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#Legacy Comix
spdk1 · 5 months
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REVIEW: The Outlands - Child of Wrath (2023)
A One-shot comic by Tyler Edwards, Penciled, Inked and Colored by Valentin Quinones, and Lettered and Edited By Patrick Hickey Jr. Don’t stand up. Don’t stand out. I had the opportunity to get a sneak peek at a piece of a new multimedia initiative by an independent comic publisher called Legacy Comix recently. Their first release, The Outlands: Child of Wrath by Tyler Edwards, is a dystopian…
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protect-namine · 10 months
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oh my god getting tim into the robin suit took SUCH a journey but I finally reached this point of the story. I think it's sooooooo interesting how much robin means to tim, like, robin probably means more to him than batman tbh. everytime he's down he never thinks, what would batman do? no he just imagines the past robins talking to him and somehow that gets him to willpower his way through fear toxin. what would robin do? nevermind that tim, you ARE robin!!
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annikavelde · 2 years
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.:ANATOMY:. Head: LeLutka - Ceylon Body: Legacy Hair: Stealthic - Blight *NEW* @ The Fifty Bangs: DOUX - Jane Bangs Horns: Quirky - Gremlin Vanity Horns Tongue: The Deadboy - Morus Tongue
.:CLOTHING:. Dress: CK - Deep Night Dress *NEW* @  Legacy Halloween Fair Slippers: Fake Society - Vampire Chompers *NEW* @ Legacy Halloween Fair Bear: Sakura - Sad Bear - Tan past gacha
.:SCENE:. Background: Val’More - Stay Here group gift Chair: COMIX - Grunge Broken Chair  Pose: FOXCITY - Bad Kitty 
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flightyalrighty · 5 months
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Hey! My editor gave me the OK to share this! I'm working with Legacy Comix on a brand new 8-page comic called A Tiger's Tail! Here's a sneak peek at one of the covers! Look forward to its debut in Spring!
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ufonaut · 5 months
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WELCOME TO THE FOURTH ANNUAL COMIX OF THE YEAR EXTRAVAGANZA!
I've grown very fond of this little tradition we've started here, and it's nice to get a chance to showcase all the books I've read and loved and could shout about from the rooftops. This year I've read 140 completed series out of a total of 474 over all completed series (as always, that's not counting single issues or current ongoings!) and I've come to expand my physical collection to 735 issues -- that's more than any previous year!
It's been a really great year, from getting to see my first article published in print and getting to write a couple dream articles for a magazine that's meant the world to me to getting to visit Graceland & Memphis with some of my best friends in the universe and then getting another two weeks with my beloved best buddy @slaapkat right here in London! I also feel like I've gotten more into the local comics scene and grown more confident as the true real fanboy I am.
The JSA's renaissance also remains a miracle to me and the definitie highlight of these past two years. Without further ado, here's this year's favourites:
Justice Society of America (2022) #8 In a November 2022 interview, Geoff Johns said: "to me, he's the most iconic character in the Justice Society of America. […] To me, Alan Scott is the main character." Right then and there, I knew we were in good hands. I have loved this series from day one and I still love it like nothing else in the world but this particular story might be the best single issue I've read this year -- it feels like coming home, it feels like the first time we've seen the real Alan Scott in so long. There's something very special about the few occasions team books have allowed a spotlight to shine on Alan alone, more so when he's found himself the heart of the story. This issue with its gorgeous art and picture-perfect characterisation feels like just the thing I've spent so long searching for.
Slam-Bang Comics (1940) It's hard to explain how the funniest comic you've ever read is a wildly obscure Fawcett publication that lasted six issues in 1940, but that's precisely what the Diamond Jack stories in Slam-Bang Comics are to me. Diamond Jack is early absurdist comedy, Diamond Jack is a case study in what made the Golden Age sincerely and genuinely the medium's best era -- its endless room for innovation, the lawless approach of creators building a new art form from the ground up. On the first page of his first appearance, we learn Diamond Jack was given a miraculous gem by an "old magician": this is all we ever learn of our hero. In the third panel of that same page, he dares a pair of robbers to shoot him. It only gets better from there.
Enigma (1993) An eight-issue miniseries about an ordinary guy whose favorite 1970s obscure comic book character seemingly comes to life with all that implies and in the process of investigating this bizarre series of events with the help of the original series' writer, he also comes to terms with his sexuality as a gay man. It's the single most compelling, complex, meaningful book I've ever read. It's also the very first explicitly gay mainstream comic, and it might as well be the only one for its radical no holds barred approach to sexuality (on-screen gay sex included, a complete rarity in this era of sanitized intimacy).
A Contract with God (1978) Widely acknowledged as the world's first graphic novel, Will Eisner's classic anthology certainly lives up to the immensity of its legacy. As the man himself writes in the introduction to the 2000 edition, "I realize I was really only working around one core concept – that the medium was an art form in itself. Unique, with a structure and gestalt all its own, this medium could deal with meaningful themes. Certainly there was more for the cartoonist working in this technique to deal with than superheroes who were preventing the destruction of Earth by supervillains." Four stand-alone tales make up the book, all following Jewish characters living in the same New York tenement in the 1930s, all based on Eisner's childhood recollections and impressions. I remember crying, really crying, at that first story and then laughing uproariously at the next and so on. There's really no way to express just how special this book is without reading it for yourself.
Seven Miles a Second (1996) Published posthumously, Seven Miles a Second is David Wojnarowicz's autobiographical graphic novel detailing the last years of his life before his AIDS-related death. It's urgent, angry, hard-hitting, bleak, and a sincere mandatory read for any gay person interested in our history. It made me sob like few things have. In the here and now, it's surreal to think that DC Comics had published this in the mid-1990s under its Vertigo imprint -- it's often surreal to me that we used to have genuinely daring gay comics published by one of the 'big two', and we've been left with less than a shadow of comic books' former self. Still, the few we have are some of the most significant to have ever graced the medium.
Catwoman: Selina's Big Score (2002) This is a funny one. I'm not a library-goer but while wasting time at the library down the street early this year, I ran into this big collection of all of Darwyn Cooke's Batman stories -- they're great, they're always great because Darwyn himself was a giant of the industry, but Selina's Big Score was one I hadn't read before and it's ended up being something of a life-changing chance encounter for yours truly. Something about this little book utterly changed the way I look at Selina Kyle as a character. I'm a big crime fiction buff, there's no denying that, but it's the subtext that makes the book; the exploration of the cold, hard, mean way Selina navigates the limitations imposed by her gender and social class. It's something else, it's really something else.
Parker (2009) And speaking of cold, hard, mean things. Darwyn Cooke's Parker is something of a package deal with the above, Selina's man friday in Big Score is named Stark and undoubtedly based on Richard Stark's Parker. That's how I got here, but I certainly never left. Months and months later, Parker's still on my mind as one of the most compelling characters I've ever encountered and one of the most beautiful, right-up-my-alley series in existence. Darwyn's four graphic novel adaptations are masterpieces in their own right and I cannot recommend them enough to anyone who's willing to listen but I'm also forever grateful that they've introduced me to my ongoing obsession with Stark's actual novels -- one of the few pieces of fiction I've been genuinely blown away by in recent times. "Rough, macho stuff but tight and exciting, too" is what a blurb on the back of one of the books says and I couldn't agree more, and I can't say I've ever found anything else so uniquely suited to all my interests.
Stargirl: The Lost Children (2022) I'm not the biggest fan of sidekicks or original characters, or children. Yet, somehow, this series won me over in a heartbeat. Geoff Johns has a truly uncanny ability to make a new character feel like they've been here for decades; in this particular case, the so-called Lost Children mix so well with actual Golden Age characters that their introduction betrays nothing except a genuine passion for and knowledge of 1940s comics. Geoff's work has been some of the best of the modern era for a long while now but this one's really a beautiful and beautifully self-contained little story hitting some great emotional beats.
I Die at Midnight (2000) On New Year's Eve 1999, a man decides to kill himself by swallowing too many pills after a bad breakup. Immediately afterwards, his ex decides she wants to reconcile and he's sent into a mad-dash attempt to save himself without her finding out about his impending death. Misunderstandings, frustrations, lies and hare-brained schemes ensue. It might not sound like the makings of a comedy but I Die at Midnight ranks up there with the funniest books I've ever read, I've spent this last year making my way through all of Kyle Baker's DC work and it's certainly tough to choose a favourite but there's simply no other book that captures his delightfully offbeat humour quite like this one.
Silverblade (1987) One thing's clear: 1987 was a magical year for DC Comics. I don't think there's a single year in the industry's entire history that's produced more hits or better books. Silverblade's a special one though, it's the Sunset Boulevard of comics. If there's anything I love half as much as crime fiction, it's anything dealing with Old Hollywood, throw in a heavy dose of gaycoding and it's the book for me. I read this one very early in the year but it left a lasting impression and I've definitely come to consider it something of an all-time favorite.
SPECIAL MENTION:
Flashpoint (2011)
Blackest Night (2009)
Before Watchmen: Dr. Manhattan (2012)
Face (1995)
Jay Garrick: The Flash (2023)
A History of Violence (1997)
Batman: Death and the Maidens (2004)
You Are Here (1999)
Stuck Rubber Baby (1995)
V for Vendetta (1988)
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infini-tree · 7 months
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Lab comix inc. AU ppu?
good question 🤔 for reference, i'm basing their characterization off of my own take on the ppu legacy cast, especially melvin. (link 1) (link 2)
basic points
probably not called "lab comix inc.", but harold and melvin still congregate at melvin's house to hang out and make comics. (library comix inc?).
instead of the sci-fi lean the cu comics has in the Base AU, the ppu version is somehow stranger than the Canon cu comics (think adventure time, tonally, where it seems surreal and random, but if you look deeper there's dark themes.)
harold and george are having what is basically a turf war for complete control of the school. while harold is pretty scrappy, george has the entire fifth grade under his command, whether by bribery or blackmail.
melvin is the Token Good Teammate. he is there as support(?) for harold, though george does put in a few remarks about how he's holding harold back.
as a result of the comic genre shift, blunder's powerset changes too. in base lc, i think i gave captain laser vision (subject to change)? maybe this version of blunder's more like an evil wizard in terms of fighting style idk.
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cleromancy · 7 months
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people who. act like tims origin story is ridiculous like "🙄 get your own trauma" as if being. 3ish years old and witnessing a gruesome double murder is somehow. not traumatic lol while also ignoring that. tim as a character wasnt just making the case for there still being a robin? it was for any legacy kid sidekick character in the dcu, like, both legacy chars *and* kid sidekicks had significant pushback from a vocal chunk of comix fans at the time, on top of robin in particular... tim was a hard sell and his origin literally couldnt have been *too* special bc that would make people dislike him for overshadowing dick, like, his origin had to be specifically honoring dick as the first robin. and if tim as a character had flopped i rly think a lot of characters just wouldn't have been made. the next gen bat kids aside from maybe damian introduced to the main continuity or the rest of the core four for example. shrug emoji. if tim feels pointless now its mostly bc of mishandling. shrug emojix2. many characters with a rich history and/or a lot of potential have also been mishandled in recent years bc the corporation in charge is not a competent custodian of its IP on account of it is a corporation. shrug emojix3.
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travisthechimp · 2 years
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in comic school I had a lot of professors who were frustrated with the students for not being into R. Crumb and other similar Underground Comix type guys. But they fail to realize that the contemporary perception of Crumb is so vastly different than when they were coming up. Like yeah his work was very transgressive and he contributed a lot to the scene, but now there is far more open criticism of his violent misogyny and racism (the violent misogyny he fully admits to btw)
My intro to Crumb was the minstrel style drawings and comics about women getting raped. Why would I want to engage with that work, regardless of its historical significance? I know plenty about his work from receiving a comics history education but it's not something I'd ever really sit down and read for enjoyment because to my generation, the legacy of his work is overshadowed by the legacy of his bigotry. If the first thing you ever learned about Picasso was that he groomed and eventually married a 14 year old girl you'd probably go "yeah I don't really get the hype about Guernica" you know?
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d1c3r · 2 years
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Топ по годам
Сначала указаны игры, которые мне удалось пройти и оценить. Полужирным выделены игры, на которые следует обратить особое внимание.
После этого курсивом выделены игры, в которые мне не удалось поиграть, но хотелось бы или которые, на мой взгляд, оказали сильное влияние на индустрию.
В топе не учитывались дополнения и DLC, за исключением некоторых, позиционирующихся самостоятельными играми. В дальнейшем этот пункт может быть пересмотрен. Также, некоторые крупные игры отсутствуют в списке, поскольку не вызывают у меня никакого интереса. Если не нашли важную игру, но считаете необходимым включить её в этот топ - пишите в комменты.
Топ будет дополняться и исправляться по мере выхода и прохождения игр или по иным причинам.
Можете поделиться своим топом или впечатлениями в комментах.
1987
Final Fantasy
Zelda II: The Adventures of Link
Contra
Double Dragon
1988
Final Fantasy II
Wasteland
1989
DuckTales
Prince of Persia
Golden Axe
1990
The Secret of Monkey Island
Chip ’n Dale Rescue Rangers
Final Fantasy III
Dr. Mario
Dragon's Lair
1991
Sonic the Hedgehog
Battletoads
Streets of Rage
Road Rash
The Legend of Zelda: A Link to the Past
Final Fantasy IV
Final Fantasy Adventure
Golden Axe II
Another World
1992
Streets of Rage 2
Wolfenstein 3D
Final Fantasy V
1993
Disney's Aladdin
Doom
The Legend of Zelda: Linl's Awakining
Secret of Mana
Sam & Max Hit the Road
1994
DOOM II: Hell on Earth
The Lion King
Earthworm Jim
Final Fantasy VI
Warcraft: Orcs & Humans
System Shock
1995
Warcraft 2: Tides of Darkness
Comix Zone
Star Wars: Dark Forces
Chrono Trigger
Full Throttle
1996
Quake
Blood Omen: Legacy of Kain
Duke Nukem 3D
Resident Evil
Command & Conquer: Red Alert
Tomb Raider
Diablo
The Neverhood
The Elder Scrolls II: Daggerfall
1997
Final Fantasy VII
Fallout
Star Wars: Dark Forces II
Quake II
Blood
Age of Empires
Turok: Dinosaur Hunter
MDK
Shadow Warrior
Postal
Castlevania: Symphony of the Night
1998
StarCraft
Half-Life
Unreal
Grim Fandango
Fallout 2
Baldur's Gate
Xenogears
The Legend of Zelda: Ocarina of Time
Parasite Eve
Shogo: Mobile Army Division
Blood II: The Chosen
Turok 2: Seeds of Evil
Commandos: Behind Enemy Lines
1999
Heroes of Might and Magic III
Legacy of Kain: Soul Reaver
Unreal Tournament
Planescape: Torment
Silent Hill
Final Fantasy VIII
System Shock 2
Age of Empires II: The Age of Kings
Shenmue
2000
Diablo II
Deus Ex
The Sims
Hitman: Codename 47
Baldur's Gate II: Shadows of Amn
Final Fantasy IX
The Operative: No One Lives Forever
Vagrant Story
MDK 2
American McGee's Alice
2001
Return to Castle Wolfenstein
Max Payne
Halo: Combat Evolved
Serious Sam: The First Encounter
Grand Theft Auto III
Silent Hill 2
Devil May Cry
Final Fantasy X
Red Faction
Black & White
Ico
Onimusha: Warlords
Aliens vs. Predator 2
Shennmue II
Clive Barker's Undying
2002
Warcraft III: Reign of Chaos
Grand Theft Auto: Vice City
Star Wars Jedi Knight II: Jedi Outcast
Medal of Honor: Allied Assault
Dungeon Siege
Mafia: The City of Lost Heaven
The Elder Scrolls III: Morrowind
Neverwinter Knights
Freedom Force
No One Lives Forever 2: A Spy in H.A.R.M.'s Way
Resident Evil
2003
Prince of Persia: The Sands of Time
Star Wars: Knights of the Old Republic
Beyond Good & Evil
Star Wars Jedi Knight: Jedi Academy
Need for Speed: Underground
Freedom Fighters
Call of Duty
Max Payne 2: The Fall of Max Payne
Lord of the Rings: Return of the King
Manhunt
2004
Half-Life 2
Grand Theft Auto: San Andreas
Prince of Persia: Warrior Within
Sacred
Doom 3
Need for Speed: Underground 2
Warhammer 40,000: Dawn of War
Unreal Tournament 2004
Star Wars: Battlefront
The Sims 2
Halo 2
The Chronicles of Riddick: Escape from Butcher Bay
Far Cry
Sid Meier's Pirates!
Vampire: The Masquerade — Bloodlines
The Suffering
The Lord of the Rings: The Battle for Middle-earth
Painkiller
Medal of Honor: Pacific Assault
2005
Star Wars: Republic Commando
Jade Empire
Need for Speed: Most Wanted
Prince of Persia: The Two Thrones
Sid Meier's Civilization IV
Lego Star Wars
Farhenheit
Call of Duty 2
Age of Empires II
Resident Evil 4
Shadow of the Colossus
Psychonauts
Quake 4
F.E.A.R.
God of War
Brothers in Arms: Road to Hill 30
Dungeon Siege II
Serious Sam II
2006
The Elder Scrolls IV: Oblivion
Gears of War
Prey
Lego Star Wars II: The Original Trilogy
Company of Heroes
The Lord of the Rings: The Battle for Middle-earth II
Final Fantasy XII
Tomb Raider: Legend
2007
BioShock
Assassin's Creed
Mass Effect
Uncharted: Drake's Fortune
The Witcher
Call of Duty 4: Modern Warfare
S.T.A.L.K.E.R.: Shadow of Chernobyl
Portal
Crysis
Halo 3
World in Conflict
Stranglehold
Hellgate: London
Timeshift
2008
Grand Theft Auto IV
Gears of War 2
Dead Space
Prince of Persia
Bully
Fallout 3
Spore
Far Cry 2
2009
Assassin's Creed II
Dragon Age: Origins
Uncharted 2: Among Thieves
Bayonetta
Halo 3: ODST
2010
Red Dead Redemption
StarCraft 2: Wings of Liberty
Mass Effect 2
Assassin's Creed: Brotherhood
Fallout: New Vegas
Sid Meier's Civilization V
Shank
Alan Wake
Limbo
Call of Duty: Black Ops
BioShock 2
Halo: Reach
Metro 2033
Darksiders
Medal of Honor
Vanquish
Alpha Protocol
2011
The Elder Scrolls V: Skyrim
Deus Ex: Human Revolution
Dragon Age II
Rayman Origins
Gears of War 3
Bastion
Portal 2
Assassin's Creed: Revelations
Uncharted 3: Drake’s Deception
Dead Space 2
Crysis 2
The Witcher 2: Assassins of Kings
L.A. Noire
Ni no Kuni: Wrath of the White Witch
2012
1. Max Payne 3 2. Far Cry 3 3. Spec Ops: The Line 4. Sleeping Dogs 5. Hotline Miami 6. Dishonored 7. Diablo III 8. Mass Effect 3
The Walking Dead: The Game
Journey
Mark of the Ninja
Assassin's Creed III
Halo 4
2013
1. Rayman Legends 2. BioShock Infinite 3. The Last of Us 4. Tomb Raider 5. Brother's: A Tale of Two Sons 6. Grand Theft Auto V
Assassin's Creed IV: Black Flag
The Stanley Parable
Metro: Last Light
Rogue Legacy
The Wolf Among Us
2014
Wolfenstein: The New Order
Valiant Hearts: The Great War
Far Cry 4
Middle-Earth: Shadow of Mordor
South Park: The Stick of Truth
The Banner Saga
Dragon Age: Inquisition
Transistor
The Evil Within
Assassin's Creed: Unity
Watch Dogs
Sunset Overdrive
2015
The Witcher III: Wild Hunt
Ori & The Blind Forest
Life is Strange
Mad Max
Rise of the Tomb Raider
Fallout 4
Hotline Miami 2: Wrong Number
Undertale
SOMA
Crypt of the NecroDancer
2016
Fury
Doom
Owlboy
Uncharted 4: A Thief’s End
Hyper Light Drifter
Firewatch
Final Fantasy XV
Inside
The Banner Saga 2
Titanfall 2
No Man's Sky
Gears of War 4
Quantum Break
The Last Guardian
Super Hot
Dishonored 2
Ratchet & Clank
2017
1. Assassin's Creed: Origins 2. Horizon: Zero Dawn 3. Cuphead 4. Hellblade: Senua's Sacrifice
The Legend of Zelda: Breath of the Wild
Nier: Automata
Pyre
Little Nightmares
Uncharted: The Lost Legacy
Middle-earth: Shadow of War
Prey
2018
1. Red Dead Redemption II 2. God of War 3. Assassin's Creed: Odyssey 4. Gris 5. Into the Breach
Return of the Obra Dinn
Ni no Kuni II: Revenant Kingdom
A Way Out
The Messenger
Far Cry 5
Octopath Traveler
Shadow of the Tomb Raider
Shadow of the Colossus
2019
A Plague Tale: Innocence
Death Stranding
Disco Elysium
The Outer Worlds
Katana ZERO
Star Wars Jedi: Fallen Order
Sekiro: Shadows Die Twice
Control
Resident Evil 2
2020
1. Ori & The Will of the Wisps 2. Desperados III 3. The Last of Us Part 2 4. Cyberpunk 2077 5. Doom Eternal
Ghost of Tsushima
Final Fantasy VII Remake
Assassin’s Creed Valhalla
Yakuza: Like a Dragon
2021
The Forgotten City
The Artful Escape
It Takes Two
Deathloop
Halo Infinite
Psychonauts 2
Life is Strange: The True Colours
Far Cry 6
Kena: Bridge of Spirits
2022
Neon White
Stray
Teenage Mutant Ninja Turtles: Shredder’s Revenge
Cultic
Starship Troopers: Terran Command
Horizon Forbidden West
Lego Star Wars: The Skywalker Saga
2023
Baldur's Gate 3
Star Wars Jedi: Survivor
Diablo IV
Resident Evil 4
Dead Space (Remake)
Starfield
Alan Wake 2
Assassin's Creed Mirage
Hi-Fi Rush
Final Fantasy XVI
Hogwarts Legacy
Atomic Heart
RoboCop: Rogue City
<3
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nfcomics · 8 months
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AINT IT FUN TP • cover art • Aaron Lange [Nov 2023]
In the 1970s, Peter Laughner was a founding figure in a primordial ooze of what would come to be called punk rock, in the somewhat unlikely, somewhat necessary place of Cleveland, Ohio. Bands like Pere Ubu, the Electric Eels, Rocket From the Tombs, the Dead Boys, Devo, and the Pagans all intermingled in this psychosphere; Laughner touched them all. In 1977 at the age of 24 he became punk rock’s first casualty. While his short life ended more than a half a century ago, his legacy continues to resonate. Henry Rollins and Guns N’ Roses have covered his songs, while Wilco and the Mountain Goats drop references to him in their lyrics.
Underground comix stalwart Aaron Lange makes his much-anticipated graphic novel debut with this deeply researched biography. Through extensive interviews with the people who were there, Ain’t It Fun charts the cultural, environmental, and societal factors that shaped both Laughner and the Midwestern proto-punk subculture he championed.
Ain’t it fun when you know that you’re gonna die young? “Grounded in real crime, with blazing and withering faces looking into their precious moments and looking back at what’s left, this is a mystic story of a city wrapped around the life and death of a musician whose talent, on certain nights, on certain records, was otherworldly. A sense of disbelief churns through the intricate, exploding pages. It seems a wonder there’s anyone left to tell the tale.” - Greil Marcus, author, music journalist and cultural critic.
(W/A/CA) Aaron Lange
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THE END OF THE MONTH APPROACHES, BUT MY COLLECTION ROLLS EVER FORWARD.
PIC(S) INFO: Spotlight on the penultimate set of Tumblr Cover photos, set #22 in my ongoing TCP collection, and featuring online finds such as:
SIEGE's "Drop Dead" discography on Deranged Records, The Scarecrow of Oz (from "The Wonderful Wizard of Oz") illustrated by William Stout, a 1980 zine advert for English apocalypse punk band DISCHARGE, sleeve art illustration for the "Flames for All" album by FATSO JETSON, "WIZARD" magazine promotional illustration of the Marvel Universe by Alex Ross, UK post-punk band KILLING JOKE, photographed backstage in Boston, MA, c. 1980, panel artwork of Conan the Barbarian by John Buscema & Ernie Chan, and lastly, a promo advert for the American Underground Comix classic, "Cheech Wizard," created by the late, great Vaughn Bode.
Sources: Facebook (my FB profile), American Legacy Fine Arts (ALFA), Fatso Jetson official Bandcamp, Days of Punk, Flickr, View Comic Online, Artvee, various, etc...
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circusfans-italia · 1 year
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CIRCUS SARASOTA 2023: 25 anni di successi
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CIRCUS SARASOTA 2023: 25 anni di successi Circus Sarasota è lo spettacolo che ogni anno Dolly Jacobs e Pedro Reyes e la Circus Arts Conservatory realizzano, appunto, a Sarasota, città della Florida famosa per essere la capitale mondiale del circo fin dal lontano 1920 quando la famiglia Ringling realizzò qui il proprio quartier invernale.
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Ogni anno i due coniugi mettono in scena uno spettacolo di respiro internazionale, con artisti provenienti dai principali circhi e Festival del mondo, uno su tutti dal Festival International du Cirque de Monte-Carlo. Quest'anno lo show ha raggiunto il ragguardevole traguardo dei 25 anni. Auguri Circus Sarasota.
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Per festeggiare l'importante traguardo è stato approntato uno spettacolo all'altezza, in scena dal 10 febbraio al 05 marzo 2023. Tra gli altri artisti sono in pista Alan Silva con i tessuti aerei (visto domenica sera a Lo Show dei Records su canale 5), Oleg Izossimov e il nostro amico Wesley Williams con il suo incredibile e pluripremiato numero al monociclo.
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IL CAST COMPLETO: - Al “Renaldo” Calienes - clown - Chu Chuan-Ho - diablo - Oleg Izossimov - verticali - The JuJus (Julien Posada e Julia Figuiere) - filo - Sylvia Zerbini - cavalleria in libertà - Johnny Peers and the Muttville Comix - cani ammaestrati - Alan Silva - tessuti - Maryna Tkachenko and Anastasiia Kornieieva - sostenuto alle cinghie - Trio Addis - sbarra russa - Wesley Williams - monocicli - Joseph Bauer Jr. - ringmaster Qui di seguito la presentazione dello Show 2023 presentato sotto al titolo Circus Sarasota Legacy: 25th Anniversary Show.
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LA PRESENTAZIONE: Nel suo 25° anniversario, il circo della città natale di Sarasota, Circus Sarasota, è pronto a portare brividi, brividi e risate in abbondanza al pubblico di tutte le età con "Circus Sarasota Legacy: 25th Anniversary Show" dal 10 febbraio al 5 marzo 2023. Con numeri nuovi ed innovativi, la produzione del Circus Sarasota del 2023 offrirà numeri a grande altezza, brividi mozzafiato, buffonate e risate a crepapelle e infine numeri che sfidano sia le aspettative che i limiti dei limiti fisici. A chiudere lo spettacolo di quest'anno c'è una performance in prima mondiale di un duo ucraino con Maryna Tkachenko e Anastasiia Kornieieva.
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Circus Arts Conservatory si è unito a numerosi altri membri della Global Alliance of Circus Schools per sostenere gli artisti circensi dall'Ucraina sponsorizzando visti e offrendo posti di lavoro in modo che possano lavorare anche mentre il loro paese è in guerra con la Russia. I nativi di Sarasota che torneranno al Circus Sarasota 2023 includono Joseph Bauer Jr. come direttore di circo e Sylvia Zerbini con la sua cavalleria in libertà. Altri atti includeranno numeri di diabolo (giocoleria), verticalisti, filo teso, tessuti aerei, monociclo (a tre piani) e molto altro. 
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CIRCUS SARASOTA 2023: 25 anni di successi
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sketchesmick · 2 years
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lost star wars - AG-37
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Conversation
Sycamore: We WILL stop you with the powers of:
Layton: Friendship!
Aurora: Harmony!
Emmy: Incredible Violence.
Luke: And love!
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flightyalrighty · 10 days
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Tiger’s Tail is looking real nice in print! You can get one of these bad boys over at Legacy Comix! Support this indie anthro comic today!
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ufonaut · 2 years
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i don’t speak for marvel as i don’t care for marvel but something that’s sincerely disconcerting to me about the constant dismissal of 90s dc comics as being “edgy” and nothing more from professionals within the medium and fans alike is that the countless complaints sound like a genuine refusal to engage with the material at best and an echo chamber at worst. the fact of the matter is that the majority of dc’s 90s output leaned visibly towards the sentiments of indie & underground comix and can be easily categorized as alternative at least in some manner.
in fact, a not negligible number of the protagonists of the post-zero hour titles were noticeably punk, grunge, goth or otherwise moving away from the squeaky clean images of their silver age predecessors not just in aesthetics but also in the values of the subcultures they represented. the “edgy” label on a whole lot of books hides the very clear anti-authoritarian and anti-capitalist principles embedded in their text.
for example, take some of the titles most commonly dismissed as embodying everything a certain subset of comic readers seemingly hates: fate 1994/the book of fate 1997 and manhunter 1994. in both instances (and here, i’m counting fate & book as one thing since the latter is a soft reboot of the former), these books have been cited as not worthy of carrying on the legacy of their respective mantles.
yet, fate & the book of fate feature a working class protagonist living in abject poverty who’s turned to small-time crime when no other opportunity had come up for a person like him; even once jared stevens -- fate -- becomes the bearer of that iconic title, he’s resolutely distrusted by mainstream superheroes due to the way he looks and acts, arrested several times (with the implication that he’d already been intimately familiar with the process), and finds himself a wanted man despite saving the world because the justice league refuses to speak up on his behalf. the book of fate, especially, serves as a subtle commentary on social class dynamics and how despite effectively fulfilling a ‘chosen one’ role, jared would never be welcome into the superhero community at large solely because he’s unable to carry himself the “right” way (the straight, upper middle-class, sanitized way).
similarly, companion piece scare tactics 1996 has jared stevens and his best friend arnold burnsteel -- a hacker with explicitly radically left politics who’s hacked into government databases a number of times -- free several teenage ‘monsters’ (a werewolf, vampires, etc), two of whom are lgbt, from a government facility. arnold and the kids spend the rest of the series on the run. fantastical premise or not, you’d be hard-pressed to find a modern comic book published by one of the big two that has the fbi & the cia as its villains.
beyond that, we’ve got the aforementioned manhunter 1994 and the commentary on an exploitative music industry contained within. chase lawler, down-on-his-luck session guitarist, practically sells his soul to save his girlfriend and brother from a downward spiral of drugs and greedy management and a media circus that had destroyed them. within the text, the blame is squarely placed on capitalism and abusive aspects of the media industry still widely talked about and criticized today.
and these are just the most reviled titles in dc’s 90s catalogue. if one cared to read through the rest of it, it’d hard not to notice these themes cropping up again and again: the hacker files 1992 follows an anarchist collective hacking into the pentagon and canonically equates the justice league to a us military task force, green arrow 1988 #102-103 (which came out in 1995) has connor hawke going up against an obvious disney expy looking to build an amusement park on the grounds of the ashram he’d grown up in, the creeper 1997 explores psych wards as an inherently violent form of incarceration, etc etc.
this is getting long enough but it’s all to say, if your sole opinion on 90s dc is that it’s some gritty edgy nonsense with no merit then you’re a cop :/
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