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#Franchise: The Golden Arches in Black America
oatmilkenjoyer69 · 1 year
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April 2023 Media Breakdown
Movies:
By the Sad Sea Waves (1917) - Alfred J. Goulding
The Map of Tiny Perfect Things (2021) - Ian Samuels
This Beautiful Fantastic (2016) - Simon Aboud
Un certain matin (A Certain Morning) (1991) - Fanta Régina Nacro
Hairat (2017) - Jessica Beshir
Isole di fuoco (Islands of Fire) (1955) - Vittorio De Seta
Captain America: The First Avenger (2011) - Joe Johnston
Captain America: The Winter Soldier (2014) - Anthony & Joe Russo
Dune (1984) - David Lynch
Dungeons & Dragons: Honor Among Thieves (2023) - John Francis Daley & Jonathan M. Goldstein
Nausicaä of the Valley of the Wind (1984) - Hayao Miyazaki
The Big Lebowski (1998) - Joel & Ethan Coen
Crouching Tiger, Hidden Dragon (2000) - Ang Lee
Twin Peaks: Fire Walk with Me (1992) - David Lynch
TV Shows:
N/A
Books: Completed
Trick Mirror: Reflections on Self-Delusion (2019) - Jai Tolentino
The Dragon Republic (2019) - R.F. Kuang
Hamnet (2020) - Maggie O’Farrell
Franchise: The Golden Arches in Black America (2020) - Marcia Chatelain
Legends & Lattes (2022) - Travis Baldree
Books: In Progress
The Strange (2023) - Nathan Ballingurd | 38%
The Burning God (2020) - R.F. Kuang | 16%
Top 3 Albums:
the record - boygenius (2023) | indie rock
labour (single) - Paris Paloma (2023) | folk/indie rock
Hamp: The Legendary Decca Recordings of Lionel Hampton - Lionel Hampton and his Orchestra (1996) | jazz
Crafts:
Still working on the scrap yarn blanket
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pcoleo · 2 years
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Download PDF Franchise: The Golden Arches in Black America BY Marcia Chatelain
Download Or Read PDF Franchise: The Golden Arches in Black America - Marcia Chatelain Free Full Pages Online With Audiobook.
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vita88t · 2 years
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PDF Franchise: The Golden Arches in Black America BY Marcia Chatelain
Download Or Read PDF Franchise: The Golden Arches in Black America - Marcia Chatelain Free Full Pages Online With Audiobook.
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dino66p · 2 years
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Read PDF Franchise: The Golden Arches in Black America PDF BY Marcia Chatelain
Download Or Read PDF Franchise: The Golden Arches in Black America - Marcia Chatelain Free Full Pages Online With Audiobook.
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[*] Read PDF Here => Franchise: The Golden Arches in Black America
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feywildfiction · 4 years
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My Most Anticipated Reads of 2020 (January - June)
Franchise: The Golden Arches in Black America by Marcia Chatelain
Overground Railroad: The Green Book and the Roots of Black Travel in America by Candacy A. Taylor
Hitting a Straight Lick with a Crooked Stick: Stories of the Harlem Renaissance by Zora Neale Hurston
The Iron Will of Genie Lo (The Epic Crush of Genie Lo #2) by F.C. Yee
Yellow Bird: Oil, Murder, and a Woman’s Search for Justice in Indian Country by Sierra Crane Murdoch
The Night Watchman by Louise Erdrich
These Ghosts are Family by Maisy Card
Lakewood by Megan Giddings
The Perfect World of Miwako Sumida by Clarissa Goenawan
It’s Not About the Burqa by Mariam Khan
How Much of These Hills is Gold by C Pam Zhang
Kim Jiyoung, Born 1982 by Cho Nam-Joo
Fairest: A Memoir by Meredith Talusan
You Exist Too Much by Zaina Arafat
The Tyrant Baru Cormorant (The Masquerade #3) by Seth Dickinson
The Empire of Gold (The Daevabad Trilogy #3) by S.A. Chakraborty
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(via A Side of Franchise - 99% Invisible)
This was so fun! Loved talking to @romanmars of @99piorg about my book FRANCHISE @LiverightPub! I got to meet Roman IRL in the before times when I visited @UCBerkeley @BerkeleyLaw in convo with @hosam_christian and hosted by @JWillJuice #imisspeople https://t.co/1DQrat4HRc
— Marcia Chatelain 🇭🇹Author, Franchise (@DrMChatelain) July 15, 2020
Read more here:
https://www.nytimes.com/1984/11/09/business/mcdonald-s-dispute-on-coast.html
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bigtickhk · 4 years
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Franchise: The Golden Arches in Black America by Marcia Chatelain https://amzn.to/2vFoLuP
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goodblacknews · 3 years
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Katori Hall, Les Payne and Tamara Payne, Darnella Frazier, Wesley Morris and More Win Pulitzer Prizes in 2021
Katori Hall, Les Payne and Tamara Payne, Darnella Frazier, Wesley Morris and More Win Pulitzer Prizes in 2021
by Lori Lakin Hutcherson (@lakinhutcherson) The Pulitzer Prize winners for 2021 were announced today. Notable among them were Katori Hall for Drama for The Hot Wing King, Les Payne and Tamara Payne for Biography for The Dead Are Rising: The Life of Malcolm X, Tania León for Music for Stride, Marcia Chatelain for History for Franchise: The Golden Arches in Black America, Mitchell S. Jackson for…
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larkandkatydid · 2 years
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Nine of my Favorite History Books Written by Black Women
Kellie Carter Jackson, Force and Freedom: Black Abolitionists and the Politics of Violence*
Danielle L McGuire, At the Dark End of the Street: Black Women, Rape, and Resistance- A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power*
*in my opinion, these are the two most consciousness raising, informative history books I can recommend.
Isabel Wilkerson, The Warmth of Other Suns: The Epic Story of America's Great Migration
Stephanie E Jones-Rogers, They Were Her Property: White Women as Slave Owners in the American South. *this is a book more talked about than actually read and that is frustrating because it is an amazing, insightful, grueling book.
Keeange Yamahtta-Taylor, Race for Profit: How Banks and the Real Estate Industry Undermined Black Homeownership
Joy Gleason Carew, Blacks, Reds and Russian: Sojourners in the Search of the Soviet Promise. *this is a fascinating history that I had learned very little about before reading this book.
Lauret Savoy, Trace: Memory, History, Race and the American Landscape *a nature and landscape memoir in the vein of Braiding Sweetgrass
Marcia Chatelain, Franchise: The Golden Arches in Black America
Leila Taylor, Darkly: Blackness and America's Gothic Soul*. This is the most fun book on this list, a black, Gen-X version of Stephen King's Dance Macabre.
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npr · 4 years
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With the distance of time, I can see that my first McDonald's was an unremarkable thing. There were the antagonistically hard plastic seats. The interior lights that seemed meant to shoo you away. The PlayLand with the broken-down carousel that yelped out tinny renditions of John Philip Sousa songs. And of course, there was that smell: maybe a little bleach, but mostly the aroma of cooking french fries that seemed engineered to induce a limbic response.
But as it was my first McDonald's, it was the one I imprinted on and to which I would compare all other fast-food establishments forevermore. The store on Broad and Carpenter was a waypoint between my mother's South Philly rowhouse and my grandmother's, which meant that several times a week, my mom had to bat away entreaties from my sister and me when we walked past.
So much of my neighborhood has changed since I was a kid — the notorious Martin Luther King projects were razed, public schools were shuttered and once-thriving churches shriveled up — but that McDonald's still sits brightly and defiantly on the corner of Broad and Carpenter. It's almost certainly changed hands in the four decades it's been there, but that McDonald's remains one of my old neighborhood's most enduring institutions.
And as I learned recently from Marcia Chatelain's new book, Franchise: The Golden Arches In Black America, the preponderance of Golden Arches in locations like my poor, redlined, black neighborhood was hardly some accident. Chatelain, a historian at Georgetown and host of The Waves podcast at Slate, outlines a forgotten history of the fast-food behemoth's rapid expansion into black America in the post-civil rights world.
When McDonald's Was A Road To Black Liberation
Illustration: Dion MBD for NPR
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denotday · 3 years
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Maybel Rhodes: Protectress
Itchy arms. My armbumps bumps take over life and chew my head off like a black mother. Even the sleeves of this sweater craddle these potholes as an english muffin craddles butter. But I'm more than my bumps and I'd make a quip on Fergie, but I'm no Joan Rivers. I'm small, meager. At eighteen, trying to find myself, live my own life. Typical teen drama, boring narrative, sob story. bored already. But know what isn't boring? I like strawberry shortcake and cheeseless pizzas. I have hopes of becoming a journalist and actually leading a career as moreof a Clark Kent than a Mary Jane or whatever the fuck that bitch's name is. Mary Anne? That used to be the name of one of my teachers. Going off; just thinking these thoughts while skateboarding to highschool.
Stay on the sides, away from cars, on the sidewalk, not too close to the white kids. White kids mean white mess, white messes mean cops who sweep the streets and take all the black kids with them in the process. I'm not a racist, just a black kid trying to stay alive in white america. Thank god I'm a weak bitch, one who cries for black men, one who doesn't face real issues like projected aggression. I'm a butterfly, something that men swat away and don't care about until MeToo movements. Gotta be careful but not too careful, kind but not too kind, firm but not a bitch, bitch but not a faggot. faggots suck.
No one thinks to ask these questions, here this thoughts. They see a black woman, better yet, a black female child. Worse thing to live in a ghetto. Sike; I say that I'm black and in a ghetto and get sob points. Fucking racist. I'm skating to one of those Fresh Prince schools. Didn't move on up, I'm simply moving; parents are mid class well grounded and guess what? My parents are still together. Probably breaking up soon but still breaking barriors of broke baby daddies and black slutty whore mothers who don't believe in abortion.
That's humor in of itself. A black kid skates into a white neighborhood with white sidewalks and doesn't have a nigger daddy and nigger mommy. What can be said by those PTA suburban soccer moms who want to demonise me and my own? Or am I palatable and a token black?
Making good grades, going to class on time. Only thing is, I don't have any friends to call. Even if I had one of those top quality iPhone 411s, I still wouldn't want to burden myself with filling up those high-techy contact lists. It's all bullshit after all, just capitalistic bilge. Something to fill the void without actually trying to let the public know that the void they're filling chalks up to capitalism. But again, those little tangents? "What does this have to do with having friends?" Everything. I don't give a shit, I accept shit. I tell things like it is, speak with lisps or change it up by sounding like an oxford professor.Not going to just abandon stream of consciousness 'cause class just started. This aint sims 4 and life ain't something that can be controlled; sped up or slowed down for the sake of an other's pleasure. I'm learning about shit that I'll never use like economics. That's shit that the government gives the state to teach, a little but not enough for highschoolers to overwhelm the system and decide "fuck student loans".
Not too bad here, though. Not all just "fuck hyschool" and teenaged angst. I go to the library, read books, go on my computer, listening to some Biggie and MFDoom and Tribe. Guess I am a nigger. Nigger-me and my nigger music. Even tththough it's they inspiration for they cracker music. Hate on us enough to keep us down but keep us up enough to steal from us. Today I'm reading some teen dystopian fantasy novel that I don't feel inclined to share with you guys. And no, it's not Hunger Games. It's Gunger Hames, the cousin of the franchise. Whoops just gave ya'll the name sorry. Either way I'm into that. Idea of a not-so-distant-future; humans making mistakes that fuck up the planet---disregarding that fact long enough so that the white main character can get it on with someone from the other side. Modern day Romeo and Juliett.
End of lunch, going back to class. It's back to back all day; boring teen shit that nobody cares about. Raising hands, answering questions, not understanding anything by the end of the day. Getting by is my motto. Long enough to get an A in the class and be on those ivy league watchlists. Even if I have to bust my ass to pay for student loans. Leaving highschool after all that non-work---no friends to lie to, no one to walk with, just me and my skateboard. These white paths not dirtied by brown except for my dirt body moving at the speed that a skateboard will go. Shift right here and there. Move away from rocks so that I don't fall headfirst. It's good shit. Here and there there are stone pebbles, blunts from---ironically enough--- the white kids and sharp object that I can't identify. FUCK. I don't have time to move around it and I can't just run offf. My leg'll get cut by it. Gotta just build up enough speed to roll over. Rolling...rolling...here it comes. Crouch down, focus, focus, pump speed anddddd....it stops my speed and loosens one of my bearings. Now I gotta walk the rest of the way back to my white little house with a white picket fence. Man screw--haha pun---this object. I have to use my 20/20 vision to find some small silver bolt that'll practically blend in with this bright ass sidewalk. Fuck white America.
In a little patch of weeds growing like black fists raising in the air I see the bolt and the responsible party for tossing me off the board. I raise my foot to crush this sonnofabiscuit like a bug so that some white kid's bike tire doesn't get licked---mind you this should be considered community service---and I figure that I won't ruin my rubber soles on the glass, so I'll just pick it up and toss it into the sewer. I put the bolt in my sweatpants pocket to keep it safe. I bend over again to peer at the crack in the sidewalk that I'll punt to the other side of the street where the other half of the street lives. It has tribal markings on it and must be, gasp, an ancient arcane ruin that'll give me superpowers. Kidding, you dumb bitch. "Why am I talking to myself this way? Jeez, some self-improvement classes would be nice". It's a bracelet made of some sort of beads. Kindof pretty but caked up with dirt and sand like no-one's business. I'm no Rocket Racoon so I just leave it. Even if I felt that it was interesting enough, I'd have to clean it off and disinfect it. It would just ruin the material underneath. Hm. Hm. Hm. Hm. Hm. Hm. Lemme stop; for real, in this white bread neighborhood, I might be able to get it appraised and pawn it off for some money or at the very least, see if it's worth keeping. I know; "this is the start of every horror movie", every tv show. I get it, but I'll cleanse the jewelry before wearing it. It's fine. It's fine. Hope it's fine. Jeez.
I put the bracelet in my other pocket away from the bolt and walk back home. The soles of my feet hit the white pavement and my feet move in the fashion of jubillee ferris wheels. Slowly rise in a circle, fall in perfect arch. Walking is divine poetry in of itself. Not too long now. A little further. Feels like the day is stretching. Still light outside and the summer-brink of fall--air is warming my rectum. "Oh god, what's with gays and their rectums". You know your g-spot is in your ass, men. It feels good for us too you know. Nice coolness for the butthole----rectum is for men, butthole is for women. I think. See? Not a Cliff Huxtable type; don't know everything. Not an Urkle. Conversations with myself like this are truly golden (ponyboy).
Fondle the silver piece, twist it in lock, get somewhere new. Novel design, simple concept. My rubber soles give me cat-walking abilities and I edge up the stairs. Hear shuffling downstairs in the kitchen. But the smell of musky forest wood with a hint of olive tells me that it's just my father. I'd announce my presence but this isn't a sitcom and I have a phone that I can use to text. Who talks nowadays?
On the table near the keyrack, I scoop into my pockets in search of the goods. The warm cotton touches the cool silver bolt. Set it aside to attach it to the skateboard later. "Why not now?" That'll be a problem for me to solve tomorrow. "Procrastination isn't good" Yeah I know. I've read the same 1990's health pamphlet that the health teachers give out. I hug my side to reach around for the other pocket. Same warmth, same feeling of comfort except...it's a new sensation. Hollow and porous. It's either bone carved into beads or plastic. Hope to...Well, not God, maybe I hope to goodness? Goodness? What am I? A preacher? Maybe that's why I like 16 year old boys. Anyway. It's too white over here for it to be bone. Unless it's some cracker who brought over some hoodoo shit and dropped it somewere. Great. Gonna burn some incense to cleanse it. Then gonna toss it somewhere so that it can't hurt anyone. Wait. It doesn't FEEL menacing. No darkness, no coldness, there's a comfort to be had. I don't see any visible engravings, no bite marks no arcane symbols. It may be safe. Just to be sure, I'm keeping it downstairs for it to curse someone else in the house. I rise up the stairs into the wide landing. Step, rise, step, rise, step, rise. Before I get to the top, I feel funny. Not sick funny or CURSED funny, but someone-is-in-my-presence funny. Strech my neck to look over my shoulder. Not too far to show interest but far enough to see what's going on---it's my dad handling the bracelet.
I whip my body around and I suppose this gives him a start.
"Hey, just got back from school. I'm pretty tired which is why I didn't want to talk. Found that bracelet in the sidewalk cracks before my skateboard broke. I wouldn't touch it if I were you. Don't know if it's cursed or not."
"Cursed? Bee, this is a genuine Sudanese artifact."
"Huh? When'd you turn into a archeologist? Or are you just nerding out about a 'special interest'"
"Har har. Nothing like that. This area used to be an auction town for slaves shipped from Sudan. Martinsville, Pennsylvania wasn't necessarily known for it's 'clean hands' you know. Gentrification made the area look nicer but its history is still pretty shit-covered."
"Ah, I remember now. I heard about this in history class" No I haven't. I don't even have history. Just want to stop talking to him about some dumb bracelet. "Can it sell for big bucks at a pawnshop?"
"I mean, sure if you'd like to get rid of it. Better to give it to the local museum though! It looks to me like it's made out of elephant tusks. Pretty well preserved too! The wearer must've been some warrior. They only wear these types of jewelry if they're the village's protectors. That's what I've read online anyway. You know how the interweb is though. Could be false."
"Oh wow. Ivory? That's a pretty dirty trade. Don't want to give something like that up to white people who continue to promote the trade. This'll just make the ivory market worse. I may keep it; I just wonder if it's cursed or something. I'll ask a local witchcraft practitioner to check it out tomorrow. Can I have thirty bucks for an appraisal along with an after-school snack?"
"Thirty? What're you going to buy? A salmon dinner with asparagus and steak? I'm not giving you Carabbas money. I can do 18. Enough for some street food."
"Not enough for the appraisal!"
"I'm sure the person will be able to work something out for you. You look twelve. You can play the 'Uwu I'm a baby who has no money, please help me out adult!' card. Or, how about this: pretend to be doing a research project for school on Sudanese slaves in the area. Just act like the school lent you the bracelet for the project"
"So lie?"
"I call it embellishment."
"I see"
I reached into his calloused palm and stole its contents, As a thief, I ran upstairs away from the site of the crime, away from the demons that lurked beneath the stairs. That's customary practice when going up stairs, right? To haul ass like there's no tomorrow like we're that black chick from Scary Movie? Sounds about right. I heaved and ho'd swinging my body back and forth up the stairs. Snaking my way into my room where I burrow for my after-school nap. That's what I tell my parents anyway. What I really do is blaze up in my room and turn on the fan. Gotta keep the smoke minimal. "Such a typical teen". Yeah, whatever. Like your generation wasn't popping ass and drinking bathtub wine when ya'll were young, Get outta here.
It's a good high. Kind where you'd listen to lofi and eat peanuts just for the fun of it. Another bong hit. Satisfying. I'm just leaning back on my sofa; it's firm and uncomfy but when I'm blazed, don't none of it matter. I could lose all of my words...give up....let....go.....
"...."
"What is this energy I'm feeling? So warm and electric. Is this love? Am I so sexually frustrated that I'm in love with a bong? Shit, I fuck with that. That's pretty words. 'I'm in love with my bong'. Such nice love. haha."
I'm hungry and it's four am. The weed has worn off. So tired man. Gotta go downstairs for some chips or something. Hungry to the max. Munchies munchies munchies for the weed monster. What a drug.
I creep down the stairs and up once more. My bare footpads cling to the hardwood and leave sweat prints in the shape of my stompers. During my ascent I leave crumbs. Have the house feeling like a Brother's Grimm story. I satisfy my snack desires as I prepare for school in the next hour.
Running water on my arms. Three passes of lotion on arms and legs. Can't be the ashy black kid that look like they an African living in a dirt house. Ain't able to help the rough patches that coat my body but I can help keep my skin moisturized.
A'ight. Got my fit got my board. Just have to screw the bolt back on and find the bracelet. Shit. Left it upstairs. I'm already late as hell. Rushing up the stairs. Search for the bracelet, find it, get out house. Objectives objectives. I spot it from afar and gravitating toward it, put it gingerly in my pocket. Kindof like someone would with a used tissue. Aren't humans gross? I mean, snot? Bacteria-filled snot? Nasty. Thoughts gone, make brain go from thinking to doing. descending now. Board in arm, door opens with the flick of the wrist and just like that, I'm outty. Deck on ground I put my best foot forward and ram it onto the hard cement to push myself forward. Sorry foot, betrayals sure do suck.
School begins, in class siting in a chair. All day, several hours. Ah, the beloved system at work. Great to know that there are adults who "work" all day by keeping kids seated in a chair. Very progressive, America. Library break? I think so. On my laptop, I pull out webpages on the pocketed---the word reminds me of 'closeted---bracelet. NOW I'm imagining a gay bracelet. hilarious. Great. Typing 'Gay Bracelet' into the search bar and am getting rainbow plastic bands. Ya know, the ones that they sell at Hot Topic during pride month.
"Damn, I'm getting sidetracked" She mutters to herself. Imagine if life were a story being told by some omnipotent force? omnipresent? Think that's the word.
With a bit of typing and a bit of focus. Swift movement of hunched fingers. All is complete, then some. Ogdle: "common of the Azande warriors were pieces to signify their status such as septum tusks, mouth disks, necklaces and other adornments. Bones and tusks were common materials of such articles."
Crazy how this history is hidden. Power was taken from us and buried so deep. We're the originals but every piece of history buried underground. Hidden, secretive Big Bad America. Tale fit for young people all over. Democracy, boo yah.
Train whistle blowing through the air. No train nearby, just the sound of a change in the block. I put it all away, sweep it into my bag. Everything is so messy, so fast. On schooldays like this, it feels hard to even take time to breathe. But I get by since the system wants me to. Think I'm going to skip. Not that the next two classes even matter in the long run. "Such a poor black baby, representing her race so poorly". Yeah yeah. Not the black chick that highschools would put on a recruiting card.
Just another push....door after door falling at my fingertips. The same once that touch the coarse sandpaper of my board. Foot on, foot off. kick once, twice, thrice, now we surf the cement. Now it's time to visit good the kind old black woman who practices witchcraft on dolls. That's what you'd think right? No, they're native and keep old customs within the community. Everyone calls them---agender--- Sage. Nonbinary native americans are actually more common than people think.
Before selling the bracelet to some old rich white drudge of society, I wanna be sure that the bracelet can be cleansed first. I mean. To give away black history to the white man? Hellll no with multiple "l's". It is a pretty long ride there, even on a board. Rumbly road. Pebbles everywhere. Thousands of little rocks acting as smaller wheels vying to fling me off. It's too much.
Mumbling of my own. "Where's gentrification when you need it?" Alright, yes I get it. It's a bad joke. Of course gentrification is bad. Blah blah. Time to pick up my skateboard I guess. Walking on this ground feels just as bad as suicide. Feaful of getting my ass flung into the afterlife. Few yards left....or at least fifty feet. Forty eight, forty five, forty-however-long.
Ended up reaching it after twenty minutes. This trip better be worth it.
"Hi there, Miss Sage. Mind checking out this bracelet for me? I need to check it for a curse or evil energy. My cheap father didn't give me enough for a full appraisal but what can you do with nine dollars?"
"For nine? Not much, doll? What was your name again? You look young, do you have an adult's approval for this?"
"Oh, right. You've got me. It's for a school project. School each student a historical object to research. I figured you'd be able to help me get an 'A' on the project, you know?"
"Your manners are lacking but you seem young, so I'll let you pass. Allow me to take a look at it, if you please?"
God. Full-fledged adults really are something else. I'm only eighteen, not eight. Guess I look younger than I am----
Sage starts burning this wood that's tied with string. Incense maybe?
"That incense?"
"It's a closed practice really, so I don't want to expose anything. But it is a form of incense that I prefer to use to cleanse the spirit of objects and areas."
"Ah, didn't mean to intrude. I'm glad that there are still practices that you keep to yourself. Nothing like the White Man stripping us of our culture."
I got a soft chuckle out of them. Glad that they're able to lighten up a bit.
"..."
"OK, so here's what I've found. There's immense energy here; the power coming off of this thing is tremendous. There's nothing negative about this piece. How'd you ever come across it, again? School, you said? Shame that you'll have to give it back. Something like this would provide a large power surge to spirituals. I'd pay a pretty penny for this."
"Mhm"
"Wonder how the school even came across this. I tell you what. Ask your school where I can find something like this and perhaps I'll give you a little something for your intel, huh?"
"Oh. Sure. I'll just--uh---"
"Right, right, right. The bracelet, I'm sorry. Really, it's more an anklet truly, but--ya know what? I'm sorry. Here ya go"
"...take it from ya. Thanks."
"No problem. Come back with more info on the anklet. That'll be your payment for my time"
Got 'caught in a lie it seems. Don't know how I'll snake my way out of this one.
"Brrrrrzzzzz"
Shit, it's five. My dad's probably looking for me.
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Chapter two:
" You skipped class? Bee, I know that you're better than this."
God moms bitch too much. Must be the nursing job coupled with her daily acting gigs that make her so aggro.
"I hear ya, mom. I just had some research to conduct after school..."
"Research? Which kind---?"
"The school kind. I don't know what else you want me to say. I'm sorry for skipping lasses. I got too overzealous and went in over my head. It won't happen again."
"Tskk. Better not. I know that I'm gone almost every hour of the day, but please give me a break, baby. Please just listen to your father and follow the rules. All I ask."
"Mhm, even though he-----you know what, nevermind. Am I dismissed? I have to write up today's school report to type"
Phew. Gonna hit the bong now to calm down from this encounter.
Fuck homework. .... ..... Mhm.
Five minutes passs. Fifteen, twenty. Maybe not minutes. hours? seconds? Time is too funny. With LEDs on, the vibe is fatallll. Still have to open a window to let out the smoke but gosh is this magical.
Mhm magic. Does it even exist? Doubt it. It's all science, right? ....
.....
Right. Like, this anklet. Not real power. Not real magic. Just something people believe in. Like God. It's all faith.
"So, theoretically, I could even put it on my person and nothing would even happen"
"And, so it begins"
"WHAT THE FUCK IS THAT VOICE" and why am I screaming?
Get off, get off, get off! Something's dripping on me.
"Tears, they're tears"
Oh god, I fucked up. I knew that I shouldn't have smoked that much. Knew it'd bite me in the ass one day. Now I'm fear-crying. I NEVER FEAR CRY.
It's all a dream maybe. Go to sleep, Bee. Just take a weed nap.
"Ba ba bang"
A booming voice raspy from coffee withdrawal.
"Everything OK in there Bee? You're about to be late for school."
Shit!
No time for conversation. Move it move it move it.
"'Cmon Bee. I'll drop you off at school on my way to the college".
Bookbag? Check. Board? Check.
I feel the rush of air against my cheeks as I fly out the door and jump into the getaway car. Fast, but atleast I'm not Furious. Dad and I chat it up all the way until the tires cross the smooth pavement of school grounds. Departing words are exchanged along with "I love you's" and "knock 'em deads".
That familiar sound. Principal as the school conductor. "Chooo". Just as it drones, my body moves to the steps of teens dragging their feet toward their dreaded first classes of the day. The light of morning cradles the marble arches of the school entrance until the sun starts to suck in the morning cold to blow out midday warmth.
"So, who are you, voice? What's your angle? Typing ensues. The screen watches my fleeting pupils; left, right, side, side. Wouldn't be surprised if the computer got whiplash from me. One scroll, two, three. Read a page. Nothing. Another website. Up and down; my fingers are cramped now. Nada. New Oogdle search: "Can I hear voices with weed smoking." Now I have a hit; "yes weed can have you seeing voices. Many aren't even your own. Maybe lay off the TV for a while."
"Thanks 'BouncyNina29'. Quora is one hell of a place." Guess it must've just been the drugs then. Hilarious, me hearing some voice. "Gotta lay off the bong smoking".
"Shhh!!" Some nerd in a striped beanie raised a finger to pursed lips.
Sorry, sorry....Jeez. "My bad" You know what? Maybe I can visit----
the train whistle interrupts my 11pm "ball" with myself. "Dammit". OK. Maybe I can bribe one of the delinquents behind the school to take my place in English. Teacher's not there anyway; the sub won't know the difference. Time to go pay someone off.
"..."
"Here ya go, five dollars."
"A'ight and you said what room that English class in?"
"301 B man. It's at the end of the third floor, right wing. Hard to miss and---remember---my name is Maybel Rhodes. Just fake like you're doing some work and no one will even notice that you're not me. I'm a loner, so, that'll work."
"Mhm hmm. I hear ya Maple"
"MayBEL"
"Yeah, that's what I said"
Scoff. In a smooth curvular motion, I plant my feet on the board and race to Sage's before their store closes.
As I approach, they're putting a silver key in a lock. Gah! The store closed.
"Miss Sage---"
"Gah! Don't do that!! Scaring me and sh--I mean, 'crap'. Scaring me and crap. Look kid, I'm closed right now but we open tomorrow. By then, I'll have the energy to discuss your school's anklet with you. Actually, about that. Do you have intel on where the-----"
"Yes, yes. About that, see...I lied. I didn't really get it from the school. I found it on the ground somewhere."
"'Found it on the ground somewhere' is code for 'I don't have money to pay nor do I have anything else to provide'? Am I getting warmer?"
"Look Miss Sage, I'm really sorry. Hey---look at it this way. I'm in debt to you. If you'll just help me with one teensy little thing, I'll ask my dad for some food money and will give you every cent he gives, alright?"
"Kid, that's not how an adult runs a business. Call what I gave you yesterday a 'freebie'. You're banned from the store. Good night."
Wait. "Wait" Their stride is aimed toward their silver camry. Yeah, I know a camry. Did you expect them to be riding a horse? Racist. Sage acts as though they don't hear and gets into their seat, key in ignition. One twist away before exiting the rocky parking area.
"IT SPOKE TO ME" Yup. That is how I yelled it. All caps, woke some birds up even. Just like in those Loony Toon cartoons. Is that why they're called "Loony Toons" 'cause they're loony cart----
Now they exit their car, slamming the heavy metal door. "What did you say? It...SPOKE...to you? What do you mean 'it'?"
Mhm Mhm. Just prepping my throat. "I wore it on my ankle and I heard a voice that has never existed before in the chasms----"
"Stop the theatrics"
"....Chasms of my mind. It was a male. Around your age in old-timey-ness."
"Har har."
"But it's the truth!" Why won't they believe a magical voice but insist that sage, a random plant, purifies the air?
Their chest contracts and expands in a sigh. Sage closes their eyes for a second. I could practically smell the gears turning. Need some WD-40, really. "Fine. Come by the store Saturday. That way, no one will be in to eavesdrop."
"Deal!"
"And bring actual MULA this time or else we won't have our little discussion". Crud.
"...."
"What are you thinking Sage?" No response. I paid one hundred fifty dollars for this after BEGGING both my folks (who think I'm using it to enroll in some after school sport) to slide me some cash so that I can 'better myself as an individual and actually do something with my time as well'. Lies are no good.
"Shh! Let me think, please!" Sage subverts their attention from me back onto the tarot cards laid in front of them----exactly where the bone anklet (bonklet) lay in silence
Ten minutes pass before Sage gives me the break down. "So, as I've said before. The anklet carries some heavy energy, something similar to passion and justice. Very potent stuff. That's what the spirit realm is saying, anyway. When you were---ahem--- HIGH----"
At this point I look away
"...You honed into that energy and that's why you heard the voice"
"Hm. So, how do I hone in on that energy now? Is it something I can control conscious?"
"Look, I dunno kid. Just, be safe. Meditate beforehand so that you are actually able to chime into the anklet's power source. Don't want to darken the talisman's power or anything."
"Sure, sure" I am literally out the door before Sage utters the second part of their sentence. I buzz with excitement at the opportunity and the best part is? I'm basically a super! Hoo ho. This is awesome.
There's an empty industrial facility near by Hawesome Li Cosmetics. It went bankrupt several decads ago. I'm pretty much the only one who knows about the place. Excellent ground to skate on---smooth as butter. Either way, it's empty and no harm will come to anything or anyone nearby. Any damage that I do will be to the building nearby, which no one cares about anyway. "So, it's just me and you buddy." Blunt in hand, I blaze it up. "Time for the magic to happen."
It's a slow high. The high takes as long as a flame reaching the wooden stick of an incense rod for the high to hit. Upwards of thirty minutes. So I wait. It feels like time warps. So I meditate. So I clear my thinking and reach out to the anklet.
"Mhm, Anklet, tell me who you are?"
"What?? You can hear me?"
"Yeah man. Who are you, why you speaking to me?"
"Why would I tell you? I don't even know yer name"
Tiring. It's like talking to a wall.
"Hey, I heard that!"
"Maybel. My name's Maybel. What's yours? Let's start there."
"Nat."
"Like Nat Turner? The rebel slave?"
"Don't know who that is, this 'Nat Turner'. Just knew my master gave me the name." How progressive. "So...I suspect that I'm dead."
It's not easy news. I get it. But hey, the north won. That's something, right?
"Well, I guess it is....you know, I had a name before all of this...."
"......"
"......??"
"......."
So, are you going to tell me?
"You may call me 'Asim'."
"I'll call you Ase."
Don't call me 'Ase'. Too late, Ase. Hey, how old are you anyway? 12? 11? My name is ASIM, nothing else. Fine, grumpy. ASIM. I'll call you Asim, Asim. Where'd that name come from anyway? What does it mean?
"Let's find out, shall we?"
"...It feels electric! (Boogy woogy woogy). Such power, this wade in...glory."
Are you a God?
"Blasphemy!" Then what are you? How are you able to lay such energy unto me?
Look, I don't know either, alright? But what I do know is...we're both negr---
Black. We don't say that word anymore.
"Black, then... Perhaps I'm connected with you due to our shared skin?" We stopped being related millenia ago. Millenia? Not familar with that word.
"Long, long ago. We don't share any common ancestors. It was all a lie." A lie? You don't believe in a God? I'm moreso spiritual; creation is a possibility not something I'm invested in. I believe in forces of the universe. "But not a God? So, this can't be some spiritual connection. We're too different." So perhaps a soul connection? A link between our spirits.... What else do we have in common? A slave and a black kid?
"Hatred of the white man? Wanting justice against them?"
"War. Destruction"
"Yes."
"No, I don't want that. I'd prefer peace." There may be no PEACE without WAR.
"A lie. Violence is not the answer. Kindness is."
"'Kindness' doesn't resolve problems. 'Kindness' doesn't end racism. 'KINDNESS' was the one that slept at my feet while I was lashed! "
"..."
Asim?
"..."
Andddd you're gone. Great. Well, I'm going to head back home, then. We can hang out again tomorrow. "Head back" means leave. All right, see you.
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juno7haiti · 3 years
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Le MCC félicite la récipiendaire du Prix Pulitzer 2021, Dr Marcia Châtelain
Le @MCHaiti félicite la récipiendaire du Prix Pulitzer 2021, Dr Marcia @DrMChatelain.- #Juno7 #J7Jul2021
Le Ministère de la Culture et de  la Communication félicite la récipiendaire du Prix Pulitzer 2021,  Dr Marcia Châtelain Le Ministère de la Culture et de la Communication (MCC), dans une note de presse, salue la prouesse de  Marcia Châtelain, prix Pulitzer en histoire 2021, pour son livre « Franchise : The Golden Arches in Black America », un exploit de plus pour une fille d’Haïti à l’échelle…
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downloadebooktrue · 3 years
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{EBOOK} Franchise The Golden Arches in Black America (EBOOK
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information book:
Author : Marcia Chatelain
Pages : 336
Language :
Release Date :2021-1-19
ISBN :1631498703
Publisher :Liveright
BOOK DESCRIPTION:
Just as The Color of Law provided a vital understanding of redlining and racial segregation, Marcia Chatelain’s Franchise investigates the complex interrelationship between black communities and America’s largest, most popular fast food chain. Taking us from the first McDonald’s drive-in in San Bernardino to the franchise on Florissant Avenue in Ferguson, Missouri, in the summer of 2014, Chatelain shows how fast food is a source of both power—economic and political—and despair for African Americans. As she contends, fast food is, more than ever before, a key battlefield in the fight for racial justice.
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download ebook PDF EPUB, book in english language, Download pdf kindle audiobook
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easyfoodnetwork · 4 years
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It’s Time for the Hospitality Industry to Listen to Black Women
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History shows us that the novel coronavirus will impact black women restaurateurs, and their businesses, much harder
Before the pandemic, our nation was in the early stages of battling an epidemic that plagued our beloved hospitality industry: the biased structural policies, born out of our country’s legacy of racism that guaranteed that black Americans would continuously work at a deficit. Painfully honest conversations — dissecting the ways in which decades of systematic racial and gender inequality festered in the industry — had finally begun to gain traction in on- and offline spaces. But, collectively, we’d barely broken through the dysfunctional infrastructure that allowed certain groups to fail harder and faster when COVID-19 struck.
Chef Deborah VanTrece was ringing the alarm prior to the coronavirus pandemic. She regularly brought discussions of industry inequality to the table through her dinner-and-conversation series that centers black women in hospitality. “It was something that we had just started talking about at Cast Iron Chronicles, and a lot of other chefs were talking about it,” says VanTrece, owner of Twisted Soul Cookhouse & Pours in Atlanta. “But the conversation wasn’t finished. It still isn’t.”
“As much as we’ve accomplished, I still feel isolated and that I am by myself. I don’t think any of us should feel that way. We should be checking on each other. It’s like [coronavirus] happened and every man for himself,” VanTrece says. “And when I think about it, we were pretty much like that in the first place; that’s why it’s so easy for it to continue now.” Isolation has become a theme in our shared new normal of stay-at-home orders, but what VanTrece is describing is a sentiment long echoed by black women in the industry. Yet seeing the divide continue during these times is heartbreaking for VanTrece. “If we were ever needing to be one, it’s now. We need to be one.”
Black and brown voices are largely excluded from overarching conversations that will define the future of our industry
As we grapple with lives lost and the magnitude of devastation caused by novel coronavirus, accountability and transparency seem to be overshadowed by crisis-led pivots while we brace ourselves for what’s to come. And yet again, black and brown voices are largely excluded from policymaking and overarching conversations that will define the future of our industry. In the face of this pandemic, some may say the pursuit of equality has been railroaded, maybe even understandably so. Others see the crisis as a hopeful confirmation that institutional change is inevitable. Because if not now, when?
In order to know where we are going, we have to understand where we’ve been. Black restaurant owners, black women especially, are in a more precarious position from the get-go. According to the latest figures, from 2017, black women were paid 61 cents for every dollar paid to their white male counterparts, making wealth generation much more difficult. And while one in six restaurant workers live below the poverty line, African Americans are paid the least. Access to capital has been a steady barrier of entry, especially for black women. Black- and brown-owned businesses are three times as likely to be denied loans, and those that are approved often receive lower loan amounts and pay higher interest rates. For a population more likely to rent than other demographics, offering up real estate as collateral for traditional loans isn’t an option. And even for those who own a home, the lasting effects of redlining, predatory and discriminatory lending practices, and low home valuations are palpable.
In other words, the wealth gap, combined with a lack of access to traditional loans and investors for start-up capital, puts black women at a disadvantage before they even open the doors of their restaurants. “A lot of us have had to build our businesses from scratch, and that may be through personal savings and loans, through family members, credit cards, or we have refinanced our homes,” says chef Evelyn Shelton, owner of Evelyn’s Food Love, a cafe serving comfort food in Chicago’s Washington Park neighborhood. “We are in uniquely different positions when we start, which makes where we are now even more difficult.”
In the East Bay, chef Fernay McPherson, owner of Minnie Bell’s Soul Movement, a food truck turned brick-and-mortar now located in the Emeryville Public Market food hall, is offering a limited carryout menu in an effort to keep her staff afloat, noting that some are single parents. “I was a single mother, so it’s a lot to take in when you’re thinking, ‘How am I going to feed my child? How am I going to make rent?’” During the Great Recession, McPherson was laid off and had to short-sell her home. She started Minnie Bell’s in 2009, as a catering company, while also working full-time as a transit operator in San Francisco. “It was hard being a mom, driving a bus, and trying to operate a business. It was a lot on me. And my decision was me. To work for me.”
Working multiple jobs is a necessary for many entrepreneurs whose bootstraps are shorter to begin with, says Lauren Amos, director of small-business development at Build Bronzeville, a Chicago incubator that advocates for South Side business owners. “We’re talking about people literally working a full-time job, supporting themselves and their family while still pursuing this dream of opening a business,” she says. “And they’re doing it out of their own physical pocket.”
McPherson, a San Francisco Chronicle 2017 Rising Star Chef, says it was tough getting a job in the restaurant industry after culinary school. “I came into a white, male-dominated field and I was a young, black woman that wasn’t given a chance. My first opportunity was from another black woman and I worked in her restaurant.” Access to a solid professional network, including mentors, is absolutely as vital as access to capital — social capital is another part of the ecosystem, and can be a bridge to resources necessary for growth. But without the right connections, strong networks may be hard to plug into, and exclusion from these networks can have a stifling effect on one’s career.
McPherson has steadily established a solid network over the years. Now, she’s envisioning what her post-pandemic future will look like, including a possible alliance with other women chef-owners. “We’re talking about collectively developing our own restaurant group, in a sense, where we can build a fund for each member, build benefits for our employees, and build career opportunities,” she says.
In coming weeks and months, people in many industries will be taking stock of what could have been done better. But for now, McPherson’s most pressing need is capital to be able to restart.
Studies show that African-American communities were hit hardest by the Great Recession. According to the Social Science Research Council, black households lost 40 percent of wealth during the recession and have not recovered, but white households did. Unemployment caused by the recession disproportionately affected black women, a double-edged sword for many of whom worked lower-wage jobs that relied on tips. The costs of these disparities are far reaching. Six years after a defunct grocery chain shut its doors, creating a food desert in the Chicago South Side neighborhood of South Shore, a new grocery store finally opened — just last December — a few months before the pandemic.
Black communities are undervalued. “Mom-and-pop,” a term of endearment that acknowledges the fortitude and nobility in owning a small business, is rarely applied to black-owned businesses. Racial discrimination and biased perceptions of black-owned restaurants in black communities costs them billions of dollars in lost revenue. Disinvestment in these communities sets the landscape for quick-service restaurant chains to flourish, as professor Marcia Chatelain eloquently lays out in Franchise: The Golden Arches in Black America, all of which presents added pressure for the competing independent restaurant owners, whose margins are already miniscule.
“We’re truly hanging on by a thin thread,” Shelton says. She encourages local legislators to call on neighborhood restaurants and caterers to feed people who are food insecure, as well as individuals at the 3,000-patient field hospital erected at McCormick Place, the Chicago convention center that already houses Shelton’s now-closed second location. Meanwhile, Shelton regularly delivers meals to the ER staff at a neighboring hospital, paid for out of her own pocket.
Disparities in restaurants are emblematic of the nation. Indicators show that African-American communities are hit the hardest by COVID-19. ProPublica sums it up: “Environmental, economic, and political factors have compounded for generations, putting black people at higher risk of chronic conditions that leave lungs weak and immune systems vulnerable: asthma, heart disease, hypertension and diabetes.” And a lack of access to quality health care means the novel coronavirus has the potential to disproportionately decimate black communities, and the independent restaurants within them, if adequate support is not provided.
History shows us that the most vulnerable are left behind, and a similar pattern will likely occur post-pandemic. “The difference is the ability to be able to bounce back,” says Build Bronzeville’s Amos. When the pandemic hit, her organization swiftly aligned with other South Side organizations to urgently deliver vital information to small-business owners through grassroots efforts. “This is not a drill. Now is the time for all of us who want to be resource providers and boil it down for people,” Amos says.
Recognizing that communities with the most funding will have the greatest chance for survival, Amos leverages her relationships and personally calls and sends texts to restaurateurs conveying time-sensitive information like grant deadlines — she has become a lifeline for vulnerable small-business owners during this critical time. Amos has also extended assistance to Dining at a Distance, a delivery and takeout directory, after noticing its site had robust coverage of hot spots in the city, but little representation of South Side restaurants. Amos became a link and added a slew of South Side restaurants to the platform, noting that consumer-facing exposure is urgently needed. “A grim reality is that we have to capture these dining-out dollars now,” she says, “because there will come a point where people will stop ordering out because it just won’t be fiscally responsible for them to do so.”
As we envision a new path for the hospitality industry, black women must be central to the conversation: Their journeys hold wisdom that is widely absent from in-depth studies and data. And there’s no better industry to lead change than one known for breaking bread.
To support her community and staff, VanTrece has launched a pay-what-you-can menu at Twisted Soul, thinking of the model as a fundraiser of sorts. “This is a whole new pricing structure. You’re not pricing to pay the bills and pay the rent,” says VanTrece, whose landlord told her she wouldn’t have to pay a late fee on her rent, which is $10,000 a month. In addition to cashing in her credit card points for gift cards for her staff, she’s turned her restaurant into a hub where they can quickly grab necessities like a hot meal and toilet paper. It’s a service most of her team participates in. “But then I have some that are just scared,” she says. “They don’t want to come and I can’t blame them.”
On a recent Friday, a carryout fish fry was on VanTrece’s menu, a reminder of the ones she grew up going to during better days. She looks to the past for guidance often. “At Cast Iron, we always talked about the strength and the tenacity of our forefathers, and I’m calling upon that strength now to keep me putting one foot in front of the other, because there are times I just want to roll over,” she says. “And I can’t do that. I fought to get this far and I’m going to continue to fight through this.”
Angela Burke is a food writer and the creator of Black Food & Beverage, a site that amplifies the voices of black food and beverage professionals. Shannon Wright is an illustrator and cartoonist based out of Richmond, Virginia.
from Eater - All https://ift.tt/3bi4741 https://ift.tt/3bj5Juk
Tumblr media
History shows us that the novel coronavirus will impact black women restaurateurs, and their businesses, much harder
Before the pandemic, our nation was in the early stages of battling an epidemic that plagued our beloved hospitality industry: the biased structural policies, born out of our country’s legacy of racism that guaranteed that black Americans would continuously work at a deficit. Painfully honest conversations — dissecting the ways in which decades of systematic racial and gender inequality festered in the industry — had finally begun to gain traction in on- and offline spaces. But, collectively, we’d barely broken through the dysfunctional infrastructure that allowed certain groups to fail harder and faster when COVID-19 struck.
Chef Deborah VanTrece was ringing the alarm prior to the coronavirus pandemic. She regularly brought discussions of industry inequality to the table through her dinner-and-conversation series that centers black women in hospitality. “It was something that we had just started talking about at Cast Iron Chronicles, and a lot of other chefs were talking about it,” says VanTrece, owner of Twisted Soul Cookhouse & Pours in Atlanta. “But the conversation wasn’t finished. It still isn’t.”
“As much as we’ve accomplished, I still feel isolated and that I am by myself. I don’t think any of us should feel that way. We should be checking on each other. It’s like [coronavirus] happened and every man for himself,” VanTrece says. “And when I think about it, we were pretty much like that in the first place; that’s why it’s so easy for it to continue now.” Isolation has become a theme in our shared new normal of stay-at-home orders, but what VanTrece is describing is a sentiment long echoed by black women in the industry. Yet seeing the divide continue during these times is heartbreaking for VanTrece. “If we were ever needing to be one, it’s now. We need to be one.”
Black and brown voices are largely excluded from overarching conversations that will define the future of our industry
As we grapple with lives lost and the magnitude of devastation caused by novel coronavirus, accountability and transparency seem to be overshadowed by crisis-led pivots while we brace ourselves for what’s to come. And yet again, black and brown voices are largely excluded from policymaking and overarching conversations that will define the future of our industry. In the face of this pandemic, some may say the pursuit of equality has been railroaded, maybe even understandably so. Others see the crisis as a hopeful confirmation that institutional change is inevitable. Because if not now, when?
In order to know where we are going, we have to understand where we’ve been. Black restaurant owners, black women especially, are in a more precarious position from the get-go. According to the latest figures, from 2017, black women were paid 61 cents for every dollar paid to their white male counterparts, making wealth generation much more difficult. And while one in six restaurant workers live below the poverty line, African Americans are paid the least. Access to capital has been a steady barrier of entry, especially for black women. Black- and brown-owned businesses are three times as likely to be denied loans, and those that are approved often receive lower loan amounts and pay higher interest rates. For a population more likely to rent than other demographics, offering up real estate as collateral for traditional loans isn’t an option. And even for those who own a home, the lasting effects of redlining, predatory and discriminatory lending practices, and low home valuations are palpable.
In other words, the wealth gap, combined with a lack of access to traditional loans and investors for start-up capital, puts black women at a disadvantage before they even open the doors of their restaurants. “A lot of us have had to build our businesses from scratch, and that may be through personal savings and loans, through family members, credit cards, or we have refinanced our homes,” says chef Evelyn Shelton, owner of Evelyn’s Food Love, a cafe serving comfort food in Chicago’s Washington Park neighborhood. “We are in uniquely different positions when we start, which makes where we are now even more difficult.”
In the East Bay, chef Fernay McPherson, owner of Minnie Bell’s Soul Movement, a food truck turned brick-and-mortar now located in the Emeryville Public Market food hall, is offering a limited carryout menu in an effort to keep her staff afloat, noting that some are single parents. “I was a single mother, so it’s a lot to take in when you’re thinking, ‘How am I going to feed my child? How am I going to make rent?’” During the Great Recession, McPherson was laid off and had to short-sell her home. She started Minnie Bell’s in 2009, as a catering company, while also working full-time as a transit operator in San Francisco. “It was hard being a mom, driving a bus, and trying to operate a business. It was a lot on me. And my decision was me. To work for me.”
Working multiple jobs is a necessary for many entrepreneurs whose bootstraps are shorter to begin with, says Lauren Amos, director of small-business development at Build Bronzeville, a Chicago incubator that advocates for South Side business owners. “We’re talking about people literally working a full-time job, supporting themselves and their family while still pursuing this dream of opening a business,” she says. “And they’re doing it out of their own physical pocket.”
McPherson, a San Francisco Chronicle 2017 Rising Star Chef, says it was tough getting a job in the restaurant industry after culinary school. “I came into a white, male-dominated field and I was a young, black woman that wasn’t given a chance. My first opportunity was from another black woman and I worked in her restaurant.” Access to a solid professional network, including mentors, is absolutely as vital as access to capital — social capital is another part of the ecosystem, and can be a bridge to resources necessary for growth. But without the right connections, strong networks may be hard to plug into, and exclusion from these networks can have a stifling effect on one’s career.
McPherson has steadily established a solid network over the years. Now, she’s envisioning what her post-pandemic future will look like, including a possible alliance with other women chef-owners. “We’re talking about collectively developing our own restaurant group, in a sense, where we can build a fund for each member, build benefits for our employees, and build career opportunities,” she says.
In coming weeks and months, people in many industries will be taking stock of what could have been done better. But for now, McPherson’s most pressing need is capital to be able to restart.
Studies show that African-American communities were hit hardest by the Great Recession. According to the Social Science Research Council, black households lost 40 percent of wealth during the recession and have not recovered, but white households did. Unemployment caused by the recession disproportionately affected black women, a double-edged sword for many of whom worked lower-wage jobs that relied on tips. The costs of these disparities are far reaching. Six years after a defunct grocery chain shut its doors, creating a food desert in the Chicago South Side neighborhood of South Shore, a new grocery store finally opened — just last December — a few months before the pandemic.
Black communities are undervalued. “Mom-and-pop,” a term of endearment that acknowledges the fortitude and nobility in owning a small business, is rarely applied to black-owned businesses. Racial discrimination and biased perceptions of black-owned restaurants in black communities costs them billions of dollars in lost revenue. Disinvestment in these communities sets the landscape for quick-service restaurant chains to flourish, as professor Marcia Chatelain eloquently lays out in Franchise: The Golden Arches in Black America, all of which presents added pressure for the competing independent restaurant owners, whose margins are already miniscule.
“We’re truly hanging on by a thin thread,” Shelton says. She encourages local legislators to call on neighborhood restaurants and caterers to feed people who are food insecure, as well as individuals at the 3,000-patient field hospital erected at McCormick Place, the Chicago convention center that already houses Shelton’s now-closed second location. Meanwhile, Shelton regularly delivers meals to the ER staff at a neighboring hospital, paid for out of her own pocket.
Disparities in restaurants are emblematic of the nation. Indicators show that African-American communities are hit the hardest by COVID-19. ProPublica sums it up: “Environmental, economic, and political factors have compounded for generations, putting black people at higher risk of chronic conditions that leave lungs weak and immune systems vulnerable: asthma, heart disease, hypertension and diabetes.” And a lack of access to quality health care means the novel coronavirus has the potential to disproportionately decimate black communities, and the independent restaurants within them, if adequate support is not provided.
History shows us that the most vulnerable are left behind, and a similar pattern will likely occur post-pandemic. “The difference is the ability to be able to bounce back,” says Build Bronzeville’s Amos. When the pandemic hit, her organization swiftly aligned with other South Side organizations to urgently deliver vital information to small-business owners through grassroots efforts. “This is not a drill. Now is the time for all of us who want to be resource providers and boil it down for people,” Amos says.
Recognizing that communities with the most funding will have the greatest chance for survival, Amos leverages her relationships and personally calls and sends texts to restaurateurs conveying time-sensitive information like grant deadlines — she has become a lifeline for vulnerable small-business owners during this critical time. Amos has also extended assistance to Dining at a Distance, a delivery and takeout directory, after noticing its site had robust coverage of hot spots in the city, but little representation of South Side restaurants. Amos became a link and added a slew of South Side restaurants to the platform, noting that consumer-facing exposure is urgently needed. “A grim reality is that we have to capture these dining-out dollars now,” she says, “because there will come a point where people will stop ordering out because it just won’t be fiscally responsible for them to do so.”
As we envision a new path for the hospitality industry, black women must be central to the conversation: Their journeys hold wisdom that is widely absent from in-depth studies and data. And there’s no better industry to lead change than one known for breaking bread.
To support her community and staff, VanTrece has launched a pay-what-you-can menu at Twisted Soul, thinking of the model as a fundraiser of sorts. “This is a whole new pricing structure. You’re not pricing to pay the bills and pay the rent,” says VanTrece, whose landlord told her she wouldn’t have to pay a late fee on her rent, which is $10,000 a month. In addition to cashing in her credit card points for gift cards for her staff, she’s turned her restaurant into a hub where they can quickly grab necessities like a hot meal and toilet paper. It’s a service most of her team participates in. “But then I have some that are just scared,” she says. “They don’t want to come and I can’t blame them.”
On a recent Friday, a carryout fish fry was on VanTrece’s menu, a reminder of the ones she grew up going to during better days. She looks to the past for guidance often. “At Cast Iron, we always talked about the strength and the tenacity of our forefathers, and I’m calling upon that strength now to keep me putting one foot in front of the other, because there are times I just want to roll over,” she says. “And I can’t do that. I fought to get this far and I’m going to continue to fight through this.”
Angela Burke is a food writer and the creator of Black Food & Beverage, a site that amplifies the voices of black food and beverage professionals. Shannon Wright is an illustrator and cartoonist based out of Richmond, Virginia.
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surejaya · 4 years
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Franchise: The Golden Arches in Black America
Download : Franchise: The Golden Arches in Black America More Book at: Zaqist Book
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Franchise: The Golden Arches in Black America by Marcia Chatelain
Often blamed for the rising rates of obesity and diabetes among black Americans, fast food restaurants like McDonald’s have long symbolized capitalism’s villainous effects on our nation’s most vulnerable communities. But how did fast food restaurants so thoroughly saturate black neighborhoods in the first place? In Franchise, acclaimed historian Marcia Chatelain uncovers a surprising history of cooperation among fast food companies, black capitalists, and civil rights leaders, who—in the troubled years after King’s assassination—believed they found an economic answer to the problem of racial inequality. With the discourse of social welfare all but evaporated, federal programs under presidents Johnson and Nixon promoted a new vision for racial justice: that the franchising of fast food restaurants, by black citizens in their own neighborhoods, could finally improve the quality of black life. Synthesizing years of research, Franchise tells a troubling success story of an industry that blossomed the very moment a freedom movement began to wither.
Download : Franchise: The Golden Arches in Black America More Book at: Zaqist Book
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cochranfirmcle · 4 years
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CLEVELAND, Ohio — Libraries across Cleveland and Cuyahoga County will celebrate black history month with a series of forums, talks, musical performances throughout February. . The Cleveland Public Library will host a free discussion on race, racism and bias on Feb. 8, featuring Jennifer Eberhardt, the author of “Biased: Uncovering the Hidden Prejudice that Shapes What We See, Think, and Do” and Robin DiAngelo the author of “White Fragility: Why It’s So Hard for White People to Talk About Racism.” . The Cuyahoga County Public Library will also mark black history month with performances and music. The county library on Feb. 17 will host author Marcia Chatelain, author of “Franchise: The Golden Arches in Black America” which studies the connection between the civil rights movement and the fast food industry. The talk is set for 7 p.m. at the Cuyahoga County Public Library’s Warrensville Heights branch. . Cleveland, what better way to #educateyourself for #blackhistorymonth than at the library? . 📸:Lisa Dejong @clevelanddotcom . #cleveland #ohio #everdayisblackhistory #readoftenasineveryday #thecochranway #thecochranfirm #thefirmcle https://www.instagram.com/p/B8KPErDhUJH/?igshid=xs9zp6q7vn4d
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