Idk if you’ve seen the loki s2 leaks but if they’re true (which is likely since they’re from the same guy that reported that ‘mobius and the tva will be in dp3’) I’m not watching s2
marvel reading everyone’s reactions and criticisms of season 1, planning on ignoring it all & making the sylvie x loki romance a central plot point:
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JSTOR Wrapped: top ten JSTOR articles of 2023
Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.
Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.
Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.
Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.
Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.
McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.
Purves, Alex C. “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.
Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.
Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.
Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.
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I’ve been getting really into magical stuff recently and also DC so I’m just gonna drop this here:
Fae Dick Grayson
F A E
okay so fae stories are special to me because I grew up on hearing pagan folklore and fairytales about fae and fae adjacent creatures as good night stories so hooo boy yes I adore that trope! (I mean, I made Dick a Banshee in my fic Shuck so… hehe)
Anyway, Fae Dick Grayson! There’s just so many things you can do with it ✨
Robin appears from one day to the next, following in Batman’s shadow like a mischievous sprite, so honestly rumors have been going wild about him since day one. Robin actually being something non-human doesn’t really come as a surprise!
The fae folk are known for being awfully good at blending in with regular humans when they put their mind to it, the only thing that puts them apart (in most stories) is their otherworldly beauty, and Dick Grayson? Well, he’s definitely got that in abundance.
Just sometimes, when the light reflects off a surface in just the right way, when someone pours a glass of water and you happen to look right through the spray, or when you think you catch a glimpse of something out of the corner of your eye and you spin around— but there’s only Dick Grayson, even if a second ago you could have sworn you saw eyes where there weren’t supposed to be any; colors that aren’t supposed to exist; feathers where only skin has any right to be.
And, gods, all the talking. Dick is terrifyingly good at talking to people without actually saying anything, to the point where you walk away from the conversation feeling utterly drained after spilling your entire life story but when you think back on it— you can’t remember him ever telling you anything about himself. You know there were the usual pleasantries of “hi” and “nice to meet you” and “how are you doing?” but anything beyond that just kinda… seemed to spill out of you? It’s very strange. It’s very unnerving. By the end of the evening you other convince yourself you’re overreacting or you simply push the incident out of your mind altogether.
And there’s another thing about Dick. His name.
He only ever introduces himself as Dick Grayson/Robin. Never Richard. Never. Especially not Richard John. Names are sacred for the fae folk, names have power, so while Richard John Grayson may not be Dick’s true name, he treats it as such to honor his parents. None are allowed to use it. None except Bruce or Alfred on special occasion.
Of course, Dick’s “true” name isn’t exactly a secret so when someone does happen to use it… well, Dick may be… other… but he’s still intrinsically good in a way many of his kind don’t have the patience to be. Dick judges on a case by case basis, just like his parents and Bruce taught him. And usually people do not mean it maliciously when they use his name so he kindly corrects them and that’s that. But oh man, if they still insist on calling him “Richard”? Well..
“Oh no, it seems your credit card is being declined, sir!”
“Sheesh, you tripped over a root? In Gotham?!”
“What do you mean ten birds flew into your window last night? You live on floor level!”
“Dude I’m telling you that rash doesn’t look normal.”
“I… don’t think crows are supposed to follow you like that.”
It’s little things (most of the time, unless you really pissed Dick off) but they keep piling up, slowly driving you insane. You feel like you’re being watched, but it’s just a bird sitting on the window sill again. You feel like someone moved all your furniture just slightly to the right even tho you checked all the cameras.
The fae are kind, but they are also vindictive when crossed.
(Thanks to Bruce, however, I think Dick’s bouts of “vengeance” rarely go much farther than that though.)
Dang ok that ended up being an entire rant… wow. Anyway, yeah. Fae.
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