Christian at the foot of the cross - Pilgrim's Progress (Joseph Noel Paton, 1821 - 1901)
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Joseph Noel Paton (1821-1901), 'Elfinland Wud', ''The Book of British Ballads'' by Samuel Carter Hall, 1842
Source
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Francesca by Hozier
This is not a song about a girl from his past. Historical & literary figure Francesca da Rimini gives her own account. Beautiful on it's own, this song is inspired by and references Dante's Inferno.
The second circle of hell is for the lustful; their restless, unreasoning nature, results in a torment of souls cast about in a restless, unreasoning wind.
The infernal hurricane that never rests...unto such a torment The carnal malefactors were condemned, Who reason subjugate to appetite.
artist - Joseph Noel Paton
Francesca is the first soul in Hell proper to be given a substantive speaking role. None of the men interrupt her; Dante & Virgil listen, and her lover Paulo weeps in the background. She describes her lust/love as a compulsive force that cannot be resisted.
Love, that exempts no one beloved from loving, Seized me with pleasure of this man so strongly, That, as you see, it still does not desert me; Love has led us into one death.
artist - Marie Philippe Coupin de la Couperie
The story of Lancelot inspired wild lust in Francesca and Paulo; she calls the author her jailer. Now the story of Francesca as told by Hozier is imprisoning us in wild lust.
One day we reading were for our delight Of Launcelot, how Love did him enthral. Alone we were and without any fear. When as we read of the much-longed-for smile Being by such a noble lover kissed, This one, who ne'er from me shall be divided, Kissed me upon the mouth all palpitating.
That day no farther did we read therein.
artist - Amos Cassioli
At the end of Francesca's testimony, Dante is overcome with pity and faints, "fell as a dead body falls." He awakens in the third level of hell (gluttony).
Hozier said repeatedly that Eat Your Young features an unreliable narrator, with beliefs that the singer does not necessarily agree. This song is likely the same; Hozier like Dante is moved by Francesca's description of love, but does not agree that lust overpowers free will and agency.
Sources:
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Joseph Noel Paton - Home : The Return from the Crimea (1859)
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I Wonder Who Lived in There (Joseph Noel Paton, 1869)
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Fantasy sights: Paton
Next on our list, the Scottish 19th century painter Joseph Noel Paton.
He became very famous for his set of paintings illustrating Shakespeare's Midsummer Night's Dream.
The Quarrel of Oberon and Titania...
The Reconciliation of Oberon and Titania...
Oberon and the Mermaid...
Puck and Fairies...
(I am really sad that for the first two I cannot include a full-size version of the paintings, because the amount of little details in these pieces is WONDERFUL if you can ever check it up close, don't hesitate)
Paton is often included among the Pre-Raphaelites, given his style is very similar to theirs, though he actually declined and refused to be part of their brotherhood. But their common interested for the Arthurian legends shows up in a few of his pieces, such as:
... Sir Galahad
... How an angel rowed sir Galahad across the Dern Mere
... Sir Galahad and the Angel
Other fantasy pieces of Paton include his "The Fairy Raid : Carrying Off a Changeling - Midsummer Eve"
"Oskold and the Elf-maids"
And "Cymocles Discovered by Atis in the Bowre of Bliss" (from Spencer's Faerie Queene, Book II, chapter V"
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Water Babies
1863
Artist : Joseph Noel Paton
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