random tokrev rant ahead !!

when i first started this blog it was going to be for random shitposts, groupchats once in a while, and mostly tokrev analysis but i was so scared of discourse that i just chose to do the funnier stuff 😭. when tokrev was at it's peak i'd be reading 20k+ words of analysis and it was so fun!! but i felt like i couldn't word what i wanted to say properly so that discouraged me but i wish i'd ignored that because there would have been at least one person who understood what i was saying yk?

is no one gonna talk about how ed knows izzy by the smell of his rotting flesh

WoL Think Thonkers

#1 Where is your Warrior of Light from? What was their home like growing up and what set them out on their journey?

Tsuna was born sometime in 1545, 7 years before the fall of Doma. Once she was old enough, she often helped her mother in the shop due to her father being away on sea voyages more often than not.

Her mother was kind but strict-- guilty of imparting onto her child the ideals of her people who shunned the outside world, and avoided conflict at all cost. Tsuna grew up on her bedtime stories of the world beneath the waves, and of the Ruby Prince-- a half-Au Ra man who was born without scales. Their village in Yanxia was fond of her mother, and helped her raise her only child.

When Doma fell, and the Court was dissolved, its servants and the surrounding villagers were displaced or taken as conscripts.

Left without a mother, and her father missing, Tsuna was smuggled into Kugane by a family friend where she would be taken in by an Okiya inside the Sanjo Hanamachi as a perceived orphan. For thirteen years she trained as a maiko, and graduated at twenty.

She threw it all away after being asked to entertain a couple of Garlean soldiers from the embassy. Sometime during the evening, she received her first Echo-- flashing back to the day her mother was taken away. The same soldier who broke into their village home was sitting next to her.

She killed him in a crime of passion. The second life she took was self-defense. The crime forced her to flee or face persecution, (not to mention the political implications of a citizen of the neutral facing Kugane committing a crime against the embassy) and so she fled onto the first boat that would take her-- to Eorzea.

4x02 Fallen Stars

Hmmmmmmmm.

The tragedy about the conflict of s3…

… Is that neither of them wanted it.

Okay, Neal kinda wanted it, I’m sure. Temptation. But he didn’t act on it, and he didn’t want it like this. Neal’s fault in this is that he could have walked away or said something at any point after, but he didn’t want to be in this situation. Mozzie forced him into it.

Peter sure as hell didn’t want it either. You can tell by how he either freezes up or get uncharacteristically emotional whenever it’s brought up. Esp by this point he genuinely cares deeply about Neal and wants him to get clean. The three things Peter loves most in the world are literally El, the law, and Neal at this point. He’s full on adopted this kid. He wants to be wrong, but he can’t compromise his belief in the laws and the system and the truth to not pursue it. He hates it, it takes so much out of him, and I think seeing Neal be hurt by his suspicions makes it all the worse, but this is Peter, finding the truth is who he is. S1 and 2 were slowly building the trust and relationship between them, and from Peter’s perspective, Neal may have just completely destroyed that. Thrown away everything he thought they had, and Peter’s attempts to help him go straight. But as much as it hurts him, he keeps the painting scrap out of evidence bc he wants to know first. He doesn’t want it to go on record and to have the whole Bureau come down on Neal. Despite himself he still wants to give the kid a modicum of chance—he also shows awareness that it could have been Mozzie or Alex.

And like I said above, Neal hates it, too. And not just being under suspicion again. At first, having Peter, the one person he completely trusts, accusing him, from his perspective, out of the blue after he just nearly got shot, after Peter just killed a man to protect him… Like that clearly just breaks his heart. Even during the opening interrogation, when he’s calmed down some, he’s still got that wounded look in his eyes—although I think he’s also clocking Peter’s unhappiness by that point bc it’s less offended and just sad. By that point he knows the treasure survived, but he does know he didn’t do it. He’s hurt by Peter’s suspicion of him but now he knows there’s a reason to be suspicious and he is hiding something.  But even after he finds out that Mozzie did it… Even from the onset, he’s not quite truly happy. And even though he knows it’s now justified, that there’s very possibly evidence connecting it to him/them… Even though he goes along at first… You can tell there’s something off. Old Neal would be much more excited, not hesitating and looking vaguely shell shocked. And I think when he finds out it was Mozzie and that Mozzie took it ‘for them,’ he feels like he has betrayed Peter. He gets visibly more awkward about deflecting, which I think is actually honest as opposed to a deception. He’s letting his real emotions dictate his behaviour—he’s genuinely hurt by Peter’s suspicion, he genuinely cares what Peter thinks, he’s genuinely uncomfortable with his new position. But even after all of it, Neal instantly realises that Peter is still protecting him by w/holding the painting scrap—and I think that realisation is the stepping stone for his character development the rest of the season, bc in that moment, he realises he hasn’t wholly lost Peter, and not in a ‘I can still play him way.’ In a ‘thank god he doesn’t hate me now’ way, bc Neal doesn’t want Peter to hate him, he never did, and he esp doesn’t now. As early as s1 he didn’t want to let him down, and now he feels like Peter’s completely cut him off—only to be given that one bit of hope for making things better. Which is what makes him believe in everything else.

Neither of them wanted to be put at odds like this.

also as we are on the topic, this is my personal prediction for what the leader board is gonna look like when this is all over

14. Jimmy

13. Skizz

12. Joel

11. Etho

10. Bdubs

9. Scar (I'm hesitant about what order to put Bdubs and Scar in though)

8. BigB

7. Grian

6. Tango

5. Cleo

4. Pearl

And then top 3 being Martyn, Scott, and Impulse. I honestly can't say which of them would win. If Scott's still got the most time, it'll probably be Martyn (I think he and Scott would team up to kill Impulse and then Scott would give his time to Martyn, or Impulse would kill Scott and Martyn would kill him). If the rest of the server has fucking focused on taking Scott down (PLEASE) and they're all on the same level, I think Impulse could take them out, especially if one of them is particularly low and gives the other their time in hopes they win.

It’s Haven anon and I finished the show and gotta say wtf my poor criminal baby Duke!! Never ever ever getting over season 1 Nathan getting the guard tattoo to “be on the approved list” to kill Duke and when the times comes he straight up refuses to do it until Audrey and Duke are both like we gotta do this. Also “we love you” ???! Am I supposed to be normal after that scene???

Oh my god I KNOW. I really do wonder how much they planned this show out because it seems awfully convenient that Nathan got the tattoo and then had to be the one to kill Duke in the end, unless that was the plan from the getgo in which case AAAAAAA. But yeah, I hate to break it to you but there is no going back from this, you're stuck in this hell with me forever ahahhaHAA

If I had more money than I'd ever spend in a lifetime, I'd spend my life operating a pizzeria at a loss. Something with the slogan of "it ain't italian but you're hungry" - and a statement of how this is not authentic italian pizza because the owner's estranged aunt's italian ex-husband would not serve pizza in his italian restaurant because as far as he was concerned, a pizza is the "just throw that shit together" dish that you make out of leftovers, and he would not serve that to paying customers even if they wanted it. True story btw.

But I'd just like to run a place where the staff is allowed to tell rude customers to fuck off. And if they're scared to do that, they can summon me downstairs to do it myself (this fantasy involves having my own apartment upstairs of the restaurant), because you don't fucking disrespect my staff like that. Develop a reputation as a place where You'd Better Act Yourself or you get nothing, which elevates the quality of the food in peoples' minds because it's human to assume that more work=more worth, and if a pizza place can afford to simply throw rude customers out, that clearly must mean that the food is just that good that going back is worth it anyway.

Hiring enough people to get the work done in a leisurely pace and occasionally have the time to chat with each other or customers. You just do the job I gave you in the time I gave you, don't steal anything and don't watch porn off your phone anywhere where the customers can see you, you're good. Don't care if you quit school at 16 if you can still mop floor. Don't care if you've been to prison because you killed some guy, as long as you're not doing that here. Don't care if you deal drugs on your free time as long as you don't bring your business to your day job. This place is exclusively for pizza business.

Have an item on the menu called "random pizza" - and if you order that one, they'll just throw in a mix of whatever ingredients we've got too much of, like if the bell peppers gotta be used before they go bad, every single random pizza is going to have them until they're either gone or need to get tossed. If you've got dietary restrictions or allergies, you gotta specify that while ordering, because other than that, random pizza is just whatever ingredients we need to get rid of. Surplus ingredients du jour.

Building a reputation as a place that's somehow simultaneously sketchy as hell but also remarkably high quality, getting five star restaurant customer service from a waiter with blue hair and stick-n-poke tattoos, there's a homeless guy at the back of the kitchen eating an order that nobody picked up, every surface is spotless and no matter how important of a suit-and-tie you are, if you won't behave yourself the owner will personally physically fight you.

Pacific Rim Dashboard Simulator

🙇‍♀️ alphamycherno Follow

i don't know about this "let's build a wall" thing like. where's the sexiness? the vibes? what's the point of war if we don't even have hot people in big fuckass robots anymore

🎴 coyote-t Follow

there are so many legitimate, important reasons to protest the wall of life, but whatever it takes i guess. sure. it's not fuckable enough

5,345 notes

🐉 exxxtraterrestrial Follow

happy kaiju blue monday!!

#happy kaiju blue monday

137,294 notes

🦅 ppdc-confessions

Anonymous asked:

I'm a janitor at the HK shatterdome and certain two german scientists should either fuck or finally kill each other at this point, I don't care. They're always in the lab no matter the time of day so I can't avoid them and so they try to get me (the janitor) to choose sides in their domestics!! I refuse to step in that lab again and involve myself in whatever the fuck they've got going on. They'll just have to clean that shit themselves

#this is the third confession about these scientists this week are you guys okay

306 notes

🍱 scissure

are we forgetting that PPDC is literally military like you people are not immune to propaganda

☠ buena-guy Follow

You are right. The kaiju are here to bring us to justice, there's no sense in fighting them. If you also feel like this, you can find out more on my blog ❤

🍱 scissure

SILENCE, CULTIST

870 notes

💃 shatterdo-me Follow

what if we kissed in the drift 🥺👉👈 and we were both girls 😳

#ok but for real what do you mean i have to go get into the MILITARY to become a JAEGER PILOT if i want to find my SOULMATE this is so fucked up #release the tech #for the gays

38,563 notes

unironically the best friendships are between a gay man and a lesbian the bond is unbreakable

There's a scene in Fallout: New Vegas that I find really interesting in how it uses skill checks in dialogue. A merchant company, the Crimson Caravan, want to buy out one of their rivals, Cassidy Caravans, and they hire the player character to negotiate the deal. The player has likely already met the rival company's owner, Rose of Sharon Cassidy, by this point - in fact, it's entirely possible that she suggested they ask the Crimson Caravan for work in the first place.

Cass is propping up the bar at a truck stop on the border near the game's opening area. She's heard that her caravan has been destroyed in her absence - her employees killed and their wagons burned in an attack on the road - but she can't investigate because of a bureaucratic hold-up. The man in charge of the border post, Ranger Jackson, has halted all commercial traffic across the border because of dangers on the roads - wild animals, bandits, and enemy soldiers - that the authorities are struggling to get under control.

When the player brings the Crimson Caravan's offer to Cass, she refuses on principle. Her business may have effectively been destroyed, but she's too proud and too stubborn to sell her surname for any number of messes of pottage. Convincing her requires that the player employs one of either their Speech or Barter skills - there are two options for each, requiring either moderate or high investments of skill points. Skill and Barter are the game's two Charisma-based skills, and it's not uncommon for them to appear side-by-side like this, but here, they diverge in application.

The easier Speech option is simple - the player just reminds Cass that, if she sells the business, she won't be commercial traffic anymore, so she'll be able to get across the border. She's itching to get on the road again, so this convinces her. (She will ask the player to help Jackson clear the roads for the benefit of her fellow merchants, but this is a very simple quest that they likely already completed hours ago.)

The more challenging Speech check is to tell Cass that there's no way her business can survive, so it's her duty to do the merciful thing - shoot it in the head, bury it, and move on with her life. This, naturally, brings her close to socking the player in the jaw, but she sees the truth in it. She's been holding onto the forlorn hope that there might be something left to save, but she really has lost everything. This bypasses Jackson's quest - she just wants to walk out and not look back.

The Barter options approach things differently - from the Speech options, and from each other. The more challenging one involves making some sport of the offer, challenging Cass to a drinking contest. The player has to supply the booze, and they run the risk of getting embarrassingly drunk if their Endurance stat is too low, but, either way, this will impress Cass enough that she'll sign the contract.

The easier Barter option, though, is, I think, the most interesting. It requires the player to sweeten the deal with their own money - a not insubstantial amount of it, in fact. Cass is still hesitant, though, which allows the player to make a very interesting point. With the money from the Crimson Caravan plus the player's contribution, she'd have enough to restart her business - buy new animals and equipment, hire a new crew, start trading again.

Further, the player can point out that the Crimson Caravan are unlikely to continue using the 'Cassidy Caravans' name after buying it. They're only buying her out to try to monopolise local trade, after all. If they don't use the name, they'll forfeit their rights to it - meaning that Cass can, as she puts it, take their money, give them nothing, and go back to running her business as if the attack never happened.

Cass, naturally, accepts this offer, though she's staggered that the player is so willing to sell out their employers to help her like this. (The player needn't feel any moral misgivings about doing so. A little investigation reveals that the attack on Cass's business was actually engineered by the Crimson Caravan themselves, in collusion with a crime family, in a conspiracy to wipe out their competition.)

I think this entire interaction represents how well New Vegas uses skill checks. Barter, in RPGs, is often a very barebones skill. Its use is letting the player earn more and spend less - as part of an equation determining shop prices, or in dialogue options that boil down to asking for money. It's not uncommon for Speech to be the skill of the peaceful, benevolent diplomat, while Barter is for common mercenaries.

Here, though, the Barter options actually cost more than their Speech equivalents. The player ends up out of pocket for a sizable chunk of change or at least a lot of booze. Instead, the Barter skill represents the character's understanding of common business practices and relevant laws. It allows them to convince Cass to accept a deal by finding a loophole that benefits her more than if she refused.

The equivalent Speech options, meanwhile, are effectively free, but do involve making Cass feel that little bit worse. They emphasise what she's lost, how trapped she is by her circumstances, and convince her to give up and let the Crimson Caravan win. In the long run, this doesn't make a real difference - once she leaves the outpost, she and the player can discover the conspiracy and get their revenge either way - but I think the choice does let the player say something about their character.

Part of the brilliance of this game is how little details, like Cass being stuck at the outpost, tie into other details all across the story. Caravan traffic is halted, in part, because deathclaws have nested near the roads to the north. They've nested there because the local quarry has ceased operations - the noise caused by the digging and blasting had previously scared them off.

The quarry closed down because escaped convicts raided it and stole the workers' stash of mining explosives. The convicts escaped because the government was using them for forced labour on the railroads, and foolishly entrusted them with enough dynamite to stage an uprising, seize control of the prison, and turn it into a fortress and a base of operations for banditry.

Similarly, the threads of Cass's story spread outwards, ultimately affecting the entire future of New California. When she learns that the Crimson Caravan and their allies killed her friends, Cass is furious. She wants to march over there and beat the snot out of the people responsible. The player can convince her to instead settle things legally - get proof of their crimes, pass them on to Ranger Jackson, and hope the justice system gets revenge for her.

If Cass does things her way, the criminals pay with their lives, but their bosses end up better off for it. With their regional execs murdered, the trading companies can claim that the government isn't doing enough to protect them - so, they don't have to support the government's interests, either. They withdraw trade, demand special treatment, and end up making their shortfall everyone's problem.

If the legal option is pursued, though, the evidence becomes blackmail material. The government has the trading companies over a barrel, and that lets them pass stricter trade laws. Given the choice of accepting regulation or facing criminal investigation, the crooked execs choose to stay out of jail. Those responsible for the murders technically avoid justice, but their hopes of a monopoly are dashed - and their superiors are unlikely to be pleased with them having hurt long-term profits so badly.

Cass's story is political and economical all the way through. It's about the influence of wealth on government, and the fundamental injustices of the carceral system. It's about revenge, and reform, and how to hit people where it hurts - their bottom line. And it's about how, sometimes, skills in an RPG aren't about making numbers go up - they're about how a character understands the world around them, and how they can apply that understanding to help someone out of a jam, or help reshape the trade lines of a whole nation.

I'm new to this blog, what's dream lamb and dream narinder?? They're cool but I do not understand I wish to comprehend

Dream Lamb (And Dream Narinder) is exactly as the name implies; dream versions of the counterpart that only appears within Narinder's (Or Lambert's) dreams at night.

They are a visual manifestation of the subconscious, they are not real individuals. They can reflect what Narinder/Lamb's true feelings are about something/someone, or torment them about things that they perceive to be true.

One example is that Dream Lamb often makes Narinder remember how fondly he thinks of the Lamb ("You think of them so poetically" + all prior friendship he had with them in the gateway) or pointing out how his words contradict his actions; behaving and believing them to be a traitor and insufferable but doing things of his own will (resurrecting the crab, not killing their flock because it makes them upset, allowing Leshy to live, ect ect).

Dream Lamb ALSO points out the complicated feelings with his siblings; ie reminding him of how he used to help raise his youngers, and the mixture of emotions he feels towards individuals who he claims he despises.

Dream Narinder (Who is not into written form yet and is only in comic form as of this post) who instead of tormenting the dreamer with confrontation of feelings being denied, instead sews doubt and guilt. The Lamb feels even though they stayed true to themselves, they cannot help but feel like their perceived betrayal has damaged the friendship between them and Narinder beyond repair. Despite that grief for the loss of friendship, they'll accept what little companionship they can have from their best friend left over.

Dream Narinder fuels on this, often echoing their worst fears and worries ('You've done a good job as my vessel, so I no longer have a need for you.") So he acts non-nonchalant and often mocking/teasing, or even indulgent with the acknowledgment that none of it is real. Where as Dream Lamb confronts Narinder with feelings he's wanting to push back, Dream Narinder goes the opposite route, and calmly and casually reinforces what they believe to be the reality.

Dream Lamb represents Denial of the Truth, While Dream Narinder is the Acceptance of a Lie.

However,

Because they are corrupted visuals of the subconscious, but still their subconscious nonetheless, this means that these behaviors can change or be different depending on how the dreamer thinks/feels, and how they're processing their emotions in relation to something. Especially when they're confronting it.

In other words, the closer Narinder gets to accepting his feelings and understanding the Lamb's reasoning for their 'betrayal', and the closer the Lamb gets to realizing Narinder's care for them still persists, the more accurate and truer the dreams become.

Like in this comic, where Dream Narinder is tormenting the Lamb, but after their snap back that Narinder would not say something so cruel to them, despite his outward attitude, they are practically rewarded with a praise for it.

For Dream Narinder specifically, his eye remains closed....but opens a little more the closer and closer the Lamb gets to believing how Narinder truly feels about them, whether the real cat has accepted it or not.

As for Dream Lamb, they go from being very aggressive about their confrontation to something more docile, eventually as Narinder starts to process everything.

Another thing: the Dreams are linked. Not always, but they have to be on the same...wavelength for it. An understanding, perhaps. But they do affect each other, sometimes.

The dreams can be nice too, depending. That's why they're not always nightmarish. Meaning, with enough push and pull, eventually:

Why all of this dream and nightmare stuff is happening? Yet to be revealed.

Remember guys if you avoid your feelings in real life they might hunt you down in your dreams, and possibly bluetooth you to the object of your affections dreams as well if you're nice about it

the first chapter of Moby Dick rewritten in tiresome modern idiom

CHAPTER 1. Loomings.

Call me Ishmael. Some years ago - it's none of your business how many - being mostly broke, and bored with the land part of the world, I thought I would sail around a little and look at the watery part of the world. I'm probably the most mentally healthy person you know. Whenever I feel my face getting grim; whenever it is a damp, drizzly November in my soul; whenever I find myself accidentally reading the ads in the window of funeral homes, and following funeral processions through traffic; and especially when I'm hangry, and only my extremely strong moral principles stop me from deliberately going out in public and methodically slapping people's earbuds out - then I know it's high time to get to sea, ASAP. This is my substitute for getting in fights. I'm too mentally healthy to kill myself; I quietly and considerately put myself on a ship and sail myself away instead. There is nothing surprising in this. Everyone feels exactly the same way, and if they don't, they're lying.

You think I'm lying? Exhibit A: a city. Go to your local coastal city. Everyone is looking at the water. They drive over from other neighborhoods just to come to the water. They make a day of it. They're not doing anything, they're just staring at the ocean. Why? Is it because they all work office jobs? No! Here come more of them! They cram themselves up to the edge of the water and stare at it. WHAT DO THEY WANT? WHAT ARE THEY LOOKING AT. Perhaps the ships themselves all packed together, each one with several compasses on it, creates some kind of critical mass - all of the small compass-magnets on all the ships in the harbor combining into one really big magnetic field - and the people get sucked into the field and trapped there. That's science.

Exhibit 2: the countryside with lakes in it. Every path you follow in the countryside brings you to some water, such as a stream. There is magic in it. If you take your standard fool with ADHD dissociating in the middle of a supermarket and put them outside and give them a shove, they'll automatically lead you to water (if there is any nearby) (try it). Another good experiment to try is to get lost in the great American desert in a caravan supplied with a metaphysical professor! Try it in the great American desert at home!

Yes, as everyone knows, meditation and water are a match made in heaven. Married forever. That's science.

Here's an artist who wants to paint you the dreamiest, most enchanting landscape. What does he put in it? Trees, meadow, cows, a cottage with smoke coming from the chimney, obviously. He will probably put a path in it and make lots of triangular mountains in rows and have them be different shades of blue (naturally.) But there's gotta be a stream in it. Go visit the prairies in June, and wade for forty miles through knee-deep through tiger lilies. What's missing from this picture? Water!

If Niagara Falls was made of sand instead of water, would you travel your thousand miles to see it? Why would a guy given a handful of cash have trouble deciding whether to buy a coat (which he needed) or go to the beach? Why are all the best, healthiest, sexiest and most mentally healthy people obsessed with the sea? (You get me.) When you were first on a boat, did you not succumb to VIBES? Consider ancient Persia. Consider ancient Greece. They understood about vibes, and also gods.

SURELY ALL OF THIS IS NOT WITHOUT MEANING.

And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all! You get me! You understand it now.

Now, when I say that I am in the habit of going to sea whenever I get weird, don't you dare imply that I buy a ticket and get on a boat. I have never had money in my life. How dare you. Anyway I don't go as a passenger - that's bougie, and something boring people do. Passengers never have a good time. And although my C.V. is incredible - I go to sea SO MUCH, you guys, I have lots of experience - I don't go as a boss, or a cook. That sounds like far too much work. Hard work. Disgusting, respectable, bougie, and far too responsible. I can literally only look after myself. Do not ask me to look after ships or shit. In fact, I have only a vague idea of what a ship is. There's so many different kinds of ships - don't get me started and DO NOT GET INVOLVED. Also, I'm allergic to glory.

It's kind of attractive to go as a cook. I mean, I'm allergic to glory and there's some glory attached to the position of the ship's cook, but, like, you're not management-track and so it's still credible. But I don't really want to cook (say) roast chicken. I really fucking love to eat roast chicken. I'm one of the best at doing it actually. I really appreciate when people go out of their way to butter, season, baste and roast a chicken for me. Picture a roast chicken and I am Looking Respectfully at it. Maybe something more, maybe I'm worshipping it. Don't make this weird. If you want to get weird about my relationship with roasted chicken, why aren't you getting weird about the ancient Egyptians? They ate roasted hippos (look it up) and the pyramids were basically pizza ovens. So it's pretty hypocritical to think that I'm being weird about roasted chicken when I've never made mummies out of chickens or built a religious pizza oven dedicated to honoring them: check and mate, haters.

Anyway - I like to go to sea as a manual laborer. A simple sailor. Salt of the earth… er… sea. Yeah, true: as a job it sucks. They make you jump around, order you around, treat you like shit. They expect you to jump around the boat like a grasshopper. And yes, at first, this sucks. It's degrading, especially if you come from a middle-class family. Worse, it's awful if you've already had some kind of professional job before signing on to be the dirt on the boss's boots - like, if you went to college and worked as a teacher and actually got kids to pay attention to you, really feeling this connection to work/teaching/identity or some shit, and now you are just literally the scum on this captain's boots, in the lowest possible job in the world. It hurts! It hurts your dignity. But the hurt, and also the dignity, both wear off in time.

So what if some old bastard sea captain orders me - ME! - to get a broom and sweep down the decks? What does that indignity amount to, compared to the shit in the Bible, compared to the shit in the news, compared to the shit everyone else has to take. Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain’t a slave? Tell me that. We're all just serfs under capitalism, right, so why not just be honest about it: I prefer the honesty. Anyway, however the old sea captains may order me about - slapping and punching of course - I have the satisfaction of knowing that it's the same experience everyone else on Earth has, but more honest. Everyone else in the world is being served the exact same way. Either in a physical or a metaphysical way - sometimes people get the shit beaten out of them in person, sometimes online, sometimes emotionally, it happens to you in EVERY JOB, you sign on to get pushed around and slapped in the teeth: so the point is that when you're a sailor, it's a clean and honest slap. All the workers of the world share the same universal slap to the face that gets passed round, one slap passed all 'round the chain, like paying it forward, but it's a slap; and we should all accept this Universal Slap as the price of living, and then offer each other healing back massages, brother to brother, and slap each other and then kissed the places we slapped, and be happy.

I could examine that but I'm not going to.

Anyway: I always go to sea as a sailor. I've said that already. You're welcome. BUT THE POINT IS, they pay you. If you're a passenger, they don't pay you, at least, not that I've ever heard of [citation needed] (do they pay passengers?? Is there a job I can get where I can be a passenger and get paid?? Look this up.) Yeah so passengers have to pay. And there is all the difference in the world between paying and being paid. The act of paying is perhaps the most uncomfortable infliction that the two orchard thieves entailed upon us. (That's Adam and Eve. You get it.) But BEING PAID. GETTING PAID IS THE BEST. NOTHING COMPARES TO GETTING PAID. EVERYONE LOVES THAT SHIT. Which is surprising, since we also apparently believe that money is the root of all evil, and isn't there something in the bible about "no rich people can get into heaven," right? And yet it's universal, literally everyone loves payday. Ah! How cheerfully we send ourselves to hell.

Finally, I always go to sea as a sailor (I've said this already) because it's FRESH AIR AND EXERCISE. Okay so think about ships. Normally, bosses stand on the "bridge" thing, and because we're sailing a boat, the nose is going into the wind and the butt part of the boat is at the back. That's how wind works. But if you think about it, winds usually go in one direction more than other directions (unless the men have been eating beans and farting: it's Pythagoras, look it up) SO if you're a boss standing on the boss-deck, the wind is blowing FROM the sailors TOWARDS you, and YOU ARE ACTUALLY BREATHING THE AIR THAT SAILORS ALREADY BREATHED. The boss THINKS he breathes it first, but he doesn't. He gets the air at the BACK of the boat and sailors get the air at the FRONT. So it's better to be at the front of the boat (sailor) for health reasons. This is a metaphor for life and work, etc.

But I have smelled the sea lots of times as a paid sailor and WHY I should decide to go on a whaling expedition - ok so you know how there's an invisible police officer of the Fates who has me under constant surveillance, who secretly dogs me, and influences me in some unaccountable way? YOU get me. You know him. "The poor FBI agent tasked with reading my search engine history" YOU GET ME. Anyway, "Ishmael, why, after having a perfectly well-reasoned, and very smart of you, part-time job as a spontaneous random sailor, did you decide to escalate that to joining a WHALING EXPEDITION, which is worse in every way?" Well, ask my fucking secret FBI agent, he can answer better than anyone else. Including me. You get me. Also, obviously, this was predestined, part of the Universe's Grand Programme for its talent show, which was all scheduled way before our time. The concept of sending me on the whaling voyage comes in as a kind of interlude or solo between the main performances of the Universe's great talent show. I bet it was advertised llike,

"PRESIDENTIAL ELECTION OF THE UNITED STATES EMBROILED IN ONGOING LEGAL DISPUTE.

Whaling voyage by some guy called Ishmael.

BLOODY BATTLE IN AFGHANISTAN."

Like a commercial break in between the big acts. A filler episode. Lightens the load for everyone else. Though I can't explain why the stage managers - the Fates - chose such a shitty role for me, a WHALING VOYAGE of all things, when it feels like others were given magnificent parts in high tragedies, and short and easy parts in genteel comedies, and jolly parts in farces - it seems a little unreasonable at first. Why doth Ishmael get shat upon, etc. But then I think about all the circumstances, the plot points and motivations that were cunningly presented to me under various disguises - FBI agents, bouts of random hanger, gay awakenings, you get me - and you can see that actually, I was set up. And worse, between them all, these Fates and Circumstances conspired to make me believe it was all my own choice and good judgment. Is Free Will an illusion? Are my decisions bad? We will NEVER know because I, Ishmael, am just a little guy that the Universe plays head games with.

One of the ways the Universe tricked me into starring in this performance and then mocking me for it was the overwhelming idea of the great whale himself (whaling expeditions usually contain whales.) Such a portentous and mysterious monster roused all my curiosity. Then of course, if you have a whale, you have the wild and distant seas where the whale rolls around with his body-the-size-of-an-island; the dangers and nameless perils of the whale; whales are also found in interesting places I haven't seen; this all tipped me over the edge. Maybe normal people could've resisted, but I am tormented with an everlasting itch for obscurity. I hate everyone else's oceans. I want the forbidden seas.

You know The Horrors? Of course you do. You might be surprised that I, the most mentally healthy person you've ever met, a person who is self-aware enough to go to sea when they're at their fucking limits, a guy who likes fresh air and manual labor and normal things, is familiar with The Horrors. Well, you'd be surprised. I know what's good, I'm an extrovert. But I'm still quick to perceive The Horrors. And how I deal with the horrors is a very extroverted thing: I'm social with them, if they'll let me. It's smart to be on good terms with The Horrors. You should always be on good terms with your permanent neighbors. That's how extroverts deal with The Horrors, and I recommend it.

I think that's enough explanation for why I welcomed the whaling voyage. The great flood-gates of the wonder-world swung open, and in the wild figments of imagination that pushed me into doing it, the whales came marching two by two, hurrah, hurrah. They marched into my innermost soul in endless processions and occupied it, you see, I was quite helpless under this occupation - I consented to the haunting and the whales marched in to haunt me - and amidst them all was one grand shrouded white phantom, like a snowy mountain in the air.

You get it.

You know how it is, with whales.

(read the actual first chapter of Moby Dick here: https://www.gutenberg.org/files/2701/2701-h/2701-h.htm)

Ok, here we go. Cryptid x Reader, where the Reader is on a hike with friends and said friends prank the reader in a really mean way causing them to run off and start crying. The Cryptid stumbles upon reader crying and for some reason misinterprets this as reader seeking a mate and starts doing a mating dance thing that the reader starts out being confused by and a little scared but then they start giggling and think it's really pretty, but then that is misinterpreted as accepting the Cryptid and the Cryptid is soooo happy that this little human wants their eggs! And obviously the crying is just from nerves, so they'll just hum and sing until the get all sleepy and fuck their eggs into them. And they'll be so happy when the wake up safe in the Cryptid's nest and so full and pregnant!

Sorry if that was long and weird lol my brain just kept going.

A Cryptid's mate

Yandere cryptid x gn reader

TW:non-con, implied killing, toxic friends, attempted murder, monster fucking, somnophilia, extremely rough non-con, blood, breeding

Author's note:- you didn't specify the gender so I tried to write it in a way that any gender can read it with whatever pronouns as I made sure not to add any

For you guys see this

Humans are stupid and weird, they tell others to be careful of the red signs yet they themselves seem to ignore them.

You are unfortunately one of those foolish humans, you saw the signs yet you chose to ignore them, you knew better than anyone else that these people who stand in front of you laughing right now, calling themselves your "friends" are just wolves in sheeps's clothings. Your eyes start to blur as you remember being so excited when your "friends" asked you to go on a hiking trip with them, there was a slight voice in the back of your head, asking numerous questions about why they would suddenly ask you to hang out with them in an activity considering they never included you in anything, but you were naive and hopeful and you decided to agree.

During the hike, your "friends" kept on whispering to each other and giggling, you couldn't understand why until they reach the middle of the forest where suddenly one of your "friends" shoved you and another took your hiking bag and began rummaging through it, throwing everything on the forest floor.You couldn't understand why, you tried to tell them to stop, but they kept on snickering "There's a dangerous bug that fell in your bag from one of the trees!" said one of them as they threw all your belongings on the floor and then "accidentally" stepped on them. You tried to brush it off as a kind gesture that went wrong, you tried to smile through it but deep down you knew, they did it on purpose.

Now most of the items you had brought for the hike was ruined, your bag had mud on it as well as the items that didn't get ruined. You all continued walking through the forest, going deeper and deeper inside when you guys are met with a river with high current going downstream, there's a path over it to walk through. Your "friends" tell you to walk on the path first ,feeling pressured,you do exactly that but as soon as you do, one of them pushed you into the river,you see in the corner of your eyes that they are grinning as you fall into the river. Your immediate survival insticts start working and you grab onto a large stone in the river and push yourself out, your bag flowing down the river. You're gagging and choking on air as you frantically ask them why they did it and the only thing you get in response is "it's a prank relaxxx" but you can't anymore, tears run down your face, you eyes get blurry and without thinking straight , you run off to whatever direction your feet take you to, you don't look back, you don't look front either, you're vision too blurry from the tears as you cry and run, your wet clothes making lots of splashing noise as it hugs your body, your undergarments fully visible through your clothes now.

Before you know it, you're in the middle of yet another forest except here, there are no trail tracks for hikers, but you don't care, you're too busy crying at the thought that your own "friends" tried to kill you, you cry by yourself, or at least that's what you think as right behind you stands a strange creature, not human, but not full monster, a cryptid or whatever humans nowadays decide to call his specifies, but it looks human and for some reason, it's extremely handsome. The cryptid man watches you cry from behind, you're so drowned in sorrow that you don't even realize there's a monster man behind you. He watches you cry and ponders on what might be the reason for such an adorable little human to be crying all by themselves in his territory, the territory where cryptids live, the territory he rules, the territory far away from human knowledge?And then it suddenly clicks in his mind, you're crying because you can't find a mate. Good news for you, he's also looking for one!

The cryptid immediately jumps in front of you, making his presence known to you. You're immediately startled and frightened at the creature in front of you, you rub your eyes to wipe the tears away and take in the appearance of said creature, it's around 8 feet tall, is muscular, looks so weird yet also like a human, his face is chizzled and he looks so handso- you shake your head and then look at the creature with a look of terror, but that immediately turns to confusion as the cryptid starts doing this weird funky dance, to you, it's a goofy silly dance, to him, it's a mating ritual and the second you crack a smile and start giggling at his mating ritual, he thinks you have accepted his proposal, he's so happy that this cute little human wants to be his mate, he can barely wait in anticipation as he sees your wet clothes sticking to your absolutely delicious body! The cryptid immediately picks you up like paper and carries you even deeper into the forest, you start panicking and try to struggle in the creature's grip but it's futile. Upon seeing your struggle, the cryptid interprets it as you're probably just nerves, but that's okay! He can just hum and sing to you so you feel relaxed cause he needs to make sure his mate is relaxed as he's gonna get his little human pregnant with his seed! And so starts humming a song, occasionally singing it while he keeps taking you deeper and deeper into the forest, before long, you stop struggling and fall limp in his arms as you fall asleep. The cryptid is happy that you're finally relaxed as he places you in his lavish and comfortable nest.

Your clothes are no longer on your body, thrown somewhere in a forgotten corner. Your unconscious body spread apart as you're being split on his large girthy cock, all that can be heard is the wet clenching noises of his inhuman cock hitting deep inside you, slapping against your skin. He plays with your nipples, licking, turning and twisting them, earning a moan from your coma like sleep state. Moans escape your mouth so often even though you're asleep, he's glad that he decided to put you to bed before fucking and breeding your tiny little human body as you definitely would've gotten hurt otherwise as blood drips down from the skin that tore which was expected considering his cock is way too big, so girthy and meaty and the tip is like a mushroom. At one point, you wake up but the immense pain you feel immediately causes you to pass out. The cryptid kisses your lips as it feels itself nearing his release after 3 hours of constant abuse on your tiny body and within a few minutes, he ejaculates inside you, his eggs spilling so deep inside you, your stomach starts bloating a bit and then bloats a lot. You look absolutely divine , filled with his eggs! Although not all of them wi fertiloze, at least one or two will, and he's so excited to see his little human mate all round and pregnant with his spawns!

When you awaken again, you're lying on a fluffy nest, your eyes hazy, you feel dizzy, you feel heavier, you feel extremely sore and in pain to the point tears start trickling down your face, suddenly a pair of rough hands touch you from behind, one caressing your stomach while the other is caressing your face, wiping the tears off of it, you can't do anything but cry "I'm sorry, you must be in a lot of pain, there was lot of blood, don't worry I stitched you up" you wonder how this creature even knows human language, or where he got the tools for stitches or how he knew how to do it, your mind runs a 100 miles a second,youre too scared and exhausted to move so you just whimper when from the corner of your eyes, you spot familiar clothes, you recognize them immediately as the clothes of your "friends", your eyes widen as you see blood on those clothes and your eyes try to wander further to see the full scene but the cryptid immediately covers your eyes with one hand while the other is still caressing your bloates stomach, he coos in your ear "shh darling, you're still recovering, just relax and go back to sleep, you're gonna be a mother soon, you don't need to stress about anything, I got you new clothes as gift for taking my eggs so well, I just haven't washed them yet" is all you hear before passing out again. You're now stuck with this strange creature.

A few years ago, there was a thread on r/asksciencefiction where someone was fishing for a superhero story with an inverted Omni-Man dynamic, or a setting where Homelander's initial presentation is played straight- a setting where the Superman figure actually is the paragon of morality he's initially presented as, but no other superhero is- a situation where you've got one really competent true-blue hero standing head-and-shoulders in power above what's otherwise a complete nest of vipers.

Someone in the thread floated My Hero Academia; while I haven't read it, my understanding is that that's not really an accurate read of what's going on with Stain's neurosis about All-Might being the only "real hero," that the point of that arc is that Stain's got an insane and unreasonable standard and that taking an endorsement deal, while bad, isn't actually grounds for execution. My own contribution to the thread was Gail Simone's Welcome to Tranquility, where a major part of the backstory involved the faux Justice-League's Superman analogue having a little accident because he's the only one who thought they were morally obligated to go public with the secret life-extending macguffin that the rest of the team is using to enforce comic-book time on themselves and their loved ones; while only a couple members of the team are directly in on it, the rest are conveniently incurious. And Jupiter's Legacy gets tantalizingly close to this- The Utopian, a well-meaning stick-in-the-mud, ultimately gets blindsided and couped by his scheming brother who creates a superhero junta staffed by a Kingdom-Come-style glut of third-gen superheroes, who are framed as fundamentally self-interested because only came onto the scene after most of the situations you legitimately need a superhero to handle have been neutralized. (The rub, of course, is that the comic is also highly critical of the Utopian's intellectually incurious self-righteously 'apolitical' approach to superheroism- if for no other reason than that it left him in a position to get blindsided by a coup!) While Jupiter's Legacy gets the closest, all three of these are only loosely orbiting around the spirit of the original idea, and there's something really interesting there- particularly if the Superman figure isn't hopelessly naive in the same way as Utopian. Because first of all, if you're Metaman or Amazingman or whatever brand-name alias the writer goes with, and you really earnestly mean it, and you put together a team of all the other most powerful heroes on earth in order to pool your resources, and then with dawning horror you gradually begin to realize that everyone in the room besides yourself is a fascist or a con artist or abuser or any other variant of a kid with a magnifying glass eyeing that anthill called Earth- What the hell is your next move?

Do you just call the whole thing off? Can you trust that they'll actually go home if you call the whole thing off? I mean you've put the idea in their heads, are you sure that they aren't going to, like, start the Crime Syndicate in your absence? Do you stick around to try and enact containment, see if getting all of these people on a team makes them easier to keep on a leash? But that's functionally going to make you their enabler pretty quickly, right? Overlooking "should you kill them-" can you kill them? You're stronger than any individual one of them- are you stronger than all of them? The first time one of them really crosses a line in a way you can't ignore- will that be a one-on-one fight? Are they the kind of people capable of putting two-and-two together and pre-emptively ganging up on you if you push back too hard? Do you just start trying to get them killed, or keep them at each other's throats so they can't coordinate anything really nasty? Can you squeeze any positive moral utility out of them, or is that just a way to justify not doing the hard work of taking them down? There've been works where the conceit is to question the default assumption that Superman in specific would be a good person, and there've been works where the conceit is to question the default assumption that superheroes in general would be good people. Something to be done, I think, with questioning the default assumption that everyone Superman becomes professionally close to would be good, and to explore how he'd handle it if they weren't.

I am Artekai and every day I inch closer to my H/FW arc