Filhos de Arnold Schwarzenegger não aceitam Joe Baena, fruto do caso que o ator teve com ex-governanta, diz site Page Six
Ator reuniu seus filhos na estreia de seu novo programa da Netflix, ‘FUBAR’
Arnold Schwarzenegger com as filhas Katherine and Christina e o genro, Chris Pratt Foto: Shutterstock
Arnold Schwarzenegger estava cercado de seus filhos na estreia de seu novo programa da Netflix, “FUBAR”, nesta semana. Mas enquanto a superestrela abraçava suas filhas Christina, 31, e Katherine, 33, que estava junto de…
Cast: Jenny Slate, Edie Falco, John Turturro, Jay Duplass, Abby Quinn
9. Outside In
Director: Lynn Shelton
Cast: Kaitlyn Dever, Jay Duplass, Edie Falco, Ben Schwartz
8. Joshy
Director: Jeff Baena
Cast: Thomas Middleditch, Adam Pally, Nick Kroll, Jenny Slate, Brett Gelman, Alex Ross Perry, Lauren Graham, Aubrey Plaza, Joe Swanberg, Alison Brie, Jake Johnson, Frankie Shaw, Paul Reiser
7. Happy Christmas
Director: Joe Swanberg
Cast: Anna Kendrick, Melanie Lynskey, Joe Swanberg, Lena Dunham, Mark Webber
6. Standing Up, Falling Down
Director: Matt Ratner
Cast: Ben Schwartz, Billy Crystal, Nate Corddry, Debra Monk
5. Paddleton
Director: Alex Lehmann
Cast: Ray Ramano, Mark Duplass
4. Your Sister’s Sister
Director: Lynn Shelton
Cast: Emily Blunt, Rosemarie Dewitt, Mark Duplass, Mike Birbiglia
3. About Alex
Director: Jesse Zwick
Cast: Jason Ritter, Max Greenfield, Aubrey Plaza, Max Minghella, Jane Levy, Nate Parker, Maggie Grace,
2. Drinking Buddies
Director: Joe Swanberg
Cast: Olivia Wilde, Jake Johnson, Anna Kendrick, Ron Livingston, Jason Sudeikus
1. Obvious Child
Director: Gillian Robespierre
Cast: Jenny Slate, Jake Lacy, Gaby Hoffman, Richard Kind, Gabe Liedman, David Cross
I'm sure a lot of people won't like it. But I found it very relatable with realistic characters and dialogue. It's a great "guy movie". No huge names, but you’ll recognize most actors. Highly recommended for indie film lovers.
You can buy a copy of this issue for your very own at my eBay store: https://www.ebay.com/str/bradentonbooks
Cover: Lucille Ball’s secret love letters
Page 2: Your Fall Horoscope
Page 4: Robert Redford perfectly suited to the part -- whether it’s Western wear or classic Gatsby he always looks sharp
Page 6: Bradley Cooper has been showing his softer side during the pandemic by spending the quarantine caring for his ailing mom and teaching his daughter to swim in the bathtub
Page 7: Marie Osmond is leaving the morning gabfest The Talk after just one year in order to pursue other opportunities, Dwayne “The Rock” Johnson and his family including wife Lauren and daughters Jasmine and Tiana all recently tested positive for COVID-19, body builder Joseph Baena is the splitting image of his father Arnold Schwarzenegger when it comes to muscle poses, one of the many accomplishments Carol Burnett is known for is her crazy Tarzan yell and now after decades Carol has finally shared where she learned the ear-splitting sound: she learned to do it when she was nine or ten by watching the Tarzan movies starring Johnny Weissmuller
Page 8: Care for caregivers: don’t forget you, Tom Cruise has put his entire cast and crew on a cruise ship off the coast of Norway to make his next Mission: Impossible movie possible so everyone could quarantine together while they finish shooting the seventh installment of the action franchise and he even spent $667,000 from his own wallet to pay the bill
Page 9: Now’s the time to buck up and shop dollar stores
Page 10: The lockdown has been tough on senior citizens but one man decided to shower a bunch of them with flowers
Page 11: Your Health -- take this test to find out if you’re going deaf, the right mask for you
Page 12: Co-stars Who Couldn’t Stand Each Other -- getting along on camera was all an act -- Stana Katic and Nathan Fillon of Castle, Shirley MacLaine and Debra Winger of Terms of Endearment, Betty White and Bea Arthur of The Golden Girls, Will Smith and Janet Hubert of The Fresh Prince of Bel-Air, Debbie Reynolds and Gene Kelly of Singin’ in the Rain
Page 13: Shannen Doherty and Jennie Garth of Beverly Hills 90210, Joan Collins and John Forsythe of Dynasty, Joan Crawford and Bette Davis of What Ever Happened to Baby Jane?, George Takei and William Shatner of Star Trek, Miley Cyrus and Emily Osment of Hannah Montana
Page 14: Dear Tony -- it’s your life; take charge to banish pain, Tony predicts that when it comes to the feud between Prince William and Prince Harry he sees action being taken by Queen Elizabeth and Kate Middleton working together and making some magic to bring the boys back into the fold
Page 15: Goodbye grudge -- how to let go of bad feelings
Page 16: 20 surprising facts about Prince Philip
Page 18: Quick tips for tastier coffee
Page 19: Virginia ambulance worker April O’Quinn is such a hero there is now a special American Girl doll to celebrate her
Page 20: Cover Story -- Lucille Ball’s secret love letter found -- how she discovered new passion after Desi Arnaz
Page 22: Brave nurses defy Hurricane Laura to save babies
Page 24: A good-hearted Ohio man went nuts when he decided to build a bar for his friendly backyard squirrels
Page 25: Hero with tragic COVID tale first to get trial vaccine
Page 28: The Good Doctor -- clear the air with magic houseplants
Page 30: Herbs beat back pain naturally, orange a day keeps arthritis away, get rid of wrinkles for just pennies
Page 33: Grinding your teeth at night? How to kiss jaw pain goodbye
Page 39: Tony’s Mystic World -- connect with your God chip, let candle power show you the way
Page 44: Eyes on the Stars -- Matt Dillon and Ludivine Sagnier and Cate Blanchett attend the opening of the Venice International Film Festival (picture), Jerry O’Connell and Alfonso Ribeiro grab a meal in L.A. (picture), Dolly Parton is dishing out marriage advice, Katie Lee who had gone public with her struggle with infertility welcomed daughter Iris Marion with husband Ryan Biegel, Billie Eilish claims she wants to keep her love life private because she doesn’t want to deal with the aftermath of a breakup under the spotlight, The Eagles’ Joe Walsh and AC/DC singer Brian Johnson aren’t planning a supergroup with The Who’s Roger Daltrey and Led Zeppelin Robert Plant but Brian is tickled by the idea, Emma Roberts is expecting a boy with Garrett Hedlund
Page 45: Maksim Chmerkovskiy smooches wife Peta Murgatroyd as she heads to rehearsal for Dancing with the Stars (picture), Anne Heche looks ready to compete on DWTS (picture), weeks after Armie Hammer split with wife Elizabeth Chambers he was spotted strolling with his arm around Rumer Willis, Alyssa Milano who tested positive for COVID-19 in April is sharing more lingering symptoms she’s chalked up to the dangerous disease which she believes she’s battled for months, Bindi Irwin recounted the happy moment she realized she was pregnant
Page 46: A 30-year-old motor enthusiast from New Hampshire really takes it slow -- he putt-putted across the country at a top speed of 45 mph in a 1929 Ford Model A
Page 47: Stars Put Pets Front and Center -- Miranda Lambert, Nicole Kidman, Heidi Klum, Angela Kinsey, January Jones, Jodie Sweetin, Reese Witherspoon, Debra Messing, Joe Manganiello, Jenna Fischer, PLEASE ADOPT, DON’T SHOP
I really had a nice time with more movies this month. I even fell in love with a few before and after Valentine’s Day.
Life After Beth(2014,directed by Jeff Baena)
A young man's recently deceased girlfriend mysteriously returns from the dead, but he slowly realizes she is not the way he remembered her.
I would see this randomly show up in niche indie movie sections on streaming services and I would see this recommended from other camp horror movie fans as well so I gave it a watch.
It was weird but it was a fun type of weird I already love. This movie was as if The Evil Dead was a rom com. It has some nice dark comedy moments in it as well.
But Aubrey Plaza stole the whole spotlight. Her character is an exaggerated version of herself already but as the movie goes on she can be very terrifying to witness.
This movie is not for everyone but if you are into offbeat horror comedies,I recommend giving it a watch.
Surf’s Up(2007,directed by Ash Brannon and Chris Buck)
A behind-the-scenes look at the annual Penguin World Surfing Championship, and its newest participant, up-and-comer Cody Maverick.
I never got a chance to see this movie as a kid and I didn’t really thought about it until recently thanks to Schafrillas Productions talking about it in a dreamworks ranking list. I loved the premise he had described. A found footage style animated movie? It sounded so unique to me.
It’s a super cute and funny movie and I wished I would’ve watched it at the time it was out honestly. I would’ve been all over the fast food merchandise more that’s for sure.
The most amazing highlighted performances on there has to be Jon Heder as Chicken Joe,Jeff Bridges as Geek,and Diedrich Bader as Tank.
Plus,it’s penguins surfing to pop punk music. Did I mention how cute it is?
The Taking of Deborah Logan(2014,directed by Adam Robitel)
An elderly woman battling Alzheimer's disease agrees to let a film crew document her condition, but what they discover is something far more sinister going on.
Oh my gosh this was upsetting to watch. There was a lot of uncomfortable moments in this.
While it is a slow burn it does well at building up the tension throughout. It’s grounded in reality yet ambiguous to keep you guessing until all is revealed in the grand finale.
Jill Larson gave a great performance as the main mockumentary subject,giving Deborah Logan a sympathetic yet horrifying presence during the movie’s runtime.
The Lost Boys(1987,directed by Joel Schumacher)
After moving to a new town, two brothers discover that the area is a haven for vampires.
As time goes on and the more I rewatch this,the more I had slowly become a big fan of this movie.
It’s full of personality with such an atmospheric presence set in Santa Cruz no less.
The soundtrack is amazing too. Very 80s yet the songs they chose fits the tone of the movie pretty well. I especially love the song Cry Little Sister by Gerard McMahon and Michael Mainieri when they show the vampire gang. It’s so gothic and mysterious.
Wes Craven’s New Nightmare(1994,directed by Wes Craven)
A demonic force has chosen Freddy Krueger as its portal to the real world. Can Heather Langenkamp play the part of Nancy one last time and trap the evil trying to enter our world?
This was so ahead of its time. It was the prototype template Halloween 2018 wants to be,I’m convinced.
You would think a concept like New Nightmare would be too weird to pull off yet it works so well. It was able to make me feel uncomfortable in new ways that the previous Elm Street slashers couldn’t have.
Come to Daddy(2019,directed by Ant Timpson)
A man in his thirties travels to a remote cabin to reconnect with his estranged father.
It’s best to go into this movie with little information as possible. If you want to visualize the movie’s style some more however,I guess watch the trailer but that’s the extent to it.
It’s one of those rare midnight type of movies you have to experience.
If you are already familiar with Elijah Woods’ filmography,then you’ll get the general idea of what to expect with the movie’s tone as well.
tick,tick...BOOM!(2021,directed by Lin-Manuel Miranda)
On the cusp of his 30th birthday, a promising young theater composer navigates love, friendship and the pressures of life as an artist in New York City.
This was a comforting and enjoyable movie to watch during the Super Bowl.
I needed to see this because for me personally I can relate to the creative blocks and dilemmas as well. Yet however,those issues can have negative effects when not kept grounded by the close ones in your life and I love that story structure.
Andrew Garfield is amazing in this,showing off more hidden talents like singing and performing that is extremely a welcoming surprise.
It’s a nice movie overall.
Ringu(1998,directed by Hideo Nakata)
A reporter and her ex-husband investigate a cursed video tape that is rumored to kill the viewer seven days after watching it.
I wanted to watch this because I started feeling nostalgia for The Ring after Dead By Daylight did a killer reveal character based off Ringu. And that got me thinking,I never got a chance to fully watch the original Japanese movie that popularized J-Horror in the west.
Well I must admit,it didn’t scare me as I thought it would.(Maybe I got too spoiled from the US remake over the years.) But I did love how it was telling its story though. It had such good visual storytelling and did have genuinely unsettling moments in it. I was entertained and respect the hell out of this horror legacy it had left.
Well,that’s pretty much it...thanks for reading. <3
Watch "Meshuggah's "Bleed", but it's a motorcycle" on YouTube
Really lame s ok. Surely your inexperienced at the front of the line. No. We see it
Got it last week. Are on it.
Hera Zues
Hugly scrappy here tons of fights huge epiteths.
Bja hardly winced sees his point doesn't care.
Bja is a complete threat we remove him permanently. Tried to kill Zues our Father and then Hera as a result. We kill him. We gathered all the Bush bull are at sacrifice sites now turning them on and moochers too
The Weekend Warrior Feb. 7, 2020 – BIRDS OF PREY: ETC. ETC.
Thank heavens that there’s only one new wide release this weekend, and just as thankfully, it’s a movie that could help revive an ailing box office that’s been all about Sony’s Bad Boys for Life, Universal’s 1917 and Dolittle for the past few weeks. I never got around to seeing last week’s Gretel and Hansel, and I might still if I have time, but The Rhythm Section wasn’t that bad, and it certainly shouldn’t have bombed as badly as it did, making less than $3 million in 3,000 theaters. Yup, last weekend wasn’t great, and it was only partially due to the Super Bowl.
Clearly, it’s time to move on to this week with the first “superhero” movie of the year, the follow-up to one of DC Entertainment’s biggest outings but also meant to be its own thing, which is BIRDS OF PREY: AND THE FANTABULOUS EMANCIPATION OF HARLEY QUINN (Warner Bros.). It stars recent Oscar nominee Margot Robbie reprising her role as Harley Quinn, the Joker’s girlfriend/therapist, who is branching out on her own with her own supergirl group, which includes Huntress (Mary Elizabeth Winsted), Black Canary (Jurnee Smollett-Bell), Renée Montoya (Rosie Perez) and Cassandra Cain (at one point, called Batgirl), played by Ella Jay Basco. Robbie first played the role in 2016’s Suicide Squad, which earned over $300 million domestic, which some might point to the popularity of Harley as a comic character, but you could also point to things like the fact it starred bonafide box office star Will Smith (whose most recent movie Bad Boys 2 is currently the biggest movie of the year. Birds of Prey also stars Ewan McGregor and Chris Messina, as two well-known Bat-villains, Black Mask and Victor Zsasz, making their big screen live action debuts.
Unlike Suicide Squad, Birds of Prey is Rated R as DC and Warner Bros. have seen the huge success of the recent Joker movie, as well as the two Deadpool movies as proof that R-rated comic book movies can still do well even without the teen and tween audiences that usually go to see them. Presumably, Birds of Prey will attract more women due to the characters, although I’m sure there will be some men who who are just as interested due to the connections to the DC Universe. I’m just not sure this will be as big a draw to men as some of those other movies. I’ll have my own review on the blog a little later today.
While I don’t think Birds of Prey will open as big as Joker– let’s face it, the characters therein just aren’t nearly as well known, even Harley – I do think it will do quite well, making somewhere in the $60 million range, maybe more if the reviews are as positive as the early raves that were posted last week. (Having seen the movie and with my review on the way, I don’t think it will fare that well among real critics. You can read my own REVIEW here.)
Either way, Birds of Prey will the weekend with relative ease, although we’ll have to see how Sunday’s Oscar celebration affects all the movies’ business towards the end of the weekend.
This week’s Top 10 should look something like this…
1. Birds of Prey, Etc. Etc (Warner Bros.) - $64.5 million N/A (up $1.9 million)*
2. Bad Boys for Life (Sony) - $9.7 million –45%
3. 1917 (Universal) - $6.3 million -35%
4. Dolittle (Universal) - $4.7 million -40%
5. Jumanji: The Next Level (Sony) - $3.7 million -38%
6. The Gentlemen (STXfilms) - $2.9 million -48%
7. Gretel and Hansel (U.A. Releasing) - $2.8 million -55%
8. Little Women (Sony) - $2 million -35%
9. Star Wars: The Rise of Skywalker (Lucasfilm/Disney) - $1.7 million -46%
10. The Turning (Universal) - $1.3 million -55%
* UPDATE: I lowered my prediction a bit after seeing the movie but seeing that reviews have mainly been positive, I think it will help the movie bring in more business before Sunday.
LIMITED RELEASES
Two genre films that have been playing on the genre festival for the last year or so will open in select cities, the first being COME TO DADDY (Saban Films), the directorial debut by horror producer Ant Timpson, who was responsible for horror anthologies, The ABCs of Death and The Field Guide to Evil, as well as popular genre flicks Turbo Kid and The Greasy Strangler. In the movie, Elijah Wood plays Norval Grenwood, a young man called to the remote cabin of his estranged father (Stephen McHattie) who he hasn’t seen in 30 years, since his father walked out on his mother when he was just five years old. Once he gets there, he learns that his father is an abusive alcoholic, and yet, nothing is really what it seems. I saw this at the Tribeca Film Festival and mostly enjoyed it, and I really like Timpsons’s sensibilities as a filmmaker but it really starts to go off the rails as it goes along. Some will definitely enjoy that.
Severin Fialla and Veronika Fanz, the Belgian filmmakers behind Goodnight Mommy, return with THE LODGE (NEON), a creepy thriller in which a couple kids (Lia McHugh, Jaeden Martell) go to a remote cabin near a lake for the Christmas holidays with their new stepmother (Riley Keough) after learning a lot more about her dark past before meeting their widowed father (Richard Armitage). There’s so much more to this movie than what you can see in the suitably eerie trailer, and I certainly will not spoiler any of the experience, although personally, I found this to be more of a downer than Hereditary, a movie that I absolutely loved. This one might take another viewing for me to really get behind it, but other than the performances, the overall look and eerie feel and the twists, it’s pretty dark and depressing, so I’m not 100% sure I’d really want to see it again or can recommend it wholeheartedly. Either way, both of these movies are opening at the Alamo Drafthouse in Brooklyn as well as other select cities.
Ben Cookson’s Waiting for Anya (Vertical), adapted from the novel by the same name from the author of War Horse, stars Noah Schnapp as Jo Lalande, a 13-yearold sheperd boy who joins with a reclusive widow (the amazing Anjelica Huston) to help smuggle Jewish children into Spain during World War II.
From Yash Raj Films comes this week’s Bollywood selection Mohit Suri’s Malang, starring Aditya Roy Kapoor as the introverted Advit, who visits Goa where he meets a free-spirited girl from London named Sara (Disha Patani), who has come to India to live like a vagabond or “Malang.” Something happens that changes as five years later, we meet a vigilante killer cop (Anil Kapoor) and a righteous cop (Kunal Kemmu)… And suddenly, I feel like I need to see this movie. It will probably open in 100 theaters or more.
STREAMING AND CABLE
Let’s start out with the Netflix offerings, beginning with the recent Sundance premiere, HORSE GIRL, the new film from Jeff Baena (The Little Hours, Life after Beth), co-written and starring Alison Brie as a socially awkward woman into horses and supernatural crime whose lucid dreams start infiltrating into her waking life. I haven’t seen it yet but I’m definitely interested in the premise, and I generally like Brie’s work.
I never really got into Joe Hill’s books/comics, but I’ll probably give the series LOCKE AND KEY a look when it debuts its first season on Friday. It involves three kids who move with their Mom to an ancestral estate where a series of keys unlock secrets and powers.
On Wednesday debuts the Netflix docuseries They’ve Gotta Have Us from Simon Frederick and Ava DuVernay’s ARRAY will premiere, looking at some of the important and iconic voices in Black Cinema.
If you haven’t had a chance to see DGA winner Alma Har’el’s Honey Boy, starring Shia LaBeouf, Lucas Hedges and Noah Jupe, based on Shia’s semi-autobiographical screenplay, then it will premiere on Amazon Prime this Friday.
Premiering on Hulu this Friday is Into the Dark: My Valentine, the latest horror feature from Blumhouse as part of this ongoing horror series, this one written and directed by Maggie Levin, who has directed a bunch of shorts. It involves a pop singer whose songs and identity are stolen by her manager ex-boyfriend and pasted on his new girlfriend, which comes to a head when they’re locked up in a small concert venue and things get violence.
REPERTORY
METROGRAPH (NYC):
If you went out to see Makoto Shinkai’s Weathering with You and enjoyed it but haven’t seen his previous movie Your Name (which is just as excellent) then you’re in luck cause the Metrograph is showing it a number of times starting Friday. Thursday might be your last chance to see the new 35mm print of Martin Scorsese’s 1977 film New York, New York unless it’s extended, but the Hal Hartley serieshas been extended through the weekend with reruns of Trust (1990), Simple Men (1992) and Amateur (1994), all good, but Trust is my favorite of those three. This week’s Welcome To Metrograph: Redux is a good one, Lars von Trier’s 1996 film Breaking the Waves, which will screen Saturday and Sunday nights.This week’s Late Nites at Metrograph is Orson Welles’ The Lady from Shanghai (1947), while the Playtime: Family Matinee sselection is Amy Heckerling’s classic Clueless (1995).
ALAMO DRAFTHOUSE BROOKLYN (NYC)
Wednesday might you can maybe get tickets for the “Weird Wednesday,” the Lone Wolf and Cub movie Shogun Assassin (1980) – I’ll be there for the 7pm screening. Thursday night is a screening of the 1932 Dorothy Arzner film Merrily We Go to Hell. On Monday, Video Vortex presents a J-Horror Bloodbath double feature of Demon Within and Biotherapy, both from 1985. ($5 admittance!) Next week’s “Terror Tuesday” is 1980’s Terror Train, starring Jamie Lee Curtis, and then next week’s “Weird Wednesday” is 1990’s White Palace, starring Susan Sarandon and James Spader, picked by Alamo programmer Christina Cacioppo, so you know it’s gotta be very weird! J
THE NEW BEVERLY (L.A.):
The Weds matinee is the musical The King and I (1956), starring Yul Brynner and Deborah Kerr. Weds. and Thurs. night are double features of the Safdies’ Uncut Gems with The Object of Beauty (1991), starring John Malkovich and Andie McDowell with the Safdies doing a QnA on Thursday. Friday’s matinee is the 1982 Paul Schrader Cat People remake, while that Friday’s midnight is True Romance, while Saturday’s midnight movie is 1975’s Aloha, Bobby and Rose. This weekend’s Kiddee Matinee is 2002’s Harry Potter and the Chamber of Secrets, continuing that series, as well as there being a Cartoon Club on Saturday and Sunday mornings. Monday’s matinee is Vincent Gallo’s Buffalo ’66while the Monday night double feature is Fear is the Key (1972) and Villain(1971). Tuesday’s Grindhouse double is Hot Potato (1976) and Golden Needles (1974)..
EGYPTIAN THEATRE (LA):
Mostly taking a break this week to air the Oscar-nominated shorts but Joseph Mankiewicz’s 1950 classic All About Eve will screen in 35mm as part of the “Sunday Print Edition.”
AERO (LA):
Elliot Gould will be on hand Friday to discuss M*A*S*H* airing as part of the “Antiwar Cinema,” then Friday, there will be a double feature of Grand Illusion(1937) and Merry Christmas, Mr. Lawrence (1983). On Friday, Aero will screen Masaki Kobayashi’s “The Human Condition” trilogy, three movies from 1959 through 1961, airing as a triple feature.
QUAD CINEMA (NYC):
This Friday, the Quad begins screening Albert E. Lewin’s 1951 film Pandora and the Flying Dutchman, starring Ava Gardner and James Mason, restored from Martin Scorsese’s own 35mm print. Also starting Friday, the Quad will also be screening a series of Man Ray shorts from 1926 to 1929.
FILM FORUM (NYC):
The “Black Women” series continues this week with The Omega Man and Strange Days on Wednesday, Set It Off, Bright Road and Poetic Justice on Thursday and more over the weekend. It continues through Thursday, February 13. This weekend’s “Film Forum Jr.” is the recent movie-musicalDreamgirls.
MOMA (NYC):
Modern Matinees: Jack Lemmon continues this week on Weds with 1951’s Kotch, Thursday with Robert Altman’s 1993classic Short Cuts, and then on Friday, another screening of the 1960 Oscar winner The Apartment co-starring Shirley MacLaine.
FILM AT LINCOLN CENTER (NYC):
On Friday, FilmLinc starts a new one-week series called “Dreamed Paths: The Films of Angela Shanelec,” and I honestly have no idea who that is. It’s a pretty comprehensive retrospective of the German filmmaker’s work, so I’m shocked that I’ve never seen a single one of her movies. Besides her work, the filmmaker will also be showing a few hand-selected films like Manoel de Oliveira’s I’m Going Home (2001), the Korean film The Day After and Maurice Pialat’s 1972 film We Won’t Grow Old (1972).
ANTHOLOGY FILM ARCHIVES (NYC):
The Anthology’s “The Devil Probably: A Century of Satanic Panic” continues this weekend with Edgar J. Ulmer’s The Black Cat (1934) on Wednesday, Sidney Hayers’ Burn Witch Burn (1962), Terence Fisher’s The Devil Rides Out (1968), Roman Polanski’s Rosemary’s Baby (1968) and more screening over the next week.
NITEHAWK CINEMA (NYC):
Not to be outdown by the Roxy, Brooklyn’s Nitehawk is getting on the Nicolas Cage love-a-thon with the Williamsburg doing an “Uncaged” series starting with Cage’s latest Color Out of Spaceat midnight on Friday, and then Peggy Sue Got Married (1986) on Tuesday. (The latter is sold out.) Williamsburg is also screening Tony Scott’s True Romance (1993) on Saturday afternoon.Prospect Park is showing Barry Jenkins’ Schmoonlight Saturday to kick off its Valentine’s Day series.
IFC CENTER (NYC)
Weekend Classics: Luis Buñuel is taking another weekend off for no obvious reason – it’ll be back next week -- but Waverly Midnights: Hindsight is 2020s will screen the 1973 sci-fi classic Soylent Green and Late Night Favorites: Winter 2020 is going with the 4k restoration of David Lynch’s Blue Velvet.
BAM CINEMATEK (NYC):
Starting Friday at BAM is Horace Jenkins 1982 film Cane River, starring Richard Romain and Tommye Myrick (both doing QnAs over the weekend), and the actors and relatives of Jenkins will be appearing at a number of screenings this weekend.
MUSEUM OF THE MOVING IMAGE (NYC):
2001: A Space Odyssey will once again screen as a Saturday matinee in conjunction with MOMI’s exhibit.
ROXY CINEMA (NYC)
The Nicolas Cage love continues with two of his movies from 2003: Charlie Kaufman’s Adaptation (2003) on Wednesday and Disney’s National Treasure on Thursday.
LANDMARK THEATRES NUART (LA):
Not to be outdown by the IFC Center, the Nuart’s Friday midnight movie is Dario Argento’s Suspiriafrom 1977.
Next week is Presidents Day weekend, another four-day holiday weekend, but it’s also Valentine’s Day Friday, so we’ll get kiddie movies like Sonic the Hedgehog (Paramount), romantic movies like The Photograph (Universal) and horror movies like Fantasy Island (Sony).
At the beginning of the year I worked with I Love Dust, creating a music video to celebrate the 20th Anniversary of Cartoon Network, It was great and good fun to animate old good characters, the ones I enjoyed animating the most Daffy Duck and Rainicorn.
CREDITS:
Directed by: ilovedust
Creative Director: Ingi Erlingsson
Art Director / Design lead: Ewen Stenhouse
Producer: Ant Baena
Design: Ewen Stenhouse, Sofie Hallor, Shan Jiang, Stefan Falconer
Animators: Ewen Stenhouse, Tim Whiting, Carlos de Faria, Jonathan Harris, Joe Sparrow, Blanca Martinez de Rituerto, Sean Weston, Tom Bunker
Compositing: Stefano Ottaviano, Ewen Stenhouse
Cartoon Network:
SVP, The Creative Group – Michael Ouweleen
VP Design, The Creative Group – Jacob Escobedo
Creative Director, The Creative Group – Craig “Sven” Gordon
Director of Broadcast Production, The Creative Group – Heather Reilly
Audio:
Music & sound design by Kevin Seaton at Heavy Duty Music
Additional voices provided by: Jeremy Shada, John DiMaggio