#Jody Savin
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Five Unforgettable Films by Randall Miller
Randall Miller, a longtime director, is thought for his off-kilter comedic fashion and character-driven films. As anyone who's got directed mainstream, big-budget Hollywood movies in addition to a amount of unbiased movies, Miller only normally takes on projects that connect a further meaning and will resonate with audiences all around the planet.
“I make films with heart,” reported Miller. “I want people to have the ability to connect with my movies and find the which means in them.”
Honoring Miller’s career, let’s take a seem back again at some of his most acclaimed tasks.
“Bottle Shock”
“Bottle Shock” stars Alan Rickman as being a snooty British sommelier who arrives to California wine country inside the 1970s to find what all the excitement is all about. The business in California is younger, as well as wine enterprise stays pretty snobby regarding the superiority of French wines. On the other hand, with Rickman on their own side, a father and son winemaking staff, played respectively by Bill Pullman and Chris Pine, proves the snobs erroneous. This feel-good movie which has a rocking 1970s soundtrack can be a beloved tale of the gatherings that place Napa wines to the map.
“CBGB”
Another collaboration with Alan Rickman, “CBGB” catalogues the increase of the famed punk rock location in seventies Ny. Like “Bottle Shock,” the film is about an underdog going from the percentages and coming out on top rated. For virtually any music connoisseur, this film is often a must-see.
“Marilyn Hotchkiss’ Ballroom Dancing & Charm School”
“Marilyn Hotchkiss’ Ballroom Dancing & Charm School” stars an amazing cast - Marisa Tomei, Robert Carlyle, John Goodman, Mary Steenburgen, and Danny DeVito - in the touching film about love and loss. The movie follows widower Frank (Carlyle) who helps Steve (Goodman) fulfill his dying desire to reunite by using a former love interest, Marienne (Steenburgen). Simultaneously, Carlyle finds his own love: Meredith (Tomei). This love story may have you crying and rooting for the characters simultaneously.
“Nobel Son”
This dark comedy can be a third Rickman-Miller collaboration. In it, Rickman plays Eli Michaelson, a Nobel Prize winner who receives the award’s handsome payout. Having said that, everything goes incorrect when a criminal kidnaps his son and holds him for ransom for that prize money. This dysfunctional family is place to the test when things are on the line. “Rickman was always brilliant to work with, and Jody and I miss him dearly,” explained Miller. “’Nobel Son’ was some of the very best work of his occupation.”
“Class Act”
Miller’s first movie would be a prince-and-pauper tale of switched identity. The movie stars Kid N Play in this absurdist take on a high school comedy romp. Still in his twenties, Miller made his first film for Warner Bros. The film can be a love letter towards the steady diet of great John Hughes movies he was raised on. Repeatedly through the years, he has been approached about a remake.
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Stitched and Sewn: Using Art to Approach the Trauma on the Holocaust
A toddler survivor of the Holocaust, Trudie Strobel never talked about the trauma she knowledgeable in Nazi Germany. But later on in life, right after elevating two boys in California, the horrors of her youth resurfaced, triggering a paralyzing melancholy.
A therapist instructed that they attract her haunting memories considering the fact that she could not communicate about the subject. Trudie took his advice, but in lieu of pencil and paper, she turned to needle and thread. This survivor started by stitching her memories then ongoing stitching, weaving alongside one another the history and tradition of your Jewish persons in spectacular large-scale tapestries. Along the way in which, she resurrected the Yemenite stitching of her ancestors.
Inside of a time once the Holocaust is drifting from living memory into your pages of historical past, the vital relevance of Strobel’s function can't be overstated. Jody Savin pours lifetime into threads, encapsulating her devastating experiences in intricate tapestries that function a silent but impressive testomony for the human will to outlive.
The tapestries are silent witnesses, unflinchingly depicting the genocide’s brutal fact and acting like a plea for being familiar with, tolerance, and peace. Her get the job done illuminates the resilience of the human spirit which is a poignant reminder of our shared humanity. Stitched into every piece is really a narrative of survival and hope, weaving collectively not just material and also poignant recollections and timeless lessons.
Strobel’s story and art caught the eye of Jody Savin, an Emmy-nominated author and movie producer known for 2008’s Bottle Shock as well as award-winning documentary Chico Mendes: Voice with the Amazon. Dealing with Strobel, Savin wrote the book, Stitched & Sewn: The Life-Saving Artwork of Holocaust Survivor Trudie Strobel. In it, Savin wrote about how a needle and thread saved Strobel’s existence twice, first during the war when her mother’s talent as a seamstress kept them alive in the camps and later on when the art of stitching lifted Trudie from despair.
“I was stunned by the artistry as well as the messages implicit in Trudie’s incredible body of work,” said Savin. “She needed to get her tale out in the world, and I was honored to help her do just that.”
Now, Savin is dealing with her husband, movie director Randall Miller (Coffee Wars and Bottle Shock) to bring Strobel’s work to your big screen. The couple is making a documentary about Trudie and it is traveling to your Midwest to discuss with students about the rise in antisemitism as well as need for a more tolerant society.
“Meeting a Holocaust survivor and hearing their first-hand testimony is the most effective way to understand the horrors of what happened,” said Savin. “Our hope is that this documentary will bring necessary awareness towards the increasing antisemitism around the world and help put a stop to it,” adds Miller.
As for Strobel, she sees the ebook as well as documentary as an opportunity to ensure that future generations are educated with regard to the Holocaust as well as perils of all forms of intolerance.
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Filmmakers Randall Miller and Jody Savin Building Documentary About Holocaust Survivor’s Excellent Art
Filmmakers Randall Miller and Jody Savin Building Documentary About Holocaust Survivor’s Excellent Art
When Jody Savin and Randall Miller, a husband-and-wife filmmaking duo who created “Bottle Shock,” stumbled across Trudie Strobel, they understood they had encountered yet another person unique.
Strobel, a Holocaust survivor, was saved inside the camps many thanks to a needle and thread. Her mom was a grasp seamstress and utilised her present to assist her youngster cheat specified loss of life. Decades later on, when Strobel was doing the job via her inner thoughts about her knowledge throughout the Holocaust, she after again turned to the needle and thread - this time, to arise from a deep melancholy about her preceding.
“I needed to do a factor to come to feel superior,” Strobel claimed. “Stitching was the best sort of therapy for me.”
Strobel begun creating excellent tapestries. These is helpful caught the attention of Savin, an award-winning author, and filmmaker. She collaborated with photographer Ann Elliott Lowering to create the book, Stitched & Sewn: The Life-Saving Artwork of Holocaust Survivor Trudie Strobel.
Supported by a grant from the Memorial Foundation for Jewish Culture, the e-book not only showcases Strobel’s operate but also seeks to help others process trauma and other hardships in their lives.
“All my life, I’ve looked at art to try to see the world by way of a different lens and reframe my own thinking,” Strobel claimed. “A fantastic piece of art can be therapeutic. It can calm you down or just be so awe-inspiring that you recognize the majesty of the world. It’s truly a spiritual practical experience.”
To get the word out about Strobel’s designs - and combat antisemitism at the same time - Savin and Miller are teaming up to generate a documentary about Strobel, antisemitism, and the Holocaust. Savin and Strobel continue to travel to speak with students at high schools and colleges about the Holocaust. This comes at a time when only 19 out of 50 states have Holocaust education, and antisemitism is increasing at an alarming rate.
“We know that Trudie’s story is going to touch people’s souls and support them understand the Holocaust,” mentioned Savin. “And filmmaking is a way to capture people’s attention and show the negative impact hate has on individuals and societies.”
It will help that Strobel is a well-known public figure who has appeared in Jewish media as well as on CBS2 and KCAL9 in California, where she lives. She also gave a Holocaust survivor testimony at the Museum of Tolerance in Los Angeles and received a History for Today commendation within the County of Los Angeles.
Strobel drew strength as a result of creating artwork, and now Savin hopes that individuals can gain strength by way of watching this upcoming film. Savin is passionate about telling stories that won't preferably be told and ultizing art to make the world a kinder location for everyone.
“I’m excited about the possibilities of seeing Trudie’s incredible designs on the large screen, as well as pushing for far more education around antisemitism and also the Holocaust,” she mentioned. “With this film, we hope to improve people’s minds and set a conclusion to antisemitism and hate as soon as as well as for all.”
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Randall Miller Features a Eyesight for Outcome Filmmaking
Filmmaking can provide quite a few needs. Pretty initially and foremost, it entertains audiences. This could indicate building them laugh, tugging at their heartstrings, or protecting them over the fringe of their seats. For writer/director Randall Miller and writer/producer Jody Savin, filmmaking is usually about making a distinction in the world. That is certainly why they’ve educated their talents on result filmmaking, which helps make utilization of the medium of movie to provide impactful messages about important themes to mass audiences.
Quickly after seeing an influence film, audiences could think in another way about a difficulty. They may perhaps even get action. One example is, when audiences saw “Super Measurement Me,” a documentary in regards on the fast-food small business, they could have stopped having McDonald’s and attempted healthier meals somewhat. Just after they viewed “Schindler’s List,” they could have been determined to explore extra with regards to the Holocaust and listen to survivors’ stories.
Despite whether or not by fictional operates or documentaries, effect films can modify the way in which we functionality and make the globe a superior location.
Presently, Miller and Savin are centered on two new impact films: “SuperCrip” and in addition a documentary about Holocaust survivor Trudie Strobel.
The previous is about Toby, an Uber driver and quadriplegic who picks up a self-centered B-list action film actor and, within just the study course of that assembly, the 2 men’s life are for good modified. The film stars Tobias Forrest, who is a quadriplegic actor. He is building along with Miller and Savin. Additional than the a long time, it has transform popular in Hollywood for able-bodied actors to participate in disabled characters. “SuperCrip” is unique. Supporting roles will likely be played by disabled actors also.
According to Miller, greater than 1 / 4 along with the U.S. population has some style of disability. Having said that, appreciably fewer than 1% of all roles in Hollywood clearly show people with disabilities. Plus, 95% of these roles published for individuals with disabilities are performed by people that usually do not have disabilities. By signing on a quad actor for “SuperCrip,” Miller and Savin are aiming to change that and give disabled actors much far more visibility in just the movie and Tv set current market.
One other project Savin and Miller are working on follows Strobel and tells the story of her everyday living and perform. Trudie owes her survival to the stitching abilities of her mom who was enslaved towards the Nazis. Stitching saved Trudie all over again later in everyday life when the long-repressed trauma of her youth arrived surging again sending her right into a deep melancholy.
Savin wrote the book, Stitched & Sewn: The Life-Saving Art of Holocaust Survivor Trudie Strobel, which consists of masterful photographs of Strobel’s art.
At a time when Holocaust survivors are aging, it’s vital to Savin and Miller to tell this first-hand account with all the perils of intolerance. Only 19 out of 50 states have some variety of Holocaust education in public schools. The filmmaking team aims to improve this therefore we always remember the incredibly real escalations of hatred in society.
With affect filmmaking, Miller and Savin aspire to bring light in direction of the biggest problems with these days and be sure that people are properly informed.
“Impact filmmaking is usually a important part using the movie-making sector,” claimed Miller. “Films provide the power to open our eyes making us aware of your big issues affecting us these days.” Savin added, “A compelling tale can teach individuals and repair the earth one film at any given time.”
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*he clears his throat as he looks at Jodie* this might not mean much to ya's but I found all the documents you need, Jodie. cause if you wanna start a life outside the mountains you'll need em. *he looks at Toby* I know ya had all that crazy stuff happen to ya and you've been in hospital alotta your stay here so I just wanna say we'll be payin for it and anythin else ya need In the future, all the money is jus savins. Don't mean nothin to us.
Pappy
OMG. Pappy 😭😭
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Randall Miller’s Bottle Shock Turns 15
In 2008, the earth was introduced to “Bottle Shock,” a movie that showcased the true story at the rear of how California winemakers at last became acknowledged for high quality that rivaled the French. The film starred the late Alan Rickman, Monthly bill Pullman, and Chris Pine, and showcased a glimpse into 1970s California - while using the best tracks on the 10 years because the soundtrack besides.
Around the fifteenth anniversary of “Bottle Shock,” it is critical to take a look at its legacy. This vital and commercial results cataloged early winemaking in California like no other movie. It is crucial observing for wine connoisseurs and individuals.
“It was an honor to become able to point out this part of yank and California historical past on film, in addition to to do it with such an excellent forged,” mentioned writer and director Randall Miller. “It’s a tale with regard to the little male giving it his all and popping out on top. It is a true American aspiration tale.”
In “Bottle Shock,” Rickman performed Steven Spurrier, a Paris-based, British sommelier who travels to Napa Valley to uncover wine capable of competing head-to-head with French wine in a very blind flavor check. The percentages are in opposition to the California winemakers, Jim Barrett (Pullman) and his hippie son Bo (Pine) - everyone thinks they can be hicks who don’t determine what they may be carrying out.
Nevertheless, the heartwarming story incorporates a twist: it seems that California wine is delectable, plus the Barretts clearly show absolutely everyone that the things they are undertaking in Napa is pure magic. They paved just how for generations of winemakers to return, solidifying California’s put in the environment of wine.
There are many humorous times within the movie, particularly from Rickman. In a single memorable scene, Jim Barrett asks Rickman’s character Spurrier, “Why do I loathe you?”
“Because you think that I’m an asshole,” Spurrier suggests. “Actually, I’m not an asshole. It’s just that I’m British, and, perfectly … you’re not.”
Rickman, who died just 8 years soon after “Bottle Shock” arrived out, was in fantastic kind to be a snooty Brit, a personality he played so nicely irrespective of his real particular warmth and generosity. “Alan,” suggests Jody Savin, the co-writer and producer, “was an excellent mate and we skip him dearly.” Within the movie, he was each easy to hate and easy to love, as he proved when he stood up for that battling California winemakers when it mattered essentially the most. Despite the fact that he was pompous, he could understand greatness when he observed it.
“Alan Rickman was an unbelievable actor who introduced everyday living to each single character he played,” mentioned Miller. “It was an honor to operate with him as well as a privilege to generally be his pal.”
Now, the legacy of “Bottle Shock” is going to live on: the center Theatre at the California Center with the Arts in Escondido is placing on “Bottle Shock! The Musical” from July 7-23, 2023. The musical is going to remain correct into the story, incorporating love, fermentation, dance, as well as the spirit of rock ‘n roll.
No matter whether you enjoy “Bottle Shock,” begin to see the new musical, or the two, you are going to have a very fantastic time understanding concerning the historical past of California winemaking though observing several of the finest on-screen performances on the previous fifteen several years.
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Randall Miller is Trying to get to Deliver Visibility to Actors with Disabilities
When exploring at Television and film, it is not straightforward to uncover figures with disabilities. Whilst disability visibility has elevated more than the decades, in step with the brand new York Events, illustration in movie and media yet falls quick. Randall Miller (Bottle Shock, Coffee Wars) is looking to regulate that with his new movie, SuperCrip.
SuperCrip follows Toby, played by Tobias (Toby) Forrest, being a quadriplegic Uber driver and having difficulties actor. When he picks up a self-centered B-action film star, equally of their lives are modified without end. Forrest is generally a quadriplegic in actual existence and is also serving like a producer around the movie along with Jody Savin.
“According to studies, 26% about the inhabitants has some form of incapacity, nonetheless significantly less than 1% of all roles in film and Television in Hollywood clearly show folks with disabilities,” outlined Miller. “And the vast majority of these roles are played by people devoid of any disability. We intention to change that.”
It had been crucial to Miller the character of Toby be portrayed by an actor using a incapacity, as these performers are typically not afforded the very same prospects as other actors. He hopes that “SuperCrip” ignites a conversation and sparks a remodel about increasing representation in Hollywood for folks with disabilities.
“A personal getting a incapacity can additional properly portray a character getting a incapacity.” mentioned Miller. “Hollywood must truly be more inclusive to actors with disabilities. It is time.”
As being a companion to the movie, Miller is releasing a SuperCrip NFT collection featuring a man inside a wheelchair in all several sorts of superhero and movie character getups, from Batman to Superman to Forrest Gump for that Major Lebowski. Miller, in conjunction with Forrest, is making the Supercrip Derby recreation for racing the Supercrip NFTs. Every single character will fight the other people to earn SuperCrip cash, a blockchain currency which is able to be designed use of to lift money for this movie also as other upcoming projects to guidance persons with disabilities.
“The long-term concentrate on should be to develop a self-sufficient financing resource for high good quality independently financed and produced movies,” pointed out Miller. “These movies is going to be every single socially aware and possess men and women with disabilities in front of or driving the digicam.”
To entice men and women to buy the NFTs, Miller and his group are featuring prizes, like all-expenses-paid excursions to Hawaii and Disneyland in addition to a bowling celebration in a community bowling alley, an homage to “The Key Lebowski.”
When “SuperCrip” comes out, audiences will not likely only see Forrest on display, but they will likely see other actors with disabilities taking part in the supporting roles - that's critical to Miller.
“We will need far more disability visibility to distribute recognition and break down stereotypes and misinformed biases,” provides Jody Savin.
The venture is bringing collectively the disabled community. It certainly is supported by unique charities that advocate for individuals with disabilities too.
“We’re thrilled about our film and NFT,” claimed Miller. “We have currently brought on quite a few of the major charities in the room to help the project. We can't hold out to share this utilizing the earth.”
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#The Silence of the Lambs#1991#Kasi Lemmons#Jodie Foster#Jonathan Demme#Clarice + Ardelia 4 eva#solvin' crimes#savin' the day#doing laundry
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15.3 CODA
Dean stares at the bunker door, refusing to blink. Cas will come back. He just has to wait. Any second now. Cas will get a new wave of energy and come storming in. They’ll yell at each other. Hurt each other some more. Then Cas will go to his room, in the bunker, where he belongs, and Dean will get wasted and crash on the couch.
Dean just has to wait. Once Cas comes back, they’ll finish it. They’ll go through the rest of their routine.
Except, Cas doesn’t come back.
Not after Dean blinks. Not after Dean realizes he’s crying. Not after Dean chugs the whiskey in his glass. Not after Dean fills that glass twice more.
Certainly not after Dean throws the glass at the wall, the chaos of the crash sounding painfully similar to what’s happening in his chest.
He pulls out his phone and calls Cas with shaking hands. His phone rings from across the room. When Dean slowly approaches the thing, as if it’s a bomb about to go off, as if things aren’t already beyond fucked up, as if Dean isn’t already destroyed, Dean finds a neat little pile of things that Castiel left behind.
The cell phone Dean bought him, with the two of them in their cowboy hats as the lock screen photo.
The mixtape Dean made him.
The spare key to the bunker.
The faded old Led Zeppelin t-shirt of Dean’s that they both pretended he didn’t steal.
The copy of Slaughterhouse-Five Dean gave him.
The cowboy hat from their trip to Dodge City.
Dean collapses down at the table with the near-empty bottle of whiskey. As he sips on it, staring off at nothing, Dean replays the conversation. Well, maybe conversation isn’t the right word, considering he barely said anything. It’s more of what Dean didn’t say that matters.
Dean doesn’t trust him. Castiel was right about that.
But… they’ve lost trust in each other before. Multiple times. The two of them can be fucking idiots. They’re great at ignoring things, or keeping secrets. Great at hurting each other.
So, yeah. Dean doesn’t trust him. But Castiel is supposed to wait. He’s supposed to just sulk and take it. Keep apologizing until Dean forgives him. That’s what he did before. That’s all he did in purgatory. Constantly apologizing. It’s what Dean did after the whole mark of cain/demon shit show. He always made sure Castiel knew he didn’t mean the things that had happened, and that he was so sorry.
They get pissed at each other. They fight. They give the silent treatment. But they love each other, and that’s supposed to be enough. It’s always been enough.
Why wasn’t it enough?
Dean takes a long pull of whiskey and slowly swallows it, allowing the liquid to burn him something fierce as it trickles down his throat.
His powers are draining… but when aren’t they? Castiel’s powers have been draining since he rebelled against heaven for Dean. It’s not like he’s falling.
He’s not falling, right?
He can’t be falling.
Dean closes his eyes, his body starting to tremble. Castiel is right, Dean hasn’t even been able to look at him. He hasn’t been paying attention. Dean has no fucking idea if Castiel is falling. When Dean asked him if he was okay outside the impala the other day, Castiel had said, “Yes, but-” and Dean had walked away.
He had walked away!
What if Castiel was going to tell him he could feel himself falling. For real this time, like when he did after the angels fell. Not just low grace, weak powers, and a body that needs to rest more than it should, but falling completely. Becoming human.
And Dean rolled his eyes at him.
Dean let him walk away.
Dean let Castiel believe he was truly dead to him.
Dean let him leave with the intention of moving on.
Moving on? Fucking moving on?
What did Dean do?
What did he do?
What the fuck did he just do?
----
Castiel lifts a shaking hand to the center of the door and tentatively knocks, feeling terrible that it’s so late at night. He only had fourteen dollars in his wallet, which was enough to buy gas for this short trip, but not enough for food or a hotel. This is the only other family - well, not his family, but the Winchester’s family - that Castiel has left. It’s only right he says goodbye to them before leaving for good. He knows it’s awful he didn’t talk to Sam before disappearing, but Sam had enough pain today. Castiel will call him from the road.
The porch light coming on pulls Castiel out of his thoughts. He steps back just as the front door is opened, giving Jody a wobbly smile. She tilts her head and gives him a smile of her own. It’s genuine, and warm, and makes Castiel want to curl up and cry.
“Castiel. Hey. Are the boys,” she stops herself, looking over his shoulder before back at him. He can feel her eyes as they rake over him. The sheriff in her must figure the situation out real quick, because her eyes turn sad and she reaches out for Castiel’s hand, pulling him inside. “You look like you could use something to drink. Do you want a beer? Maybe some whiskey? I think Donna has a bottle of vodka in the freezer.”
Slowly settling on the stool Jody gestures to, Castiel shakes his head. “No, thank you.”
“Maybe some tea?” Jody presses.
“Yes. Tea sounds lovely,” Castiel says quietly, not wanting to be rude. “Thank you, Jody.”
“Peppermint? Chamomile?”
Having no idea in the slightest, considering all Dean drinks is coffee, Castiel says on a whim, “Peppermint, please. Thank you, Jody.”
“Of course, Castiel.” She sets a teapot on the stove, then pulls out a mug and a box of peppermint tea. As the water heats over a gas flame, she turns back to Castiel. He slumps down and clenches his hands together where they rest on the breakfast bar’s countertop. It unfortunately does not make him feel any less vulnerable or inspected. “Are you feeling alright, Castiel?”
“I’m fine,” Castiel replies, hearing Dean’s voice like he’s saying the words for him. It makes him suddenly angry. “Actually, I’m quite exhausted. And hungry. And it’s just been a very long few days. I miss Jack, so much. And I miss Mary. But I don’t think I’m allowed to miss Mary because, well, you know. It’s my fault and all. But I still miss-”
“Castiel, I’m sorry for interrupting, but Mary was not your fault.”
“I’m pretty sure she was.”
“That’s not the story I got from Sam. I know Dean has been taking it out on you, Sam’s been worried. He wasn’t sure if he should step in. But he made it very clear to me that he does not believe his mother’s death is on you. And after he explained everything, I agree with him. Castiel, you wanted to assume the best of your son. That’s what you are supposed to do as a parent. It backfired, yes, but that’s life, Castiel. That’s just how life goes.”
Castiel swallows around a lump in his throat and closes his eyes to stop them from burning. He drops his head, trying to breathe.
The room stays quiet until the silence is interrupted by the whistling tea pot. A minute later, a steaming cup of peppermint tea is placed in front of his clasped hands. Castiel stares at it like he doesn’t recognize it.
“Did Dean kick you out, Castiel?” Jody asks softly.
“He-” Castiel stops when his voice cracks. He clears his throat twice before trying again. “No, he didn’t. But I didn’t belong there. Or I wasn’t wanted there. Or both. It was time I leave. I’m going to - well, I’m hoping to move on.”
When Jody says nothing, Castiel peeks up at her. She looks devastated. “He’s an idiot. You know that, right?”
“No. No, Dean Winchester isn’t an idiot.” Castiel shakes his head, a corner of his mouth perking up. He releases a shaky, self-deprecating laugh under his breath. “Dean Winchester is the best thing to ever happen to me, and I ruined it.”
“Castiel-”
Castiel stares down at his tea, waiting for Jody to continue. She doesn’t. He can’t blame her. What’s there to say? It’s true. His world is crumbling as they speak, and it’s all of Castiel’s fault.
The worst part, though? He can’t even regret it. Any of it. He’d rebel again. Fall in love again. He’d take all of the pain and sadness. All of the pleasure. Every kiss. Every hug. Every hand held beneath the diner table. Every laugh. Every fight. He’d do it all again, happily, because for a while there, Dean Winchester showed him what true heaven was like.
“I’m going to go make up the spare bedroom. You just drink your tea, okay?” Jody asks in the mom voice he’s heard her use with the boys, and Claire and Alex, before.
“I can find somewhere else if-”
“Nonsense. You’re family, Castiel. You will sleep here. Claire will be happy to see you in the morning.”
Castiel takes a sip of his tea, wondering if that’s true. Can he still be family if he’s not with Dean? He always thought he was just included because Dean said so. Is Castiel really loved and cared for by these people, even if Dean doesn’t want them to? Would Claire really be happy to see him? The angel that killed her father?
She did keep the grumpy cat stuffed animal after all…
Jody returns just as Castiel is finishing his tea. She guides him down the hall, showing him the bathroom where he’s welcome to shower if he’d like, then the bedroom. After a final look laced with concern, Jody gives him a quick hug and wishes him goodnight, closing Castiel’s door as she leaves.
Castiel stares at the bed for a minute, the weight of the last few days sinking in. He drags his feet across the room, stripping as he goes. The last thing he does is kick off his shoes right before collapsing onto the mattress in nothing but his boxers and undershirt. He barely has the energy to move around and get under the covers, but it’s so worth it. His entire body relaxes as the warmth encases him.
As the mounting exhaustion begins to pull the falling angel into dreamland, the last thing he thinks about is Dean.
Castiel hopes the man sleeps well tonight. He deserves to get some rest.
----
Dean answers his phone with slow, uncooperative fingers. “Hey, Jody.”
“Dean Winchester, sometimes you are such an idiot that I want to smack you upside the head!”
“Wow,” Dean mumbles, rubbing a hand against his eyes. “You’re welcome for savin’ the world ‘n all.”
“And you’re drunk, too. I don’t know why I’m even surprised.”
“Jody, you need somethin’, or jus’ callin’ to make me feel’ike shit?”
He hears a deep sigh and rolls his eyes. Dean’s not in the mood for her to play mom right now.
Dean has a mom.
Had a mom.
Just like he had Cas.
Now he’s lost them both.
He’s lost Jack.
Rowena.
Ketch.
“I just called to let you know that Castiel is safe. He’s here.”
Dean sits up straight, knocking over the empty bottle of whiskey. He ignores it as it crashes to the floor. “He’s there? At your house?”
“Yes. I gave him some tea to help calm him a bit and put him in the spare bedroom. I know angels don’t sleep, but… well, he’s sleeping. Dead to the world already.”
You’re dead to me.
Dead to me.
I’m dead to you.
You don’t care. I’m dead to you.
My powers are failing.
You don’t care.
My powers are failing.
I’m dead to you.
I know angels don’t sleep.
Dean feels sick to his stomach, whiskey flavored acid crawling up his throat. “I’ll be right there. Don’t let him leave.”
“No, Dean. Go sleep the booze off.”
“I need to be with him.”
“I’m not sure he needs to be with you, though.” Dean flinches like he’s just been slapped. Honestly, it feels like he has been.
But is she wrong?
Probably not…
“Will you just - just don’t let him go disappearing, okay? Take care of him, please.”
There’s a long pause. Then, “Get some rest, Dean. He’ll be fine without you.”
Jody hangs up without saying anything else, leaving Dean alone on the other end. He tosses the phone onto the table and buries his face in his hands. Maybe she’s right. Maybe Castiel will be fine without him. Hell, maybe Castiel will be better off without him. Dean should really just leave him alone.
Dean eventually drags himself to his room, collapsing on the bed. The whiskey and exhaustion do their job, pulling him under in no time. Just before slipping into dreamland, the last thing he thinks about is Castiel.
Dean hopes the angel sleeps well tonight. He deserves to get some rest.
There is now a PART 2! You can read it [HERE] <3
If you enjoy my work & would like to support me, please consider buying me a quick coffee [HERE] or becoming a Patron [HERE]!
#supernatural#season 15#spoilers#15.3#rupture#destiel#dean's an asshole#cas deserves better#jody mills#castiel novak#dean winchester#drinking#angst#fighting#break-up#tea#cas being taken care of#dean getting put in his place#slightly hopeful ending ish?
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"BOTTLE SHOCK" (2008) Review
”BOTTLE SHOCK” (2008) Review
If someone had suggested I go see a movie about California wines and its impact upon the business in the mid-1970s, I would have smiled politely and ignored that person. As it turned out, no one had told me about the 2008 comedy-drama, ”BOTTLE SHOCK”. Two years would pass before I found myself intrigued by it, while watching the movie on cable television.
Directed and co-written by Randall Miller, ”BOTTLE SHOCK” told the story of Jim and Bo Barrett and how their Chardonnay became the first American-grown vintage to win a famous blind wine tasting contest now known as ”the Judgment of Paris”. The contest was sponsored by a British wine connoisseur named Steven Spurrier and held in France. Spurrier wanted to use the contest as a means to be accepted by the French wine connoisseur community. The movie also chronicled the Barretts’ difficulties in maintaining their vineyard, the Chateau Montelena, in the face of mounting debts, Jim Barrett’s reluctance to participate in Spurrier’s contest, and the efforts of a Barrett employee named Gustavo Bambini and his father to start their own vineyard. The desires of the Barretts, Bambini and Spurrier centered on the latter’s blind wine testing competition that made history for the Barretts and California wines.
While reading about ”BOTTLE SHOCK”, I discovered that the movie had received a standing ovation following its screening at the 2008 Sundance Film Festival. Personally, I believe that Miller and fellow screenwriters Jody Savin and Ross Schwartz did an excellent job in creating a heartwarming movie filled with sharp humor, adversity, human drama, some romance and a good deal of warmth and whimsy. More importantly, Miller, Savin and Schwartz, along with the cast, gave the movie such energy and drive that I found myself developing interest in the topic of wine growing – something that would usually bore me to tears. There have been complaints about some of the historical accuracy in the movie. Why bother? ”BOTTLE SHOCK” is a movie, not a documentary. I have yet to come across a movie or play with a historical backdrop that was completely accurate.
Cinematographer Michael J. Ozier did a marvelous job in capturing the warmth and natural beauty of Napa Valley, with its rolling hills and vast vineyards. With different lightning, he captured the cool elegance of Paris and the French countryside. And costume designer Jillian Kreiner had the more difficult job of capturing the basic styles of the mid-1970s. This was at a time when fashion was in a transition from the wild, Age of Aquarius styles of the early 1970s, to the more ersatz elegance of the latter part of the decade and the 1980s. By the way, one should keep an eye on Dennis Farina’s loud, leisure suits that seemed to symbolize the entire decade . . . at least for me.
I had felt a bit confused over the identity of the film’s leading man. I could not decide whether it was Alan Rickman, Chris Pine or Bill Pullman. In the end, I decided to view all three as the film’s leads. And they led a very fine cast that included Rachael Taylor, Freddy Rodriguez, Dennis Farina, Miguel Sandoval and Eliza Dushku. I had a ball watching Rickman’s portrayal of the sharp-tongued wine connoisseur, Steven Spurrier, who found himself dealing with a new culture in California wine country and the possibility that European countries like Italy, Germany and especially France were not the only places to produce fine wines. At first, Chris Pine’s portrayal of the young Bo Barrett reminded me of a possible dress rehearsal for his performance as a loutish James Kirk in 2009’s ”STAR TREK”. Thankfully, his performance as the younger Barrett proved to possess more nuance, as Pine revealed him to be a vulnerable young man that seemed unsure about whether he was ready to embrace his father’s passion for winemaking, as his own. My only problem with Pine was the blond wig that he wore. I found it atrocious and wished that he had been allowed to portray the character with his natural hair. I personally believe that Bill Pullman gave one of the movie’s two best performances as the complex Jim Barrett – the man who originally injected new life into the Chateau Montelena during the 1970s. His Barrett was a proud and stubborn man that was passionate about his vineyard and who masked his insecurities with a great deal of pig-headed behavior.
Also providing top notch performances were Dennis Farina (of the loud leisure suits), who provided a great deal of amusement and wit as Spurrier’s fictional American friend in Paris and fellow wine connoisseur, Maurice Cantavale; Rachael Taylor as Sam Fulton, the free-spirited intern at Chateau Montelena and Bo’s object of desire; Miguel Sandoval, who was deliciously sardonic as Mr. Garcia, another worker at Chateau Montelena; and Eliza Dushku, who gave an amusingly edgy performance as a local bar owner named Jo. At last, I come to Freddy Rodriguez, who portrayed the Barretts’ ambitious employee, Gustovo Bambini. He gave the movie’s other best performance, conveying not only his character’s ambition and wit, but also a raging passion for wintry and a short temper.
What else can I say about ”BOTTLE SHOCK”? I laughed, I cried and I managed to enjoy both the story and the performances, thanks to Randall Miller and the script he co-wrote with Jody Savin and Ross Schwartz . But more importantly, I found myself surprisingly interested in a topic that I would not have usually wasted time even discussing. On that point alone, I would heartily recommend this film.
#bottle shock#bottle shock 2008#chris pine#alan rickman#bill pullman#rachael taylor#freddy rodriguez#miguel sandoval#bradley whitford#eliza dushku#dennis farina#winemakng#the judgment of paris 1976#randall miller
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I'm Scared
Dean x Reader
Fluff/Angst
Word count: 1.5K
Summary: reader kisses Dean and things get awkward
The drive back to the motel was so quiet and tense. Did that just happen? The ghost strangled the life out of Dean and by the time you got to him, he wasn't breathing so you gave him mouth to mouth.
With joy pouring out of you that you had brought him back from the beyond, your body took over and you pressed a passionate kiss on his lips. It seemed right at the time, nothing more than a kiss, a hug, and a word of thanks happened, so why was this so awkward. Dean and you had always been friends or a brother sister type of a bond but this just made shit complicated. You looked over at him and he had this goofy smile on his face, damn he could be so cute when he wanted to be.
The questions rambled on in your head, why did you do it? Do you like him beyond friends? Does he like you back? You wanted to scream but it just came out as a huff. Dean chuckled knowing what you were doing, you over analyzed everything like always. You glared at him and continued your internal dialogue with yourself. Why did you kiss him in the first place? Why did you use tongue? Why did you press your whole body into his? Why wasn't he talking to you? Why did it feel so good?
The rest of the night was pretty silent and you were exhausted from finding that stupid ghost’s toupee in a box of old junk. You pulled the covers back on your bed, you were lucky that Sam was on a hunt with Jody so you got your own bed this week. Finally, Dean spoke, “Thanks again for well…”
You turned facing him and smiled, “Well someone's gotta save ya ass, cause I might need savin’ next time.” You chuckled looking down trying not to make eye contact.
“Yeah, well as saves go I'd rather have you do mouth to mouth on me than Sam.” He also pulled back his blanket, thinking about how amazing your kiss was.
You tossed and turned most of the night feeling an ache in your heart for Dean. He was your friend, he was your partner, in this life you don't get love. This life ends bloody, you could deal if you lost him and he was just a friend but if he was more, you didn't think you could survive that.
He was sleeping on his back, he looked so content with himself as drool covered his pillow. He wasn't worried at all about how this kiss would change your relationship. Maybe you should take his lead, you took a deep breath and counted backwards from 100 by the time you hit 80 you were out like a light.
The alarm on your phone went off at about nine am, “hey morning!” Dean said putting a cup of coffee on the night stand.
“Hey thanks.” He was nicer than normal, you sat up sitting criss cross applesauce on the bed. “We probably gotta hit the road soon.” He told you.
You were brushing your teeth when Dean came into the bathroom to grab his stuff, he normally would bump into you a thousand times when he packed up but today he didn't accidentally touch you once. You spit the toothpaste in the sink knowing now something was up maybe the kiss was bothering him too.
You and he barely spoke the whole way home to the bunker, you tried to ignore it hoping things would get back to normal in a couple of days.
You walked into the kitchen to get a soda out of the fridge, when you turned around you saw Dean sitting on the floor in the corner with a bottle of beer in his hand. He had three empties sitting next to him, he wasn't drunk just drinking his sorrows like he liked to do.
“Hey why don't you join us in the library.” You sat next to him, placing your head on his shoulder with your legs stretched out.
“No. I'm good right here.” He paused, rolling over the next thing he was going to say, “Why don't you want to talk about it?”
“Talk about what?" You questioned back, knowing exactly what he was talking about.
“Dammit, (Y/N/N) don't play dumb. I know that's what you're doing.” He let out an exasperated sigh.
“You mean that mind blowing kiss we shared last week.” You turned your head away from him rubbing your head.
“I haven't been able to stop thinking about your soft lips. I think about you all the time.” He spoke low and honestly.
“Yeah me too.” You admitted.
“Then why aren't you talking to me about it?” Dean asked again, placing his hand over yours.
You pulled away, “Dean, you and I just aren't going to happen. I care for you but we can't happen.”
“But why?” He asked almost on the verge of crying and it broke your heart.
“Because our lives end tragically, Dean. We can be friends but nothing else.” You kissed his cheek and stood up trying to hold back the tears.
You were going to continue but Sam came running in. “Hey guys, I gotta case.”
“Ok” you sniffed, “I'll be ready in 20.” Covering your mouth and walked as quickly as you could to your room.
Fifteen minutes into the drive, Dean hit Baby's steering wheel, “No!” He yelled definitely agitated and pulled the car off on the side of the road. Both you and Sam were stunned by his outburst, Dean turned around and barked “Out!”
You didn't move, he got out the Impala and forcefully opened your door. “I said, Out!” He grabbed your arm, he was angry but he didn't hurt you. He held onto you just enough for you to know he was serious.
“Dean, what the hell is wrong with you?” You yelled as he drug you around the back side of the car.
Sam hopped out, you pull your hand up letting him know you could handle Dean. He nodded but stayed out of the car.
“You-you is what's wrong with me.” He passionately shouted. “We end tragically!” He used your words against you, “Everything about our life is tragic. Why don't you see that? But you-you-you” he stuttered, “you make it less tragic, you make this life bearable.” The tears broke from him.
“Dean…” your lip quivered.
“No, don't use my name like that. (Y/N/N) I need you.” He wept. “We could be amazing together but you won't even give us a try.”
“I know Dean,” you wiped your nose, “I'm scared, I'm just so scared Dean.”
He saw the fear in your eyes, he took your hands and pulled you into a hug, “Me too. I'm scared too. I'm scared as hell that I need you so much. I'm scared of losing you.”
Your head fell into the crook of his neck, his warmth calmed you, he smelled so good. Things with Dean wouldn't be a cakewalk but you were willing to try if he was. It was clear both of you had feelings for each other. All was calm no one spoke a word, you just embraced him.
“Sweetheart, please talk to me.” He released his hold on you.
You stepped back and looked up at him with wet, red eyes, he didn't need to hear your words, he understood completely. His lips crashed against yours, his hands massaged the back of your head. He tasted like hops, barley and the salt that came from your tears mingled with his. You continued to cry as he switched from hard kisses to tender. “(Y/N), I'm not going anywhere. You don't need to be afraid.”
“Yeah, I can't help it. I've never felt like this.” You kissed his neck. “It's new for me.”
“Are you willing to try?” He asked again.
“I'm willing to fight for us, to fight for you.” Your whole body shook as you confessed.
“Yeah?” He kissed the top of your head.
“Yeah!” You agreed wiping your eyes.
He lifted you up, making you squeak. He kissed you hard, your lips parted for him as his tongue swept into your mouth. Your legs wrapped around his waist holding on to him never wanting to let him go. He finally let you go when cars honked at you dry humping on the side of the road. Laughing on the way back to the car, he closed the door for you trying to be polite.
Sometime during all that Sam got back in the car to give you some privacy. “Everything good?” He asked once you were situated.
“Yeah Sam everything's good.” Dean turned to you in the back seat and took your hand.
“Ok so two rooms?” Sam asked, not sure if you were ready for that.
You bit your lip and giggled, “Yeah, I think two rooms would be a good idea.” Now that you made up your mind to be with Dean, you didn't want to waste a moment with him.
I love all the likes and reblogs but I really do want your feedback. Please leave me a comment; let me know what worked or what didn’t. If you hated it let me know what I could do different. It may determine how I write my next fic.
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#dean x reader#dean winchester#dean x reader fluff#dean x reader angst#spn#spn fanfic#spn fan fiction#supernatural#supernatural fanfic#supernatural fanfiction
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CALIFICACIÓN PERSONAL: 7 / 10
Título Original: CBGB
Año: 2013
Duración: 102 min
País: Estados Unidos
Director: Randall Miller
Guion: Jody Savin, Randall Miller
Música: Varios
Fotografía: Mike Ozier
Reparto: Malin Akerman, Ryan Hurst, Stana Katic, Johnny Galecki, Ashley Greene, Alan Rickman, Rupert Grint, Ahna O'Reilly, Kyle Gallner, Justin Bartha, Bradley Whitford, Donal Logue, Freddy Rodriguez, Joel David Moore, Mickey Sumner, Josh Zuckerman, Michael Massee, Estelle Harris, Taylor Hawkins, Julian Acosta, Peter Vack, Tom Nowicki, Steven Schub
Productora: Unclaimed Freight Productions, Rampart Films
Género: Crime, Drama, Music
https://www.imdb.com/title/tt1786751/
TRAILER:
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The kindness of strangers
By Allison Klein, Washington Post, November 13, 2017
We asked readers to submit stories of a time a stranger performed an act so unexpectedly kind that it stayed with them. Here are some of the most poignant ones, in honor of World Kindness Day today.
“I’m free Saturday.” About a week ago, I moved from our five-bedroom house into an apartment in an adult living community. Somehow, I managed to whittle down our family’s belongings so they fit in my small bedroom-plus-den apartment.
But boxes were the main furnishings at first. I badly mangled my knee last year and wearing a brace and using a walker made it very difficult to move things around.
Next Day Blinds sent out a salesperson to help me select and measure for blinds. She couldn’t help but notice my problems unpacking. Before leaving, she said, “I’m free Saturday. Why don’t I come out and help?”
And she did. My blinds were installed on a Tuesday and on Saturday, she returned. Like a whirlwind, she got my living room looking like a real living room. She moved furniture, hung pictures and helped me find places for other furnishings. She even went to Target and bought me some hangers and other small items, and wouldn’t let me reimburse her.
It feels so good to know I can have people over now without being embarrassed.
I have been the recipient of many acts of random kindness in my life. They challenge me to always be grateful and to pass on the kindnesses.--Lucy Sotar, 76, Arlington, Va.
“Please don’t pick this flower!” My kindergartner, Stig, has a flower that he planted by the front stairs of our house that was sadly picked twice in a row by someone who was careless or mean or too young to know better.
It really broke his heart because each time it started to regrow, he’d watch its progress excitedly, only to come home and find it picked right after it bloomed.
I was fuming with rage inside that anyone could be that mean-spirited, and that I would have to try to find a way to soothe him over something we couldn’t fix.
So when we saw that it was about to bloom a third time about a week ago, I decided to make a little sign: “Please don’t pick this flower! It belongs to a little boy who loves it and takes care of it. Thanks!”
It was a Saturday morning when my husband opened the front door to find a book and a card addressed “For the little boy who takes care of the flower” neatly tied with twine.
Inside the card was a message from a neighbor we didn’t know saying that she remembered the book from her childhood and thought Stig would like it, too. The story was about a man who brings joy to a city with a single potted flower. Perfect.
I can’t stop smiling that this one little orange flower has gone out and inspired multiplying joy and kindness.--Jody Pratt, 43, Washington
“I tried not to cry with gratitude.” About 20 years ago, when I was a single mother in San Jose, I was running a few minutes behind schedule to drop my toddler off at child care and get to work when the light rail train showed up before I could buy a ticket.
Clutching my daughter in one arm and a diaper bag in the other, I made a dash for the train, hoping no one would be checking for tickets that day. Boarding the car, I found myself in the midst of a throng of convention-goers.
To my chagrin, an officer got on at the next stop and asked for tickets. He went down one side of the car, and I nervously thought about how much trouble I’d be in if he asked me for a ticket.
Just then, a young man seated in front of me (from who knows where) showed the officer his ticket and then slipped it to me when the officer had his back to us. I tried not to cry with gratitude.
Later, I overheard the convention-goer whisper to his friends that he saw me running for the train with the baby with no time to buy a ticket. I thanked him profusely before I got off.--Jessica Savin, 49, Clovis, Calif.
“I’ve been there before.” I was at the drugstore to buy groceries for my family recently. To my dismay, when I got to the checkout counter, my debit card was declined.
Sheepishly, I took out my two boxes of garbage bags and asked her how much the bill would be without them. Before the clerk even had a chance to remove the items, a very pleasant woman behind me said, “No, I will pay for them,” and gave me $20 to cover them.
Again I tried my card, hoping there would be enough in my account this time, and again it did not work, so I put back my coffee creamer. Again, the woman spoke up and said: “I’ll pay for that, too.”
I was very embarrassed at this point and prayed my card would work to cover the rest of my bill. Again, it was declined. I apologized to the line that had formed, thanked the women who had helped me and told the clerk that I would need to put my order back.
The woman who had helped the previous two times spoke up and said: “Here is my credit card. I’ve been there before.”
I was totally flabbergasted! My entire bill came to $95, and she paid the entire bill.
I have never been on the receiving end of this amount of generosity. For those who believe there is little good left in the world, I beg to differ because one generous stranger can truly make a difference.--Karin Heimel-Heck, 51, Dover, Pa.
“Where to?” Lugging my suitcase across Ottawa’s airport in 2012, the handle snapped off and the suitcase fell to the floor. I tried lifting the case and my tote landed on the floor, too.
I was sure I would I miss my flight when a man appeared at my side. He had red hair, blue eyes and looked about 25. “Let me help,” he said smiling. His smile was so welcoming that I smiled back.
He tossed my suitcase over his left shoulder, put the tote bag on his right and the handle in his pocket and said, “Where to?”
“Gate 27,” I said, stunned.
He grabbed his bag and we were off.
At the gate, my was flight was delayed. Relieved, I reached for the suitcase, but he said, “I’ll ask about tape for the handle.”
He returned saying the agent would check with maintenance for help. Surprisingly, the agent returned with duct tape, and the man taped the handle to the suitcase.
Boarding started, and it dawned on me that he may not have been on the same flight. “Is this your flight?” I asked. “No, my flight’s Gate 12,” he responded.
Gate 12 was at the opposite end of the airport. I felt terrible, but he reassured me. “Don’t worry, I’ll make it,” he said.
My boarding group was called, so I give him a grateful hug, “Thanks.”
“My pleasure,” he replied.
Boarding pass scanned, I turned back and we waved to each other. As the plane pulled back from the gate, I realized I never got his name.--Frances Baldwin, 56, Chevy Chase
A Paris pickpocket. When I was an exchange student in Paris, age 19, I was pickpocketed my first night there and my wallet was stolen.
In the wallet was my driver’s license, money and photos--among them my favorite photo of my father, who died when I was 13, and my favorite photo of my sister, who died when I was 16.
The pickpocketer had obviously taken the money and thrown my wallet in a trash can in the metro station.
But some kind Parisian saw my wallet in the trash and also the photos in there. I wonder if they somehow sensed how precious these images were to the owner of the wallet.
This person turned the wallet in to the American Embassy, and the embassy mailed it back to the U.S. My photos and driver’s license were waiting for me when I returned home. I cried then, and I tear up again now, realizing that a total stranger took time out of their day to do a favor for a person they would never meet, or who could never thank them.--Sharon Loy, 48, Sedona, Ariz.
“You are cool.” One day a person from my school went around just saying good things about people they passed in the hall.
When he said “you are cool” to me and my friend right before class, it made me feel appreciated and made the class a lot more fun, all because of one compliment given to me by someone I barely knew.
I think this small, tiny act made such a big difference because no one had ever done that before and it was such a surprise to me. I felt like I should say the same thing to someone else soon.
Right after he said it, I replied and said the same thing about him. My friend and I both said it made us feel so special and appreciated. When we got to class, we were smiling and it seemed like we didn’t have a care in the world, but also like we were happy to be there, which is a rarity, but never mind that.
When we went to our seats and began class, I was happy. I was actually happy to be at school and in class. All because of one comment, one simple comment.--Lily Bair, 12, Santa Fe, N.M.
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May 29 in Music History
1697 Death of Italian castrato Giovanni Grossi (Siface).
1730 Birth of composer William Jackson.
1753 FP of Haydn's Singspiel, Der Krumme Teufel in Vienna.
1754 FP of Arne's "Eliza" London.
1790 FP of Dalayrac's "La Soirée orageuse" Paris.
1791 Birth of composer Pietro Romani.
1821 FP of Mercadante's "Maria Stuarda regina di Scozia" in Bologna.
1836 Death of soprano Pauline Anna Milder-Hauptmann.
1837 Birth of composer Luca Fumagalli.
1843 Birth of composer Emile Pessard.
1852 Birth of composer Jindrich Albestu Kaan.
1853 Birth of band music composer Francesco Fanciulli.
1860 Birth of Spanish composer Isaac Albeniz in Camprodón, Spain.
1868 Birth of French-English composer Frederic d'Erlanger.
1873 Birth of Estonian composer Rudolf Tobias.
1873 FP of Franz Liszt's oratorio Christus.
1873 Birth of Estonian composer Rudolf Tobias.
1873 FP in America of Brahms's Serenade No. 1 in D, by the New York Symphony, Theodore Thomas conducting at Steinway Hall in NYC.
1874 Death of American baritone Emilio de Gogorza in Brooklyn.
1876 Birth of German baritone Herman Weil.
1880 Death of Austrian theater director Maximilian Steiner.
1881 Birth of composer Frederik Septimus Kelly.
1883 Birth of composer William Beatton Moonie.
1890 Birth of composer Francis de Bourguignon.
1892 Birth of American tenor Mario Chamlee.
1897 Birth of American-German-Bohemian composer Eric Wolfgang Korngold.
1897 Birth of composer Ignace Lilien.
1898 Birth of French bass Humbert Tomatis in Nice.
1901 FP of Paderewski's only opera Manru in Dresden.
1902 Birth of German mezzo-soprano Johanna Blatter in Ludwigshaven.
1904 Birth of Hungarian baritone Alexander Sved in Budapest.
1905 FP of Scriabin's Devine Poem Third Symphony under Arthur Nikisch, in Paris.
1905 Birth of composer Fela Sowande.
1906 Birth of composer Hans Joachim Schaeuble.
1910 Death of Russian composer Mily Balakirev at age 73 in St. Petersburg.
1912 Birth of Austrian bass Jaroslav Veverka in Vienna.
1912 Birth of German bass Fritz Ollendorff in Darmstedt.
1912 Birth of Dutch baritone Theo Bayle in Holland, Laren Netherlands.
1913 FP of Stravinsky's Rite of Spring at the Ballet Russe under Diaghilev, in Paris.
1914 FP of Alfredo Casella's May Night. Casella conducting, in Paris.
1915 Birth of German conductor Karl Munchinger, in Stuttgart.
1915 Birth of American conductor Igor Buketoff in Hartford, CT.
1919 FP of Savine's "Xenia" Zürich with Lillian Blauvelt.
1922 Birth of Greek-French composer Iannis Xenakis in Braila, Roumania.
1924 FP of Gretchaninov's Third Symphony, composer conducting, in Kiev.
1932 Birth of German bass Karl Ridderbusch in Recklinghausen.
1933 Birth of German organist, conductor Helmut Rilling.
1935 Death of Czech composer Josef Suk at age 61, in Benesov.
1937 Birth of composer Peter Kolman.
1938 Death of Spanish tenor Miguel Fleta.
1947 Birth of Azerbaijani composer Franghiz Ali-Zadeh in Baku, Azerbaijan.
1948 Birth of Scottish soprano Linda Esther Gray in Greenock.
1948 Birth of English composer Michael Berkeley in London.
1951 Death of Czech composer Josef Bohuslav Foerster.
1953 Birth of American composer Danny Elfman in Amarillo, TX.
1954 Birth of American composer Robert Beaser in Boston, MA.
1954 FP of Henry Cowell's Symphony No. 11 Seven Rituals. Louisville Symphony conducted by Robert Whitney, in Louisville, KY.
1960 Birth of American composer Jody Nagel in Franlin, PA.
1961 Death of Finnish composer Uuno Klami in Helsinki.
1962 FP of Tippett's "King Priam"
1963 The first New York Philharmonic Promenade concerts.
1966 FP of Reutter's "Der Tod des Empedokles"
1969 Birth of Ukranian composer and guitarist Alexander Vynograd.
1970 FP of Einojuhani Rautavaara's Piano Concerto.
1972 Death of American composer Margaret Ruthven Lang in Boston.
1972 Death of Algerian mezzo-soprano Emma Vecla.
2005 Death of American composer George Rochberg.
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Echoturnal
chapter four.
trigger warnings: reference of abuse, transphobia (deadnaming + misgendering,) unwanted touching
i apologize for the few month long hiatus ! school has been very, very busy for me.
- - - - - -- - - - - - - - - - - - - - - - - - -
“You are stripped of everything when you are here. And you are always here."
Hazel stood still, body standing completely straight and stiff, her hands grabbed at her naked thighs, short nails digging into the brown skin as if her skin were the door away from this hellish place and could let her free. Her body was soft, softer then the previous time she had entered this place. Softer from the estrogen she had taken, softer from the lack of exercising.
She was just so…tired. And whenever she was tired, she’d sleep. When she slept, she awoke in a place that wasn’t kind. A place where children died, innocents tortured and where monsters remained hidden, ready to strike at your, rip at your body any moment.
Within seconds, stick like hands were groping at her body. They were raven black, bone thin, fingers were long and parts of the bones stuck out. They groped at Hazel’s growing breasts, then traveled up to her face and squeezed it, it felt as if she were
suffocating. The other stick the creature had for a hand stroked her snow white hair that might as well have had thousands of curls.
“Not today. But maybe next time, You will join us here..
permanently.”
The nightmares, they never stopped, they never would stop. All because of the devil Hazel danced with.
“Baby?” The soft voice made Hazel’s body flame up, her eyes quickly
shot awake and she felt the stick hands leave her body. She regained consciousness and she blinked several times at the ceiling, taking in sharp inhales and letting sharp exhales leave her mouth. She gulped nervously, feeling the small beads of sweat form at the top of her forehead. “Do you need some water? I can get some-“
"Please.” Hazel croaked, desperate for something to make her mouth not feel dry. Ellie smiled in response and nodded, running to the fridge to get a glass of water.
She looked around the room, vision completely blurry. Hazel then grabbed her white circle rimmed glasses and slid them on her face, and a second later Ellie walked back into the room. Ellie walked over to Hazel and gently handed over the glass of water, sitting on the bed next to her. “Thanks honey,” Hazel was grateful. Ellie grinned again as she watched Hazel take large gulps of the water, emptying half of the glass in a few gulps.
“Would you mind if I borrowed one of your dresses tonight? A-And you maybe do my makeup? You know I’m terrible with it.” Ellie joked, nervously chuckling as she nervously asked. Hazel nodded, smiling a little bit as she grabbed Ellie’s hand. “Never have to ask, baby. You can take any of my things, promise. What’s the occasion?”
“I was gonna tell Mama about, me being… trans and everything, she’s back from papa’s funeral and I just want to see her.” Hazel’s eyebrows rose and she grinned. “That’s amazing, not your papa dying but, that you’re ready to tell her. You haven’t seen her in what? Two years?” Ellie nodded, strands of her black hair falling in front of her face. “That’s right,
I hope she doesn’t hate me like papa seemed too." The witch sighed sympathetically and placed a gentle hand on Ellie’s shoulder, placing the cup of water on the wooden nightstand and bringing her girlfriend into a hug. "She won’t hate you, your mama is one of the most accepting
people I’ve met, I’ll come with you when you tell her since she knows I’m trans, I can ease the ice. Now, let’s go, I have a look I want do for you honey."
“Leg up, ValenVeils! Sollavelle, help him out.” Elliot nodded over to the instructor as he walked over to Savine who was struggling putting their leg up straight in the air. Savine was lost in thought, that nurse, their mother, the odd headache the other day, getting back on track in school, everything was distracting them.
Elliot tapped their shoulder gently and they gasped, jumping out of their thoughts and brought their leg down in a rush, hitting their foot off the hard floor which drew out a hiss of pain.Elliot held back a chuckle by having his hand over his mouth, earning a sigh from Savine who failed to meet his eyes.
“Elliot, do not have me witness your laughing at my suffering or I shall have you suffer as well, mister." They teased. “You’re so dramatic, Haruko wanted me to help out with your leg posture. Says your leg isn’t as straight in the air as it should be. And she used the he pronoun for ya, pretty amazing.” Elliot informed them, Savine’s eyebrows raising. They felt guilty, that they weren’t listening but was glad of what was being told to them. “I do prefer they over he, but he over she. So that’s lovely, thank you, Elliot."
Elliot smiled widely, face brightening up then brought his hand down to their leg, only to have them jump away from him out of reflex, quickly gasping and shaking their head. “I.. I apologize, Elliot. I’m a bit jumpy today-“ “Its fine.” He assured them. “You just got out of the
hospital, thinking about bullshit, I get it. I also should’ve asked first. And
having ballet on your plate isn’t the most fun thing ever, so let’s work on it.”
Savine nodded in agreement, grateful for Elliot’s understanding nature. With his help, Sav lifted their leg in the air in a straight position all while balancing on their other foot on their tip toes, as well as having assistance from the bar.
Yet this whole time, Elliot had been feeling guilty. His stomach dropping each time he made eye contact with Sav, because he kept recalling the conversation he had with Ian.
He wasn’t sure whether to confess to Sav that they had a huge part of their memory missing and their true love is still out there, or if it was safer for them to remember Ian as an enemy as they once were.
"Wanna grab coffee after this long ass lesson? It's on me." Elliot offered. Yes because a cup of piss tasting coffee will make this all better. Elliot thought to himself
Savine's one eye shot open as they brought their leg down once more elegantly this time. "Only if you're buying me tea. And if it's-"
"-Blueberry?" Elliot shot back with a knowing smirk.
Savine giggled. "Blueberry." They confirmed.
Steam from the tea came up in small herds, warmth crawling through Emeline’s hand as she gently blew on it, taking a sip of it. “It’s only tea darling, it won’t hurt you.” Jodi commented as she came over with another silver platter with tea and a small plate of sandwiches on it.
Constance, Jodi’s youngest daughter’s head shot up as she smelt the familiar scent of tea and saw ham sandwiches.“May I have some tea, ma?” She asked with an excited tone, only to have a glare come from Jodi. "Shouldn't our guest have them first?"
Emeline smiled. "She may have a sandwich, I don't mind. I ate before I came." Jodi shook her head and made a 'tsk' sound. "You should know I will gladly fatten you up child, but here, Constance." Jodi offered by bending over, bringing the platter closer to Constance who gladly snatched a sandwich off the plate and took a large bite out of it.
Jodi then set the platter down on the glass table in front of them and sat on the red velvet couch, pouring herself a cup of tea. "So, did you happen to see Savine today?" Emeline shook her head as she sipped the blueberry tea. "No, I'm afraid not. Her friend, Ethan or whoever, took her to... ballet class or whatever."
Jodi looked amused. "Ah yes, Cassidy, or Elliot, whomever and Savine attend ballet classes. A pathetic idea of an extracurricular but that is none of my concern. What is my concern is," Jodi paused to sip her tea. "...is if you are doing your job."
The room seemed to get tense as Emeline inhaled a sharp breath. "I... did give a small memory, type of thing when Ian called her Sav by calling her that. I'm not sure she remembered." Jodi rolled her eyes and set her cup down, remaining silent for a few moments before Emeline broke the silence. "However... her friends, met up with Ian at some graveyard and they spoke."
"Spoke about what?" That sparked Jodi's curiosity.
"I couldn't make out everything, but from when I was in the form of a raven, I heard Ian speak out he and Hazel both being different genders then their sex."
"They probably also spoke about my darling little Sav." Jodi predicted, intensely staring at Emeline. Constance chirped in with bits of sandwich in her mouth. "Ian? Is that Savie's boyfriend?"
Jodi turned her head sharply to Constance and silently directed her to go to her bedroom, which the young girl immediately obliged and ran into the bedroom. Jodi then turned her attention back to Emeline. "This is a good way to put Savine through hell. That girl needs to learn."
"What exactly is your goal here, Jodi?"
"Oh Emeline." Jodi chuckled. "This is simply a plaything for me, I gave birth and raised the only living creature in an extinct species. Savine is an Echoturnal, she is also a disobedient child. If I can make her understand the harshness of the world, then it both entertains me and teaches her. Maybe even driving her to be like a coward like her father."
Emeline knew not to press any further.
"Yes, I am afraid Sav is gaining their memories once more and I am afraid that will destroy any healing that this has brought on."
Hakan slipped the glasses off of his face and rubbed his eyes, sighing out of stress. "I did warn you of this." Hakan reminded only to be hushed by Ian. "This was for their safety."
"No, this was a desperate attempt you pulled to make them safe because you think you're killing them in some way. Protecting them was bringing them to me when that poor Echoturnal needed healing." A new voice chirped into the conversation. "It was good to get an insight on a whole new species as well! Echoturnals hasn't been around since... well, way earlier then I can recall."
Hakan chuckled. "A historian nut you are, Gwen."
"If we are finished debating over what is wrong and right for Savine..." That was the prompt that got both Hakan and Gwen to stop having a light banter. "I need to pause their memories from coming back... I-I can't risk them remembering me."
"Why? Do you think it's because they'll hate you?" Ian shook his head, sighing out of annoyance. "No, I erased their memories of us even being romantic, friendly even. I erased memories of their steps towards a cure. They already hate me, and will continue to hate me."
"So then what is the issue?" Hakan didn't see it, he turned his head over to Gwen who was sitting at the table eating soup. Her blonde hair was tied up into a bun, her cheeks similar to a chipmunk as soup was housed in her mouth. "I don't exactly, Ian love tell us." She encouraged after swallowing her soup.
"Savine is stubborn-" Both Gwen and Hakan interrupted, speaking at the same time. "We know." They synced.
"...If they received their memories, they would attempt to try and go after a cure once again. They... they would try and go after Jodi without the necessary training, equipment, strength. They would interrogate me for even more information, they will not stop their actions unless they know for certain they have what they need."
"And what else, Ian?"
He stayed silent. Hesitating, not sure what to say next, yet proceeded anyway. "I just do not want them to pull a foolish act, and hurt themselves. Without these memories, they won't get hurt. I don't want them to get hurt unless they absolutely deserved it or it was required."
Gwen was confused, equally as much as Hakan was. "In what world would they deserve to get hurt."
Without hesitance, Ian fed them an answer. "If they turned to be their mother, believe me, they would beg for death and to meet Mercy instead of Namira."
"Is Savine religious? I never knew of that."
"Not very, just aware there is a higher presence above us. They believe in Mercy and Namir, while I worship another religion. Although, my sister, is far more religious and religion is her whole life." Ian commented, recalling the days where he'd find his sister locked away in her room reading the book of Mercy and Namira's tale, silently chanting the songs to herself, the prayers they wrote, Aria was devoted.
"Ah, I see." Hakan nodded, then looked back at Ian. "You should get Savine back down here, they need their memories. But we will feed it to them a little bit at a time."
Ian shook his head. "I... they'll get hurt, possibly turn into their mother, and they would not want that. I appreciate your concern deeply," He turned around to exit the house. "I... will write."
"Please! You never speak to us, you're like a closed book." Hakan encouraged, getting up to lead Ian out and patting him on the back. "Let me know if there's anything I can do, kid. For Savine as well."
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