coming atcha with some sexy lovers on the phone in what feels like, but isn’t, their first time doing it. for some true first time phone sex that’s absolutely smokin’, see chapter 6 of paragraphs by @palepinkgoat , one of my favorite current wips!

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day 30: phone sex for kinktober 2022 by @gallavichthings

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You’ve heard Mickey come countless times, but something about not being able to see it, and having to fill in your own blanks, makes it feel brand new.

The little gasps.

The thick swallow that ends in a choked grunt.

The slick squelch of his hand on his leaking dick as he ramps up speed.

The way he’s being so good tonight.

“Wanna come. Please, let me.”

“On one condition, baby.”

“What’s that?”

“Say my name.”

You hear him whine, his pitch rising as he falls apart, your one request hot on his lips.

Fuck Mozart, that is a masterpiece.

bangtan boys in turtlenecks (10/??) ↳ cr. 0613data, dwellingsouls | bonus striped sope for @raplinenthusiasts:

Kaeya had always been an efficient and hard-working individual (he had to be to support Diluc in the background as his brother rose thru the ranks after all).

He has so much free time because he completes all his work way ahead of schedule. And if he still has enough time, he adds more to the workload in secret.

And once all of that was done and over with, he makes time for everyone. He has to. He feels as if every moment has to be given to someone else.

No one knows how he does it. No one has to know.

Every mission has a dozen strategies in line, and every battle plan is made with efficiency in mind. His perfect record will not be tarnished. He can't risk it (even if it baffles others that he would willingly activate a ruin guard just to prevent a failed mission. Jean disagrees with his methods, but Kaeya can say that the results say otherwise)

He needs to be quick.

Efficient.

Perfect.

And so he comes and goes like the wind.

Kaeya values time because he knew every second counted. He can't just stand there as if he were frozen. Time could run out in an instant.

Kaeya had only been late once his entire life.

He'd rather he never be late ever again.

It took one day of being of being imperfect for everything to fall apart. On that tragic day...had he gotten there on time... then maybe...

.

.

.

" Come on, let's get moving, traveler. We're not frozen in place after all. " Kaeya teasingly says. He stiffles a giggle at the traveler's exhasperated sigh.

"Yeah yeah, we've heard enough of you calling us a slacker. Can't you be a bit more patient?" Paimon whines at him.

Kaeya snorts, but acquiesces, hiding the shaking of his hands at the thought of being idle.

He imagines hearing a clock ticking.

Kaeya knows that that is his own problem. He tries his hardest to relax as he waits for the traveler to finish whatever they're making on the alchemy table because, seriously, it is supposed to be a relaxing day. There's nothing major going on, and his schedule is once again empty as intended. What's the hurry?

Kaeya taps his foot on the ground as he waits. He wishes he could take his own damn advice when he tells others to relax.

happy dragon year to the dragon guy on dragon day!!! 🐉🐉🐉

yippee!! 🎉🐉

I just recently started following you so i don't have the full lore of your murderous gay religiously traumatized doggos, BUT, from my understanding, they are Italian and i don't know what part of Italy they are from, yet i can't help headcanoning Vasco as Tuscan, while Machete is probably from some part of Veneto. And as an Italian who has heard Tuscans and Veneto dialet, well it's an hilarious mental image.

Vasco is indeed Tuscan, Florentine to be specific. He comes from a wealthy and influential noble family that has lived in Florence for centuries. He's proud of his roots, and it's usually easy for strangers to tell where he's from. He's a resonably successful politician and has worked as an ambassador and representative of Florence on numerous occasions.

Machete is originally Sicilian (ironically about as far from Veneto as possible), although he was taken to mainland at young age and has lived in several places since then, before ending up in Rome. The way I see it, he exhibits very little local color, his demeanor and (even though Italian hadn't become a standardized language yet) way of speaking are formal, neutral and scarcely give away any hints about his personal history, at least in the 16th century canon.

once again thinking about the worldbuilding in the riordanverse of "names are power" / "belief is power."

The Tri were only able to become immortal through convincing enough people to worship them that it became true. Monsters and immortals only exist through continued belief, and if enough people believe that they're dead or gone then it becomes true, like Pan. Their varied forms exist and manifest as they're believed in and called upon. Names call attention and epithets summon aspects. They're acknowledgement. Belief. Putting a name to a concept creates it as an individual.

And that's so fascinating when you start applying it to demigods. How much of their abilities are based on belief in themselves, in expectations of each other, in their parents' expectations of them? We've seen mortal figures who became immortal in some form or another because they were remembered. Even the lares - ancestral house gods, who persist because they're remembered. They have a legacy.

At what point does a demigod achieve that status? Rumors and whispers about them so persistent that they slowly become true. "I heard that Jason Grace is the son of two gods, does that make him a god?" "I heard Percy Jackson defeated a titan single-handedly. That he can create hurricanes without breaking a sweat. That he can control blood." After awhile, after enough rumors, does it become impossible to tell where they end and the legends begin? Isn't that what being a demigod is; half-legend?

don’t get me wrong I think the general interpretation of Leo being like “I put up a cocky front but deep down I don’t actually think I’m that great and that’s why I have something to prove” is good. It’s cool, plenty of drama/angst potential and probably what the creators were going for, I’m here for it.

But there is a distinct appeal to me of the slightly-to-the-left interpretation of Leo being like “it’s not a front, I know I’m that good/smart/skilled, but I also know I’m seen by others as just the goofball face man and that’s why I have something to prove.”

when your children are still babies, they get so so upset when gojo comes home and doesn’t immediately pick them up. your baby has recently learned that the sound of the front door opening and closing usually signals the return of their father so tonight, when the door opens, your baby’s head perks up. when he finally takes his shoes off and makes his way into the home, he spots his little angel on the couch. “hi baby!” he coos at them with a smile on his face and his hands full with some packages. “let me go put these down and i’ll be right back!” he tries to explain, to which your baby just obliviously smiles at, just happy to see their father and know that he’s giving them attention. but when they realize that he’s leaving their sight and didn’t immediately pick them up… oh have mercy. it becomes a shit storm because who does he think he is?? to not give his baby all his time and attention! gojo comes running back into the living room confused as to why they’re crying but as soon as he picks them up, they stop crying and start giggling. what a dramatic little baby you’ve been blessed with. the apple doesn’t fall far from the tree ig

— doc dad levi anon

SHUT UPPPPP because you know Satoru loves the attention too, they’re a perfect match together bye. All you can do is stand, bemused, as Satoru picks up the baby and almost instantly quells his crying, rocking him back and forth before stretching his arms to hold the kid at eye level with him and cooing, “Oh, I’m sorry my love, I missed you too, soooooo much,” Satoru bends his arms to brush their noses together and grin at the giggles the baby emits, “You missed me too, yeah? Aren’t you the sweetest little thing, missing me like that? So precious.” Satoru covers the baby in kisses and sweet words for nearly five straight minutes and they both love to bask in each other’s attention (you have the videos to prove it).

Something kinda funny tho is… you’re 98% sure your son can tell that Satoru will give into quickest lmfaoo. Your baby cries sometimes when you have to leave him, sure, and can definitely throw a fit when he wants your attention—but he seems to know to cry (or squeal, or babble, or screech) on demand for his sucker of a father. Nanami, Shoko, Megumi, and Yuuta (your on rotation band of baby sitters) have noticed that the kid loves to be held and has no shame gesturing for it—but they’ve never experienced the baby crying when they so much as step away for a moment, unless he’s hungry or needs to be changed. You don’t have the heart to tell Satoru he’s being played tho, so you just let them have their moment <333 (not that it would matter, Satoru can’t stand to see your kid cry in any capacity, so he’d go right back to giving in; plus it’s a win-win in his book anyway: baby stops crying, and he gets cuddles from his son).

(Then again, you think the need and love for attention might just be genetic, because Satoru has cried big tears a handful of times just leaving you and your baby at home for a few hours).

this means nothing but also it means everything. to me.

hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?

hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].

but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.

it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.

and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.

the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.

an emptiness, like you said.

but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.

you're not alone, in this. he's still there, with you, it's just - in the little things.

he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.

but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.

how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.

the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.

think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.

i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.

but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one. wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.

as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛

soooo… i did another comic with geo (who of course belongs to @8um8le)! it ending up stretching the page quite a bit, so the rest is under the cut o7

and geo proceeded to win every single round of pool that night, the end, thank you for reading this far 🙇

i'm still not super confident in writing for geo, but i had too much fun with this to care ehehe 🥰 this is the year of indulgence, everyone!

edit: i just realized that I PUT THE CIRCUITS ON THE WRONG ARM! it's supposed to be on my right not my left, oh i'm so mad 😭💔

Red Hood Characterization

This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.

I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?

This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!

tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.

Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.

you can clearly see where scara gets his good looks from

Mysterious Lotus Casebook, Ep. 1, 2, 30, & 40 // Autobiography of Red, Anne Carson

another Hulkenberg