What funny for me it's when I see some people in radioapple fandom saying why they can't see Alastor as a bottom is because "he would never be a bottom because of his ego!" (and right under a post with b!Alastor content, the nerve)
Meanwhile Lucifer, King of all Hell, Sin of Pride personified, the man who stole Adam's first wife and claimed to do the same with the second, and had two songs about how great he is compared to others: am I a joke to you?
EXACTLY! Preach Anon!
Lucifer's ego is just as big, if not bigger, than Alastor's. I was rewatching the show recently, and during the "Dad Beat Dad" episode, literally the only person he was nervous, bumbling, or awkward around was Charlie (and Vaggie, to a certain degree considering she's Charlie's girlfriend).
In every other interaction he was smug, arrogant, indifferent, unimpressed, or downright dismissive. His whole song with Alastor was just him flexing his power and getting more and more insecure & angry about how "close" Alastor and Charlie were. I think people forget that Lucifer is the Sin of Pride, and you can 100% see it in his behavior towards the other characters. Obviously, he got closer to the Hazbin Crew, especially during the last song in the finale, but that doesn't make his ego magically disappear.
And I love that about him.
I find his huge capacity to love (both Charlie and creation) so endearing, but it's better and so much more interesting, when it's paired with the fact that his ego gets bruised so easily. He's the most powerful being in Hell, while also being insecure as fuck, while also being the personification of Pride itself. Is that not the tastiest, most delectable character to ever character????
Look, yes, Lucifer is depressed. He and Lilith got divorced. He and Charlie were estranged to each other for years. He lost his will to dream after being cast out from Heaven. He spent all his time making little rubber ducks, locked away in his room. But that doesn't, by any means, make the man humble.
If you look at Alastor and say he's got too big of an ego to bottom, and then turn around and make Lucifer the most bottomy bottom ever, then I say go back and rewatch the show, cuz you're missing a few very important factors. Especially if you're basing someone's capacity to bottom on ego alone. (I, personally, love it when prideful, egotistical characters bottom. It's so much fun).
Mostly just...hhhhhh, please stop stripping away all of my short-kings most interesting characteristics. I don't want a small, wide-eyed, easily manipulated little UwU soft boi. I want snarky, powerful as fuck, insecure, egotistical, provocative short-king who gets pissy when his daughter talks to a homicidal deer man with a silly haircut instead of him (while also being very soft, loving, and caring). He's multi-faceted, and that's what makes him interesting.
Once again, this isn't me getting after people who enjoy top!Alastor and bottom!Lucifer. Do what you want, I hope you're having fun. Just don't go commenting below other people's posts with shit like "Alastor wouldn't bottom because of his ego," when Lucifer is just as much of an egotistical little shit as he is.
Thank you for coming to my Ted Talk.
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Y'know what? Fuck it (gives u guys a list of poc artists to listen to cause the white ppl on the music side of tumblr have been embarassing me)
List is under the cut, and warning bc I made it very long
Rock:
Los Abuelos De La Nada
Gesu No Kiwami Otobe
Chuck Berry
Ben E. King
Los Prisoneros
Ahmed Fakroun (ok this one's french art rock but in my book it still counts)
Burnout Syndromes (been fucking w them since I got into Haikyuu lmao)
Infinity Song (their hater song genuinely gets me every time LMAO)
People in the Box
N.E.R.D (my god if u don't know them.. idk dude my brother has been obsessed w them for forever so i just was not getting away regardless lol)
Punk/Punk Rock (& other punk subgenres):
Nova Twins (u must listen to them it's just the way it's gotta be guys)
Rina Sawayama (her hatred of Matty Healy is so attractive. i cannot believe i found her two years ago cause i still remember i would not shut up when i first heard her music it was so good)
BABYMETAL (the way their band name just straight up screams at people gets me every time lmaooo)
Indie:
The Younger Lovers
Mashrou Leila
Stella Jang
Shak SYrn (Jenni is on repeat in my room at any given moment)
Steve Lacy (if u listen to more than just Bad Habit u will find an actuall amazing discography)
Jenny Nuo (i have been OBSESSED w her music since like 2021 ish and it is a crime she hasn't blown up more imo)
Nujabes
Hemlocke Springs (oooo i hate that she does not get more love!!! synth pop and alt indie is such a fun niche like!!!)
Lyn Lapid (in my head she's huge but i have recently learned that artists i think r super popular may be unknown to an entire genre of ppl soo)
Megagonefree (found them on ig and omg!! PLS go check them out genuinely)
boa (i am once again shaming u if u don't know them)
Wallice
JAZZ (in all caps bc I fucking LOVE jazz no it's not dead go listen to jazz rn motherfuckers):
Idris Muhammad
Esperanza Spalding
Joanna Wang (ok she does pop and folk music too but idk she felt most appropriate here)
SAMARA JOY (put. some. respect. on. her. name. i would actually go to war for her i am not kidding. also this is in all caps bc MY MOM GOT TO SEE HER LIVE??? AND SHE DIDN'T EVEN KNOW WHO SHE WAS PLS I WAS SO MAD OMGGG but i've been promised tickets next time so we're good)
Sade (my og one and only)
Funk:
Fadoul
George Clinton (i mean he's just a classic yknow)
Parliament (Give Up the Funk can make me dance like no other i swear)
Stevie Wonder (i mean.. like if we're on the topic of classics anyway then...)
Michael Jackson/The Jackson 5 (moreso his earlier stuff if my memory isn't lying to me.. look it's been a second since i listened to mj IM SORRY i am a busy person ok TT)
R&B:
Valerie June
Maxine Nightingale (if u don't listen to her... how do u have fun? actual question i put her on every time i need to feel happy atp)
Boney. M (technically they're reggae but they also count as R&B so idk.. i'm just putting them here if anyone wants me to move them later i will)
Amahla (Ca Suffit was so good and got me to check out the rest of her music, YOU SHOULD TOO!!)
Mary J Blige (not to judge but like... if u don't know THE queen then idk how to help you tbh)
SZA (wouldn't be a list without her in it tbh. i'm in love w her not even joking abt that)
Kali Uchis (to this day i cannot believe i saw her live i'm truly never getting a better moment than that omggg i have such a big crush on her anyway)
Aupinard (if ever u need to just vibe, this is the man u go to.)
Wejdene (TU PARLES AVEC UNE ANISSA MA MOI J'APPELLE WEJDENE- she's been my day 1 since i was like thirteen i can't even lie)
Annisse (just found out she only has like ~500 listeners on spotify??? apparently i'm one of them tho lmao so yeah go get that number up guys i love her too much for this disrespect)
Sister Sledge
Cheryl Lynn
Reggae:
Daddy Yankee (he's an honourable mention cause i couldn't not lmao)
Skindred (they're a reggae/metal fusion band and i will shut up abt them when i'm dead bc Nobody rewired my brain chemistry!!)
Manu Chao
Toquinho (i was so convinced this man was bossa nova but apparently he is reggae and i need to do some music theory review)
Folk:
Sushi Soucy (oh the things I Deserve to Bleed had me going thru in 2020/2021)
Miriam Makeba (Pata Pata should be enough to get anyone listening to her, just saying)
Lead Belly (do urself a favour and do some research on this man, i'm not kidding even if u don't like folk music u should know abt him- ESPECIALLY if u like Nirvana that'll make sense later trust)
Pop:
Corinne Bailey Rae (she has so much good music that gets ignored bc of Put Your Records On so.. yeah go listen to Black Rainbows she's only gotten better as time goes on lol)
Dru (he is for any person who likes ke$ha. i'm so serious he is early 2000s in a bottle and i love his music ur rlly missing out if u ignore him)
Monique Hasbun (found her recently! she's a Palestinian, Mexican and Salvadorian artist who plays around with Latin pop and does a lot of fusion music. she's dope go listen to her fr)
Mohammad Assaf (he made the Palestine song that's been going around ig a lot, but his other stuff is great as well. he's another Palestinian artist, so once again, go check him out!!)
Pinkpanthress (i LOVE her she's so much fun to just vibe to and idk how anyone couldn't have heard of her atp but then again this is the sight that didn't know who drake was so... sigh. go listen to her if u don't already!!)
Aliyah's Interlude (BROOO if u haven't heard of her actually go listen rn i'm so serious she is so good i can'ttttt ok bye)
Veondre (had a collab w Aliyah on It Girl and is gonna be releasing her own music very soon! she's trans too so go give her some love)
Shalco (wasn't sure whether to put him here or in hip hop, but his stuff is very very good either way)
Ado (she's j-pop but it's a form of pop so into the pop category she goes)
Moon (she's got two songs out rn, Moonlight and Seoul City Drift, and both r going on loop in my head at all times)
Jay Chou (call me a basic bitch idc he's good ok)
Atarashii Gakko! (i wouldn't say they're j-pop, but google did, so i'm just going w it lol)
flowerovlove (just trust me on this one)
El Tio Gamboin (Los Gatitos is such a cute song)
Grace Chang (see note for Jay Chou)
King Gnu (for all my j-pop lovers... come get ur man)
Salsa:
Lalo Rodriguez (included this genre specifically so i could mention him)
Adalberto Santiago
Roberto Roena (he's a classic i can't lie)
Hector Lavoe (i think he might be the most popular one in this genre lol)
City Pop (this is its own genre bc i literally did a presentation in high school abt it and i'll be damned if i don't flex my knowledge now):
Mariya Takeuchi
Miki Matsubara (my QUEEN my everything my-)
Anri
Taeko Onuki (one of my most listened to artists last yr for a Reason)
Kaoru Akimoto
Kingo Hamada
Jun Togawa
Bossa Nova:
Joao Gilberto (ooo he gets me every time i fucking love this man)
Elizeth Cardoso
Johnny Alf (forgot this man the first time around my bad BUT he's called the father of bossa nova for a reason so)
Hip Hop:
Flyana Boss (they're sooooo good i actually can't gush enough i have never felt so girlypop listening to music before go listen to them!! found the duo through ig so yeah if u want go follow them on there too to show support)
Lil Uzi Vert (for any emo lovers, go check out his song Werewolf with Bring Me the Horizon it is SO GOOD)
Samyra (she's slowly curing my body dysmorphia lol)
Yame (there's an accent on the e but idk how to do that on tumblr. anyway my ass loves french rap and before him i was stuck with klub des loosers so he saved my faith in the genre i can't even lie)
Lay Bankz (u cannot be chronically online and not have heard Ick yet, but i'm repping her regardless bc SHE'S SO GOOD)
A Boogie Wit Da Hoodie (HEAR ME OUT-)
Kaliii (Area Codes was one of my most listened to songs last year... as it should be tbh)
Miguel (he does R&B too i just first listened to him bc of his collab w J.Cole sooo)
Tyler the Creator (putting him on here just to brag abt getting to see him in concert lmao)
XXXTentacion (he has been mourned and talked abt an insane amount, but he deserves it i'm not even gonna joke on this one. his artistry is insane and he deserves some love if u haven't listened to him yet)
Kendrick Lamar (i mean i've been reblogging stuff abt him enough. Mr. Morale was actually the album that made me start Listening listening to him and i'm honestly glad it was bc that album is still my favourite to this day if i'm being totally honest)
Renaissauce (criminally and i do mean CRIMINALLY underrated)
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The parallel between Sokka and Tenzin as their fathers' sons.
Sokka, left at 13 as his father and all the other men head off to war. Hakoda tells him "being a man is knowing where he's needed the most" and he needs to protect his sister, his home.
Tenzin is the second airbender. He is also half water tribe, he's a man. When Aang dies, he will be the last airbender. He understands what he needs to do.
Untold amount of pressure and responsibility have been thrust upon them by their fathers. Though, I believe it is not all intentional, but the unfortunate circumstance of being the fathers of sons who take responsibility incredibly seriously.
In Sokka's case, "protect your sister" is a vague instruction. It was meant to give him purpose, to help him feel okay about being left behind, He is too young for war, his father does not want to bring his child to slaughter. But Sokka will die with purpose. He will train the children of his tribe so they will be protected, he will face a fire nation ship until his last breath. He cannot go to war, but Hakoda did not see that war was all around them. In trying to give Sokka purpose, Hakoda put their world on his shoulders.
We do not get to see Aang be a father (in the TV shows), but we know he had hopes for the future. All his children were air nomads, and the air acolytes brought his culture back, but Tenzin could bend. This part of their culture is one ONLY they share. I do not think Aang would hide this, he is joyous that he gets to share his culture. When he feels respected, he always is, he taught the air acolytes after all. Off handedly, he could say, "I'm hopeful for a future where there are lots more air benders," and that, which feels mostly innocuous to him, is the nail in the coffin of Tenzin's fate. He is Avatar Aang's son, and the future of the air benders. It would not matter that Aang meant a future in generations. Tenzin sees the responsibility and it's his. He is his father's only air bending child, he knows what he needs to do.
Being a parent is not understanding the way the things you say harm your children. Even those things that feel innocuous in the moment can be life altering. Especially the more the child respects the parent. Purpose and Hope for those with a broader perspective, can be death sentences to a life that could have been when expressed to those who idolize the former.
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Something I think fiction does sometimes is make sex represent the end goal for relationships so often that if two characters sleep together it causes readers to automatically see them as truly in love / that it would solve all problems for the pair to be together forever, even when that isn't necessarily what the narrative is trying to say / depict otherwise.
I am thinking about this because of Guts and Casca... to me they sleep together initially almost as an act of friendship? A way of experimenting with each other and learning about sex, perhaps of distracting themselves from the person they're both more actually into, and of course also because they do care about each other and maybe are attracted to one another on some level, and want to see what it would be like to try to get even closer together. But I think the story also makes it pretty clear that Guts is more emotionally invested in his relationship with Griffith than with Casca, in what you might call a narratively romantic sense... and Casca is shown sort of seeing the futility of her feelings for Griffith and eventually growing apart from him that way pre-Eclipse, even though she still cares for him the most out of everyone she knows (though I don't think he ever feels nearly the same way about her). So getting with Griffith isn't end game for Casca (and she herself eventually realizes that), but I also don't read Casca as a character for whom getting with Guts is the end game character arc-wise, either. I'm not sure Miura even had a concrete end-game character arc in mind for her, to be honest. I feel as though unfortunately she was written mostly as something to be used between Griffith and Guts rather than to end up having her own fully realized narrative journey in the same way that Guts (and maybe also Griffith) will. I want to see her and Guts as friends and at peace more than I want to see them live happily ever after together as a couple, because I feel like that's actually more how they really feel for one another than anything else. Granted, there's a bit of an interesting ironic twist in the story that happens during the Eclipse, where Griffith (unintentionally?) drives Guts and Casca closer together than I think they might have been otherwise with the trauma that he causes them both (even though I think their relationship is probably something he'd be jealous of and read as more romantic than it actually might be and wish to destroy, simply due to his own insecurities and his own possessive feelings for Guts). But I also didn't really read Guts' reactions in the Eclipse scene as Guts being jealous and possessive over Casca in a sexual / romantic sense - I read it more as him feeling empathy for her pain and desire to protect her from harm / from the darker side of Griffith he maybe knew about a bit better than anybody else. I DO care about Guts and Casca's relationship a lot, and find it one of the most emotionally compelling things in the story. But I don't think shipping them together for a happily ever after is really what I'd want for them, nor something that the narrative was actually trying to work towards / suggest to be the best ending for anybody involved? I don't know if I think shipping Guts and Griffith necessarily is either, particularly because of how irredeemably awful Griffith behaved during the Eclipse... but I DO think the story intentionally hinges more around the Griffguts relationship and their emotional journeys / character developments than it does about any other pair/relationship in the series, and that both of them have intense unresolved feelings for each other that come off much more suggestive and stronger than ones of just simply wanting to be friends. And I think all of these characters are pretty explicitly aware of that themselves even in the story as well.
Haha I don't even know what I'm trying to even say here except to work out some of my own thoughts about the main 3 that I care about, I suppose!
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Was gonna gather my thoughts and write a post tmr on the general mood in the ofts space after the finale bc I feel like a whole bunch of people overthink the amount of editing that was supposedly the result of "promo couple fans complaining too much" but I literally cannot sleep before I get this off my chest so here goes nothing:
Do you guys not understand how tv show productions work....
The script was written, reworked, and then finalized before they even began filming. Yes they might have changed some stuff between the initial scrips draft they had before the mock trailer and the true beginning of production this year but considering that they booked two at the time new but well received promo couples (remember that this show was already in planning at a time when Enchené and The Eclipse were still very very fresh), TopMew and SandRay were always gonna be endgame. It's especially obvious now that the full series is out bc if you go back and watch the mock trailer, all the same storybeats are there. This is how the story was supposed to go from the beginning. They most likely cast two promo couples on purpose because of the added bonus of pre-established compatibility and chemistry needed for endgame couples in such a messy series.
Then they filmed stuff. They finished filming I believe the day that episode 3 aired, so they could not have changed any of the ending based on audience reactions (as I have seen multiple people suggest), since we were barely a few epiaodes into the story. The book based on the series was also already finished and in the last stages of preparing to be released. The only thing they actually did was edit out parts of scenes or full scenes that they found did not add anything at this point in the story (like the sandray garage scene) or would actively harm what we, the audience, are supposed to be understanding and feeling right now (like the Mew smashing shit scene and Top attempting to sleep with someone else, which both were explained to have been cut because audiences were reacting strongly negative to Top even a few episodes into his redemption arc, when we were clearly supposed to start being on his side). They might also have moved some scenes around to aid the story flow but I am unsure of that one (I suspect the scene where Ray and Mew finally solve their shit out was supposed to be directly before the SandRay donut scene bc of obvious clothing reasons, bc they either fucked up hardcore with clothing continuity or moved the first SandRay rehab discussion to after the RayMew talk because it made more sense that way when seeing it played out on screen. If that was the case I am glad for it bc it would have felt a bit weird the other way around idk...).
All of this is however not new. It happens all the time in film and broadcasting production (also in book publishing....this is why editors and alpha/beta readers exist. I mean Brandon Sanderson's books famously go through four (?) stages of feedback before they get published...). Some scenes just get dropped in editing because when you see it on screen it feels redundant or not quite right, so it gets taken out before it changes what they want the audience to take away from other scenes. Movies and tv shows that have months between filming and airing dates usually solve this issue with test screening audiences and several runs of editing. There have been instances of Movies having test screenings at cinemas and then having their release date scrapped because they have to be re-edited completely as a result of unexpected audience feedback. GmmTV series being on smaller budgets and timeframes results in this time window falling away and relying on observing audience reactions to already aired episodes closely and then editing the next episode close to its release is one strategy to still ensure that you bring across what you wanted to (Kdramas also do this very frequently). It might not be ideal but it's not unusual and it certainly does not mean that anything substantial from the story was changed. All the storybeats as well as the character and relationship development remained the same because they already had everything filmed. They did not do reshoots or we'd know it. The story was planned this way. It was in the script. If you did not like it, then you did not like it. But don't accuse the directors of "bending to the will of fans" bc that's just plain wrong.
I too have my issues with some of the writing and some of the characterizations. But let's keep the criticism where it is actually deserved ok?
Edit: I have also seen quite a few people over here and also on Twitter say how disappointed they are in the "editing based on audience reaction" and that they should release a "directors cut" with all the scenes but like....this IS the directors cut. THEY decided how to edit this because the original intent is not always what arrives in the brains of the audience. Storytelling is a two-way street and if a massive chunk of your audience interprets a part of your story so differently to how you intended it to be understood, edits are necessary. Because that means that your intent is not communicated well enough.
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