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deborahdeshoftim5779 · 3 years

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BBC Merlin 4x05: His Father’s Son

Here's a round-up of my main observations from BBC Merlin's "His Father's Son" (4x05).

1- MERLIN AS A KNIGHT

I have to admit that Merlin as a sorcerer and trusted adviser appeals to me the most, but I did write a lengthy post analysing how Arthur had turned Merlin into an excellent fighter. This refutes claims that Merlin gave more to Arthur than he received in return.

At the beginning of 4x05, we see Merlin selected to play a new role: that of knight. How did this come about? Arthur Pendragon is best known for his skills as a warrior, but he deserves more credit for his military tactics. These destroy the popular yet false idea that he is unintelligent. More on the latter in a forthcoming post.

One of Arthur’s favourite tactics is using decoys. Previous examples of him using decoys include: The Castle of Fyrien (3x07), when Arthur used Merlin as a decoy to entrap Cenred’s soldiers; Aithusa (4x04), when Arthur used himself as a decoy to get Sir Percival to safety; Arthur’s Bane Part 2 (5x02), when Arthur uses Merlin as a decoy to enrage the slave traders before they escape-- by far my favourite example.

All things considered, I don’t think it takes long for Arthur to choose Merlin. Furthermore, this decision may have taken place before they reached their selected location, as Agravaine later mentions a previous attack by Caerleon on the border. This choice demonstrates that Arthur has higher confidence in Merlin's abilities than he does of in his knights-- else he would have chosen them. We must conclude that Merlin is Arthur's best fighter, though at first glance, we wonder why an unarmed man follows trained knights into battle.

Merlin is sharp, fast, has high stamina, and is incredibly resourceful. Most of all, however, he is incredibly brave. In fact, when rewatching 1x02, I was surprised to see Arthur acknowledge that Merlin was "braver than you look." This despite Arthur’s frustration that Merlin did not try hard enough during practice ("Come on, Merlin: I've got a tournament to win!").

What’s more, in that same episode, Merlin complains about his first day, but later on, we see his fascination wth the ongoing tournament. Then he admitted to Gaius that working for Arthur (in the context of said tournament) "isn't totally horrible all the time." It took one day for him to change his opinion!

Sure, Merlin would continue to treat the fighting as pointless violence, and Arthur as having nothing more in his head than a desire to knock "the seven bells" out of other people (3x04). However, even in 1x02, when he applauds Arthur's fighting, his actions tell a different story. We associate this habit of liking something whilst pretending otherwise to Arthur, yet Merlin has it as well.

As I have said before, Merlin and Arthur have profound differences, yet are profoundly alike.

2- MERLIN AS A SERVANT

It comes as no surprise that Merlin would return to serving after the beginning of 4x05. However, what that change represents sets the tone for this entire episode: Arthur dismissing Merlin's counsel repeatedly in favour of listening to his uncle.

When Arthur says, "so please, stick to what you do know," you have to wonder whether Merlin remembered being entrusted with the role of knight. Now, Arthur puts him back in his place.

Here's another example: "My conscience is clean, which is more than I can say for my room, so just... do your job, will you?" Yet just yesterday, that job involved Merlin risking his life against enemy forces by dressing as a knight.

By the way, you can tell that Arthur doesn’t believe his own excuses, because he keeps using the passive voice to justify killing Caerleon: “...a show of strength was necessary… an example had to be made… My conscience is clean…”

Merlin’s face after Arthur claims he doesn’t need anyone is self-explanatory.

3- NEW THOUGHTS ON ANNIS

Is Queen Annis a good person? Actually, no.

First of all, she knows and approves of her husband invading foreign kingdoms to plunder their wealth. Such invasions naturally cost not only the lives of Arthur's men, but her own, too.

Furthermore, despite accepting Arthur's offer of a fight by single combat, she is prepared to cheat by enlisting Morgana's power. Perhaps if Arthur had died, too, she would have felt some remorse. Yet she still takes a monumental risk with Arthur's life in blatant violation of the knight's code. One has to wonder about her reaction had Camelot plotted against her armies in the same way.

Then we have Annis calmly ordering Merlin’s execution without giving him a chance to explain himself. The lack of emotion in her voice suggests she has done this before.

Speaking of cruelty, Annis’ champion seems to enjoy inflicting pain on his enemies, yet the Queen claims that he “served my husband well.” I dread to think what she means by “served”.

I will also note that Queen Annis disdains magic, referring to Morgana as “witch”. As I have said before, Uther did not begin prejudice against magic; sorcerers were disliked and feared elsewhere, too, including by those who disliked Uther. Many sorcerers caused this prejudice by engaging in manipulative, violent, and wicked deeds.

Examples include High Priestesses using Fomorrohs to enslave people’s minds (4x06); Cornelius Sigan using his power to change day into night and acquire vast wealth (2x01); sorcerers using special blades to murder people (3x04), and so on.

None of this takes away from Annis’ complexity, nor does it undermine her immense humility when she accepts defeat and withdraws from Camelot. After all, much of Annis' rage and desire for vengeance stems from intense grief over Caerleon's death, so we can assume her marriage was a happy one.

Forgiving the man who destroyed her domestic happiness (as well as leaving her people without a king) shows tremendous nobility on Annis’ part. I think Arthur sees that, for he is always humble and respectful before her.

4- LONG LIVE THE KING

Few people respect Arthur more than Merlin. So when he doesn’t join in with cries of “Long live the king!”, you know something is wrong.

5- CONTROL YOUR FEAR

Episode 4x03 has a hilarious scene where a drunk Arthur claims he isn’t even a little bit scared, because, “I’m a warrior. You learn to control your fear.” Then Arthur walks smack bang into a pillar. Never fails to make me laugh. Minus the drunkenness, Arthur was telling the truth about controlling his fear.

You can see this at least twice in this episode: first, when he sees how many men Annis has brought against Camelot, and secondly, when he sees the size of Annis’ giant. In both cases, Arthur harnesses his fear into determination, which is another sign of a great warrior.

Next up, we have a fascinating scene where Arthur watches his men joking by the fire. It's a great way of showing Arthur’s care for these men, as well as his guilt that impending war will end their lives. In a sense, Arthur has to control his fear yet again.

6- TRUST IN MERLIN

After the above scene, Gwaine asks Merlin if Arthur is all right, and the fact that Merlin can describe Arthur's feelings without even questioning the King once again shows the unique nature of their friendship. Merlin sees Arthur's expression, and he just knows. And Gwaine knows that, hence why he does not question the King himself.

Listen to the silence after Merlin's response. Nobody questions Merlin's judgement: they just reflect. Given the way Arthur has repeatedly dismissed Merlin's advance in favour of his uncle, I think he could have learned something from his own knights.

I wonder whether the knights would ask Merlin something about Arthur in this way, whenever the king was absent. In ancient kingdoms, kings had advisers, and in order to earn the monarch's favour, you spoke to the latter first. Did Merlin ever play that role for the knights?

7- MERLIN’S IDIOCY

Now, I have a problem with Merlin telling Arthur that 1)- he would have taken any other option but to face war with Annis, and 2)- his decision to kill Caerleon “was made in the best interests of Camelot.”

Sorry, but it wasn’t. Merlin knows that. I understand that he has to rally Arthur’s spirits so that they can win against Annis, but I am glad that Arthur knows full well he has done wrong. Both Merlin and many fans do not give Arthur enough credit for recognising his own errors.

However, even these foolishly optimistic statements pale in comparison to Merlin's reckless and self-righteous interference when Arthur negotiates with Queen Annis. I burst out laughing when he trips and falls headlong into the tent, a metaphor for his impetuousness.

Merlin eavesdrops outside Annis’ tent, gets caught (so he didn't conceal himself), and then has the audacity to say, “Sorry about this!” to Arthur! Not only that, he got angry over being called a “simple-minded fool”, when he couldn’t even walk in a straight line to follow the king, got himself caught and almost killed by enemy soldiers, and made Arthur look as though he were double-crossing Annis!

I completely agree with Arthur’s anger: “Oh, I was being kind, believe me: you almost got me killed in there!” Correct. Merlin simply could not trust that Arthur knew what he was doing, and decided to interfere. Instead of apologising for getting Arthur into trouble, Merlin remains on the defensive, claiming without evidence that Arthur was “doing a pretty good job of that yourself!”

This is untrue. Arthur surrendered himself to Annis’ men. The most injury he received was a slap. He asked a favour. That isn’t risking your life. In fact, Arthur was trying to save lives, and if Merlin had been listening properly (or just stayed in bed), he would have seen that. Only after Merlin’s sudden entrance did Arthur face serious danger from Annis.

Now, Merlin’s explanation for this is, “I’m your friend! I was looking out for you.” I don’t doubt it. But once again, Arthur is right: “I appreciate that in your very confused way, you’re only trying to help, but please: don’t do it again.”

Condescending? Of course. But this time it was Merlin who provoked him into this anger.

8- MORGANA

Despite all her power, Morgana still has to defer to non-magical kings and queens. After all, she requires their military assistance to take over Camelot.

You can also see how Queen Annis detects Morgana’s hatred, greed, self-righteousness, hypocrisy, and bloodlust. In one glance, Queen Annis begins questioning the wisdom of working with a sorceress she does not trust, not least on account of Morgana being a sorceress.

In fact, Arthur’s prowess as a warrior impresses her more: “You have as much to lose as I if Arthur wins…” Fascinating scene.

9- THANK YOU, OLD FRIEND

It’s ironic that arguably the best scene in 4x05 begins by showcasing Arthur’s cynicism. No guesses why Arthur did not tell Merlin about breaking off his relationship with Gwen earlier. That speaks volumes. If he had told Merlin, I think they would have had an argument similar to that of 4x11.

Only when Arthur realises that he may die does he ask Merlin to pass his ring onto Gwen with an apology. You can see the guilt etched onto his face as he refuses to make eye contact. Interestingly, Merlin does not ask any further questions.

Arthur’s entrusting Merlin to look after Gwen in the event of his death says a lot. For example, that ring is technically royal property, yet Arthur gives it to a servant for safe-keeping, rather than his next-of-kin, Agravaine. Despite claiming to need his uncle’s advice, Arthur will not trust Agravaine with such duties. Has Arthur made a medieval will or testament? Obviously, I have no idea, however, this episode already shows Arthur’s reliance on Merlin to deal with family matters.

Another interesting aspect to this scene is Merlin’s silence after Arthur makes an indisputable point. This dispels any idea that Merlin’s advice was always correct. On several occasions, Merlin had to defer to Arthur’s judgement, because he saw the truth and wisdom behind it. “I don’t know what will happen. But for the first time since I became king, I know in my heart I’ve made the right decision.”

Got to love Arthur’s half-amused, “You’re not about to start crying on me, are you?” He expects Merlin to be either in good spirits or confident, because that is how he, too, remains confident. Arthur is an optimist, yet Merlin becomes a pessimist, so the king must pull Merlin together with light and yet serious teasing.

Needless to say, Arthur calling Merlin “old friend” implies that they have been friends for a long time. So why do some fans still think that Arthur had trouble admitting that Merlin was his friend? Also, the word “old” in this context can imply reliability, constancy. Arthur chose that word to describe Merlin’s value, as well as the length of their friendship.

The great thing about Arthur is that while he makes some serious errors, when he does repent, he does so well. Not only does Arthur graciously thank Merlin for his concern, but he makes it clear to Agravaine that he relies on Merlin’s judgement prior to entering battle. This supports my earlier statement that Merlin is Arthur’s best fighter, as well as right-hand man; Arthur does not leave for the fight until Merlin has confirmed his readiness.

On top of this, Arthur later admits that he might be a cabbage head. “I should have listened to you, Merlin. Just this once, I think you were right-- even if you are the worst servant in the five kingdoms!”

By implication, Agravaine is wrong. Arthur won’t say that, of course, but we saw Merlin’s sound advice competing with Agravaine’s lies for this entire episode. We can only conclude that regardless of what he says, Arthur trusts Merlin more than members of his own family.

And this is a theme which will continue and grow for the remainder of Season 4.

FURTHER POINTS:

Merlin’s fighting skills

Paradoxes of Arthur and Merlin’s friendship

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murasaki-murasame · 7 years

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Yuri on Ice Rewatch: Episode 1

I’ve been planning to do this for a while now, and since the one-year anniversary has come around, I figured now would be a convenient time to start this rewatch. I know I might be a day early on this, but I don’t think I’d have time tomorrow to do this, so I’d rather do it now and get it up a day early than get it up a day late.

We’ll see how this turns out, but I at least want to use this rewatch to discuss my own personal history with this show, how it affected me while it was coming out, what the fandom was like at the time, etc. So this will probably be less of a review or anything like that, and more of a trip down memory lane for me as I revisit this show. Basically this is just my way of getting out all my feelings on this show, so keep that in mind.

I only decided yesterday to start this now as part of the anniversary rather than doing it sometime next year before the movie comes out, so this first post might be a little messy and unorganized, but I should get the hang of it soon enough.

My plan at the moment is to rewatch one episode a week, on each of their respective anniversary dates, for the next few months. If I can manage that. After that, I might try and do a cohesive review of the show as a whole, and I might do a post about my speculation regarding the movie. We’ll see.

I’ll put the rest under a cut since everything after this point ended up being like 3.6k words long and I think I spent like three hours on it.

Before I properly sit down and rewatch episode one, I want to talk for a bit about my history with the show before it aired, what my expectations were, etc.

I’ve more or less been with this show from the very start. I remember seeing the initial teaser image of the logo, and all of the proper trailers as they came out. I didn’t really think much about the teaser image when it came out, since I’m not really a huge fan of sports anime in general, I didn’t really have an interest in figure skating in particular, and I didn’t know much of anything about Sayo Yamamoto as a director. I’m pretty sure that after the teaser image came out, I started hearing vague whispers about how amazing Yamamoto was, and how great her shows were, so I decided pretty early on that I was probably going to watch it, even though I didn’t have much to go on.

Right from the start we all pretty much assumed that the show was going to be about female figure skaters. Partly because I’m pretty sure the logo was pink the first time we sure it, partly because Yamamoto was most well-known for doing shows about women, and partly because it had the word ‘yuri’ in the title. It was pretty obvious that that wasn’t actually what it meant, but damn if it didn’t stop people from making jokes about it. Though I guess it didn’t help that we also had Yuri Kuma Arashi from a few years before that did indeed use that exact meaning of the word in it’s title.

Then a few months or so later the trailers started coming out, and we got a better idea of what the show was actually about. And let me just say that the ‘yaoi on ice’ jokes stopped being funny the exact moment the first one was made. And they were definitely made immediately after the first trailer came out, way before the show even started.

At the time, the idea of it being about male figure skaters made me pretty immediately cautious, since sports anime has a pretty bad track record of shallow queerbaiting, and I didn’t really expect this show to be the one that finally delivered. It didn’t help that some of the scenes used in the trailers, like the lip-touching in episode three, didn’t quite come across well out of context.

I also want to take the time to mention that the season right before Yuri on Ice started, we had Battery: The Animation, which was basically like the polar opposite of YoI in terms of being a sports anime with a gay protagonist. It was just . . . not great. At all. It went a long way toward reaffirming my doubts about if the sports genre could ever do this sort of thing well, which made me even MORE apprehensive about YoI. I still have a bit of a grudge against it to this day, but it at least serves as a very convenient way for me to point out how ludicrous it is for anyone to act like any sports anime with a gay protagonist would be popular and successful, because that show sure as heck wasn’t. I should also point out that in the same season we had the Danganronpa 3 anime, and even though this is kinda sort of a spoiler, it had a pretty . . . depressing and not great depiction of a gay male character, so that was like a one-two punch of me getting pessimistic about the chances of ever getting good and happy gay rep out of the anime industry.

Either way, even in spite of that, the animation quality and the music from the trailers alone were enough to win me over and make me want to give it a try, even if I was bracing myself for disappointment.

Also, even though I don’t think I ended up watching it until way later, I highly recommend that any Yuri on Ice fans check out Endless Night, which was Sayo Yamamoto’s Animator Expo short film from a year or two ago. You can really tell how she was regaining her enthusiasm as a director by going all in on her love for figure skating. In hindsight it’s pretty interesting to consider that she probably did Endless Night when she had already begun working on Yuri on Ice as a concept and shopping it around. For the record, she also went on to do the opening sequence of Persona 5, which is another example of her putting her love of figure skating into her work.

Anyway I should probably actually sit down and watch the episode itself before I spend an hour on this whole beginning section alone. I think I’ll keep making these beginning sections for each post before I sit down and watch the episode itself, but they’ll hopefully be less lengthy than this one.

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OK let me just say first of all that I spent pretty much the entire episode choking up, and I was basically on the verge of tears during the entire ED sequence. I knew that rewatching this would be an emotional experience for me.

It’s kinda difficult to even put into words how much Yuri on Ice means to me as an individual, especially since I’d like to stick mostly to talking about this first episode alone. But I’ll at least say that it is undeniably the most personally meaningful piece of media I’ve ever encountered. It means the world to me. Before it aired, I had pretty much become resigned to the idea that, at least within the anime industry, the best representation I was going to get was some variation of the Bury Your Gays trope. I’ll probably get more into this later down the line, but I don’t think I even consciously realized exactly how much I needed something like this, since even outside of anime I’d never really experienced a story like this. And even when I started watching it, the full effect and realization of how meaningful it was to me was a gradual process that kept building up and up as the show continued to surpass my expectations, more or less culminating in episode ten.

Which is part of why I like the opening monologue of this episode on multiple levels. It obviously refers specifically to Yuri’s sense of unending surprise toward Viktor as a person [which obviously gains more and more context and weight as the show goes on], but it also matches the way that the show itself was an unending series of surprises for us as the audience. We had no idea what to expect from it, and it kept getting better and better.

It’s probably not even worth noting at this point that this rewatch series is going to mostly be focused on the romantic sub-plot in the show, because that’s the part I love the most. Obviously I love the entire show and all of it’s facets, but still. I guess my main point here is more that I won’t be talking that much about the sports aspect specifically, for the most part, since I have less of an interest in sports in general, and I’m not particularly well-versed in how figure skating works so I’d feel hesitant to talk about it much. I have immense respect and love for all of the people in the fandom who ARE actually into figure skating, though, either as fans or as athletes. Their insight into the show has been an invaluable resource for me. I might not be much of a sports fan in general, but having a greater understanding of how it works, by listening to what other people have been saying since the show started, has definitely added to my overall appreciation for the show as a whole.

Also, somewhat ironically, this is one of the episodes with the least to talk about romance-wise since Yuri and Viktor have like thirty seconds of shared screen-time in it, so I’m probably going to spend most of this post talking about other stuff. Mostly.

To start with, I love the animation and art across the show as a whole, but I think we can all agree that episode one is the peak in terms of animation quality. Not that the other episodes are badly animated in any real way, just that this episode really hits it out the park with some stunning sequences. There’s some wonderful bits of character animation in this episode, like Minako’s ballet move when she meets Yuri at the airport, or the cut of Hiroko running up to meet Yuri at the inn’s entrance, or Yuko being all bouncy and energetic. Not to mention really well-done close-up shots like the bathroom scene with Yuri and Yurio. I really like the heavily shaded and sharp style used in that scene.

But of course, the real stand-out piece of animation in this episode was definitely the joint Stammi Vicino performance, which is still one of my favourite scenes in the show. It’s incredibly well done. It’s a bit sad that none of the skating animation after this episode quite matches it, aside from maybe Welcome to the Madness, but I’m pretty sure that this sequence in this episode took several months to animate on it’s own, so I can’t exactly blame them for not keeping this level of quality once we started getting like five or six performances an episode.

One of the things that I remember surprising me the most about the show at first was how dynamic, energetic, fast-paced, and feel-good it was. With how relatively somber and slow the trailers were, and with the vague whispers I’d heard of Sayo Yamamoto being a cult classic director, I kinda got it into my head that the show would have a more . . . low-key atmosphere and sense of pacing than it actually did. I’m not sure how to describe it. In general I tend to think of obscure cult classic directors as the kinds of people who make things that are slow, psychological, moody, probably depressing, etc etc. So I was not at all expecting something as vibrant and fun and full of personality as what we got in this. I still think that the relentlessly feel-good vibe of the show is a huge reason why it struck so well with people. It doesn’t really get mentioned a lot, but it can be a surprisingly difficult concept to describe, at least in a way more detailed than just saying ‘fun things are fun’.

I also want to give a shout-out to the background art of the show, which is fantastic across the board for the entire show. I’m never really good at articulating my praise for stuff like this, but still. I think the show would have looked a lot different, and a lot worse, if it had more generic background art. Especially in terms of colour palette and shading and whatnot.

To this day, I still deeply appreciate the fact that this is a story about adult athletes who are high up in their respective field, and are struggling with adult problems. It helps to set it apart so much from most sports anime out there. Of course, even this sort of concept could be handled badly by a lesser production team, but you get what I mean. It’s a breath of fresh air. And, along the same lines, I also love that it’s clearly aimed at a more adult audience than a lot of other anime in general. It’s easy to not really think about it, because we kinda associate things ‘aimed at an adult audience’ with things that have lots of nudity or violence, but I think the idea still applies here. And even if it’s not handled quite the same as what we’d think of as ‘depictions of adult sexuality in television’, there’s still a whole lot of sexiness going on in this show.

Just to lay it out there, I honestly think that Yuri is one of my favourite fictional characters of all time, if not my absolute favourite. I have so many strong feelings about him. He’s absolutely wonderful. His entire character arc and personal journey is one of the most inspirational things I’ve seen in my life. And for a lot of reasons I just see a lot of myself in him, even though we’re very different people.

I don’t know where else to say this, so I guess I’ll just say here that it was his development and journey that inspired me to get into drawing, which I’d been putting off for years because I didn’t think I’d be good at it or enjoy it enough. I haven’t exactly done the best job at keeping up with it as a hobby, but over the last ten months or so I’ve nearly completed one sketchbook, so that’s something! I’ve only posted one drawing of mine thus far, but I plan to post more as time goes on. Probably mostly stuff to do with my OCs. I definitely want to do some proper Yuri on Ice fan art though in the future and post it here, and I’m still kinda sad I didn’t get any done by today, but I’ve been too busy lately to work on it, and I didn’t want to rush something out just to meet a certain important date. I’ll try and post some by the time I’ve done this rewatch, though.

Of course, that’s not the only thing this show has helped me with, on a personal level. I’ll probably get more into this over the rest of the rewatch, especially at the end, but this show really has become an emotional support for me. It’s helped me through a lot of dark places. I don’t know where I’d be without it.

One thing I want to get into is how incredibly different this episode feels in hindsight, now that I know what happens later. I’ve already rewatched it once, so it’s not a big surprise or anything, but still. The scenes with Viktor in particular feel very different when you know who he is as a person. When you know that he’s just a lonely, dissatisfied dude who wants to feel love and passion. The Stammi Vicino scene in particular is even more depressing and emotional when you understand that it’s basically a cry for help.

The fandom hypes up the episode ten twist and how it recontextualizes the entire show, and it really, REALLY does. It makes everything feel way different when you understand that Yuri was the one who asked Viktor to be his coach, and that he was the one who first enthralled Viktor by giving him a glimpse at a possible path to revitalizing his love of skating, and finding true, genuine love along the way. Of course Yuri was already enthralled by Viktor as an idolized god figure of sorts before that, but you get what I mean. The banquet was basically the first time they properly met as individuals. But I won’t go too deeply into the banquet scene just yet. I’ll save that for the episode ten post.

[Also I should probably admit that I still can’t quite remember if the banquet happens before or after the ‘commemorative photo’ scene. I know I should have the exact timeline of events there memorized, but it’s kinda foggy]

It’s also sorta interesting to look at Yurio’s whole attitude in hindsight, knowing that he always secretly admired Yuri and was angry at him because he knew he had so much potential and strength within him. But honestly, just to be blunt, I still don’t really care that much about Yurio’s character in general so this part is kinda vastly overshadowed by, uh, everything else, lol. I don’t really dislike Yurio or anything, I just think that he’s the least compelling or interesting of the major characters.

Before I get into shifting focus toward what the general audience reaction to this episode was, I should probably comment on the OP and ED a bit, since I haven’t yet. Personally I adore both of them. They’re wonderful. I still think that History Maker is one of the more iconic and memorable anime OP songs out there, and it never ceases to make me emotional. I still wish that the actual art and animation for the OP was more . . . interesting, though. The animation style is really good, but it suffers from a lot of noticeable recycling of animation, and the backgrounds are pretty flat and empty, although I still like the splashes of colour done at the start. I’m not entirely sure how I’d suggest improving the OP visually aside from doing it completely differently, though. But there are other Sayo Yamamoto OPs I prefer visually to this one. Like the more recent Kakegurui OP. I don’t really know if that OP’s style would have fit Yuri on Ice, but still. Even with my slight gripes about the visuals, I really can’t overstate how much I adore the song itself.

The ED is also really nice. It gets kinda overshadowed by the OP, but it’s still good on it’s own. The Instagram style is really effective and feels fresh and modern. The song itself is rather good, but not quite as memorable as History Maker. The real strong point of the ED is definitely the visual side of things. Other than the aforementioned Instagram style, I really love the images used. The assorted pictures of all the various skaters are nice, and help set up their characters pretty well, but the best part is definitely the fun, domestic scenes between Yuri and Viktor that are interspersed throughout the ED. They’re absolutely fantastic, and they’re the main reason why I have a desperate need for an entire OVA purely consisting of those sorts of scenes. I’m still internally screaming over how the scenes of them playing at the beach and them playing under the fountain were meant to be actual scenes, but were cut for time. I’d love to see what those scenes would have been like. Even the glimpses we got are wonderful, especially with how they help paint a broad picture of how happy and fun their daily lives were together, and how close they got over the course of the show. Especially after episode four or so. It just kills me in the best way possible, to think that stuff like them playing at the beach and being casually touchy-feely and just being happy and joyful was probably a completely normal daily thing for them. Not to mention the other little moments we see, like that one shot of Yuri smiling with his eyes closed while Viktor’s sitting behind him, combing his hair. It’s such a perfectly domestic and casually intimate little moment. It melts my heart every time I look at it. The more I think back on the entire show in hindsight, the more it rings true that Yuri really is the only one who gets to see Viktor’s hidden cute side. Considering that we see basically the entire show from Yuri’s POV, it’s easy to forget that basically everything about how Viktor acts around him is very different to how he is with other people.

Also I just wanna quickly say that the show’s soundtrack is fantastic. Both the background music and the skating songs. Though the skating songs are a bit more punchy and memorable. Just hearing Stammi Vicino still makes me tear up a bit.

Anyway, now I should probably touch a bit on the wider audience reaction to this episode. I won’t really have a lot to say on this end of things for this entire rewatch, since it’s kinda difficult to dig up the stuff people were saying a year ago, but still.

The most convenient links I can find to reactions are the Anime News Network Preview Guide post about the first episode, and the Reddit discussion thread for episode one.

The main point I want to make with this is that everyone pretty much immediately loved the show, and most people pretty much agreed that it was the best premiere of the Fall 2016 season. Which I agree with. It’s probably one of the best first episodes I’ve seen out of all the anime I’ve watched.

Though it’s also sorta amusing in hindsight to see people’s reactions to the homoeroticism and whatnot, and everyone’s apprehensions about how it’ll go in the long run. That is, just ‘cause at this point we know where it goes, and that it fully commits to itself. I don’t think anyone watching episode one expected that we’d end the show referring to Yuri and Viktor as fiances/husbands with no trace of irony or wishful thinking.

Anyway I should cut this short because it’s like 2am and my brain is gonna melt soon if I keep writing so yeah let’s just stop for now.

As I said before, I’m gonna try and get one episode/post done per week, so I’ll try and get my Episode 2 post out around this same time next week. I expect that most of the rest of these posts will be a whole lot shorter than this one, though, since there’s so much stuff I wanted to say right off the bat that I probably won’t need to go over again later. Some of these posts might actually be pretty short, depending on how much I can find to say about some of the more skating-dense episodes. We’ll see. I’ll try and at least stick to this schedule.

#murasaki rambles #yuri on ice #I was hoping to get some fan art done and posted today but that didn't work out #I'll try and get some done eventually #I hope I can stick to doing this for the next three months #it'll be a bit of a commitment #but I'm happy to finally have a good excuse to go crazy with gushing about my feelings about this show <3

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bartsugsy · 7 years

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I have a funny story about discovering Robron and a question for you. It was 2015 and my friends had been talking about an epic love story called Robron for months. When I was visiting them, we watched ED on telly. My first Robron scene was the infamous scrapyard scene. It's safe to say that Robert made quite the first impression that has been hard to shake. I was also pretty concerned about my friends idea of great love after that. But then Robert got shot. 1/3

2/3 and I have always loved murder mysteries. So when Robert was in coma, I had to watch his scenes (which included Aaron) on YT to find out who could be the shooter. And I fell in love with the characters and have been watching since then. It took a really long time to believe in their love though. But to my question. What made Robert say such horrible things to Aaron? Because even today I’d say that I have hardly ever heard anyone to be that gross.

3/3 I mean it’s in character for Robert to say something bad but that was so out of line. Robert told his lover that he finds his scars/body disgusting, he’s with him out of pity, he accused Aaron of murdering Jackson which was a really low blow and he basically told Aaron that he should kill himself, and saying something like that to a person who has tried to do that is just… Although it showed how well Robert knows Aaron but still to use that against someone who you ‘love’ is unforgivable.

anon oh my god that’s… possibly the worst possible first impression you could get oh my godddddd.

to be brutally honest, i hate the scrapyard scene more than any other scene in existence and it did its job of making me root for robert to get shot lmao. which is sort of the point, so no one can say it isn’t effective at its job.

it is… possibly the one thing i have no idea how to talk about. it exists, it was written as part of a larger series of scenes that were there to make us believe that all these people would genuinely want to shoot robert and i sort of… ok, you know what, i’m going by memory here more than rewatching this scene in context so heads up i may be remembering this in a way that won’t actually reflect how i feel when i continue my rewatch (which will be soon, in fairness) but… i appreciate this scene in the sense that i think…

robert has pretty much just said fuck it at this point, he’s lost everything and everyone and he’s in full on self destruct mode and as we know, self-destruct mode for robert is that all his jagged edges come out and he basically works on taking everyone in a thirty mile radius down with him. he knows aaron so deeply so he knows how to hurt aaron, knows where aaron’s vulnerable spots are - aaron who he still has all of this pent up frustration over. aaron who ruined robert’s life by being the person who robert never intended or wanted to fall in love with, but fell in love with anyway.

like…. it’s the fucking worst. robert is at one of his worst points. like. rock bottom for robert is ugly, it’s so ugly. it’s also what gets him into the worst fucking situations. we have here, robert taking everyone down and getting himself shot for it (and obviously now more recently, we have rob dealing with rebecca’s pregnancy as a result of him hitting rock bottom and once again blindly trying to hurt aaron because he had no other way to process his feelings at that point.)

i actually appreciate that part of his characterisation. that part you can’t even paint as 'not great but it’s ok’. it’s just ugly. it’s not a good quality to have and it’s not something that people should want to see in their faves. but i like it because human beings are ugly, you know? it’s just that usually characters hit a point where they go from 'not perfect but still a good character’ to 'it’s gone too far, no longer a good person’ and that’s when people stop liking characters, which is fair. robert i think slides across that line a number of times but i hardcore relate to that in a really uncomfortable way, so i like it? this is my opinion anyways.

like. it makes robert that bit less ~likeable~ but makes him so much more interesting and human. does that make sense? i don’t know if everyone will agree with me but… you can love a character who you don’t always like. you don’t need to like a character all the time to want to see more of them or understand them. i don’t need to like everything about who robert is for him to be my fave. a hell of a lot of people do not watch tv in this way though, which is fine. again, this is just me.

idk i am genuinely not the person to come to if you want me to explain how robert can treat someone he loves in that way, because my answer is genuinely that i think the dark sides of his character that canonically exist are not good sides and the morally grey parts of him can slide right into genuine immorality and as much as i enjoy delving into why that happens and when that happens and making him more complex human less evil cartoon character, i still don’t have any desire to pretend that some of the shit he does or has done is in any way ok or acceptable and i think that those particular character flaws are horrible. fascinating, but really horrible. i do also find them sort of perversely comforting, though.

in terms of whether or not what robert did is unforgivable… i mean, in real life, yes, but in a soap? depends on how well they write the redemption? there’s very few things a character can’t come back from in a soap (but there are things and it’s important for writers to know the lines, but that’s… another post entirely lmao).

sigh remember when i said i didn’t know how to talk about this 😂 i hate me. ANYWAY tl;dr i would genuinely dislike robert as a person irl but as a fictional character he’s one of the most interesting and fun and dramatic ones i know and i love him. even if sometimes i really don’t like him. i think it’s probably right that he’s so polarising - it all depends on how much you want or need to like the fictional characters you love 😂 also i don’t think this answered your post properly but i don’t know how to get back on track. i’m sorry for the ridiculous word vomit. also i’m still screaming that the first robron scene you ever saw was this one. literally just… incredibly bad luck 😂

#long post #jfc #how polarising will this post be...#ed #answering anons #emmerdale meta

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