local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

Aziraphale pulls down when doing a miracle, because he’s pulling down from Heaven

Post-Fall Crowley pulls up then snaps. Showing that he is pulling power from Hell

Pre-Fall Crowley does both. He pulls down and slightly up then pushes forward because there isn’t an Earth yet. He would be pulling power from anywhere and everywhere. There would only be the divine.

When they perform the Jim miracle together, they both slowly pull respectively from their “own” sides

Columbo + his basset hound named "Dog"

He doesn't look like a police dog. Well, he isn't. He's a policeman's dog. Believe me, there's a big difference.

COLUMBO (1968 - 2003)

When you’re mid sentence and suddenly forget literally everything you were talking about

Something about Bakugo being nosy just sits so right with me. It’s canon that he’s often listening in on conversations (even if participants of said conversations are unaware of his presence) so I imagine when he likes you he tends to hover around you just a little bit more.

You could be talking to Ashido and Kaminari in the common room and Bakugo will be there. Maybe not necessarily near you, not even looking at you. He’s off on the opposite side of the room, and he’s so uncharacteristically quiet that you could forget he was there in the first place.

You mention offendedly how you miss your favorite drink and snack from that one cafe near the heart of Musutafu, being too busy with your work study to find the time to visit.

A few days later, you hear a knock on your door. You’re met with a plastic bag with the very same food and drink combination you had just told your friends about the other day. Your eyes trail the arm and hand holding it and see Bakugo with a pinched look on his face.

“‘s for you,” he grumbles, head turned to the side as his signature scowl deepens. If you looked any closer, you’d clearly be able to see the blush accentuating his cheeks and ears. 

“Thank you, Bakugo,” you take the bag with a smile, and Katsuki has to keep from shuddering when your fingertips accidentally brush his. “Why don’t you come in so we can share?”

Bakugo is nosy, but if it means being able to share stolen moments (and bites of food) with you, then it’s totally worth it.

fighting back? against who? they're so happy—they've been waiting for you.

you are wonderful. don't you know that?

bonus: they play sims together :)

Dp x dc twin au where Danny and Damian were in fact conjoined/siamese twins, but the most dangerous type - one head, two bodies.

Their early removal from talia being because their shape would not have allowed for natural birth, they were written off but talia begged for the chance to send them off in the lazarus pit.

By some bizarre miracle, before she turned to leave, two small bodies bobbed to the surface - identical in every way, except for the eyes. The previous blue eyes now split in two, one left, one right, and the new eyes, pit created, a bright green.

She took her child, her two children, and together, they survived.

Being removed prematurely, their early years were tough, but soon they blossomed into promising heirs for the league. In sync with every step, the closest of brothers, the league was certain the old fairy tale of twins being telepathic had been granted by the pit that separated them, the remnants of being born as one mind, one brain, one skull.

But then Danny had to flee, and leave his other half behind. Stretched by distance for the first time, the bond grew thin and stretched, and Damian grieved his brother as dead. When he started being sent on public missions, he hid his distinctive heterochromia, choosing the green in memory of the pit that had given him and his brother life.

Danny, hiding his pit aura in the ocean's worth that was Amity park, took to blue, the colour that he and Damian were born with.

Damian moves to Gotham, and continues to mourn his brother as dead, right until one day when he is twelve, when he learns what the death of your other half truly feels like.

-

Their reunion is a thing of family legend. Violence runs hot in both bloodlines, ghosts are highly emotional and prone to fighting a the drop of a hat for bonding, playing, testing, every reason under the green sun. Their training and play often consisted of friendly spars, competitive spars, furious spars, venting spars. Both have been exposed to unhealthy amounts of ecto since before their birth.

There is a long, long minute of staring, before they rip themselves away and lunge at each other like wolves.

The bat family are horrified by their brutally efficient youngest suddenly barreling towards a clone (?) and trying to claw his throat open with his bare hands while openly sobbing.

It ends with them wrapped around each other crying into the others shoulder as their minds finally meet again and relax from the painful stretch for the first time in years.

But nobody else has any idea what to do.

⸎ Eldritch demon ⸎

one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.

the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)

the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.

Oh boy my friend, have you come to the right place!!

So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.

Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.

So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way. As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her. I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.

sir you're losing in the mcytblr sexyman tournament how do you feel? 🎤

It makes sense for me to lose the sexyman poll as I am growing closer to coolgal than sexyman nowadays

One of the most fundamentally interesting things to me about YJ and writing fic, specifically, is how the blame changes hands depending on the story. On whose perspective you're writing from. On whose story it is at a given moment. The very thing I dislike about viewers missing the point becomes so fascinating to me from within the narrative. Who are these characters when seen through the eyes of their peers?

Who does Jackie become? If you're Shauna, she's the love of your life, and your greatest rival, and the other half of your soul, and the person you blame for your dead dreams. If you're Van, she's the respected captain who earns none of your respect in the woods, the one who left you to die without blinking, the easiest target for teenage malice. If you're Natalie, she's competition for affection, the blabbermouth who can't leave well enough alone, the hands putting themselves to no good use. If you're Jackie? You're just a girl. You're so tired. You're so scared. You're losing face a little more every day, and you're made of despair, and you can't even trust your best friend. It's not your fault. It's not your fault. It's not your fault.

Who does Lottie become? If you're Natalie, she's your direct foil, the splinter under the edge of your thumbnail, the smart mouth to match your own, the confusing amalgamation of normal friend and mad ritual. If you're Misty, she's the first shred of obvious power in months, a leader who might need to be nudged back into line, a fascinating exercise in hitching your wagon to the right star early on. If you're Taissa, she's flat-nuts and endlessly frustrating, she's got your girlfriend's full attention, she's incredibly dangerous. If you're Lottie? You're just a girl. You're so tired. You're so scared. You've built a pedestal you can't keep your balance on, and you're not sure if you're right or going crazy, and you didn't want this. It's not your fault. It's not your fault. It's not your fault.

From outside the narrative, there is no bad guy. There is no blame. It is no one's fault. It is Man v. Nature, they are doing the best they can with an impossible situation. They're all trying to contribute what they can to the story, for better or worse.

From inside the narrative, you are a teenager trapped in a society constructed entirely of bare-bones-survival with the wildest assortment of girls. From inside the narrative, to stay human, you have to love and fight, respect and judge. Every story changes the game. Every story shifts the blame. A hero in one has the bloodiest hands in the next. And that, to me, is such a thrilling sandbox to play in.

Normalisation and withdrawal of COVID restrictions signal a bumper business revival for India’s fitness training industry, Demand for gyms and yoga classes rise by 234%: Just Dial Consumer Insights.

https://gracesofa.blogspot.com/2022/07/normalisation-and-withdrawal-of-covid.html

Thirteen.exe has stopped responding

(warning for slight flashing)

I really want Nightmare and Dream to freaky friday swap into each other's bodies and have to deal with their enemies from the other side.

Like Dream is trying to get used to one eye and being encased in goop and how do you control these tentacles and every few minutes one of the boys appears to ask for something or show him something or just hang around him. He's trying his best to sound professional and stern (it's not a great impression) but also he feeds off negativity now right?? So why does it sting so much when they're around him?

Meanwhile Nightmare is goop-free and seeing in two eyes for the first time in centuries (and probably takes twice as long to do things because he forgets he doesn't have tentacles anymore). He's trying to sound upbeat and cheery (again, not a great impression) but also good grief people really bother Dream for things. It seems like every way he turns there's somebody who needs something or has a sob story or a complaint, and he's beginning to realise why Dream protects Blue so violently how are you emitting all this positivity please don't leave me. Also where is Ink. Every five minutes where is he what is he doing.

YJ is not allowed on social media

Most capes have like an official hero social bc people just leave comments like ‘captain colds out again no class?? 👀’ instead of flagging down a hero or getting the police to get the nearest hero so most crimes are discovered through viral videos

And yj decides that they need to be on social media so they make ig and tiktok accounts which somehow led to them running a smear campaign against Lex while he was running for president

it’s mostly videos of Cassie in a superman onesie flying around pretending to save damsel in distress!Kon while Bart in an ill fitting bald cap is sitting behind a desk clearly made of cardboard as he mutters about how he’ll show everyone the truth and petting a picture of a cat with drawn on angry eyebrows then the video cuts to Bart way too close to the camera saying ‘A vote for Lex Luthor is a vote against happiness’ then the video ends with Cassie in the same superman onesie with a lightning bolt taped to the front of it claiming ‘this message was endorsed by captain marvel’ [a week later captain marvel makes a posts responding to the video in a captain marvel onesie reaffirming Cassie’s claim]