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#Joel 2:1
wiirocku · 6 months
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Joel 2:1 (NIV) - Blow the trumpet in Zion; sound the alarm on My holy hill.
Let all who live in the land tremble, for the day of the LORD is coming. It is close at hand—
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tom4jc · 2 months
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Joel 2:1 Sound The Alarm!
Blow the trumpet in Zion, and sound an alarm in My holy mountain! Let all the inhabitants of the land tremble; for the day of the Lord is coming, for it is at hand: Joel 2:1 It is common for many places to have various types of alarms for different uses. People have an alarm clock to wake them up for the day. Businesses will have alarms to alert of intruders outside of business hours. Cities…
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phoenixflames12 · 6 months
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dead-sp1der · 29 days
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I was inspired by @temporaltemporary's Bdubs chart and decided to add data of Joel as well
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Interesting things to note:
Because the length of episodes were so different not only between Joel and Bdubs but also between their own episodes, I decided to use percentages
Joel does not (afaik) mention Etho in his episode 2 and 5, so I put those percentages at 100%
Both Bdubs and Joel mention Etho within the first minute in both their episode 7
I know Joel is up to episode 11 now, but this is about the difference between the two, so I'm currently only going to use the episodes both of them have released
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polarisbear · 23 days
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more dweebs (Very detailed image description below.)
a drawing of grian, ethoslab, tangotek, and smallishbeans. grian is in his season 10 fishing skin and the rest are in different outfits referencing their base themes.
grian is in his fishing skin looking very tired with his fishing rod swung over his shoulder and an ear pierced with a brassy fish hook. he’s a cod hybrid with fin-ears and a stubby tail. behind him blue snail is munching on some leaves.
etho is posing with a neck sheepishly behind his neck and the other resting on his bag. he’s in the postal uniform polo with a green, canadian maple-themed yukata loosely worn and slipping off his shoulder. he has fingerless gloves on under. he is wearing dark red pleated pants and light green heeled crocs. he has a black and red messenger bag with a trellis motif. etho is an arctic fox hybrid with brown legs and streaks through his hair. doodles below show what his paws look like under the crocs and one shows him posing with a note saying “ties up sleeves.” above him another note reads “streaks bc his winter coat is shedding.”
tango is posing confidently with a wrench. he is in the postal uniform polo, with chunky brown and orange gloves and boots, topped off with red, pinstriped overalls. one strap is not around his shoulder, and on the belt around the overalls they carry a small bag, a screwdriver, and a vial of redstone. he has on brown goggles with blue lenses. tango has fire for hair and pointed ears. above him there’s a doodle of the messenger bag that’s secured on his back. it shows how the orange straps tuck over the whole outfit and lead to a dark red and pinstripe blue bag with cog detailing.
joel is giving an indignant pose like he’s complaining. he is wearing a black undershirt that fades out into his light green claws, a pink kimono with only one sleeve of cherry blossom patterns, and a dark grey vest and cherry blossom-patterned obi tie it off. the vest has a cherry blossom crest on the back. joel also has on dark pink pants with a cherry blossom motif on the bottom and on his left arm there’s a bracer with a screen built in. crawling all over the undershirt there are cybernetic patterns connecting joel’s skin through to the undershirt. joel is a tanuki, hence why he has a leaf on his head. around joel are doodles showing the crest on the back of his vest and the pattern on the sleeve.
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dyingroses · 1 year
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✨ Even more of The Last of Us + text posts and stuff ✨
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The Revenant Wife
Pairing: Joel Miller x Fem!Reader
Warnings: Mentions of grief and death. 
Summary: Ellie knows very little of Joel and even less of the wife he had before the outbreak. When she finally meets you, its just as much as shock to her as it is to your husband. 
Word count: 1.6k
Note: ficlet is based off of this previous post about Joel getting separated from his wife during the outbreak and assuming you died until you find one another years later. Reader is described to look like Sarah. Title came from the ever lovely @djarin-junk​ <3
Tagging those I think would enjoy: @pedrostories​ @thesadvampire​ @joel-mlller @softanon​ @max--phillips​ @captainsamwlsn​ @hooplahoopla​ @moondirti​ 
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Ellie didn’t know that Joel had a wife. 
Granted, she didn’t know much about his old life at all. 
She knew he built things. That he had a brother named Tommy and a daughter named Sarah, but didn’t like to talk about the latter that much. In one fleeting conversation, full of mumbles as her eyes began to close while they rested under the night sky she heard him mention you but was far too gone to truly hear what he said. Nothing more than the vague rumble of his voice saying “my wife” before her eyes opened once more. 
“You’re married?”
She asks with such incredulous shock it sounds more like “somebody married you?” but girls at her age hardly ever have filters. 
“I was.” 
There’s the same bristle in his throat and far off look in his eyes as when she first asked about his daughter. An open answer but one that carries enough unsaid to tell Ellie of your fate. To warn her that she should change the subject or simply shut her mouth and go to sleep before plucking his raw nerve one too many times until he snaps- 
“What was she like?” 
But Joel learned early on that Ellie wasn’t one to follow warnings. 
“Kind.” His breath stutters. “But not a pushover- she didn’t take shit from anybody.” He stares up at the sky, feeling his chest grow tight and fingers twitch by his side until there’s a rustling, the girl next to him rolling over to face him and he turns to find Ellie peeking out from her sleeping bag with a smile. 
Damn this girl. 
“Not even from you?” 
Joel scoffs. “Especially from me. The amount of times she gave me and Tommy and earful-” he shakes his head, Ellie watches a smile grow on his face in silence, as if worried she may frighten it away. 
“Did she cook?” 
Ellie thinks of the stories the older kids would tell her. The ones who remembered life before the Outbreak, who told her of freshly baked pies on weekend and fluffy pancakes in the morning. 
Joel remembers the first time you tried to bake him a cake for his birthday back when he was sixteen. How he opened the door to your forlorn face and a store bought sheet cake in your hands because as your mother told him over the phone, you damn near burned the whole house down trying to bake for him as a surprise. 
“From time to time.” 
There was only so much she could get out of him before his voice became clipped and eyes full of an emotion she didn’t quite know the name of that he told her to get some rest. Leaving her with nothing to do but to stare at the sky and wonder about these stories in the shape of a woman who unveiled a little bit more about the mysterious man she traveled with. 
Of all the silence and secrets that made up the man that protected her, she created stories to fill them. Stories of Joel Miller, husband, father, brother and badass contractor that everybody loved.   Of his soldier brother, of his wife and their smiling daughter between them both. 
In Ellie’s mind, you didn’t work. 
But not in a ditzy lame way like some boring housewife. But just because you didn’t have to. 
Joel said that everybody loved contractors so that means he probably got paid like, a ton of money to build stuff for people so you got to stay at home all day. Ellie imagined your house to be ginormous. Maybe Joel made it himself for you when you guys first got married. It was big enough that when Joel came home everyday he’d call out your name and it’d echo through  the hall as you called him into the kitchen, where your daughter sat reading as you set dinner on the table. Sometimes you’d get upset if he came home late but then he’d kiss your cheek and you would roll your eyes but smile before you all sat down and ate as a family. 
Ellie imagines Joel’s daughter, she wonders if Sarah looks more like her mother than her father. 
Ellie wonders as the sleep takes over her body, if they could have been friends. 
When it happens, months later after she’s come to think of Joel as something akin to family and he thinks of her as something he can’t say out loud just yet, she’s shocked. She’s face to face with a woman holding her at gunpoint that looks nothing like the smiling mother she dreamt of during cold nights. 
You don’t match the stories Ellie made up in your head.
You’re mean. 
No. Mean isn’t the right word. 
Cold. Yes. you're very cold. 
Ellie watches in shock as you ask where they're headed, gun focused on the center of her chest while the two boys at your side point their own at Joel, who has yet to speak. 
She waits for him to answer, but he just stares at you in awe. The same man she’s seen kill and threaten to keep her safe day in and day out is rendered speechless until all he can do is utter your name and she realizes that he knows you. More than that, judging by the way he surrenders his gun to you with no fight, something she had never seen him do. 
You lift your head to look at him, the brim of your hat raises just enough to clear the shadow cast over your face and Ellie can finally see your eyes and the snarl on your face. 
You’re also very pretty.
“I won’t ask again.” 
The two boys standing on either side of you have your eyes. Same color and intensity, narrowed into slits like guard dogs waiting for an order and Ellie sees the way Joel stares at them. 
She wonders if Sarah had brothers. 
“Out west.” He manages. “Takin’ her to her family.” 
Your eyes move to her and she holds her hands higher in the air. 
“That true?” “What?” 
“Is he telling the truth?” 
The taller one, Duke, she had heard you call him, had already ripped the bag from her back and emptied its contents onto the ground, she had nothing else to hide from you. 
But then she sees something in your eyes. A concern for her that she hadn’t seen since Tess or Marlene. 
And she understands. 
“He’s telling the truth.” Ellie forces out. 
You watch her for a moment and there’s a moment of panic where she thinks you can see right through her lie. 
But then you lower your gun and jerk your head over your shoulder. 
“C’mon.” is all you say before you begin to walk away. The boys gawk at you for a moment before you give them a look of warning and they follow in your step, occasionally casting glances behind them at Joel and Ellie who follow suit. 
She’s quick to grab onto the sleeve of Joel’s jacket and pull with a harsh whisper as the other’s march forward. 
“You know this psycho?” 
Joel flinches at her voice as it pitches up. If any of you heard her, which he gathered you did because Ellie didn’t have an inside voice to save her fucking life, you didn’t care enough to react. 
Ellie whispers his name again. Insistent and angry for answers but he just keeps looking forward. He can’t take his eyes off of you or the boys ahead and it fills her with worry but she doesn’t know why. 
“She’s my wife.”
You lead them to a cottage. Its paint is chipping and the fence is reinforced with wiring around the perimeter but it looks like a home. She can vaguely hear the soft clucking of chickens nearby and there's a flash of fur behind the fence with a pair of pointed ears that duck away just as fast as she saw them. 
Ellie has seen the remnants of homes before the outbreak. The plates still stacked in the sink and the jacket still hung up on the hook. A story telling a family that once lived within its walls and is now nothing more than memories that ghosts along its foundation. 
But this one is real. It’s yours. 
 There is a rickety wooden table in the dining room. Each chair around it seems to have been brought from a different house and is varying shades of faded brown. You kick the leg of one and nod toward it.“Sit, both of you.”
Ellie looks to Joel before sitting. He follows suit, choosing the chair closest to her. 
“I’m gonna get some bandages for that leg-” 
Joel shifts forward. “I don’t need-” 
“I wasn’t fucking asking, Joel.” 
You’re not stronger than Joel, if she had to guess. You both look the same age, but she’s seen his strength, his violence, all done for her safety and knows if it came down to it, you might not win in a fight against him. 
But at your order, he sits back in his chair. 
You turn and set a shoulder on your son’s shoulder. 
At least. She thinks he’s your son. 
Softly spoken words are exchanged while the other keeps his eyes on Joel and his hand on his holster. The boy says something back in insistence, but you tilt your head and he nods. 
“If either of them try moving or taking anything.” You offer them one final look over your shoulder before slipping out of the room. “Shoot them.” 
They listen to your footsteps slowly retreat until there’s nothing but the subtle creak and groan of the wood floor beneath them. Ellie leans forward to look at Joel, setting her hands firmly on the dinner table in announcement. 
“Dude-” The young girl breathes out. “Your wife is a bitch.”
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joel miller using his body to protect and shield.
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solbellaria · 2 months
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"Joel should chill out with building for a bit and focus on social interactions" why do you hate him and want him to suffer? that seems like it would be torture for the poor lad
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ranna-alga · 5 months
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I just realised something from the TLOU gameplay that made me so depressed that I needed to share with you all.
Rewind back to the prologue where Sarah is dying, and we see Joel look away from her a total of two times before she dies: the first time is at the same moment the camera pans to solely Tommy, of whom Joel is looking at (first image). Before he is out of shot, Joel can just be seen looking to Sarah again, until the camera turns back to him where he looks away a second time towards Tommy again (second image).
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Now, if you go and listen to the audio of the actual scene itself, you'll notice that the second time he looks away is when Sarah draws her last breath and passes away. She's already dead now.
And Joel missed it by looking away for only a second.
The second time he looks away and then looks back at Sarah, she is already gone. He couldn't do anything. He couldn't look into her eyes, still filled with life (albeit hanging on a thread) anymore before becoming absolutely soulless because he missed it. He didn't see the light leave her, he didn’t see her succumb to the bullet wound where she would move on to no longer feel anymore pain in death. He missed it almost instantly. His last good look of her is after the second time he looked away, when she's already passed on.
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But then we fast-forward to the very near end of the game where Joel is trying to perform CPR on Ellie after she almost drowned. He's becoming mentally and emotionally frantic because he cannot lose another one and projects this by trying to resuscitate her. He is back to where he was twenty years prior trying to save Sarah. And then the Fireflies appear.
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Joel looks away from Ellie one time. He probably doesn’t even realise that these are Fireflies (they could have been Hunters or even FEDRA for all he cared). The look on his face in the second image is heart-breaking, but it only lasts for a second before he immediately looks down to Ellie.
He only looks up at them once. He doesn’t look up a second time.
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Again, if you watch the original scene with audio enabled, you can hear the shakiness in Joel's voice, almost tearfully and very much coming from a place of fear. He's literally pleading for Ellie to wake up, all the while keeping his eyes on her - not looking up again - not even with one of the Firefly soldiers approaching him with an armed weapon.
He can't look away a second time because the last time he did, he lost Sarah immediately. He fears that will happen again, but he cannot let that occur. He won't. Not with Ellie: his second chance, his new reason to live, his new love. Joel refuses to tear his eyes away from her, even for another second, if it risks her life suddenly slipping away before he could even realise it.
He cannot afford to have another daughter lay lifeless in his arms and have her drift off to a place where he cannot follow and protect her anymore, even if it means placing his own life on the line.
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wiirocku · 2 years
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Joel 2:1 (NIV) - Blow the trumpet in Zion;    sound the alarm on My holy hill.
Let all who live in the land tremble,    for the day of the LORD is coming. It is close at hand—
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tom4jc · 6 months
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October 25, 2023 Verse Of The Day
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beingfacetious · 4 months
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Community | 3x10 "Regional Holiday Music"
If we win regionals, then it's straight on to sectionals. And then a week later is semis. Then semiregionals. Then regional-semis. Then national lower-zone semis! Oh. But I kinda thought this was … You know. Just for Christmas. No, no, no! This is forever. This is what we do now. This is who we are.
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elliespuns · 2 months
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If Ellie and Joel were wanted (as they are, by me)
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knightwayne · 1 year
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It’s okay, baby girl. I got you. I got you.
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ellies-enrichment · 1 year
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the last of us + text posts
bonus: video game :)
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