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#Just being safe-
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"Hey, is it normal to feel like you're gonna vomit from your lungs if you cough enough?"
Blitzo what the fuck-?!
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I’m back! I’m honestly pleasantly surprised! I’m a sucker for nostalgia in basically every sense- so the music being reused, Val’s cameo, the use of old footage and pictures, the football/Volleyball scene crossover (I liked that for other reasons too). I think it all worked really well with just enough being called back to the original, while still having its own storyline. Now on to characters;
Bob - I’d fucking die for him. Love that man.
Phoenix - I like her in theory, but she wasn’t really detrimental. Idk, maybe it would be different if there were more women on the team, but she kinda just felt like a box to check for diversity
Hangman - Moral dilemma. I’d hate your guts in person and pray for your downfall but goddamn you make me hate you so well
Rooster - ok my first reaction was to mock that caterpillar on his top lip. Buddy, the crisis stache is not working in your favour. He looks like he would flirt with his sister in law and I wanted him and Mav to play the piano together but ig I should just be glad he didn’t die
ok that’s really all I can remember atm so goodnight <3🐄
YES. The nostalgia!!! They were so respectful of the original and I think they handled the sequel really well. We all like the volleyball/football scenes for different reasons. Val!! I’m so happy they had him there. They handled Iceman really well and they handled Val really well, I’m grateful for that
If you don’t love Bob, you’re crazy, that man is perfect-
I get that? She doesn’t get too much spotlight I guess? But I did like her, I liked her interactions with Hangman and Rooster. And she was pretty and really badass so ¯\_(ツ)_/¯
And he’s hot. But we always need a cocky jerk to be in the film and I think he sort of serves as a good mix between Mav and Ice from the first one? I mean you can look and Roos as a Mav and then Hangman as Ice, but I think they’re both a mix of the original two
Don’t hate the stache!! He makes it work honestly, that man is so fine. Y’know for the piano scene it’s him actually playing? Like that’s all Miles Teller, playing that piano and singing his heart out? Turns out he’s got many talents. I really liked him, I’ve read more fics about him than I’d care to admit
<333333🐄
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quelfabulous · 7 months
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"We don't need to do anything. We can just be."
Happy bi/pan visibility day (it's everyday for me). Also a sprinkle of ace and a dash of survivor and to top it all off- other expressions of intimacy, affection & connection taken seriously. I'm doing an Astarion origin playthrough and I ship him with Karlach like FedEx, your honor.
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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stuckinapril · 2 months
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As if to reinforce how few fucks it gives, Israel carpet bombed Rafah yesterday (on the same day there was an ICJ hearing about its ongoing genocide). Today it broke that its relentless bombardments have demolished a mosque in Rafah—not a new move for Israel, as it has already destroyed several mosques in Gaza. And this isn’t even part of the ground offensive Israel intends to embark on in Rafah, fully unstopped because anyone who has the power to stop them doesn’t give a fuck for Arab lives. We are watching the erasure of Palestine in real time, from its sacred sites to its people themselves.
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uncanny-tranny · 7 months
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The leftism/anticapitalism leaving people's bodies the zeptosecond you imply that disabled people who aren't "productive" still matter in society and need to be treated like intrinsic equals who have a place in this world:
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linkeduniverse · 5 months
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Hey Wolfy, let's recreate Mr. Fyer's Cannon!
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pinkgibbon · 22 days
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anton chigurh goes to stardew valley
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puppetmaster13u · 5 months
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Prompt 113
“I seem to have been taken hostage.” Batman’s words almost had Superman panic if not for the wry tone, a tone which the others didn’t know if their freaking out was to go by. Clark sighed through the comms, tired after battle and honestly wanting to go to bed now.
“I’ll be right over, what child has latched onto you now?” He asked while switching to a more private channel. 
“I can already hear you making fun of me…” Wha- Oh. Clark bit his lip to keep himself from laughing as he took to the air. “They appear to be a pair of twins with…” 
“You gotta’ say it Bruce, you gotta’,” Clark couldn’t stop the chuckle when he saw his friend on the top of a building, cape curled around his form in a way usually reserved for the robins. 
“... with dark hair… and blue eyes…” That was it. Clark absolutely lost it in laughter. 
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maeo-png · 7 months
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"I’m thinking of moving."
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"I've gotta say... super proud of Uncle Ozzie..."
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"Not so much Uncle Mammon. Yikes..."
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potassiumprincess · 10 days
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i think marinette is worse at resting when she's sick but adrien is worse at sitting things out if he's injured. i have no explanation, these are just the vibes
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sylvienyas · 9 months
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ha ha im so silly
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luxaofhesperides · 2 months
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Soulmark AU + Sleeping Beauty ; requested by @candeartist422!
For the last few years, Duke’s been waiting for his soulmate to die.
It sounds cruel to say it that way. But the waiting is more painful, he thinks, than just mourning a lost love. It’s not like most people ever meet their soulmates anyways; his parents weren’t meant to be, but they still loved each other and had a life together. He wishes he could turn his focus away from his soulmate, but Duke is a romantic at heart and has always wanted to find the other half of his soul.
But since he was fourteen, his soulmark has dulled, fading in and out of color. What was once a vibrant blue crystal star, with eight points and a swirl of watercolor hues around it, dimmed more and more until Duke was sure he was watching his soulmate die slowly. 
His soulmate didn’t die then. Whoever they are got better, his soulmark gaining color, but it never went back to the way it was. For years after, Duke would check at the beginning and end of each day, keeping track of when it faded and when it regained its color. 
He thought his soulmate was sick. In and out of hospitals, fighting to stay alive.
And then it went nearly colorless. 
Duke doesn’t remember much about that day. He knows he woke up, brushed his teeth, the lifted up his shirt to check his soulmark in the mirror. The blue was almost completely gone, the star on his left hipbone nearly gray with how colorless it was. He started at it for a moment, shocked, and reality slid away from him as he retreated into the safety of his mind, fully dissociating. 
Bruce had found him when Duke didn’t show up for breakfast. He held him and offered quiet words of comfort that Duke couldn’t understand, but just having someone with him lessened the hurt of losing his soulmate. 
Seeing the color come back the next day, faint as it was, hurt even more.
A year later, Duke still can’t break the habit of checking his soulmark twice a day. It hasn’t changed at all, still faint and dim, but carrying just enough color to show that his soulmate was still alive. At the very least, they were still breathing, but his chance of ever meeting them is basically zero. Still, he can’t help but hope, wishing that he could meet them even once before they die and leave him forever. 
“Same as ever,” he murmurs to himself as he brushes his thumb against his soulmark. He’s terrified that he’s forgotten how beautiful the blue of it was when his soulmate was healthy. 
Duke doesn’t let himself think on it too much anymore. Though his thoughts often turn to his soulmate during quiet moments like these, the busy nature of Gotham is usually more than enough to pull his attention back to the here and now. There’s no use in obsessing over his soulmate anyways; they’re just going to die, sooner or later, and Duke knows he’ll never get to meet them. They’ll just be another empty space in his life, right next to his parents. 
“Come on, Thomas, focus,” he tells himself firmly, then gets dressed and heads down to the kitchen for breakfast.
The manor is quiet. It usually is in the mornings, with everyone from the night shift dead asleep and trying to get as much rest as they can before they have to start their day. Not that many of them stay in the manor these days; Duke and Damian are the only permanent residents at the moment, but Steph usually stays half with her mom and half in the manor during the summers when she’s home from college, and the others drop in whenever they feel like it. 
Bruce lives more in the Batcave than the manor, so he doesn’t really count. It’s also why Duke is surprised to see Bruce awake and dressed like a normal person, drinking coffee in the kitchen as if this is a normal occurrence. 
“Morning,” Duke offers.
“Good morning, Duke,” Bruce replies. “Sleep well?”
“Well enough. Alfred out or something?”
“He may have kicked me out of the Batcave to clean it up a bit,” Bruce answers tiredly. “Want me to make breakfast?”
Duke has heard the horror stories of Bruce’s attempts to make edible food in a kitchen. In the interest of not dealing with food poisoning, Duke shakes his head quickly and says, “Nah, it’s fine. I was kinda wanting to eat out for breakfast. Get out there as me, and not a mask, you know?”
“Mind if I join you? Alfred may forgive me for not sleeping if I willingly go outside.”
Duke laughs. “Sure man, as long as you pay.”
“I’ll drive, too.”
“What, don’t trust me behind a wheel?”
Bruce gives him a tired look, eyes dead and dull. “I have taught all my children how to drive. The day I willingly let them take the wheel when I am not actively dying is the day I’ve been replaced by a robot clone of myself who doesn’t know better yet.”
“That is… very specific. Is that a thing you usually worry about?”
“I’m Batman. I have to worry about everything.”
Yeah, that tracks. Duke wouldn’t be surprised if he has at least five contingency plans for that scenario, should it ever happen. “Well,” he says, “Right now, all you need to worry about is having your wallet and driving us down to The Foodie Nook. I’ve been craving their breakfast plates for ages.”
Bruce doesn’t object to his choice of restaurant and follows Duke down to the garage, grabbing a random set of keys and pointing it out to the many cars he owns. One near the front blinks its lights as it unlocks and Duke cheerfully tosses himself into the passenger seat as Bruce opens the garage door. 
The drive into Gotham is smooth. They don’t hit traffic until they reach the bridge that leads into the city proper, taking them away from the quiet of Bristol. The morning is busy, but not enough that Duke worries about being out as the Signal to help keep the peace. It’s a normal type of busy, one borne from people going about their lives, feeling safe enough to go out. 
The Foodie Nook is entirely local and very popular, so the parking lot is nearly full. But they expanded their space last year, which means he and Bruce don’t have to sit outside while they wait to grab a table. Bruce keeps conversation light and casual, well aware of the many listening ears around them, and it’s nice, feeling normal for once. 
Well, as normal as life can be with Bruce Wayne™. The server who comes to lead them to a table realizes who she’s talking to after she gets a proper look at them while holding open the door and promptly stutters over her words. 
“No need for any special treatment,” Bruce laughs lightly, “We’re just here for breakfast. Nothing special.”
“Of course,” she replies, cheeks red. “Um, right this way! We’ve got a table by the windows for you. Just two, yeah?”
“Yup! Just two. Thought this was a good day to spend some time with Duke. He’s a great kid, you know, I’m glad I was given the opportunity to foster him.”
The sunny, cheerful Bruce Wayne persona is so different from the usual Bruce he works with that it feels like he’s standing next to a stranger. But his words are sincere and warm his heart, filling up the gaps that his soulmate has left. 
“Here you are!” their server announces, showing them to their table. “I’ll be right back with some menus.” She’s gone in a rush, and other customers glance over before quickly averting their gaze. 
It’s one of the unspoken rules of Gotham: give the Waynes their privacy while they’re out in public. Questions and conversation are for public events only, but if they see a Wayne out and about during a normal day, everyone leaves them be unless spoken to first. Duke used to follow those rules as well when he was just another Gothamite. It’s strange being on the other side of that now that he’s in with the Waynes.
Duke barely has to look through the menu when it’s handed to him. The breakfast plates are his favorites and he gets one every single time he comes to The Foodie Nook; stacked full with breakfast foods from around the world. As a kid, he loved the Mexico Plate, but these days he’s craving either the Brazilian Plate or the Vietnamese Plate.  
He can’t decide on which one and thinks about tossing a coin to decide, but seeing how that’s Two Face’s whole thing, he decides to hold off and settle the matter with eenie-meenie-minnie-mo. 
He gets the Vietnamese Plate.
Bruce, on the other hand, reads through the entire menu like it’s a novel, then leans over and says rather loudly, “Duke, what’s a tort-illa.” 
The pain he feels hearing that is only worsened by the amusement in Bruce’s eyes. He’s doing it on purpose, playing up the Brucie act for the public so he can psychologically torment Duke. A few nearby customers choke back laughter, turning away to hide their smiles. 
Duke shakes his head and says, “Don’t worry about it. It’s just food. Don’t ask any more questions, I just want a peaceful breakfast.”
“Well then,” Bruce replies, “I suppose I know what to order now.”
As if she was summoned, their server reappears before them, cheeks still looking a little flushed. “Hi! Ready to order?”
She writes down their orders quickly, valiantly keeping a straight face at Bruce’s mispronunciation of tortilla, then heads off to deliver their orders to the kitchen. 
Rather than draw out a conversation with Brucie Wayne, Duke settles for playing a few idle games on his phone; his current favorite is one quiet cat cafe game where he directs cats into fulfilling cafe orders. 
Bruce, despite being out in his civilian identity, is working. He’s on his Batman phone, which looks the same as his other cell phones except this one has a bat symbol sticker just barely hiding a Superman sticker on the phone case. His brow is slightly furrowed as he reads whatever file he’s accessing from the Batcomputer. It’s a little worrying but it could be anything. Bruce makes the same expression when he reads one of Tim’s snarky comments getting quoted in the news.
But that’s not Duke’s problem! He’s here to enjoy his breakfast and it will take the end of the world itself to remove him from his seat before he’s done eating.
The game takes most of his attention until their food comes out, and by then Bruce has tucked away the smallest of his Batman mannerisms. They enjoy a normal, peaceful breakfast. Bruce ends it by asking their server if she has any debt that’s weighing her down, then giving her a tip that’s at least five thousand dollars above that. 
She does cry and Bruce hugs her. It’s very sweet. 
As soon as they get back into the car, his easy going smile drops and Duke knows some superhero nonsense is about to take over his day. 
“Duke,” Bruce starts, seriously, “I received a message from Zatanna.”
“Don’t drag this out,” Duke says, “Just give it to me straight. What terrible thing is about to happen to us?”
“It’s nothing too big. They just recently defeated a magical being who had been tearing apart secret government facilities in Illinois. He had both magic and a high tech weapon, which they confiscated and are delivering to me. The government agency he was fighting was suspiciously interested in the weapon, and based on their behaviors and newly revealed work, Zatanna made the decision to turn the weapon over to us so it doesn’t fall into the wrong hands.”
Bruce smoothly merges into traffic as he speaks, getting them onto the road back to the manor. There’s a look in his eyes that means he’s keeping a lot unsaid, and Duke knows without a doubt that whatever this government agency was doing is bad if Zatanna needs Batman to act as extra security. 
He’s not sure about her decision to trust the weapon to be safe in Gotham, either. Sure, Batman will keep it as safe as he can, but with their luck, it’ll end up in the hands of a Rogue and lead to a lot of death and destruction. 
As soon as they cross the bridge and return to Bristol, Bruce steps on the gas and the car tears down the road. Without any other cars to worry about (or traffic laws), it takes barely two minutes to reach the manor, when the gates open for them and let them into the garage. 
Alfred waits for them by the door, looking them over with a critical eye. “I see you have managed to go outside, Master Bruce. What’s the special occasion?”
“Just breakfast,” Bruce answers. “I’m heading back down to the Batcave. Zatanna will be here soon to deliver a weapon.” He’s gone before Alfred can say anything more, hurrying down the hall and turning the corner, disappearing from sight as he heads towards his office. 
“I see we have yet to break that bad habit of his. Did you enjoy your morning out, Master Duke?”
“Sure did, Alfred. I’m, uh, also going down to the Batcave. He’s definitely not telling me a lot about what’s going on, so I’m just going to read about it over his shoulder. I’ll be back up for lunch, though!”
“And perhaps you’ll be able to drag Master Bruce away from that cave of his,” Alfred comments wryly as he walks with Duke towards the office. He gives Duke a nod, then splits away from him, returning to the kitchen where Duke can hear Damian speaking to someone, probably Tim by the annoyed tone of his voice, and mentally wishes Alfred luck in handling them.
Duke sets the correct time on the clock in Bruce’s office and heads down to the Batcave, taking the steps two at a time. 
Bruce is already at the Batcomputer, shoulders tensed, when he arrives. 
“More bad news?” he asks as he makes his way over.
Bruce doesn’t bother looking away from the screen as he says, “More details about the fight. It seems the magical being called himself a ghost and was going on a rampage due to a betrayal. He says they nearly killed his son.”
“Oh, yikes.”
“And two of the scientists working with the government agency said that he stole their son and is keeping them from saving him.”
“Yikes,” Duke says with more feeling.
He doesn’t get to hear anymore details about JLD’s fight with this ghost when he catches a flicker in the corner of his eye. Duke turns and stares at the empty space in the Batcave near the medbay and watches as colorful magic gathers and swirls in dizzing circles. The portal opens a moment later and Zatanna steps out, looking exhausted and lightly singed. 
“Batman,” she greets, holding a white gun that looks like it belongs in an early sci-fi movie from the 60s. “The GIW is trying to arrest us. Constantine keeps burning their badges and documents so it shouldn’t be a problem, but they are determined to get this back. I wouldn’t be surprised if they came after you next. They’ve got some way of tracking things, but I didn’t have time to get any details before I had to leave.”
Bruce takes the gun from her hands carefully, looking it over with a sharp gaze. “Why would a ghost want to use a gun?”
“I don’t know. He had a variety of powers, too.”
“What does this do?”
“Shoots ice. He never let it go and nearly burned me alive for taking it before we subdued him.”
“We’ll keep it locked up,” Bruce promises. 
Zatanna sighs. It looks as though a physical weight fell off her shoulders. “Thanks. I’m going to head back to stop Constantine from getting into a fistfight with the GIW agents.”
She opens another portal with a waved hand and a muttered spell. Bruce is already walking away to set the gun down on a work station, so Duke is the one to wave Zatanna goodbye. 
By the time he reaches Bruce’s side, the gun is already dismantled, all pieces neatly set aside. Sticky notes denote which pieces go together and in what order. It looks the same as most guns, save for the aesthetic, but the heart of it is a glowing blue orb, large enough to cover the entirety of Bruce’s palm, and it brings a chill to the air.
Duke stares at it and feels his soulmark burn ice cold.
“Duke?”
It’s in his hands. He doesn’t remember reaching out to take it, but it’s in his hands. He can’t take his eyes off of it, cradling it gently and bringing it closer to his chest. 
It’s the same blue his soulmark once was. Before his soulmate began to fade, before every day became a waiting game to see how long his soulmate will last before they die. 
This has something to do with his soulmate. He’s sure of it. 
He won’t let anyone take it from him. 
“Duke. Give that to me.”
He doesn’t feel like he’s in his body. He’s detached, floating somewhere outside his body, puppeteering his limbs, making them move without feeling the motion. Shadows condense around his feet and Bruce takes a step back, wary. 
“Duke,” he says again, but Duke can’t find any words, can’t draw on his voice, can’t even look away from the bright, bright blue of the orb. It pulses lightly in his hand like a heartbeat. 
Bruce reaches a hand out. 
He’s pulled back by shadows before he can get close, and Duke holds the orb against his chest, right against his heart, and feels the cold seep into him. 
“Duke. I need you to look at me.” This time, Bruce’s voice has Batman’s growl in it, a heavy command that he can’t help but instinctively follow. He looks up and meets Bruce’s eyes, but he can’t focus. All his awareness is in his hands and the heartbeat of the glowing orb.
“I have to protect this,” Duke manages to whisper. “I… I think it’s alive.”
“Okay. Let’s get you to the medbay so you can sit down. We’ll figure this out, Duke.”
Bruce slowly, carefully, sets his hand on Duke’s shoulder. He keeps his attention away from the orb, so Duke allows it and lets Bruce guide him to the medbay and onto one of the medical cots. Bruce leaves him after a minute of quiet fussing, muttering about calling Zatanna.
Whatever. None of that matters when the heartbeat of the orb grows stronger, steadier, and Duke feels it match the beat of his own heart.
Time slips away from him. Distantly, he hears people move around the cave, speaking in low tones. A hand presses against his shoulder, warm, then moves away. 
The orb in his hand moves. 
Duke blinks slowly, then claws his way back to awareness, pushing past the haze that’s fallen over his mind. The orb turns over in his hand, then cracks right down the middle. The glow grows stronger, washing the medbay in blue light and a symbol appears on the orb.
It’s his soulmark. 
Later, he won’t be able to say why he did it. There were no thoughts, no reasonings, no explanations. Duke simply moved on instinct and lifted the orb up to his face and pressed a soft kiss against it. 
One moment, the orb was still.
The next, it had burst in a flash of light that blinded everyone in the Batcave, and then a thin, injured teenager had fallen into Duke’s lap. 
Hands immediately grab him, pulling him away from Duke. The teenager puts up no fight, eyes barely open, but he reaches for Duke weakly. On his wrist is the bright blue snowflake, the color strong and vivid. 
“That’s me soulmate,” Duke whispers as he watches Bruce and Tim set the boy down on another medical cot. 
“What?” Tim says, turning to face Duke, concern clear on his face. 
“That’s my soulmate,” he repeats, louder. Then, panicked, he pulls up his shirt enough to see his own soulmark; the color is still dull, weak, barely there, but it’s more blue that it has been in a while. He doesn’t need to say anything. Tim sees the dullness of his soulmark, looks at the boy, and puts the pieces together on his own.
“I’ll call Doc Thompkins,” he says, already moving to fix everything. Bruce remains where he is, making sure the boy is tucked in and breathing steadily before he returns to Duke. 
“Are you alright?”
Duke swallows roughly, unable to tear his eyes away from the boy. He’s pale and thin, as if he’d been starved, and there’s frost beginning to spread on the bedsheet from his fingers. “He’s my soulmate,” Duke manages to say. “He’s been dying for two years.”
Bruce’s eyes a hard, a determined light in them. “We’ll save him,” he promises. 
If anyone can, it’s Batman. 
If anyone can, it’s them, Batman and the Signal, and their entire network of family and friends. 
Duke’s been waiting for his soulmate to die all this time. Now, he’s going to save him.
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umblrspectrum · 15 days
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you'll never guess which movie i finally watched after 2 years of being lazy
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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