can I have ⭐⭐⭐ for 3 different things u wanna talk about?? 🥺👀
Yay! THREE stars for Fanfic Writers: Director's Cut?? Eeeee
November 16th will be the one-year anniversary of the completion of my Marty X OC trilogy rewrite, The Time Circuits Series. With five works and 274K words written over nine years, it will always be one of my greatest writing accomplishments. I thought I would write it and be done in the BttF fanfic fandom, but lo, since I finished this series last year, I graduated to writing canon fics and have since added 30 more BttF fics to Ao3!
So I want to use these three stars to highlight the first scenes I wrote for each of the three main trilogy stories. I wrote the series totally out of order, as the scenes came to me. I had three chapters of Part III before I started Part II!
So, without further ado, the first scenes!
(There will be spoilers, ye be warned!)
⭐️ Where You're Going (Time Circuits Series #1) ⭐️
The first scene I wrote for this series was in Spring 2006, and it was the scene at the end when Doc reveals his bulletproof vest and the letter. Because that's what this whole story builds up to when it's said and done. This is the end product:
Emma clambered on behind Marty, catching herself on his shoulder when he dropped to the ground. As Marty pulled Doc over onto his back, Emma sank to her knees, staring at the holes on her father's chest and his unblinking eyes. Her body seized up, a crippling numbness seeping through her resolve with gradual, irreversible panic. What does she do? What does she do now?
Even as Marty had to turn away, she held vigil over her father as she tried to digest this reality.
This is real. This is your reality. It's real. He's —
Emma wouldn't think it, not until she knew. Not until she knew.
Hand trembling, she slowly reached out over the entry holes in the radiation suit for the side of his neck to feel for a pulse – definitive, tangible evidence she could tether to her hypothesis. As her hand passed over his heart, her own nearly gave out, and she froze.
He blinked.
Emma's eyes grew, and before she could more than blink herself, her father was sitting up. In her dumbfounded silence, his chest met her paralyzed hand as he rose. A watery smile wrinkled Emma's lip when she flattened her palm and felt him breathe.
Emmett smiled.
As expected, life pieced together every question he had suppressed that week, and realizing some time after sending Emma Klein back to the future that she was indeed Emma Brown filled him with insatiable anticipation for the moment on the other end of that lightning strike. And through the continuity of time, confirmation of the success of his greatest invention finally arrived by means of Emma throwing her arms around him in a parking lot.
He could feel her holding her breath to refuse the sobs trying to surface, but when he wrapped an arm around her, she exhaled audibly and clutched the back of his neck.
"You're alive."
Emmett let his daughter fall away at Marty's voice, seeing her eye something she couldn't quite place about his torso as Marty turned around. He revealed the vest, amused at their predictable awe. He watched their eyes dance over each spent round plastered harmlessly to his person, Marty steadying himself at Emma's low back as he leaned in.
"How did you know?" he asked, a question Emma hadn't even considered until that moment. "We never got the chance to tell you."
Marty felt Emma draw a sudden, silent breath, further peering around her as Doc retrieved their preserved, yellowed letter from between the bulletproof vest and the radiation suit. They had been his first defense against this horrible fate in more ways than one, and Emmett had waited a long time to deliver this apology. Part of him was relieved to finally have the freedom to acknowledge them as he had first known them: the kid in the life preserver and the girl who spouted brainwave stuff.
As Marty folded the letter over in confusion, Emma had already beat him to the punch with a soft, wry smile, eyes locked on her father. With that look, Emmett plainly heard her berating him in his mind: you damned hypocrite, quickly followed by thank God.
"What about all that talk?" Marty asked, still trying to work the adrenaline out of his voice and gulp air at the same time. "About screwing up future events? The spacetime continuum?"
Emmett dared a smug grin.
For these two kids, he was all in.
"Well, I figured, what the hell?"
⭐️ Where You Are (Time Circuits Series #2) ⭐️
The first scene I sketched out for Part II was dated May 17, 2013 in my notes. It is a scene in 1955 where Marty has been trapped in Biff's garage, and Emma, while trying to free him, is caught by Biff. I didn't just want Emma to be that OC that was constantly attached to Marty's hip, and the likelihood of both of them being caught in Biff's back seat was too high. I liked using Emma to see what Marty didn't — and push her out of her comfort zone when put on the spot.
Emma quickly scanned the outskirts of the driveway for something to bludgeon the lock with. There was a metal watering can and a few flimsy lawn ornaments with the structural integrity of a coat hanger, but nothing substantial that would free Marty with one hit. Maybe something lay between the side of the garage and the hedges –
"Hey!"
Emma spun around at the vicious bark. A small jolt of terror hit her to see that it was Biff himself staring her down, and she quickly resorted to a nervous laugh and bright greeting. Her voice cracked.
"Hi!"
His mouth hung open in confusion, utterly dumbfounded at the presence of this somewhat familiar girl. He tossed the red ball that had rolled in front of the house at the same group of kids from earlier, sending them the other way with a glare that indicated this was a one-time kindness. He redirected his narrowing eyes to the intruder.
"What do you think you're doing?"
Emma plastered a smile on her face. "I came looking for you," she said quickly, keeping his attention on her. "I thought I'd check the garage first since I know how much you like your car."
"Yeah, well, what do you want?" he asked tersely.
What do I want? That's a fantastic question. And the answer her mind came up with made her grimace inwardly, but Biff wasn't a bottomless well of patience.
[…]
"Well, I heard you didn't have a date for tonight," she said clasping her hands with a dainty shrug. "That Lorraine was stupid enough to turn you down. And while it might seem terrible of me, I don't want to miss out on the opportunity she passed up."
⭐️ Where You Were (Time Circuits Series #3) ⭐️
So, looking back at my notes, I was WRONG about what I remember being my first scene for this story (by one day; my first notes for Part 3 were dated March 18, 2013)! I thought it was the scene in the blacksmith shop where Marty shows Doc the tombstone photograph, but it turns out it was the one scene I always wished had played out a bit differently: Doc and Marty at the silver mine unloading the DeLorean the night before they go back to 1985.
The issue with this scene if you're giving Doc Brown a daughter: he's not going to tell her and Marty that he's staying in 1885 with a woman he met two days ago. So this scene became a huge deal because I couldn't omit it and I needed it to have the same emotional impact as the original.
In this version, Doc knows he can't stay with Clara despite Emma encouraging him to find a way to be with her. She ultimately fails, storms off, and spurs Marty into action. I always wanted a more sympathetic Marty in this scene, too, so I took the opportunity.
Marty went after his mentor.
"You should say goodbye to her."
Emmett looked up from the wrinkles in his bedroll. An inkling of intrigue passed over his face as Marty sat down, grimacing with a hand pressed to his side. Seeing the tranquil rise and fall of Emma's back, Marty lowered his voice, motioning to the fire as he spoke.
"You guys just disappeared, Doc. Right in front of me." The Lyon Estates pennants fell at his feet over and over in his mind's eye. "Right out of the middle of the sky. And for the two minutes I had to wonder if I would ever see Emma again, it was hell."
Marty glanced at the lock of hair snaking out from Emma's cocoon. He took a deep breath and held it, refusing to let the knot in his chest become a lump in his throat.
"I couldn't imagine having to live through eight months of that, let alone the rest of my life."
Marty hunted for Doc's eyes until he found them under the brim of the Stetson, unhappy with the resistance. Marty took off his hat and ruffled his matted hair, gesturing to the DeLorean next.
"I mean, come on, Doc," he said, arm dropping soundly. "Is it fair that you'll go home and look Clara up in the City Archives, and she'll just have to wonder?"
Doc sighed through his nose. He twirled Clara's stem of lupine in thought.
"None of it is fair, Marty." Doc leaned closer to the fire, orange flickers strobing on his sleeves and nose. "What am I going to say? 'I have to go back to the future'?"
Marty shrugged, moving his gun belt to the far end of his bedroll.
"I don't know, Doc. If you tell her the truth, she'll think you're lying. And if you lie to her…" Marty whipped a stick into the fire. "Hell, I'm in it with you, and I don't even understand it."
Doc looked over his shoulder at the fuzzy moonlight pooled on the body of the DeLorean. He imagined Clara caressing it in awe, captivated by the possibilities and envisioning countless worlds waiting to be explored. Only he could put that enraptured smile on her face – and take it away.
"Clara would understand it," Emmett murmured. He slipped Clara's favor into his pocket, a blip of vigor returning to his flat voice. "She loves Jules Verne, Marty. She has all his books! And she knows that through the pursuits of science, the incredible feats of man in those books could be a reality. She has the ability to believe, and so, too, I believe, to understand."
Marty raised a skeptical eyebrow, but Doc lured a half-smile out of him when he finally stood.
"What she won't understand," Doc said, shaking out his duster, "is why I can't take her with us. But I shall strive to find a way to do so before I get there."
"You'll think of something, Doc. Just… go easy on the details, huh?"
And there you have it! The first scenes I wrote for each of the three main stories in my Time Circuits Series! Thanks so much for giving me the opportunity to spotlight these! :D
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