need more t4t chainshipping tbh. gimme that stealth-x-out dynamic, gimme some lawrence egg cracking, gimme lawrences who had the means to transition quietly and offer adam the same, gimme transfem4transmasc and transmasc4transmasc and transfem4transfem. i don't mind what form it takes, just gimme more trans love <3
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i'm into horror for a lot of reasons, but one of them is that it has this capability for externalising a kind of violence that is often only felt, not seen. my favourite works of horror use experiences like mental illness or oppression as springboards - they elevate psychological terror into something you can actually see and fight against. like, yeah, depression DOES sometimes feel like you have a monster living in your cellar that nobody can see except you! puberty DOES sometimes feel like you're transforming into something weird and dangerous! that's why i often find horror movies so cathartic - even comforting, in some cases.
and that's why i originally started to explore splatterpunk - because i read exquisite corpse and loved it, because it was a queer novel by a queer author that took the political violence of the aids crisis and made it literal, blew it up to a monstrous scale that matched the monstrous pain felt by the victims and their families. it felt genuinely subversive. it felt visceral. and then i read a bunch of other splatterpunk fiction, and was disappointed to discover that most of it was just an excuse for men to self-publish their badly-written snuff porn.
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To whatever intern is running the SAW Twitter account I hope you get that raise because this tweet is actually deranged
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one of the sexiest posters ever made. look at this.
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SCREAM (1996) dir. Wes Craven
FIVE NIGHTS AT FREDDY'S (2023) Emma Tammi
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