#Elisa Miller | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Average visit duration of Tumblr.com is 10 mins and 25 secs.

exiledreplicant · 7 months

Text

Luismi - Hurricane Season (2023)

#luismi #temporada de huracanes #hurricane season #mexican film #movie stills #andres cordova #elisa miller

4 notes · View notes

kikenhanna17world · 7 months

Text

Cuando leí el libro hace cuatro años me impactó de una manera profunda, lo cerré pensando que el Juan Rulfo de mi generación era una vieja y se llamaba Fernanda Melchor. No había leído nada más genial en muchos años, me impresionó, me dejó sin aliento, estaba en esa idea del libro y recuerdo que iba en carretera con mi papá y se lo comencé a contar y terminé diciéndole: ‘Sería un peliculón’, en ese momento supe que debía adaptarla”, comentó la directora. Elisa Miller

Temporada de huracanes

#temporada de huracanes #elisa miller #fernanda melchor

3 notes · View notes

gebo4482 · 8 months

Text

youtube

Hurricane Season | Official Trailer | Netflix

Dir: Elisa Miller Star: Paloma Alvamar / Andrés Cordova / Ernesto Meléndez

#hurricane season #hurricane season (2023)#temporada de huracanes #elisa miller #drama movies #trailer #netflix #Youtube

2 notes · View notes

movienized-com · 2 months

Text

Temporada de huracanes

Temporada de huracanes (2023) #ElisaMiller #EdgarTreviño #AndrésCordaz #KatRigoni #PalomaAlvamar #GussMorales Mehr auf:

Hurricane SeasonJahr: 2023 (November) Genre: Drama / Thriller Regie: Elisa Miller Hauptrollen: Edgar Treviño, Andrés Cordaz, Kat Rigoni, Paloma Alvamar, Guss Morales, Ernesto Meléndez, Reyna Mendizábal, Norma Reyna … Filmbeschreibung: Im mexikanischen Provinzkaff La Matosa entdeckt eine Gruppe spielender Kinder eines Tages auf einer Zuckerrohrplantage eine weibliche Leiche in einem…

View On WordPress

#Andrés Cordaz #Edgar Treviño #Elisa Miller #Kat Rigoni #Netflix #Paloma Alvamar

0 notes

cinemedios · 2 years

Text

Tráiler oficial de '¿Qué Culpa Tiene el Karma?' con Aislinn Derbez y Renata Notni

Mira a Aislinn Derbez y Renata Notni en el tráiler oficial de '¿Qué Culpa Tiene el Karma?'.

View On WordPress

#Aislinn Derbez #Carlos Morett #Carmen Madrid #Cine Mexicano #Elisa Miller #Gil Cerezo #Giuseppe Gamba #Mauricio García Lozano #Miriam de Jesús Chi Chim #Netflix #Renata Notni #Romina Montalvo

0 notes

dreamypqulson · 2 years

Text

— spaghetti kisses

requested by anon: would you feel comfortable to write a fic with Elisa Cronkite? Some hurt/comfort or just some cute fluff

summary: the weather decides to ruin your date night with elisa, but it turns out that staying at home was even better.

pairing: elisa cronkite x reader

word count: 1200

When Elisa walked out of your bedroom and examined the weather outside of the window, you could've crumbled at her expression. You were both dressed nicely, and were just about to head out the door when it began to pour.

She tossed herself upon the couch. For a brief moment, her dress riding up her thigh had distracted you. When you heard her sniffling into the pillow, you rejoined and collected yourself.

It’s just…you two have been so occupied with work that date nights haven't been as frequent lately. Tonight was a big deal.

"Elisa, why are you crying, honey?" You sat beside her body that was laying on the couch. You were sure that her -now- wet makeup was going to stain the pillow. However, you weren't entirely concerned about that.

"Our date night is ruined!" She grunted into the pillowed, confused as to why you weren't so distressed about this. It has been planned for weeks.

"I wouldn't say it's ruined, El. Why not just have a date here?" Your fingertips brushed through golden curls. She had taken a liking to you playing with her hair.

"We live here, y/n. What are we going to do in our small apartment?" Elisa sighed. She sat up criss-cross, and hugged a pillow to her chest.

"You know what. Go watch tv or whatever in our room, i'm going to set up the perfect date for us. Right here."

You weren't great at cooking. That's why you and Elisa's fridge was only filled with simple things that you could toss in the oven. But you somehow managed to assemble a spaghetti dish.

"Alright, Miss Elisa Cronkite. Would you do the honor of accompanying me on a stay-at-home date?" You emerged in the doorway of the bedroom, when you felt that everything was completely. A single eyebrow raised, and a hand held out for her.

"God, you are such a dork." She hopped out of the still unmade bed. Your awaited hand feeling warm when hers merged with yours.

"Okay, i'm actually going to need you to close your eyes. I want to surprise you." But she didn't have much of a choice when your free hand proceeded to cover her vision.

“Well don't let me walk into anything!"

"I won't. I gotcha, baby."

You guided Elisa towards the mini kitchen. Hands growing sweaty, pulse beating faster. You wanted to please your girlfriend, certainly after she seemed so devastated after the ruined plans.

When you returned your hands back to your side, Elisa gasped. You couldn't see her expression, hence you were standing behind her. However, she didn't seem too disappointed.

"Oh my god. Aren't you so romantic."

You were impressed with yourself as well. The lights were dimmed, the room only lit with candles on the table. Your finest table wear laid out, and you even discovered a chic white table cloth in the closet.

"Here you are." Pulling out a chair for Elisa, she took a seat, followed by you.

"I can't believe you put this together." She's says.

"Well, i'm just full of surprises." You nearly choke on air when your girlfriends hand is squeezing your thigh. Perhaps you're not solely the one full of surprises. Her nails deliberately scratch your skin there, her opposite hand picking up her fork like nothing is happening. "El, you're ridiculous."

She grins from ear to ear. "I have no idea what you're talking about."

"E—" You were going to commence, but gave up with a sigh. She's evidently in a teasing mood.

Elisa smiled into her bite of food, feeling as if she was taking wholly control over you. "Wow I didn't know you were such a chef. This is amazing." Then, and idea popped into her head. "Let's do that spaghetti kiss thing! Like in that movie."

"Lady and the Tramp? How do you think of these things?"

Elisa rolled her eyes. "Come on" she urged "don't you wanna kiss me?" Her voice became tempting, and she puckered her rosy lips.

"Well there's other ways to kiss you without spaghetti and sauce in the way. But sure, why not."

You could see how happy you've made Elisa. You beam at her, watching as she sifts through the noodles on her plate to find the longest one.

"Okay, here." She gently gripped her perfect one between her fingers, and you grabbed the other end. Your fingers were already turning a shade of red from the sauce. But your face was too, in a type different way.

"You're blushing" Elisa called out, before she placed one end of the noddle between her lips.

"Am not!" You followed precisely as she did.

You both stared a each other, the corners of your mouth inclining upwards in a grin. You two started to gently suck on the noddle, cautious not to break it. Predictably, the sauce began to drip around you mouth. But, when you met in the kiss, Elisa completely cleaned you up with her own mouth.

"Wow. Maybe a little bit more romantic than I was expecting" you murmured against Elisa's lips.

"What did I tell you? You need to start listening to me more, baby."

After dinner was finished up, you walked over to the sink to clean the dirty dishes. You nearly shattered a plate when Elisa snaked her arms around your waist. "You cannot scare me like that!" you airily laughed.

She ignored, started nipping right behind your ear. She was well aware that, that made your legs weak. "Come on. We can clean up tomorrow. Let's watch a movie." Elisa was so hushed, that, if her lips hadn't brushed against your ear then you wouldn't have heard her.

You turned around in her arms, leaning down to place a kiss on her lips. She whined when you parted, assuming it would’ve lasted longer. "You're going to say the same thing tomorrow."

"But tonight is our date night." She looked at you with those eyes. Those pleading brown eyes like she was child begging for a toy. "Fine, you win again."

She grabbed your hand, tugging you to the bedroom. You hadn't even gotten the chance to take your dress off before Elisa was pulling down your straps for you.

You didn't say anything. You allowed her hands to brush over each freckle, scar, stretch mark like she was worshiping your body. When the task is complete, and you're both dressed in pajamas -perhaps Elisa was wearing your clothes, however, you didn't mind it- you padded back into the living.

"You're cuter than cat snores, you know?" You say. Her nose crunching to divert your attention away from her burning red cheeks. She's positioned herself between your legs on the couch. Your oversized t-shirt on her, just making you want to kiss her silly.

Your fingertips tread through blonde curls, that are only slightly tousled from putting her pajamas on.

Elisa decides to turn around. She bites her lips and gazes up at you hungrily. You can only stare, cross-eyed, at your nose. Somehow, she still had you stuck in that honeymoon phase even after years of being together.

"I really enjoyed tonight." You would've thought she was just trying to be sweet, if it weren't for the fact that she was starting to kiss your jawline. With every sound of her kisses, you elicit a sigh.

"I really enjoyed tonight too. Even your little spaghetti kiss."

“Even my little spaghetti kiss!!”

taglist: @loverofallthingssarah @goodeday2u @lanawinters-ily @talulahmae @sapphicforsarahh @ahsfan05 @stayevildarling @isle-of-earle @cordithatgurl @mistysswampmud @billiedeansbitch @billiedeanspearls @cigaretteology @favoriteredhead @sarahs-mf @cordeliass

message me or send an ask to be added to my taglist!

63 notes · View notes

misskyeyes · 1 year

Text

“But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.”

Inspired by Madeline Miller, Circe.

Elisa as Circe / Ermal as Odysseus

#Elisa Toffoli #Ermal Meta #Ermalisa #Circe!AU #Circe #Madeline Miller

12 notes · View notes

fandomsandshipping1 · 11 months

Note

Run, Blood, and Spring for whoever you think of first

- @itfitsitshipsart

From this. (I'll answer the first one for Alice and Owen, the second one for Elisa and Suki, and the last one for Blue, ColdStone, andColdFire.)

run: what’s one relationship or experience your OC has mixed feelings about? are they good at finding joy in sad things, or vice versa?

Alice: "Oh I've had my share of funky relationships. The one I have the most mixed feelings on was my first one, a fling I had when I was in high-school with a man almost five years older than myself. I was rebellious and he was... well, what I thought I wanted. And I'm rather good at finding the good in the bad."

blood: what would your OC would sacrifice everything for? what does “everything” entail—their life, or something else? how far would they go?

Suki: "... What would I sacrifice everything for?" Suki: "My friends, my clan. Elisa. I am a gargoyle. It is our nature to protect, so giving up everything, even my life, is easy."

spring: what does your OC miss most? will they ever be reunited? how would they feel about that?

Blue: "... My family, hands down... well, my siblings, Theo and Thea, at least."

Blue: "I was really close to the two of them before our dad... was kind of an arse about who I am and kicked me out, and as far as I know they haven't moved away from him yet so I don't think a reunion's possible right now."

Blue: "I mean, I'd love to see them again, it'd be the best thing ever, but I don't think it's going to happen right now."

#self shipping #gargoyles #canon x si #to protect and serve #Elisa Maza #Suki #thanks for the ask friend!#opposites attract #Owen Burnett #Alice Miller #easy repairs #Coldstone #Coldfire #Blue Dunn

5 notes · View notes

exiledreplicant · 7 months

Text

Hurricane Season (2023) - Pain

dir. Elisa Miller

#temporada de huracanes #hurricane season #mexican film #movie stills #netflix #elisa miller

4 notes · View notes

perfettamentechic · 1 year

Text

22 gennaio … ricordiamo …

22 gennaio … ricordiamo … #semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic

2021: Roberto Brivio, Roberto Antonio Brivio, attore, cantante e cabarettista italiano, membro del gruppo I Gufi. Nel 1959 si diplomò all’Accademia dei Filodrammatici e cinque anni dopo, insieme a Nanni Svampa, Lino Patruno e Gianni Magni (l’ultimo ad entrare nel gruppo), diede vita al gruppo I Gufi, che in quegli anni contribuì a creare il cabaret musicale in Italia, utilizzando il dialetto…

View On WordPress

3 notes · View notes

thebutcher-5 · 10 days

Text

Madagascar (film)

Benvenuti o bentornati sul nostro blog. Nello scorso articolo siamo tornati a parlare di horror e lo abbiamo fatto con un film particolare che univa vari generi tra cui horror, fantascienza e commedia e che con il passare del tempo è diventato un cult amato da molti, compreso me. Il film in questione è Tremors. Val ed Earl sono due tuttofare che vivono nella minuscola cittadina di Perfection e…

View On WordPress

0 notes

sinceileftyoublog · 1 month

Text

Six Organs of Admittance Interview: More Than a Couple Chairs

Photo by Kami Chasny

BY JORDAN MAINZER

When Ben Chasny dives into something, he usually dives deep. Upon answering the phone in February, when I called him to talk about his new Six Organs of Admittance album Time Is Glass (out today on Drag City), he seemed a bit scattered. Despite mentally preparing himself all day for the interview, he got distracted by a "What are you digging lately?" Bandcamper compilation Drag City asked him to put together to advertise his record release. (A music fan with a voracious appetite, Chasny was rediscovering music he had purchased a couple years prior and forgot about.) Six Organs records often occupy the same dedicated headspace, Chasny setting aside blocks of time to think about nothing else. That is, until Time Is Glass. On his latest, Chasny blurs the lines between his outside-of-music life and the music itself, the album a batch of songs that reflects on the magical minutiae that sprout during a period of needed stasis.

The last time I spoke to Chasny, he and his partner [Elisa Ambrogio of Magik Markers] were still settling in from their move to Humboldt County in Northern California. "When Elisa and I first moved here, we didn't have any friends," Chasny said. "But there's a group of us that live in Humboldt now. A bunch of my friends moved up since the last time I talked to you." That includes fellow Comets on Fire bandmate Ethan Miller and his partner, fellow New Bums musical partner Donovan Quinn, and folk singer Meg Baird and her partner. "Every New Year's Day, if it's not pouring rain, we take a walk on the beach," said Chasny. One such photoshoot on January 1, 2023 yielded the album cover for Time Is Glass: That's Miller and his poodle, along with Baird's Heron Oblivion bandmate Charlie Saufley. This unintentional artistic collective meets up often, whether for coffee or as Winter Band, a rotating cast of area musicians who form to open up for musician friends when they come through town, like Sir Richard Bishop of Sun City Girls. As such, according to Chasny, Time Is Glass is a celebration of community.

Perhaps the supportive strength of his artistic family gave Chasny the willpower to incorporate elements of his daily life into Time Is Glass, something he couldn't avoid. He didn't share with me exactly what in his personal life made it impossible to separate the two, though he mentioned his dog, a difficult-to-train puppy that was a mix of three traditionally stubborn breeds. Said dog inspired "My Familiar", a song that uses occult language to inhabit the mind of his obstinate canine companion. "And we'll burn this whole town / No one says there's good," Chasny sings, alternating between his quintessential hushed delivery and falsetto, his layered vocals atop circular picking exuding a sense of sparseness. Indeed, you wouldn't expect a Six Organs record about home life to sound totally blissful; Time Is Glass is at once gentle and menacing. The devotional "Spinning In A River" portrays the titular carefree act as lightly as the prickle of Chasny's guitar or as doomily as the song's distortion. "Hephaestus" and "Theophany Song" imagine their respective mythological characters as gruff and voyeuristic. "Summer's Last Rays" indeed captures a sense of finality, Chasny's processed guitar and warbling harmonium providing the instantly hazy nostalgia before the fade-out. The album is bookended by songs more straightforwardly hopeful, the opener "The Mission" a dedication to friends falling in love with their new place of residence, the closer "New Year's Song" a twangy ode to dreaming. But it's the moments in between that Chasny was forced to capture on Time Is Glass. And thankfully, what was born out of necessity yielded, for him, new ways to interpret the same old, same old.

Read my conversation with Chasny below, edited for length and clarity. He speaks on domesticity, mythology, playing live, and Arthur Russell.

SILY: You've lived in Humboldt County for a bit. Is Time Is Glass the first Six Organs record in a while you made while situated in one place?

Ben Chasny: I did do a couple records here before. The first one, I was in the process of moving here, so I wasn't really settled. The second was at the beginning of lockdown. This is the first one I felt like was recorded at a home. Everything was settled, I have a schedule. When I was doing the first one, I didn't even have furniture in the house. I had a couple chairs. [laughs]

SILY: Do you think the feeling of being recorded at a home manifests in any specific way on the album?

BC: I started to incorporate daily domestic routines into the record, more often. A lot of the melodies were written while taking the dog for a walk, which I've never done before. There was always stuff to do as I moved in. The times weren't as separate. Before, it was, "Now I'm recording, now I'm doing life stuff." There was a merging of everything here. I would listen to it on my earbuds while taking walks and constantly work on it for six months.

SILY: It definitely has that homeward bound feel in terms of the lyrics and the sound, like you've been somewhere forever. There are a lot of lyrics about the absence of time, and there's a circular nature to the rhythms and the guitars. Does the title of the album refer to this phenomenon?

BC: A little bit. Time does seem, in general, post-lockdowns and COVID, different. The lyrics on the record have a bit more domesticity. It always seems like there was something that had to be done, that would normally keep me from doing music, that I tried to incorporate here. Maybe I'm just getting older, too. I'm getting more sensitive towards time. I'm running out. [laughs]

SILY: Was there anything specific about your domestic life that made you want to include it in your music?

BC: Just that I had to include it in order to do anything. It was no longer separate. The way life ended up working out, I could no longer separate my artistic life from other life. I had to put the artistic aspect into it in order to work. Instead of getting frustrated, I brought [music] more into the house.

SILY: Did working on the record give you a new perspective on domesticity?

BC: I don't know. A little bit. I was just trying to come to terms with basic life things. Let me look at the record, I forgot what songs are on it. [laughs] The song "My Familiar" is about my dog. I got this book called Cunning Folk and Familiar Spirits, which was sort of taken from transcriptions of witch trials from Scotland in the 1500's. A lot of dealing with things like witches' familiars and demon familiars. I found a very strong similarity between that and my dog, which seemed like it was maybe a demon. She's a Husky-German Shepherd-Australian Shepherd mix, so as a puppy, she needed a lot of work. So that became a song. That's a more humorous way everyday life made its way into the music.

[With regard to] the last song, "New Years Song", Elisa and I have a contest on New Year's Eve when we're hanging out where we go in separate rooms and have one hour to write a song. We come out at 11 or 11:30 and play the song for each other. We've done it for a few years now. This was the song I wrote for New Year's Eve going into 2022.

SILY: You talk about God on Time Is Glass and delve a little bit into mythology. Was that something you were thinking about on a day to day basis when writing?

BC: The “Hephaestus” song was just a character. That was a rare song for me in that I was trying to make sounds that particularly evoked a mythological figure. I've made nods to mythology in the past, but the titles were almost an afterthought. This particular song, I was trying to make the sounds of that character in their workshop with the fire and anvils. I was trying to evoke that feeling. That was kind of a new one for me.

SILY: Maybe I'm reading into it too much, but you also seem to talk a bit about your state of mind on "Slip Away".

BC: It's funny you caught onto that, because I wasn't really expecting to bring it up during interviews. I wouldn't say that I came close at times in the past couple years to schizophrenia, but I could see way off in the distance and horizon what that would be like. I...was trying to write about that. At the same time, the lyrics that have to do with two minds and the splitting of the mind are also somewhat of a reference to the idea of a celestial twin or Valentinian gnosis, how you have a celestial counterpart. That idea [is behind the concept of] someone's guardian angel.

SILY: On a couple songs, you sing to someone or something else. "The Mission" you've mentioned is for a friend and their new partner. What about on "Spinning in a River"?

BC: Maybe it was more of a general idea. It wasn't so much to a person as to a general concept of Amory.

SILY: What were all the instruments used on the record?

BC: I had some guitar, I was singing, and there's some harmonium on it, which I did a lot of processing on, lowering it octaves. I've got some really basic Korg synths. Electronic-wise, there's a program called Reactor I like to use a lot. I do it a little bit more subtly than electronic artists. I use it more for background.

SILY: I picked up the harmonium on "Summer's Last Rays"! I feel like you never truly know when you're hearing a harmonium unless it's in the album credits. Sometimes, that sound is just effects.

BC: There are two different harmoniums. When the bass comes in, that's also a harmonium, but I knocked it down a couple octaves and put it through some phaser. It has a grinding bass tone to it. This is actually one of the few Six Organs records with bass guitar on it. Unless it's an electric record with a band, there's never really been bass guitar. I was really inspired by Naomi Yang's bass playing in Galaxie 500 and how it's more melodic. I told her that, too.

SILY: On "Theophany Song", are you playing piano?

BC: Yeah, that's at my friend's house. I just wanted to play a little melody.

SILY: Was this your first time using JJ Golden for mastering?

BC: I've worked with JJ before. He did Ascent and a few others. I particularly wanted to work with him this time because I had just gotten that Masayuki Takayanagi box set on Black Editions and saw he had done that. I have the original CDs, and I thought he did such an amazing job that I wanted to work with him again.

SILY: Is that common for you, that you think of people to work with and you dig a record they just worked on and it clicks for you?

BC: That's the first time I had just heard something and thought, "Oh, I gotta work with this person." I usually have a few mastering engineers I work with and think, "What would be good for them?" or, "What does this sound like?" I usually like to send the more rock-oriented stuff to JJ, but I was just feeling it this time.

SILY: Have you played these songs live?

BC: The instrumental "Pilar" I have been playing since 2019. That's the oldest song on the record. I did do one show last September where I played a couple of these songs live. I have some ideas on how to work it out. It will be a solo acoustic show, but I [hope] to make some new sounds so it's not so straightforward. One thing about this record is I tried to write songs in the same tuning. On previous records, I used a lot of tunings, and it was a real pain to try to play the songs live. I did write this record with the idea that most of these songs would be able to be done live.

SILY: What have you been listening to, watching, or reading lately?

BC: I just got the Emily Robb-Bill Nace split LP. I just saw her live a couple nights ago. The latest one on Freedom To Spend from Danielle Boutet, which is awesome. Freedom To Spend is a go-to label for me. Also, this split with Karen Constance and Dylan Nyoukis.

I've been reading Buddhist Bubblegum by Matt Marble, about Arthur Russell and the systems he developed, which I knew nothing about. His compositional systems have almost a Fluxus influence. The subtitle is Esotericism in the Creative Process of Arthur Russell, so it's also about his Buddhism as well. When I first heard about the book, I didn't know if I needed to get it, but I heard an interview with Matt about the detailed systems Arthur Russell came up with. It gives me a whole new level of appreciation for him. It's so good.

SILY: Did you listen to Picture of Bunny Rabbit?

BC: It's so good, especially the title track. It seems like when he has us plugged into some kind of effects or delay, he's switching the different sounds on it, but it makes the instrument go in so many different areas. To me, the title track is worth the price of the entire record, even though the whole thing is good.

SILY: What else is next for you? Are you constantly writing?

BC: This is gonna be a very busy year release-wise. I have a couple more things coming out. It's hard to write stuff because I always think it'll take so long for it to come out. I'm halfway working on something, but I have no idea when it will come out.

youtube

0 notes

13thgenfilm · 1 year

Photo

This Sunday at 4pm, co-directors Elisa Levine and Gabriel Miller make their East Coast Premiere with the award-winning documentary, SWEETHEART DEAL, screening at the 26th annual Brooklyn Film Festival. Fresh off award-winning runs at both Bend Film Festival and the Seattle International Film Festival, SWEETHEART DEAL screens at Windmill Studios on June 4th at 4pm. 13th Gen's Marc Smolowitz is proud to be a consulting producer of this intimate portrait of hope, heartbreak and resilience on the fringes of modern America. Tickets: 👉 https://bit.ly/43ptXht

#BFF2023 #documentary #film #Sweetheart Deal #Brooklyn Film Festival #Elisa Levine #Gabriel Miller #Seattle International Film Festival #Bend Film Festival #Marc Smolowitz

0 notes

Last Seen Blogs

racletfondue-blog

Доставка достойной еды в Новосибир

jolapy

Jolapy

droomwolkje

☁️

mysterix

alicethenguyener

Alice Nguyen