ɪ ʜᴀᴠᴇ ʟᴏᴠᴇᴅ ʏᴏᴜ ꜱɪɴᴄᴇ ᴡᴇ ᴡᴇʀᴇ ᴇɪɢʜᴛᴇᴇɴ ;; ᴘᴛ ᴠɪ
ʏᴏᴜ ᴍɪɢʜᴛ ᴡɪɴ ꜱᴏᴍᴇ, ʙᴜᴛ ʏᴏᴜ ᴊᴜꜱᴛ ʟᴏꜱᴛ ᴏɴᴇ ;; ᴘᴛ ɪɪɪ
Characters: MCU!Shuri Udaku x Black!Masc!Reader
Type: Fic
Word Count: 7.4k
Synopsis: A garden can only grow if tended to; and Shuri becomes the sun that helps your flower petals unfold.
Warnings: cursing, mentions of medical tools (needles), mild violence, mentions of bullying, hints of self-deprecation, readers fear of labs
A/N: A bit on the shorter side, but she’s still here! I’m so sorry for the delay - school got in the way with some assignments, but I'm back on track! This is the last part of the backstory - the next part, we’re hopping back into the present day and things are about to get pretty intense, so strap in! Suggested songs to listen to while reading: ‘lonely’ by Billie Eilish and Khalid, ‘Not Today’ by Alessia Cara, ‘Dear Society’ by Madison Beer, ‘alter’ by Kehlani, ‘moonchild’ by RM
Tags: @inmyheadimobsessed @badass-dora-milaje @babyboiboyega @verachii @heartsforjojo @letitias-fav @kingstormpostsshit @shurismainbxtch @zayswriting @rxcently @nzia-writes @writingintheshadowsforever @hufflehans @kokichiis7 @xxmilli @typicalme13 @zestgodtj @generallysapphic @ziayamikaelson @shuriszn @percsane @justariellove @n7cje @mbakuetshurisprincess @mxyx-rx444 @hippiedippyshit
11 Years Ago.
January 28th, 2014. The Golden City, Wakanda.
A series of raps at his door brings T’Challa from his slumber. He has always been a light sleeper, and so when the harsh knocks echo throughout his room, he awakes with a start. The room is dark, with only the moon’s beams shining brightly through the large windows, casting a soft white glow as far as the moonlight can reach within the chambers. It leaves an ethereal glow upon the Prince’s bare chest, highlighting the physique he had worked up due to his extensive training.
Another figure rises from his bed as well, the sheets slipping off her form and the moonlight’s glow brings out the beauty of her cocoa-toned skin. Nakia is a heavy sleeper, but it was not the knocks that tore her from her slumber, it was the missing presence of her lover.
“It is two in the morning,” the River Tribe native mumbles out, grumpily, “what in Bast’s name is the meaning of this?”
T’Challa presses a kiss to Nakia’s temple, shushing her grumbles and encouraging her to fall back into the bed. She does so, as T’Challa throws his legs off the edge of the bed, sleep still plaguing his body, as he shuffles to the door. Cracking it open slightly, he is met with the sight of Okoye, who has a rather irritable look in her eye. It is not an uncommon occurrence - but it is something about the fierceness of her stare that urges the Prince to straighten and push away the cloud of fatigue that once rested in his brain.
“Pardon the intrusion, my Prince,” Okoye says lowly, “we have a problem down at the lab.”
T’Challa furrows his brows in confusion. “Shuri? What has she done now?”
“I’m afraid Shuri is not the only person involved.”
Okoye’s vagueness only causes T’Challa’s frown to deepen, and it takes him a moment to understand what Okoye’s words imply. He sighs deeply, briefly closing his eyes as he wipes a hand down his face, perhaps in an attempt to wake himself up a little more to deal with the brewing situation.
“Let me put on a shirt.” He mumbles, and Okoye nods in reply, stepping back to allow the door to close for a moment as T’Challa fishes around the edge of the bed for his discarded sleepshirt. Nakia watches his movements, her back propped up on the headboard, eyes heavy but she refuses to let them close.
“What is wrong, my love?” asked Nakia, her eyes laced with what could be determined as worry due to the soft blue-white moonlight that pools into the room, illuminating it from the darkness that still looms in the furthest corners of the chamber.
“Shuri has created some trouble in the lab, it seems,” T’Challa replies, “and if it is with whom I think it is with, I do not think I will be able to retire to bed again.”
“You mean with (Y/N)?” Nakia follows up, and she notices the change of pace that T’Challa had taken when pulling his sleep shirt over his head. He slows, and Nakia notes his hesitancy to speak on it. As if, if he were to speak it into existence, it would solidify the reality of the situation at hand.
It had only been roughly a month since you’d been relocated to Wakanda permanently. T’Challa hadn’t expected much to change within a month, but he also didn’t expect for the transition process to be as hard as the first time. Perhaps he believed that if you were with people who cared about you and your existence, that the adjustment would be smooth, seamless. Unfortunately, in the little time that you have returned home, this was not the case.
“I will return soon,” T’Challa hums, “please rest, my love.”
The prince returns to his bedside, of which Nakia had taken her place in his absence. He presses another kiss onto the crown of his lovers head, of which lingers for a second longer than intended, but the two indulge in it nevertheless. Nakia grasps onto T’Challa’s upper arm, grabbing his attention and drawing his eyes into her own.
“Do not be hard on yourself, T’Challa,” Nakia whispers, “and do not let your frustrations get the better of you.”
Nakia has always been able to read the prince; had always been able to pick up on his emotions and innermost feelings. It was one of the many qualities the River Tribe native had that captivated the man's heart, a blessing dressed in her soft confidence that she radiated. And she has always known exactly when to use this gift, whenever the Prince was too deep into his own head about things and needed someone to properly bring him back into reality. And T’Challa revels in it, her ability to quell the troubled waters of his mind and speak to him the words he wishes to hear. He doesn’t know how she does it, but regardless, his everlasting thanks lie with the Panther Goddess for blessing him with a woman to match his nature.
“I’ll be back,” the prince whispers back, relaxing into her touch just a bit to let her know that he has taken heed to her words and will try to keep his composure. Nakia releases him, and the prince slips on his slippers and night robe before exiting his bedroom.
Meeting back with Okoye and walking the abandoned halls of the palace, the silence that befalls the two is one filled with an unnamed anxiousness, and T’Challa is the most affected by this. Millions of scenarios run through his head, trying to think of what could have possibly happened for the two of you to have had an altercation so bad that Okoye of all people had to fetch him. Millions of them, and yet, none of them do not result in his presence being needed, and leaves a pit of unease to settle within T’Challa’s stomach.
The walk to the lab is a short one, much so due to the fast pace that T’Challa and Okoye take on in the moment of urgency. And when T’Challa bounds the corner and the visual of the laboratory comes into view, the prince’s steps slow and his face contorts into that of a frown of disbelief. Okoye’s pace matches until the both of them come to a halt, standing just beyond the threshold of the laboratory, T’Challa taking in the sight before him.
“The Dora heard the yelling and a sound of something shattering,” Okoye informed, the Prince taking a few steps forwards as she continued to speak, “but when they arrived, nothing was broken. They were met with the sight of the Princess frozen to the wall.”
Shuri was, indeed, frozen flush against the wall to T’Challa’s right. Her braids hung low and framed her face, of which held a sheepish smile, one that T’Challa knew was there to hide the guilt brewing in herself.
“Hello brother…” she chimes, nervously, “have you slept well?”
T’Challa’s hands raise to his face, wiping them down the length of it as he releases a deep sigh, remembering his promise to Nakia to remain composed. “Where is (Y/N)?”
Shuri points to a space not too far from them, and T’Challa’s eyes scan the room until they settle on your form, hiding behind a counter. Your eyes peak from over the countertop, and he sees the near petrified look that hides within them. The way they dart across the room, notably to the amount of Dora that litter the space, and it’s in that instant that T’Challa realizes why you’re so scared.
“(Y/N),” the prince calls to you, his voice a comforting hum and his eyes showing sincerity, but still holding a stern gaze, “yiza apha, please.”
It takes a moment before you slowly rise from your hiding place, and with you, the black panther plus that is being hugged tightly against your form, glistening from tiny drops of water coating it’s fur. The steps you take are cautious and creeping, but not wanting to disappoint him, you continue until you are at his side.
“Release her, please,” T’Challa instructs, with a calmness that suggests this has happened before, gesturing to the princess’s current position on the wall. Another moment passes by but you comply, raising a hand and waving away the solid into its water state, releasing Shuri from its hold and dropping her carefully onto the ground. Another wave, and the water evaporates into the air, and while it adds an extra layer of mugginess to the already moist and warm atmosphere, it’s nothing compared to the thickening tension that surfaces.
T’Challa doesn’t even have to say anything to Shuri, for once she has made sure she is dry and her eyes meet the stern look in T’Challa’s, she is bounding to him as well, head hug slightly low and footsteps quick and precise. The Prince's gaze shifts between the two teenage girls, both shifting their weight on their feet and avoiding his gaze.
“Would someone like to speak up and tell me what happened here? Hm?”
If it was one thing the both of you hated, it was that tone. The tone T’Challa carried whenever he was frustrated, whenever he was disappointed. And when it came to the both of you, there was always this additional bit of disapproval, and it ate away at the both of you. Shuri because he was her older brother, the man who had taught her everything she knew and always showed how he valued her brilliance and abilities. You because T’Challa was a father figure to you, and you didn’t want to disappoint the man who risked everything to rescue you and make countless moves to ensure your safety and livelihood.
The both of you remained silent, and it pulled another deep sigh from the Black Panther. “No one?” And if it were possible, the both of you would have diverted your gazes further, wishing upon whatever stars lurked in the skies tonight that he wouldn’t have either of you face him.
“So quiet. Must be from fatigue…Perhaps a few days out of the lab will do you good, Shuri?” The man presses. His gaze shifts from Shuri to you, as he speaks again, “and for you, (Y/N), our trip to the market tomorrow will be canceled so that you may rest as well.”
T’Challa was not a man to make threats, but when he did, he knew how to form them and how to have them cut deep. Within an instant of Shuri’s lab deprivation and your market trip being threatened, words began to spill out of your mouths like the waters of Warrior Falls. The volume of which the both of you spoke created an unpleasant ring within T’Challa’s ears as the both of you spewed accusations about each other.
“Konele, konele, konele!” The Prince declares, and it silences the both of you once again. He isn’t sure if it was the volume of which his voice increased that caused you and Shuri to silence, or if it was the tone of command in the word he had yelled out, but nonetheless he is thankful for the silence this time. It gives him a moment to think for another approach, as he knows neither of you will talk unless prompted to.
“Shuri,” T’Challa says with a smack of his lips, “would you like to explain to me what occurred here?”
Shuri opens her mouth to speak a little too quickly, which makes T’Challa quickly add on, “and tell the truth. I will know if you are not.”
Shuri closes her mouth, allowing a moment to pass, before she speaks again, “I-I was just trying to help her get over her fear of labs-”
“Liar!” You accuse immediately.
“Am not! I swear it!”
“Then why take my panther plush?!”
“You wouldn’t have come if I hadn’t!”
“Girls, please!” And for the third time that night, T’Challa has had to raise his voice, and he is becoming impatient. “It is three in the morning, everyone is exhausted. Whatever stunt that was pulled will be addressed in the morning. Do I make myself clear?”
“Yes brother.” Shuri whispers, defeated.
“Yes, T’Challa.” You whisper as well, equally defeated.
T’Challa has Okoye escort the princess back to her room, while he personally escorts you to yours. The silence that befalls the two of you on the walk back is heavier than the tension in the laboratory moments prior. You keep your head down, purposefully avoiding his gaze, and T’Challa has an idea as to why. And with the amount of distance between the two of you and the way you clutch the poor panther plush close to your chest, it’s a sure sign to the prince that it is not worry that plagues you. It is fear.
It is when T’Challa is about to leave you to your room that you confirm his suspicions. “I’m sorry, T’Challa.”
“I know you are. And I also know you are not to blame.” The Prince reassures.
“I didn’t mean to do that to her, I just-” and the way that your fiddling with the fur on your plush and the shifting of weight from one foot to the other tells T’Challa that you are sincerely remorseful, “-it got the better of me, and I tried to stay calm, I really did, but she-”
“Provoked you. I know, (Y/N),” T’Challa reassures once more, and turns his body back to face you, leaning down a bit to match your height, “we will speak about it in the morning, when the tension has settled, alright?”
And although you nod in response, disappearing behind your bedroom door, the Prince can’t help but feel like his words had done very little to quell the waters of worry and fright within your mind, as they had did his own.
February 4th, 2014. The Palace Gardens
The Palace Gardens became a frequent place you visited. It was possibly the quietest place within the large royal structure, and you were glad to have found a place besides your room that you could go to at any time of the day. It was a refreshing scene, with the many varying depths of green and sizes of the plants that inhabited the gardens. On days where you could not leave the palace, the garden became your sanctuary.
You and Dr. Umphi were sat in one of the gazebos located within the garden. She thought that since your session would be in the Palace Gardens, that the two of you could make flower bouquets. Initially you were indifferent to the idea, but once you were presented with the wide arrange of flowers to choose from, you quickly became enamored with the activity.
“I heard you had quite the time in River Town the other day,” Dr. Umphi begins, as she’s carefully removing the thorns from the rose stem in her hand, “how was visiting the riverfront?”
“It was okay,” You replied, focusing intently on where you wanted the placement of you Lily of the Valley stem to sit in your bouquet, “the water….wasn’t all that bad, I guess.”
It was a step in the right direction, Dr. Umphi thought, and it seemed to be working. Introducing you to the river was a cautious idea, one that needed to be approached with great care and gentleness. Your initial fear of water in large bodies was understandable, having had it be used against you for the majority of your young life. Which is why Umphi ordered to have Nakia introduce the town to you. You were warm to Nakia because of her association with T’Challa, and Umphi believed that having that familiarity with you during your visit would keep you grounded.
“Did Nakia teach you anything?” Dr. Umphi asks.
“We met with the elder guy,” you hummed, still focusing on your bouquet, “they talked about the history of the River Tribe. It was really cool.”
Dr. Umphi hums, skillfully slipping the long stem of her rose within the confines of the vase to be tied together later with the other flowers. “Meet any new friends?”
At the mention of this, Umphi notices how you visibly tense up. Your shoulders close in and your movements pause for the slightest of seconds, before moving once again.
“Not really.” You mumble out, mimicking Umphi’s movements and slipping in the stem of the flower you had in hand into the vase with the rest of them.
“Really?” Dr. Umphi says, sounding a bit shocked. “I was told otherwise.”
“Were you?” You asked, brows furrowing together inquisitively.
“Mhm,” Dr. Umphi confirms, “I was told that you protected a young child from a bully. And you were very brave about it.”
“Oh,” was the only sound that left your lips. Umphi notices how you’ve completely stopped building your bouquet. Instead, you’re retreated into your most inner thoughts. She’s sure that you are recalling the event; how it occurred, how you reacted, why you reacted the way you did. The account that Dr. Umphi had was on the side of the tribal elder, the victim, and the bully. She was never one to take unnecessary disciplinary actions, and in your case, unjust punishment would only set you back further. She needed you to recall the event verbally, tell her exactly what happened, so that she could draw a conclusion and understand just what may have been going on in your mind for things to have escalated the way that they did.
“I wasn’t brave,” you whispered.
“You protected someone, my dear. That seems pretty brave to me.” Umphilisi reiterates.
You shook your head vigorously at her claims. Umphilisi reaches across the table to grab hold of your hands, and her touch calms you. Your gaze remains focused on the table, not having the heart to face the doctor.
“Talk to me, little umpkhuseli,” Dr. Umphi mutters to you, her voice soft and warm and welcoming, “what troubles you?”
The ten second time starts, and it’s possibly the most agonizing ten seconds Umphilisi has had to endure. The seconds feel like minutes, and the hollow silence that fills the gazebo is staggering, as if the wrong movement or breath of air could cause all the hard work and the progress Umphi had so carefully crafted to come tumbling down.
She had watched you come impossibly far, despite the odds. To be plummeted back to square one was not an option.
“He just….kept saying ‘stop’…” Your murmur is barely audible, just above a whisper, and it is said just a millisecond after Umphili’s internal clock reaches zero. There’s a slight pause, as the air grows thick. There’s a move to press a reassuring squeeze into your hands, and you accept it for the second that it lasts. But as you become overwhelmed, consumed by the memory of what happened days prior at River Town, and then similar events that occurred at the Design Group laboratory as well, the touch is no longer comforting.
You pull your hands away, overwhelmed with something akin to guilt, and it causes you to stand. You felt undeserving of Umphilisi’s sympathy and comforting touch, and the more she gazed at you with those warm and welcoming eyes of hers, the more upset you grew. Because what you did wasn’t out of bravery, not in the slightest.
“He kept saying ‘stop’, and the kid wouldn’t listen,” you elaborate, having Dr. Umphi on the edge of her seat, “and I just- I had to do something…”
It flashes before you, the events of that day. You took to sitting at one of the various docks that littered the province, taking in the scenery and the atmosphere. You were ripped away from your contentment when hearing a series of yelps and cackles, and when you turned your head to gaze upon another dock to your right, being met with the sight of a few boys who she thought were simply rough-housing. It was upon further inspection that they were in fact, not rough-housing, and that three of the four boys were patronizing the last remaining boy, smaller and more frail than the other three.
The ring leader held the smaller boy by his collar, steadily pushing him further and further to the edge of the dock, despite his pleas to stop. He couldn’t swim, you remembered him crying, and he was deathly afraid, but the older boys paid no attention to the younger’s tears. With each cry to stop and each plea of release, your mind was reminded of the similar situations you had endured as a child. The pain you endured, the patronizing of those scientists, the inhumane treatment you were subjected to, it all resurfaced, triggered by those words that carried such a heavy weight with them.
What happened after was recorded in your brain in a series of snapshots, almost as if taken by a camera, commemorating it to your memory for the years to come. You stood and shouted at the older boys to let the younger one go. Their response was sarcastic, asking you if that was what you wanted, and without hesitation and without understanding their intention, you told them to do so once again.
They let the younger boy go, and he was falling back into the waters, but before his linen shirt could breach the surface of the river, you conjured up a block of ice to break his fall. He landed with an ‘umph’, the coldness of the ice as well as the slight impact taking a bit of breath from his lungs. The four boys looked towards you, shocked, and while the younger who laid safe on the block of ice grew worried for the other boys still standing on the dock, they were not as phased.
That soon changed the moment you conjured up a whip of water. In the split second between the water whip coming in contact with their bodies, the three boys’ eyes showed something that could be likened to fear. In that moment, however, they weren’t young boys to you. Your mind had equated their cruelness, although childish, to that of the men who had taken advantage of you in your youth, and you'd treated them as such.
In the next moment, the three boys found themselves within the river, flailing in the water, desperate to return to shore. You’d ignored their cries, instead opting to focus your attention on the smaller child they’d been bullying. Raising your hand in a pulling motion, it took one stride to pull the block of ice towards your dock, and once close enough, you helped the boy onto the solid wood. He held onto you for a moment, just to steady himself, and for a moment, you did feel like the hero. You felt as if you did do some good, saving the young boy who clung to you from those older bullies.
But the feeling was short lived. The child, after regaining his composure, ripped himself away from you, backing away a few feet, and the distance felt like a canyon had been made between the two of you, and the look in his eyes made your stomach drop to impossible depths.
He was afraid of you.
There was another rush of anxiety that crashed into you. A numbing feeling coursed through your veins, and it was excruciating and overwhelming. He ran away from you, despite your cries of testimony, attempting to show the child that you were not a threat. You even rescued the boys who had been bullying him, a quick flick of your wrist creating a small wave which carried the three terrorizers to shore, but they, too, fled the moment their feet found solid ground.
You don’t remember what followed after that. But the sight of that child’s fear-stricken face would haunt your memories for a long time.
“I just wanted them to stop….” You whispered. Your eyes were downcasted now, hands balled into tight fists as you leaned against the pillar of the threshold of the gazebo. Your voice was strained, pained at the memory recollection.
Dr. Umphilisi slowly stands from her seat, cautiously walking towards you with an outreached had. There was a second of hesitation as her hand hovered over your shoulder, as if waiting for any sign of resistance. No such sign came, and it prompted the doctor to gently place her hand on your shoulder, bringing your attention to her now.
“You wanted the boys to stop, (Y/N)?” She questions, voice soft and caring, and your body is still tense, still under the impression that you were not worthy of such gentleness.
“They wouldn’t listen…why wouldn’t they listen…?” you choked out, barring a sob from breaking through your lips. Instead, you allowed the sting of restraining it to settle into your throat, tears pricking your eyelids. “I screamed…I cried….why wouldn’t they stop…?”
You weren’t talking about the boys of the River Tribe anymore, Umphilisi notes.
The doctor pulls you into her loving embrace, and despite your previous resistance, you cling to her like a child to their mother. Your body shakes in her hold, and Dr. Umphi can only imagine what emotions were coursing through you in those moments, with you recalling the incident.
You were scared. Scared of everything. Scared of yourself.
Dr. Umphi bends down to your level - which isn’t by a lot, considering you are nearly identical in height - and she does expert work to hush your cries and wipe away your tears. She’s cupping your face in her soft hand, the scent of shea butter wafting through your nose and sending small waves of comfort through your being. Your hands hold her wrists as she does so, bringing your mind back to her.
“I want to tell you a saying,” Umphilisi whispers to you, “a saying of which has been said for millennia amongst our people. May I tell you this saying, (Y/N)?”
You nod, slowly but surely, your eyes finding her hazel ones as you sniffle.
“The saying is ‘A child that is not embraced by the village will burn it down to feel its warmth’. Do you know what that means?”
You shake your head, which prompts Dr. Umphi to continue. “It means that a child who has not experienced love, will resent those meant to love them. They become something bad. But you, my dear umpkhuseli, that is not you.”
In gazing into your eyes, Umphilisi notices a shift in them. They are still plagued with the feeling of undeserving, of anger and self-resentment, but there is something more, something Umphilisi is working to dig out.
“I know you are scared. I know you are hurt. And that is okay. We hurt sometimes, especially when people have treated us wrongly, have abused the care in our hearts, and our innocence. But know this, (Y/N); this village will not turn it’s back on you. No matter how hard things may seem, no matter how afraid you are or how hard you may try to push us away - we will fight for you. Allow this village to love you, with every flaw, with every fear, with everything you may feel is wrong with you; allow us to love you, and I promise you, my child, there will never be a question of how we see you. There will never be a question of who you are, to us, and to yourself.”
Your eyes gloss over once again - and this time, there is a flash of hope in your irises, and Umphilisi has, finally, broken through to you.
February 16th, 2014. Dora Milaje Training Grounds, Wakanda
“I want to start training.”
Those were words T’Challa had never thought he would hear fall from your lips. At least, not this soon into your second transition back to Wakanda.
Dr. Umphi had informed him of your mild breakdown nearly two weeks prior, and had expressed to the Prince that you were still reeling from the overwhelming amount of support she had been shown, and just needed time to come to terms with the factors at hand. He’d never thought that that would mean you asking him to enroll you into Dora Milaje training, under the supervision of General Okoye herself.
The two of you stand on an observation balcony, watching the sparring matches take place down below. Okoye had been talking for a while now, explaining the history of the Dora Milaje to you, their traditions and practices, the extent of the training process, and while part of you was listening, another part of you had retreated to the back of your mind, deep in thought.
You’d come to terms with a lot of things within the past two months, of which can only be accredited to the embracing environment that was Wakanda. The fact that you weren’t normal was a constant thought; it plagued your mind on a daily basis, haunting you. But it was a fact you could not change. You could not change that you were essentially born in a lab, your genetic makeup altered by an unknown concoction of greed and supernatural ignorance, forever changing you as a person, as a being. You’d come to terms with the fact that you weren’t normal, and never would be normal. The only other choice was to adapt.
For the first time in your life, you had autonomy. You had a sense of agency and control over yourself and your future, whatever the extent of it may be. And with this newfound agency, your first obligation was to learn how to control the powers you had bestowed upon you, for if you were to move forward in any aspect of life, you needed to learn how to control yourself, and by extension, the abilities that lay at your fingertips.
You watched intently at the many women below, sparring with each other in dances unfamiliar to you. Their movements were graceful and unique to each person, and that made them even more intriguing.
“You would not be sparring with those ladies, (Y/N),” Okoye hums, breaking you from your trance, “this is the advanced course of our training regiment. You require a….unique training regiment.”
You turned your head to face Okoye. In this room, this was her domain. She reigned supreme in the Dora Milaje Training Grounds, and she exuded as such with a level of confidence you were not familiar with. She beckoned you and T’Challa to follow, and after a quick glance back to the prince, who still looked wary about the idea, you followed after the general.
Okoye led the two of you into a separate training room on the second level of the training grounds. It was significantly smaller than the sparring hall, but still grand in its entirety. Old traditional paintings lined the side walls, separated by shelves of weapons and training equipment, and on the back wall hung a tapestry with the Dora Milaje insignia.
“This will be your private training quarters,” the General informed, “and only you and those you wish will have access to it, save for myself and Ayo.”
You hummed in response, alerting the general that you were still listening as you stepped further into the room, eyes scanning your surroundings in awe.
“We will meet promptly every morning at five thirty, for two hours each morning. For the next month, we will begin foundational work and ground planning, pinpointing your strengths and weaknesses, and developing a routine for you to execute on your own accord.”
It takes a moment for Okoye’s words to resonate with you; you’re so absorbed with the intricacy and decor of the training room, it almost has your mind spinning. You were so giddy at the idea of finally being able to make decisions for yourself, that you finding joy in something that others probably dreaded seemed so surreal to you.
You turned back to meet Okoye’s gaze, and while there wasn’t a smile on her face, her eyes held fondness in them. T’Challa, too, held a fondness for the sight of you, amazed by the training room in its simplicity, though there was still a flicker of uncertainty in his eyes.
“You are certain that this is what you want?” T’Challa asks. He is worried, rightfully so, and only asks because he wants to make sure that the motivation for such a decision is not one of fear, or obligation, or to please anyone other than yourself.
There is no hesitation in your voice, as you reply with a sharp ‘yes’ to the prince’s question. “If I’m gonna be here, the least I can do is learn how to use what I've got,” you reason, “and…I’m ready to take this into my own hands.”
It is here that T’Challa realizes that you are no longer the eleven year old girl he saved two years ago aboard an American research vessel, scarred and frightened beyond comparison. You are becoming a strong young woman, and he would be doing you a disservice by not treating you as such. Therefore, he pushes down any doubts or wariness swimming within his eyes, in his throat, in his mind, and wears a proud smile, blessing you and your journey of self-discovery waiting ahead.
March 1st, 2014. Design Group Laboratory, Wakanda
It was midnight, Shuri thinks, but she is too focused on her work to glance at the clock to confirm. The last scientist left thirty minutes ago, bidding the princess farewell, receiving a barely respectable ‘goodbye’ from the child genius as they left. A comfortable silence fills the lab, one Shuri has grown more than comfortable with since she had begun working in the here. In her lab, things make sense. Every problem has an answer, every equation could be solved with the right substitution, and every formula could be put to the test.
She sits on the other side of the first level, but even though she is a far distance from the doorway, the princess still feels a presence lurking there. She slowly looks up to see who’s eyes are staring into her back as she works, but she is met with a presence she never expected to see.
You sit on the ground in the doorway entrance, your back pressed against the wall as your eyes scan over the room. You’re close to crossing the threshold, yet you refuse to come in contact with the metal plate that levels the transition from cold, gray concrete to marble tiled floors. Your head leans back into the wall, as your eyes land on the cobalt-blue lined ceiling, thinking.
“(Y/N),” Shuri breathes, there's a slight hesitancy in her throat, in her movements. The last time she saw you was earlier in February. A sudden rush of guild pools into her stomach, “it’s late. Should you not be in bed?”
“Look who’s talking,” you shoot back, “Ms. I Can Work On My Inventions For Hours And Hours On End.”
Your words are true, and Shuri knows this, as well as what you’re insinuating. That she has no place to speak about sleep when she sacrifices her own every night because of her desire to work on her inventions. It causes a small smile to form on Shuri's lips. She continues to watch her, putting aside her project for the time being.
“Why do you like this shit?” You ask, and despite the curse at the end of that question, your words do not hold malice.
“It makes me feel nice,” Shuri respondes, “it makes me feel like I belong here.”
Shuri had lifted from her seat, the lab coat that she wore falling around her figure. It’s a contrast to your sleep clothes, the stark white of the coat to your dark blue shirt and gray sweats. She steps a bit closer to you.
“ I want to help people,” Shuri begins, “and this is how I do it.”
“I don’t think I’ll ever understand just why you like this place so much,” you mumble out, fiddling with your hand, “but I guess some things just aren’t meant to be understood.”
A moment of silence happens, and in that moment, Shuri is leaning against another counter, closer to you, as you maintain your current position.
“I’m….sorry,” Shuri whispers, and it causes you to look at her, darting your eyes away from tracing the lines of blue in the walls, “sorry about the incident, from last month.”
Shuri isn’t sure what compelled her to apologize. Perhaps it is the way you’re presented yourself - sitting at the doorway of her lab, so close but never crossing the threshold of your own accord - or perhaps it is the guilt of her own consciousness that has yet to be cleansed from her incredulous attempt at eradicating your lab fear, of which she originally found ridiculous until she witnessed first hands the implications of such a fear.
You move to stand, slowly but surely, hands sliding up the wall as you rise as a form of balance, and you’re facing the princess, whose face of regret is genuine. Nothing in this lab makes sense for you. The various equations scribbled onto holographic screens and white boards, inventions littering the countertops at all hours of the day. You admit, it is a different kind of science compared to the kind you were forced to endure, but it is still uncomfortable, all the same.
“It’s fine,” you reply, reassuring the princess, “I should be the one apologizing. I froze you to a wall, after all.”
“Yes, you did, which I am still astonished by,” and your words suddenly have the child genius laughing a bit, remembering her initial amazement by your abilities, despite how distraught and afraid you seemed back then for even conjuring up such a powerful gift, “I have never experienced something like that before.”
“I would hope you don’t get frozen to a wall on a frequent occurrence.” You chuckle, and the light hearted joke brings a smile to both of your lips. A silence soon falls, comforting but also a bit elongated, a bit too anxious. You cast your eyes downward for a split second, before raising them up again to scan the room once more. Anything to keep from looking into Shuri’s eyes.
“I wanna help people, too.” You confess, which brings Shuri’s brows to furrow together. “I want to help people. I’m learning how to control it. I have to.”
You’re fidgeting with your hands as you speak, your confession ringing out through the laboratory walls. Your veins are filled with anxiety just from glancing at the inside of the room, and it’s taking everything in you to not run away.
You don’t make sense to Shuri. She has never encountered someone like you before - someone who had been ruled by fear and trauma. You are to her like an expression with no answer, one of those quadratic equations that stumpts her, makes her furious. She cannot solve you, at least, not in her normal ways.
“I am sorry,” Shuri reiterates her apology, and for a second, you look at her confused, “genuinely. It was not my intention to…to hurt you, or to remind you of those…unpleasant times.”
Shuri watches as you lean your back against the wall once more, retaking your original position on the floor. It seems the mention of your past has brought an uncomfortable feeling to overtake you, and it causes another round of guilt to swarm the princess’s blood. She, too, takes a step back, forming a back and forth pace as she fiddles with her own fingers, trying to find the words to explain her intent.
“I remember the day big brother brought you down here.” Shuri begins. “I remember how afraid you were, how you absolutely refused to enter the lab. And thought that if I were to show you the good behind our technology, and all that it has done, then you would not be afraid anymore.”
She glances to your figure on the ground, and though your silence is deafening, she continues to speak, “My hypothesis was incorrect, I suppose, or perhaps it was my method of execution. Nevertheless, I did not mean for things to escalate as they did…and I am sorry for provoking you.”
Silence consumes you once more. You have retreated, Shuri thinks, back into yourself, into your own mind. Again, she is left to wonder about your complexity; left to wonder how different your brain chemistry was compared to hers.
Suddenly, Shuri has a thought. She is hesitant, questioning herself on whether it is a good idea, but the doubts are pushed down as they are replaced with determination. Her pacing stops, and instead, she takes up position just a little bit in front of you, and takes up a seated position on the marble tiled floor. She notes the contrast of your seating positions - how you are shielded in the shadows of the corridor, planted on the hard gray concrete, and she is illuminated by the harsh yet warm fluorescent lighting of the room.
You watch her out of your peripheral. She wants to get close to you, you think, wants to be on your level. It’s a quiet act, one of peace and understanding, and you find yourself appreciating the princess’s new efforts of communing with you.
A Beat passes before you speak again. “I call him Shade.”
Shuri’s eyes furrow together as you continue, “I never had anything in that lab. Only time I got to play with anything was when they were jabbing needles into me or taping shit to my head to watch whatever my brain was doing on black screens. Trying to distract me from it all, but …. it never worked.”
Shuri felt a tightness in her chest, an unknown emotion surfacing, flashing in her brown irises. A new variable was added to the neverending complex equation that was you, one that saddened her as she commemorated your words to memory.
“It’s funny; when T gave him to me, I didn’t touch him for like, three months.” Your breathy chuckle is bittersweet as you remember the event of years prior. “I don’t know what I thought, I just remember thinking that it wasn’t really for me, y’know? That there was no reason why he’d just give it to me with no strings attached…but I think if there was a tiny camera in its eyes or some weird mechanical thing in it, I would have found out by now.”
“Tiny camera?” Shuri questions, amused. “What American movies were you watching with that incredulous concept?”
“All the horrible ones.” You answer, and it brings a soft laughter from the both of you. “Like that's even plausible.”
“It is,” Shuri corrects, “for us anyway.”
Your eyebrows furrowed together as Shuri quickly stands. She walks over to a nearby countertop and plucks a small metal bead from one of the display stands, returning to you swiftly. Her movements are precise, as to not scare you, and with a tap on the bead, the little ball transforms into what you could only describe as a metal insect.
“Holy shit,” you breath out, watching in disbelief.
“It is a prototype,” Shuri says, “a small insect-like robot capable of many functions. Including camera surveillance. The materialization of a ‘fly on the wall’, if you will. The only problem is-”
As Shuri speaks, the little metal bug that had been floating in the air stutters for a few seconds, before falling to the ground with a tiny clank, twitching as if it were an actual insect, before curling back into its original bead form.
“-it won’t stay in the air for long.” Shuri scoops up the bead into her hands, her lips formed into a pout.
“And you made that?” You question, your face still showing disbelief, and Shuri nods proudly.
There is a new air of comradery that settles between the two of you, as Shuri begins to explain her long list of inventions and projects. Her accomplishments intrigue you, and they make you feel as if you’ve finally found someone who makes you feel a little more normal. Although Shuri still believes you to be a near-impossible equation to solve, she now thinks that she won’t mind taking the time to learn you; and you, her.
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A new WarioWare has come out and I got enough playtime in to feel comfortable talking about it in full, so I’ll do just that.
Right off the bat I can say in short: this is a good game and a good WarioWare. Not up there with my favs, but it does a lot right. My experience did end up quite differently than anticipated and I’ll explain why soon enough.
First I want to talk about the presentation, which I think is an easy high point. Everything is vibrant and colorful, the art keeps showing the strengths of the current style and everything feels very much like it should. Microgames run that perfect mix of genuinely nice looking and deliberately cursed and the cutscenes are the best of both worlds, being smooth and lively, while returning to Gold’s full voice acting.
Speaking of cutscenes, that brings us to the story related stuff and that’s where the game shows some interesting tricks up its sleeves. In terms of structure it’s a return to the pre-Gold era, with the closest to an overarching theme being the vacation set-up.
I do think the Ware crew is in top form, likable, fun and full of life as always and two stories in particular even do something major.
Kat and Ana’s story marks the shocking return of Cractus, bringing a Wario Land character into WarioWare and Young Cricket’s story sees his Kung-Fu Ball partner finally brought into WarioWare properly. Both of those are really massive and show a willingness to more heavily utilize elements from other parts of the verse, which I find incredibly exciting.
Oddly enough, the weaker link of the story for me this time is Wario himself. Now don’t get me wrong, everything that happens here is usual Wario antics and I do like how non–english versions of the script like japanese and german, have him be actually be nice about bringing the others along. His confusion at the Crygor drawings and later ascending to godhood, with the cast roll confirming he got a happy end, are all good too, plenty of nice stuff here.
He just feels weirdly absent here. Having no presence in the Remix stages, no bonus mode in his image and even the final stage has him stuck being cursed to have his face be the avatar of an angry volcano. It doesn’t really feel like Wario and ends with him being the only one of the cast with no moment to shine during the climax, which I can’t help but find a little disappointing.
Still, it’s not a big deal, after so many games Wario taking a slight backseat isn’t a dealbreaker, it just stood out a little.
Moving away from that, there is the audio side of things. The music as usual is full of unapologetically catchy jingles and some major stand-out tracks such as MegaGame Muscles and the Form Guide theme.
We got full voice acting again and with it our first taste of Kevin Afghani as Wario. Pre-release stuff had me very on and off with how I felt about it, but having heard all of him in the game: yeah, I like him! He does have some wonky deliveries, but the overall voice still feels like Wario and has its own fun appeal. Certainly more noticeably different than Mario and Luigi, but I am optimistic Kevin will greatly grow into the role, as he gets to play him more and more.
Then we get to the big one, the gameplay and this is where I was thrown for a loop the most. With this being a direct Smooth Moves successor I thought I’d know what to expect, but was quite caught off-guard in many places.
This surprisingly ended up being the most difficult WarioWare for me by a long-shot, enough that I actually had to take advantage of the second chance mechanic, which I never had to do in Gold and GiT.
If I had to sum the game up in one word, it would be demanding, Wario commanding you to move it is not just a funny title, it’s the name of the game.
With the Wiimote, you could get away with just sorta doing the poses in a lot of cases, but Move It really demands you do the exact poses, down to holding the Joycon juuuust the right way.
More than anything I was surprised how strict it could be in that regard, not following the form instructions is asking for trouble, but I have to say, at the same token I was amazed how well things worked once I got the hang of it.
I’ll admit, I was ill while playing the game, so maybe that caused me to be a little more daft than usual, but it took me a bit to really get into it and I had to consult the museum several times for some microgames to figure out what I even needed to do.
I do think the game is a touch more complicated than usual for WarioWare, since you have to take effectively two controllers and specific poses into account, on top of grasping what each microgame demands of you, but once it clicks everything feels well thought out and purposeful. Getting things down is immensely satisfying and shows some really stunning results of what the Joycon can do.
That said the game isn’t entirely without jank, Hand Model being a notable culprit of it. The game finds several fun applications for it, but anything regarding reading forms or how many fingers you hold up, can be really clunky in the heat of the moment. In general, the strictness of the forms also means you need to really be prepared for every microgame, since slouching with your form could lead to a bad desync
Still, even with some jank I do think stepping up to the challenge to get a feel of it and get better is very much worth it. I wasn’t sure how to feel at first, but my opinion on it only went up the more I played.
That covers it for the main stages, as for the side-content though, yeah, that is where the game shows a weaker side of itself.
Not so much in terms of what’s here though. You got your standard towers, as well as MegaGame Muscles, which no joke, may be my favorite stage in the game. It’s frantic, fun, the music slaps and the set-up of Mr. Sparkles having ascended to being a literal god of fitness, is pure WarioWare.
The new Pyoro game of the day is a fun, different take on it, much like the one in Smooth Moves was as well and Dirty Job is a cool bonus game expansion of a more stand-out microgame concept.
That is really it as far as the single player content is concerned though and it does feel a liiiittle on the meager side. No souvenirs, which Smooth Moves and GiT didn’t have either, but Smooth Moves had more bonus games and GiT had the final Pyoro stage, Penny Remix, more bonus games, unlockable art and the Wario Cup.
We do still have a decent variety of multiplayer modes to work with and I did get a friend to come on by to try them, save for the 4 player exclusive one.
I think it’s a good selection, in concept it has the best multiplayer mode offerings since Mega Party Games (though I did like GiT a lot too), but there is one issue I have with it and I think GiT was a little guilty of it too.
As I mentioned, I do think there is a learning curve on how to play this game most effectively and you feel that even more in multiplayer, where someone not as in the know, is naturally gonna accidentally grip his Joycon slightly wrong, despite doing the pose and need some extra instructions, much like the characters in GiT can take some learning.
It is something you can overcome and have a good time with, WarioWare is a very good ‘’don’t take me too seriously’’ kind of multiplayer experience, but on the whole, if they want a true party game WarioWare, I still think something simpler like Mega Party Games is in order and by all means, I wouldn’t mind them doing something like that again.
On a side note, I also find it a bit of a shame that the nice new models for the cast, updated to resemble their designs in this game, are ultimately watered down to sprites of their heads during multiplayer gameplay. With how much emphasis is being put on multiplayer to carry the game for longer, I think it would have been nice if they put in the work to fully animate GiT-style models for the multiplayer modes.
That small gripe aside, as I said, I think multiplayer is fine, but not quite the pick up and play experience for people new to the game, as I feel they wanted it to be and I do think a bit too much of the game is locked behind multiplayer.
But yeah, that’s WarioWare Move It. It’s good and if you like WarioWare, you’re getting what you wanted out of it. It’s not one of my top games in the series and feels a bit too lacking on the side content front, but on the whole, I had a good time and it gets a surprising amount out of a controller that I have an openly low opinion on.
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