr or look me up on the Megamind’s Evil Lair Discord!
And now, although Metroman threatens to fake his death AGAIN each time I say it: SPOILER WARNING!
Megamind has been through a lot. Anyone familiar with the film can clearly see that fact. However, that raises the question of exactly how his past may have affected his mental and emotional state. Thankfully, the fandom hasn’t let us down, and there are plenty of theories concerning the subject!
If you’ve read previous posts such as How Smart is Megamind, you already know that we’ve established our favorite animated alien truly is a super-genius. What is his psychology like beyond that, however? We’ve already partially touched on the subject in Who Is the Real Megamind Part One, in which we explored the Blue Defender’s personality on the Myers Briggs Type Indicator, but today we’re going to dive deeper, focusing on the nurture side of mental development. Grab your tissues because the old Megamind Pain Train has just pulled back into the station.
Before we get started, however, although this probably goes without saying, we’re dealing with childhood trauma and emotional damage here. Please consider this your trigger warning.
Was Megamind Select Mute?
This concept began when I was discussing an interesting aspect of Megamind’s childhood character with Sombertide-0on the Megamind Discord. (Thank you again for this suggestion!) He brought up something that I had never really considered before: Megamind may have refused to speak as a child.
“What if Megamind was mute, or like just didn't want to talk?”
At first, I wasn’t entirely convinced, but as we talked it over, I quickly began to see that the idea had significant merits. Not only that, it’s supported by evidence from both the film and what we know about psychology. Let’s begin by considering the first.
Near the beginning of the movie, we see the blue alien as a child, both in the jail where he was raised and in his classroom at the suspicious Li’l Gifted School. (That’s a whole other supposition in itself, covered in Six Dark Megamind Fan Theories.) If you look closely, you’ll notice that, regardless of his environment, we never see the extraterrestrial child open his mouth even once. Even while being bullied, the blue boy never once vocalizes any defense or complaint. Sombertide-0 pointed out that this could quite possibly be a psychological condition developed due to trauma. In short, Megamind could have been select mute during his youth.
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“He's just silent the entire time, not comfortable talking out loud,” my fellow fan explained.
Real life studies backs this up. According to Psychology Today, selective mutism can develop when “a child experiences a trigger response” which leaves them unable to speak except to certain people and/or in certain highly familiar and comfortable surroundings. Selectively mute children almost never speak aloud in social situations, and display anxious behaviors. It’s not something the child does on purpose, nor is it, as many adults may believe, a form of shyness. The condition often manifests between ages three and six, and can last into adolescence.
That in itself sounds enough like Megamind. He appears to be entering first grade when we see him in school, which would make him five or six years of age: right in the life-stage when selective mutism is likely to develop. He seems nervous yet eager to be liked, however he never speaks a word. There is also further credible evidence that the creators may have made young Megamind select mute on purpose, and it has to do with triggers for the condition. Again, let’s look at the article on Psychology Today.
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The neurological basis for selective mutism is thought to be a cascade of events in an area of the brain known as the amygdala, which receives danger signals from the environment. The anxiety from a situation perceived as dangerous to the child’s well-being causes a communication shutdown.
If seeing your entire planet destroyed then being left to essentially fend for yourself in a high-security prison filled with hardened inmates doesn’t count as “danger signals,” I have no idea what would. Furthermore, according to Lumen Learning, selective mutism can, sometimes, go hand in hand with separation anxiety. When a young child loses or fears losing an attachment figure—an adult caretaker on whom the child depends—due to illness, death, divorce, etc., that child can sometimes become select mute. This is vital because not only did Megamind lose his parents at a young age, but in the movie we also see him alone in his own cell when he is around six years old. The combination of being separated not only from his biological mother and father but then from the prison inmates who cared for him as an infant may have resulted in his inability to verbally express himself.
So why does Megamind have no trouble speaking later on? After all, he not only talks aloud as an adult, but has no trouble engaging in public televised evil monologues. The answer may lay in supervillainy itself.
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It turns out that this may not be terribly unusual. (I’m referring to the triumph over selective mutism, not the supervillainy.) While some selectively mute children may require psychiatric counseling and speech therapy to overcome the condition, others do manage to conquer it on their own. However, that is most likely to occur when the child has a catalyst of some kind, something positive (or perceived as positive) which acts both as a driving force to work toward social verbal expression as well as source providing some feeling of power over their own lives.
Is it possible that, by acting out and embracing what he thought of as his destiny, Megamind found such a catalyst? We know from the movie scene in which he explains his plan to create a new nemesis that the blue man viewed supervillainy as his “purpose.” Did he cling to it so hard for so long because he subconsciously believed that being the “bad guy” and invoking fear in those around him granted him some sort of control, thus allowing him to become socially vocal? We may never know, but it’s a possibility.
Was Megamind’s Emotional Growth Stunted?
In the DVD commentary, Brent Simons, one of the writers, describes Megamind as having a “childlike mentality.” He goes on to compare the blue man’s actions to that of a preteen boy experiencing the pangs of love for the first time. “[There’s a] girl you like, so naturally you pull her hair. You kidnap her and bring her to you.” Is this true? Is Megamind, at the beginning of the film, at least, behaving with a level of emotionally maturity—or rather lack thereof—befitting a twelve-year-old boy?
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According to one fan theory put forward on The Analytical Couch Potato, the answer is yes. This article points out that Megamind does, indeed, already seem to be in love with Roxanne Ritchi and “spends more time during the kidnapping trying to impress Roxie with threatening weapons and torture machines than he does actually trying to kill Metroman.” (Many other fans agree with this assessment, and offer some compelling ideas about why this might be. You can learn more by reading Why Kidnap Roxanne.)
Once again, as with the selective mutism theory, both the film itself as well as psychiatric knowledge seem to back this up. The then-villain seems to treat his fights with Metroman more like a game, again showing a lack of maturity. (Although, to be fair, the DVD commentary makes it clear that he usually goes out of his way to ensure bystanders aren’t injured, so it’s clear he isn’t entirely sophomoric.) As previously alluded to in Are There More Hidden Details in Megamind, we don’t see the first foreshadowing of the blue man’s heel turn both from Bad Guy to hero and from immature to mature until he confronts Hal in his apartment. During that scene, a TV behind Megamind displays a video game screen with the words “Game Over.” A few minutes later, the idea is reinforced as Titan utters the same phrase just before attempting to murder Megamind. This may be the DreamWorks’ team’s clever hint that the alien super-genius is going to eventually stop playing around and begin taking his role in Metro City seriously.
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In fact, by comparing his fight with Metroman to his second battle with Hal/Titan, major differences become apparent. When facing the latter for the final time, Megamind offers no “witty back and forth banter” or overblown monologues. He is approaching the confrontation with a new grave and earnest dedication. While he may still possess the humorous, energetically playful personality we all love, the blue man has obviously matured a great deal in a short time.
Why might this be? The aforementioned article on the Analytical Couch Potato goes on to suggest that what we may be seeing here is the psychology behind Attachment Theory. This is where the separation anxiety we discussed in the last section may come into play again. Because he had no real parent figure, Megamind was emotionally neglected as a child—not surprising given his being raised in a prison—and thus he never experienced positive affirmation during his youth. (Indeed, Roxanne herself hints at this when she informs the jubilant crowd at the end of the movie: “he’s not used to positive feedback.”) That lack of positive reinforcement can cause a child’s emotional growth to stagnate.
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This is not unusual, as the article points out, drawing information from psychologist John Bowlby’s work. In fact, Megamind’s motivations throughout the movie—from his choice to embrace what he felt was his proper social place as a supervillain to his ceaseless efforts to impress Roxanne—can be viewed as a constant quest to obtain some sort of recognition from those around him, and his lack of maturity can be directly linked to that.
“Those without regular stimulation and attention from caregivers suffer from delays in intellectual development,” the article explains. “Megamind’s mentality is very much still [that] of a child’s, seeking constant affirmation from his peers and loved ones in a way that he was not exposed to growing up.”
Again and again, we see this emotional immaturity come into play during the film, and if you look closely, you can see the blue man slowly overcome it as the narrative progresses. He not only kidnaps Roxanne because he’s unsure of how else to get her attention—although, as mentioned before, an alternate fan theory suggests that this may be partially due to an alien courting instinct—but he also behaves in a rather childish way while bantering with Metroman, creates some frankly absurd deathtraps such as the Boot Wheel of Death, completely disregards the inevitable negative consequences of hiding his identity from someone he’s dating, and argues with Minion in a manner that, frankly, sounds like a couple of teenage brothers having a fight.
Later on, however, he chooses to seek help in saving the city rather than fleeing Titan, recognizing both a problem that needs addressing as well as his own limitations. He turns himself into prison, displaying a willingness to atone for what he’s done. He apologizes for past wrongs, from criminal acts to his treatment of Minion, and begs that he and he alone, not Metro City, be made to answer for those crimes. Finally, of course, he shoulders the responsibility of Defender, coming to Roxanne’s rescue with the aid of his trusty sidekick and officially stepping into the role of hero afterward. Despite the fact that Megamind is estimated to be in his mid- to late-thirties at the time of the narrative, this movie can be viewed as a sort of Coming of Age story.
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There are other fan theories connected to this subject, of course—it’s been suggested that Megamind may have an anxiety disorder, could be high-functioning autistic, and is likely going through a midlife crisis during the film—but I will leave it there for this week. (Depending on the response to this post, I may write a follow-up article addressing some of those other ideas concerning the blue man’s psychology.) At any rate, the mere fact that the team at DreamWorks, from the writers to the animators, created a character so real and complex he can be psycho-analyzed speaks volumes about the amount of dedication that was put into this film. We should all take a moment to appreciate that, as it’s something that makes the protagonist not only more interesting but also more relatable to all of us imperfect viewers out there. Until next time, I hope you enjoyed this Fan Theory Thursday!
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thedeadhandofseldon · 3 years
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The Anti-Mercer Effect
On the Accessibility of D&D, Why Unprepared Casters is so Fun, and Why Haley Whipjack is possibly the greatest DM of our generation.
(Apologies to my mutuals who aren’t in this fandom for the length of this, but as you all know I have never in my life shut up about anything so… we’ll call it even for the number of posts about Destiel I see every day.
To fellow UC fans - I haven’t listened to arc 4 yet, I started drafting this in early August, and I promise I will write a nice post about how great Gus the Bard is once I get the chance to listen to more of his DMing).
Structure - Or, “This is not the finale, there will be more podding cast”
So, first of all, let’s just talk about how Unprepared Casters works. Because it’s kind of unusual! Most of the other big-name D&D podcasts favor this long, grand arcs; UC has about 10 hours of podcast per each arc. And that’s a major strength in a lot of ways: it makes it really accessible to new listeners, because you can just start with the current arc and understand what’s going on!
And by starting new arcs every six or seven episodes, they can explore lots of ways to play D&D! Classic dungeon delve arc! Heist arc! Epic heroes save the world arc! Sportsball arc! They can touch on all sorts of things!
And while I’m talking about that: Dragons in Dungeons, the first arc, makes it incredibly accessible as a show - because it lets the unfamiliar listener get a sense of what D&D actually is. (It’s about telling stories and making your friends feel heroic and laugh and cry, for the record). If I had to pick a way to introduce someone to the game without actually playing it with them, that arc would definitely be it.
And I’d be remise not to note one very important thing: Haley Whipjack and Gus the Bard are just very funny, very charismatic people. Look. Episode 0s tend to be about 50%(?) those two just talking to each other about their own podcast. It shouldn’t work. And yet it DOES, its one of my favorite parts, because Haley and Gus are just cool.
And a side note that doesn’t fit anywhere else: I throw my soul at him! I throw a scone at him - that’s it, that’s the vibe. The whole podcast alternates between laughing with your friends and brooding alone in a dark tavern corner - but the laughs never forced and the dark corner is never too dark for too long.
Whipjack the Great - Or, the DM is Also a Player!
I think Haley Whipjack is one of the greatest Dungeon Masters alive. The plots and characters! The mechanical shenanigans! The descriptions!
Actually, let’s start there: with the descriptions. (Both Haley and Gus do this really fucking well). As we know, Episode 0 of each arc sees the DM reading a description - of a small town, or the Up North, or the recent history of a great party. And Haley always strikes this tricky balance - one I think a lot of us who DM struggle with - between giving too much description and  worldbuilding, and not telling us anything at all. She describes people and events in just enough detail to imagine them, but never so much they seem static and unreal - just clear enough to envision, but with enough vagueness left to let your imagination begin to run wild.
While I’m thinking about arc 3’s party, let’s talk about a really bold move she made in that arc: letting the players have ongoing control of their history. Loser Lars! She didn’t try to spell out every detail of this high-level party’s history, or restrict their past to only what she decided to allow - she gave them the broad outlines, and let them embellish it. And that made for a much more alive story than any attempt to create it by herself would have - but I think it takes a lot of courage to let your players have that agency. Most Dungeon Masters (myself included) tend to struggle with being control freaks.
And the plots! Yeah, arc one is built of classic tropes - but she actually uses them, she doesn’t get caught up in subverting everything or laughing at the cliches. And it’s fun! In arc 3, there really isn’t a straight line for the players to follow, either - which makes the game much more interesting and much trickier to run. And her NPCs are fantastic and I will talk about them in the next section.
Above all, though, I think what is really impressive is how Haley balances mechanics, and rules as written, with the narrative and rule of cool - and puts both rules and story in the service of playing a fun game. And the secret to that? She’s the DM, but the DM is a player, and the DM is clearly having fun. Hope Lovejoy mechanically shouldn’t get that spellslot back, but she does, and it’s fun. The changeling merchant in Thymore doesn’t really make some Grand Artistic Narrative better, but wow is it fun. And she never tries to force it one way or the other - the story might be more dramatic if Annie didn’t manage to banish the demon from the vault, but it’s a lot cooler and a lot more fun for the players if Annie gets to be a badass instead - and the rules and the dice say that Annie managed it.
Settings feel like places, NPCs feel like people, and the narrative plot feels like a real villainous plot.
Anyway. I could go on about the various ways in which Whipjack is awesome for quite a while - she’s right, first place in D&D is when your friends laugh and super first place is when they cry - but I’m going to stop here and just. Make another post about it some other time. For now, for the record I hold her opinions about the game in higher esteem than I do several official sourcebooks; that is all.
Characters - Or, Bombyx Mori Is Not an Asshole, And That Matters
Okay, I said I would talk about characters! And I will!
Just a general place to start: the party! All of the first three parties are interesting to me, because they all care about each other. Not even necessarily in a Found Family Trope sort of way, though often that too. But they generally aren’t assholes to each other. The players create characters that actually work together, that are interesting; even when there’s internal divisions like SK-73 v. Sir Mr. Person, they aren’t just unpleasant and antagonistic all the time. Listening to the podcast, we’re “with” these people for a couple hours - and it isn’t unpleasant. That matters a lot. (To take a counter-example: I love Critical Role, but the episode when Vox Machina pranked Scanlan after he died and was resurrected wasn’t fun to listen to, it was just uncomfortable and angering and vaguely cruel).
All of the PCs are amazing, and the players in each arc did a great job. If you disagree with me about that, well, you have the right to be incorrect and I am sorry for your loss. Annie Wintersummer, for one example: tragic and sad and I want to give her a hug, but also Fuck Yeah Wintersummer, and also her familiar Charles the Owl is the cutest and funniest and I love him. And we understand what’s going on with Annie, she isn’t some infinite pool of hidden depths because this arc is 7 episodes and we don’t have time for that, but she also has enough complexity to be interesting. Same with Fey Moss: yeah, a lot of her is a silly pun about fame that carries into how she behaves, but a lot of how she behaves is also down to some good classic half-elven angst about parenthood and wanting to be known and seen and important. (Side note: if your half-elf character doesn’t have angst, well, that’s impressive and also I don’t think I believe you).
There are multiple lesbian cat-people in a 4-person party and they both have requited romantic interests who aren’t each other. This is the future liberals want and I am glad for it.
Sir Mister Person, the human fighter! Thavius, the edge lord! Even when a character is “simple,” they’re interesting, because of how they’re played as people and not action-figures. And that matters a lot.
In the same way: the NPCs. There really aren’t a lot of them! And some of them come from Patreon submissions, so uh good work gang, you’re part of the awesomeness and I’m proud of you! The point being, the NPCs work because enough of them are interesting to matter. It’s not just a servant who opens Count Michael’s door, it’s a character with a name (Oleandra!) and a personality and history. They’re interesting. Penny Lovejoy didn’t need to be interesting, the merchant outside the Laughing Mausoleum didn’t need to be interesting, but they ARE! And Haley and Gus EXCEL at making the NPCs matter, not just to the story but to us as viewers. I agree with Sir Mister Person, actually, I would die for the princesses of the kingdom. I actually care about Gem Lovejoy of all people - that wouldn’t happen in an ordinary campaign! That’s the thing that makes Unprepared Casters spectacular - and, frankly, it’s especially impressive because D&D does not tend to be good at making a lot of interesting compared to a lot of other sorts of stories.
And, just as an exemplar of all this: Bombyx Mori. Immortal, reincarnating(?), and described as the incarnation of the player’s ADHD. I expected to hate Bombyx, because as the mom friend both in and out of my friend-group’s campaigns, the chaos-causer is always exhausting to me. And yeah, Bombyx causes problems on purpose! But! She is not an asshole.
And that’s important. Bombyx goes and sits with the queen and comforts her. Bombyx gives Annie emotional support. Bombyx isn’t just a vehicle to jerk around the DM and other players; Bombyx really is a character we can care about. To compare with another case - in the first couple episodes of The Adventure Zone, the PCs are just dicks. Funny, but dicks. Bombyx holds out an arm “covered in larva” to shake with a count, and robs him of magical items, but she also cares about her friends and other people! She uses a powerful magical gem to save her fertilizer guy from death! Yeah, Bombyx is ridiculous, but she’s not just an asshole the party has to keep around for plot reasons; you can see why her party would keep her around. And one layer of meta up, she’s the perfect example of how to make a chaotic character like that while still being fun for everyone you’re playing with, which is often not the case. And I love her.
The Anti-Mercer Effect - Or, “I think we proved it can be fun, you can have a good time with your friends. And it doesn’t have to be scary, you can just work with what you know”
The Mercer Effect basically constitutes this: Matthew Mercer, Dungeon Master of Critical Role, is incredible (as are all of his players). They’re all professional story-tellers in a way, remember, and so Critical Role treats D&D like a narrative art-form, and it’s inspiring. Seeing that on Critical Role sets impossible standards - and people go into their own home games imagining that their campaigns will be like Critical Role, and the burden of that expectation tends to fall disproportionately on the DM. And the end result, I think, of the Mercer Effect is that we get discouraged or intimidated, because our game isn’t “as good as” theirs. (And I should note - Matt certainly doesn’t want that to be our reaction).
So the Anti-Mercer Effect is two things: it’s D&D treated like a game, and it’s inspiring but not intimidating. And Unprepared Casters manages both of those really freaking well. Because they play it like a game! A UC arc looks just like a good campaign in anyone’s home game. They have the vibes of 20-somethings and college students playing D&D for fun because that’s who they are (as a 20-something college student who plays a lot of D&D, watching it felt like watching my friends play an especially good campaign). They’re trying to tell a good story, sure, and they always do. But first and foremost, they’re trying to have fun, and it shows, and I love the UC cast for it.
And that’s the other half of it: it’s inspiring! It’s approachable; you can see that Haley and Gus put plenty of work into preparing the game but it also doesn’t make you feel like you need hundreds of pages of worldbuilding to run a game. Sometimes a cleric makes Haley cry and she gives them back a spell-slot from their deity! That’s fantastic! It’s just inspiring - listening to this over the summer, when my last campaign had fallen apart under the strain of graduation, is why I decided to plan and run my new one!
That quote from Haley Whipjack that I used as the title for this section? That’s the whole core of this idea, and really, I think, the core of the podcast.
The Mercer Effect is when you go “that’s really cool, I could never do that.” But Unprepared Casters makes you look at D&D and go “wow, that looks really fun. I bet I can do that!” And I love the show for it.
And I bet a lot of you do too.
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lightns881 · 4 years
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DTeam Tumblr Demographics Survey Results (Part 1):
The Gifted Child Syndrome is Real with this One...
*Rubs hands together in preparation for some juicy data and in-depth analysis of the typical member of the DTeam Tumblr community*
Ooooooooh boy! Here we go!
I want to start of by thanking you guys for over 400 responses to the demographics survey! Y’all have no idea how much I appreciate it! We have so much to cover, so I’m going to divide up different sections of the survey into several posts to make it more digestable and do justice to each topic explored in the form! We’re going to start of with, you guessed it, personality types!
Strap yourself in because we’re about to thoroughly dissect your sub-conscious innerworkings and find out how the typical DTeam Tumblr Fan thinks! (And judging by the majority personality types, you guys will probably enjoy it)
The Delicious Data
From the 449 responses we received, this is a pie chart displaying the personality types of all respondents.
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Image Description: INFP (40.5%), INTP (15.1%), INFJ (8.9%), INTJ (8.9%), ISFP (6.9%), ENFP (4.2%), ISTP (4.0%), ENTP (3.8%), ESFP (1.6%), ISFJ (1.6%), ENTJ (1.3%), ENFJ (1.3%), ISTJ (1.1%), ESTP (0.4%), ESFJ (0.2%), ESTJ (0%)
In comparison, this is a pie chart displaying the personality type percentages of the population as a whole according to the MBTI website.
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Image Description: ISTP (14%), ESFJ (12%), ISTJ (12%), ISFP (9%), ESTJ (9%), ESFP (8%) ENFP (8%), ISTP (5%), INFP (4%), ESTP (4%), INTP (3%), ENTP (3%), ENFJ (2%), INTJ (2%), ENTJ (2%), INFJ (1%)
I don’t know about you guys, but I’m sensing a tiny difference here... Oh, right!
INxx’s on the Loose!
It’s funny. When I first found one of the 18+ DTeam fan servers through Tumblr, I asked everyone what their personality type was. I was pleasantly surprised when a lot of them told me they were INFPs like me!
It actually reminded me of MatPat’s (Game Theory) survey for one of his Life Is Strange theories that found the majority personality there was also INFP...
Funny enough, can you guess what the second leading personality on that survey was? The third? The fourth?
You probably guessed it right. MatPat found that out of the fans who responded, the leading majority was INFP while INTPs came in second, INFJs came in third, and INTJs came in fourth. The exact order for the personality types in DTeam Tumblr.
But why is it that some of the rarer personalities of the world are dominating DTeam Tumblr or Game Theory’s fanbase? What is it about these communities that attract the rare introverted Intuitive Perceivers (INxP) and Intuitive Judgers (INxJ) of the world like magnets?
The Gifted Kid Syndrome
To answer this question, first we have to examine our leading personalities. As we can see from the data, INFPs and INTPs make up 55.6% and INFJs and INTJs make up 17.8% of the total respondents. That’s nearly 3/4′s of the DTeam Tumblr population made up of INxx types!
Now, here’s me calling y’all out.
A lot of you probably relate to the quiet kid sitting at the back of the classroom who’s put into some type of TAG, gifted program, or some authority figure has probably called you smart and/or “gifted” at some point in your life. Academics probably came easy to you at one point, maybe they still do.
You’ve probably felt your chest swell up at the shower of compliments about your intelligence and at another... you’ve probably felt like people put you in a pedestal and overrate you so you’re stuck with this inherent fear of failure, and it causes you to completely shut down when the things that came easy to you at one point no longer do so. 
It’s gifted kid syndrome hitting you like a brick to the face. And if it hasn’t yet, oh you’re in for a surprise, honey.
And I’m sure many of you have come across funny, relatable posts like this:
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And you want to know why most of you relate?
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Image Description: INTP, INTJ, INFP, anf INFJ’s rate the highest in a giftedness per MBTI Type chart
No. You’re not hallucinating. It’s not even a joke at this point. It feels true because it probably is true.
(Granted, the study that captured similar results to this graph is long lost to the internet, but the best source I found with it was a reddit post I will be citing in the reblog.)
Now, my next point is where we find a split.
INFPs and INTPs and their Need to Question Everything (even if it’s about one sentence [insert creator here] said that one time during a 4-hour long stream)
The strongest connection I found between the two leading personalities of DTeam Tumblr is they share Extraverted Intuiting (Ne) as their auxiliary cognitive function.
I’ll use a quote that explains Ne better than I could ever explain it in my own words:
“Extraverted intuition or Ne is very much focused on patterns and making connections from information they gather... Ne dominant users enjoy being able to explore things in a much more open manner, not wanting to feel closed off to the possibilities around them... They are also highly imaginative people, who enjoy being able to come up with unique hobbies and experiences... They are not afraid of imagining things which seem almost impossible to others... [For INFPs,] Ne is what creates this detailed and incredible thoughts process which keeps them busy for long periods of time.”
And another:
“Auxiliary Ne manifests in people constantly questioning the world around them, but unlike ENxPs, they can be more pick and choose about this. But generally, they don’t take people, things and events at face value.“
Now, think about the community you’re in right now. Think about the post you’re reading at the moment.
DTeam Tumblr is full of over-analysis posts, whether about Dream and George’s secret love for each other or about the inherent problems with Dream’s shipbait and gay jokes or theories about what’s going to happen next in the dream SMP lore and the dramatic betrayals and creator’s descend into madness and more theories about sexuality and charts depicting creator’s personalities and what they’d be likely to do in different scenarios and... ooof, I’m out of breath here. You get my point.
DTeam Tumblr is literally a group of ex-gifted or gifted introverted people who love to read or write analysis, theory, and discussion posts about sweaty Minecraft Youtubers because they’re probably too overwhelmed by real life and find joy in obsessing over “dumb” things.
That’s it. That’s literally the post. I might as well end there.
But I won’t. 
Because obsessions is exactly what I want to focus on next.
The Inherent Nature of the INFP and their “Micro-Obsessions”
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This is me having a one-to-one conversation with all my INFPs reading this.
Do you sometimes just set your mind on a goal--like, let’s say, writing a book--and you spend so much time obsessing over it to the point where you burn out and suddenly it never sees the light of day because you move onto your next goal or obsession because now you’re getting ready to launch your freelance website so you can start a business on [insert new hobby here]?
Or do you just suddenly find a fandom or a show or a channel you really enjoy and you spend the next few months doing nothing but engaging with it and reading fanfiction and drawing fan art or making dumb analysis posts on your main Tumblr account where suddenly you get an influx of followers from that community and now people are expecting you to just post about MCYT!?
Oh, sorry, I got a little carried away at the end there...
Anyhow, my point is, do you ever develop an obsession over something all the sudden only for it to just disappear when you find something new or just fall into the deep crevices of your mind only for it to maybe reemerge a few years later after you get a deep sense of nostalgia remembering it?
I call them micro-obsessions. And I recently found out, I’m not the only one who does this!
Here’s another quote for you: 
“According to Carl Jung’s theory of cognitive functions, when an INFP makes a decision, Ne comes in second to another process known as Introverted Feeling (Fi). Fi does not use logic to make a decision. It uses how we feel about the decision according to our values. In other words, it asks, “Which choice feels right for me?”
Ne, on the other hand, craves new ideas and experiences to explore, which causes INFPs to always be on the lookout for something novel.
Unfortunately, INFPs can get stuck in a loop, going back and forth between their Ne and Fi. They search to understand their values by constantly trying new things. They ask themselves, “Does this feel right?” then throw it over their shoulder as they move on to something else.”
So, you’re probably asking right about now, Light, how the heck does any of this have anything to do with the Dream Team and MCYT!?
Well, my friend, it has EVERYTHING to do with the Dream Team and MCYT and DTeam Tumblr as a whole.
Because INxx’s are predisposed to end up in places like this--fandoms on Tumblr, channels that speculate whether Mario is evil, watching dramatic Minecraft smp wars and elections as opposed to looking at the news that depicts Murphy’s Law as 2020′s new favorite epigram. 
The introvert in them causes them to prefer socializing in small communities online where they’re not forced to engage in conversations if they don’t want to or put into uncomfortable situations where they have to talk to that one friend of their friend who wants to make meaningless small chat.
Their Intuition causes them to wonder into places like Tumblr where they can engage in deep discussions about their newest obsessions, and they won’t be judged for writing a 500+ word post about why Dream’s shipbait tactics are a genius algorithm strat or simping over sweaty Minecraft boys.
DTeam Tumblr is a safe haven for INFPs and INTPs who might be placed in the “other” category or marked as weird for being interested in “childish” entertainment or being different from the general population overall, whether that’d be sexuality, point of view, age, gender, etc. A place where you can fully be yourself and not have to worry about disappointing people.
INFPs are predisposed for drowning themselves in their micro-obsessions to avoid all of the madness in the world--even if that means giggling like a little girl while reading memes about your favorite Minecraft YouTube creators.
That is a deep-dive into the mind of a typical DTeam Tumblr user. What do you think? Is it accurate at all? Is it completely off? Let me know in the comments!
And with that, I digress. I’m not sure whether I’ll be covering general demographics next week or diving into the topic of ships (could be a mix of both), but I will be posting about it eventually, so make sure to hit the follow if you got to the end of this post and enjoyed it or learned something new from it!
Friendly reminder that this survey and post is in no way supposed to be taken 100% seriously. These are just the ramblings of a math major INFP with too much time on her hands and way too big of an obsession for MCYT. My asks are always open for literally anything, whether if you want to ask me about this or any DNF related subject, my own opinions, or just criticize the whole of this post and tell me it’s complete trash! I’ll answer as long as it’s appropriate!
And, again, thank you everyone who filled out the survey. Without y’all, this post wouldn’t be possible. I really enjoyed writing it! Adios!
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After that gorgeous sequel rant, would you be willing to share your thoughts on reylo?
Ugh.
Once again, that is the most succinct, easiest, answer I can supply. But it's so short, and that just won't do.
I mentioned in a recent post that Dramione comes in a myriad of disguises. Every fandom usually has at least one Dramione ship, you can usually guess which characters the ship will consist of, and while you might not be able to articulate exactly what about it makes it so damn similar to Dramione you will recognize it on sight.
Usually, to me, a Dramione ship features a strong, independent, female lead who may be varying levels of sexually empowered, varying levels of intelligent (Hermione loves to tell us how smart she is but it's not the heart of the ship), is strong, courageous, and noble who depending on the story du jour might slide into depravity.  The real give away is her love interest, always a man, usually a young man of comparable age, who has the bad boy appeal that's not too bad boy where he often is redeemed to the good side for 'reasons' in the course of the story.
Reylo is such a Dramione pairing.
You don't believe me? Look at the authors who write it, I haven't done this too often myself, but I guarantee you that a not small majority of them will either write Draco/Hermione or will have it all over their favorites and bookmarks. It's the same damn pairing.
But worse.
Because Kylo-Ren and Rey aren't really characters.
"Whoa, hold up!", you say, "That's just slander and uncalled for!" Well, change my mind. Rey Palpatine and Kylo-Ren are a series of character tropes and archetypes thrown to us by Disney screaming "LOVE MY CHARACTERS".
Rey is our noble, very Luke like, hero who is a scrappy desert rat with overwhelming mystical powers only acknowledged when the movies feel like acknowledging them (guys, admit Rey kicked Kylo-Ren's ass every time they fought with 0 training, come on, it's not hard).
However, there is nothing underneath her surface. Her hero worship of the resistance feels dull and given to her because it's expected. Of course Rey likes the resistance! The resistance is great! Sign her up! Rey has been living in the desert at the edge of nowhere for presumably 15 years, I'm shocked she's even heard of the new republic let alone the resistance. Despite essentially starving and only having a home that's a broken down old fighter, Rey saves a random droid. We're not really given a compelling reason of why she would do this, that she has a deep respect for droids/is horrified by their use, really really really hates the random trader she sells things to, or really really really hates the empire (if she even realizes it's them behind the bounty). She does it just so that a) the plot keeps moving b) to show Rey is... noble... I guess?
Remember that even Luke (who I have some problems with as a character) started his journey with more backstory and personality than this. Luke loved the empire and desperately wanted to become a pilot. He was very put out that his aunt and uncle kept saying, "Uh, no, bad idea." Luke was ready to skip town and sign on up for flight academy, he just got distracted by pretty women, er, his sister.
So, Rey is never given a compelling reason to do any of the things she does in the series. Just vague feelings of hero worship. And, of course, the drama over her parents. Just... I feel like Disney took out a hat, put a bunch of pieces of paper with words on them, and drew out the one that said "orphan angst about parents" and said "See, now she's conflicted! What a character!"
So yeah, Rey is your cardboard generic hero who is so generic she's not even a person. She has no hopes, no dreams, no fears, just these vague things we're told as an audience she cares about but never shown in any legitimate manner. Rey likes the resistance and rando droids, Rey imprints on Han Solo as the father she never had, Rey has this thing about her parents, Rey is attracted to Kylo Ren.
And that last one, oh boy that last one. It sold me less on the attraction to Kylo Ren than... oh... I don't know... Palpatine's secret Sith planet of doom. I mean, we all saw it coming, The Last Jedi it was very clear where that was going and then Abrams went for it even harder. But what we had was a series of skype conversations where Rey went from "Gr, you killed my pseudo father!" and Kylo-Ren responding, "Yeah, well he was my real father AND HE WAS SO MEAN" to "Oh Ben, I will fly to you through space and we shall save the galaxy together!"
I am given no reason to believe Rey's change of heart. Han Solo's death just suddenly... doesn't really mean much to her anymore (the man was murdered by his son in cold blood so that his son could feel better about himself). She believes Ben Solo is good now because Luke is a dick (never mind that, no matter what a dick Luke is, Ben Solo still murdered dozens of children and then went on to gleefully massacre his way through the galaxy). We're told there's a Force Dyad, which is um... not this thing the writer's made up because they were too lazy to convince me that Kylo-Ren and Rey would end up together in any organic way.
So, yeah, why does Rey like Kylo-Ren? Because the Force told her too? Because it was somehow all Snoke's fault in a way that's never properly described? (Indeed despite us spending quite a bit of time on Kylo-Ren's decision to remain Kylo-Ren being a very internalized thing) Because we saw him shirtless in yoga pants this one time?
It's bad when that last is actually the most legitimate reason I can think of out of the whole lot.
Now let's go to Kylo-Ren. If Rey is boring and nonsensical then Kylo-Ren is a dumpster fire and non-sensical. The guy reminds me a lot of Commodus from the film "Gladiator", the man is cowardly, vile, and murders his father in despair that his father never will be capable of loving him/passes him over for the throne. Kylo-Ren's murder of Han Solo is extremely similar to the murder of Marcus Aurelius in "Gladiator". Han Solo is a flawed father, trying to make his peace with his son, who approaches him unarmed and Kylo-Ren decides to murder him in order to solidify his place in the dark side.
Only, the films never acknowledge that every action Kylo-Ren takes is horrifying.
We're told "oh, Kylo-Ren exists because evil Snoke corrupted him" but also shown repeatedly that Kylo-Ren chooses the darkest path again and again and again. He "struggles with the light" but I don't see it. His opening scene, he has massacred a village and is torturing a man for information (this is presumably a daily routine for him). In the same film he later tortures Rey for information. He serves on a Death Star which wipes out billions in an instant. He murders his father to feel good about himself. He dresses as a man who was reviled and feared throughout the galaxy, a man who murdered countless children, and a man who dressed the way he did because he was barely hanging onto life, because Kylo-Ren thinks it makes him look like a badass. Think about it, this is like if a fully abled Kylo-Ren is wheeling around in a wheel chair, perfectly capable of walking, because he thinks that Professor X is so cool. Now, replace Professor X with Hitler, this is what the movies gave us.
Yet, the films seem to take it for granted that Kylo-Ren is a redeemable character. He's just lost and misguided, he's really struggling with the light and dark side! They don't just tell us this over and over again (which they do) but also just assume we know it.
And base the entire Reylo pairing off of it. Reylo believed Kylo-Ren could be redeemed, they battle Snoke together, then Kylo-Ren stabs her in the back and continues the assault on the Resistance and asks her to be his Dark Queen (TM). Reylo is shocked and appalled, I'm just wondering what movie she thought she was watching, because that was coming a mile away.
Later, when Kylo-Ren is redeemed, we're never given a reason why it happens. Leia just gives him a nagging, one word, phone call and then Han Solo shows up to go, "Ben, are you going to do the right thing?" and Ben goes, "Mumble, grumble, fine" because there's only an hour left in the last film.
Kylo-Ren, like Rey, is the writers' desperate attempt to create a compelling anti-hero with all the anti-hero sauce we love. They just won't admit they made an overgrown genocidal toddler.
Wow, this turned into why I hate both Rey and Kylo Ren, but, uh, back to the ship. Basically, the films give me 0 reason to ever believe it, and even if I wanted to, even if I said "Alright brain, let's make these characters real people for once", I still wouldn't like it. Because the ship itself is just as flat as the characters. It's spicy but not too spicy bad boy gets together with strong female lead.
I know a lot of people enjoy this, and I won't say it's any less legitimate than any of the weirdness I ship, but I'm not one of them. And the whole thing just makes me go "ugh".
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scuttling · 3 years
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Bully
Fandom: Criminal Minds Pairing: Aaron Hotchner/Latina OFC Sophie Cortes Word Count: 2,249 Tags: SFW, Pre-relationship, Supportive Aaron Summary: A case in Chicago means the team is introduced to someone from Sophie's past. Collection: Sophie Cortes timeline, 0-6 Months at the BAU (See Masterlist for reading order) Link to AO3 or read below! “Alright, we’ve got a case in Chicago,” JJ says as they gather in the briefing room on a Wednesday morning. “The detective there is… how do I put this? He’s a real asshole, but they need our help, so just prepare yourselves for one of those.” She passes out the case file, and Cortes tenses beside Hotch, a shift in demeanor he can almost feel, though they are sitting a foot apart.
“Please tell me, just to ease my mind, JJ—it’s not the 54th precinct, right?” She looks up with a grimace, and JJ nods.
“Sounds like you know the guy. Detective Jeffrey?”
“Fuck. Yes, I know him.” She puts an elbow on the table, leans her forehead into her hand, sighs. “He’s like the anti-Hotch: cruel, impulsive, hotheaded, blames his failures on his coworkers. This guy is going to give us grief the whole way, especially if I’m there.”
“Is there a reason for him to be aggressive toward you? Did you pass him up for promotions, accolades?” he asks, and she looks up at him, frowns.
“He’s a misogynist, and a racist, for starters. Wanted a spot on the tactical response team and didn’t get it because he can’t take orders, which had nothing to do with me, but you know how narcissists project.”
“Nothing is actually ever their fault,” Reid says, filling in the blanks.
“Exactly. I was the most convenient target for his anger. So, of course I want to do my part, I’m just letting you know there’s a lot of hostility there so you aren’t blindsided.” The team seems collectively a little more tense—no one messes with one of their own—and Hotch nods thoughtfully.
“You’re with me while we’re there, then. If he wants to give you a hard time, we won’t make it easy.”
“Okay. Thanks.” She exhales, turns back to the case file, and JJ continues with the briefing.
He takes her aside once they’re on the jet.
“Can we talk for a moment?” he asks, standing by the open seat next to hers, and she gestures to it.
“Sure. Is it about what I said earlier, about Jeffrey?”
“Yes and no. I trust your judgement; if this guy is going to be a pain in our ass, I want to have a game plan going in so things move as smoothly as possible.” She closes the folder in her lap, nods, gives him her full attention. “First and foremost, you can not let him get to you.” She leans back against the window, sighs.
“I know. It’s just hard, like going back to high school and facing your old bully.”
“I get it. From what you’ve told me, this guy is going to have all of us on edge, but you know the precinct, the area, some of the officers; the team is going to look to you a lot while we’re here. You need to be firm, authoritative, but not antagonistic. Most importantly, you need to be confident. Don’t second guess yourself because of this jerk we’re dealing with.”
“I know that giving in and getting mad is what he wants, so I’m going to try my damndest not to give it to him.” She laughs a little, like it’s easier said than done, and he maintains eye contact, wills her to see how much he really does trust her with this. “I really appreciate this, Hotch.”
“It’s what I’m here for.”
“I know. But you show your faith when it really matters, and not everyone in your position does that. You should know how much it means to us.” Her words warm his heart, and not just because it’s her who’s saying them. He knows he comes off like a drill sergeant sometimes, but it’s all for good reason. He just wants to take care of his team, keep them safe.
“Thank you. The job is tough; I try to support you guys anyway I can.”
“It shows. Thanks for having my back,” she says softly, tilting her head, and then she sighs and smiles, sits up in her seat. He’s known her long enough to be able to tell when things are getting a little too heavy for her, knows she’s looking for lightness, now. “If we have time for drinks after this case, we have to go to Tito’s, just putting it out there.” Morgan hears her, leans over from his seat across the aisle.
“Tito’s! I haven’t been there in years.”
“Neither have I. They have the best portobello tacos in Chicago. Drowning in chimichurri,” she says to Hotch, and he smiles a little at her excitement. “Give me a Corona and lime and a plate of tacos and I’ll forget all about Douglas fucking Jeffrey.”
“We’ll see what we can do,” he says, and he spends the rest of the trip sitting between the two of them as they reminisce about their favorite things about Chicago.
He actually really enjoys it.
When they arrive at the precinct, she is decidedly less jovial, and Hotch immediately understands why, when he introduces himself to Detective Jeffrey.
“Cortes, good to see you again,” he greets, while his expression tells a different story entirely. “Are you his... assistant?” He pretends to be confused, and JJ bristles beside them at the implication, but Sophie remains impassive, doesn’t even look tense. It’s possible his pep talk had more impact than he thought.
“She is no one’s assistant, she’s a supervisory special agent with the FBI just like me, and she will be taking point on this case. I expect you to defer to her expertise,” Hotch informs him with no room for misunderstanding in his tone. Again, if she’s surprised, she doesn’t show it, just continues reading over the case file provided.
“No offense, but this is a serial killer we’re talking about. It’s worlds away from chatting up a meth addict CI in a McDonald's parking lot.” She does close the file at that, and it appears to him that she can handle personal insults just fine, but that jabs at her work are where she gets defensive.
“You wouldn’t have closed half of your cases if it weren’t for my CIs, and you know it. But I’m not in Intelligence anymore, I’m a profiler, and I’m good at what I do.” She crosses her arms, exhales, and turns away from him, a clear dismissal. “Hotch, Prentiss, and I will go to the crime scene. Reid and Gideon will meet with the second victim’s wife, Morgan and JJ will work victimology, and we’ll reconvene here.”
“You got it, boss,” Morgan says, taking a seat, and in times like these he is really proud of his team. He knows as well as Sophie what it means to show Jeffrey that an alpha male like Morgan will take her orders, and Morgan took them and ran. He hides a smile.
They are unfortunately stuck with the detective when they are rerouted to a new crime scene as another body is found, but Hotch isn't worried. It will be a great place for her to show him what she can do.
“What do we know about the victim so far?” Sophie asks Jeffrey, her posture open.
“Sheila Lapinski, 27, hooker.” Prentiss rolls her eyes behind his back. “No one has reported her missing, no next of kin anywhere we can find. Coroner puts her time of death between 3 and 5 AM.”
“Does she have a record?”
“Osele’s pulling it now,” he says with a sigh, and she stops scanning the scene, looks to him with a cocked brow.
“Then how do you know she’s a prostitute?” He chuckles, puts out his hands like the answer is obvious.
“You know where we are. They’re like fleas around here, infesting, multiplying.” Cortes crouches down and lifts the sheet covering the victim, who is wearing a cardigan, pencil skirt, and flat shoes.
“She dressed like a prostitute to either of you?” she asks, looking up at Hotch and Prentiss, and he shakes his head, though he’s not sure why he’s surprised; the detective may actually be worse than she described him. Prentiss bends down, looks like she’s trying not to smile.
“No. She looks more like a school teacher, actually.”
“I’m telling you, they call this—pardon my French—” Sophie stands, crossing her arms, and cuts Jeffrey off.
“Pussy Alley. I know what guys like you call it. But you have no evidence this woman is a sex worker, and if she’s not, it’s extremely important that we find out how and why she was dumped here.” An older, bearded detective walks up to them, notebook open, and he smiles at her.
“Hey, Cortes. Nice to see you again, though not under the circumstances.”
“You too, Osele; these are Agents Hotchner and Prentiss. I worked with Osele in Intelligence way back when.” They all shake hands, and she nods to his notebook. “You have her record?"
“Yep, she’s squeaky clean. Not so much as a parking ticket.” Sophie shares a look with the both of them, and Jeffrey splutters.
“That’s—that’s not possible.”
“I think you’ll find that plenty is possible when you open your eyes, Detective,” Hotch can’t resist replying. Cortes crouches down again.
“There are no signs of a struggle. The bottoms of her shoes aren’t worn. Her clothes are clean, not cheap; hair done recently, not cheap.” Jeffrey puts his hands on his hips, all but rolls his eyes.
“Ah, there’s some hard hitting detective work.”
“You’re not even attempting to prove your theory that she’s a prostitute, so we’re disproving it for you,” Prentiss explains, pulling out her phone. “Easily. Garcia,” she begins, and she steps away from them to talk to the tech.
“What else do you see?” Hotch asks softly, meeting her on her level. “Anything that indicates occupation?” Her eyes are focused as she scans the victim, lifts her hand to examine her nails, her lip to examine her teeth.
“She has ink smudges on her hands, so she could be a teacher, but she could also be a receptionist, writer, accountant, secretary, bank teller… any type of administrative professional. She’s got a fresh manicure, teeth are in good health, so I’d bet she’s got insurance or has had it recently. No wedding ring, she’s too old to be on her parents’, so all signs point to a steady job.”
“Okay, there is no god damn way you can tell if she’s got health insurance just by looking at her.” She stands, and Hotch follows, covering the body with the sheet.
“No, you’re right, I can’t. It’s an educated guess based on analysis and not snap judgement. Do you have any insight into this case, aside from the fact that you think she’s a sex worker because of where she was found?”
“There’s not much to go on. Sometimes these cases go unsolved.” It’s then that Prentiss returns to them, and this time she is smiling.
“I had Garcia run our victim’s info, and it doesn’t look like she’s currently employed—no recent bank deposits, appears to be living off of her savings.”
“So not a teacher after all,” Jeffrey states, looking smug, and Hotch waits patiently, because he knows there’s more.
“Not right now, but she just moved to the area from a suburb called Evanston, and she was a third grade teacher there for two years. Private school, really nice place. Great insurance.” Sophie looks at her like something she said clicked, and she pulls out her phone.
“The ink on the heel of her hand could be from a newspaper; maybe she’s job hunting.”
“Wasn’t our first guy unemployed?” Prentiss recalls. “We should have Gideon and Reid ask his wife if he’s been job hunting. Could be a connection.”
“I’ll call Reid.” The fact that the victims were job hunting is what breaks the case. They work late into the evening, but they’re actually able to find the unsub—a man posing as a prospective employer only to people who are new to the area—relatively quickly once they put it all together.
The officers who remember Sophie from her time in Chicago are all clearly impressed with her and the team, and it makes him very, very proud.
Jeffrey clearly hates how quickly they solved the case, and he enjoys that, too.
That night, they do make it to Tito’s for drinks and Mexican food, and the team goes around the table and talks about their ‘Jeffreys’ in honor of Sophie showing up hers.
Morgan buys them all a round of Coronas in her honor as well, and later, Sophie offers to buy another; Hotch heads up the bar to help her carry.
“Since we’re here another night, is there anyone you’re going to try to see? Catch up with?” he asks while they wait for a few of the drinks. She smiles softly, tucks a hand under her chin thoughtfully.
“No, there’s nothing for me here anymore. Coming back, facing Jeffrey, was my last battle to fight, and you made that possible, so thank you.”
“It was my pleasure to see him knocked down a peg… and to watch you shine.” She reaches out, covers his hand with her own, which he did not expect, and nods back to the table with the rest of their coworkers, their friends.
“Come on. We’re going to have to rein them in soon. I could use a little back up.”
“Any time."
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spnfanficpond · 3 years
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Pond Diving - negans-lucille-tblr
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Welcome to today’s Pond Diving Spotlight! We hope that you enjoy this little insight to our members and perhaps even find some useful tips for your own writing. Happy reading!
Want to volunteer, send us an ask! We’re looking forward to learning more about all of you! Not sure what PD is, you can learn more here.
“Don’t Be Koi About It” - All About You
Name: Bee
Age: 27
Location: Wales, UK
URL: @negans-lucille-tblr
Why did you choose your URL: I had 0 intentions of using my tumblr, as I was posting on AO3 at the time. My user on there used to be negans-lucille, so when I joined tumblr I added the tblr on the end as n-l was taken. And that is how my ridiculous username was born and I’ve regretted it ever since :’)
What inspired you to become a writer: I have a dissociative disorder called Maladaptive Daydreaming, which, put simply, is excess and intensive daydreaming. I live in a dream world 95% of my life, and I realised it was nice to curb that into writing. I wrote my first book at 12, and my English teacher at the time and now friend, encouraged me to keep writing. And now here we are :)
How long have you been writing: I’ve been writing fiction since I was 12, and I ventured into fanfiction at 14 for the McFly fandom (my favourite band). I wrote for them for 7 years before taking a break and coming back to FF with Negan.
What do you do when you are not writing i.e. Job/Hobbies etc? I am the company director at my family business, but I now only work part time as I have a 2 year old son. When I’m not writing or looking after him, I enjoy writing and playing music, playing board games (huge board gamers in this house), and watching crime documentaries mainly.
How long have you been in the SPN Fandom? I joined in 2019, but it’s like I’ve always been here. I am very late to the party, but I at least got to watch the finale at the same time as the rest of the world luckily!
Are you in any other fandoms and do you write for them? The Walking Dead, Walker and The Boys (they are givens I feel) and I dip my toe into Marvel and write for all of those characters (Sometimes) Other fandoms I don’t/no longer write for are McFly, The 1975, Red Dwarf & Harry Potter
Do you do any writing outside of fanfiction? If so, tell us about it? I have written a book called Who Said Love is Perfect? The book opens with the main protagonist, Xanthe being arrested for murdering her boyfriend Mark. The rest of the story is all the events leading up to Mark’s death, including his drug addiction, abusive behaviour, and his cousin Mikey who Xanthe takes quite the liking to…
I have also just finished turning my fic His Property into an original fiction to print and sell (depending when this is posted it might be available now!) and I’ve been working on turning Safe into an original fiction also. I prefer writing fanfiction, though - so that takes up the majority of my time!
Favorite published author: Malorie Blackman (I realise she’s a teen fiction writer but I still adore her)
Have you ever read a book that made an impact on your life? Which one and why?: Broken by Shy Keenan - it’s an autobiography about her horrific childhood, but the end of the book sees her finding peace and happiness and was incredibly uplifting. At the time it inspired me to believe things do get better - sorry that was a heavy answer 😅
Favorite genre of fanfic (smut, angst, fluff, crack, rpf, etc): Smut is definitely my home and anyone who has spoken to me for more than five minutes will know that. I am definitely not discreet about it - but there’s something to be said for a good bit of angst. Also I love putting a dark twist on most if not all of my work.
Favorite piece of your own writing: My Wincest series, “Normal” which you’ll find on my masterlist.
Most underrated fic you have written: Safe or Loyalties Lie
Story of yours that you’d most like to see turned into a movie/tv show: His Property
Favorite Tumblr Writer(s):  ​@little-diable, @firefly-in-darkness and @kittenofdoomage
Favorite fic from another writer:  Dirty Little Secret by @pink1031 has never left me alone.​
Favorite character to write: Dark!Sam is always fun, as is Negan. But fluffy Dean might just take it.
Favorite Pairing to write: Almost all of my fics are reader insert, but if we’re going for OTP then J2 or Wincest
Least favorite character to write (and why): Castiel - purely because he has a very unique personality and I don’t feel I can capture it as well as other writers.
Do you have anyone you consider a mentor? Outside of Tumblr, my former English teacher, I wouldn’t be here without her. On tumblr - @kittenofdoomage is a sweetheart for answering all of my questions, I’ve definitely always looked up to her. But honestly, I don’t know what I’d do without @mummybear listening to me ramble about my fics 24/7 and helping me figure stuff out.​
Do you have any aspirations involving your writing? I’d love to have a published fic and continue to do well with my fanfiction. One day I’d love to earn enough money from writing alone to not have to “Work”
How many work-in-progress stories do you have: I try and keep that number to one as I don’t like to spread my focus too thin. I have several ideas waiting to be written - maybe 8 or 9.
What are you currently working on? I’m currently writing the sequel to Absent, Too Close.
“Pond Diving” - All About The Writing
What/who has had the biggest influence on your writing? I recently read a Wincest fic on Ao3 called The Bright Lights of Disturbia, and that writer’s style really struck a chord with me, and I’ve found it’s really helped shape my writing into something better than before.
Best writing advice you've been given: Write what you’re inspired to. If you are on a roll but a scene isn’t working, make notes and come back to it. I’ve become a big fan of the square brackets. [they argue some more]. You can find and replace when you’re done :)
Biggest obstacle you’ve faced in your writing: The balance between pleasing myself and pleasing my audience. Writing for me and writing for notes/followers. We all want to do well with our writing, but we need to nurture our muse to keep it alive.
What aspects of writing do you find difficult when you write fanfiction? I really struggled with fluff for a long time, but when I had to stop writing smut for the month in Jan, I tackled a fluffy series, and now I’m far more comfortable with that genre. Writing canon within SPN is not my cup of tea, it stresses me out as I’m so bad with things like lore.
Is there anything you want to write but are afraid to (and why): I feel I’m pretty brave in what I’ll write. I used to be against writing real couples, but I had the urge to write something that’s Jenneel x Reader recently, so I broke my own rule and wrote some! It wasn’t as scary as I thought and I’m happy with the result!
What inspires/motivates you to write: My MaDD plays a big part, but also, my husband is a great cheerleader. All my followers and friends on here too - they are definitely the reason I keep writing and posting.
How do you deal with self doubt: Usually whine to my friends about it until I give myself a kick up the backside and remember that I am my worst critic. It’s never as bad as you might think it is.
How do you deal with writer's block: I force myself to write literally anything. Even - Once upon a time Sam was in the kitchen making a sandwich when Dean entered. Don’t be afraid for it to be terrible, you can edit and delete once you’ve unstuck yourself.
Do you plan/outline your story before you start: I don’t necessarily have a proper system. In the past I’ve totally winged one story but then planned chapter for chapter for the next story. My general process nowadays is to wing the first little while, having a general idea of how I want the story to go (it never works out that way), and then once I get more towards the end I might plan the remaining chapters as I’m anal about my stories ending on a chapter that’s a multiple of five 😅🤣
Do you have any weird writing habits: Not necessarily. Thanks to my MaDD I get ticks which means I’ll randomly put my laptop down, stand up, jump around the room and then sit back down. If anyone watched me when I’m alone they’d think I was insane 🤣 I also tend to pull the faces of my characters as I’m writing. Which means I’ve seductively bitten my lip at my computer screen many a time.
Have you ever received hateful comments on your fic and how do you deal with it? Oh yeah, a few. What everyone has to remember is that you are not going to please everyone all the time. We are all unique human beings with unique tastes and you and yours just might not fit someone else’s. That’s okay! And just remember that they are the one with the issue, enough to take time out to post something negative about you/your writing when they could’ve been far more productive with their time. Just keep doing you, and you’ll attract the type of people who do like you and your work.
Conversely: what’s been some of your favorite feedback on your fanfic? I love when someone reblogs with feedback almost as long as the fic, picking out sentences and phrases and commenting on them. I love when people articulate something that I was hoping to portray in a roundabout way because it proves I did my job correctly. People yelling at me is always fun too. I love to tease and I do love a cliffhanger. Some of my favourite feedback has come from @waywardbaby @donnaintx and @samwinchesterjaredjensen
If you could give one piece of advice to a new and/or struggling writer, what would it be?  ​Don’t worry about what you think people want to read. Worry about what you want to write. Some of my best and most popular fics have been stories that were completely self indulgent. I think it shows in your writing that you enjoyed writing it. Especially as a new writer, I know the temptation to write what’s “popular” to build your following is strong, but if you always set out and write the type of stories you enjoy, you will build a following of people who enjoy reading those types of stories! As hard as it is to put into practice, try to not get bogged down in the idea that notes = quality of writing. That is not the case. Some of my favourite fics have a low note count, but are better than some fics I’ve seen/read that have 100s of notes 😘
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nightshadedawn · 3 years
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Persona 5 Royal Playthrough pt3
I ended up going through two Palaces before I could update y’all. Oh well.
...Yeah, no, quit calling me Miss Special Snowflake's boyfriend. It's not happening.
Ryuji, Morgana, and Yusuke having a conversation in the laundromat: "It's like he's our mom," says Ryuji... the mom friend.
Every time Morgana is like "I have to turn into a human so no one else can have Lady Ann!" then expects no one else to hear him makes me laugh. Like, bitch, no.
I have the restaurant in my Thieves Den 'cause I like it. Yusuke, Ryuji, and Morgana are there. They're so precious.
I got a three in a row Tycoon on cutthroat!!!
Ryuji and Ann just keep going "Shoulda figured" and other versions of the statement every time I win.
Ann just rejected Morgana's feelings HARD. I am happy.
Ryuji is too good, honestly. Why would anyone not like him? He's... He's always trying to build the team up, make them proud of themselves and what they've done. I will admit that he has his moments of being not a great human, but they're teenagers who were given absurd powers, so honestly, can you blame them?
I didn't know darts was an actual minigame! There's so many minigames. I'm so happy.
I don't like Akechi. I don't know why some people do. Like, his death scene was a bit... too late for a redemption for me, right after he tried to kill Joker, several times. His pain is understandable, but still... I can't.
Their "two sides of the same coin" also doesn't seem particularly fair. It's totally uneven in everything but color schemes.
Guys, GUYS, please, PLEASE decide whether you're going to react to my teasing or not.
"We don't have to deal with them directly," Ryuji says joyfully about the mafia. Oh you sweet, sweet, innocent child, if only you knew what I do.
I literally can't play this game around anyone else because I tend to yell "BABY!" to Ryuji, Ann, and Yusuke and "BITCH" or "FUCKER" to... a rather long list of villains in this game... and Makoto.
I can literally feel Yusuke's anxiety about his painting when you take him to Leblanc to see Sayuri.
How can you say Yusuke isn't gay when he says everything I do is beautiful?
I love Ryuji's 9th social link. It's LITERALLY written like a confession scene. This also means I kinda hate it because... I can't date him.
Also... PRETTY BOY RYUJI PRETTY BOY RYUJI PRETTY BOY RYUJI
I actually kinda thought that the new scene for Ryuji being a crossdresser is kinda funny??? Is this bad??? I wanna see him in a dress, tho. I gotta agree, he'd be a natural. Not the like, painfully obviously not taking it seriously from the dancing game, though.
Though I do think it's valid that he freaks out when two strange adults come up to him and try to take him somewhere, especially in a place known for being shady, and at night.
...When Ryuji complains about it, I do feel bad about ditching him. Then again, I blame the cat.
Ryuji may be my ideal type on paper, but I'm also highly attracted to Yusuke and this is so totally unfair.
*softly chanting* butlers butlers butlers butlers
Don't mind me just... *makes meticulous plot to avoid having Makoto join the team that i may or may not write a fanfic about*
Makoto is one dumbass bitch. Like, honestly, there's nothing she does that's in any way remotely smart.
...I thought I'd just skip Makoto's scenes until she became relevant, but here I am, still skipping her scenes. Does that mean she’s still irreleveant?
"Witch" I suggest, and Makoto complains! "Would you prefer "Bitch"? I can use that too.
I put Yusuke on the team in the middle of the palace through settings, replacing Morgana, who had been standing right behind me. Which made Yusuke stand right behind me. It looked like he was holding onto my waist and standing uncomfortably close. Bro, babe, I love you, but not in front of my boyfriend and girlfriend!
Just accept the compliment, guys, I'm not going to compliment Queen.
...Opening chests with Ann or Ryuji is just so sweet because they're so affectionate and touchy feely. Especially Ryuji.
Math. Fucking. Sucks. I should not have to use math in a game. I hate this. Obviously it's the Palace Makoto comes in that this happened.
Well, I finished the Palace in a day. I love the feeling. But it was getting close there. Joker and Yusuke were down to no spells...
...Yoshizawa hasn't showed up yet. When is she getting shoehorned in?
WHY IS THE VELVET ROOM RED!?
My very first playthrough I didn't execute a single execution except for the first one we have to do. It  really screwed me over my second playthrough...
...I broke the electric chair. That's certainly something that happened.
147 games of Tycoon later and I've only been a beggar 31 times in total, versus the pure thirty wins in just Cutthroat.
They're in their summer uniforms and it makes make miss warmer weather already. It's fucking snowing outside. Grrrr.
Beat Kaneshiro! ...Wasn't a fan of his new boss battle. I'm even playing on safe mode! But whatever.
Makoto is a DISASTER at Tycoon. She exclusively got beggar all three times I played with her!
...RYUJI YOU CAN'T SAY SHIT LIKE THAT AND NOT LET ME DATE YOU.
Ann, sweeties, baby, you're doing so well.
She confessed to me, then in the call afterwards it was basically insinuated I proposed... WHICH IS LIKE FUCK YEAH 'CAUSE SHE ACCEPTED IT.
It makes me think of the future conversation where they're talking about marriage.
Anyway, if you haven't noticed, l love Ann.
My next playthrough I'm not gong to date her, though. I'm a completionist and I want ALL of the possible awards. But... I refuse to cheat on Ann. So I'll date everyone else then just hang with Ryuji... despite how cringy some of the date things are.
...If Akechi wasn't, you know EVIL and tried to KILL ME, SEVERAL TIMES, I might, MIGHT, like him. But in truth, I think that's really just the Persona 5: Revival talking. We get... into some stuff during that.
I know that either Atlus or the translators know EXACTLY what goes on in the Persona fandom because otherwise "He's too pretty to be wrong" would not be an option when talking to the newspaper girl about Akechi. I have to agree with her that his looks aren't really, you know, awesome enough for that.
Also, I read it as "He's too petty to be wrong" at first and I think that's an accurate sum of his character.
YO AKECHI-FUCK I HAVE NO NEED TO SEE YOUR ASS LIKE THAT WHEN I HAVE BOTH A BF AND AND GF.
...fucker fucking giving me shit about my fake glasses...
If you COULD date the boy out of mod, Akechi would definitely be the one they were pushing you to date. Like Makoto. Or Yoshizawa.
But hey, at least I get to not be nice to him.
I remember seeing this picture where Ann, Ryuji, and Joker kept going to the movies together and seeing 3D movies, and Joker couldn't wear the 3D glasses properly because of his own. I keep imagining that picture during this event with Caroline and Justine.
You know what? Some people call Joker a loli lover because of them, but nope! He's just adopted two more siblings. That is my stance on it.
FUcking
Fucker
WHAT THE FRRRRRRRR
FUCK YOU ATULS OR TRANSLATORS OR WHATEVER
APHRODITE AND MARS ARE FROM TWO DIFFERENT MYTHOS. Aphrodite is GREEK, Mars is ROMAN. Their reversed are VENUS and ARES. USE ONE OR THE OTHER PEOPLE.
I get very pissed about this, and it's worse with Hades.
7/4 is the day I am screaming at, if you were wondering.
My dad asked me if the other students think Joker's stupid because every time I answer a question right they get all surprised.
I don't really like Makoto, as I'm sure you've noticed, but she was super nice about Ryuji's special move idea. And that put her ahead of Akechi in my book.
TESTS ARE NERVE WRACKING EVEN WHEN THEY'RE FICTIONAL
Yusuke and Ryuji are good boys, the best boys. And they're so awesome about their special move.
AND RYUJI OFFERED MONEY FOR YUSUKE'S FOOD. And implied that he did it before???? Ryuji, you best boy.
This boys' outing DOES make me happy, though. Like, insanely happy. Dunno why.
Maybe because Joker gets to be so flipping cheesy.
...fuck you, Yoshizawa.
HONESTLY WHAT THE EVER LOVING--- Grr. Too many choices while with her. Too many. OOC Joker when with her. 0/10.
I LOVE THE FESTIVAL PHOTO
And you know, it's really hard to choose between Lala-chan and Ann, but... GONNA TAKE ANN ON A DATE
Got her some flowers. Lets see if we can give them to her this time!
"Such a good FRIEND." Babe, we're DATING. For like, TWO WEEKS NOW.
AND I DIDN'T EVEN GET TO GIVE HER FLOWERS
Ann called Yusuke a pretty boy, but then she's missing out on the REAL pretty boy, Pretty Boy Ryuji.
Ryuji, why're you so worried about other girls when you've got ME?
"I like the shade." "What are you, moss!?" Oh, admit it, Ryuji, I'm growing on you.
Cargona. Snrk. Gods, I love you, Ryuji.
Dome town with Ryuji! "Isn't it all couples?" That's the point!
I COULD GIVE RYUJI THE ROSES!?
Sadly, I bought those for Ann. Ryuji, you get the noodles.
AND HE FUCKING LOVED IT.
"It feels like I really captured Ryuji's heart!" FUCK YEAH I DID
Gonna give Yusuke the bracelet when I get the chance.
Why is everyone color coded in the chat room? Kawakami, Akechi, Mishima, and the reporter are all ORANGE. What's the point? Well, Akechi's more of a golden orange, but close enough.
While Mishima is not my first choice for a date, he's definitely not my last.
...But the boy really needs some fucking sleep. He's not drawn with the bags under his eyes, but I can see them!
It's not fair that they give Akechi a kicked puppy sprite. I'm... goddamnit, they're trying to make me not hate him.
When Makoto doesn't know something, I'm brought great joy.
NO DAD MAKOTO IS NOT MY GIRLFRIEND ANN IS AND SHE IS LITERALLY R I G H T T H E R E
First day in Futaba's Palace! I've gotta say, this is my second favorite palace. Kamoshida, Futaba, Madarame, Sae, Okumura, Shido, Kaneshiro, Holy Grail. In that order. I HATE Kaneshiro's place and dealing with the Holy Grail. But whatevs, man. I love this game. (Vanilla, at least, this one is still on the fence)
I found out a cool little thing. On the uphill sand slopes in the town (don't know about anywhere else) if you're running and turn back quickly, Joker will do a little animation to steady himself. It was cool and made it seem, I dunno, more human? Anyway, while I was admiring this, Ryuji and Yusuke just stood at the top of the slope and Ann followed me while I was running. Best girlfriend ever.
Kin-Ki is looking pretty kin-ky if you know what I'm sayin'
Please don't murder me because I do terrible puns.
*we fall through the trap door* *Ryuji starts screaming* Same, baby, same.
...Makoto is seriously annoying. Like, she's got no business acting as familiar with Futaba's situation. The one who WOULD be the most familiar is Yusuke, and I'm glad he recognizes that. It's not the exact same, none of their stories are after all, but I feel like those two get each other better than even Ryuji and Joker understand each other.
Yusuke and Ryuji's special attack is THE BEST
Ryuji and Joker getting up close and personal in the shadows. All those fanfics coming true, man.
I thought Futaba was sloth, not wrath? Why are her Will Seeds called Wrath?
Beat it in one day! It's so satisfying to watch all those achievements when I leave the palace.
You know, I'm thinking of wearing the Christmas outfits for the final battle. Just to be kinda funny.
Spending a relaxing day with Yusuke after going through Futaba's Palace... kinda want to take him to the bathhouse to check out that new scene, but I also REALLY wanna feed the boy... gonna feed the boy.
Apparently I can only make 'decent curry.' Which is fine. Because "I" can't make curry at all. Joker, you've done much better than I.
THE DATE CHANGE SCREEN HAD A RAINBOW AND RYUJI WAS COMING OVER ON THE SAME DAY FUCK YEAH MY BISEXUAL BABY
...Broooooo, the way you talk about your manga is how I talk right before I start shipping.
Took him to the bathhouse, 'cause I don't gotta worry about Mama Sakamoto feeding him.
...Can I take Ann to the bathhouse?
Asked Ryuji to move in. He was all up for the idea until he remembered that I live in an attic.
I'm Charismatic now!
...I was all hoping Ann would stop by but then Akechi asked me out. Laaaaaaaame.
Ryuji's smile is so fucking cute.
...I say we just be honest, and everyone's so fucking stupid about it until Makoto explains it. This pisses me off. They're not that dumb... At least, they weren't until Makoto showed up.
Futaba's hiding in the closet. ...I've spent too many weeks making jokes about closets to not have a joke about it.
Really, Yusuke? You see those books and think she can't understand?
...Wait, that sassy tone of voice... You were TRYING to pull a reaction of her. I knew I shipped those two for a reason. OTP and BroTP. Doesn't matter, they're both awesome.
I love you Ann, but I don't think your situations were the same at all. It's not like both are valid and bad, but... different.
Joker is SO fast compared to the others, especially when he's speeding.
What the...
Holy fuck...
JOKER IS TOO EFFING COOL
THAT MOVE TO GET FROM THE ENTRANCE TO TO TREASURE DOOR? Awesome!
Damn, Joker has my heart too.
I kinda wish we could see Futaba's costumes in her Persona. That would be pretty neat.
The moment right before Wakaba appears is so aesthetically pleasing.
...Futaba being happy is almost enough for me to accept Maruki's offer, and I haven't gotten there yet.
Ryuji and Ann keep smacking each other out of their ailments. Like, you guys just love each other so much! It's awesome.
Joker has lackluster responses to Wakaba... I'm hoping that isn't one of those "Answer these wrong and you break her!" things... Not that I think I was, but still.
I liked Futaba's new animation for when she defied her mother.
I wish the anime looked more the cutscenes. I'm trying to rewatch the anime so I can pinpoint specific moments for future editing purposes, but it's kinda painful.
1- This is the SECOND TIME you've landed on Yusuke while running from trouble.
2- YUSUKE LET GO OF MY GIRL
No Makoto, I don't want to go see Futaba with you! I can go see her myself.
So, I like Takemi's new voice with her lines during this scene.
Sure, she collapses every so often and sleeps for a while. Stays like that for a few days. Sorry that I put her into a coma for a month, Boss...
SHE LOOKS SO CUTE WITHOUT GLASSES
Guys, we have a month. Stop worrying.
THE TWINS ARE SO CUTE WHILE HANGING ONTO THE BENCH PRESS
Damn, Joker's dying to the amusement of two little girls.
I'm kinda disappointed I didn't get results for all that training. But I liked the scene.
Yusuke just casually be lugging bigass paintings around.
Taking the girls to the church may have been one of the funnier moments. These cement them as Joker's little sisters. With Futaba. Damn, Joker, you got no brothers.
Yusuke promises to come by every day and we can tell him to take his clothes off. ATLUS, you have some EXPLAINING to DO.
..And Yusuke took it and ran with it. My sweet summer child, I don't think I could handle you in as little as possible on the day to day.
"The heat induced delirium made me think outside the box." Same.
Guts takes sooooooooooooo long to level up.
"Punish me more" he says, as if Takemi won't do it.
"Good god. Well, none of my medicine can cure THAT." AT LEAST WE'RE ALL ON THE SAME PAGE
BATHHOUSE WITH YUSUKE
Awe, he had fun. :)
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feel free to ignore this if I’m bothering you, but
• what’s your favorite gc song?
• which gc character do you relate to the most?
• have you listened to any of Dave’s other shows? if so, which one is your favorite?
• what’s your favorite thing about the gc fandom?
• any gc related artists/writers/content creators you’d like to shoutout?
ok I’m done now lmao, have a lovely day :)
Dude let me tell you right now, asks and shit NEVER EVERRR bother me im so happy whenever I get one sidjdjxk
Anyway onto the answers!!
Favorite GC Song: bro do you understand how hard it is to pick one here,,, but to name some of my top ones- Preparations, Balaga (obviously), The Duel, Letters, and The Abduction.
Which GC character I relate to the most: again, incredibly hard to choose. I relate to Mary and Pierre with the feeling that I'm running out of time, but I also definitely relate to Natasha and Anatole's tendency to be hopelessly romantic and wistful. I also relate to Balaga because I, too, enjoy showing up for two wild numbers and then fucking off again for the rest of the show.
Other Shows By Dave That I Like: I LOVE LOVE LOVE LOVE LOVE Ghost Quartet. So much so, that I literally spent hours figuring out the plot. I understand the plot of Ghost Quartet. No, I am not okay. I've also listened to just the tiniest bit of Beowulf and it's hysterical.
Favorite Thing About The Fandom: honestly since it's such a small fanbase there's about 0 toxicity in it. (I mean unless you count our collective saltiness towards dear evan hansen sjdkxkxk) We're all just some weird mfs who like stage design and fucking around with classical literature since the author's dead and Lucas Steele's hair.
Other Content Creators: this is pretty hard since I don't know many and their urls are escaping me rn so I'm just gonna shout out my lovely friend Juliet ( @raccooninthedaytime ) who listens to me ramble about great comet constantly
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imgoingtocrash · 3 years
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Made of Iron, Born of Fire: The Fanmix 
by @imgoingtocrash
Listen on Spotify and 8tracks
Read the series on Ao3
AKA: A labor of love for @savvysass’s birthday!!!!
What can I say that hasn’t already been said because we’re both incredibly sappy people in our Author’s Notes? Writing this series with you has brought me so much joy in the last two years, and I never could have hit over 100k words without you. Here’s to whatever we write next in the series...and all of the WIPs we’re working on right now...and only god knows what’s next for us personally and professionally...and most importantly, to you on your Birthday. Thank you for being such a good friend, in both fandom and outside of it. I’m so, so thankful to know you and love you. 🥰
Director’s Cut Below, because we all know I love talking about this series, and yes, that does extend to why I picked these songs. (And also maybe because these song choices only make sense in my brain and hopefully Savannah’s?? Who knows! Feel free to ask questions if you want but let’s be honest this series and fanmix are most importantly for us, because we love the series so dang much.)
My Wildest Dreams by Ron Pope
I spoke in riddles and in rhymes, but my time with you has taught me to simplify, you’re not quite what I pictured you would be, you’re better than my wildest dreams.
We’ve talked about this one before, and I’LL TALK ABOUT IT AGAIN!!!! Ron Pope is so good imo, and this song wowowow the father-child feels, but especially with Tony and newborn Peter a la A Foreign Feeling and A First Time For Everything.
Big & Scared by Raleigh Ritchie
I want to be better for you, let me do that now, you’re my favorite human, so you should be prepared, I’ll help you get through it, when you’re big and scared
We’ve mentioned Tony’s thoughts about legacy multiple times by now, and I think this song really represents Tony looking forward to the person Peter could be become and that “breaking the cycle” mentality of supporting Peter even when he’s not a perfect father.
Legacy of Sadness by Ron Pope
irrational as it may seem I guess I’m sorry, even though I know that none of it’s my fault, it is easier for me to count my blessings, than to cry for every single thing we’ve lost
I have 0 shame putting these two songs by Ron Pope almost back to back because they’re the opening and closing of an album dedicated to his child like...it’s so perfect for Tony and this theme of reflection on who he is and who Peter will become/is becoming and all that entails.
this is me trying by Taylor Swift
They told me all of my cages were mental, so I got wasted like all my potential, and my words shoot to kill when I'm mad, I have a lot of regrets about that
I wrote something...very sad but also soft recently??? and this is for That it’s about pre-CW Pepperony being separated and the road to them trying to come back together including Tony working on himself and I love it!!! It hurts really good!!! This whole song is perfect for it and I can’t wait until people get to read it.
Be Good When I’m Gone by Four Year Strong
I'm sorry I can't stop to listen, but I've got so much to do and I've got some place to be, the house looks like the aftermath of a hurricane, I hope it stays that way
Tony being a busy parent but doing his best to make time for Peter in his life and making that time count has been something super important to illustrate to us, especially the transition from being a CEO to being a superhero and how that changes how Peter sees Tony’s absence over time.
I Won’t Back Down by Johnnyswim, Drew Holcomb & The Neighbors, and Penny and Sparrow
Tony puts on the original version by Tom Petty in Home Is Where The Heart Is, but I think this cover has a very slow, emotional undertone that’s really great too. The interludes, if you didn’t catch it, have all been featured in a fic previously.
Let It Matter by Johnnyswim
So if it matters let it matter, if your heart's breaking let it ache, catch those pieces as they scatter, know your hurt is not in vain
Pepper in Never Tell Me The Odds ALL DAYYYYY. She’s the emotional rock of that fic (and of our Ironfam TBH) and it’s all because she allows herself to feel her feelings and encourages the Stark boys to do so as well.
Simmer - Acoustic by Hayley Williams
And if my child, needed protection, from a fucker like that man, I’d sooner gut him, cause nothing cuts like a mother
Post-Home Is Where The Heart Is...y’all know Pepper’s not that mad about what happened to Obie. Also just Pepper when someone hurts her family?? I always write it as her sort of putting all of her emotion into something she can control and doing it well, so, this song is all about that.
Tightrope by Nia Hendricks
one step after another, keep holding on to each other, don’t look back, move on and let go, that’s how you walk on a tightrope
Pepperony trying to navigate their relationship and the insanity of superhero stuff and also co-parenting. It’s all excellent, I love them so much, I enjoy writing it so much!!!!
Dancing With Your Ghost by Sasha Sloan
Never got the chance, to say a last goodbye, I gotta move on, but it hurts to try, how do I love, how do I love again?
This song is tilted towards romance, but if you’ll remember, we’re a Pro-Tony Survives Endgame AU series, so it’s not about THAT...but well...Infinity War sure will hit something fierce for certain non-romantic relationships in this series, huh?
The Bones by Maren Morris
Call it dumb luck, but baby, you and I, can't even mess it up, although we both try, no, it don't always go the way we planned it, but the wolves came and went and we're still standing
Post-Endgame Ironfam!!! Tony and Pepper married with their kids, their family and HAPPY...THIS IS WHY WE DO ALL OF THE ANGST...FOR A FAMILY...WE LOVE THEM
Carry on Wayward Son by Kansas
Considered Pepper and Peter’s ‘song’, as it’s referenced multiple times in the series, and was one of the bigger solidifying moments of their mother-son relationship as a whole.
Mundane by Hardcastle
And I’ve been sinking into silence, dwelling on my thoughts, and in these months, I haven’t felt that most conversations have left me anything but blue
Peter’s selective mutism was something very special to us when we originally had the idea, and making sure we talk about it and utilize it in the right way is something we’re still working on, particularly with the Therapy Fic we’re brainstorming atm.
survivin’ (One Eyed Jack’s Session) by Bastille
What can I say? I'm survivin', crawling out these sheets to see another day, what can I say? I'm survivin', and I'm gonna be fine, I'm gonna be fine, I think I'll be fine
Spoiler Alert: Peter’s not fine, like, a decent amount of the time. But he’s sure trying, and we love him for that.
Jacob from the Bible by Jake Wesley Rogers
Mama, don't worry, it took me years, to say I'm sorry, to see your tears, Mama, forgive me, I grew up too fast, but it's not on you, it's in the past
Mostly part of Peter growing up to become a hero and realizing what his parents--particularly Pepper--have gone through for him to become the person he is today, but that sometimes he still doesn’t feel like he’s making them proud enough.
Compassion Is a German Word by To Kill A King
Don't be so arrogant, you ain't no different to anyone I've met, we're all the heroes in our own film, or maybe the villain in someone else's
Spider-Man being an excellent superhero boi!!! Being kind and good!!! We love it!! Also, I put a TKAK song on...a LOT of my playlists, because I think they’re great.
brutal by Olivia Rodrigo
And I'm so sick of seventeen, where's my fucking teenage dream?, if someone tells me one more time, "Enjoy your youth", I'm gonna cry
I mean...this song is such a Teenage Mood...I had to do it...
In The Wee Small Hours Of The Morning by Frank Sinatra
So, I had this cute little scene in my head that went with this song for SO LONG but there wasn’t really anything for it to fit into so...yeah that’s part 2 of Savannah’s Birthday Gift, a little soft Baby Peter drabble. Fluffy Goop from top to bottom. That can be read here.
Home by Phillip Phillips
Just know you're not alone, 'Cause I'm gonna make this place your home
...I know it’s not original, okay? It’s found family, it’s great, I don’t care!
Comes and Goes (In Waves) by Greg Laswell
And this part was for her, and this part was for her, this part was for her, does she remember?
This song is good family angst in general BUT these specific lyrics made me think of Mary and that they never forget her in their lives despite the other stuff going on (because we refuse to let them).
I Have Made Mistakes by The Oh Hellos
I have made mistakes, I continue to make them, the promises I've made, I continue to break them, and all the doubts I've faced, I continue to face them, but nothing is a waste if you learn from it
No one in the Ironfam is perfect, but they all do their best to try and grow even when they’re scared they’ll never be able to. The ups and downs are all par for the course of this series to us.
Easy Days - Demo by Bastille
Cause I don’t wanna fall back again, back into the easy days, everything was so simple then, little fires burned away
Strife is a part of life, and the family in this fic growing through their loss and struggles and moving ahead as a unit to get to a better place is super central to making the fic what it is...but it’s easy for them to remember the old days before being superheroes and wishing it was simple again.
North by Sleeping At Last
Let the years we’re here be kind, be kind, let our hearts like doors open wide, open wide, settle our bones like wood over time, over time, give us bread, give us salt, give us wine
The way Tony went from feeling so alone to having an entire built family that’s so full of love and everything he never dreamed of...*screams into my pillow* I love this series so much thank you and good night!!!
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modernsuperhero · 2 years
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I posted 24,626 times in 2021
99 posts created (0%)
24527 posts reblogged (100%)
For every post I created, I reblogged 247.7 posts.
I added 1,932 tags in 2021
#ya done queued up is what you did - 1004 posts
#comfort food - 222 posts
#for pumpkin fairy - 156 posts
#food tw - 115 posts
#for squeaky - 99 posts
#long post - 95 posts
#dsmp spoilers - 91 posts
#death tw - 55 posts
#eye strain - 55 posts
#super long image post - 40 posts
Longest Tag: 140 characters
#he’s got the same fashion sense as my 13 year old sister and she insists she’s never hot so if that changes at any point this summer i’ll le
My Top Posts in 2021
#5
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ranboo you said if no one solved it you'd drop more hints. ranboo you promised. ranboo 
261 notes • Posted 2021-06-19 03:50:53 GMT
#4
Hey DSMP fans, new and old!
If you're a Dream SMP fan who'd like to know What The Fuck Is Going On at any given moment in the Lore™, then boy howdy do I have the place for you! Introducing the...
DSMP Lore Hoard!
[This link takes you directly to the discord server. If the link doesn’t work, please DM me.]
We have specialists available to answer your questions on ANY specific character or arc within the DSMP, from its initial creation with the Original Eight all the way to whatever the fuck just happened today! This includes major characters, minor characters, fan-favorites and fan-forgottens. With our help, there’s no more need to scour the DSMP Wiki or pour through hours of VODs! 
Click on the read-more for additional details!
We offer regular lore updates for people who miss or can’t watch streams, social media updates INCLUDING private tweets and sub-only messages, lore fact-checking with direct sources such as stream clips or twitter Q+As, and our Lore Hoarders are available to answer any and all questions someone might have - including full lore summaries from the very beginning of the character!
This is useful for the casual fan who just wants to keep up with one or two characters - maybe you’re dedicated to the Eggpire lore, or the missing nuke plot, or maybe you’re just patiently waiting for the fandom to acknowledge Connoreatspants as the main character. 
It’s also useful for the brain-rotted fan - we have open conversations about theories, headcanons, new and old information all the time! You’ll be among your people here. 
Of course, we can’t forget our new fans! Do you not know who Spirit is or why it’s important, or maybe you’re wondering why the Prime Path is considered holy? We’re here to help! No question is too niche, and we welcome all the askers here! ;]
The DSMP Lore Hoard is here for anyone - artists looking for references, fic writers looking for quotes, and theorists looking for clips. And, if you’d like, you can even join our team and become a Lore Hoarder yourself, helping to answer questions and run your own private section dedicated to your chosen character.
We WELCOME lurkers, and have no requirements for our members to be active in the server to remain. 
Feel free to come and check out the official Dream SMP Lore Hoard!
274 notes • Posted 2021-11-28 22:10:35 GMT
#3
okay so the consensus is that c!karl knew about the treasure and the clues and started prodding his friends towards them to be a fun, light-hearted adventure because he already knew about the treasure because he had time-travelled to the days of captain blockbeard and captain crimson, right? right?
359 notes • Posted 2021-01-10 05:25:11 GMT
#2
tubbo confirming he is the robin to ranboo's batman. fucking hilarious because batman does indeed brood about his smiley-face-themed enemy in a dark cave underground and tubbo is in fact often compared to a small brightly-colored flying creature
475 notes • Posted 2021-02-14 21:09:35 GMT
#1
idea for next season: turn off death notifications in chat entirely. you don't know if/how/when someone dies. turn off their names - you don't know how many lives they have, and people can sneak up on others/trick them easier. plus this leads to the possibility of coming home only to find their partner missing, and having to either be told or figure out what happened to them. also? it might only last one session, but someone could fake their death. my friend suggested the idea of someone faking their death every session, only to not be believed as actually dead when they DO die. the boy who cried red life!
1726 notes • Posted 2021-11-16 19:38:34 GMT
Get your Tumblr 2021 Year in Review →
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duckprintspress · 3 years
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I'm confused about the scoring system. It was said on the website that people were scored (numerically) and yet someone with much higher scores than I got didn't get accepted nor was offered the mentoring/beta/get to know discord.
I can't help but feel there is an error here. Is there a way to explain this?
Hi anon!
So there are a few things going on here, and I’ll try to explain them all.
Thing the First:
The scores on the rubrics are raw scores. Once we really got down-and-dirty with rating things, and I did some data analysis, I discovered that some of our raters were being a bit more generous than others. By the time we were done with all the scoring, there was nearly a 2 point split between the most generous and least generous scorer, on average. This was clearly a fairness issue - if one writer got our three most generous raters, and a second writer got our three least generous raters, even if they submitted identical stories, the second writer would get a lower rating. Rather than leave things like that, I did some research on statistical models that would standardize our ratings.
Basically, with the help of an excel algorithm (the “STANDARDIZE” function), we calculated the average that each rater gave, and that rater’s deviation from the mean (standard deviation), and plugged that in to convert their ratings from the 0 to 20 scale to a different, standard scale - which ran roughly from -2.5 to positive 2.5. What the standardization really did was - for each rater, whatever score they personally gave on average was 0 (so, if rater one’s average score was a 15...that was standardized to zero. And if rater two’s average score was 10...that was also standardized to zero. So now instead of comparing apples to oranges, we were comparing apples to apples). Then, if they rated a fic 1 standard deviation above or below their average, that became a 1 or a -1. If they rated it 2 standard deviations above or below their average, that became a 2 or a -2. And so on. This ensured that all of the stories were rated on the same scale and everyone was treated equally - standardization of test scores erased the differences caused by some people rating more strictly.
So, if you and your friends are comparing rubrics (which you’re welcome to do!) and you noticed that some of you did better, numerically, but had different outcomes, that’s likely a factor - one of you may have had more generous or more strict readers.
(Here’s some more information on how Standardization, here’s the very basics...there are other forms of standardizing, such as fitting folks to a bell curve, or curving the entire score, but those were not suited to our needs)
Thing the Second:
The top 20 authors, statistically adjusted for fairness, were invited to contribute to Add Magic to Taste. As it turned out, these top 20 DID roughly correlate to our top 20 by raw scores; comparing the two rankings, there are only two people out of the top 20 who wouldn’t have made it based on raw scores but did when their scores were adjusted to be standardized against the same scale.
The next 20 authors (ranked 21 to 40, when statistically adjusted for fairness) were also invited to Discord, and we’ve also invited them to potentially be involved in a second anthology. Depending on how many of them say yes, we may be able to open that opportunity up a bit more, but we’re not sure yet. Two of these people, by raw score, would have made the top 20, and three of these people, by raw score, would not have made the top 40. However, again, when we standardized the data to reflect the differences in rater strictness, these were the results.
That leaves another 62 people, who had various ratings all below those top 40. Some of them had a raw score fairly similar to their standardized score...and some of them didn’t. For example - my wife was an applicant to this, and she gave me permission to use her numbers for this example. By raw average? My wife came in 49th. However, one of her raters was someone who USUALLY rated very high, and gave hers a (relatively, compared to that person’s usual hig haverage) low score - when that was adjusted statistically, it caused my wife’s fic to plummet to 64th, because even though the raw number itself wasn’t bad, it was statistically well outside the norm for that rater. So, believe me when I say - these standardizations can make a big difference. If you, or anyone reading this, would like, I’m willing to send you what your standardized scores were (while still maintaining reviewer anonymity). I was originally thinking of adding them to the rubrics but doing so would have been a lot of work, and so I passed - next time we do this, they’ll probably be on there.
Thing the Third:
Often, what separated a fic that succeeded from a fic that didn’t was the range of raters scores. For example, the fic that ended up with the highest rating (by both calculations) wasn’t anyone’s favorite fic - but all three readers thought it was solid, and that was enough. My personal favorite fic? Didn’t even hit the Top 20. What often happened was -
Top fics: either all three people liked it pretty well, or one to two people adored it and the other person or people liked it well enough.
Second tier fics: either all three people thought it was okay, or one person loved it and two people were fairly meh about it.
Middle-range fics: either all three people thought it was average, or one person loved it and two people didn’t like it, or two people thought it was pretty good but one person hated it.
Lower quartile fics: either all three people didn’t think the fic was “up to snuff,” or one or two readers really hated it while a third thought it was average.
This isn’t universal, of course - but a fic that had one really high rating could easily do worse than a fic that had three so-so ratings, because...that’s how averages work. And that’s also why we had three readers for each - to try to even out some of the differences that would arise if someone had an extreme reaction to a fic that others didn’t. Obviously, it’s not a flawless system - no system was flawless - but with the resources and manpower we had, we thought this was a fair way to handle things, and we truly did our best. As soon as we broke 20 applications, we were never going to be able to accept everyone, and so we strived to create a transparent system that treated all of our applicants equally.
Thing the Fourth:
Now, in addition to the “why might scores be higher/lower” aspect of your question, there’s the aspect of “getting the Discord invite.” Now, the top 40 folks got Discord invites automatically, and those offers were based solely on the rating they received.
The other Discord invites that we sent out were not based on ratings alone! Just like we had a “reader subjective feelings” category on the rubric, when we’d finished rating all the stories, we were left with a conundrum - all of us had fics we liked that didn’t make the top 40. Maybe it was that “one person love it and two people didn’t like it” permutations. Maybe it was that all of us thought it was “good” but not “great.” Maybe some aspect of the story caught our eye. Based on our reactions, and the fics we saw that we wished had made it, we selected people to get invites. Those Discord invites were sent out based solely on subjective criteria.
Yes, we worried about doing this. Yes, we went back and forth about doing it at all. But in the end, what we decided was - we didn’t want to give Discord invites to everyone, because there were plenty of people we didn’t think their writing was quite ready yet - mentoring is an intensive prospect, and one for which we won’t get paid up front and might possibly never get paid, and while this all looks wonderful from the outside please do remember that we’re running a business - one that I’ve been working my ass off on for more than four months and have yet to earn enough to draw a single paycheck. So inviting everyone was never in the cards. And on the other hand, if we chose to give invites to no one, that would mean potentially having some people that caught our eye “slip through the cracks.” What if they got too discouraged to reapply? What if we missed the chance to work with them, after they’d impressed us?
To use an analogy - we saw something in everyone who applied, but in some it was “this is an uncut diamond, and we aren’t in the position to take it from raw to finished,” and in others it was, “this is a diamond with a crack, or a flaw, or a rough spot...and we think if we put in the work, we can get it to perfection.” And our verdict on the uncut diamonds isn’t, “this is uncut and it will never be cut,” it’s, “all of these diamonds have spent years honing themselves and working hard to strive for flawlessness, and but some are clearly farther along that journey than others. Once these uncut diamonds have shaped more of their rough edges themselves, we hope they’ll come back when they are ALSO only one flaw from perfection, and work with us then!”
There was no way for us to win, and there was also no fair way to distribute invites based solely on the raw scores, or even based solely on standardized scores, because some of the scores were sometimes not reflective our actual opinions of the writing. For example - if someone wrote a grammatically perfect story, with a compelling use of language, but the plot and characters were inaccessible to us because it required fandom knowledge we didn’t have, that might have scored very poorly, but we have every reason to think that if they’d chosen a different work that was more accessible they’d have done much better. Or, as another example - if someone’s writing was really sloppy, because of a lack of editing or possibly because English isn’t their native language - but they have a skill for creating characters, or setting a scene, or had excellent pacing - then again, they could have ended up with a score that didn’t reflect the actual potential that we saw in their work - using our judgement and expertise.
So, flat out - yes, there are inequalities in how the Discord invites were distributed to the 62 people who didn’t make the cut for either anthology. And yes, we agonized over whether to give them out at all. And no, I won’t swear that we always made the right choices - we were going by the one story submitted to us, and we had to use our best judgement based on what we were presented - what each applicant chose to submit. In the end, we invited the people who - regardless of their score - we personally thought were the closest to being sellable - in the sense of, “probably only missing one piece that would help with to get them from ‘didn’t make it’ to ‘now we’re talking.” And I truly, truly wish that we could have everyone. But if we spend all our time mentoring people, then we won’t have time for doing any of the other aspects of this business. We are not a writing school. We are a book publisher. This ISN’T just fandom, and I DO have to think about what is sellable and what isn’t, because in the end...I’m trying to make money, and pay my staff, and give our authors the highest royalties possible, and, and, and.
As a further note on this topic? We are still issuing new Discord invites, based on e-mail conversations we’re having with people. Several people who didn’t initially get those invites? Have now gotten them. It just depends on how people are responding to us, and the conversations we’re having, and lots of other factors.
And, as I tried to say in the post I put up earlier today about notifications: even the people who didn’t get invites have potential. Every single writer who applied has potential. All of you, even if you struggled with multiple areas, had some aspect in which you shined. In a perfect world, we would help you all. But this isn’t a perfect world, and I don’t have the hours in the day to bring up the people who aren’t already close, and I’m sorry about that. So, please, please - if you didn’t make it, don’t be discouraged, and don’t give up. You’re the only one who can tell your stories - if you don’t do it, no one else will. Find fandom friends who will give you honest critique. Learn to read your own writing with a critical eye. Track down stories that really speak to you, and read them like a writer - to see how the original writer put them together, and deliberately emulate what you thought worked. There are many, many ways to improve writing craft, and if ya’ll want to be published, either with us or with anyone, we strongly encourage you to examine whichever ones appeal to you and work for you.
There’s isn’t a single person who applied who couldn’t, one day, be published by Duck Prints Press.
We were never going to make everyone happy, however much we hate making people sad.
We did our best to make as many people as possible happy, while also doing what we feel to be best for Duck Prints Press.
If we hurt you - we’re sorry. We said in the application process that we’d be giving honest feedback, and we’ve never made a secret of the fact that this is a business and our goal is to publish books that sell - nor did we pretend that we’d be able to take more than 20, but we were so impressed by the quality of what we received that we did everything we could think of to open the doors to more folks, while still maintaining the core integrity of our business model. That means we have to narrow the pool; we can’t just take everyone, especially now, when we’re so small and new. Our desire to take as many people as possible is why anyone who wasn’t in the top 20 got an invite, and why we planned an entire second anthology on the fly, instead of no one below the top 20 getting anything except a rejection letter.
Now, as a final thing - it IS possible we made a mistake. We’ve spotted one big one already, and we’re working with that author to rectify the situation. If you truly believe we made a mistake, please e-mail us, and we can look into it. Our email is info @ duckprintspress dot com.
Sorry this got long - but I figured, if one person wondered this, others too, and as we have since day one - our goal is to be transparent, and so I thought it better to answer more thoroughly rather than less.
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ilikemcdanno · 4 years
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With the Supernatural finale (and the Hawaii 5-0 fandom bringing the Supernatural fandom in and even comparing our show finales.) I figure id share some thoughts/a conversation that me and my best friend had. (It was recently, mind you, I’m still angry over the h50 finale tbh.)
See, I recently got into a new fandom. One of the main characters (aka, my favorite character that i quickly attached to) died, but offscreen; the series ended with the implication that he died.
I was - of course - upset about this and I told my friend “I remember before the finale for h50 came out, there were rumors that Steve was gonna die and I was like, ‘if that happens I’m personally going to kill the writers myself.’ Like could you imagine how sad I would be if anything happened to him?”
“That would be too much of a major character death.” she responded. Which was true, but there are many shows that take that chance of killing off their main character. (which its also arguable if Steve is the ‘main character’)
“I know.” I said. “It seemed very out of character for Steve, that’s why I don’t like the ending. There is a chance that he comes back to the island- but I don’t understand what they were thinking. There are other ways to end a show like that, it could have been so simple.”
“I feel like it was unnecessary for him to leave.” My best friend adds. “I get the retiring part but then just being like ‘sayonara’ and just leave Hawaii like that?”
“Yeah!” I say. “I understand Steve needing a break, but leaving the island to do that? That is not needed, he could have just stayed at home to fish, play with Eddie, and help Danny recover, it’s not that hard, writers.....I obviously had some deep seated issues with the ending that I never vented. I can now see that. My H50 feelings are like, ‘HELLO, WE’RE BACK’. ”
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