I put together a few Lights, Camera, Sing Your Sins thoughts! Details about characters, filming, reactions, etc. I doubt I'll get the chance to smoothly work some of them into the drabbles, but I still wanted to share them :)
Post-T1 thoughts:
The first few days out of the prison are really weird and awkward – the prisoners got too deep in the immersion and are slowly remembering what’s real and talking some things out. Before these major emotions can wear off, they’re pulled aside by various writers and teams to make a plan for the next trial. They meet up with deco*27 himself and the songwriting begins
They each have a private bedroom in the facility. The first night, they’re all super excited to not be sleeping in those uncomfortable cells, and then immediately feel really closed off to the others. For some it remains a good thing – Yuno is glad for the isolation, Fuuta’s paranoia about judgment is eased, etc. Still, it’s strange to be separated from the people they’ve been side-by-side with for a year and a half, 24/7. Many of them end up sleeping on the floor of one another’s room or leaving their doors wide open.
Jackalope is using long distance tech to project his voice into the prison, but the animal in the prison is just a well-trained pet with some hardcore costuming. Freed from its little uniform, the rabbit gets lots of pets and pampering from the prisoners.
They aren’t allowed to leave and visitors must be for filming purposes only, but each prisoner is allowed a phone call (“hey, just like a real prison!” Jackalope laughs). Haruka calls his sister, and so does Fuuta. They stay on the phone for a really long time. Yuno calls her parents, making sure to say hi to Yura. Muu calls her parents too, and cries hearing their voices. Shidou calls his family; being separated from them for so long only confirms his near-miss intentions. Mahiru realizes too late she should have called her family – instead, fresh off the guilty verdict, she calls her ex to apologize profusely. Kazui considers a few people he could call, but doesn’t take Jackalope up on the offer right away. Later in the hiatus he calls his childhood friend just to say hi; he doesn’t mention any of the experiment stuff going on. Amane wanted to call her father, but she doesn’t want to break the news that she’s not doing a good job because of her verdict. She waits until she knows he’ll be out per his usual schedule, and leaves a brief and formal message on the machine. Mikoto calls his mom and sister, asking about how everyone’s doing (and largely avoiding talking about himself). Kotoko calls her family, surprised at how emotional she gets hearing their voices.
Jackalope makes the mistake of mentioning updated guilty uniforms in front of the prisoners. Fashion expert Mahiru, designer Mikoto, and just simply nosy Yuno and Muu track down the costuming team to “help.” Though there’s not a ton of alterations to be made, they enjoy being a part of the process. They end up sticking around and chatting about mv outfits. Mahiru enjoys everyone’s choices and fittings, and promises Amane they’ll go shopping someday and have a proper dress fitting. She asks if Es is going to get a new uniform as well. When told no, she vows she’ll take them shopping as well.
Though not allowed to leave, they’re at least allowed to step outside in designated areas. They enjoy the sun and rain and stars. The smoking group is excited to meet outside. Mikoto makes sure to hang out with them a bit extra seeing as he’s going to leave the group a bit come T2.
I wrote the drabbles as individual scenes since it was nice to give each prisoner their own time like that, but logically some filming would be overlapped a bit. Jackalope would still want to direct everything as best he could, but there may be multiple scenes filming at once. I just really liked the idea of the mixing of props and costumes. They yell “cut!” as Bee Muu takes a shortcut through the Backdraft set. Yuno accidentally leaves her pink-glasses rabbit in one of the AKAA chairs and Haruka laughs in the middle of a take as he moves it out of frame. Amane is on a quick break from her scene and Mikoto shows her around the train still in full marching band getup. (I just realized these were all back to back videos, but I think any and all can overlap lol)
Shidou is still the one to administer Mahiru and Fuuta’s bandages. Even though it’s fake, he wants it a) to be his real handiwork and b) to be accurate, given the disaster of Throw Down. He’s excited to share his knowledge and explain exactly how each of their imagined injuries would affect them, telling them the proper way to act. Mahiru listens intently, all but taking notes, while Fuuta is bored to death of his doctor-jargon ramble.
Back pre-T1, Jackalope started off telling the prisoners they can choose their song titles (just for organization's sake, Es won’t see them) but he ends up taking over because their titles are really, really bad. It’s a mix of those really long sentence-style titles and cool words/phrases that have absolutely nothing to do with the song itself. Jackalope goes through the files renaming “The Sweet Whispers of A Lost Love,” “Fuck You,” “They say three strikes and you’re out but clearly they’ve never met me before” and “Kotokos_song.mp3”. By the time they start filming second trial videos, it doesn’t phase him to open up files titled “Elegy to a Broken Heart,” “I checked the train schedule five times and still missed my stop,” “I Can’t Be Normal,” and “Kotokos_song(1).mp3”.
And some post-T2 thoughts:
The verdicts are both easier and harder to handle this time around. This is the second break from the immersion, and it’s easier to separate reality from experiment. However, the videos and interrogations this time around were a lot more raw, so there’s an extra sting of betrayal to them. Es got to look deep – much deeper than most – and still chose not to forgive.
Haruka isn’t really worried about death or harm from the verdict, but he does feel betrayed that Es would throw his life away like that. Muu doesn’t fear the consequences, but is saddened that once again she made someone like her only to turn against her when they saw her true self. The t1 guilties have a little meetup where they breathe a collective sigh of relief and congratulate one another on making it through. Fuuta just kind of sinks in relief, while Mikoto is giving out high-fives. Then they make a beeline for the current guilties to see how they can help.
Mahiru and Mikoto were always helpful to the others, but Fuuta surprises everyone by constantly checking in with the guilty prisoners. He remembers how much the verdict sucked and wants to try and help/prepare them as much as he can.
Red appears every once and a while to force people to take breaks when filming gets very involved/tiring. While Blue is pretty chill and cheery about everyone staying hydrated and getting good sleep, Red is a bit more serious with his approach.
I think with another innocent verdict and seeing everyone 'behind the scenes,' Kazui would finally, finally start opening up to people. I like to think, as Yuno starts filming another video about very comfortable with her sexuality, he approaches her first with the topic.
When given the chance to make phone calls, most of the prisoners choose the same people as before. Haruka doesn’t want to call anyone at first, but is glad when Muu forces him to call his sister. He’s by her side when she calls her parents. Mahiru remembers to call her parents first, telling them to pass along her well wishes to others. She got the verdict she was hoping for, but Amane can’t bring herself to call home.
The upcoming videos will likely be even more intense, but that just makes everyone band together more. They give each other confidence. They work extra hard to get silly goofy when it’s in good taste.
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Thoughts on Purgatory Day 4:
God what a fun day, and yet funnily enough a much more relaxed one.
It's gonna be interesting to see what the ramifications of blue's logout strat are gonna be because it's definitely going to be banned, but, from my understanding, blue used this strat to prove a point: that red's strategy was unfair.
Which is true, or at least I think it was true.
Personally, I feel like it was mostly unfair due to how difficult it used to be to get to global, but I feel like the admins have pretty fairly counteracted that and balanced things with today's introduction of the spawn portals.
Because with red's strat players HAD to physically travel to global and turn in the contracts within at least the last 30 minutes of gameplay. The portals now easily allow other teams to show up and at least put up a good fight, and we actually got to see how effective they are today with cellbit and charlie's assist they pulled for roier. If they had been just slightly quicker, green might've been able to steal back the win.
Which I think brings me to the other potentially unfair part of red's strat that I've seen be brought up which is that it isn't fair for streamers in European timezones/streamers who play earlier. Which is a fair criticism, but honestly I haven't personally been able to think of a way for the admins to balance the contracts around that without either: A) completely changing how contracts work, or B) unfairly punishing later streamers.
I think it's complicated, and I feel like the main thing that's gonna result from today isn't going to be them banning turning in tasks late but instead banning logging out right in front of the global NPCs. Knowing the admins, they'll probably figure out something I hadn't thought of and make the whole thing more fair for everyone.
Competition and lore wise, tomorrow is gonna be really interesting as well. A small alliance might be blooming between red and green and that might have massive ramifications going forward. That and I think (???????) that players might be getting their eggs tomorrow (?????). I know they described a period in which they had to keep them alive and the actual event ends on the 10th so I'm guessing they're arriving tomorrow. If they are, that shit is going to be crazy.
(Side note: It was also a delight to see teams casually hanging out more together today. As much as I enjoy the competition, I missed them all just chilling)
Overall, congrats blue on the win! Cheesy as fuck and they knew it but it was absolutely deserved! They worked their asses off! And green put up a hell of a fight! I hope they get their chance to win as well tomorrow!
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By the way, about LCSyS, how are you dealing with the whole 'Es plurality' situation? Because it is a central part of their character that gets brought up on multiple voice dramas and seems really difficult to remove. Also, it is implied that some of our judgements may be our if character for Es because they seem pretty uncertain about it. For example, some people including myself suspect that if Es wasn't controlled by the audience they would have voted Mahiru innocent because they appear somewhat fond of her and would probably have not jumped to stalker based on no evidence (kinda bullshit people thought that anyway but whatever). This was asked by someone who is insane about Es and thinks about them constantly, BTW.
Ah, well I appreciate an Es expert (Espert?) weighing in on it!! :D
Because that element is very central to both them and the plot, even if it hasn’t been fully explored yet. Like you said, there are a lot of events that rely on these “other” voices, some actions and decisions that they themself seem unsure of! Not to mention their own dialogue using a plural first person pronoun! I’m already trying to distance the au from the audience interaction element, so I’ve definitely kept my eye on the plural Es theory >:3
Since we have little to work with, I’ve tried to keep them pretty vague in the fic so far. They don’t appear in a lot of it because of plot reasons (everything is the same as canon to them, most of the time). And even in their pov chapter I try to steer thoughts and emotions directly to the prison. I only mention their identity near the end to make everyone say “Hmmmm we don't know who you are and neither do you!” Now, I'm prepared for three main options for endings: 1. There is a non-system, in-universe explanation for the voices. 2. The voices are directly confirmed as the audience. 3. Yamanka states that he hates me, personally, and doesn’t explain anything about Es. If it’s the first one, I’ll see how well it works into my fic and go from there! (If it’s overly supernatural/involves Es disappearing/dying, I might make some tweaks lmao. I’m committed to accuracy but this is a fix-it, at the end of the day.) For the second two, I plan on leaning into plural Es, with research and input from others to make the writing accurate 👍I’m hoping to go back revise earlier sections to drop more hints and make things consistent. I also want to write an epilogue once we get more context on the ending as a whole! Though, I guess they've already confirmed some feeling of plurality... maybe I add some lines in that last chapter now...
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