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#FOR ANYONE WHO HASN'T WATCHED THE EP
swallowedabug · 1 year
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MAYKO NGUYEN Hudson & Rex 5.15 (2023)
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Earlier this week, I watched episodes 3 and 4 of Velma for dear old Glenn H and his Fred. He's not in it very much compared to the other characters though.
Fred in episode 3 "Velma Kai"
Fred ended up in jail at the end of episode 2, and now Norville is pretending to be his therapist to find out what he knows about Velma's mother's disappearance at his mansion
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On his 4th birthday, his daddy ditched him to steer his own hot air balloon
He misses having his mommy with him in jail to watch him pee...
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Glenn is playing a baby with mummy and daddy issues
Fred won't open up to him, so Norville returns with his father's therapy cardigan, which acts like a truth serum and gets everyone to open up to him, including Fred
Turns out Fred doesn't know shit because he doesn't pay attention to women over 35
Also he has abandonment issues, surprise surprise!
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Also this happens:
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Norville then promises Fred and the other inmates he'll return to prison and give them all free group therapy because they're all bewitched by the cardigan
Except he's 10 minutes late and our boy with the abandonment issues loses his mind
"Why does everyone think they can stand me up?" he wails
He throws a tantrum, and also a chair, thus inciting a prison riot which culminates in a prison break — woohoo!
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They get lost in the woods outside the prison and the police show up and catch them
The lesbian cop moms use the power of therapist cardigans to subdue Fred and then they still fucking taze this docile child anyway ew
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I have notes on the other stuff too.
Other stuff in episode 3
This is probably the best episode so far.
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Scenes of bi panic and wlw mixed in with aggressive fighting inspired by Karate Kid and Cobra Kai
Daphne's mums had better dialogue and were mostly less cringy as self-defence tournament MCs than as cops
Norville's dad is a school counsellor, who is very unqualified at therapy and also gives bad advice and the therapy cardigan to his son.
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This episode was way less meta and just let the characters do their thing and have feelings instead of trying to be too clever about it
The jokes weren't painful because they didn't feel as much like they were written by a 40 year old trying to relate to The Youth
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they say friends but actually it gay <3
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pinkbutterflygaming · 3 months
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Okay, so I watched the Percy Jackson series, sadly didn't get to watch the eps after ep 5 due to no longer having the subscription and had to look for the scenes of Ep 6 and 7, and there's one thing I don't think anyone pointed out yet, which I think was made clear in Ep 7.
Poseidon in the books called Sally "a goddess amongst women", he said that he hasn't met someone like her for a thousand years. The TV series makes this very clear about Sally. She challenges the way of the Gods, and was even open about it with Poseidon.
THIS is the woman that Poseidon fell in love with.
I cannot make this any more clear, Poseidon fell in love with Sally the same way Annabeth would fall for Percy.
Because Sally changed him. Poseidon had to live with the ways of his family for a very, very long time. But when he met Sally, his perpective changes. She showed him another way. That there could be better. Just like how Annabeth, who used to live for glory, once held the same views like everyone else, was changed by Percy's kindness, and strong beliefs that it isn't right. That there has to be more than just this.
Poseidon fell in love with Sally because she was better than him. She was better than those his family.
I think some part of Poseidon was already kind of unhappy with it. We know what happens when mortals challenges the Gods in the myths. But Poseidon fell in love. Hard. Despite all the risks.
It makes the whole thing more painful for Poseidon, because as a God, he still has to abide the strict rules that his family has. No matter how wrong it is now. When he meets Sally he acknowledges that Percy will always be Sally's son. And because he is Sally's son, he will be better than the gods, just like his mother.
Now, just imagine Poseidon secretly hardcore shipping Percabeth because of how they remind him of his summer love with Sally. IMAGINE. Athena just angry and Poseidon just being all giddy about Percy's girlfriend lmao (I mean, if you think abt it, he was fine with them kissing in his domain-)
Hits different when Annabeth says "I trust your father", lol
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goodomens-hints · 9 months
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Episode 1 plot summary (+complete list of scenes) and more details about later episodes
SPOILER WARNING SPOILER GOOD OMEN SPOILERS BELOW i'll leave my inbox open in case anyone has specific questions about season 2 eps
Scene 1: star creation scene Crowley needs help building constellations so he calls out at a shooting star-shape that turns out to be Aziraphale, who materializes in front of him. He asks Aziraphale to hold up an open scroll with schematics for the galaxies. When Aziraphale does so, Crowley pokes the center of the scroll with his hand crank device and twists it, so that nebulae shoot out. Yes there is a scene where Crowley says "look at that, gorgeous" and Aziraphale gets flustered. They watch in awe until Aziraphale tells Crowley "you do know after 6,000 years it'll be gone right? I read about it in the Great Plan". Crowley gets upset and protests, questioning the almighty, how there should be a suggestion box where they can put suggestions, and Aziraphale advises him not to say such things. Crowley says it's not like asking questions gets you into trouble. They watch the galaxies bloom and Crowley veils Aziraphale with his wing as shooting stars fall toward them, similar to the Garden of Eden scene but in reverse. Scene 2 aziraphale goes to record shop Aziraphale gets a note in the bookshop that says there's a matter of great "ugrency" (misspelled). He visits Maggie in the record shop and she's crying because she can't pay rent, so she's prepared to move. Aziraphale says if she gives him the records he requested, that'll be equivalent to the rent she owes. Maggie asks how he can forgive her and he says "I'm all about forgiveness, actually" and leaves.
Scene 3: crowley talks to shax this is the one posted on youtube, though it's a lengthened scene that includes the beginning where a spy tries to talk to crowley on the bench and he redirects him to the guy feeding ducks. those are the guys crowley is yelling at later. there is also a part where shax implies that crowley owes her specific information? it's very vague but it's probably why she's giving him updates on hell. yup, crowley does say he hasn't seen aziraphale in a while but it's clearly a lie lol Scene 4: michael mentions book of life
in heaven, michael is arguing with someone on the phone about the book of life, i thought at first it was beelzebub on the other end but it's probably uriel
Scene 5: gabriel appears on earth maggie visits nina who remembers her coffee order (skinny latte). then they're distracted by the commotion outside wherein gabriel shows up naked carrying a box. aziraphale is listening to the records but gabriel knocks on the door of his bookshop. there's a huge crowd outside and the moment aziraphale opens the door, gabriel says "I know you! :D" and hugs him in front of everyone while still naked LOL. aziraphale gets really embarrassed and brings gabriel inside. the rest of the scene is the one on youtube where gabriel explains he doesn't remember who he is. Scene 6: muriel finds matchbox short scene where muriel finds the matchbox with Job's passage on the floor of Heaven. you can see a bit of this in the trailer
Scene 7: crowley throws mail and meets shax again Crowley is in a random street throwing the mail shax gave him into a garbage can. Suddenly shax calls and crowley picks up, snapping at her that she shouldn't call and appear suddenly at the same time. shax appears behind him and says "why not?" this is the pic where both shax and crowley are on the phone -- theyre actually talking to each other lmao. shax tells crowley there are rumors of gabriel being missing and crowley is happy. she leaves. Scene 8:
aziraphale is talking to gabriel and we get the whole trailer scene ("you know that feeling where...") but in the real ep aziraphale's reaction is SO ANIMATED, with him standing up and saying "No! definitely not! I have no idea!" LMAO it's so funny, he's so in denial. We hear FLIES when it cuts to gabriel btw so maybe beelzebub is spying? HOW SUSPICIOUS. At one point Gabriel says "I love you" out of nowhere to Aziraphale and Aziraphale says "I..." and Gabriel smiles, looking like he's expecting an i love you back but Aziraphale just says "hmm". People were laughing so hard at this.
Aziraphale calls crowley and asks to meet at the coffee shop. Crowley informs him that gabriel is missing.
Scene 9: short scene where michael and uriel argue because michael said now with gabriel gone, someone has to be in charge...
Scene 10: Maggie brings Nina a record but Nina doesn't have a record player. Nina reveals she has a partner (Lindsay) and Maggie gets disappointed and leaves. She bumps into Crowley and Aziraphale on the way out and tells Aziraphale "you're an angel" lmao.
Scene 11: Crowley is PISSED PISSED PISSED the whole time, in fact the whole ep he looks like he's about to explode. We get the coffee shop scene HOWEVER right before that Crowley asks Aziraphale "what's wrong?" and Aziraphale says "why do you think something's wrong?" all nervously and Crowley says "you only ever call for 3 reasons: one, you're bored, two, you accomplished something and want to brag about it, and three, something's wrong. And you're using your 'something's wrong' voice." YUP THIS IS THE NEW 'i know what you smell like!'. we then get the naked man convo and crowley realizes immediately that aziraphale is stressed and says "is it something i can help with?" and aziraphale nods and THEY IMMEDIATELY GET UP and go to the bookshop with a plate of eccle cakes lmao. once crowley sees gabriel he and aziraphale start fighting. crowley gets mad at aziraphale and tells him he didn't command gabriel to answer properly. He yells at gabriel "WHAT ARE YOU DOING IN THE BOOKSHOP?!" and uses his hypnotism but gabriel just says "I'm dusting" and does the passive-aggressive feather duster motion. we get the "carved out for ourselves" convo .aziraphale says "fine, i would love for you to help, but if you won't, then feel free to leave". crowley says "i'm not helping" and storms off. he goes out into the street and says to himself "dont do anything rash... wait 10 seconds before doing anything..." but he's already emmitting smoke. We get a funny convo between nina and maggie who are watching crowley from the coffee shop. Nina's all "the man who drank six expressos! He's smoking!" and maggie says "well of course, he needs to calms down!" and nina says "no i mean actually smoking!" Crowley does the lightning thing (maggie thinks he was actually struck by lightning) and it ends up locking Maggie and Nina in the shop and killing their phones. Scene 12:
seroquel and muriel show michael and uriel the matchbox. It has "The Resurrectionist" on it. They are baffled that something material has made its way into heaven. We get the "Gabriel, I think he's gone to earth" line.
Scene 13:
Crowley's in his car and flies start buzzing. beelzebub appears in his car and teleports them both to hell using flies. This is the pic in the poster where beelz and crowley are sitting on chairs side by side. crowley is disgusted and spits some flies out lmao. beelzebub says he can come back and work for hell (and even get a promotion) if he finds gabriel, and that according to heaven, anyone involved in hiding gabriel will be erased from the book of life. crowley is teleported back to his car and begins panicking. Scene 14: nina and maggie bond while locked in the coffee shop. maggie doesn't drink wine and didn't party, nina opens up some wine and drinks it out of a teacup. she says her girlfriend makes her text if she's late by 10 minutes and that she must be freaking out right now. they see someone walking outside and try to ask her to help free them but she doesn't notice them.
Scene 15:
Crowley is mad in his car, speeding, doing the usual etc. Good Old-fashioned lover boy is playing!!!! Scene 16: Crowley arrives and Nina and Maggie catch his attention. They signal for help and he just goes "oh" and snaps his fingers, unlocking the coffee shop and bringing back the electricity. He walks off lmao. Nina and Maggie are weirded out, Nina groans because her phone is bombarded with texts from Lindsay asking where she is. Crowley enters and we get the "I'm back" scene. Aziraphale says he has to do the apology dance and Crowley is all "no way" at first but Aziraphale says "I had to do it in 1861, 1942..." and Crowley says fine and dances.
IT'S REALLY HILARIOUS. HE ENDS IT WITH A BALLERINA BOW LIKE THIS LMAO
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So we get the "we need to hide him" convo and they decide to each use half a miracle so that their miracles wont be detected by heaven/hell. crowley will hide gabriel from heaven and aziraphale will hide gabriel from hell. they do the hand-holding thing (like in the pic). theyre not sure if it worked but crowley tests it by standing on a chair and poking at the space above gabriel LOL and there's a hint of a shield so he says it worked, and that he's sure heaven or hell didn't detect a thing. Gabriel is all "now i have two friends :D" and crowley says "We are not friends >:(" Scene 17: an alarm is blaring in heaven because CLEARLY they noticed the half miracle ahahahaha. michael, uriel and seraquel go to the globe and see purple smoke streaming out of the UK. they 'zoom in' and realize it's coming from aziraphale's bookshop.... (interesting that michael refers to aziraphale as a 'former angel' here)
End episode Soon I will summarize ep 2! Some hints for future eps too: -There's a big rain scene -There's an epic scene in the bookshop that took several weeks to film! (youve seen some hints in the trailer) -There are at least 3 jokes about aziraphale and crowley having sex that are scattered throughout the season LOL one of them is nina noticing crowley grumpy and saying "you look like mr. fell didn't let you top last night" and crowley's reaction is amazing. I'll say no more (for now)
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angelsanarchy · 2 months
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Requested by kappasbbgirl : i totally get it! he deserved a whole episode or honestly a whole movie! i would love desperately one where y/n and him are inseparable everybody knows they belong to each other period point blank….but someone else gets added to the cult “family” , kappa gets attached, and y/n starts feeling jealous abandoned etc and there’s chaos and it’s heart-wrenching ugh i need it 💔
All it took was 3 months with a tiny blonde ditz for him to shift his gaze. They went from worshiping each other every single day to barely seeing one another at dinner. Y/n watched her whisper in his ear as she sat draped across his lap across the bonfire, his hands sliding up and down her thighs and fiddling with the string of her top. Y/n sat sipping a beer, wishing that her glare could pierce his flesh with the hurt he had caused her.
She was his world and he was hers. They were the ones who started this movement against anti-humans. They had killed for one another, they had starved and been brutalized by the justice system all for her to be placed on the outside of his affections for some young idiot who hasn't gone a day in her life to sacrifice anything about her skin care, let alone the cause.
She pretended to be this little lamb who needed Kappa to teach her how to do basic things, it was pathetic.
"Y/n, you look stressed. Would you like me to help you with that?" Epsilon spoke from behind Y/n as he massaged her shoulders. The new contact felt wonderful and pulled a moan from her lips that seemed to drawn Kappa's eyes upward.
"You wanna take your hands off my property Eps..." Kappa said with a laugh. Y/n closed her eyes and reached back to hold Epsilon's hands in place.
"I'm no one's property. Please continue." Y/n stroked his forearm, not paying attention to Kappa's body shifting beneath his new toy.
"Y/n...don't make a scene in front of our new family members." He cleared his throat and Y/n opened her eyes to see the young girl with her hand buried in his hair.
"I see no new family members. The family I have has fought this fight, killed for our cause, and bled for it. What you're referring to on your lap there is a plaything...fresh meat." Y/n could see the girl start to tense.
"You're being rude-" Kappa started to grit his teeth and Y/n rolled her eyes.
"Then let me excuse myself before I hurt anyone's feelings. I have something much more interesting I could be doing with my mouth instead." Y/n got up from her seat and Kappa watched her run her hand down Episoln's arm before taking his hand and pulling him behind her. They had barely made it into the trailer before the door swung open and Kappa yanked Epsilon out. Y/n let out a sigh knowing that she had gotten Epsilon in trouble for no reason but before she could walk out and defend him, Kappa came bursting through the door, slamming it shut behind him and backing her into the bedroom until she fumbled backward onto the bed.
"Are you trying to make me kill Epsilon? Is that what you want? Because I will and you will have no one to blame but yourself and your desire to piss me off." Kappa seethed.
"Oh fuck you Kappa! You don't own me and I'm not going to wait around while you fuck the shiny new virgins into the family. I have just as much right to fuck who I want, when I want." Y/n pushed up from the bed and stood in front of him. He walked towards her silently.
"Is that so?" He kept his tone tight as he stared at her.
"Don't stand here and waste my time. Fuck that little toy of yours while you can because she isn't staying long." Y/n demanded.
"Yeah? Why's that?" Kappa asked amused.
"Because if anyone owns someone here, it's me. You think you can fuck me raw and hard, cum in my body and wake up one day to do that with someone else? I don't think so." Y/n shoved him hard before slapping him across the face, grabbing his chin roughly.
"This mouth belongs to me." She growled, taking her free hand and cupping his already hard cock in her hands.
"This cock belongs to me." She moved her hand from his chin and slapped her hand on the skin of his chest that was visible through his shirt.
"This heart is mine. The only way out is for me to consume it." She felt the pain in her teeth as she gritted out her words and Kappa's breathing picked up. When she released him he licked his lips, scanning the trailer for a moment before picking up the dagger that sat on the counter. Y/n wasn't afraid of him even as he walked towards her with the dagger before yanking the rest of his shirt open and holding it out to her.
"I suggest you mark what's yours then." Kappa's hand was unwavering as he held the blade towards her. She took it and shoved him down on the bed, straddling his hips and staying perched atop his cock which was crying to be released from its cage. She kept her eyes locked to his as she carved her name across his skin, letting his warm blood run down his nipple and his moans escape his lips.
When she was done, she wiped the blood from the wound and stuck the fingers into her mouth.
"I am yours...for eternity." Kappa whined leaning up to capture Y/n's mouth with his own.
"Then fuck me like I know you can." Y/n bit his lower lip and Kappa smirked. The clothes they were wearing was practically shredded before used the blood from his chest to stroke his cock. Y/n swatted his hand away from it and lifted her legs to throw over his shoulders. He entered her roughly and his thrusts were sloppy.
"Is that all you have for your soulmate? Fuck me harder Kappa. I am not glass, I will not break." Kappa took her words as a challenge, flipping her over and gripping her hips with a brutal pressure that he knew would bruise. He fucked into her deeply, pulling moans from her mouth as he slapped the flesh of her ass bouncing off of his thighs.
"Oh fuck! FUCK! Don't stop." Y/n pleaded.
"Who do you belong to Y/n? I need to hear it." Kappa asked as he pounded into her pussy, yanking the hair on the back of her head until her throat was exposed.
"Mmm I'm yours Kappa. I'm only yours baby." Y/n cried feeling him pumping his cum into her while he dug his fingernails into her hips. Even when he was spent, he continued to fuck into her, moving his hand to her clit.
"Cum for me my love. Cum on my cock." Kappa ran his hand down Y/n's back and she moved her ass back on him until she felt herself gripping him tightly. He slowed his thrusts and kept himself safely inside of her as he lay down behind her, holding her tightly to his chest.
"You were never second. You are and will always be my queen, my heart and soul." Kappa breathed into her hair as he held her.
"The day you decide otherwise will be your last, Kappa. I will kill you myself if you ever try and find a new queen." Y/n turned her head to look at him and he touched her chin.
"I will put the dagger in your hand myself." He promised his life to her.
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ingravinoveritas · 5 months
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UMMMM DOCTOR AGREEING WITH DONNA SAYING ISSAC NEWTON WAS HOT?!!!!!!! AND THEN WHEN HE ASKS IF HE DOES THINGS LIKE THAT DONNA WAS SAYING SOMETHING ABOUT HIS SEXUALITY ALWAYS BEING ON THE SURFACE?!!!!!!!!!!!!!!!!!!
Hoo, boy. Well, I just watched the second of the DW 60th anniversary specials ("Wild Blue Yonder"), and let me say...that was fucking awesome. As I've mentioned previously, I am a very casual Doctor Who viewer, but this felt so much tighter and stronger than "Star Beast" by several orders of measure. I know everyone talks about DW being owned by Disney now and how that has affected the budget, but this episode more than proved that you do not need fancy special effects or over-the-top action sequences when you have two actors who can just do what David and Catherine did.
I've only seen a few other DW eps, but I was amazed at how creepy this was, and having it be so intensely character-driven--that is, having the antagonists be copies of the Doctor and Donna and allowing David and Catherine to create two completely different other characters so that it felt like there actually were four different people on screen--was sheer genius. Absolutely brilliant and hilarious but also wildly unnerving at the same time.
Which then brings me to the moment you mentioned, which is thoroughly delicious on its own:
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Right off the bat, what surprised me is how very not surprising this is, at least to anyone paying attention. We know the Doctor is an alien who transcends time and space, so there is no reason to think that he/she/they wouldn't also transcend sexuality. And again, not having seen as many episodes of other incarnations (Nine, Eleven, etc.), I have always seen Ten as being bi or pan, without any question. There was something about Fourteen saying this, however, that felt very akin to 57 academics punching the air, and I am just beyond thrilled that this made it into the show.
What's also been interesting to me is seeing the negative response to this development on Twitter, and the subsequent pushback to said response. I've seen a lot of folks saying the Doctor can't possibly be gay (nevermind that being into men doesn't necessarily make the Doctor gay, since bi/pansexuality is A Thing That Exists) because of Rose, and then other folks responding with examples from Ten's era showing all the ways in which Ten is not/has never been 100% straight. But as easy it is for these pushback people to see this as a possibility for fictional characters, they seem to have a very difficult time seeing that same possibility in real people.
To wit: I saw a tweet yesterday from someone who thought that Russell T. Davies was straight--much to my disbelief--and a subsequent reply on that tweet from another person who thought he was married to Julie Gardner. And sure, I'll grant you that not everyone is interested in the personal life of a DW showrunner/writer...but we are talking about the man who wrote the UK version of Queer As Folk, and gave the world Captain Jack Harkness, for crying out loud. The same man who made David/Ten look and act like the biggest bottom ever to bottom and earned the moniker "Russell T. Daddy" for a reason. Yet the grip of compulsory heterosexuality is so strong that all of these things (as well as the fact that he had an actual husband, who sadly passed away a few years ago) ceased to matter.
But...it also suddenly makes sense why so many people are oblivious to the fact that David (and Michael) are most likely not 100% straight.
If we are going to say that the Doctor is not necessarily automatically straight because of having previously dalliances with women, then it makes sense to say that David is not necessarily automatically straight for the same reason. I've talked previously on my blog about how assuming straightness when someone hasn't come out as straight or because someone is in a straight-passing relationship is a problem, and that people don't need to label themselves specifically to be who they are. Yet as willing as so many fans are to let fictional characters step outside of that confining box, those fans are equally willing to push the actors right back into it.
I still see people calling David a "straight man" when that very well might not be the case. When this year in particular, David has been more vocal than ever before about numerous facets of queerness in a multitude of forms (wearing badges, gay pride boots, t-shirts, etc). I've talked about how the clothes David wears seem to be reflecting who he really is more and more, and thinking about the roles he's played this year--Crowley, Fourteen--I see a similar pattern. And I keep thinking about that little boy in Paisley who was afraid to ask for a DW Leelah doll because he didn't want to be a "sissy." I keep thinking of David likely being told that his career would be destroyed if he was anything other than publicly straight, and especially while playing a beloved character like the Doctor.
For him to come back as the Doctor now--in the midst of a deeply charged period in history, with homophobia and transphobia spiking dramatically in the UK--and to mention finding another man hot in the most completely casual way is nothing short of astounding. And what better vehicle to potentially guide David toward opening up about himself than something he has loved for so long? What better show to serve as a lighted pathway, of sorts? Nothing Russell writes is not deliberate. Nothing being done in these specials is not deliberate. And if 900 years isn't too old to discover or become more open about a part of yourself, then why should 52 be?
So yes, those are my thoughts on this new DW 60th anniversary special, and this particular moment with Fourteen (Ten-Four) and Donna. It really does feel as though this is all leading toward something, and I am definitely looking forward to seeing the third and final special next weekend...
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negrowhat · 4 months
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The Thumb Kiss Trope
Recently (like yesterday) I rewatched Wedding Plan and in ep 3 a thumb kiss was featured that was kind of glossed over by us all. Ever since then (like the past 12 hrs) I've been thinking about how I need more of this trope in my life. It's such a good trope and so under-used.
Sure we have different variations of a barrier kiss; My School President used that trope as a running gag up until the last ep. And we see people place their full hands between their lips. TinCan had a really cute kind of transfer kiss featuring Can's hand in Love By Chance, but nothing hits like the Thumb Kiss trope for me.
So why is the Thumb kiss such a vibe for me? Because it's the flimsiest of barriers to prevent a real kiss. It highlights the tension between the two characters, they both seem to be very interested, but it just isn't the right time for a real kiss yet. In my mind that thumb is a bookmark for the real kiss that is coming soon.
DON'T WORRY I HAVE EXAMPLES!
SoloGui from Oxygen the Series. We get their thumb kiss in ep 4. There are a couple reasons Solo does not kiss Gui in that moment; he didn't have permission, he didn't want to push Gui too much, and mainly because he was under the weather. But he couldn't just let the moment pass without a brief romantic interaction. At this point in the series, Solo is really just trying to gauge Gui's interest in him so he can figure out how to proceed.
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Of course Gui responds like it's a real kiss, he kisses Solo's thumb too and then they both pull away. In the novel version, Gui is actually disappointed about Solo's thumb being there because he wanted it to be a real kiss (he's never kissed anyone before despite being a popular campus moon). BY THE WAY Nut Supanut from Pit Babe stars in Oxygen and it's a really cute, lowkey series with good communication. I highly recommend it, ALSO THE SIDE COUPLE IN THAT SERIES IS TOP TIER!
NueaToh from Secret Crush on You. Their thumb kiss happens in ep 2. It's not so secret that Toh is in love with P'Nuea, but we soon discover that Nuea is also kind of enamored with Toh. He goes out of his way to hire Toh as a photographer for his sister's birthday party (btw she's a fan of Toh's photography) and anyways, Toh and his bestie Jao are hanging out with Nuea and his friends and they play that good ole King's card game (you know the one! It's the only time we see cards in these series) and Nuea and Toh are dared to kiss.
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We know Toh wants to and so does Nuea but Nuea doesn't want to turn his first kiss with his crush into a party game so he literally smirks at Toh and pushes his thumb between their lips. Nuea knows Toh likes him and he's sure Toh would be fine with their first kiss happening any kind of way, but Nuea wants to make sure Toh knows he's kissing him on purpose so he's going to wait.
ALSO half the cast of the Sign are in SCOY and I HIGHLY recommend the series to anyone who hasn't watched it, Billy is PHENOMENAL as Nuea. Saint produced SCOY as well and it's a good mix of cringe, spice, and pretty much all the characters are queer. I just hope you don't mind stalking as part of the plot (I can explain more if you're interested! I promise it's not that bad)
LomNuea from Wedding Plan. Sailom and Namnuea are vibing from Day 1 but Sailom and his fiancée Yiwa have contracted Nuea to plan their upcoming wedding. To Nuea, Sailom is going behind Yiwa's back to pursue him and he's having mixed feelings about that. Sailom is actually just a man in love with his wedding planner and trying to find the best way to explain a delicate situation without sounding selfish or manipulative.
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Their thumb kiss happens in ep 3 and at this point Lom is trying his hardest to keep his intense feelings in check. He's parked outside of Nuea's apartment preparing to drop him off and he thinks Nuea is sleeping. He apologizes and places his thumb on Nuea's lips and kisses his thumb. When he pulls back Nuea is wide awake and Sailom declares that he's going to kiss him and they do kiss. Namnuea kisses him back.
Their situation is a little different because they have kissed already but it was a quick and playful kiss and Lom kissed him because he was trying to calm Nuea down (I can't explain it but it does work) and by ep 3 they are both very aware of the other's feelings. This is one of the moments where Namnuea gives in to his feelings for Sailom, which he immediately regrets.
One could argue that's what this particular scene visually represents. Sailom has a clear understanding of how he feels about Namnuea, which is why we can see him so clearly. Meanwhile Nuea is shrouded in darkness, he still needs some clarity.
I tried to go down my list of watched BLs to figure out if any other ones featured The Thumb Kiss and I couldn't find anymore which is TRAGIC. It's such a fun trope. I scream every time I see it and I wish it was featured more. I need more of this specific trope.
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lutawolf · 6 months
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My Dear Gangster Oppa Commentary Ep 3
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I know this asshole did not really say, "you're with this guy again." Bestie's opinion matters more than anyone else's, but he hasn't even met the dude! He's acting more like a parent than a best friend. Hahaha! Tew remembers who Wahl is, and he appears to not be happy about meeting him.
I didn't want to dislike Wahl, but he is pissing me off. Talking to Guy like Guy isn't allowed to make his own decisions. Not cool. This isn't concern, this is controlling. I'm about to smack a bitch. I'm not happy with you Wahl and I don't know if you can redeem yourself.
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I have to hand it to Tew. He is being really calm and honestly respectful despite Wahl being a douche to him. Guy, pick the one actually giving you a choice!
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I love these bitches. Especially the one in the middle. Muffin is such a cutie too. An apparently lonely cutie. HAHAHA! Way to cock block Guy. I'm here for it. If you stop the time at 6:04 you can catch Guy smirking.
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Is anyone surprised that he has to go after making a scene? Suddenly he isn't so concerned he has to take Guy home. Tom is cute, I like him.
That's right Guy! Tell of Wahl!
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Did one of them really call him baby face??? I predict Tew showing up.
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Called it! OMG, I'm Dead. Guy works up the nerve to ask Tew about what he does for a living. That the gang members seemed scared of him. "Nah, I'm just scary looking." "No. You're pretty good-looking."
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This is Tew's reaction.
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This is my reaction.
Did dumbass really say he owned a shabu restaurant. He had to know that Guy would then say he'd want to go. Seriously, driver/underling is me. Between his cough, giggle and the way he looks at Guy sleeping on Tew's shoulder.
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Tew is so gone. These two dumbasses are so gone for each other. Really asking him if he wants him to wash the shirt. Yes, strip right now. I'll wait. They are adorkable.
Dude is going to buy a restaurant to cover the story he gave his crush. Boy is gone gone.
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My reaction to that.
Did home dude really take a nap on some chairs. Hell to the naw. That makes my back hurt just watching it.
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Oh! I think we have a secondary couple.
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I already like them.
Discount Lennon is at it again. So home chick is not dead, but might as well be. Lawd, how are they not dead with that much white powder. Though I'm not sure it's the same girl. Specially since there are two now.
Did Wahl really ask Guy how he got home??? Guy doesn't tell the full truth, but doesn't lie either. Damn Wahl. You got some nerve. One month anniversary. Why don't you pay more attention to your gf Wahl?
Yay for game friends!
I would punch someone if they talked in my ear like that. HAHAH the look Wahl is giving Guy. I really want to like Wahl, but he ruined it for me. Now I'm just amused.
Tew looking scary and sexy. Niiiiiiice. Villains do it better.
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What's this face? Is he shocked? Is he turned on? A bit of both?
So cute! He brought him a cake.
The elevator sequence was weird. Guy concerned because he sees blood. Tew giving crazy eyes. Guy completely forgetting about the blood and turning to mush because Tew is holding his hand. But honestly, some things are worth ignoring for cake and a doting boyfriend.
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I mean, these pictures say it all. 🤣🤣🤣 So he beats people up until he is covered in blood. Minor detail in comparison to how he treats you Guy.
You ever heard the quote that an evil queen is just a princess that didn't get rescued. Tew gives me that vibe. The wounded and just wanting love vibe.
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Hahaha Tew totally outing them. Oh! Tew was about to make his move. Too slow Tew. Tew, you know you are in love right. Guy is acting like a total dork and you are charmed. That is love.
Oh, the fall troupe again! Though with Guy being the way he is, it's totally believable. The slow mow lean forward like there will be a kiss, but instead he wipes off frosting from Guy's lip. Totally troupe and sooo good. And Guy runs away.
The guild is super cute. I like how frank Tew is. He just lays out his feelings about Wahl to Guy. Throwing down some valid facts, my friend. Ahhh Guy! Why did you let him leave like that? Oh, yay! He chased after him.
Oh, these two idiots are adorkable. So awkward and yet cute.
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Not gonna lie. It broke my heart when he didn't hug him back.
The restaurant kills me. Tew is like, it looks crappy. Underling is like, dude, it's not real. Oh lawd, sweet baby Jezebel. You are not normal about that boy, Tew. Not normal about him at all. And I'm okay with that.
Secondary couple. Not over shadowing but still cute.
Guy packing. Bet Wahl ditches him for his gf.
Guys, I'm in love with Tew. He gets it. Life is short, so important people are priority.
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How much is that puppy in the window.
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I love that Tew isn't shy to show his concern and affection. I adore that Guy didn't care about Wahl and turned around to wave at Tew. He even defends Tew. I mean, he is wrong, but that's not the point here.
Tew's excitement that Guy texted him is adorable.
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This is me again.
Ahhh… I'm dead. When he goes, "I'm down bad."
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Yes, hunny you are, but I, for one, appreciate that.
Oh, that went sideways fast. *We will talk when I get back.*
I really do enjoy Tul. He is really enjoying Tew and Guy. Me too my dude, me too. Willing to risk the wrath of his boss to tease. Love it.
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This face isn't making me feel secure.
In comparison, look at this puppy dog face. So excited for Guy to be back.
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OH no... They aren't going to leave us like this, are they?!?! Assholes!!! Nobody talk to me till next Thursday. I am not okay.
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Welcome to my Bad Batch rewatch you're all invited
I'm rewatching it all before season 3 drops and I'm just gonna blab on here if anyone's interested because I'm sure @anonymous-galager is sick of me rambling about it constantly lmao
Spoiler warning for anyone who hasn't seen any bad batch content bc I'm starting with the clone wars eps too
HERE WE GO
Clone wars 7x01
Shoutout to Anakin's S7 look
"Rex is one of our best" ~CODY 😭
The 🙂👉 picture
Jesse and Kix gossiping about the batch before they've even met them 😂
The fact that Tech is piloting when they first land, he just scared the shit outta everyone because he can 💀
99 needs a mention for obvious reasons
THEYRE ALL SMILING (except Crosshair hehe)
Rex's zero hesitation to pull Cody out of the wreck himself 😭
BOOM
Plan 82: shockwave - they named their plans 🥺
I'm already getting emotional about the S1 finale Louk SLOW DOWN
Wrecker with the droid head 💀
The sibling energy is strong with this one
EW TRENCH get outta here with your clicking
*sniffs dirt* (side note - go watch @kingeika voice over on insta lmao)
Jesse and Kix gossiping about the batch literally right next to them 💀💀
REX AND CODY AGAIN 😭😭😭
The whole campfire scene is chaos
Hunter being the single dad (just wait bby the mom isn't far away)
The outpost battle 💕
TECH CALLS REX CAP
BOOM no. 2
WRECKER CALLS REX CAP
Arc trooper Jesse 👀🥰
Y'all go watch the last scene, Tech's helmet is completely white 👀
Thanks for coming to Louk's rewatch part 1 I hope you enjoyed 🥰
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emmabirb8 · 1 year
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Ok ok, but have you thought about the fact that throughout the series, Nandor has saved or protected Guillermo's life just as much as Guillermo has saved and protected Nandor's? Because I have, and I am feeling Ways about it.
Obviously, Guillermo has always gone  above and beyond for Nandor as far as familiar duties go, and he has slain countless vamps to protect not only Nandor but also the rest of the household. It's a given and it's been a given from the start that Guillermo would do anything to keep Nandor (and his other housemates by extension) safe. He has outright said they are his found family, and it definitely shows. 
Well, in a slightly subtler way, the case is the same for Nandor. God, the things that Nandor has done for Guillermo - the risks he's taken, the knee-jerk reactions, the choices he's made? It is profound.
Consider that Nandor a. as a vamp is not expected to care about his familiar beyond using him as a tool to get things done, b. believes acting "aloof," aka unbothered and unconcerned, is key, and most importantly c. struggles heavily with identifying, working through, and expressing his emotions. AND YET, without even stopping to think about it, he:
Stepped in to stop that hungry vamp at Simon's club (Manhattan Night Club)
Refused to let Guillermo be eaten by the Vampiric Council (The Trial)
Stopped Topher from drowning him (Resurrection)
Kept Guillermo's slaying a secret after discovering that he had dusted Carol (The Return)
Told Celeste to "be kind to Guillermo" when he thought she was gonna be his new vampire mistress (arguably, this counts bc he was making an effort to ensure Guillermo would be treated well and kept alive under Celeste's watch) (Collaboration)
Defended him against the wrath of Nadja and Laszlo (the housemates Nandor has known, lived with, and loved for far longer than he's known Guillermo) who were 100% prepared to kill him every single night for a month while he was imprisoned in the basement (The Prisoner)
"Yanked" Guillermo away from the line of fire when he was acting as bait for The Sire and attempted to fix the situation himself (The Escape)
Immediately dove into the sewage hole in the floor to rescue Guillermo when he fell in (Reunited)
Volunteered to battle him in place of a more dangerous vampire at the Night Market (The Night Market)
Made sure he was okay at the end of the fight after pretending to snap his neck (The Night Market)
Nandor is the KING of repression, but actions speak louder than words, babes. This is not even counting the times he has shown outward kindness, affection for, and attachment to Guillermo to the point where it's entirely too conspicuous for anyone to believe he's not in love with him. (Tho he's apparently managed to fool himself well enough, hasn't he? lmao) 
Hell, I'm in a listing mood - let's recount those moments too, shall we?
Just off the top of my head, Nandor has canonically also:
Made Guillermo a glitter portrait depicting the two of them together as vampires as a gift to celebrate his anniversary of becoming his familiar (that he was clearly proud of and excited about and that clearly took a lot of effort and planning ❤) in the very first episode 
Held him up above his head to help him reach higher places when dusting and held him up in front of a mirror so he could experience the sensation of flying (like what vampire does that fr???? he was down bad even in the earliest eps) 
Become a blubbering mess worrying where Guillermo was while high on drug blood 
On multiple occasions actually took him flying by wrapping his arms tenderly around him 👀, then admitted he was his friend out loud in front of Nadja and the camera crew as early as ep 4 after feeling guilty about accidentally dropping him during a flight
Played chess with him (and it's implied this is a regular thing for them 🥹)
Been visibly upset each time Guillermo has left - it's heavily implied he missed even the smallest gestures like the hand holding, and he outright verbally expressed his hurt feelings in front of the entire Theatre des Vampires
Been distraught enough after the Celeste situation that he attempted to "win" Guillermo back first by talking to him and then by giving him another gift with the "beating off" pillow, and then actually complied with Guillermo's requests to be more respected and given breaks after that
Taken the time to go down and keep Guillermo company while he was imprisoned in the basement and made a genuine attempt to give him better quality food
Urged Nadja and Laszlo to treat Guillermo with more respect and to try to take an interest in his life at the casino
Reacted in a way that wasn't even the slightest bit angry (and in fact, he appeared grateful for it besides becoming excessively horny on main) about The Slap
Said he has "grown to have some affection for" Guillermo out loud to his face (which, for someone as repressed as Nandor, is huge)
Offered a very blatantly romantic turning scenario in which he expressed a desire to share soil with Guillermo, which, again, is huge 
Become markedly upset that Guillermo never showed up at the train station to accompany him on his trip
Started making steps in the direction of reversing their dynamic in s4 by doing things like helping Guillermo dry off and getting him a glass of water after he fell into the hole, paying more genuine attention to him and his life, expressing a desire for Nadja and Laszlo to be more serious and respectful of him, valuing his input (esp for the dick wish), and being appreciative of all the work he has constantly put in for him (whenever using his new penis 😏) 
Offered Guillermo the position of best man at his wedding which was clearly of utmost importance to Nandor, even more so than finding someone to marry in the first place 
Actually remembered the exact amount of years Guillermo has been his familiar/bodyguard and called him his "closest companion" in front of lots of other (arguably dangerous) vampires 
Been so excited and proud of Guillermo's moves when he was battling other familiars at the Night Market to the point of exclaiming "that's my fucking guy!"
Called Guillermo his friend out loud again when he got visibly worried he may have killed him
Admitted to Guillermo that he was afraid right before his wedding (!!!!), looked at Guillermo longingly/lovingly, accidentally revealed his desire to literally hug Guillermo close and kiss his face through his wish about Marwa (!!!!!!), and took a moment to whisper sweet nothings to Guillermo and cover him up when he discovered he'd fallen asleep (!!!!!!!!!)
Dorkily but sweetly prevented Guillermo from falling in the bg shot of Go Flip Yourself (like, truly, why would he care omfgggg he's so in love it's making him look stupid)
Actually made a very misguided but solid follow-through attempt to fix the Freddie situation as soon as he realized how upset Guillermo was about it
IT'S JUST SOOOO MUCH!!! I've been going through the series highlighting Nandermo moments for creative idea purposes in these last few weeks, and I can honestly say that I believe there are possibly more instances where Nandor has hinted at or displayed his feelings toward Guillermo than there are of Guillermo hinting at or displaying his feelings for Nandor. It's fucking insane you guys. 💖
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suzannahnatters · 4 months
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I've cranked through the first half of Love Like the Galaxy in under a week and I REGRET NOTHING: how fast can I put myself outside this gloriously mature and well written Jane Austen style comedy of manners with intermittent murder. Reactions to the first 12 eps under the cut because wow I verbose when I happy
I'm 3 eps into Love Like the Galaxy and while "becoming thoroughly absorbed by Chinese Jane Austen" was not on my bingo list I'll take it.
I have trust issues with cdramas after watching GOODBYE MY PRINCESS which was the drama equivalent of the kind of dude who says 'heh heh I like a girl with spirit' but I do really love what they're doing with Niao Niao and how she's had to survive her awful aunt and grandmother (who are like Mrs Norris and Mrs Bennet, respectively) by becoming calculating, distrustful, selfish and utterly devoted to her own cause
LOVED the moment in ep3 where she tries to show her mother, who's this strict Confucian parent, the sort of nonsense she's had to put up with for years by subjecting her to the evil wiles of Aunt Norris and Grandma Bennet, she just outright pointed out the double standards her mother is operating by
anyway we shall see how things turn out! I'm finding the grounded visuals very nice too - everyone's not caked in makeup and jewels all the time, they look very comfy and believable.
oh my the softly besotted look on Torture General's face when he sees her carriage going by
he hasn't seen her face yet, he just knows she's cold, unfilial, and utterly calculating and he's fallen for her for all the reasons that everyone else reproaches her for
episode 6 of LLTG: a dispute over a writing desk has made me cry. what
This whole scene with the dreadful mother holding court and Niao Niao defending herself - so ably that she beings her brothers and cousin to take her side against her mother - GAH this is AMAAAAAZING
I adore that they don't have anyone fingerwagging at our girl to tell her that actually her mother is doing these toxic things because she deep down cares about her (aHEM, My Journey To You) - they're just being really clear that it's all dreadfully unfair.
I also love that the toxic mother is a sword-wielding warrior woman. She's so heroine-coded??? while also being a terrible person? amazing! I love the unexpectedness of it!
snerk I love this celebrity scholar deciding to Bestow a Mark of His Favour upon our girl and she tosses it right back at him
this Prince Xiao enters twirling moustaches he doesn't even have, wow
laughing my head off at the Big Romantic Rescue complete with cape SWOOOOOOOSH
this is great. I feel like I'm watching a faintly swoony BBC adaptation of a lost Jane Austen novel
also I take it back, Niao Niao isn't selfish at all - she's just realised that if she doesn't fight for herself then no one else will.  But she's not making it an excuse to be unfair or horrible to her perfect cousin, even though it would be the most understandable thing in the world
I love her, she deserves the world
ep7: I've only known Wan QiQi two minutes and I would die for her
is it just me or is this smug scholar precisely the type of man we've all come across??? NN not giving him the time of day is EVERYTHING
Third Aunt giving Third Uncle a shave: what a scene. God bless cdramas. Also, the extent to which there is a whole epic romance cdrama happening somewhere in the backstory here is AMAZING
Also: QiQi is a showy kind of BFF to have - showing up late to the party in a bright red dress and instantly pillaging the birthday gifts she brought the princess to deck you out in earrings? chef's kiss - but I'm also SO appreciative of how they're treating Yang Yang! That moment at the banquet early in the episode where Niao Niao, who can't even read, says, somewhat hurt and pettish, "I don't need to learn ANYTHING! I'm good just as I am!" and Yang Yang says, "Yes, you are!" despite being a bookworm since birth? I LOVE THEM
ahaha NN gives a speech shaming the snobby aristocratic girls for looking down on the daughter of a general, and being extravagant, and don't they know all this bounty is due to the emperor and his generals? feels like the show is buying the right to critique filial piety by kissing up to the state
the statism is the one thing I've disliked about the show so far (also didn't think much of NN snitching on her great-uncle) but that's pretty much a constant in Chinese media except for one wuxia novel I read years ago (BaiFa MoNu Zhuan/Legend of the White Haired Maiden), so onward…
"I'm Eleventh Young Master who has admired you for a long time" sHriEKing
he looks so happy too
GO NIAO NIAO BITE HER
Deeply enamoured of the way General Wan has the features and mannerisms of an animated Disney villain
"why is that unlucky person still here? he seems like a lingering ghost" impeccable "Lizzie Bennet wonders why she keeps bumping into Mr Darcy on her daily walk, after she specifically told him this was where she walked daily" energy
well I did not think the show could make me sympathise with the toxic mum, but it did, by dint of showing that the dad is intentionally playing good cop so he can enjoy his daughter's adoration while he encourages her mum to beat her???
I really hope the cruddy dad experiences the consequences of his actions here but even more than that, I'm amazed that the show has found a way to make us sympathise for the bad mum as a person without trying to make her less bad
I'm just in awe of the writing here - it's SO deft and able.
ah, this must be the bamboo forest where they store action scenes - and I LOVE that the band of lady bodyguards gets to stomp the bandits when a lesser show would use this opportunity to bring on the hero and his army of goth henchmen
aw yess! our girl is strategising their way out! It's so delightful to me - this is precisely the kind of leadership/strategy role asian dramas rarely allow to their female characters
now she's getting to command a siege!?!?! all on her own?
and then castigating herself for not being able to save everybody! BABY
on to ep12, which I have heard people cite as the Point Where The Show Gets Good, and given the fact that I've already been elmo on fire dot gif for eleven episodes I'm not entirely sure what everyone else has been drinking but sure! let's see what lies herein
oh this is the GOOD stuff
yes yes, the big rescue, the arrow pulling, all good…what really gets me is that when our girl wants to see the mass execution and Murder General holds her back, it's not bc he's patronising her, it's bc he knows she needs to hear that AhMiao's death was not her fault
this show is justifying tropes I didn't even know COULD be justified…inCREDible
Third Uncle has two braincells and my whole heart
the only thing better than the look of sheer naked yearning on Murder General's face every time he sees Niao Niao or anything tangentially related to her is his determination never to let on how he feels to his two henchmen, who have known since episode two and are eager to help
Murder General hoarding hankies, bits of string, and pencil-ends that belong to Niao Niao like Harriet Smith hoarding Mr Elton memorabilia in EMMA
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randombrambles · 7 months
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Okay...going to wade into the Sabezra discussion. May the flying spaghetti monster in sky have mercy on my soul...
I guess you could call me a "causal viewer" because, despite being a life long Star Wars fan, I'd never watched an episode of Rebels before watching Ahsoka. I just never got around to it and I've only watched a handful of eps of The Clone Wars too. But anyway once I started Ahsoka I was like "this show will clearly make more sense if I watch Rebels" so I started. I'm almost done season 3 of Rebels as of writing this post. And really loving Rebels btw. Part of me of like "why didn't I watch this earlier?" but on the other hand I don't have to wait for the next episode and I know the major spoilers already so I'm not going to get the rug yanked out from under me.
So back to Ahsoka and Sabezra...the big questions. Did I see the romance "coding" (not sure I agree "coding" is the right word but whatever, that's semantics) in Ahsoka? Yes. Sabine's actions definitely come across as her being in love with Ezra to me. That said I can also see the platonic angle, especially after having watched some of Rebels, so I'm not going to tell anyone they are wrong for viewing Sabine and Ezra's relationship as platonic. These things are subjective and open to interpretation until anything definitively romantic or definitively not romantic happens on screen. And at this point nothing definitive has happened either way on screen. Nobody has been proven right and nobody has been proven wrong yet. Sabezra is basically schrodinger's cat right now.
Next how did I interpret the "like a sister" line in Ezra's holo. Um...full disclosure the first time I viewed that scene I didn't even register that he'd said she was "like a sister" to him. I'd never even seen Rebels at that point so I didn't know Ezra yet. So as a causal viewer my take away from that scene was Ezra meant a lot to Sabine and Sabine meant a lot to Ezra. And I'd be wiling to bet that that was the takeaway for most causal viewers.
So on rewatch do I think the "like a sister" line means that Ezra truly sees Sabine as a sister? No. On rewatch, paying close attention to the body language, and after having watched some Rebels, I think Ezra is both struggling to find the words to tell Sabine how important she is to him and telling her what he thinks she needs to hear in that moment. The problem is that in English we don't have a word to describe someone isn't technically family but who isn't a lover either but who's also way more than "just" a friend. Sister is the best word Ezra can come up with in that moment but you can tell from his awkward body language and his literal scoff as soon as he says it that its not the right word. And yeah I think Ezra thinks that Sabine sees him as a brother so he tells her what he thinks she wants to hear right before he heads of on what very well could have been a suicide mission.
Do I think Sabezra is going to be made canon on Tuesday's final episode of Ahsoka (of season 1 at least). No, but hold on nobody panic!!! I also don't think that means Sabezra is dead in the water either. And frankly I'm kind of mystified as to why Sabezra shippers seem to think that the next episode is make or break for Sabezra when its clearly not? If there isn't a love declaration or a kiss or both (which is what I'm assuming people would interpret can them being made canon) its not like either Sabine or Ezra are going to marry someone else on Tuesday either. And since much of Ahsoka has been set up, meaning not much is actually going to get resolved in the next ep (Thrawn hasn't even left Perida[?] yet! I fear we are ending on a cliff hanger), we'll be seeing Sabine and Ezra again. There's no rush for them to get together romantically (and I know that's hard to hear for people who've been shipping for years but its true).
And further to the "there's no rush" point I actually have to say I that I think its WAY too soon for anything definitively romantic to happen between Ezra and Sabine yet (and again I get how hard that is for those who've been shipping them for a long time). And I say that as both a "casual viewer" and someone who's also watched a good chunk of Rebels now. For the causal viewer who hasn't watched Rebels, which is probably a big chunk of the audience for Ahsoka, they barely know Sabine, have just met Ezra and have only seen them interacting for ONE episode and don't know any of their history. A kiss or a love declaration would seem out of the blue at this point I think. And as someone who's getting into Rebels I still think its too soon. While I agree that Sabine is very likely in love with Ezra I don't think she's admitted to herself yet (that's why Baylan used the word family when he was getting her to hand over the map thingy imho) no way is she ready to tell HIM. And as for Ezra...dude is clueless that Sabine might might have non platonic feelings for him so no way is he going to risk ruining their friendship by blurting out that he's in love with her. And not only that they've been separated for 10 YEARS ffs. They need to get to know each other again before anything romantic can happen, again imho. I want Sabezra to become canon but I want it done WELL. Sabezra is a friends to lovers ship, they are still firmly in the friends stage right now, it needs to be a sloooooow burn.
And finally do I think Sabezra will become canon? Honestly...I don't know. I'd like it to, it would be really nice to have a non problematic ship, especially after the sequel trilogy robbed us of FinnRey and tried to force freaking r*ylo. But I think Filoni and the other powers that be over at DLF (he is NOT the sole person calling the shots here, keep that in mind everyone) are probably testing the waters right now and waiting to see what the audience reactions are like before they make any decisions. I'd be wiling to bet that by the end of Tuesday's episode the door will be left wide open for pretty much anything to happening shipping wise. So we'll just have to wait and see. Time will tell, it always does.
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ranchthoughts · 8 months
Text
Manipulate, Mansplain, Manwhore, Manslaughter: Ray confronting Boston, ep. 6
I've been loving watching Neo play Boston, and the scene when Ray comes to Boston's house to confront him about sleeping with Top stuck out to me in particular, so I figured I would ~dig~ into it a bit. This conversation felt like Boston cycling through various approaches as he tried to gain the upper hand and hit back at Ray, so I've tried to pinpoint when those approaches start and what distinguishes them.
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"Ton, you son of a bitch." "Ray. What the hell?" "How could you be so filthy. Will you do filthy shit to all of your friends?" "What shit are you talking about? What did I do?"
Ray walks into Boston's weirdly shabby chic house and doesn't waste time laying into him. Boston is not unfamiliar with confrontation so he knows better than to volunteer details- better to ask questions and find out what Ray knows (or thinks he knows) before getting defensive or fessing up to something. Boston likes collecting information, he likes knowing where people stand.
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"You hooked up with Top! What a douchebag." "How did you know that? Who told you?"
Ray doesn't notice because he's too furious, but Boston is genuinely taken aback. He freezes then shifts side to side, he looks like he did in the shower when Mew came in looking for Top; this is a moment of real panic. Boston is too surprised to play dumb or deny it. Crucially, he doesn't even try the "yeah sure, before Mew and Top got together. what of it?" strategy Top tries at the end of the episode. Instead, Boston is more quiet than we've ever heard him before when he asks, "How did you know that?" and then, quickly, almost frantically, "Who told you?".
Not only is Ray's information good, it's something he should have NO way of knowing. Ray doesn't have the wherewithal to get this information himself, so he must have gotten it from someone else. The fact that Ray, of all people (drunken, incompetent Ray), knows something Boston tried hard to keep on the down low is not good. Boston's used to being the one who holds all the cards, so being out of the loop is disconcerting and alarming.
"Doesn't matter how I knew it! He is your friend. Mew is your friend!"
Ray is preoccupied with not revealing his sources and being angry (he steps closer into Boston's space and shoves him) and gives no indication that he caught Boston's little moment of weakness. This gives Boston some time to pull himself together and pick a course of action.
Approach #1: Manipulate
Downplay.
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"So? Top and I screwed before they even started dating. Is it so weird to screw again? I just wanted more. Then I let them love each other all they want. Everyone is filled."
Caught off-guard, Boston has confirmed Ray's accusations. But Ray hasn't accused him of sleeping with Top recently, just at some point (unless there is a nuance in the Thai I am missing). In Boston's panic he now confesses to sleeping with Top after he got together with Mew - Ray already knows that, so it doesn't change the interaction, but this is information Boston gave up without being pressed. He's rattled.
Boston's first approach is to downplay the situation. He and Top have already had sex, what is one more time? At the end of the day Boston's hasn't tried to steal anyone's boyfriend, it didn't stop Mew and Top from falling in love, bing bang boom everyone is content. Boston tries to position Ray as the weird one for not understanding why this is fine. He even pulls out the puppy dog eyes - how could a man with these eyes do anything truly harmful?
Note also how Boston says, "I let them love each other" -> Boston sees himself as the one pulling the strings, he is the one in control. Even when trying to minimize his impact he can't help but drop a little reference to his own superiority.
Probably not Boston's best play in this situation, given how mad Ray is and how emotional he is about Mew, but Boston did just have his world rocked so we can forgive him the sub-optimal initial strategy.
Approach #2: Mansplain
Admit some fault, but smooth it over.
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"You're selfish. Damn it, he's your friend. What did Mew do to you? You know that Mew and Top love each other!" "Hear me out, okay? I don't hate Mew at all. I was just needy. The timing was just wrong."
Boston hasn't convinced Ray this is nothing to get worked up over so he needs a new strategy. Ray is sensitive about Mew, so it would be good, would help defuse the situation, if Boston can convince Ray this was not about Mew specifically. To do so, Boston assures Ray he doesn't hate Mew* and takes a little bit more of the blame ("I was just needy!"), but he attributes most of the issue to the timing.
*Note how Boston says "I don't hate Mew at all". Ok Boston... Ray just asked what Mew did to you. You were the one who brought hate into this... Yet another case of Boston telling on himself. While Boston is hung up on Top, he's hung up on Mew too and their comparison war of ideologies they have going on.
Ray has escalated the conversation by stepping closer and even shoving at Boston, so Boston changes his body language as well. He goes from neutral and shrugging to more engaged, leaning in closer, making direct eye contact, and raising his hands in surrender. Boston signals that he is being sincere and non-threatening, just explaining logically.
Approach #3: Manwhore
Ok. Now it's personal.
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Gifs by @chickenstrangers
"Timing, my ass. The point is your slutty ass just sleeps with anyone." "Not anyone. I picked him."
Ray isn't backing down - he takes a step forward and escalates it to a personal insult. Now Ray has insinuated that Boston is slut who will sleep with anyone, when Boston takes pride in being a slut in such high demand he can afford to be choosy, he can pick whoever he wants. Boston ducks his head briefly and absorbs the hit, widening his eyes like "did this bitch just...". When he bounces back up, his demeanor has completely changed. Ray didn't listen to logic, and Boston is done playing around. He is a manwhore, and proud of it, and now it's time to go for the jugular.
Boston immediately switches to a cocky, confident tone. He's unapologetic for his actions (look at that little shrug!!). Boston could have his pick of anyone and he chose Top. He doesn't actually care what Ray or Mew or anyone else thinks of that choice; Boston gets what Boston wants.
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"And how are you involved in this? Oh! You're playing a good friend who is always so protective of Mew. Honestly, I think you're glad that that happened. You've always waited for your chance. This is in your favour. You're waiting for them to break up and be his rebound when he's weak. You will get that, man."
Thus far Boston has been on the defensive, reacting to Ray's accusations. Now he's on the offensive: Boston loosens up, gets fake casual, and leeches manufactured concern into every syllable. He's not trying to be convincingly, disarmingly sincere anymore, he's being snarky and he wants Ray to feel the contempt dripping off each syllable. Boston leans in, pats Ray condescendingly on his shoulder. Now Ray is off kilter, watching Boston warily. Boston uses Ray's feelings for Mew against him again and smiles like he did in Sand and Nick's apartment that night, the satisfaction of knowing he's hitting hard and causing damage.
Approach #4: Manslaughter
Scorched earth.
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Gif by @chickenstrangers
"Ton you motherfucker! What a scumbag. Say that again." "If you tell him, then you're as evil as me. Don't act like you mean well while deep down you hope they will break up. It's disgusting! You should even thank me big time for getting you out of the friendzone."
Boston has dropped almost all his masks now. He's done trying to convince Ray it's nothing, or justify his actions, or defend his slutty honour, or attack Ray with faux concern. He's smiling, even after being punched in the face and knocked to the floor. He hit a nerve, like the night at Sand and Nick's. He's turned this around, now it's Ray hurt and reeling. Ray looks nervous, like he's just seeing Boston for the first time, as the latter sits on the ground and grins up at him.
Eyes locked on Ray, Boston gets back up and advances right into his face, smacking him on the shoulder, barely able to hold back the fury in his voice. Now he's being threatening: if Ray says anything, he's the evil one (or, at least, as evil as Boston, as evil as everyone thinks Boston is). Really, Ray should be thanking Boston for this opportunity, not coming into his house and accosting him, but maybe Boston will be lenient and let it slide this time.
I think that it is telling that Boston's last move in this confrontation is "if you tell him you'll be as evil as me"- out of options, he makes a blatant threat. He's been insinuating that Ray revealing this information is self-serving, trying to make Ray feel bad by bringing up his feelings for Mew; now the gloves are off and Boston serves it to Ray straight: it's evil, it's disgusting. I think it's interesting that Boston doesn't go for a strategy he's tried before with Ray at Sand and Nick's house, when Ray was horrified that Boston took photos of him and Mew kissing and Boston said "What? I just want to keep track of my best friends' romantic moments. Was I wrong?" Contrast that with Boston here, where he says he's been "evil". I don't think Boston thinks there is anything wrong with his actions in either case, but he's not pretending to be ignorant of how other people feel about his actions and he's not goading Ray playfully. Boston is spitting mad and lashing out and I think that reveals how rattled and out of control he feels. At Sand and Nick's he had all the cards, he could afford to be playful and antagonistic. Here he's been confronted with information he never intended to get out and he's trying desperately to shut it down and regain some control.
The Aftermath
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Gifs by @chickenstrangers
"You asshole! Fucking jerk." ... "Damn it!"
Ray leaves, having lost this battle, and Boston allows himself a moment to gloat, satisfied in his victory and the pain he caused, before dropping his last mask. He sinks down into the chair, hits out, and swears. Ray might have left and Boston might have had the last laugh, but Ray knows about Top and Boston and Boston is pissed. I imagine that conversation felt like a fight for his life, especially after he started off so wrong-footed (allowing cracks to show in his armour, revealing freely he and Top slept together after Mew and Top were together).
Boston is the Hunter, he is the voyeur, he is the one who knows everything (or at least, he thinks he does - see @wen-kexing-apologist's brilliant post). He doesn't like being wrong, he doesn't like being weak, he doesn't like when he isn't the one in control. Now someone has information on him, information he worked hard to keep quiet. Boston doesn't mind scrutinizing other people for weaknesses and blackmail material, but he draws hard boundaries around himself and gets mad when they get crossed (think of how he reacts to Gap taking videos of him without his consent, or sending him messages, or finding him in person - all things Boston has done to his so-called "friends"). I imagine there's an element of "it's Ray of all people" who caught him out going on too - Boston is supposed to be the one with the read on Ray, Ray is supposed to be the drunk one who doesn't know what is going on.
What was Boston's end goal here? I think he wanted to defuse the situation because an angry and vindictive Ray is unpredictable - if Boston can calm him down he can better control Ray. This is why he went for manipulating and explaining and smoothing things over first before bringing up Ray's feelings for Mew. He tried to get Ray to drop it and when that didn't work, he turned Ray potentially sharing the information into a selfish and cruel act, trying to make Ray feel doubt and shame.
Boston doesn't want this information out yet. I think it's partly because he wants to be in control, he wants to be the one who decides when, where, and how Mew gets told... if he intends to tell Mew at all. Boston's been stealthy this whole time - he told Mew to be wary of Top at the beginning, but after that he's kept his comments out of it. He even was supportive of Mew when he phoned right before having sex with Top the first time. I've been chalking this up to Boston wanting to "beat" Mew "fairly": Boston and Mew have pitted their respective ideologies about sex against one another and while Boston has been trying to undermine Mew and break his heart the whole time (choosing Top, someone Boston thinks would never have interest in a long-term relationship, especially one without sex; seducing Top, etc.), he doesn't want this to be known. Boston doesn't want it to look like he rigged the game, he wants it to seem like Mew failed organically his approach to sex and relationships (and by extension, Mew himself) really are inferior (and because Boston's are superior), but Boston needs to be in control so he can't just leave it up to chance. I wonder if it has something to do with Top as well: if Mew finds out about Top and Boston hooking up, Top will be pissed at Boston for messing things up, and Boston will lose any chance of hooking up with or having control over Top again.
@waitmyturtles says Boston is the most honest character on the show, brutally so. I think that if he had had his wits more about him at the beginning of this confrontation he wouldn't have confessed to sleeping with Top recently, at least until Ray brought it up himself, but that's withholding information not lying. Throughout this whole conversation, even when he is trying to downplay or justify, Boston doesn't lie, or at least never quite:
"Then I let them love each other all they want. Everyone is filled." -> I don't think Boston is HAPPY that Top and Mew continued to be together after he slept with Top, but they are, and Boston is either trying to convince himself that it's because he "let" them (gave up on pursuing Top, not that Top shut him down) or he's somehow internalized this as true.
"I don't hate Mew at all. I was just needy. The timing was just wrong." -> Boston doesn't think it is weird for him to want or have Top again, but he's willing to concede that some people might have a problem with his timing. I also don't think he's quite lying about not hating Mew, there's definitely SOMETHING going on there but is envy/jealousy/insecurity perhaps the better word?
"Honestly, I think you're glad that that happened. You've always waited for your chance. This is in your favour. You're waiting for them to break up and be his rebound when he's weak." -> Boston doesn't lie here either: Ray has loved Mew and wanted to be with him, and I think Ray's reaction (going quiet and still, losing his momentum in the argument and settling for lashing out physically and swearing) proves there's a grain of truth there. I wonder if Boston framing telling Mew as something Ray would be doing for himself, a hurtful act for selfish reasons, is why Ray at the bar is so insistent on telling Mew he wants only the best for him, even if it isn't Ray.
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chaosandwolves · 19 days
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Whatever Thursday
I haven't done one of these in a while cause I haven't written much but wanted to share this bit before the next ep comes out
This thought here hasn't left me so I started writing about that moment
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When Eddie closes the loft door behind him he can still feel the air of Buck's relieved sigh dancing through the tiny soft hairs on his neck; he can still feel the way Buck hugged him just that bit tighter when Eddie told him again how proud he is of him, how happy he is for him. And he is. God he is. For years Eddie had been watching Buck struggle with something neither of them could really unveil underneath the layers of trauma and the heavy black cloud of fear that Buck will end up alone and abandoned. Watching Buck without a map in his hands, without even a vague direction trying to find this piece of himself he didn't know was missing and yet constantly returning to the same old worn out paths… It had hurt; both of them. But now, now something has clicked into place. Eddie could see it, could feel it. The breaths Buck let cascade over Eddie's back were deeper and calmer than he's ever witnessed them before. So of course Eddie is happy. Of course he is. He wants nothing more for Buck than to feel whole and like he can stop running after the answers to questions he has no words for. Seeing Buck finally be at ease with himself and the world, that's a wish Eddie has carried with him since he's learned about Abby and it only has grown over the years while he watched Buck running in circles and watched him learn about Daniel and felt his unmoving chest underneath his fingers. It had grown to a point where it had been an ever present aching sore spot in his heart.
But Eddie had wondered in that moment, just for a second, if he had missed anything; how he could've been overlooking this part of Buck. But then he realized that there was no surprise rattling his chest. That prickling feeling scratching at the inner walls of his ribcage, had only appeared when Buck told him that it had been Tommy's kiss that lifted that veil off him. It's not like he hadn't known Tommy is gay. But he didn't expect this. Didn't expect Buck to…. Something sizzles in his chest and he has to rub his sternum to soothe the burn.
Not quite sure where this leads yet but I wanted Eddie to half glance at his own feelings
Tagging some people who might like this
@shortsighted-owl @sagasimon @finduilasclln @theresoneicouldcallking @elvensorceress @hippolotamus @im-not-batman @26-cats-in-a-trenchcoat @spoonietimelordy @eddiebabygirldiaz
If anyone wants to be added or taken off my tag list, please let me know 😊
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buddiebeginz · 3 months
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People who dislike Rob have always brought up what happened with Katie as one of the points that make him a bad person but I really wish they'd consider how he was supposed think in that situation.
He couldn't even admit to himself that he was bisexual and was clearly terrified of being outed and of losing Chrissie his straight safety net. Katie was threatening to out him on his wedding day of all days so of course Rob was not thinking rationally. He was also losing Aaron and didn't know how to deal with that either despite how he tried to play it off like it didn't matter. He literally waited around in their barn the night before his wedding in the dark for Aaron to show up and you could see it all over his face that he was gutted when Aaron never did.
Going back to what happened to Katie and how he handled the aftermath of her falling through that floor I feel like people don't consider enough what Rob learned from Jack. He learned that it was better to hide from the truth or cover it up than face things or to go to anyone else for help. When bad things happened he watched his dad and brother lie and cover it up and worse he was sent away for something that wasn't even totally his fault (Max King's death).
So while of course the right thing to do would have been for Rob to immediately call the police and Andy ask yourself is that what Jack or Andy would have done? And for that matter looking at the Dingles (since Aaron was involved to some degree too) what exactly do you think the Dingles would have done in this kind of situation? Because more often than not the first thing they'd usually do is protect their own. Chas even thought Aaron had shot Rob back in 2015 and wasn't in some mad rush to tell the police.
As it is I think it showed how much trust Rob had in Aaron already at that point that he even called him when this all happened. He knew that despite everything going on Aaron would come back when he called and that he wouldn't call the police on him.
I'm not trying to say what happened to Katie was okay, the way she died was awful but I don't think Rob meant for it to happen. I also think a lot of people in the village might have acted similarly when faced with a situation like that. Rewatching the 2015/16 eps Kirin did two seperate hit and runs (Moira and Tess) and left both for dead and this was while he was drunk driving, yet he never got the kind of hate that Rob did. Both Jai and Sam left Charity in a box in the woods and were planning on leaving her there presumably to die. Ross and Andy plotted to kill Rob and Pete and almost killed Rob. I'm not saying Rob hasn't done some messed up stuff just that so have basically every other person in that village at one time or another. I hate seeing people talk about it like he intentionally went there to murder her in cold blood when it was never like that.
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maxwellatoms · 8 months
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Congratulations, one of your characters made a cameo appearance in my midlife crisis!
This takes a little time to explain, but on the art web site FurAffinity, living users are represented with a tilde, while living impaired users get an infinity symbol in front of their names. I was at a low point in my life when I drew this, and thought about what would happen when the Grim Reaper eventually closed the loop.
Anyway. This was supposed to be for questions, so I'll ask one. The career of an animator seems to be nomadic... they'll spend some time developing a series for Cartoon Network, then move to Disney, then migrate to Nickelodeon, only to return where they started (cough cough CH Greenblatt cough).
Any reason, or reasons, why this happens? Honestly, I have a difficult time understanding why anyone would go to Nickelodeon to start a show, given the way so many artists have been treated by the network in the past. Do all the networks act like this?
Just curious. Thanks for your time, and for the years of entertainment.
You guys look great together, but no loop closings please!
Gotta bilde the tilde, if you know what I mean.
Anyway, yeah... Animators all know that Other Studios have Other Problems. It's not at all uncommon to hear someone say, "I'm about ready for new problems".
I spent most of my career (until the wonders of the recent mega-merger) at WB, so I've really only known WB problems (with a light sprinkling of Disney Troubles). I've asked friends like C.H. Greenblatt and Jessica Borutski about the long-haul at Nick, so I have a basic idea what the culture is like. But if I land at Nick in five years, it could be a completely different set of circumstances and maybe even a completely different set of employers.
I know maybe three studio execs with solid careers who've spent the majority of their time at one studio. Most of the time, the low level executive track is even more of a meat grinder than the creative track. In fact, I'd go as far as to say that the middle-management meat grinder is the cause of the creative meat grinder.
The job of an executive is to make impressive decisions that dazzle their superiors and shareholders. If you've just been hired to replace someone and have inherited a stack of 32 animation bibles in various stages of development with assorted creators, are you really going to just continue going through that pile? I mean, you're replacing someone for a reason, right? So probably better just to toss that whole pile of animation bibles in the trash and start again. Because you're going to look like an idiot if even a single one of those fails. And if it succeeds, it just makes your predecessor look smart, which steals some of your shine. So you axe those creators and all of their support goes away and the cycle begins anew.
During my career, these executive turnovers (and the following creative turnovers) happen about every four or five years. With a little luck, it takes (in my experience) about two years to get a show through development to pilot, and then another year to decide if it's going to be a series. In short, there is precious little time where a creator/EP can interface with and rely on a competent executive to champion them. If you don't have that, you're not going anywhere.
I'm not sure how anything gets made. From the inside, development is always trickle-down sweaty desperation. I guess somehow, every now and then, a neurodivergent 23 year old slips through the cracks and makes a kid's show about The Grim Reaper. It could all be luck.
There are definitely execs who love animation and have made it their life's work. But there are also people who just got into the business as, say, a personal assistant and hasn't watched an animated cartoon since they were six, but suddenly find themselves in control of many millions of dollars worth of IP. There are execs who think of entertainment only as a commodity and who literally don't understand why creatives feel so passionate about "just cartoons" but will remind you "how lucky you are to work in entertainment" if you ask for a raise.
In short, the problems are usually management related. And those problems are mostly the same across studios, with the occasional Infamous Despot you want to avoid at all costs. The good news is that said Despot probably won't last five years.
There are perks at the different studios too. Proximity to decent food. Occasional amusement park passes. Friday morning bagels. The sort of stuff that hopefully nobody is taking a job specifically for.
At the end of the day, there are three or four big studios we can work for. There are also a smattering of smaller indie studios which... make content for those three or four other studios anyway.
The long and short of it is that there's just not a lot of choice where we can work or who we work for. We definitely talk to each other and the studio culture does weigh heavily when you're deciding where to go. Assuming you have the luxury of choice. It all kind of sucks, and it all kind of sucks in the same way. But sometimes you get bagels.
Stay Frisky!
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