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iridescentmirrorsgenshin · 1 month

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An analysis of Alhaitham's egoism in relation to Kaveh

(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)

Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.

Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).

In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.

As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.

In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".

With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).

In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:

“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not… sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185

It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:

“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186

The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.

Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.

By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.

In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.

This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.

This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.

In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.

Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.

Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.

#i realised i hadn't actually discussed their philosophies in a post so here's an snippet from The Essay #kaveh's altruism is brushed over here but i didn't want this post getting too expansive oops #since their differences are the basis of the essay it's hard to filter that down into one post?#basically i'm aware that this reads as incomplete but i promise there is more where this came from!!!#also im reading that line: the two cannot reach a consensus even to this day #and im going insane because isn't that the resolution of their conflict? to find middle ground?#gee i wonder if that line is thematically crucial to their characters #also kaveh reads page 185 of the unique and its property and fights off a blush before denying everything #can they talk. please. im sick of them #the essay is coming along btw!!! thank you for all your thoughts and encouragement!!#haikaveh #alhaitham #kaveh #kavetham #haikaveh meta #genshin meta

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sacchiri · 25 days

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Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

#hellsing #alucard #kouta hirano #translation was found in a comment by u/lazyfoxheart on r/Kurrent #fun fact this is the highest quality version of this image that exists online #i know because i've been looking forever for a version that's clear enough to actually read what hirano wrote under '1443'#but there weren't any so i had to take matters into my own hands #the real image on the back of the guidebook is only 2 inches tall so i had to take this with my smartphone and will my hands not to shake #anyway i'm pretty sure it's supposed to say Eğrigöz (the location vlad was imprisoned) so yeah. thank you hirano very cool #if i might rant for a sec it took me an embarrassingly long time to figure that out because i didn't have the guidebook at first #and in the images i could find online that part was just a blur that looked suspiciously like a person's signature and i was like. who tf #i was thinking matthias corvinus since he issued some political propaganda against vlad iirc but it didn't match his signature on wikipedia #then i thought it might be vlad II dracul's since he probably had to sign an agreement to send his sons over as hostages at some point #but that didnt seem right either so i kept skimming vlad's wiki page #and then i was like goddammit...hirano.....you just misspelled Eğrigöz didn't you.. ....#i maybe should've made a separate post dedicated to this instead of writing a novel in the tags but eh #the hellsing brainrot runs deep #also- i put it in the source link at the bottom of the post but the german inscription is copied off a real woodcut of vlad from 1491 #except instead of depicting him as an adult hirano drew him as a child which gives the inscription a very different feel imo #the one final thing that interests me about this is the fact that hirano published this calendar in 2002 #which is REALLY early in the series. like this was before volume 5 came out??#i have no idea why he decided to do a massive spoiler drop in a random piece of japan-only merch #sandwiched between a drawing of alucard as john travolta from saturday night fever and integra as a fish no less #it makes me really curious to know what the fan response to this was back then. like did people even know who this was #maybe im just an idiot and everyone back then was like 'ah yes its alucard as a 12 year old. how very informative'

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seventh-fantasy · 6 months

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li xiangyi, yin, and femininity

we all know that li xiangyi is a character of fractured identities. and li lianhua is an unreliable narrator to his own story. these make him not the most straightforward character to study. but I've believed in treating li lianhua as a part of li xiangyi, rather than separates. and there must be a common thread that ties all of him together. thus, I offer what I have found to be the most useful lens to use to view him as a cohesive whole, regardless as li xiangyi, li lianhua, or any other identity he may reinvent into: his 阴 yin qualities. (yin of yinyang)

this framework suggested by the drama's text itself has helped clarify to me his strengths, weaknesses, motivations, and struggles. by identifying this constant, too, makes it so much easier talking about what has changed in him.

[to the, hopefully growing, boli lhl hivemind @markiafc @ananeiah]

there are some notes on the concept of yinyang and chinese conceptualisation of gender I have to preface with.

[disclaimer: of course, I'm not even trying to cover a tip of what experts have extensively studied and debated in a depth it deserves. all I'm doing is try to parse the broad, fundamental ideas that are needed to explain my blorbos through my own spotty brain filter. so there bound to be nuances I've overlooked or some degree of my own interpretation. pretentious but needs to be done.]

阴 yin and 阳 yang are concepts characterised by passiveness, darkness, gentleness, femininity etc, and proactivity, light, toughness, masculinity etc respectively. a very key and handy concept to have in mind is their relationship to each other - which I'll not attempt at explaining better than literal scholars have:

Yin and yang exist only in relation to one another internally as the way warmth-coldness only exist relative to one another. Furthermore, when using yin-yang as an organizational schema, achieving balancing harmony is always the goal, not domination nor subordination of one to the other. [x]

while yin and yang can be symbols of femininity and masculinity, it doesn't mean all female are yin and all male are yang. it's certainly not a strict 1-to-1 equation. the concept of gender in chinese context is more social than biological. this suggests room for fluidity, and shaping of identities, often through social rituals as one journeys through life. it also means that there can be femininity in the masculine, and vice versa - in fact, that's only healthy because you need a good balance of the two worlds. no one part is better than the other. if you think of the two components as relative to each other, they are always interacting and affecting each other, rather than being strict and inert binaries. simply put, it needs to be kept in mind that there are greater nuances in applying yin and yang to the definitions of gender, and to avoid at all cost a simplification of this framework into a binary.

sure, the show has implied that lxy's powers and energy are yin-coded. but femininity is only one of the multiple attributes of yin. so how are we extending lxy's yin to femininity specifically? it's in the text that substantiates and qualifies lxy as feminine. dead women being used as proxies to his character. being literally dressed as a woman in order to put himself into their shoes and feel what they've felt. adopting a name that happens to be very, very feminine - 莲花 lianhua (lit. lotus flower) (it must be caveated that chinese names are NOT gendered. but there are just some names that are more feminine than others.) him coming to lead a life revolving around traditionally feminine, domestic things as li lianhua. him having interactions with the women around him like he's in his own element - no pressure and tension at all, unlike with all the other men.

as such, I'm more willing to use yin and femininity interchangeably in discussing lxy (while it's not necessarily applicable to every point that will be mentioned albeit there being some degree of implied association). and it's for the sake of elucidating what I feel is an intention or very plausible reading of the canon text in parsing feminine experiences in lxy's character. and thus, his queerness.

one last note is that taoism is going be mentioned quite a bit as well because of how much it as a philosophy honours the yin quality. its key tenets include valuing passiveness and inaction as a form of action, and submitting to the nature of things. and we will see how those come up in lxy's life too. (though I'm not gonna attempt to deep dive into it here beyond broad strokes of it.)

a huge part of li xiangyi's yin actually manifests in him being a passive person. this applies not just to li lianhua, but also li xiangyi. I know. ok wait hear me out. the idea of yinyang is after all components that can change and are relational to each other: thus, there were points in li xiangyi's life when he was less passive than other points, but they ultimately don't match up to the degree of aggression displayed by other men around him. so relative to their display of proactivity and aggression, he can be considered as passive. the best example is that of shan gudao proposing to launch an offensive on jinyuan alliance, while lxy - as much as he was arrogant about it - was standing his ground on not taking action in favour of peace.

it has already showed up in his childhood as well. he wasn't a particularly competitive child: 从来都没有谁要和你争 nobody has ever thought of competing with you over anything, he told sgd as he recalled of their times growing up. it was in fact sgd who was desperate to control and override lxy's presence. baby lxy did not hesitate at all over giving up on winning in favour of protecting his only rare few close relationships left in the world (given how hard-earned relationships are when they're non-familial !!!!). as much as I resent the one-dimensional writing of sgd, he has served as a very strong marker to highlight on lxy's yin.

I've harped on it several times before but this is the time I finally get to explain it proper: my own theory is that li xiangyi became an unparalleled swordsmaster because of his yin/feminine quality, not in spite of it. an interesting point that had been out in the open unclaimed until it was brought up in our friend group is that, li xiangyi does not actually fit anybody's conventional image of a 武林盟主 wulin mengzhu (ie. ruler of wulin). it would most likely have been some burly, muscular, ultra-masculine dude. even if they don't look like the demonic monk, it should be someone more like di feisheng. but. it's li xiangyi, the boyish, delicate-looking kid, who came to the top. (no wonder people - mostly men - love or love to bully hate him like weak men hate powerful women??)

"why didn't they cast someone who looks more like a wulin mengzhu (read: traditionally manly)?" no, no that's precisely the point. nobody said wulin mengzhu have to look manly. and also who is to define the manliness required to be in a place of authority? (or in my other meta, we would ask, who is to define anybody gets to have the authority over anyone else at all?)

by taoist ideal, gentleness is the most refined form of strength. li xiangyi has been haunting and distracting me in my chinese calligraphy practices lately because I'm thinking about how this must be the closest to what it felt like lxy becoming the best swordsman in jianghu. (so pretentiously brainrotten of me, I know, BUT IT'S REAL and I'm suffering.) mastering a chinese art is essentially about mastering a delicate balance between force and gentleness; being able to draw force from softness 柔中带刚 and an ability to maintain this balance. a beginner will instinctively hold a brush for the first time with brute, unrefined force. some fairly reputable contemporary calligraphers, according to my teacher, can be seen as being either too soft or too forceful - but are still able to pass off as good enough. it's then, the master of masters who will have the sophistication of a firm yet flexible control of the brush with the appropriate use of gentleness/laxness that produces a harmony of strokes. this idea extends to any other sort of chinese craft or practice including traditional chinese medicine, and I believe, swordsmanship too. I'm taking a fucking leap of faith here to say this because I practise NO sort of (chinese) martial arts, I must caveat. (someone who does may want to say something...) but theoretically that should be how it works.

it is not for no rhyme or reason, or *handwaves* that lxy emerged to the top AND is almost undefeatable. among a competitive, forceful (ie. yang) wulin, li xiangyi stood out with a power and energy defined by yin (ie. gentleness and stability) that led him to create his signature 扬州慢 yangzhouman. it is characterised by 慢 slowness (my calligraphy teacher says to us all the time to take it slow), and also described by dfs as 中正绵长 - which I would best describe by painting a picture of a steady and stable stream. these precisely speak of the essence of a mastery of gentleness as strength to me.

conversely, dfs's way in mastering power is very largely premised on taking action because he literally had no other choice in the environment he grew up in. both of them develop in opposite ways. it was the case of gentleness for lxy clearly because he grew up in a safe, nurturing environment that had allowed him to be slow and steady at his own pace, drawing on his natural gifts.

now top of the wulin world at 17, li xiangyi founds sigu sect. li xiangyi, the boy before becoming menzhu and li xiangyi the leader of sigu sect are not the same.

how then did a (relatively) passive boy like lxy end up founding sigu sect. this lxy is the one who was fostered into competition - though not in an abusive, twisted way. in fact he was raised in a rather taoist way by his shifu: to be honest with yourself and respect your opponent. so he honoured whatever powers he had been bestowed with by nature. he gives into it. even so, at another level, I just have a sense that shifu and shiniang's competitive marital spat had an insidious effect on the boys...though the detrimental effect was more on sgd than lxy. baby lxy feels like a sweet-natured kid who was just in his own zone, you know - some (aka sgd) would say, too much of him even, to have not realised what was wrong at all with his shixiong for years.

that's not all of course. I've always gotten the vibes that his attitude behind forming sigu sect felt more like, this is what all the good men of jianghu do and I will have to do it now especially that I'm the best. it didn't feel particularly personal to me, but rather what would have been expected of him by the social climate of wulin jianghu (eg. lxy saying to 光耀师门 bring honour to his teacher). it's definitely not an expectation from his shifu, who explicitly told him that he was never expected to become a noble figure of any sort, but just to be alive and contented. as concluded by the man himself as li lianhua: "有些人入了江湖是为了立心，而有的人入江湖为的是立命。我却不知道自己真正想要的是什么。some people enter jianghu for the cultivation of the mind, others for a cultivation of a meaningful life. but I never knew what I truly wanted." he was ultimately, unwittingly a passive player in his own story of becoming the great sigu sect leader.

(at this point, as a side note, I do wonder if there were any other similar sects or alliances that function the same as sigu sect that came before it. because I'm damn well sure there must be something, as likely as there must have been generations of wulin legends who came before lxy. but of course, this is not what the story is concerned with at all and I'm ok with that.)

it's crucial to point out that, even despite this being the phase of his yang in the display of taking action and enacting firmness, lxy had still done sigu sect with the sole purpose and manner of upkeeping peace and order (in the way of the pro-universal love, anti-aggression mohist 侠 xia leader of the people). he's still very characterised by yin in my books, especially when vis-à-vis to sgd.

a li xiangyi full of himself and made himself too useful to the people was only bound for a great asteroidal fall, in the concept of 物极必反 - or in taoist lexicon 反者道之动 (ie. anything that has reached its limit will only start developing in the opposite direction). if you think you're above all, you can only go down.

this manifests during the next time he took action - and it was one so forceful that it overpowered even his opponent, dfs who ended up being the passive, receiving party in this case - was in initiating the battle at donghai 10 years ago... and gee oh boy. it didn't end well - for both of them, but even more so for lxy. (dfs was like 'tis but a scratch (shrugs)' as compared to him being ripped off his tendons by jiao liqiao like nezha did to the dragon prince. truth is he had to go into a 10-year healing retreat served by his entourage. :p) ok, I digress.

xiao zijin was quick to attribute sigu sect's fall to lxy's arrogance - in turn setting the stage for lxy's 10 years of self-hatred and the framing of lxy as a villain? irresponsible figure? by jianghu. (god forbid girls do anything! ok for legal reasons, this a joke.) lxy lost his mind in ways I believe he never had in his life there and then upon seeing his shixiong dead. so, you could say he led the jianghu world to ruins out of love (using this term loosely). but it feels inaccurate to say it's due to arrogance. he did not do that out of self-importance or ego, especially when the revenge for sgd was a collective decision made by sigu sect as we know from the flashback. so when llh pinned all fault on himself for being arrogant in the past, it is with caution to take his words because that's the unreliable narrator in him speaking.

anyway, it's precisely li xiangyi that is capable of bouncing back from such a fatal crisis, equipped with his yin and a mastery that gave him the power of flexibility.

it's extremely vital to re-establish that literally the only thing that was keeping li xiangyi alive, physically, as li lianhua is yangzhouman. (monk wuliao literally said that to lxy even though he did facilitate in saving him.) it's the yangzhouman that was drawn from lxy's mastery of yin. without yangzhouman, li xiangyi would not even have the chance to become li lianhua and undergo any needed process of transformation. without li xiangyi, there would have been no yangzhouman. no li xiangyi, no li lianhua, get it?

the point is not to deny the change li xiangyi wants to make and has made. but to acknowledge that change isn't about complete erasure and destruction. something from you survives. something in you had kept you alive to have you come so far, regardless of all the bad bits that you want to denounce of. you've always been worth it.

bringing back the thing about his new name: the distinction must be made that he did not pick it because it was feminine but it just so happened a feminine name had resonated with him. (read: he didn't necessarily identify as a woman but identified with femininity. at least within the parameters of canon text.)

he also made an interesting choice to retain his surname for someone who was desperate to sever ties from his past. hmm. or maybe he wasn't that desperate? when li lianhua says li xiangyi is dead, I believe it meant that li xiangyi the sigumen menzhu is dead rather than li xiangyi as an entirety. li lianhua is a returning to the path lxy could have gone if he did not establish sigu sect, the path that shifu wanted him to take. when he walked to the doors of sigu sect in the aftermath, nothing was actually stopping him from going back (people were still around and alive, instead of all dead people, you know)... except for himself. taking that action would have been too much for him. so he went with the flow of life giving him a chance at rebirth and walked away. there, inaction as a form of action.

zhan yunfei and qiao wanmian have said to li lianhua, oh that doesn't sound like li xiangyi at all. but has it been considered that, maybe it was sigu sect's lxy who wasn't the real lxy? sigu sect lxy was one big performance of the values of masculinity and heteronormativity that llh had came to an awareness of, and eventually struggle with again and resist against in the final year of his life. there had only been some glimpses of his true nature allowed (validated by fang duobing talking about lxy at his altar).

imho, most flashbacks of lxy during that period felt impersonal and more like a template of a hero expected to marry his girl at 18. going through all the motions and steps of a normative life even before he was old enough to grasp and explore his own identity and what it meant in the world. no wonder he denounced so much of what he had done as lxy including liking girls. walking away then also meant a walk away from those duties and expectations. li lianhua is li xiangyi liberated from masculine duties and heteronormative performance.

in doing that, he had the opportunity for the first time in his life to explore what he truly wanted, at least within the parameters of what he could afford to do at that point. he could go on to build a domestic, feminine life within the space of jianghu (as I've established here). it's a kind of feminine lifestyle that doesn't quite exist in mainstream society - being a woman there meant to stay put in a domestic space without much room to move socially. nor did it exist in wulin jianghu because even the women there like shi-guniang and jlq were expected to be masculine, aggressive, competitive. so building a mobile home in the space of jianghu is his way of defining the life he wants and can have. li lianhua is the extension of femininity in li xiangyi - and one that can be free.

it's also worth talking about in my opinion what is one of the most important and a favourite dihua moment: when dfs said to lxy that his greatest weakness was to like being a hero. and a swordsman should be without weaknesses. I'm forever wrapped up in how many layers this can be read in. was he mad at lxy for liking to be a hero or having weaknesses, or both? if the former, it was dfs criticising, based on lxy's public reputation, lxy's oversized illusions about being a hero - a figure of masculinity with an unrealistic sense to uphold noble goals eg. saving the world etc. that is actually perfectly logical coming from dfs, the straightforward, no-nonsense, morally neutral guy with no illusions about heroism (in this case, he feels more like a yin). but at the same time, we should understand that lxy's motivations behind the donghai battle are more personal than noble. if any, it was actually the opposite of noble - it was like he was acting out of the role of a caretaker of his family, and at a cost of the peace and order of jianghu he was set on guarding(!!) dfs also knew that lxy was there just for his shixiong. and so, dfs, who happens to be the epitome of yang, can be read as a symbol of masculinity disapproving of lxy for being sentimental and emotional; for having the "feminine" desires to simply want to defend his family (not saying those are exclusively feminine traits but they have been conventionally associated as feminine). I think both layers of reading are correct and should work together to contribute to the complexity of their characters. (we can see how it contributes to lxy and dfs being the perfect yinyang halves to each other, which I will come back to briefly touch on later.)

for 10 years he lived a life of seclusion and staying-in-his-own-lane a taoist would be proud of. he knew he was dying and has always been ok with dying, as he claimed. but did he want to die? to think of it, it was the opposite. because in those 10 years when he could have 100% just taken action to take his own life, he didn't. in fact, he lived on and took care of himself in the way shifu wanted him to. he had simply preferred letting nature run its course. if bicha didn't take him, he wasn't gonna do anything. but if he died one day very soon, he would be ok with it too. sure, he was maybe banking on a lead to sgd's whereabouts to appear during his last years alive but that clearly wasn't the only thing on his mind for NINE years because he didn't actively go out seeking for that either. this is basically him telling dfs that he would just lie in the sun and wait for the sweet release of death, if dfs were to force him to fight. not even the mortal threat from dfs was enough to move him into action of fighting back or killing himself.

time and again, lxy as llh was dragged into fdb's cases but not only that, he also maintained an impersonal distance with them. it's starkly different from the usual (wuxia) hero archetypes (for eg. fdb) who would be more impassioned and personally invested in the plight of the victims- or unlike most seemingly aloof protagonists who would somehow grow emotionally invested over time. one of the many things I love about llh is that he never tries a second time to persuade people out of their decisions he finds unwise (eg. him just wanting to move on in response to the girls in 女宅 insisting on staying behind with their slave master at first.) he will not interfere in other people's choices made in their own lives. it's not his business. he didn't even want to be there, to be honest.

however as the story progresses, more and more people - especially men, his past, and the leads to the truth came back to demand and taunt him into doing something. they vary from well-meaning people without any harm intended such as fdb intruding upon his private space completely uninvited and qwm wanting him back; to dfs merely seeking him as a mean to an end initially (eg. I only need him to live long enough to have one last fight); and finally, on the other end of the spectrum, outright aggressive and hostile people like sgd and xzj who wanted him to die. under all this pressure, he tried his best to deflect, but he does waver especially when it comes to matters concerning the people he cares about aka his obsession wish of 10 years of looking for sgd's remains that had lied low until fdb entered his life, and then later on taking revenge for his shifu.

looking for sgd became his final bid at taking action. he was operating on a slim chance of getting some emotional closure from finding out his shixiong is dead for real, yes. what a good plan. but objectively unnecessary. or surprise! uhhh...finding out his beloved shixiong is actually alive and would strangle him for one corn chip? AND OH NO IT GOT WORSE- uncovering a devastating truth about his shifu's death that he could have totally gone on with life fine without knowing if he had continued not caring.

but it is sometimes just impossible not to care - it is only human to care. and he is human, not an icon in the image of a hero. so he took a chance, once more, and it killed him in unprecedented ways. it's donghai all over again. things in life don't go as planned. you fuck around and it fucks you back. finding out the truth behind his shifu's death and his family background from the past did nothing for him as li lianhua living in the present.

it's no wonder that this lxy decisively relinquishes the desire to take action in the end. he goes back to letting nature run its course. and this time, stands firmly to it despite everyone begging him otherwise. wangchuan flower could only give him a recovery (or survival?) rate of 30%. there's a 70% chance of failure and even in the 30% he was not sure what he was to become. in comparison, dfs took a 10% chance game of survival in a heartbeat, and it pushed him to new heights. that's how they differ: he thrives by taking risks and action while lxy the other way round. so, something like that has happened before and he wants none of it again.

he leaves lotus tower, only taking his horse and a sack - relinquishing almost every other material belonging he had - and sets off on a journey. before xzj interrupted...where to was he going?? I wonder. we don't know for sure, I think? and are we allowed to know? that makes the scene he had with xzj an understated inflection point in the very last part of his journey. yes, he was already on his way to...maybe die? but not necessarily. you don't have to travel distances with your belongings for that, right? or speak to dfs personally about not wanting to fight? (borrowing one of @ananeiah's takes.) regardless, he was definitely leaving behind jianghu - not only wulin jianghu (he already did that 10 years ago), but also the jianghu space he had carved out in the last 10 years.

what sparked the decision to jump off the cliff in him was dfs's words from the night of their wedding 10th donghai anniversary: 横扫天下容易，断相夷太剑不易 conquering the world is easy, breaking xiangyi sword is not. in the original context, dfs was talking about defeating lxy being harder than conquering the world. but when it came to this scene, it was to lxy about forsaking the very last worldly possessions he had after already giving up on lotus tower and hulijing (including releasing his horse), especially his only connection left to swordsman lxy.

perhaps it had dawned on him that, wanting things at all was bad for him. in the last 10 years, he lived a life of seclusion, wanting very little. but he had still wanted things. there were still things he couldn't let go of that had led him to this state. despite having lived on an identity inspired by a buddhist teaching for 10 years, maybe it was only at this point that he was finally the closest to reaching an understanding of it. (I wish I was knowledgeable enough right now to dive into the possible buddhist reading here but alas. I'll leave it to our resident expert @markiafc)

it doesn't quite matter in the end where he was going after all. what mattered was that he literally went where the water took him and we're not supposed to know where it ends. I'm not seeing this in a bad and pessimistic way though. I think the relief in all this is that he had tried his best to within his abilities. also it's a form of enlightenment in relinquishing a desire, an obsession, a need to take any more action in order to live well. thus his ending felt to me relatively tender, empowering, and kind - albeit bittersweet and heartaching - than other possible kinds of ending, in a story where it was very possible for him to have died under the knives of his opponents or bicha at any moment, outside of his control.

if you've come so far in this post, congratulations! but also a reveal is that... you're not immune to the dihua propaganda threaded throughout this post. :P

as mentioned, other men like sgd and xzj in lxy's life were incredibly hostile to him. their yang nature overwhelmingly powers his yin. but dfs is different. dfs is the yang counterpart that fits perfectly to his yin.

dfs's yang is one that contains yin, that mirrors lxy's balance of yang in yin. it was suggested in text they are yinyang-coded meant to complement each other, given that whenever wangchuan flower's yin vs yang properties were discussed, the two men were always spoken about in the same breath. more importantly, as with the above few analyses of dfs's words playing a big role in shaping of lxy's choices with multiple meanings - as well as their day-to-day interactions - we can see that they constantly play off each other.

dfs's yang energy has been used to help lxy prolong his life (though not saving him entirely), while lxy has used his yin energy to save dfs and subsequently helped him attain his breakthrough. dfs has also helped lxy in his breakthrough of yin but not in the same way as dfs's cultivation of his combative powers, and rather, it's for lxy an understanding of his own path to take in life - a cultivation of the mind (both times 10 years before and after). given how significant dfs is in the shaping of lxy's realisation of the yin path - alike his shifu has, it's no wonder that they were the only two people lxy had imagined in his last sword dance of a farewell to jianghu.

with each of them coming together to form the perfect yin-yang model, they're a harmony of yin and yang representing the cosmos. what I also love is that they didn't start out as a perfect fit, but only towards the end of the story was the harmonisation completed, which makes sense for two components that are always in a flux influencing each other. the fact that they were number 1 and 2 of wulin, and being the only ones capable of understanding each other in a level nobody else could... it all reinforces the cosmic sense of their relationship. they're the halves to a whole, fitting in a specific way nobody else can.

(I mean. technically this is going into the space of extrapolation based on a tangential interpretation of canon text, so do take it with a pinch of salt. but of course this pinch of salt can do wonders for a shipper's feast... :P and this certainly could have been a meta of its own expanding on dfs's side of the analysis, but this is it for now in this context.)

to think of it, li xiangyi has actually died more than that one time that turned him into li lianhua. first was a death of him as a nanyin royalty - I resent having to bring up nanyin like it should hold any weight to the narrative as far as I'm concerned, but the point being that he had a completely different (familial-based) life before that still stands. then he had a rebirth as li xiangyi, disciple and swordsman to his shifu and shiniang, and later died again when li xiangyi the sigu sect leader took over. lxy the sigu sect leader died at sea in the battle 10 years ago and came back as li lianhua. (just like nezha, died after battling at east sea and rebirthed from the lotus) li lianhua then dies by the end of the drama.

there can be a myriad of interpretations as to what exactly happened to him, including the possibility that he's still alive. regardless, we can agree that li lianhua as an identity has ran its course, and he had to evolve again. but into what form?

in the line of thought of yin and femininity, and how his transformation has been in an increasing degree of presentation of femininity - even way back when I was watching the show, I had the idea of him living socially as a woman post-li lianhua. I don't know what he would be realistically doing or what could be practical for him in such an identity. but conceptually it was sensible and compelling to me before diving deeper into the details. (I have more elaboration to do on this that I won't be talking about here publicly but it is in the same strain of idea as this other comparative meta I wrote.)

I think the next possible identity lxy can assume - alive in the material realm or not - is one that will be beyond a material being. a nameless entity. once you've gone through the phases of life - from not knowing to knowing, and perfecting knowledge, then to the surpassing of knowledge - you surpass all worldly existence, and become one with the cosmos.

I end this off with an excerpt from Tao Te Ching's Chapter 41 (I'm not pretending to have read the whole book ok but I couldn't resist including this):

明道若昧，进道若退，夷道若纇 [...] 道隐无名 The bright path seems dim; Going forward seems like retreat; The easy way seems hard [...] The Tao is hidden and without name. (x)

the character translated into "easy" is the same 夷 yi of li xiangyi's name. somehow this seems to encapsulate the journey of his life: one that seems blessed and smooth-sailing but ending up to be rocky and turbulent. but at the end of the day, after all that he had been through, he will become hidden and without name.

#莲花楼 #mysterious lotus casebook #lhl #lhlmeta #my posts #a big win for the inaction fandom. lxy would have been patron saint #this inevitably turned into a 'lhl is a taoist and buddhist story if not a very chinese story' meta hbhjbjhbhjjb #the last thing i do before going to sleep is write this meta. the first thing i do after waking up is write this meta.#i feel so insane writing this. it kept growing like a monster. do you think this is a joke it's like my part-time job now #but it's one of the few times in my life i have confidence in my insanity. so.#crazier thing is. this meta is approaching 6k words yet i still think there must be things i haven't covered.#the last section is so nuts idk how i even wrote it guys i think i was possessed #it's also like the most pretentious way to put that he's dead in this world ok hjbjhbhjbhjbjbh #to be clear iirc the drama didn't say LXY'S POWER/ENERGY IS YIN in the same way it literally said dfs's energy is yang #but it's definitely implied by the explanation of the flower's healing properties for both of them. on top of yangzhouman #also fuck. another reason he didn't choose to save himself was so dfs could have the yang flower which he believed was what dfs wanted #thank u frens mark and ana for indulging my brain in the first time i brought the lxy as woman thing up. for it to have come this far #ofc disclaimer is that a lot of this is my own reading. it doesnt have to be agreed by everyone #i would be very happy though if any part of it resonated with anybody #also a good part of the analysis is based on my memory of the show. though i did revisit parts selectively to verify. sooooo. yeah.

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mattodore · 1 year

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prove to me i'm not gonna die alone, put your arm 'round my collarbone and open the door. don't lie to me if you're putting the dog to sleep, that pet you just couldn't keep.

#the sims 4 #sims 4 #ts4 #ts4 edit #ts4 screenshots #river dipping #🦇#theodore doe #matthias evanoff #echthroi #a burning house to live in #sim spice #or whatever jndfkhnf #do i like the hair strands? not really but if i post this without the hair strand layer you can see theo's hair clipping w/ matthias #(which wouldn't have been a problem had i not switched theo's hair since i made this pose with the old one on the custom rig)#and even tho i TRIED fixing it it just looks bad so you're getting this instead... be gentle i literally have never done this before #i also didn't watch or read any tutorials on how ppl normally edit... which i probably should have dkhnkfgh #anyway editing aside!! this pose is from a series of paintings so i've got more poses i'm making based on them #oh and the caption comes from putting the dog to sleep by the antlers which is theo and matthias's song!!!#like it's THEIR song!!! no one else can listen to it actually not even me! it's just for them when they're slow dancing in theo's apartment #reading the lyrics is akin to torturing myself i won't lie like i'm being waterboarded and teeth are being pulled every time #we'll see if tumblr gets me for this post... lmao

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hiraganasakura · 3 months

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Hi so me being me I've decided to hyperanalyze the conversation Qrow and Raven had in Higanbana practically line by line bcus I have Many Thoughts and this is the best way I can think of to get them all out. If you can't tell I'm absolutely obsessed with these two. Btw.

Thanks to the RWBY wiki for providing transcripts for every episode, otherwise I definitely would have missed smth despite having just watched this scene recently lol

I put it under the read more for easier scrolling due to how long this post got!

I immediately noticed smth in the very first lines of the interaction:

Raven: "Hello, brother." Qrow: "...Raven."

You'll notice throughout the whole conversation that Raven never calls Qrow by his name, only condescendingly referring to him as "brother" this one time and never calling him anything else. Meanwhile, Qrow directly refers to Raven a total of three times throughout the conversation, and only one doesn't call Raven by her name (which we'll get to shortly)

On the other hand, Qrow doesn't bother with even so much as a greeting beyond simply stating Raven's name

It's different ways of communicating their distance. While Raven holds her relationship with Qrow over his head — never once, even outside of this scene, does she call him "brother" with affection iirc, only derision and condescension — Qrow doesn't seem to rly know how to greet her. He hesitates before saying her name and approaching her, as if trying to assess the situation before acting

Qrow: "So, what do you want?" Raven: "A girl can't just catch up with her family?" Qrow: "She can, but you're not. Now how 'bout we get on with it? Unless you plan on keeping these [drinks] comin'."

Again, Raven seems to bring up her familial ties with Qrow as a tactic to get him to do what she wants — in this case, stick around to talk to her despite him not seeming to rly want to. Frankly, it feels manipulative. We're gonna put a pin in this for now and come back to it in just a moment

Additionally, Qrow already knows that Raven's not just here for a friendly chat between two siblings, and sees right thru her facade that it is. Raven is here bcus she wants smth from him. But interestingly, it is Raven in V5 that says, in an almost frustrated/disappointed tone, "Family. Only coming around when they need something." There's another pin; keep both in mind

Raven: "Does she have it?" Qrow: "...Did you know Yang lost her arm?" Raven: "That's not—" Qrow: "Rhetorical question, I know you know. It's just obnoxious that you'd bring up family and then carry on like your own daughter doesn't exist." Raven: "I saved her." Qrow: "Once. Because that was your rule, right? Real 'Mom of the Year' material, sis."

Qrow dodges Raven's question about the Relic and instead brings up her hypocrisy in how she treats family. And it's a good point. Here she is lording her siblingship with Qrow over his head while simultaneously defending and upholding her rule that she is only obligated to help her own daughter a single time. Another pinpoint on our little conspiracy board

Also, here's the one time in this conversation Qrow refers to Raven as "sis". Like Raven's use of "brother", Qrow's use of "sis" is very pointed and with intent. But it's not to manipulate Raven, it's a snarky jab meant to rly hammer home Qrow's point

Raven: "I told you Beacon would fall, and it did. I told you Ozpin would fail, and he has. Now you tell me. Does. Salem. Have it?" Qrow: "I thought you weren't interested in all of that." Raven: "I just want to know what we are up against." Qrow: "And which 'we' are you referring to?"

A few things of note here. At some point in the past, Raven expressed an outright disinterest in Ozpin's inner circle, at least to Qrow. Qrow also feels excluded in the "we" Raven mentions being against Salem. To me, there seems to be a distinct possibility here that it wasn't that Raven felt personally disinterested in Ozpin's operations, but that she somehow felt excluded and feigned a lack of interest in order to protect herself. An idea that is further supported in my eyes by the following dialogue:

Qrow: "You should come back, Raven. The only way we'd beat her is by working together. All of us." Raven: "You're the one who left. The tribe raised us, and you turned your back on them." Qrow: "They were killers and thieves." Raven: "They were your family." Qrow: "You have a very skewed perception of that word."

And there it is. Raven's problem is laid out here for us, loud and clear: She feels like she was the one abandoned, not the one running away. She says it outright! "You're the one who left." To her, Qrow is the traitor, the one who left their family behind. If you ask Qrow (or, for that matter, Tai, Yang, and even Summer based on the scene in V9), it's the opposite

Bcus they have different definitions of family

Another thing to pin (I promise this will all become clear soon)

Raven: "I lead our people now. And as leader, I will do everything in my power to ensure our survival." Qrow: "I saw. The people of Shion saw, too." Raven: "The weak die. The strong live. Those are the rules." Qrow: "Well, you've certainly got someone strong on your side. I've seen the damage." Raven: "We couldn't have known the Grimm would set in as quickly as they did." Qrow: "I'm not talking about the Grimm. And I'm not talking about you, either."

Notice Raven's shift from "the tribe" to "our people". More of that guilt tripping!

Additionally, Raven is *obsessed* with rules. One save. The weak die, the strong live. Raven lives and breathes rules, even seemingly arbitrary ones. Guess what this is? Another pin!

Raven: "If you don't know where the Relic is, then we have nothing left to talk about." Qrow: "I don't know where the Spring Maiden is, either, but if you do, I need you to tell me." Raven: "And why would I do that?" Qrow: "Because without her, we're all going to die." Raven: "...And which 'we' are you referring to?"

Qrow's "either" here implies that he also doesn't know where the Crown of Choice is, which is... interesting. He's one of Ozpin's closest lieutenants, and is in the dark on where Beacon's Relic is? Wherever it is, it is such a closely kept secret that even Ozpin's best spy doesn't know where it is (maybe so that in the event Qrow gets captured by Salem he can't be forced into giving her the information?)

Meanwhile, Raven's "And why would I [tell you]?" implies that she does know who the Spring Maiden is (obviously. Raven's the Spring Maiden lol) but refuses to disclose to Qrow

A lantern sputters out after Qrow says "Without [Spring] we're all going to die." Now, I genuinely can't remember if this is headcanon or canon, but iirc Misfortune seems to act up when Qrow's upset. He's clearly tired of this little game of dancing around topics that Raven's been playing with him

And once again, Raven indicates a feeling of exclusion from Qrow's life in the iconic final line. She gets the final word in before leaving

We've finally reached the end of the conversation. Now what does all of this tell us?

And here is where all of those pins I wrote down are relevant. As I mentioned, the twins view family very differently

Qrow's view is pretty obvious: he views family as the ppl in his life who matter most to him. Unlike Raven, he does not view the tribe as family despite the fact that they raised him, disgustedly referring to them as "killers and thieves". It's implied that he was, in fact, neglected and/or likely abused by the Branwen tribe, saying in V6C4, "No one wanted me... I was cursed..." further explaining his distaste for them. Furthermore, despite not being related to Ruby by blood, they clearly consider one another family throughout the series, and he even seems closer to her than he seems to his niece who's actually blood related to him (I personally headcanon that he keeps more of a distance from Yang bcus she reminds him too much of Raven, who he feels abandoned and hurt by, but that's neither here nor there). Bloodlines and debts are secondary compared to loyalty, if they're considered at all. He is obviously furious that Raven only insists on saving Yang once and never directly interacting with her beyond that, despite Raven constantly guilting Qrow over abandoning his so-called "family" of the tribe. And yet. And yet. He still offers Raven a place back in his life, even if only to unite against Salem

Raven's view, to me, has been an enigma for a while. But after hyperanalyzing this conversation, after noting down all of those points of interest, I feel like I've finally cracked the code. Raven views family as an obligation, an exchange that always has an ulterior motive behind it. She seeks out Qrow only bcus she desires smth from him despite showing distaste when someone does the same to her; condescendingly calls Qrow "brother" more than his actual name and calls the tribe their "family" to try guilting him into doing what she wants; and feels fierce loyalty to the tribe but barely interacts with her daughter, only seeming to count one of the two as true family. She views the concept of family with cynicism and seems to feel an obligation to the tribe, as if she "owes" them for raising her

I think the two's perceptions of what defines family are all to do with the way the tribe treated both of them. This crosses a bit into headcanon territory, but as you can see by the above quotes and analysis, I rly don't think I'm just making it up entirely

As I already mentioned, I think it's implied that the Branwen tribe neglected/abused Qrow. In fact, we could probably blame their treatment of him for the deep self-loathing he has due to his "cursed" Semblance. But what about Raven?

Well, it's simple: I think she was abused, too, just in a different way. While Qrow was likely shown and told on a consistent basis that he was unwanted, unloved, undeserving of good things, Raven may have been shown and told she was wanted, loved, and deserving of good things... if she did what the tribe told her. If she repaid them for raising her and her brother, for being her "family". The way she uses her familial ties with Qrow as almost blackmail may be exactly the way the tribe treated her. Her obsession with following rules may stem from the fact that she had to follow the rules the tribe set for her in order to be accepted and deemed worth smth

As for her distance from Yang... honestly, I wonder if Raven is aware that Yang deserves better and keeps her distance as her way of doing that. When Summer confronts Raven in the V9 scene, Raven says, "...You're better at that life. Better than I was." She seems to have a fear and insecurity about being a good family member, a good mother, and maybe that's why she fled. Maybe she was scared of being like her abusers due to how she emulates them as a self-preservation tactic in so many other ways. Not entirely sure about this point tho

And I think too this is why the twins don't rly understand one another. They may have been unaware of the different ways in which the other was treated. Qrow, constantly unwanted and loathed, can't understand why Raven sticks around with the tribe; Raven, who obeyed the tribe and, in doing so, garnered enough of their favor to even eventually become leader, can't understand why Qrow can't just be "good", earn respect, and stay

This dissonance between the two experiences may also be completely intentional on the part of the tribe; abusers will often eliminate their targets' support systems in order to make them completely reliant on the abuser, so it's highly likely that the wedge was intentionally driven between the two siblings so that they could not find support in one another. This would also tie into why the twins seem to feel excluded from one another's lives and abandoned by one another: bcus they were made to feel that way by their common abusers, and did nothing to challenge these assumptions bcus they saw no reason to — and only seemed to keep proving one another right if they did

Which rly has some disturbing implications about how the Branwen tribe works. Like, do they just pick orphaned kids up off the street and abuse them into being perfect little bandits, molded to be of the greatest possible use and discarded if they're deemed worthless? Plus Qrow says his Semblance is how he got his name, which implies that the tribe also renames the kids they scoop up (possibly as a form of control or a way to make sure they can't be tracked down by any remaining family)? Plus there's the whole thing where Qrow and Raven were originally sent to Beacon to learn how to kill Huntsmen, which carries with it the implication that the Branwen tribe grooms literal orphan children into becoming stone-hearted murderers? What. The heck.

And if I'm right, if the Branwen tribe is that severely abusive, then like... wow, no wonder Qrow and Raven are Like That. They're both very deeply hurt people expressing it in different ways

I was considering adding their conversation at the Battle of Haven to this post, but I think that would be better as its own thing. Also I haven't gotten there on my rewatch yet so I may miss some details if I try to analyze it rn; it's better to wait overall methinks

But I have reached the point of my rewatch where we see Weiss and Whitley interact, and I think it would be very efficient to sum up what Qrow and Raven's relationship seems to be by using those siblings as a point of reference. Qrow = Weiss, actively trying to break free from and fight back against their abusers in different ways, while Raven = Whitley, continuing to do as their abusers want and have wanted as a method of self-preservation. Only, unlike Weiss and Whitley, Qrow and Raven have yet to come to a point where they can understand one another. I think that's a good way to briefly summarize the uh. Absolutely massive post this is.

In conclusion, I may have cracked the majority of the Branwen twins' pre-Beacon backstory purely by hyperanalyzing a single conversation. Oopsies

#original post #'hey hira why are you so obsessed with these two—' autism. i hope that answers your question!#ok but srsly. i've genuinely worked rly hard on this post for the past like. 3 days?#i didn't think it'd lead to me deducing all of this about the twins' pasts but here we are lol #this'll probably flop due to the length but like. i don't mind tbh! this is mostly to satisfy my own silly brain [affectionate] anyway #i'm genuinely looking forward to seeing them in v10 #since the storyboard for the scrapped v9 epilogue had raven in it #i hope they somehow reconcile and come to understand one another like weiss and whitley did #tho. i have a bad feeling that even if they do it will end in one (or both?) of them tragically dying before the other's eyes #but that's not rly relevant lol #anyhow i am not sry for inflicting you all with my branwen twin brainrot. it will happen again #i'm having sooo many thoughts on this rewatch and they just keep on coming #rwby #qrow branwen #raven branwen #branwen twins #rwby9 spoilers #i hope there's no glaring errors here. i read thru this post multiple times to be sure but it's so huge i may have missed smth irjnfbpbne

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