Names in IkeVil
All combinations of first and last names I find extremely good. They sound catching and are easy to remember. It has always been a challenge for me to remember the names of new characters, but here… I had only one problem. I've always confused William with Victor. To me, all names that start with the same letter (in this case, they sound like they start with the same letter) are very similar. And here not only one letter, but also the first syllable sound the same. You know… that was tough. It's only then I start calling them by pet names (Willy and Vic) I finally start hearing them differently.
There is a pseudoscience that claims that all words or names can be described in a few words that convey the emotions you experience when you hear them. It called phonosemantics. I cannot say that this is real science, because there is no (and cannot be) proof… everything is incredibly personal. But it exists, and I find the concept very fascinating.
But first let's talk about how I hear their names. Random order. Don't look for deep meaning.
Liam Evans. It sounds very soft and sweet to me, like marshmallows. It's very streamlined and even shapeless, but it's still extremely pleasant to hear and easy to remember. It's a good name for an actor.
Jude Jazza. Juicy. That's the first thought. It sways pleasantly in the mouth, I wanna repeat it again and again. To me, it sounds like a sour candy with a sweet core that constantly hits the teeth with an unpleasant, but for some reason attractive sound.
William Rex. A very loud and strong name. It sounds like the name of a political leader or something. But in the end it softened slightly, so the impression changed a bit. Now it feels like a warm blanket. I can't see him as food. A shame…
Harrison Gray. Another strong name. But it sounds softer, more stable… there are no sharp corners in it. It is strong, but soft. I don't know why, but it feels like something with carrot in it. Not juice, maybe cake… I'm sorry, Harry… You're not strawberry milk.
Roger Barel. I don't know why this name feels like a balm that smooths all problems. It's warm and cozy. It's like sitting by the fireplace with a cup of cocoa. Funny… I don't like this guy, but his name makes the most calming impression on me.
Alfons Sylvatica. Very unusual. I see it as something with a lot of spices, like an Indian food, but the taste is constantly changing. I love it. I like the softness of his name, how unique and very odd it sounds… This name is not easy to pronounce, but there is something alluring about it. I really like it.
Elbert Greetia. His name gave the impression of something big but soft. It sounds strong at first, but in the end it sounds like something small and even shy one… For some reason, he reminds me of cotton candy.
Ellis Twilight. Very soft, very smooth, but somehow cold… For some reason, I see a picture of being outside in the middle of the night (perhaps due of the meaning) in a field of flowers or on the riverbank… perhaps both. It's a summer night, soft and calm, with lots of stars in the sky. It's a little cold, but not enough to feel chills. Compare with food… maybe ice cream. It's incredibly delicious, but if you're not careful all the time, you may catch a cold.
Victor. It feels small (funny, considering the character), but soft, with a lot of cream.
And this is how phonosemantic analysis describes these names*:
Liam Evans. Good, safe, beautiful, rounded, smooth, bright, kind, joyful, simple.
Jude Jazza. Manly, brave, rude, big, strong, mighty, loud.
William Rex. Safe, nice, rounded, beautiful, big, majestic.
Harrison Gray. Manly
Roger Barel. Brave, mighty, courageous, strong, rude, big, loud, majestic, bright.
Alfons Sylvatica. Quiet, weak, frail, dim.
Elbert Greetia. Big, simple, good, beautiful.
Ellis Twillight. Nice, beautiful, safe, big, majestic, rounded.
Victor. There are no pronounced characteristics.
* I haven't found an easy way to get these characteristics in English. There are many articles, but I'm too lazy to read to figure out how to do it myself (and I don't really have time for this). I need a form where I can enter a name and click a button to get the result. But I didn't find anything like this in English. So I used transliteration into my native language, entered it into forms, found the result, translated it back into English (yes, I had time for that!!!). And suddenly I discovered that I probably don't pronounce all the names correctly. The biggest issue was with Greetia. I always pronounce it the way I see it [Gritia], but the translator says it should be [Grisha]. And depending on how it's pronounced, I get different results. Not much different, but still… So I choose the words the way I found it more correct.
I was a little offended because of Alfons, but you cannot change the facts, aren't you? And Victor, as always, is mysterious…
Take a look for yourself. I think there's a lot in common with the characters. So maybe devs are using this "science" when choosing their names. Or it's just a coincidence… Or this thing really works…
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Todays rip: 13/05/2024
Stickerbrush Queen
Season 1
Featured on: SiIvaGunner's Highest Quality Rips: Volume L [Side A]
Ripped by toonlink
EIGHT. Years later. And we're still jammin'. I can't believe I missed the anniversary to such a historic part of the channel's legacy. I hope the world can forgive me for being a whole day late and that we can all recover from this scandal together.
Stickerbush Symphony is one of the most revered songs within VGM to a degree I don't think I can describe accurately. The original version from Donkey Kong Country 2 is still arguably David Wise's magnum opus and continues to touch hearts everywhere through its various YouTube reuploads, wheras the equally-beautiful remix in Super Smash Bros. Brawl has its hooks in an entire generation of Wii kids who are forever attached to the theme through its prominence in the Subspace Emissary campaign. It of course has a huge presence on SiIvaGunner too, one I've covered multiple times before, most notably in Sidelined Symphony. Yet the song's presence on SiIvaGunner has branched out into something entirely different, an outright franchise of bangers based on the already banging Brawl remix - all of which started with Stickerbrush Queen.
Yes, you'll have to forgive me for Toonlink-glazing once again...it's likely that not even this will be his final appearance on here, but it genuinely cannot be overemphasized just how much of Season 1's spirit was defined by his contributions. Rips like The Great Weed and Dr. Soulja are just quintessential SiIvaGunner to me, and were my go-to rips to share back in 2016, their comedic timing near unmatched, but Toonlink's versatility as a ripper extended to genuine bangers as well. Case and point - Stickerbrush Queen, the first-ever rip of Brawl's interpretation of Bramble Blast, and one that hit the nail on the head right away with an utmost brilliant idea - to use the track as the backing beat to a rap mashup. Whether or not you have attachment to Trap Queen or Fetty Wap before listening doesn't matter - the two halves of the rip lift each other up in such perfect harmony, that it starts to feel wrong to listen to them in isolation afterward.
In my eyes, a huge part of what makes the mashup work is that its playing to the traits of Trap Queen rather than lifting it into a completely different environment - its beat in the original version has a very similar bright, sparkly sound to Brawl's Bramble Blast, and the contrast between it and the vocals are likely part of how Trap Queen was envisioned. More drastic tone changes in rap mashups can certainly bang, I fucking love Sweatpants Select for that very reason, yet there's something just so elegant about how Stickerbrush Queen does it - it still FEELS different, the Bramble Blast instrumental is undeniably emotional, yet its able to balance itself out through the steady rhythm of Trap Queen's vocals. The break in the middle of the rip, at around a minute in, hits extra hard though - the instrumental additions to Trap Queen changing in turn make it such a memorable part of the whole and unify the two songs amazingly well.
Being uploaded so early into the channel's very first season, during the period of time in which EVERYONE's eyes were on this weird new music uploading channel, Stickerbrush Queen slowly garnered a sort of legendary reputation. Perhaps that was just my view of things, but it was one that got validated more and more as the channel went on. More Bramble Blast and Stickerbush Symphony rips were made over the months and years, ones like Stickerbrush State of Mind and more, that all felt like they were paying tribute to the very beginnings of it all. Eventually, those tributes would become direct - The premiere to Season 6 of the channel, Bramble Blast Collab, includes direct nods to this one rip, and its only one of several examples - most notably, a direct tribute to it on Season 7's RIP² album. This release, 7 YEARS LATER AND WE STILL JAMMIN', is of course also notable for referencing perhaps what the rip is most known for these days - the persistence of one sole commenter who returns to Stickerbrush Queen once a year on its anniversary to remind everyone that, yes, all these years later we ARE still jammin'.
Eight years, huh...that's nutty to think about - and yet even with its age, this one sole rip continues to be referenced all over the place on the channel. Stickerbush Symphony, Bramble Blast,whatever you want to call it (even StickerBRUSH Symphony if you're wrong), continues to live on, celebrated as the legendary piece of VGM it always has been - yet the contribution Toonlink made to its legacy all those years ago feels everpresent in a way that's really fun to see - almost EVERYONE following the channel has heard that one mashup at one point or another. Be it the aforementioned direct arrangement of it on RIP², or this fucking stupid tweet that blew up around the rip's fifth anniversary...its the kind of rip that just brings the community together any time we get to hear a trace of it. The definition of an enduring classic - and yes, we are STILL Jammin'.
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You know those songs that make you feel like you’re drowning in a lake and there’s no broken surface through several feet of ice.
Or the ones that make you feel like you’re a cocooned corpse encased in ash and volcanic matter in Pompeii, with your last movement reaching out to a loved one but never actually touching their hand before you both die.
Or falling down a crack in the earth but falling so, so agonizingly slowly, knowing that you’ll hit the ground soon but all you can do is think about how you’re going to die and this is it and you have so much fucking time to think about that fact.
Or frozen in marble, unable to move but still alive, watching for years as vines climb up your stone body and the forest thickens around you and sometimes people pass by, visit, examine you, but you can’t scream or move so you just watch and wish you could cry as you watch them walk away.
Or making your way through an enormous facility, braving overgrown animals and rickety structures and collapsing ceilings and horrors you can’t even begin to describe, and the moment you reach the surface and think you’re finally, FINALLY out, your face falls as you see the state of the barren earth and hear nothing. See no movement. And you realize, with complete and utter hopelessness, that you are the last person left after the world has been killed, maybe in one fell swoop of a scythe or centuries of torment and loss, but that neither even matters because what are you supposed to do now. Was breaking out worth it? What happened to everything? Why you?
Anyways. This post is about Making Your Way Home by Masatoshi Yanagi from The Evil Within 2 soundtrack.
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