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#Glimmer is literally a kid who Shadow Weaver manipulated
quirkyrahne28 · 4 months
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Me: *Sees people on this site openly shipping incest, abuse, pedophilia, and some guy (A) with a guy (B) who beats him (A) up excessively and reminds him (A) of his (A’s) abusive father.*
Me: I’m not suicidal, but I see the Lord wishes to test me today.
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something that really frustrates me about spop is that we're supposed to believe that shadow weaver is an evil and selfish person who doesn't deserve redemption, but she's literally the only one being useful in s5. in fact, even before that, when she was still light spinner, she was the only person who actually wanted to do something about the war.
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Light Spinner: The Guild needs talents like ours more than ever before. Perhaps-- [looks away in thought] No.. you're not ready.
[…]
Light Spinner: It's no illusion. This is really happening. An army has invaded our lands. They call themselves the Horde. The Princesses have proved ineffective against their strength. They've accomplished much more in a short time, more than our so-called leaders have.
[…]
Light Spinner: We can no longer stand by while the Horde conquers more and more territory. The Princesses have been unable to stop them, and now they have taken a runestone, the Black Garnet.
literally she was the only one trying to do something. all of the other leaders just stood by and decided to leave it to the princesses. the princesses, as we've seen, were irresponsible and useless.
why is shadow weaver the bad guy here? i mean, sure, she wanted power. a pretty basic motivation honestly, i don't think wanting power alone is an entirely bad thing. and she was manipulative. which was definitely bad but considering how no one took her seriously, she had to resort to something.
if they really wanted us to side with the princesses, they should have given us a reason to root for them. but no. perfuma was impatient and immature. mermista constantly complained about doing her duty. frosta seemed to be responsible at first but turns out, nah, she's just a chaotic kid. glimmer was also pretty much not suited for queen duties. netossa and spinerella were just the resident sapphic couple.
in s5 as well, everyone was mad at shadow weaver for suggesting that adora carry the failsafe. but did any of them have a better idea? did any of them even try to come up with a good solution? or offer to carry the failsafe themselves? shadow weaver was the only person taking the war seriously, apart from adora herself. the rest of them acted like it was some minor inconvenience and like shadow weaver was just ruining the fun for them.
it's absurd really. shadow weaver is a complex character but everyone, the crew included, treats her like an irredeemable monster. i'm not saying she needed to be redeemed. but she did have a point - none of the other characters were even trying to take the war seriously. you can't blame the only person who is willing to go to extremes for the greater good, if everyone else is slacking off and treating a literal war like a pillow fight.
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mymoviefaves · 8 months
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So I was thinking. I think the Genshin Impact fandom (and a lot of fandoms tbh) need to learn that there’s a difference between redemption, and humanization.
Tl;Dr None of the antagonists in Genshin have been redeemed, even if they have backstories and they’re playable.
Spoilers for Genshin, She-Ra, Steven Universe, and AtLA ahead
A complaint I see about some story lines in Genshin is that the game keeps “redeeming” evil characters, and doesn’t just let them be evil, with the exception of La Signora who died before we could get much screen time at all, and will never be playable. But the characters most everyone would call “evil” who are playable, (Childe, Raiden Shogun, and Scaramouche) get quickly redeemed with no consequences for their actions, and are no longer evil characters. And there’s a worry that other evil characters that will be playable are going to get the same treatment.
Here’s my thing, I feel like they will get the same treatment, but none of those characters have been redeemed. At any point. (You could make an argument for Scaramouche but we’ll get there). None of them are even asking for redemption. All of them have been humanized though.
So I feel like the easiest way to do this would be to give examples of redemption and examples of humanization.
Redemption:
The first characters to come to mind are Zuko in AtLA, and Catra in She-Ra.
Zuko did horrible things throughout the first two seasons of AtLA, including a lot of attempted murder/capture, lying, betraying people closest to him, being a general dick even. We know that the reason he’s like this is entirely because of his abusive father, but just having that information doesn’t redeem him as a person. He has to earn that, and he does. He gains the trust of the gang, he shows kindness without expecting anything in return, he throws himself into this fight whole heartedly against the fire nation and the only family/friends he’s ever had aside from his uncle. I feel like I don’t have to go too deep into detail, but you get it right? He actively tries to be a better person and to make good on everyone he’s wronged. The gang and Iroh don’t have to forgive him, but they do, because he earned it. And it’s a “kids” show where forgiveness is kind of a big theme.
It’s a similar situation with Catra in She-Ra. She’s a horrible person. She’s selfish, manipulative, violent, and she tried to destroy the universe for attention. We know why she’s like this, she was horribly abused and manipulated by Shadow Weaver and the Horde. She’s sad, scared, and lonely, but obviously none of this is an excuse or makes her a good person automatically. She doesn’t get a redemption arc until the last season where she sacrifices herself for Glimmer, having absolutely nothing to gain from it. She has to literally become reborn, and much like Zuko she completely devoted herself to fighting the opposite side of this fight she’s been in her whole life because it’s the right thing to do. At no point did she just trauma dump and get the best friends squad and the princesses to immediately forgive her, it took weeks of earning their trust expecting nothing in return. Again, hard work.
Humanization:
I feel like this is where a lot of confusion lies. Especially with the black and white thinking found all over the Internet. “If bad person, than horrible evil monster who kicks puppies” “If good person, than perfect saint of a person has never done anything bad in their life”. That’s just not how reality works, and that’s not how good writing works. If your antagonist is just Satan incarnate, sure that could be interesting to play around, but that has to be the main conflict. Trying to overcome this force of nature.
Great bad guys tend to have interesting motivations, and are fully fleshed out three dimensional characters.
I’ll use a controversial example, but the Diamonds in Steven Universe. They. Are. Not. Good. People. Rebecca Sugar was never trying to make them good people. They do not get redeemed at the end of the show. They do not earn Steven’s or the Gem’s forgiveness. They come to a peaceful solution (because Steven is a pacifist and it’s a kids show) but they’re at no point redeemed.
They are three dimensional though. We find out that all of them are still reeling over the “loss” of Pink, and while their actions have always been hurtful they were always meant to be in best interest for the family. Does that excuse them? No. Impact is always more important than intent, and that’s why they’re the bad guys. At the end of the day and the end of the series, they’re still not welcome in Steven’s life even if they try to be better. The audience can see them as more than just evil cartoon villains, and that makes them interesting as characters, but they’re still bad people.
Another evil antagonist who is humanized and becomes a more interesting and well rounded character, Darth Vader. Stay with me.
Obviously Anakin Skywalker gets “redeemed” at the end of the original trilogy, but it’s obviously very bare bones. It was 1985, and not a great example of a bad guy getting redeemed. However, in the prequels we can see how this literal cartoon villain, dark castle on the side of a volcano, evil character, started as an optimistic, brave, and kind hearted little boy.
Say what you want about the prequels and their writing, but the way they portrayed the downward spiral of Anakin Skywalker was fantastically done if you pay attention and don’t zone out during all the political speeches. We know Darth Vader already, but at the start of the prequels we’re introduced to a literal innocent child. We watch him literally being manipulated and groomed to the dark side by Palpatine, have no outlet to talk through his trauma so the only solution he has is violence, and when he’s at the most scared and desperate he’s ever been, he fully falls into the role of Darth Vader and goes out to murder a bunch of little kids. Little kids the same age and with the same mindset he had at the beginning of the series. Does any of this backstory, trauma, and being a victim of Palpatine’s manipulation make him a good person? No. He’s fucking Darth Vader. He kills babies and tries to drag his own son down the same path as him. It does make him into a more rounded and interesting character though. It makes him human. A terrible human, but still human.
ANYWAY BACK TO GENSHIN IMPACT
Childe, Raiden Shogun, and Scaramouche have all been humanized by the story so far, not redeemed.
Childe is a Fatui harbinger. He actively tried to kill the traveler, and while he felt bad about it (there was a translation error in the English version) tried to kill an entire city of innocent people. He only half heartedly apologized for the attempted murder and just laughed it off. He still doesn’t see what he did as wrong, or anything he does working as a harbinger as wrong. He’s by all standards a bad guy. But, he’s genuinely a kind person. We learn that he’s a loving and sweet big brother who’d do anything for his family. We’re probably going to learn about whatever traumatized the light out of his eyes soon in Fontaine, but he’s never been redeemed of being a murder happy mafia caporegime. He’s still very evil, and probably will be until either he dies trying to save the traveler/Tucer, or realizes that the Fatui are just using him and that taking care of his family is more of a threat than a favor. I have a lot of feelings about this man. But that’s the thing, he’s an interesting, well rounded character even without redemption.
Raiden Shogun has never once apologized or even asked for forgiveness for what she’s done to Inazuma. She doesn’t see her actions as evil, she just sees them as an over correction. She’s barely even able to see her citizens as people because she locked herself away from humanity for 400 years. When we get to know her and her backstory we learn that she has horrible trauma, and everything she’s done has been what she thought was best for Inazuma as a whole. We learn that she’s actually a very kind person who loves sweets and thinks the best solution to a love triangle is everyone dating each other. Does any of this redeem her and make her a good person? No. Very few Inazuma characters forgive her for what she did and the war that came from it. Kokomi is willing to be diplomatic with her, because she knows that’s what’s best for her people, but the second there’s a reason to, her and the rest of the characters effected by Raiden’s actions are ready and willing to throw hands. Will she ever ask for forgiveness or seek redemption? Probably not. But her being more than just the cartoon villain evil robot dictator that the Shogun puppet is, makes her an interesting and well rounded character.
Scaramouche/The Balladeer/Wanderer/Kabukimono/Kunikuzushi/Kuronoshi/Shouki no Kami/Babygirl is the only character so far that I feel like is in his “hey, Zuko here” era. Obviously he’s done plenty of evil things in his life. He murdered several entire families to wipe out a cultural art form because he was petty and hurt. He tried to murder the traveler several times, he helped set the vision hunt decree and war that came from it in motion, oversaw the delusion factory getting even more people killed, tried to become a god, attempting to murder the traveler again and attempting deicide on a toddler. Not to mention, overall, kind of a dick to just about everyone. He even asks “Am I evil?” And Nahida says “Yes.”
Throughout all of 3.1-3.3 we learn his tragic backstory, and how he was lied to and manipulated, and traumatized into going from “sweet and innocent puppet” Kabukimono to the Scaramouche we meet in the beginning of the game. Does any of that abstain him from everything he’s done in the past 400 years? No. But I think where we see the beginnings of a genuine redemption arc is when he decides to help the traveler and Nahida when he has no reason to. The next part of his redemption comes from when he found out the reason everyone he loved died, and the reason he became evil to begin with, was all based on a lie and decided that everyone he’s ever cared about might be saved if he never existed. And of course, after accepting all of his mistakes and the worst most evil parts of himself and still deciding to save the traveler’s life just before getting his vision.
Now, is he a fully redeemed and forgiven character even after all of that? No. Not even after all of that. The traveler is still suspicious of his motives, and doesn’t forgive him for anything. But at the same time, he told them to tell everyone effected by his actions who he is and what he’s done. He’s expecting them to come after him and he’s ready and willing to accept anything coming at him. He’s also been actively being helpful and kind to the rest of the Sumeru cast even when he has nothing to gain from it. Sure, his main reasoning for not hurting people anymore is that he has no reason to, but even if he’d never admit it he’s actively being a better person. He’s still a brat and an asshole to everyone in his life, but that’s just his charm.
Anyway, as far as I’m concerned about future playable antagonists and evil characters (Arlecchino, Dottore, honestly the rest of the Harbingers) I feel like we’re going to get their backstories, and they’ll become fully fleshed out, rounded, humanized characters, but they definitely won’t be redeemed of their evil actions by any means.
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heyedora · 1 year
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been rewatching she-ra and man, in the shadows of mystacor will always be one of my favourite episodes. like, top 3 material, easily.
(cw: abuse mention (via talking about the themes of it in spop)
i mean, years ago when it first came out, as someone who had recently experienced severe abuse, the line "you have no power over me anymore!" like, changed something in me, it was incredible. that entire fight sequence with her and shadow weaver at the end, where SW is using her tactics again, but this time around adora is familiar with it and fights back - it's a super inspiring scene (always makes me cry). and at the time, it was so amazing for me to see, because it's important for people to see they're not their abuse and they can overcome it, right? but this time around i realized - the reason that adora has the strength to fight back is because of her connections with other people. she's been away from the horde for awhile now, and she has the comparison of how her new friends (who haven't known her that long!) treat her, and it's their belief in her, and the fact that adora knows, without a doubt, that they love her, that helps her recognize the manipulative way that SW is speaking to her. just a great episode all around for telling people that healing is possible and each day you spend healing, you gain just that bit more power to fight back.
something else this episode does a great job with? showing the dangers of toxic positivity! the entire episode, adora is severely on edge - she can't relax, she can't sleep, she's quite literally being haunted by shadow minions (let's call those manifestations of trauma/abuse, for the sake of this post). glimmer and bow keep assuring her she's safe, and the danger can't reach her here, and they mean well, but this makes adora even more anxious. and it's because she is in danger, because SW is there, and she knows it. this is almost like, textbook what i learned in therapy - after a traumatic situation, it will take a long time before your body knows you're safe (i could go into detail about how trauma lives in your nervous system but i'll save that for another day). for adora, the threat is still there, even if other people can't see it. forcing her to relax isn't going to help anything. and through the ep, bow and glimmer slowly try to help in other ways - even when they finally let adora talk about what's worrying her (her history with SW), that helps her a bit because she can get the comfort she needs. and after listening, bow suggests trying something else, like "hitting something", because he's trying to understand how she best deals with stress. but it's not until adora faces SW - her feelings, the danger - and acknowledges that she was right, the danger was there, but! she has new skills now, and is surrounded by loved ones, and she can fight back - that's when the feeling/the shadows go away. and then, the best part!!! glimmer and bow apologize because they realize that they needed to really listen to adora and let her feel her anxiety and her feelings, not force her to ignore them and focus on other, more relaxing things. and then, after she's faced those feelings and has talked about them, she's able to admit she's tired, and she falls asleep on the beach. and when she wakes up in a panic, who's there, keeping watch over her? glimmer and bow (i literally tear up every time). because they learned what adora needs, and what adora needs is to be allowed to be scared, with her friends right by her so she feels safe being afraid. it's just a great lesson, especially for a kids show, that all your feelings are valid - even fear and anxiety.
and!!! during the fight with SW, she can't activate her sword or become she-ra - but when she decides to stand up to SW, the sword turns into a shield for the first time! because it doesn't take power to stand up for yourself. she holds that shield and defeats SW as adora. because you can do it afraid. you can face your feelings and release other people's power over you, and you don't need to be scary or offensive to do it, or even strong, you just need to have the desire to protect yourself. GOD. this show.
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testudoaubrei-blog · 3 years
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TL/DR - Catra is a uniquely complex and compelling character who has -so much going on- compared with most characters in any medium. Her character arc is psychologically astute, morally powerful and dramatically compelling, and it pushes the boundaries of the audiences sympathies in ways that are really groundbreaking for a kids show, and her arcs conclusion celebrates love, growth, and the power to change in a way that is all too rare in TV for grown ups.
Content note for mentions of suicidal ideation and self harm.
Well, now that the summary is out of the way, here’s a massive fucking dissertation on why Catra is such a great character.
This is the first of a series of posts outlining things that make She Ra a truly great show, one that stands out even 15 years into a golden age of TV animation for kids. This isn’t going to be a comprehensive account for why the show is great - the real answer is that this show has so many arcs and so many fully realized characters and they are all growing and changing in ways that interact with each other and complement each other so well. But I’m going to highlight some particular standouts, things that this show does better than anything else, things that made me step back and say ‘holy shit they did this in a show pitched at 10 year olds?!’
And so the first of these posts is about Catra. I’ve never seen a character in a kids TV show like Catra before. Depending on the season, she’s an anti-villain, an outright villain and an anti-hero and then, in the end, a hero. Being glib, I describe her in villain mode as a Saturday morning cartoon Supervillain as written by like, Dostoevsky. She’s got the trappings of classic villain camp - long speeches, sneering, over-complicated plans, she’s oddly ineffectual at times etc/ Yet all of this is underlaid and justified by something much deeper - her feelings of rejection, her desire to lash out at everyone around her, at her self-hatred and hatred of everyone and everything else (at least by Season 4. Good God.) And her actions are as dark as her motivations - she nearly destroys reality out of spite, betrays literally everyone who cares about her (often multiple times) and isolates herself so completely that in the season 4 finale she is a solitary, suicidal wreck of a person. Hell, in her last fight with Hordak, I was definitely rooting for Hordak (to say nothing of Glimmer, who is a pretty impressive antiheroine, like if Sparkles had just blasted her into glittery oblivion would we have held it against her?).
Let's start by discussing trauma. It comes up a lot with Catra for obvious and good reasons. But I almost feel like that word is insufficient for what's going on with Catra, or at least, we shouldn't stop with it (I know there are terms like complex trauma, but rather than simply using those I want to explain the difference between Catra’s consistent abuse and a single traumatic event). To use another example from a different show, Korra was also traumatized in season 4. But she was traumatized by a series of an events when she was a young adult. She had something horrible happen to her, and it fucked her up, and then she had exposure therapy with Zaheer and at least starts to get better. Catra...Catra is much more consistently abused. It's not just that shadow weaver traumatized her with the various acts of torture, but that Shadow Weaver taught Catra both an explicit worldview and a series of coping mechanisms that she struggles with through young adulthood. First, Shadow Weaver trained Catra to seek her approval. This is something she is particularly vulnerable to with Shadow Weaver, but also what she does with Hordak and to a extent Double Trouble. Catra's instinct when people mistreat her or show that they aren't trustworthy is to invest further in the relationship, until the breaking point. By contrast, when people treat her well Catra lashes out or takes them for granted. This is uh…a dymamic I am acquainted with among people who have been abused as kids, people whom I love. It is pretty rough.
She also developed a desire to prove herself. This starts off being tied to her drive for approval, but combined with her competitive streak (which is expressed in both healthy and unhealthy ways with Adora) it turns into a desire to beat Shadow Weaver and then Hordak at their own game.
At the same time, Catra learned by always being blamed for everything to evade and deny responsibility, no matter what. I think this form of self reassurance is tied to her self doubt (I think at some level she does think she is worthless) and her self hatred. It is also enabled by Adora’s martyr complex and willingness even act as Catra’s punching bag (as we see in the flashback in Corridors). This is a dynamic that actually repeats in an even worse fashion with Scorpia. Far from being arrogant, her constant evasions, put downs against others and preening speeches sound like the words of a woman who is trying to convince herself most of all. This tendency borders on narcissistic self delusion by season 3-4, which she begins recounting her version of events and possibly believing it even when it is obviously false, and everyone knows it.
When it comes to worldviews, Shadow Weaver taught Catra that love is about control and manipulation. We see this in seasons 1-3 where she congratulates herself for manipulating Adora when all she has done is take advantage of Adora's lingering love for her. Meanwhile, she’s learned that power is her only protection, and that the only way to stay on top is to abuse those beneath her.
The final kind of static tendency in Catra is her identity in the horde and her view of herself as one of the bad guys. This is something she rarely articulates but underlies much of her her decision to stay and not join Adora (at least at first). I think one thing to consider is that even if Catra never believed horde propaganda, it may have made her cynical and unwilling to imagine something better for herself or the world. Another factor is having struggled to belong in the horde for so long, she isn't going to give up now. At first this ties into her desire to win the approval of shadow weaver and Hordak, then it comes from her desire to prove herself better than them. Another factor is her self hatred. She sees herself as someone who hurts people, perhaps as a monster. She sees herself as a bad guy and so team evil is her side.
So yeah, our girl is kinda fucked up.
And yet Catra is never reduced to the sum of her traumas and bad habits. At every step of the way she is shown as a moral agent. She is shaped by shadow Weaver's abuse but she remains aware of and responsible for her actions. This is a double edged sword. She is fully responsible for her actions, but also she is never shown as broken by abuse or mental illness. She’s fully responsible, but by the same token is also redeemable, because she still has a choice.
So with that our of the way, let's go to Catra's arc.
I’m not going to recite everything terrible Catra does because I’m still on my first complete rewatch and I honestly find it hard to list it all. It’s a lot. So let’s talk about her shifting motivations. Early on, we see her desire for approval and recognition motivating her in ways that are so easy to sympathize with - she’s been told she’s worthless for years, and she wants to be worth something. We see how much she’s been scarred by Shadow Weavers abuse and by the ruthlessness and callousness of the Horde, and can sympathize with her desire to survive and advance since her own position is so untenable. We also see how, at first, she wants to be reunited with Adora. Her first huge turn into much darker territory is Promises, when she tries to kill Adora in order to permanently sever her connection with her own life and eliminate a possible rival for advancement (should Adora ever return). She’s told herself that she doesn’t want Adora back, and at least partly means it. Yet we still show her care for Scorpia and Entrapta and even Shadow Weaver in Season 2. It’s when Catra realizes that Shadow Weaver has chosen Adora over her once again that she takes her darkest turn. It’s not just that she destroys reality out of spite, it’s that she rejects her chance for a better and happier life, betrays every friend she has and focuses single-mindedly on hurting Adora (and arguably herself) and then on surviving when her attempt fails. Then Catra spends an entire season both fully inhabiting her role as a villain (and not a sympathetic one - really only our history with her leaves us sympathetic) and being utterly self-destructive and miserable. At the end, as mentioned, she’s a broken, suicidal wreck who has destroyed everything she’s strived for. If this was an HBO drama, we’d roll credits here and she’d go down as another self-destructive antihero. It would perhaps be too much to call her ‘Walter White as a catgirl’, but still. Of course, her story doesn’t end there.
Something that is incredibly dark that is happening in step with this is Catra’s hardening of herself, indeed, her dehumanization of herself. We see her struggle with her natural compassion, her kindness, her need for connection, her desire for happiness, and we see her ignore it all, stamp it down and nearly snuff it out. This is a huge factor in her descent into becoming a real villain (no ‘anti’ qualifiers needed). Every step of her descent is a struggle for Catra - not going with Adora in the second part of ‘The Sword’, trying to kill Adora in ‘Promise’, going back to the Horde, betraying Entrapta, lying about Entrapta, threatening Scorpia, destroying the world - but she always chooses evil. And with every step she becomes more isolated, more callous, and more cruel. Her default reaction becomes not just bravado and mockery and insolence, but threats, bullying and intimidation, until her management style is identical to Hordak’s, and indeed, is quite a bit worse. Catra starts off fighting for Hordak and Shadow Weaver’s approval and struggling to survive, and ends up cackling maniacally at her brutal and murderous conquests. She has very deliberately turned herself into a cruel conqueror, and a tyrant. This self-dehumanization is a huge part of evil in the world, I think, and it’s really powerful to see it so clearly in a kids show.
Meanwhile her insistence on evading all responsibility finally results in a self-serving, self-protective narrative that insulates her from responsibility or self-examination but also cuts her off from reality and other people. It’s always a bit unclear to what extent her various untruths (about Adora leaving her, about Shadow Weaver’s escape and her concealment of it not being her fault, about Entrapta betraying Hordak) are things she believes, lies she is telling to have power over others (mostly Scorpia) or things that she doesn’t quite believe but is trying to convince herself of. It’s probably all of these at various times, and in different degrees for each lie. The end result is that Catra is even more alone, because only she inhabits the safe cocoon of lies she’s built around herself. It also is the key to her and the Horde’s downfall - Catra is so isolated and in such denial that she can’t see how thin her forces are spread, and this crack shows up even in episode 1 of Season 4, with her insistence that the Princess Alliance is in shambles (when, in fact, it’s already rebounding, and proves more resilient than she allows herself to believe, and is led by a woman as ruthless and determined as herself). This part of Catra’s arc brilliantly shows how deception (of yourself and others) can feel protective by keeping shame at bay, but ultimately is destructive and strips someone of so much of the intellectual and moral qualities that we call ‘human.’ It’s also chilling to see since we’ve seen the end game of this mentality play out in US national politics, at the highest level.
I said at the opening that we’ve never seen a sympathetic character like Catra in a kids show. What about Zuko? I would argue that Zuko is never a cruel, or as callous, or as self-destructive as Catra is at her worst. Zuko is motivated by a desire for recognition from his abusive father (much like Catra is initially motivated by desire for recognition from Hordak and Shadow Weaver, and indeed Adora), and perhaps a desire to belong in the Fire Nation. All of this gets wrapped together in his ‘Honor’. He’s a young man with a very weak sense of what he truly believes, instead relying on external guides to what he should do. He’s also incredibly self-involved, and initially indifferent to anyone’s pain but his own and anyone’s needs but his own need to restore his honor. Uncle Iroh is there throughout to push Zuko both to see the needs of others and to become his own person. Zuko’s redemption arc, then, is a twofold quest to recognize other people and to find his own moral center and act from it. This is a pretty powerful coming of age story in that it is about him becoming his own person and throwing off the shackles of his upbringing. Politically, it’s a powerful story of a young man taking responsibility for his own actions in an authoritarian regime and refusing to participate in its imperialism any more and to embrace a new way forward both for himself and his nation. At the same time, in some ways it is easy to sympathize with Zuko because his greatest crimes are those of weakness - he’s not strong enough to stand up to his nation and his family until midway through the last season. Catra though...Catra does what she does, eventually, because she wants to hurt people. She’s cruel, and spiteful, and destructive in ways that are truly scary and which prevent any excuse or mitigation.
Which brings up the other comparison - Azula. But while Azula is (somewhat inconsistently) shown either as a monstrous child sociopath or a traumatized and broken child who can’t help it (and thus, perversely, as not a moral agent but something like a monster), Catra is consistently shown as a moral agent. Catra chooses her own path, every step of the way. She has so many chances to do something else - Adora’s offers to leave together in the two-part series opener, Promises, Scorpia’s suggestion that they dessert the Horde and become desert gang leaders, etc - and until season 5, she turns them all down. While Azula seems destined for evil and madness, with Catra we see a young woman very deliberately walk down the path into unmitigated evil with both eyes open. And then we see it destroy her.
And after she is basically destroyed, we see her build herself back. This process actually starts in Season 4 with the creeping realization that even when she is winning she is miserable and alone. She doesn’t even notice Scorpia is gone for several episodes, then she completely loses it. She spends the entire time when she is at her most triumphant isolated and raging and borderline incoherent, as ineffectual as she accuses Hordak of being. She’s won, and she’s alone, and she’s the most unhappy she has ever been, and I think for the first time she realizes that. And that’s the worst blow to her, even before all the external things come crashing down. She’s already miserable before Double Trouble and Glimmer deal her a triple coup de grace of destroying all her armies*, turning her and Hordak against each other and then Double Trouble’s epic evisceration. By the time Glimmer shows up, Catra is, as mentioned, literally suicidal. But she’s also already begun the process of changing in that she knows that she has a problem (her, and her self/other-destructive tendencies). Moreover, she knows, at some level, that what she really wants isn’t conquest, or to prove herself as the baddest leader of the Horde, but love - and she’s seen how she’s squandered that at every opportunity.
Let’s just pause for a moment to observe how much better Glimmer is at villainous machinations than Catra. In a couple episodes she makes a faustian bargain for unlimited power, kills all her enemies armies, sets her two chief foes at each other’s throats and literally cripples one while rendering the other helpless. And given her ironic non-answer about hurting Catra (‘we’re the good guys, remember?’ and the fact that she’d tried to kill Catra twice before**, she walked into Hordak’s sanctum fully intending to end Catra’s life, one way or another. She does all this through ruthlessness, recklessness and treachery, and she could give like, a TED talk on villainy. Of course it also blows up in her face and is actually way worse than the portal did in Catra’s, endangering the whole universe (I always assumed that the portal only threatened Despondos), dooming Etheria to invasion and all that. Of course, Catra pulled that switch and then fought Adora knowing that the world was ending, while Glimmer was just ignoring warnings from...just about everyone, including Shadow Weaver. So yeah, Glimmer, best kids show antihero since Princess Bubblegum***(unless we’re counting Catra as an antihero, which works for the first half of season 5).
Anyway, at the beginning of Season 5 Catra is adrift. Though some interpretations, like TV tropes, see her as immediately falling back into old habits and casting her lot in with Prime, I see her actions from the end of Season 4 onwards as more ambivalent. She seems to be kind of...going through the motions. She doesn’t have any of the drive or passion in her plotting that she once did, she seems to be maneuvering into Prime’s good graces out of habit. At best she’s back in the survival mode of early season 1, but without the ambition and desire to prove herself that motivated her. Some interpretations put a lot of stock in Prime being someone that can’t be bargained with or appeased, but...I don’t buy it. I take him, to an extent, at his word when he says that he was ‘exalt’ Catra (I am sure it is something awful). Catra actually gets what she wants halfway through “Corridors.” Only it’s not what she wants. She’s done jockeying for advantage, especially in a world where she truly would be alone because all she has is this psychopathic narcissist and his clones for company. She wants connection. She wants to do what is right. She’s suppressed all her humanity (felinitity? Anyway) for years and it’s made her miserable, and now she’s ready to embrace it. At the same time she confronts her own culpability, seeing just how much harm she’s done and admitting it for the first time. Her first lifeline is Glimmer, the only person she can actually talk to, the only other Etherian, the woman whose mother she doomed and who has nearly killed her three times. But Glimmer is also going through her own dark night of the soul - Glimmer and Catra’s character arcs were converging at the same time that Catra’s and Adoras and Glimmer’s and Adora’s were diverging. And they come together on either side of that forcefield, just talking and being people in an environment that is designed to be as dehumanizing as possible. Even this barest lifeline is enough for Catra to hold on to for dear life, and enough to inspire her to not just feel bad about the bad things she’s done, but do something good.
But the first way she does this is a cop out. Her plan, like Shadow Weaver’s in the finale, is to sacrifice/kill herself doing ‘one good thing.’ That way she doesn’t have to figure out how to live with the consequences of her actions, face the possible rejection of the people she loves whom she’s wronged, and do the hard work of building herself back up as a better person. She gets to die a hero rather than live as a villain. That said, unlike Shadow Weaver she does at least get off one apology, and it makes all the difference.
Then Adora fucks Catra’s sacrifice up, in glorious, space operatic, gay AF pulp fiction fashion, by saving the cat. Catra is mind controlled or unconscious for most of this episode, but what she does do is so crucial. When Adora comes for her, she reaches out to her, as soon as she is able. She doesn’t push her away, she takes Adora’s help, and her love, and Adora does the rest in badass fashion. The next few episodes plus the so perfect its canon Don’t Go are my favorite part of Catra’s entire arc.
She nearly falls back into her old habits, at least partly. Now that she has to live with what she’s done rather than just dying for it she just wants to run away again. But when she has to choose between losing Adora all over again and confronting herself and her past, she chooses Adora, and asks her to stay.
Catra then spends the rest of Season 5 slowly easing herself into the very human world of the Princess Alliance - the comaradery, the dedication to others and a cause, the goofiness. I’m going to talk a lot more about her relationship with Adora in my Catradora post, but I do want to highlight three moments.
The first is Catra running away again. This is actually a big change from what she’s done before - she’s not leaving because she’s angry, or bitter, or spiteful, she’s leaving because she doesn’t want to see the woman she loves sacrifice herself yet again (maybe this time for good) after being manipulated by the woman who had abused them both. But then she comes back. And then she confronts her abuser in a way that she has never done before - for the first time in the series, she not only calls Shadow Weaver out but calls her to do the right thing, and doesn’t give up until she does (this is after Adora also calls SW out and cuts her off forever, meaning that her two charges have finally called her on her bullshit and chosen each other over her, more in my Shadow Weaver Rant...and I guess my Catradora rant).
Then, at the end, Catra both stays with Adora through her potentially fatal harnessing of the Heart of Etheria and then her comes in and rescues her by challenging her to do something for Catra and for herself. Not to be with Catra, or to kiss her, or love her, but just stay for her. Needless to say, Adora responds far more enthusiastically than Catra had dared hope. (more on this in my Catradora rant).
Catra starts the show convinced she doesn’t need anyone except Adora, and she’s willing to even push Adora away if she can’t have Adora on her own terms. She goes down that path - ambition, manipulation, treachery, cruelty and isolation - until she has nothing left. She then slowly, painfully, turns around and reaches out and begins to heal the pain in Etheria and the universe rather than causing more. This is a psychological journey in many ways, but even more than that it is a profoundly moral one. It is a story of her accepting responsibility for her actions, facing reality, reaching out to others and making amends. It is in every sense a redemption. And while it works perfectly with Adora’s own development into her own, fuller, happier, healthier person, it works not because of Adora or the power of love, but because of Catra herself. Adora’s companionship, Adora’s rescuing of her and holding her to account, all of these are necessary for Catra to change for the better. But in the end it is Catra herself who chooses the right path, maybe for the first time in her life. And that’s what makes the romance work in turn - Catra is motivated to change not simply by a desire to impress her girlfriend or by Adora’s shining goodness (to the contrary, Adora’s a healthier and less self-sacrificing person at least in the finale...she comes around later than Catra) but by her desire to be true to herself and seek out what she really needs and wants - which is love, and connection, and to do good rather than evil. It’s a gorgeous story that takes an antihero all the way down to hell and then back again, and this makes it a truly unique redemption arc in all of kids TV - not just because of how far Catra falls, but how far she travels overall.
*(I know a lot of fanficcers talk about there being a lot of Horde Soldiers left but like...in the show...they’re nearly all dead, guys. Glimmer and company...okay mostly Mermista... just about killed them all in an afternoon. The cadet Triad survives because they deserted and weren’t there to get drowned/frozen/suffocated by plants when the grand invasion of Brightmoon went sideways)
**Okay, once she was only an accessory to Shadow Weaver’s attempted murder of Catra, the other time she leaves Catra for dead in ‘Pulse’
***I stan PB so hard guys. So hard. Machiavellian genius, mad scientist, god figure, possible Nietzschean Ubermensch? She’s so great. So great.
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fuhadeza · 4 years
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help I had some thoughts
she-ra is kind of a unique show. I struggle to think of anything else meant to appeal to that wide an age range: there are toddlers enjoying this show! I think that’s pretty cool, but I also think that it causes some tension in how we (as adults, or older teenagers) interpret the show. let me explain what I mean.
some things in the show are clearly there because it’s a kid’s show. would an adult version of she-ra have swift wind the rainbow talking comic relief unicorn? no. (and it’s probably why a lot of us don’t particularly care for him.) on the other end of the spectrum, we have things like the show’s depiction of abuse, which it handles in a nuanced and mature fashion. the tension happens when we get to the bits in between. let’s take the invasion of salineas in season four as an example.
what do we think of when we see that last shot of salineas in flames? death. genocide. the horrors of war. but that’s not what actually happens in the show. all we see are burning buildings, and then in the next episode civilians being rescued and taken to safety. duh: this is a kid’s show! we can’t show everyone dying. but the thing is, we have to accept that as true. for the emotional narrative to make sense, we have to believe that no one was actually hurt in that attack. think about how mermista reacts in the next episode: with bubble baths and ice cream. it’s even played for comedy at times. that’s not the reaction of someone whose home has just been wiped off the face of the earth, whose people have been decimated. instead, the show takes the opportunity to show a character exercising self-care and bouncing back when she’s ready.
and that’s the thing: she-ra is not a show about war. it’s not a show about genocide or imperialism. those elements are all present, and they’ve all been explored very well in fanfiction, but they’re not the fundamental themes. instead, moreso than any other show I can think of, it’s about characters and interpersonal relationships. those things are explored in all sorts of ways, including, symbolically, through acts of war that, in an adult show, would have much deeper and darker implications. it can do that because, in a world where no one ever dies, where magic exists, it’s never in doubt that salineas will be back, good as new, by the end of the show.
this isn’t an indictment. it’s not a bad thing. it’s just different, and people who grew up watching atla and lok (both shows that are aimed at older viewers than the lower end of she-ra’s range) might not be used to it. atla and lok do handle a lot of dark material very well. she-ra takes the opposite approach: almost everything is in service to character, to relationships, the salvageable and the unsalvageable. the darkest parts of the show are, consistently, shadow weaver’s manipulations of the main cast. what she-ra does, it does extremely well, and what it doesn’t do isn’t a failing but a choice.
this is why we can so easily forgive scorpia, even though she’s complicit in everything the horde has done. this is why we can forgive entrapta, even though she spends most of the show literally inventing more and more destructive weapons. this is why we can forgive glimmer, even though in season four her arc is about trying to set off a weapon of mass destruction. and this is why we’ll be able to forgive catra. don’t expect her to account for her “war crimes” (and please, I beg you, don’t throw that term around). she won’t, because that’s not how the show thinks. that’s not how its emotional narrative works. what she will do is mend the bridges she’s burnt. fix the relationships she’s discarded. outgrow the demons that chased her to rock bottom. and that will be enough.
I have every faith that season five is going to deliver on everything the previous seasons have promised, so long as we take it in good faith and don’t expect things the show simply isn’t designed to deliver.
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ruffiorocks · 4 years
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How She Ra Ended
I've never really scrolled through the Catradora and She Ra tags but I decided to yesterday and.....well... WOW! I can't get over how bitter people are what was essentially a children's show ending with everyone being friends again 😅.
People are genuinely upset that Adora and Catra realised they were in love and they got a happy ending.
The amount of folk that are over analysing a children's show and have all suddenly become fully qualified psychologists is mind boggling.
But if that's how you wish to see things then..
People are upset and surprised that Catradora happenend? My God people! It was obvious from the first season that that was what they were going for even if they couldn't fully commit until they got permission. If you didnt catch on at the start then the Princess Prom should have made it blatantly clear to you!
But even people who knew this was going to happen are upset because it did. They are talking about abuse and how they are disappointed and enraged that Catradora happened. You KNEW this was going to happen, so why continue to watch something you know isn't going to end the way you want and then get annoyed that it didn't end the way you want?
Adora and the others forgave Catra to quickly? Didn't Catra literally scream her apology to Adora while getting attacked by clones and saving Glimmers ass? Catra wanted to do one good thing in her life and said it didn't matter what happened to her, she was just happy that she thought Horde Prime couldnt hurt Adora and she saved Glimmer. Catra had resigned herself to her fate, she didn't know that HP was going to chip her. So what then? After she has saved Adora she deserves to be treated like a sack of s**t and has to keep making it up to them? News flash! That's not how forgiveness works. Once you are forgiven you don't have to keep proving yourself over and over again. But even if you did, Catra does that over and over again.
Adora forgave Glimmer to quickly for the things she said and nearly destroying every thing? Adora is the bloody hero of a childrens show, of course she was going to forgive her best friend for what she did, she would just be relieved that Glimmer was alive and safely back with them. Even Bow was hugging Glimmer and relieved she was safe. They needed the drama between Bow and Glimmer but they didn't need it between Adora and Glimmer because Adora was working through her stuff with Catra.
Also, it was the end of the F**king world they were facing!!! They could have all died at any point and they were prepared to. So why would they spend their time being petty with eachother? They accepted Catra into their squad, they always would have eventually accepted her but Catra didn't know or understand that.
Funny how Scorpia was so easily forgiven. Oh and don't give me the whole "Scorpia was abused by Catra" crap when you can't accept that Catra was treated horribly by the Horde from day one. Plus Scorpia was more than happy to work for the Horde and do bad things as long as she could have Catra's attention.
Didn't Shadow weaver once tell Catra she only tolerated her because Adora was fond of her? Catra grew up knowing that her very existence and place in the world was dependant on Adora's fondness for her. Imagine knowing that that is the only reason you are tolerated? No wonder she was both possessive of Adora and resentful towards her and other people. But Catra gets over this and at the start of the show She and Adora are best friends.
Adora gets to have a life changing field trip and gain a magical sword to become a princess, the one thing that she and Catra have been taught to hate. Catra comes to save her and take her home but Adora has had a change of heart, a change of heart that Catra has not been privy to. Catra didn't get a life changing field trip where she met two people from outside the horde who were kind to her and showed her things she had never seen before.
Now think about it, Catras entire existence and place in the Horde was dependant on Adora being fond of her, Adora, the golden girl. So Catra devotes herself to the Horde, to everything they have been taught. Heck even the others cadets are buzzing when they conquer towns in the 4th season. Catra devotes herself to being everything that Adora is. Adora even makes it to Force Captain and Catra is OK with that. But then Adora leaves, she throws it all away and Catra doesn't understand why. None of the other cadets understand it either. Yes Adora wants to take Catra with her, but Catra hasn't had the outside influences that Adora has had. She is 100% team Horde because that is what she has had to be her whole life.
Its no wonder that Catra devotes herself to becoming the best in the Horde. She no longer has to stand in Adora's shadow. Even when Adora is gone Shadow Weaver is on Catra's case to get her back.
This is just a classic misunderstood villain to hero story. It was executed just fine. The last season even highlights Shadow Weavers manipulations of both Adora and Catra. Even shadow weaver gets her redemption moment. She saves Micha's ass and she saved both Adora and Catra's. You don't need more than that.
Heck even Hordak gets his forgiveness, that one is a little shocking but again, childrens show that wants a happily ever after. Maybe they'll make a comic or something that shows him making it up to everyone.
But by the antis logic, if Catra has to pay for what a she's done, then so should Scorpia, Hordak, Double Trouble, Kyle and the other recruits, Entrapta and even Glimmer! Glimmer did nearly destroy everything in season 4. But again, they didn't do that because it's a kids show that doesn't need to end like that with everyone paying for their mistakes because they just saved the world together. The whole thing is basically about the power of friendship.
If you want to identify with how the show depicted the relationship between Catra and Adora in either a positive or negative way, you are free to, that is your affair and your experience. But that doesn't mean your opinion is the only valid one.
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takerfoxx · 4 years
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She Ra and the Power of Redemption!
A’ight, so, She-Ra’s coming back in a few days for their final season. Obviously I am SUPER excited about it, but before it drops, I need to get something I’m kind of worried about off my chest.
See, I’ve talked before about my big pet peeve in fiction, in which good or at least sympathetic characters do really bad things and don’t suffer appropriate consequences, sometimes because the writer just doesn’t understand the weight of what happened and wanted to rush a redemption arc or maybe get a little dirt on their heroes without really considering the implications or wanted to do something shocking and was clumsy and/or lazy about or even felt that they were justified even when they clearly weren’t. It’s even killed a few onetime favorite series of mine.
And I see the potential for She-Ra to make that same mistake here. And I think anyone who’s seen the show and has interacted with the fandom knows what I’m talking about.
I’m talking of course about Catra and Hordak’s potential redemption arcs.
Catra’s redemption is topic number one with the fans, because everyone wants to see it, but most people want to see it done right. The Catradora thing is the fuel on which the fandom runs, and I know quite a few people that would pop dem bottles if it were to become canon. And I totally get it: Catra is a magnificently written character, one who is super compelling, complex, and sympathetic, and her dynamic with Adora is just dripping with all sorts of tension. It’s the best friends to lovers AND enemies to lovers in the same package. Who wouldn’t want to see it?
Except, there is a problem...
See, one thing I have highly praised this show for is how, despite being a show targeted toward little girls, it paints a very realistic picture of abusive relationships and handles the subject with all the seriousness it deserves, from how they’re formed to how they continue to how the cycle goes from abuser to victim to next victim to so on. Horde Prime abused Hordak, Hordak abused Shadow Weaver, Shadow Weaver abused Catra and Adora, Adora broke free while Catra did not, Catra then abused Scorpia, Entrapta, Lonnie, Kyle, Rogelio, you get the picture. And they show it so wonderfully, in all of its forms.
But that leads us to that problem, and that is despite definitely being a victim of abuse, and despite all of her sympathetic qualities, Catra is still a terrible person! She became as much an abuser as Shadow Weaver, with how awfully she treated Scorpia, with backstabbing Entrapta and manipulating Hordak, with bullying her subordinates, to everything she’s done to Adora and all the lives she ruined from her exploits as Hordak’s second in command. She masterminded the destruction of Salineas, sent Entrapta off to die, treated the only person who has given her unconditional love like shit. Her damage and insecurities have driven her to worse and worse behavior, up and to including almost destroying the fucking world just so Adora couldn’t win again! TWICE!
Basically, after handling the abuse themes so well, it would really, really suck for her to just be taken back and forgiven like nothing had happened or only minor consequences after she inevitably switched sides, because that carries the message, however unintentional, that abuse victims should forgive and take back their abusers, that it’s up to them to be the bigger person and invite those who hurt them back into their lives, which history has only shown will just restart the cycle all over again.
However, all of that does not mean I don’t think Catra is beyond hope, or that she shouldn’t be redeemed at all. She is absolutely a victim of all the terrible treatment Shadow Weaver and Hordak put her through since childhood, be it physical, mental, or emotional, and I am NOT about to hold an emotionally traumatized teenager to the same standards I would hold those more fortunate. Plus, we’ve seen how much her actions haunt her, from her nightmares about Entrapta to her psychological breakdowns to everything Double Trouble exposed about her. And I do truly want what’s best for her.
So how should the show go about it? Well, I think my half-joking wishlist from earlier just about covered it: after switching sides and helping the Alliance ward off the Horde, Catra should leave. Whether or not she makes amends with Adora, whether or not she’s forgiven, Catra needs to leave those she’s hurt and go somewhere else to start over, to separate herself from those she has so many insecurities about and work on bettering herself. Because after everything she’s done, she really does need to put in a lot of work in order to properly fix herself before she can even think of reforging relationships with Adora or Scorpia or Entrapta. 
And honestly, I still think the Crimson Waste is perfect for her. She thrived while down there. And it does seem like it’s been set up specifically for her. And then...maybe a few years down the line, after she’s come to grips with herself...well, we’ll see.
Now, as for Hordak...
Look, I like the guy, I honestly do. His relationship with Entrapta gave me life, seeing how he was literally grown in a vat to be Space Hitler Jr., it’s no wonder that he turned out like he did. 
Buuuuut...he’s still a murderous despot with buckets of blood on his hands. I’m sorry, but he can’t have a switch sides, now it’s all good happy ending. He just can’t. 
Fortunately, even though he was far worse, his possible redemption has an easier solution. You know how Horde Prime restored him to factory settings, wiping his mind and sending him off to be processed or whatever?
What if he stays that way? What if he never gets his memories back? What if Hordak, the evil conquering dictator that ruined so many lives, just stays gone? But the newly wiped Hordak, upon encountering Entrapta, is able to recall just enough to know that he cares for her, prompting him to break free from Horde Prime’s control for her sake? Call it the Kubo and the Two Strings solution.
As for Shadow Weaver...no. Just no. She has no redeeming qualities at all. Everything bad that ever happened to her are a direct result of her own actions, she doesn’t have the brainwashed/designed that way excuse that Catra and Hordak have, she’s never done a single decent thing since becoming Shadow Weaver, and even after switching sides has continued to manipulate Glimmer and gaslight Adora. No redemption for her. And since Noelle has said that she hates killing off characters, I don’t see her getting killed either.
So just swap her for Angella. Send her to the other dimension and get our girl back.
And as for Entrapta and Double Trouble...dude, I don’t even know. Like, they also did bad things, but they’re kind of in their own weird moral worlds, and I don’t want to let them off the hook but also can’t fathom how that would even work...
You know what? They’re the weird exceptions that prove the rule, I guess.
(also note that even if they botch this, it probably won’t kill the show for me, as it’s still a kid’s show and it has built up a ton of good will, so my overall feelings will still be very positive, I’d just be bummed that they dropped the ball in this one, albeit very important, area)
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Adora might be autistic too
Alright, most people in the SPOP fandom agree that Entrapta is autistic, as her coding is extremely obvious. However, some of us also believe that our beloved protagonist Adora is on the spectrum as well. She comes off as quite the aspie, and while Asperger’s is no longer a diagnosis in the DSM-V (but is in other manuals), it falls under the blanket diagnosis of Autism Spectrum Disorder (ASD) and its diagnostic criteria is still useful in analyzing people for signs of the disorder. In analyzing Adora’s character I will refer somewhat to both disorders, with the understanding that Asperger’s is a specific manifestation of ASD.
I would like to preface this by saying this is a headcanon and people are free to disagree with me. Some of these characteristics I’m going to bring up could also manifest because of her very sheltered upbringing in a cult-like atmosphere or mental illnesses such as anxiety and complex PTSD (both of which she arguably has). I am autistic myself, so obviously I am inclined to interpret these symptoms this way, but to each their own. It’s also worth noting that Adora has a lot of symptoms that cross over with AD(H)D, a cousin disorder to ASD, and it’s totally possible she has both.
In any case, there is now enough evidence hinting at Adora’s neurodivergence (especially now that the Rebel Princess Guide has been released) that I feel the need to explain this theory in detail instead of just occasionally mentioning it. So here goes...
She’s naive/easily manipulated
This one doesn’t really need explaining, we’ve all seen it. Adora assumes people are telling the truth because why would anyone lie to her? That is such a relatable spectrum feel. She was handily brainwashed by Shadow Weaver in the Horde, while some of the others didn’t seem to swallow the propaganda so easily. This is of course partly because of the special attention and affection Adora got from Shadow Weaver, but she had to be vulnerable to manipulation in the first place for it to work.
Later, she trusts Huntara easily in the Crimson Waste despite Bow and Glimmer’s warnings about her questionable character. Adora happily follows her into a trap even once Bow and Glimmer tell her they're going the wrong way, reasoning it’s probably a shortcut rather than reevaluating her misplaced trust. This can be partly explained by how she‘s gay af for Huntara, but still.
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(Interestingly, the episode cuts straight from this moment to the obviously autistic Entrapta going against her own friend's advice and refusing to give up on the portal machine despite the obvious warning sign of Hordak’s violent dismissal. Parallels, much?)
Her difficulty understanding other points of view
A lot of Adora’s conflict with Catra is predicated on misunderstandings, and she has a hard time understanding the effects her actions have on other people, Catra in particular. For instance, she misunderstands Catra talking about ruling the Horde together as being purely about power, while Catra’s actual goals are safety and Adora’s companionship. That miscommunication is not just Adora’s fault, but it illustrates that she has difficulty understanding other people’s needs and motives without being explicitly told.
This isn’t just a problem with Catra, either. In general Adora has a difficult time understanding other’s motives and feelings. For instance, she doesn’t understand Glimmer’s insecurity over Bow’s friendship with Perfuma at Princess Prom, and she can’t fathom why Entrapta would choose to work for an evil faction, going so far as to assume she must have been brainwashed into it. This is because, just like with Catra, she doesn’t understand that some people’s priorities are not the same as hers.
Autistic kids tend to reach developmental milestones at different times than neurotypicals, sometimes being way ahead and other times falling behind. One such marker that is usually slower to develop and often stays impaired is theory of mind, our ability to a) understand that other people have different perspectives and b) understand those perspectives. Adora’s difficulties being able to put herself in someone else’s shoes definitely lines up with this symptom.
She’s clumsy
For someone so athletic, Adora sure lacks coordination. This is a commonly cited symptom of people with Asperger’s, though it shows up in people with other forms of ASD too. In general, autistic people often have difficulty with fine and/or gross motor skills, and this can lead to being accident and injury prone. According to Catra in 3x05, Adora bumps her head a lot. That may have just been a callback to 1x01, but either way clumsiness has been part of her characterization since the beginning, one of her many loveable, adorkable qualities.
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Her lack of social and self awareness
Adora can be painfully oblivious to her own inappropriate behavior. There’s several examples of this throughout the series, one of the more costly ones coming at Princess Prom. Shocked by Frosta’s youth, Adora fails to register how maybe this (in front of Frosta, with all eyes on her) is not the time to remark on it. She immediately realizes this was the wrong thing to say (or at least not something she should shout), but that small delay causes both her and Glimmer a lot of embarrassment.
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Part of the issue here is that she loses control of her volume, which in itself is a common problem for those of us on the spectrum. This isn’t the only time we see her have this problem, either, and it’s amplified (tee hee) when she’s drunk/infected.
More generally, one of the funniest examples of Adora’s poor social awareness comes when she barges into Huntara’s flirtation with the bartender in the Crimson Waste. She’s so focused on her task of recruiting Huntara that it doesn’t even occur to her that this is an intimate moment and intruding would be rude.
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In the Rebel Princess Guide Adora also says she wishes Queen Angella would let her make some adjustments to the uniforms of the Bright Moon guards, which implies she tried to make these suggestions already. Maybe she figured She-Ra could suggest anything, but as both a newcomer and a royal subject that’s a bit of a faux pas. Chances are, that went right over Adora’s head.
She can’t read a room to save her life (literally)
This is another, more specific aspect of social awareness. Adora has difficulty picking up on the implicit rules (social norms) when she enters unfamiliar situations, and has a tendency to step on toes because of it. She also doesn’t understand when her friends try to nonverbally communicate what she’s doing wrong, and nonverbal communication deficits and problems with social awareness and insight are two major symptoms of ASD. One specifically listed example is “difficulties adjusting behavior to suit social contexts”, including:
Lack of response to contextual cues (e.g. social cues from others indicating a change in behavior is implicitly requested)
Unaware of social conventions/appropriate social behavior; asks socially inappropriate questions or makes socially inappropriate statements
Here’s a couple specific example of times where Adora misses or misunderstands nonverbal cues to change her behavior:
At her first Rebellion meeting she doesn’t realize that maybe she shouldn’t sit in the special-looking chair, and doesn’t clue in that that’s why everyone is freaking out.
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In the Crimson Waste, Glimmer responds to the growling bar patrons surrounding them by suggesting that maybe these aren’t the kind of people they should be asking for help, but Adora persists. She jumps up on the bar and makes a speech trying to get directions (which is socially inappropriate for the context as well as dangerous), somehow missing all the scowls from the patrons as well as Bow and Glimmer’s wild gesturing.
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Panic over unfamiliar social situations
Adora’s anxiety about going to Princess Prom could be attributed to many things, not just a spectrum disorder. Her obvious anxiety, for one, though to be fair there’s a high comorbidity between the two disorders. In any case, it seems the unfamiliarity of the situation is a sticking point for Adora in particular, while Bow and Glimmer are nothing but excited for their first ball.
Adora’s anxiety seems to stem mostly from being overwhelmed by the prospect of entering a new social situation with a whole bunch of unfamiliar rules to remember. She’s still learning behavioral norms outside of the Horde, and this is a huge jump up in terms of difficulty for her fledgling social skills.
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To cope with her stress she goes overboard trying to prepare by making a conspiracy board of sorts, flash cards, and an obstacle course. And at the ball itself, it seems like she’s even rehearsed how to behave.
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This probably isn’t only relatable to autistics, but it’s very relatable to us. Creating and rehearsing behavioral scripts is a common strategy to avoid embarrassing ourselves in public. Unfortunately, as we saw above, this works for about five seconds before Adora botches the whole thing by commenting on Frosta’s age.
Extreme stress over details
In general, Adora is a very anxious, perfectionistic person who hyperfixates on details, a very autistic trait. As mentioned above, this is wonderfully illustrated by her overpreparation for Princess Prom. She’s broken down the overwhelming list of rules in the invite into categories to make it more manageable, gone into detail categorizing people’s relationships to each other, and learned trivia about the guests in order to feel more prepared. Yet, somehow she missed the important fact that the hostess is only eleven years old.
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Unfortunately this hangup doen’t only affect her, but also her friends and allies. The overarching theme in “Roll With It” is how debilitating Adora’s anxiety and perfectionism can be. Her eye for detail and ability to see flaws in plans is actually very valuable, but she gets so hung up on every possible thing that could go wrong that she can’t accept imperfect solutions with calculated risks.
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Her propensity to be overwhelmed by too much information (like with the Princess Prom invite) shows up here too. Adora grows more and more frustrated and overwhelmed as more princesses join the planning session, adding more variables to deal with and more people to manage. She begins lashing out and shooting down every possible solution that doesn’t satisfy her need for perfection immediately. Her behavior looks like it may be headed for a meltdown until it culminates in an epic rant revealing all her anxiety and how it ties into her insecurities about her own imperfection.
Thankfully her friends are able to reassure her that she has support and doesn’t have to be perfect, but it’s an ongoing battle, one we already saw her struggle with in “Flowers for She-Ra” and “The Battle of Bright Moon”. It’s a strong tenet of Adora’s personality that is proving difficult to shake.
What she misses about the Horde
The recently published Rebel Princess Guide contains a list by Adora of things she misses about the Horde, and this list screams neurodivergent. I’ll go through it point by point, since there’s a lot to unpack here.
THINGS I MISS ABOUT THE HORDE
1. I miss the rigid schedule. It never changed, and I always knew what to expect.
Ritualistic behavior and an insistence on sameness are often seen in individuals with ASD. In fact, it’s a major symptom. Many of us have diifficulty adjusting to changing schedules, changes in diet, or even minor changes in our environment (such as placement of objects, boy do I have stories there). We need warning when things are going to change, and even if we know it’s coming it’s still a struggle to adjust.
2. I miss the constant sound of machines and whirring. In Bright Moon, there’s always music playing, or people laughing, and birds singing. It’s nice but it makes it hard to focus!
Autistic brains process sensory information differently from neurotypicals, that’s basically our disorder at its core. Over or under reactions to sensory input are common and in fact considered a major symptom, and this entry of Adora’s specifically refers to difficulties with sensory filtering. We have a hard time filtering out information that’s irrelevant to our current task, which makes us easily distractable.
3. Believe it or not, I miss my hard cot in the barracks. My bed in the castle is way too soft!
This ties into both the insistence on sameness and sensory issues.
4. Catra… sometimes.
This isn’t autistic, it’s just gay.
Speaking of which...
She’s gay
Adora's relationship with Catra has always been queer-coded, but any doubts about her sexuality were dispelled in season 3 by the way she fawns over Huntara like a baby gay over her gym teacher. Her obvious queerness might seem unrelated to the topic of autism, but those of us within the community can attest there’s probably just as many queer people among us as there are cishets. It’s so notable that there has been quite a bit of scientific research confirming people with ASD are more likely to be LGBT and gender atypical and exploring the cause of this link.
(This needs no proving at this point, but enjoy these gifs anyway...)
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In conclusion
Overall, there’s a lot of hints and circumstantial evidence suggesting Adora could have ASD. Was this the creators’ intent? Hard to say. Adora is the protagonist and one of the most developed characters, so she’s definitely not a cardboard cutout or checklist for ASD symptoms (compare that to Entrapta, a secondary character whose behaviors can often easily be attributed to autism). It’s totally possible the creators just characterized her as naive and awkward and obsessive without realizing the implications of that cluster of traits together.
Regardless of authorial intent, it’s perfectly valid to look at Adora and see representation of the ASD community. The groundwork is there. And if someone else looks and doesn’t see it, or sees something else causing this behavior, that is also fair. No one is forcing anyone to accept this headcanon (or at least they shouldn’t be), but in return please don’t disparage it. Even if she is not autistic Adora is definitely autistic-coded, and we could use some more heros with the disorder, given how we’re mostly relegated to being villains and anti-heroes (not that there’s anything wrong with us filling those roles sometimes, but a little variety would be nice).
Adora is often referred to as a dumbass, but she’s actually quite intelligent, just sometimes slow to understand how she should act and how people feel. Still, she tries her hardest, just as she does with everything else. Adora is heroic and compassionate, even if she sometimes struggles to understand others. When autistic-coded characters are so commonly portrayed as cold and unforgiving, Adora is a sorely needed exception.
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I’m going to make this, hopefully it’ll be my last she-ra post, and let off steam
Catra’s wrong doings, that affects the horde, Adora personally, herself, and the rebellion:
Emotionally manipulated Entrapta to help the horde
Left Adora and the Horde kids (it is also implied she does this often) to participate in training and only joined at the last second to help, the others could’ve gotten hurt without her or failed. This is a wrong-doing because they are supposed to work as a unit and Catra refused to do so
Attacks Thaymor (She knows the horde lies and most likely knows Thaymor is defenseless) willingly to shear happiness for Adora, multiple lives risked for one person
Never once told Adora, someone who clearly wants to do what she thinks is right, that the horde manipulated them since childhood
Tases Adora when she vocalizes wanting to leave in Ep 2
When given the title of force captain she immediately begins to brag and gloat to her “friends”
Physically attacks Adora after she refuses to join the horde again, leaving a noticeable claw mark on her face
Uses Scoprias princess connections to attack the princess ball with bombs, kidnapping Glimmer and Bow
Gives Adora back the sword, allowing her to continue to fight horde soldiers that will end up on infirmarys and continue the big fight just because Catra wants to keep fighting her
Made entrapta think the princesses left her for dead, using her emotions to make her help the horde
Leads a full force attack on bright moon, assaulting Adora relentlessly in their fight
Pushes Bow off a cliff
Leaves Scorpia to do secretary work when Scorpia is both her equal and has been in the position longer
Uses the murder virus on Adora, turning her into a mindless killing machine and removing her free will. She also verbalized the idea of having her attack her friends in a mocking manner
Left Scorpia on babysitting duty, again, Scorpia is her equal and the treatment is unfair
Wastes time and resources on Shadow Weaver and goes against Hordak orders to get rid of her
Sneaks in Shadow Weavers madalian that allows for her escape
Lies to Hordaks face about Shadow Weaver
Publicly berates Hordak
Let’s Tounge Lashor die in quick sand
Kidnaps Adora
Turns down a happy life in the Crimson Waste so she can spite Adora and returns to an abusive home
Tases Entrapta when she refuses to open the portal and orders for her to be sent to Beast Island, a literal death sentence
Threatens Scorpia when she protests her actions
Tells Hordak that Entrapta betrayed him, another bold faced lie
Opens the portal, literally ending the world when she knows what will happen
Berates Adora for her failures to beat her and pins all the blame for her actions on Adora
Her opening the portal made Angella sacrifice herself, killing a character permanently
Pulls the life support on Hordaks suit and threatens him if he doesn’t do what she wants
Berates Scorpia after she attempts to comfort her
Berates and commands Lonnie, Rogelio, and Kyle to risk their lives to deliver the transport
Snaps at Scorpia when she seems to fail at getting Entrapta’s notes for her
Lies again to hordaks face
Leads a full on attack on sealineas (I don’t know how to spell it)
It’s revealed that she clawed an eye out of another force captain as a child, that’s bad enough as a singular action with out her later ones
Puts a bounty on rebellion members, who knows how more violent pirates would’ve treated them
Over works horde soldiers, some are physically hurt and completely exhausted
Makes herself paranoid and lashes out at horde soldiers
Forces herself into an emotional breakdown after pushing away her entire support group of friends
When Hordak attacks her for continually lying and misleading him she berates him again and verbally insults him
Physically attacks Hordak and pulls his life support a second time
Did I miss anything?? Oh, how about how Double Trouble had to verbally and visually tell her that Catra is the problem and that isn’t even when she decided to work towards a redemption arc!?
Or how she doesn’t even attempt to redeem herself until after Prime tells her she’s no longer of use?!!
@tallysgreatestfan
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nny11writes · 4 years
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Shadow Weaver, One Good Thing, and Moral Shades of Gray
Some Season 5 rambling for whoever wants it regarding Shadow Weaver, her actions, and the end of her character arc.
I might revisit this later more from her perspective, that scene (you know the one) felt very complex to me and I have a few different feelings about it, this is one of them. 
Spoilers below the cut!
Okay, I really loved Shadow Weaver this season. I’ve loved her every season, she’s such a great character and her concept, animation, and voice acting all work flawlessly together to breathe some real life into her. I just love her! Great bad guy!
And this season? No one is letting her fucking breath without body slamming her.
It was one of the things I loved about her interactions with everyone, that she’d say something and immediately get told off. No one was falling for her shit. And you can see the way she’s super annoyed and confused, amazing how much a mask can portray, “Excuse ME I’m a GOOD GUY now?????” No one was forgiving her, no one liked her, they barely even tolerated her. I feel like it was wearing her down. I haven’t re-watched yet, but I think we saw Weaver with or near cups several times, but regardless, for sure when Catra found her she was drunk. She was half fucking slurring as she drank at what could be the end of the world. It was a rather pathetic sight, and now the joke about Shadow Weaver being drunk at 8AM makes more sense. This is just some stuff to keep in mind as we mosey along.
Noelle has talked before about shades of moral gray in the series and how people can shift and move along that line, and how people can also still be good people making bad choices or bad people making good choices.
I think Shadow Weaver is being used to display that. She is a few baby steps away from the beyond Vanta Black of Horde Prime. She is not a good person, she is not a hero; even if some of the things she’s done are good for others or could read ‘heroic’.
There was also a running theme this season of “One Good Thing”.
Catra is an obvious one, “I just want to do one good thing in my life!” And she goes from thinking she’s made a heroic sacrifice of sorts by saving Glimmer to getting the chance to actually move forward. And even if her steps faltered, Catra moved forward and did far more than just one good thing.
Hordak had a few moments of getting to see him lower his walls with Entrapta, but the thing that stuck out to me was his face as he held a happily cooing Adora. “Oh…okay, I guess- I guess this baby is mine? WAIT NO, CAN’T DO, ABORT, NO EMOTIONS, EMOTIONS ARE FOR HORDE PRIME, GET THIS THING AWAY FROM ME!” (Okay so that wasn’t all just his face, but that’s the gist). Hordak didn’t kidnap Adora, he went where sensors showed a portal would be and found a baby. He could’ve left her there, he could’ve done a lot of things, but he had a one good thing moment where he chose to take that baby with him. Cradled close. It’s a kind action in some ways, and not in others. I think Hordak hoped the baby might have an answer or solution to the portal (talk about high hopes buddy). But I think he also didn’t want to leave a baby to die alone in a field. It’s not a big great declaration or heroic moment, but it is still a good thing. Hordak’s one good thing.
I think Shadow Weaver has always held a twisted sort of care and love for Adora, and I also really think that Shadow Weaver would have held just as disgusting and awful a brand of ‘love’ for Catra if Catra had done/been what she’d wanted (which let’s be real was unrealistic and was a bar she would’ve kept moving). Shadow Weaver’s love is not pure. Perhaps as Light Spinner it could have been. As Light Spinner she was still an awful person willing to use anyone including children to get what she wanted. She wasn’t a good person. But even bad people can feel true love for others. I’m not saying that her love was pure or was always good intentioned as Light Spinner, just that I think she had the capability for it. But once that entity/parasite consumed her? Once she let her lust for power overwhelm her basic humanity? No. I don’t think her love would have been good in any form FOR SURE after that.
So her insistence that, “Didn’t you hear? I’m one of the good guys now.” rings just that much more hollow and cracked. Her motivations have always been selfish and her choices rarely take other’s into account beyond ‘how can I use this to my advantage’. Her kindness is faked, her goodness is incidental, her love is poison, everyone else knows that. Everyone else treats her the way they should, cautiously at best and hostile as needed. But Shadow Weaver doesn’t get that. She truly believes that she’s a good person now and is baffled that no one else will believe her and if frustrated/upset that she can’t even go ‘pure evil’ because she doesn’t have the legs to stand on for it. “I’m a good guy,” fuck you.
I think this shows with Catra. She’s still an absolute bitch and a half to Catra, and again I’m not saying what she did or said was good or right. But I think Shadow Weaver had a few moments of legit thinking, “Okay, fine, gotta tone this shit down because I’m a good guy.” She was always in control of her behavior and this was such a fine razor to cut with. It’s like the idea of an abuser who just “loses control” and destroys things then apologizes. It’s never their things they destroy and they don’t help to clean up or replace anything. The apology is a lie. They never lost control, they knew what they were doing. Same with Shadow Weaver. It was disturbing to watch her interact neutrally or her warped ass version of nicely with Catra. Because we all know it’s not that Shadow Weaver was out of control before, so we know she could have acted this way the whole time. It still wouldn’t have been good. But I think going from torturing kids and threatening them with death, to basically cold indifference is a half step forward and a full step sideways. It still would’ve caused harm, it still would’ve left destruction in its wake but a different kind of it. I don’t know, I just thought this was a wonderfully god awful way to show that. It also shows that she thinks she can either smooth things over or control the situation, which good luck with that.
Got distracted a hot second there, my example in this is actually when she grabs Catra to cover her mouth. It’s a move that if literally anyone else had done it wouldn’t have felt so fucking skeevey. But it’s Shadow Weaver physically touching Catra, her favorite chew toy. Catra has a very justified reaction to that, and you can still see the wheels turning in Weavers head. “Ungrateful, I’m trying to save you, I’m a good guy!” Fucking hell this lady.
So here we are, with a genuinely awful and bad person who believes they’re a good person now and trying to pantomime what they think a good person would do. With her very twisted version of “love” and the realization coming ever closer that she’s not in control of anything, no one trusts her, and no one likes her. I think she absolutely is thinking about her legacy right here, I think she is definitely trying for one last manipulation to put a big underscore on “Shadow Weaver was a good guy”. 
I also, however, think she manipulates so well because she always draws a grain of truth into what she’s saying.
My example of this is her “You remind me of myself and I wanted you to be better, stronger than me.” Bullshit. Catra might have reminded Shadow Weaver vaguely of herself, but the rest is pure bullshit. Shadow Weaver doesn’t hate herself and certainly never did shit to make Catra a ‘better and stronger’ person. It’s 90% lies, but that 10% helps her sell her abuse.
So I think in her final moments there, Shadow Weaver does some complex mental gymnastics. She knows that Adora has to make it to the heart for anyone to survive. She knows that Adora loves Catra and that Catra loves Adora. She may know that if she doesn’t save Catra it is very likely that Adora will very likely not survive. Adora has always been ‘distracted and pulled down’ by Catra, so now she needs her ‘crutch’. I think Shadow Weaver also knows that once this is all done, no one will have a use for her and I don’t think she wants to face a world where she has no power and no control.
So she steps forward and puts one last manipulative play into motion.
And I think she sells it with a semi truth.
I’ve always thought it was interesting that even after joining the Rebellion that Shadow Weaver seemed so dismissive of Catra. Even as Catra was steam rolling them in Season 4. That Shadow Weaver didn’t even have a moment of, “Well damn, don’t like you still but I guess there was something competent and worthwhile underneath it all.” I can’t even remember if she mentions Catra at all by name when they aren’t in the same room together.
I think that Shadow Weaver was impressed, to some degree. She had always seen Catra as a pest, a gnat flying in her face and distracting Adora. Worthless, small, weak, and dumb. I think seeing how far Catra actually does make it is impressive to her. Not “oh wow that’s amazing!” impressive. More like, “huh, okay then” with a side of bitchiness. I think she never mentions Catra directly because of that. She hates Catra. She doesn’t want to admit she’s impressed by anything Catra’s done. She hates her and hates it and hates the whole thing.
So when Shadow Weaver removes her mask (definitely to play on them seeing her as a person first and not a monster) (although I think it also is a very good way to remind the audience that monsters are human too and that is far scarier to deal with, think about those photos of Nazi’s smiling on their weekend away from work where they helped kill thousands) and says, “I am so proud of you, Catra.”
90% is a lie, 10% is truth. Shadow Weaver might not think that’s the ratio, she might really be buying her own line. That’s something to explore another time perhaps.
And then she goes out in a blaze of glory with no need to face her own bleak and uncertain future, ‘protecting’ Adora, who she holds a dark and twisted affection for, and secures her legacy as a good guy. One final, “I fucking told you so”.
Shadow Weaver’s death is not a redemption. I think she hopes it is, and knows that even if it isn’t, Catra and Adora can never deny the impact she had on shaping them. That they’ll never really be free of her, and therefore no one else will either.
She will never truly have to face the consequences of what she’s done. For all that the other characters shut her down, no one gave her the true blue knock down drag out no holds barred VIBE CHECK she deserved. And without that this ending is very unsatisfying for some. For others that missing piece adds.
My take?
She’s a bad person, doing her One Good Thing, not realizing that it doesn’t take her from bad to good. Her sacrifice is, in this way, in vain. She’s a bad guy and will be remembered as such. She did her one good thing. 
She’s still a monster. 
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zghostreviews · 4 years
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She ra review part 1
I know this isn't anime, but this show and how horrendous the writing got has honestly bugged me to no end.
SheRa 2018 is a "reboot" of the 80s SheRa, though I wouldn't even call it reboot considering the creator trashed the original constantly and also never even watched the original show in the first place. The only thing this "reboot" has in common is that it uses the names of the characters from the original and that's it. The show is basically a fucking fanfiction labelled under original work outside of that essentially.
Going into the actual show topic.
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I started this show pretty much a year or 2 late, basically just waiting for all the drama to die down from the annoying reactionary communities. When starting out, I REALLY wanted to like the show, and honestly, I was enjoying it back then. Unfortunately, as episodes went by I started enjoying it less, ESPECIALLY in season 5 where everything had officially gone to shit.
The writing for this show is honestly fucking awful, they had many great ideas but either these were executed badly, or they didn't go completely through with it. There's also a lot of stuff that didn't make sense. Like when it comes to the princesses, elements, and their runestones. The elemental princesses are all able to do that rainbow power thing that I forgot the name of, yet some princesses that actual have a power that is elemental(*coughs*spinerella*coughs*) aren't able to be included in this. Glimmer which doesn't even use an elemental power can be included, but Spinerella, who literally uses wind, a fucking elemental, can't be included?? That sure doesn't make sense. This show also has a problem with further elaborating on things.
Though they did a REALLY good job with the writing of Shadow Weaver, she is a VERY complex character and you can truely tell the writers put alot of their effort into her. If you're not some fucking catradora stan that just immediately hates her character just because she abused your fave, than you'd definitely agree.
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Going into the characters themselves.
Adora
She's very bland for a main character and Im honestly not a fan of her design. Why is she shaped like one of those bugs from the ants movie when she was a soldier that constantly trained since childhood? She should have muscle of some kind, and that goes for everyone else in the horde minus Rogelio, Scorpia, and Huntara who was a former horde member.
Catra
I really....really don't like catra, she reminds me of 4 different goals I knew....if they all merged into one person... Catra is a selfish, manipulative, and very unstable character. She had SO many opportunities throughout this show, literally since the first season to just join the good side Adora is now on. Catra, unlike Adora was very much aware that the horde was evil since day one, yet when offered the chance MULTIPLE times to join the good side, she refuses, but is still VERY adamant on stalking Adora, and constantly trying to kill her. Season 5 was especially awful, she literally got worse and worse overtime until this season and in season 4 was willing to commit mass murder(or would it be mass genocide?) all because of Adora, just to spite her. I see many catra stans trying to say catra's redemption arc was better than Zuko's when um, no? It wasn't. Unlike catra, Zuko didn't have multiple chances to better herself and join the good side automatically. Zuko, from what I remember, couldn't just immediately drop everything and join the good side. He was a prince of the fire kingdom who was stuck under his father's command and he actively had to work to better himself throughout MULTIPLE seasons before he could join the good side and gain people's trust. Meanwhile Catra had multiple chances since literally day one to better herself and go to the good side, yet she just wanted to be an asshole, attempt to kill everyone, abuse others, and overly obsess over, stalk, and literally murder Adora on multiple occasions. Literal toxic relationship, but that didn't matter as long as it was catradora end game.
Bow
I actually have no problem with him, he's a nice support character. The only annoying thing is that his abs are constantly showing no matter what he's wearing, except for the one time when he was trying to hide his real self when we first meet his dads.
Glimmer
I didn't like this girl either. I hated the way she treated her mother. She just seems spoiled and whiny and way too quick to do things without an ounce of thought. The way she treated her mom most of the time was just completely unnecessary. Like dayum bitch, she just doesn't want to lose the only other family she has left. As someone with mother issues and does not have a mother, Glimmer had literally no reason to be that fucking rude to her mother, her mother just cares about her well being, safety, and overall existence, unlike mine.
Shadow Weaver/Light Spinner
Excellent character, very well written, bonus points for having a hot voice and having big milf energy. She was the horde kids caretaker and trainer from what it seemed. She has a lot of layers to her. If you look more into her character you see that she actually does care about people around her, she just could be emotionally stunted. She was kinda both selfless and selfish. She had this whole obsession with gaining power which she had even as light spinner, which definitely hints at her family maybe being disappointed in her for being powerless or something along those lines. She even shows signs of having been abused herself, but unfortunately continued this cycle of abuse on Catra and Adora specifically. Shadow Weaver had many goals that involved Adora specifically and she was willing to hurt others in order to finish this goal. Even as Light Spinner this was prominent as she was willing to help save the universe even if it ended up harming herself or others around her in the process. She wasn't just some cruel old woman, but a very complex woman that had a lot of baggage. Sucks that they ended up killing her, I wish she got her own redemption because her story definitely had a lot of potential to be great. It would've been cool to see her try to better herself out of her own willingness, repent for the shit she'd done, maybe a childhood backstory to understand her better, and she tries to apologize to those she used and abused and it doesn't in any way involve having to accept her apology. I just think Shadow Weaver was a neat character.
Hordak
The mindcontrolling is not an excuse for how fucking shitty he is, he became a fucking a war criminal and coloniser out of his own free will. The fandom seems to think that shadow Weaver had done everything wrong, but look at hordak like "uwu my sweet cinnamon roll". Hordak literally colonised kingdoms, kidnapped infants and young children, most likely imprisoned and/or killed those babies parents/other family members, tried to take over the whole world, and other actual war crimes, but he got a pass to walk off into the sunset because he had feelings for someone, and his big bro was mean to him when he was in the cult. Don't come at me with the 'buts' you have, wrong hordak didnt do any of the bs our hordak did when he was no longer under mind control.
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I think I'm done for now. It's 1am now. I'm gonna just stop here and continue with more at some point.
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Yeah... it really is not ideal that they did that.  I’m sure they didn’t mean to insinuate that victims of abuse should get back with their abusers at the first sign of improvement, because they’ve been really good about saying the opposite up until this point, but that IS the message they’re sending.  The fact that very few fans seem to be acknowledging it is worse.  I honestly thought we were better than that.  This show has sent so many positive messages that are great for kids to hear, but this just isn’t one of them.
Tangent here, but I am deadly serious when I say that people are making the wrong parallels when they compare She-Ra to Revolutionary Girl Utena.   She-Ra doesn’t deserve to make Utena references when it ends with the Anthy character (Adora) getting back with the Akio analogue (Catra).  
In fact, the only thing people are sort of getting right with these comparisons is that Adora and Anthy, despite their surface-level distinctions, are very similar characters.  Let’s take a look:
1. Incredibly powerful: Adora is a capable badass who also claims the mantle of She-Ra, and Anthy is basically a god (or the closest thing to)
2. Conned into believing they are worthless/powerless or their power isn’t really theirs to claim: Adora thinks all her value comes from being a hero and specifically being the weapon that is She-Ra, and she eventually has to learn that she is not a weapon or a tool and that her worth comes from within.  She has to learn to find her power to win.  Anthy is beaten down and essentially coerced into using her powers as “The Witch” to help Akio and participate in her own imprisonment.  Utena doesn’t so much help her to recognize her power, but she makes Anthy remember that she has value and power separate from Akio and her role as Witch.
3. Had a loved one they tried to protect but couldn’t due to circumstances out of their control: Baby Adora could never have prevented Shadow Weaver from abusing Catra.  1) a literal child (who is also being abused) cannot be expected to stop an adult authority figure from doing anything, let alone abuse another child, and 2) literal children are NOT responsible for the actions of another child and certainly not the actions of an adult authority figure.  But she gets blamed for not protecting Catra anyway. (Remember all the bullshit hot takes from around season 1 doing this very thing).  Anthy tried to save Dios by hiding him (which failed), and she sacrificed herself to the Mob to save him (he died anyway).  There was nothing she could have realistically done, even with all her power, to save him from the World.  Akio blames her for it anyway and the Swords of Human Hatred back up his accusations.
3. Face a toxic combination of love and hatred from the person they were unable to protect: It’s pretty obvious that Catra’s roiling emotions about Adora are both positive and negative.  The pain she felt when Adora defected is genuine.  She really felt like she lost the one person that mattered to her (even though that isn’t true and it was her choice to stay with the Horde while Adora begged her to leave, making it Catra who actually left Adora when you stop to think about it).  That love turned to resentment and hatred, driving Catra to torture Adora at every opportunity and blame Adora for her various wrongdoings.  It’s not easy to discern entirely what Akio is angry about, but it can be reasonably assumed that he is angry with Anthy for “making him Not The Prince anymore” i.e. “Making Him This Way”.  Anthy “stole him away from the princesses of the world”, which is the same kind of blame as “You broke the world, and it is all your fault!”
4. Have their struggles dismissed and/or misunderstood by people they call friends: If anyone matches up with Utena Tenjou in SPOP, it’s Glimmer.  Glimmer is a girl who wants to be a prince Hero and a leader, but she doesn’t understand what those roles actually entail (see: all of season 4).  She reacts when she sees the physical abuse Adora suffers from Shadow Weaver in the Black Garnet Chamber, just like Utena jumps to defend Anthy whenever she sees someone hit her.  But Glimmer completely fails to either recognize or acknowledge the subtler aspects of Adora’s abuse, and she later dismisses her suspicion of Shadow Weaver as baseless paranoia, which she then proceeds to laugh about.  Utena was naive and failed to notice the obvious signs of Anthy’s abuse by Akio right in front of her, but at least she didn’t do that.
5. Have to find and come into their power on their own: Sure, Adora manages to become She-Ra again to save Catra, but it’s still her decision and willpower that get her there.  Utena helps Anthy to see that she can leave her situation and that she deserves a better life, but it’s Anthy who chooses to leave Akio behind and walk out of Ohtori alone.
Now let’s talk about Catra and Akio.
Catra and Akio aren’t 1 to 1 parallels.  Catra does not appear to be a rapist and a child molester, for one thing.  She doesn’t own a red convertible metaphor for the sins, horrors, and privileges of adulthood.  She’s not a failed heroic archetype who languishes in a timeless, flowery coffin, convincing people to have sex with their siblings.  Her name isn’t a fancy word for Satan.
But other than that, they’re pretty similar.
1. They share a connection with someone who is much more powerful than they are: Adora and Catra are pretty close in skill when they are in the Horde together, but Adora edges her out just slightly.  And when Adora becomes She-Ra, her inherent power blows Catra out of the water.  There could never be a fair fight between them because Adora is a woman-shaped WMD and Catra uses dirty tactics to win confrontations.  Dios/Akio is at first portrayed as having all the power in Ohtori, but an attentive viewer will realize that’s nonsense and it’s really Anthy who has the power, a fact that becomes crystal clear when she ditches him easily at the end of the story.
2. They simultaneously love and hate that person: I don’t think I really have to explain this one.  If you’ve watched both series, you will know exactly what I mean.
3. The relationship they have with this person is both familial and romantic: Look, I’m not going to be That Girl and try to claim that Adora and Catra’s relationship is purely a sisterly one.  That is so clearly untrue even without season 5 that it’s laughable.  But there are definitely familial elements to it.  They were raised by the same woman and they treat each other like siblings do at several points in season 1.  But it’s also clear that they have been harboring burgeoning romantic feelings for each other.  Anthy and Dios are literally blood siblings who acted like siblings when they were kids, and then that relationship was twisted by Akio into this awful thing where they are “”””””lovers”””””””” (blegh) and siblings at the same time.
Catradora is not like that, before you attempt to tell me off.  Like I said, Catra isn’t a rapist, and they aren’t blood-related so it’s not actual incest.  But the underlying dynamic is the same.
4. They can’t stand the idea of that person living without them, and seek to imprison and torment them as a result: There are two main things that Catra wants for most of the show, 1) Adora with her or 2) Adora dead.  She oscillates between these two desires but never progresses beyond them until her heel-turn in season 5.  I’ve written about this before, but she’s the definition of the cliche “If I can’t have her, then no one can”.  Akio is the same.  On some level, he knows that Anthy is capable of leaving him at any time and he can’t stop her, so he tries to prevent that by abusing and manipulating her into thinking, 1) she can’t escape him and 2) it’s her fault that he’s like this so she should stay out of guilt.  Both Catra and Akio also attempt to isolate Adora and Anthy by hurting their support structures (The Princesses and Utena).
5. They seek power and validation with no regard for the consequences: Catra was beaten and diminished for her entire childhood, and Shadow Weaver purposefully praised Adora over her to divide them.  Until Adora left and she was subsequently recognized by Hordak, she had never received validation of her worth.  So, she craves it and seeks it out by doing worse and worse things to please Hordak and Shadow Weaver.  She thinks if she gains enough clout and a high enough rank in the Horde, then no one will be able to hurt her and everyone will recognize her value.  She also associates proving herself with beating Adora.  This drive for power ruins all of her relationships and leaves her at rock bottom rather than the top of the world.  Akio longs for the power he thought he had as Dios (which was really Anthy’s power all along as we see when Utena opens the Rose Gate).  He runs the duels and manipulates the duelists so they will achieve what he can’t and open the way for him to reclaim his divinity, leaving destruction in his wake.
The primary difference between them with this point is that evidence suggests that Akio self-sabotages all his attempts to regain power.  And while Catra also sabotages herself at multiple points, it’s because she’s reckless and foolish, not because she’s deliberately making things harder for herself.  Akio perpetuates a vicious cycle of trying and failing to return to godhood, and Catra perpetuates a cycle of seeking validation from the wrong place/people, inevitably failing to meet impossible standards, and falling right back to where she started.
6. They blame their special person for their own bad decisions: To be clear, Akio is MUCH worse about this than Catra, but they both do it.  Again, this is a point I’m not sure I need to discuss much.  If you’ve seen Utena’s last story arc and you’ve watched the portal universe episode, then you know exactly what I’m referring to.
I’m not sure how I can make this any more obvious.  In the world of She-Ra, Adora is Anthy and Catra is Akio.  If you’ve read this and you somehow disagree, stop living in denial.  We are better than that.
Again, I’m very happy that Catra was redeemed.  I think it should have started in season 4 but that’s beside the point.  I’m so, so happy that she recognized her mistakes and joined the Rebellion.  But they are really acting like it’s a good and reasonable thing for Adora to let Catra back into her life just because Catra is genuinely trying to improve herself for once.  It’s not, or at least not the way they portrayed it.  I could believe it if the two of them parted ways and then reunited years down the road, because then it would be easier to believe that Catra’s change for the better was permanent.  But that’s not what we got.  What we got was just a new problem that’s going to damage this wonderful show in the long run.
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witch-apologist · 2 years
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dude adora has her good moments but overall I just feel like she’s entitled and self aggrandizing. like if anything catra and glimmer and bow deserve a better friend than her bc she’s constantly stepping on their toes (tho unintentionally) and I just get the vibe of white girl who expects to be coddled from her. it’s not a good look and I felt like her breakdowns over losing shera was just more self pitying white savior bullshit she can’t just cry & expect things to go her way all the time
I highly disagree with this. If she were this way about normal things/circumstances and in the Horde I could definitely see reading her that way especially the way she reacts to Shadow Weaver but still she was being manipulated and was a kid.
But after that the times she gets upset/offended is
1: Feeling like she's only good for what she can do for the rebellion/as she ra
2: having her "friend" literally take advice from and give freedom of her home to her abuser
3: Being used as bait and being sent alone on missions without backup
4: not having a choice in whether or not she works herself to death being She Ra
5: Being literally imprisoned by her friend
6: her friend blaming her mothers death on her and literally telling her that she's made everything worse.
7: being gaslit.
Like does Adora have flaws? Yes. Did Adora get cocky in the early months/year of her being She Ra? Sure but trying to take on the burdens of everyone around you and fix their problems so they don't have to deal with it because that's what you've been trained to do from a young age is not "entitlement"
And Glimmer is also entitled and self aggrandizing during season 4 (and a little bit before that)
"They deserve a better friend" it sounds like you just want to Harp on Adoras flaws (real or perceived) and ignore theirs. They're all messy because they all have trauma from their various upbringings but its not like they don't all learn and grow.
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aryllux · 3 years
Text
She Ra characters and their Smash mains, in order of how good they are at the game:
Entrapta - Peach - super technical player, can play for hours without getting tired, uses her hair to manipulate her controller in ways a normal human couldn't
Adora - Fox - super fast smart player, does crazy combos, people think she picked fox for his playstyle but originally she just picked him cause she thought he was hot
Double Trouble - Shiek - smug af, just sits calmly while comboing you into forever, has a pocket Terry but only pulls him out if they're already kicking ass, really salty when they lose
Rogelio - Pikachu - plays Pika cause he thinks he's the best in the game, really shy but will play friendlies for forever if you ask, the hidden boss of the fright zone
Catra - Bowser - really good spacing and reaction times, held back only by her need to be super aggro all the time
Hordak - Ice Climbers - pops off hard, absolutely loves pulling off crazy combos, subconsciously finds a great amount of comfort in playing a pair of identical siblings who work in unison but could never explain exactly why
Glimmer - Roy - incredible advantage state, not as incredible neutral, "Glimmer stop landing with aerials," yells when she inputs a smash attack
Bow - Link - Loves how intricate Link can be with all his projectiles interacting with each other, but too busy gushing about it to actually focus on winning, pops off for his opponent, probably the most fun to actually play with
Lonnie - Wolf - tons of potential but doesn't put the time into the game, says "AW, WHAT??" at least once a match
Mermista - Lucina - surprisingly patient player, does well against ppl who rush in but if you try to out camp her she will start shit-talking you mid-set, likes the idea of the game more than she likes the game itself
Angella - Mario - Gets bored of the game really easily, understands the game better than she let's on, will occasionally ladder combo you just to see the surprised look on your face
Shadow Weaver - Robin - loves thinking tactically but spends so much time complaining about the game that she doesn't actually improve much, isn't quite sure why she's playing but is determined to not lose to "the children"
Frosta - DK - Is laughing the entire set, will make fun of you for losing to her, goes for carry off >bthrow stage spike way too often cause she thinks it's funny
Seahawk - Sonic - talks big but is not actually that great, just here for the comeraderie, surprisingly generous when he loses, just likes being a part of the fun
Kyle - Yoshi - just thinks Yoshi is cute, afraid of winning because he doesn't want his opponent to be upset, loves watching and talking about the game
Micah - Kirby - doesn't really know what's going on, is just here to hang out and connect with the kids, generally calm but excited when he sees something new
Scorpia - Villager - literally doesn't have fingers or thumbs but would never blame her losses on that, loves watching everyone else do well, actually tries really hard when she's playing but isn't upset about not doing well
Perfuma - Olimar - doesn't actually like the game but will do it if everyone else is playing, will not stop talking about how cute the pikmin are
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She-Ra and the Princesses of Power S01E07 - In the Shadows of Mystacor
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I'm trying to remember if Mystacor has ever been mentioned but I'm drawing a blank. The title sounds portentous enough that it makes me doubt the episode is going to be about the Ice Princess but she's the only one left so I'm guessing that's what it’s going to be about! Let's do this!
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...why does Bow have hearts in the soles of his shoes?
"Because I can" he'd probably say
Also, what's up with them sleeping in the wilderness? Was the technology for tents and/or shelter lost in whatever catastrophe the First Ones went through?
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I had this without subtitles and for a second I thought "Hey, she's having nightmares about Light Hope, maybe because of the infection?" but then I recognized the voice. Of course, the subtitles don't leave a lot of room to wonder who's talking.
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Sure, leave your friends and tell no one you're leaving. Great idea!
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That's some cute bed hair. I'm still weirdly bothered about the fact that they straight up slept on the grass. Like, it gets wet! And there are bugs!
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How long has she been standing there watching? It was still dark when she stood up.
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* gasp * Continuity~
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Wait, did Glimmer just tell them "let's go sleep in the woods" without telling them their destination?
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Oh, so there's magic beyond what the Princesses can do.
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...I think Castaspella takes the prize for being the most literal name in She-Ra yet.
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oooh, is Adora going to have problems seeing it? Drama~
As an aside, after last episode I wonder if all magic in Etheria is actually just very advanced technology from the First Ones and the entire setting of the show is post apocalyptic. That'd explain why they the princesses need to recharge in very specific circumstances instead of just sleeping it off like most wizards in most other settings.
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The biggest mood. I _am_ writing this during another bout of insomnia after all.
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ooh, plot
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What's Shadow Weaver's problem with Catra? Is it just "Adora's the good one daughter, you're the bad one"? Whatever it is, Catra's self value and resentment problems are 1:1 linked to that, especially considering how Shadow Weaver keeps poking at Catra's insecurities.
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The red rock can probably still work under the "all magic is tech" theory since Entrapta's problems were all because of a gem but I'm not so sure about the stone basin and the liquid inside.
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(that's a fantastic Glimmer face)
Oh. So she didn't have friends when she was growing up? She didn't seem to know the other princesses, and the castle seems to have mostly soldiers and her mom so I guess it makes sense? But still, that's sad.
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oh no she's a grandma
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So, magic definitely isn't something only Princesses can wield. Unless it's different from their powers? They do seem to have very specific powers versus what looks like these generic sparkles.
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It looks like Glimmer's inability to be taken seriously goes beyond her mother. That she didn't have a lot of friends feels like an important piece of that puzzle, since it could mean she was overprotected when she was a child (maybe because of the war?) and only recently she's been "acting out"
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I was thinking that maybe Castaspell was the other princess's mom but now I really hope she isn't. That passive aggresive personality would be incredibly toxic.
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I can't figure out Shadow Weaver's plan. Does she want to freak her out for some reason? Is she leading Adora somewhere (how does she know Mystacor enough to know where she wants to lead Adora?)? Hm.
Also I'm really bad at recognizing voices but Castaspella's voice reminds a bit of Shadow Weaver.
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oh my god I was going to write the same thing
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OH MY GOD I WAS KIDDING
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I can't believe they are exploring Glimmer's weirdly normal family issues.
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Welp, that'd explain how Shadow Weaver's shadowy thing knows how to move around Mysticor. How long ago was she exiled? It'd need to be at least 20~ years ago to match with her adopting Adora.
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Sure, _now_ they have blankets.
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Huh. Interesting design choice to keep Bow's chest covered. Now I'm wondering if he's trans and that's a binder.
It wouldn't be my first guess considering it's so direct and trans characters are mostly limited to background characters if at all but that quote from the showrunner about her characters being gay unless otherwise stated makes me think it could be a possibility.
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GLIMMER HAS WINGS
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Aw, the cuteness couldn't last.
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The design of those wings remind me a lot of the ones in Card Captor Sakura, I wonder if it's an intentional reference.
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Aw. Adora really has a ton of stuff to work through, huh? I'm glad they are taking the time to do it, it'd have been so easy for the writers to just let Adora cast aside everything Horde related but nope, she has a past, conflicted feelings about her "mom" and definitely some trauma.
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oh my god this is so wholesome. I mean, he's wrong, but still wholesome.
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He's such a good boy. He's even willing to accept Adora's different way to dealing with her emotions.
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Uuuugh, that has to be Shadow Weaver, right? A lifetime of experience manipulating Adora, she knows exactly what to say, how to gaslight her.
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This level of emotional manipulation is killing me. Shadow Weaver knows exactly what buttons to push, exactly what Adora fears hearing the most. And she's probably has been doing the same for years to both Adora and Catra.
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Welp, I hope all those crystals were not important.
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My heart. Glimmer did not jump to conclusions or blamed her even though she just lost a ton of credibility with her aunt. What a wholesome marshmallow.
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I guess someone could go and say "they are wrong because they don't believe her" but this really feels like it's completely out of their life experience so I can't blame them at all. And they are probably going to apologize once it's all clear, right? I'm not sure you can ask more from them, they have been extremely supportive.
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nooooo, don't do this to my heart (or Adora's) this has to be Shadow Weaver but that almost feels wrong because if she's so powerful why hasn't she done this before?
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uuuuuuuugh
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Rainbow energy~ Is She-Ra going to have to recharge the shields?
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yup
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I can't believe I'm going to say this but this almost feels out of character. Why would Shadow Weaver reveal the shadow if she's been so good about manipulating Adora so far?
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Aaand she's back.
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I'm glad they didn't leave that as a mystery. Wait, Light Spinner? Is Spinnerella a relative?
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I _love_ this. I mentioned how it felt like it seemed like some people (like Angela or Perfuma) cared more about She-Ra than Adora, to the point that even Adora herself seemed to prefer being She-Ra for a while and it was all on purpose!
Shadow Weaver is manipulating Adora but this is probably something that has been festering in Adora's mind for weeks and I love that it's something that's been present enough on the show to be noticeable instead of something we have to extrapolate.
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AAAAAAAA
I didn't expect Adora to confront all her dark mom issues and trauma so soon but this is gooood.
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whoa wait what, that's cheating
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Aren't you like one more subordinate of Lord Hordak?
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This is some heavy stuff that I didn't expect this show to handle.
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I'm going to be slightly dissapointed if that's the end of Adora's issues.
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she's in
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This is so wholesome and cute.
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Is it a coincidence that her gem works the same way as the distress beacon in Entrapta's castle?
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Nooooooo.
I feel so conflicted about Catra, she obviously has a lot of problems but after this episode I'm finding it very hard to blame her. Shadow Weaver _liked_ Adora and was horribly manipulative to her, imagine what she has been doing to Catra every day her entire life.
---
What a surprise! It's been pretty episodic so far with the introduction of the princesses so a return to the Horde and Shadow Weaver was a completely unexpected. It even included some consequences from last episode's infection!
There are a couple of things I want to talk about but before anything else, let me gush about how Bow and Glimmer are amazing friends to Adora.
When the episode starts with Adora not being in the right mood, it only takes one look from Glimmer to notice there’s something wrong with her friend after she doesn’t react to her jokes. She doesn’t get angry at Adora’s moody response, instead she tries to understand what’s going on and offers her a vacation.
While I was watching, I thought this was after returning to Bright Moon but it makes a lot more sense if they are on the trip back from Entrapta. Had Glimmer already decided to go to Mystacor or was it in response to Adora’s bad mood? In any case they really emphasize Mystacor’s healing properties because they see how much Adora needs that.
And then during their stay they never get frustrated at Adora’s increasing paranoia, instead they keep trying to help her by suggesting ways to relax.
How easy it would have been for Glimmer to give up on Adora after the third time of being rebuffed? No one would have blamed her or Bow if they got annoyed but they just keep trying. Bow even shows he listened to Adora about what she did to relax in the past and suggests it back to her after the “normal” stuff fails. And then they give her space the second Adora asks for it!
Even after Adora’s breaks the crystals in the Lunarium and seemingly kills any bit of “grown-up” credibility Glimmer may have had with her aunt, she doesn’t get angry.
I understand that there’s a reading here that could say that Glimmer and Bow are in the wrong because they didn’t trust Adora about her weird visions from the get go but I feel this was a lot more realistic. How long has been Adora with them? How much of their past do they even know? Before this episode they hadn’t heard about Shadow Weaver and that’s Adora’s _mom_. In fact, I’m sure they don’t even know who Catra is, and that’s Adora’s strongest “positive” link to the Horde.
Would _you_ believe a new friend if they started seeing shadows after a traumatic experience that affected their cognition? Or would you try to help them in the way that makes most sense to you?
I think a plot where they believe her right away could have worked as a mystery but I’m not sure I’d have liked it as much as this one.
That last scene where Adora wakes up from a nightmare and shows her new trust in Glimmer by falling sleep right away was * chef kiss *
With all my unbridled gushing out of the way, let’s talk about Shadow Weaver. It’s interesting that they took a mystery that could have worked for a multiple episode arc and then revealed it in the same episode.
If the episode had _only_ Bow’s line “Mystacor is protected by a spell so evil can’t find it” plus Shadow Weaver’s shadow hanging around it would have been enough to set up a mystery about how she wasn’t affected. A couple of episodes later they could have shown Light Spinner’s statue. And afterwards they could have confirmed it. That they took the possibility of stretching something like that for episodes and episodes makes me optimistic about the future since I assume they have much better ideas in their pocket.
What I am _not_ optimistic about is how this episode felt like it was “the one where Adora overcomes the trauma from being raised by Shadow Weaver.” She’s still dealing with nightmares by the end but it still felt very rushed in that regard. I’m hoping I’m wrong and this is just her first step.
Glimmer’s struggles in making adults take her seriously have been interesting so far. It makes me wonder what will be the event that’ll change everyone’s minds. I doubt this show will go _too_ dark but a battle their side loses because they didn’t listen to her or a battle they win only because they listened to her could work. Technically, the Princesses Alliance is that but I’m pretty sure Angella won’t care much about it until they prove themselves.
Bow is still a mystery. An extremely good boy, but a mystery. I’m hoping that Catra’s sudden focus on him will develop him more. I’m still curious if he’s intended to be read as trans but it’s a nice head canon to have if not.
Oh, and Catra. This good has been very, very good about not being black and white but Shadow Weaver’s behavior tilted the scales towards Catra being a very sympathetic but tragic figure. She may be the black sheep of Shadow Weaver’s wards but it looks like she learned the lessons SW was teaching the best, probably because she was subjected to them the most during their life.
I think that's all for now. There's still a princess left and whatever's Catra is planning so I can't wait! Until next time!
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