hey remember that caramel-carmel Fake Script i was writing? yeah it's technically not done but i'm tired of tinkering with it so here it is! we'll just say it's a uhhhh uncovered partial script or somethin
this is not in any way official! it's a 100% unaffiliated fanwork & i am Just Fucking Around for Funsies
~
BARNABY: oh, I love carmul!
FRANK: [long, disgusted pause] …what?
BARNABY: Carmul! You know, those tasty little treats you’re holdin’!
FRANK: You mean caramel?
BARNABY: That’s what I said.
FRANK: [scoffs] No, you didn’t. You said carmul.
BARNABY: We’re sayin’ the same thing here.
FRANK: We absolutely are not!
JULIE: [giggles] You really aren’t.
BARNABY: Carmul, caramel, tomato, tomahto! What does it matter!
FRANK: [flustered, stammering] It - it matters! Julie, you agree with me, don’t you?
JULIE: Well… I don’t know, Frank! I think both are fun!
FRANK: You’re both wrong, then! Wally, you agree with me, don’t you?
WALLY: [hesitant] …I say carmul.
FRANK: No! Not you too! How could you poison him like this, Barnaby?
BARNABY: Don’t look at me! I’m innocent, honest!
FRANK: Ha! So you admit that carmul is the wrong pronunciation!
BARNABY: [groans] ah, geez… throw a dog a bone!
FRANK: I’d be delighted to if you’d just-
[distant yelp as Eddie trips off-screen]
FRANK: Eddie! Thank goodness, finally someone who can put an end to this debate!
EDDIE: [nervous laugh] Oh no, what did I stumble into this time?
BARNABY: Hold on a tic, Frank. Hey Ed, take this. What do you call that tasty treat?
EDDIE: [with a tinge of fear] A… caramel?
FRANK: [triumphant] a-HA!
SALLY: [approaching] Did someone mention carmul?
FRANK: AGH!
BARNABY: [delighted] Perfect timing, Sally!
SALLY: What, for a delicious morsel? Hand it over, thank you!
FRANK: You’re all wrong, and I’ll prove it! We’re going to go around the neighborhood and - wait. [under his breath] One two three four - [returns to normal volume] we’re taking this to Poppy’s!
BARNABY: Then Home, then Howdy, yeah yeah - might as well ask the daisies, too.
JULIE: Oooh, and the butterflies!
SALLY: While we’re at it, we should phone everyone in the book, just to get the widest audience input.
FRANK: [unamused] You all think you’re so funny.
EDDIE: Well, you gotta admit it’s… it’s…
[brief, tense pause. Eddie clears his throat]
EDDIE: It’s perfectly sensible!
[Frank makes an affronted noise]
FRANK: Poppy will see sense.
-
POPPY: I’d be delighted to have a cah-mehl, but I’m afraid it-
FRANK: [aghast, truly astonished] You’re joking. You have to be joking. CAH-MEHL? Does no one in this town have sense?! Besides Eddie, of course. And Julie - on a technicality.
EDDIE: [oddly pleased] Why thank you.
POPPY: My goodness, did- did I say it wrong?
BARNABY: [gleeful] Not in the least, Pops!
SALLY: As far as I’m concerned, you added an extra layer of… pizazz to the word. In fact, I may adjust my own pronunciation accordingly!
POPPY: [flustered] Oh, well, I didn’t - don’t change on my account -
SALLY: Take the compliment, Poppy.
POPPY: [meekly] Thank you.
[Sally wanders from the group, practicing the slightly adjusted pronunciation]
WALLY: I’m not sure I understand. What’s wrong with carmul or… care… mul… carmel…
POPPY: Don’t strain yourself dear, you’ll get a migraine.
FRANK: What’s wrong is that it’s ENTIRELY incorrect! It! Is! Pronounced! Caramel!
JULIE: Aww, Frank, I’m sure Home and Howdy will agree with us! Team Caramel, WOOO!
BARNABY: [barely restrained disbelief] Boy, won’t they!
POPPY: I’m not sure what the fuss is about… there isn’t much of a difference, is there?
[Frank makes a high pitched, frustrated noise and stomps off. He can be heard calling Home’s name in the background]
JULIE: Oop, there he goes!
POPPY: Oh - oh dear. I didn’t mean to rile him up.
BARNABY: Don’t twist your beak about it - Frank’s just bein’ Frank. Now if you’ll excuse us, I wanna see how it goes with Home.
WALLY: [quietly, thoughtful] But Home doesn’t talk like us…
POPPY: If you’re sure… Do let me know how it goes.
SALLY: [swaying back to the group] I’ll phone you post-haste! Or even better, I can come by for one of your delicious muffins and regale you with the whole escapade, in detail.
POPPY: [audibly pleased] That sounds - well that sounds like a wonderful idea! I have some fresh from this morning-
BARNABY: Sounds great! See you around, Poppy.
-
FRANK: Home, I have an important question to ask you. Is the correct pronunciation for this candy ‘carmul’, or ‘caramel’? One creak for caramel, two for the incorrect carmul.
BARNABY: Talk about a bias…
[Home stays silent. Sally yawns.]
FRANK: One creak for caramel, two-
[Home slowly shuts their curtains]
FRANK: Hmph! The nerve… well, I suppose a house that can’t speak shouldn’t have a say, anyway.
WALLY: Home can speak. He just does it differently.
BARNABY: And I’m pretty sure they just agreed with me, Walls, an’ Sally.
JULIE: They did not!
BARNABY: Looked like it to me!
SALLY: I have to agree with Julie. Home just declared itself a neutral party, and so the vote can’t be counted either way. On to Howardson!
JULIE: Yes! Howdy! Our last hope!
FRANK: He may have terrible taste in company, but he’s a sensible businessman. Poppy and Home have let me-
JULIE: Us!
FRANK: -us down, but surely Howdy will back us up.
BARNABY: [faux-serious tone, knows something they don’t] Absolutely. Without a doubt.
-
[store bell chimes]
HOWDY: Howdy-do - [brief pause, a tinge of surprise] everyone! My my, what brings the entire neighborhood to my bountiful bodega? Finally decided to clean me out for good?
BARNABY: [snorts] With how fast you restock? I think I’d break my funnybone!
FRANK: We have important business.
HOWDY: [mildly curious] Do we? That’s news to me! But I’m letting you know now that I don’t deal in bugs, Frankly. It’d be hypocritical.
FRANK: Believe me, I wish I were here to talk insects. Unfortunately, I need to settle a score. Mr. Dear, if you would?
EDDIE: If I would what?
SALLY: [stage-whisper] Barnabello gave you the, ah, parcel earlier?
EDDIE: The…? Oh! Oh, right - I have it right here, just… give me a second… which pocket…? There we go.
[sound of a small, hard candy placed on the countertop]
HOWDY: A carmul all for me? You shouldn’t have! No, really, you shouldn’t have. I’m on the clock.
BARNABY: [loud bark of laughter] I knew I could count on you, pal! So what’s the tally, Frankie?
[Frank mutters something inaudible]
BARNABY: What was that? I couldn’t hear you over the sound of me bein’ right!
FRANK: [explosive] You’re all wrong! The correct pronunciation is caramel, CARAMEL! You’re all - you’re all just - heathens! Heathens, I say! I’m taking my company elsewhere!
EDDIE: Mr. Frankly…
JULIE: [overlapping, following] Aw, c’mon Frank!
[the door jingles. Julie and Frank’s hushed arguing in the doorway underlies the dialogue]
HOWDY: It sounds like I missed quite the context! Mind filling me in?
BARNABY: That was pretty much it; a real potato potahto argument.
HOWDY: If you say so, Barn. Speaking of potahtos-
[the background argument abruptly cuts off, the door jingles again as it's closed]
FRANK: [rapidly rejoining the group] Hold it! You don’t really say potahto, do you?
BARNABY: [under breath] Here we go again…
SALLY: [deeply amused] Where on Earth did you pick up such a butchered pronunciation? I must have missed the sign on my tour down from the heavens.
EDDIE: [baffled, underlying the dialogue] I’ve never heard anyone say it that way.
JULIE: Oh! Is it a joke? Like, Barnaby says potato-potahto, and then you jokingly say potahto to make us laugh?
HOWDY: It’s not a joke. That’s how it’s said.
FRANK: [genuinely disturbed] No - no one says that. It’s potato.
HOWDY: Well I say potahto, thank you very much! And if you ever want one from my store again, you’d do well to accept that.
[Various grumbles of reluctant acceptance]
HOWDY: Good. Now, can I get any of you a refreshing drink after such a squall? You must be parched!
WALLY: I wouldn’t mind a glass of mulk.
[Horrified silence. A pin drop would be deafening]
[Sudden uproarious and overlapping argument]
154 notes
·
View notes
welcome back to self-loathing hours with anna. turns out getting a job is really difficult. and turns out even though at this point i'm willing to sell my soul to the corporations just for the minimum wage, none of them want me anyway. so what was i saying? oh yes, self indulgent comfort with the terrible twins. not sure when these are set, other than pre-canon. they get it, you're all stuck working for The Man, but if they could they'd keep you at home all day as their good little house-spouse 💗 bold is asl, as always. WARNING for spicy implications (nothing explicit). GN!reader.
bo x reader
"No, that's okay. I understand. Well, thank you for the opportunity."
You sigh as you hang up the phone. Another job rejection.
You check the time. Just gone noon. Bo should be going on his lunch break soon.
Pulling on your sweater, you decide to wait outside for Bo to get home. The road leading up to the sugar mill ran right past the Sinclair house, and you had a perfect view from the front porch.
A trickle of workers start coming back into town and soon enough you see Bo round the corner, along with a few of his work friends.
He smiles when he sees you, breaking away from his friends and walking up the short path to the house. When he reaches you, stood on the front step, he wraps an arm around your waist. With a kiss to your temple he says, "Afternoon darlin'."
"Afternoon," you mumble, squeezing him in a hug. "How's work today?"
He frowns down at you, "It's goin' fine. What's wrong with you, baby?"
You sigh again; it leaves you as a shuddering breath. "I didn't get the job," you whisper.
"Aw, darl', I'm sorry," Bo says, pulling away and throwing an arm over your shoulders as he guides you back into the house. "They'll be other jobs."
"I know," you follow his lead. "I know, but... nothing has worked out yet. I don't have enough experience for anything."
"Baby, you're sharp as a whip. Something will come along," he holds you by the shoulders, looking at you pointedly.
You try, "Yeah, but..."
"But, nothing, y'hear me?" Bo's eyes are intense, a fire burning being his baby blues that you weren't about to start playing with.
"Yes, Bo."
"Y'know, if anything come up at the mill -- up in the office -- you'll be the first to know. I promise." He presses a kiss to your forehead before pulling away, sending you off with a playful pat on your ass.
You nod over your shoulder at him. You know Bo would keep you at home all day if he could. He wants to provide for you, and all he'd ask in return is a hot meal and a clean house. For you to wait for him to come home every day and let him love on you.
But real life doesn't work like that, no matter how much you both wish it did.
Bo watches you go into the kitchen as he makes himself at home on the couch. He hears your movements as you get lunch ready, the rustle of the bread bag and the gentle clatter of plates on the counter. When you reappear, with two plates of sandwiches in hand, he smiles at you. God, you're too good for him, he thinks.
He gestures for you to put the plates down on the coffee table. You do so, and then he takes your hand, pulling you over to straddle his lap.
Resting his work-rough hands on your hips, Bo leans in to kiss you. His lips are chapped, but you kiss them when he pulls back to say, coyly, "I got a whole half hour before I have to go back to work, y'know?" His hands leave your hips, finding themselves on your thighs instead, slowly sliding up, inch by inch.
"Oh yeah?" you cup his face in your hands, pulling him back to your lips.
"Oh yeah."
vincent x reader
Another rejection letter. You shove it back into it's envelope and abandon it on the side table and try to push the feeling of disappointment down in your chest.
Instead, you go to the kitchen and busy yourself making lunch for you and Vincent. He's been down in the workshop for hours, he'll be hungry.
Fifteen minutes later, you descend into the basement with a plate of sandwiches and the latest book you'd been reading. Vincent is still working when you arrive at the workshop, he barely notices you walk in.
Placing the plate down on the least cluttered workbench, you walk up behind Vince, wrapping your arms around his waist. "Afternoon."
He drops the tool he'd been using to clasp his warm, wax-flaked hand over yours on his stomach. He grunts softly in greeting.
"They turned down my work, said it wasn't what they were looking for," you mutter into his back.
You feel his shoulders drop, before he eases out of your grip and turns to face you. "My love," his fingers stroke from your cheek to your jawline.
Not meeting his eye, you try and sound nonchalant, "It's my own fault, I shouldn't have set my hopes so high."
"You don't need a job," he says, "You can just stay here all day, with me. I need a muse."
"You know I'd love nothing more than to do that," you sigh wistfully. Oh, what you'd do to stay with Vincent all day. "But we need the money."
"No, we don't. We are starving artists," Vince smiles, a look that almost seems pleading. And you believe him, absolutely. There's not a doubt in your mind that Vincent would be willing to suffer for you, for his own art. That he would rather go hungry than make you work a job you didn't want, or seek the approval of those he considered beneath the both of you in terms of talent.
But the real world didn't work like that, no matter how much you both wish it did.
"We can only starve for so long. And it's not fair on Bo." Bo's been taking even longer shifts at the mill.
"Never mind Bo, we --," Vincent starts, but you cut him off.
"I'm going to try and get a proper job, just until I start getting somewhere with my portfolio."
Vincent looks like he's about to interject, but he can see you look dejected enough without him trying to argue your new plan.
"Okay, my love. But only until you can get your work out there, where it belongs."
"Thank you," you whisper, pulling him towards you enough to press your forehead to his. "Are you ready for a break?"
Your hand trails from where it is twisted in the front of his apron to the waistband of his jeans.
He lets out a breathy laugh, nodding. His hands reach behind him to untie the apron strings as he walks you back towards the cot in the corner.
297 notes
·
View notes