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kalakian · 1 year

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A House in Pieces is an incisive look into the trauma suffered by the people of Marawi, cutting through the government rhetoric and narratives to show what it takes to survive an event of that magnitude–and what parts of yourself you might lose as a consequence of it all.

#kalakian #pelikula #pelikulang pilipino #a house in pieces #filipino film #marawi #sineliwanag #cinemalaya

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arnsanityy · 2 years

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BLUE ROOM, Cinemalaya 2022 (No spoilers, thought dump)

hindi ‘to review pre, kaya it looks and feels as if it’s all over the place. nasa confused state pa kasi ako kung bakit pito lang kaming nanood ng blue room dito sa SM prompting Ate to say na “sa loob na lang po kayo pumili ng seats, pito lang naman kayong manonood”. so pagtiyagaan mo na to pre, kasi baka wala ka rin namang pakialam lol

grabe yung juan karlos, lamon bawat linyahan pre. ganda nga talaga bumigkas pre sinasabi ko sa’yo bawat sasabihin niya pinapakinggan ko yung bitaw pare. yung mga kasama niyang tropa sa banda, sakto lang din naman pre, may kanya kanyang bright spots sila. pero yung JK para sa akin angat talaga pare, tipong magpapasalamat ka ulit kay coach bamboo na inikot niya upuan niya e

pagkatapos kong mapanaood ‘tong blue room, sinuong ko yung malakas na ulan sa ilalim ng hot pink na payong, habang umaagos yung tubig sa salamin ng mga kotseng stuck sa trapik iniisip ko kung bitin ba ako sa lalim ng pagkilala sa bawat artista, pero pare naisip ko na parang sapat naman yung oras na nilaan kada character. alam mo yung sapat na bitin. may sapat na intrigue kung saan yung manonood ang bubuo sa kwento. gusto ko yun, yung pelikulang tinuturing na nagiisip yung manonood nito.

onga pala, sobrang solido ng musika pre, quick disclaimer na wala akong talent kumanta o tumugtog (kaya ko pala mag-Leron Leron Sinta sa flute) pero gets ko naman yung timbre at lyrics na nangungusap pre. bawat scene na kumakanta yung banda o isang character mapapadukot ka ng spotify to check kung available ba yung buong version pre.

also, pakahusay din nung mga pulis e, pwede mong i-project yung real world na urat mo sa mga fictional police characters dito pare.

yung backstories at parallel narrative pinakita using IG stories/reels template pre. and sa akin lang naman, it worked well pare. personally pre gusto kasi yung pagsingit ng elemento that defines the zeitgeist when it was created. syempre sa ngayon pre, isa yung social media platforms yung nagdedefine ng generation na ‘to. dito nagawa yun ng swabe, hindi pilit pare. creatively incorporated.

overall sa tingin ko itong sinusulat kong ‘to ay hindi naman review kundi pagbabahagi ng pagkamangha pre, kaya magbabahagi na lang ako ng mga thoughts ko kahit hindi ka naman nanghihingi kasi that’s how i roll:

1. Ang musika ay hindi lang para sa tenga, mas madalas para ‘to sa kaluluwa.

2. Music should either heal or hurt. Anything in between is just not worth listening to.

3. Hindi lahat ng kabataan ay pag asa ng bayan. Pasensya na, Rizal.

4. Post-Inuman Session Thoughts: Ang desire para kumain ng lugaw ay directly proportional sa kasalukuyang dami ng alak sa katawan mo. Mayroong weird threshold though - and at some point, kapag sobra sobra na yung alak sa katawan mo, yung katawan mo na yung lilikha ng lugaw na idudura mo sa random na kalsada, sahig, o timba anywhere in the universe.

5. Kaya pala ganun yung huling tatlong letra ng salitang justice, kasi kapag pinag-initan ka yung hustisya bigla na lang nawawala.

6. “Bola muna bago droga” - Jolo Revilla

7. Akala mo ba ang lahat ng malaya ay may kalaayaan. Akala mo lang yun. Maraming taong wala nga sa likod ng rehas, pero nakagapos sa mga sistemang oppresive na nagmimistulang invisible na posas.

8. May dahilan kung bakit ang salitang Pulis at Pasista ay parehong nagsisimula sa letrang P. Pweh!

9. Pain and suffering brings out the greatest lyrics from songwriters, most poetic pieces from poets, most beautiful stories from playwrights. Therefore, if we as a society keep on hurting people, we can then ensure these art forms thrive *lol*

10. May mga pag-uusap na hindi dapat nanatiling nakakakulong sa apat sa sulok lang ng kwarto. Sobrang laki ng mundo - salamat sa mga taong patuloy na sumisigaw para mas maging malawakan ang mga diskurso.

gusto ko sana gawing 18 bullets of thoughts para tugma sa Cinamalaya 18, pero sampu na lang kasi giniginaw na yung mga paa sa loob ng basang sapatos ko. lakas ng ulan talaga. pero okay lang, at least yung ulan tumitila - eh yung pang aabuso dito sa pinas walang tigil

#cinemalaya #cinemalaya2022 #blueroomthemovie

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jrbustamante · 3 months

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Cinemalaya 2024 Deadline for Short Film Entries on March 8

Celebrating two decades of Philippine independent filmmaking, the Cultural Center of the Philippines and the Cinemalaya Foundation Inc. calls for entries to the Short Film Category of the Cinemalaya Philippine Independent Film Festival 2024. The deadline for submissions is on or before 6 pm on March 8, 2024. The country’s biggest independent film competition is open to all Filipino filmmakers.…

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#CCP #cinemalaya #Philippine films #Pinoy movies #short films

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martilyongabo · 4 months

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iti mapupukaw (2023) trailer

apparently it's coming on PH netflix at late feb.

#iti mapupukaw #cinemalaya #filipino animation #some of my friends and profs worked on this!#Youtube #rotoscope animation #filipino #ilocano

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sinethewrld · 6 months

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Pamilya Ordinaryo: Mga Pinabayaan ng Panlipunan

Pagsusuri ng Cinemalaya Classic "Pamilya Ordinaryo" (2016)

Base sa kanyang pamagat “Pamilya Ordinaryo”, nais ipahayag ng pelikula na ito ang kahirapan na nangyayari sa mga lansangan ng Maynila. Napapanood dito ang sunod-sunod na mga hamon naidudulot sa batang magkasintahan na sina Jane at Ares na naninirahan sa lansangan kasama ang kanilang nag-iisang sanggol.

Nagsimula ang trahedya ng mag-asawa nang kinidnap ang kanilang anak sa palengke. Desperado na mahanap ang kanilang anak, lumakbay sina Jane at Aries sa maalikabok na mga kalye ng Maynila at nakapag-tagpo ng iba't ibang mga katauhan at paghihirap sa kanilang pagsubok na makita ang kanilang anak. Nagbibigay ang pelikula ng hilaw at maligasgas na perspektibo sa buhay ng mga mahihirap at nagtatalakay ito ng mga isyu tulad ng kahirapan, kawalan ng tahanan, at ang malupit na katotohanan ng buhay sa urbanong Pilipinas.

Nagustuhan ko sa pelikulang ito ang pagkuha nito na parang dokumentarya. Nakakabagabag ang sinematograpiya nito dahil nalalabas ng direktor, na si Eduardo Roy, ang pakiramdam na na sa totoong buhay ang lahat ng mga karakter at mga pangyayari. Nanginginig at parang hawak lamang sa kamay ang kamera na parang katulad sa tabingi na pag-angat ng mga paa kapag lumakad. Madalas nag-iiba ang pananaw ng pelikula sa surveillance camera tuwing may kasawian ang mangyayari. Pagpatay, pagtangay ng cellphone, at pagakaw ng isang sanggo ang iilan sa mga krimen nakikita sa perspektibo ng CCTV. Naaagaw pansin ko sa mga detalye ng pagkuha ni Roy sa mga mabibigat na eksena ng pelikula.

Ngunit maliban sa kakayahan ng pelikula talakayin ang mga isyung panlipunan sa masinang na sinematograpiya, hindi labis napakilala ng kuwento ang mga pangunahing katauhan hiwalay sa kanilang pagdudurusa. Walang makatwiran na konklusyon binigay sa mga naipon na trahedya ni Jane at Aries at nauwi lang sa wala ang lahat. Kahit na walang takot napakita ang katotohanan ng kahirapan, nagiging tanawin lamang ang mga isyung ito sa huli.

Tanong ni Aries kay Jane sa isang eksena na “Paano kung ang buhay ni baby Arjan doon sa pamilya na iyon maaalagaan siya ng maigi, maibibigay ang mga bagay na hindi natin kayang ibigay kukunin mo pa ba siya?”. Nakapukaw ito sa aking isip nang alalahanin ang kakulangan nila sa mga bagay-bagay na dapat may karapatan sila bilang tao. Walang paninirahan, trabaho, pera, at medikal na tulong, naiiwan sila ng walang kakayahan makapagbuhay ng kanilang sarili lalo na sa kanilang anak. Sa katunayan, napapabayaan ang mga mamamayan katulad nila Aries at Jane sa Pilipinas kaya’t lumulubhang salot sa bayan ang kahirapan.

Sina Aries at Jane ang mukha ng mga mamamayan sa ating lipunan na nabubuhay sa kahirapan. Ayon sa isang UN report noong 2022, higit sa 5 milyong batang Pilipino ang naapektuhan sa sukdulan ng kahirapan. Pinipigilan nito ang mga bata na tamasahin ang kanilang mga pangunahing karapatan. Humahadlang ang kahirapan sa kanilang paglaki dahil sa impluwensiya nito sa mga oportunidad nila sa buhay. Kung walang mga panlipunang programa nagproprotekta sa mga batang ito, napapahamak ang kanilang kaligtasan, gaya sa nangyari sa “Pamilya Ordinaryo”. Nagiging lakas ng pelikula ang kaniyang kakayahan na harapin ang mga mabibigat na paksang ito upang makapukaw ng ating mga isip at damdamin. Sa pamamagitan nito, nagbibigay-liwanag sa malupit na mga katotohanan ng buhay sa Maynila ang “Pamilya Ordinaryo”.

Mga Sanggunian:

Staff, C., & Staff, C. (2023, September 25). Filipino Children in Poverty: How to advocate for change. ChildHope Philippines. https://childhope.org.ph/children-in-poverty/#:~:text=The%20Philippine%20Statistics%20Authority's%202021,harsh%20realities%20of%20the%20country.

Social policy and governance. (n.d.). UNICEF Philippines. https://www.unicef.org/philippines/social-policy-and-governance

#cinemalaya #pamilyaordinaryo #filipino movies #cinema

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kr-grace-p · 9 months

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Rookie (2023), Barbie-fied version

#barbie #rookie #wlw #lgbt #graphicdesign #cinemalaya #Samantha lee #greta gerwig #queer #sapphic #lesbian pride #cinema #film #movie #design

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str8upreview · 9 months

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Cinemalaya 2023: As if Its True Review

Synopsis: Vlogger/influencer Gemma (Ashley Ortega) enters a pretend relationship with struggling musician James (Khalil Ramos) to regain her popularity. When I watched the trailer for As If Its True, it did not strike me as overly unique. I felt like the plotline was more in tune with the mainstream hugot movies with relationships falling apart to connect with the millenials and Gen Zs who are…

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#As If Its True #As If Its True review #Ashley Ortega #Cinemalaya #Cinemalaya 2023 #indie #influencers #John Rogers #Khalil Ramos #Shane David #social media

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arkibero · 1 year

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Cinemaddict: Dec 2022 Film Log

1. Everything Everywhere All At Once – ★★★★½2022 🇺🇸✍️ Dan Kwan × Daniel Scheinert Biswal na kaangkupan sa gitna ng kalabisan at kaguluhan. Patong-patong na ang labada. Paikot-ikot lang ang problema. Hindi tayo makatakas sa nagsasanga-sangang mga daan. Krisis sa eksistensya. Kailangang makahinga kahit walang pahinga.

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#12 Weeks #2022 #Anna Isabelle Matutina #Canada #Cinemalaya #Film #FIlm Festival #Japan #Jordan Peele #Joselito Altarejos #Memories of a Love Story #Nope #Philippines #United States of America #Youtube

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villegasdan · 1 year

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#ItiMapukpukaw cast and crew! #Cinemalaya #Cinemalaya2023 #buhaypelikula https://www.instagram.com/p/ClyDwOBJtVb/?igshid=NGJjMDIxMWI=

#itimapukpukaw #cinemalaya #cinemalaya2023 #buhaypelikula

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maixmaixmaix · 2 years

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Kapag Cinemalaya Season dati, lagi akong nanunuod after office. Hindi na ko nanunuod ng trailer at hindi na rin binabasa yung synopsis, bahala na kung anong maabutan kong film.

So pinanuod ko yung Diablo ng mag-isa. Akala ko naman may ibang meaning kaya di ko pinansin yung title.

Pero puta yan! Horror/Thriller pala yun! Shuta talaga! May dala pa naman akong kape nun!

Ayun, simula nun di na ko nanuod mag-isa sa sinehan pag horror/thriller/gulatan ang eksena. HAHAHAHAHA!

#cinemalaya #ang walang kwentang podcast #angwalangkwentangpodcast #kwento #Spotify

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kalakian · 1 year

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Sol follows the lives of two sisters living in a small village. Tensions have been rising ever since drugs infiltrated their lives along with the relief efforts that came after the storm. The elders lament that their patron saint, San Antonio, was able to protect them from the storm surge yet can’t protect their children from the drugs coming in after the storm. Sol struggles to cope with her family situation. She feels stuck in her little village where the neighbors all gossip about their brother in jail for drugs and her older sister who cannot seem to move on after the death of their father during the storm.

#kalakian #pelikula #pelikulang pilipino #philippine cinema #sol film #cinemalaya #filipino film #joana vasquez arong

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goliwaliw · 2 years

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Midmorning, @culturalcenterph already. After cab driver drove me to PICC, confused by which is which. #cinemalaya #manila #goliwaliwph #2022gac08 https://www.instagram.com/p/Cg9Y11TJoCf9B6KK7lCFd67SKfpsVmq5qagcyk0/?igshid=NGJjMDIxMWI=

#cinemalaya #manila #goliwaliwph #2022gac08

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jrbustamante · 10 months

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CCP and Cinemalaya 2023 Presents NewFilipinoMovies, New Venue

The best visual storytelling in competing new Pinoy movies and new venues will be the highlight of the 19th edition Cinemalaya Philippine Independent Film Festival. With the CCP Main Building undergoing rehabilitation, the Cultural Center of the Philippines and the Cinemalaya Foundation, Inc. brings its brand of cinematic experience to the Philippine International Convention Center, located…

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#CCP #cinemalaya #cultural center of the Philippines #Filipino movies #film festival #Philippine films #Pinoy movie hub #Pinoy movies #Tagalog movies

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inartsbywenss · 2 years

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Cinemalaya at CCP with its’ new normal set-up

CCP Main Ramp with the giant Cinemalaya signage.

On its’ 18th year, the Cinemalaya Independent FIlm Festival is coming back to the Cultural Center of the Philippines (CCP) on Aug 5 -14, 2022. From online streaming for the past two years, what should the festival patrons expect at CCP this year?

With its’ theme of Breaking Through The Noise, the full-length competition will comeback to the Tanghalan’s screens with 11 entries along with the 10 short films in competition.

Remember, CCP tickets sells fast even before the screening schedule. Just like the pre-pandemic days, you must plan your Cinemalaya week as early as now.

click link for the schedule of screenings:

http://bitly.ws/tbNq

Here are the lists of the competing films:

• Full Length Films o 12 Weeks by Anna Isabelle Matutina o Angkas / “The Backride” by Rainerio C. Yamson II o Batsoy by Ronald Espinosa Batallones o Bula sa Langit / “Trigger” by Sheenly Gener o Bakit Di Mo Sabihin/ “Tell Her” by Real S. Florido o Blue Room by Ma-an Asuncion Dagñalan o Ginhawa / “Solace” by Christian Paolo Lat o Kaluskos / “Rustles” by Roman S. Perez Jr. o Kargo / “Cargo” by TM Malones o Retirada / “The Retiree” by Milo Alto Paz and Cynthia Cruz-Paz o The Baseball Player by Carlo Obispo

click here for synopsis of each full-length film with schedule:

http://bitly.ws/tbNv

• Short Films o Ampangabagat Nin Talakba Ha Likol / “It’s Raining Frogs Outside” by Maria Estela Paiso o City of Flowers by Xeph Suarez o Black Rainbow by Zig Dulay o Duwa-Duwa / ”The Play” by Nena Jane Achacoso o DIstance by Dexter Paul de Jesus o Dikit by Gabriela Serrano o Kwits / “Quits” by Raz de la Torre o Mata Kang Busay / “Vision of the Falls” by Niño Maldecir and Cypher John Gayorgor o Mga Handum Nga Nasulat Sa Baras / "The Dreams That Are Written On The Sand" by Arlie Sweet Sumagaysay and Richard Jeroui Salvadico o Si Oddie by Maria Kydylee Torato o See You, George! by Mark Moneda o Roundtrip to Happiness by Claudia Fernando

The film fest will pay its’ Tribute to the outstanding artists who have joined our creator by featuring their respective works. The 2020 and 2021 short film entries will get its’ chance to be screened under the Cinemalaya Retrospective: One More Time with Feelings at Tanghalang Manuel Conde (CCP Arthouse Cinema.)

Delikado by Karl Malakuna and a Documentary, We Don’t Dance for Nothing by Stefanos Tai will be the closing films on Aug 13, 2022. Then followed by the closing ceremony and awards night on Aug 14, 2022 at the CCP Main Theater.

These featured films are available for 250 pesos each ticket. 20% discount is applicable to students, senior citizens, PWD, retired personnel, government employees and Filipino athletes. You can watch all films in competition via Festival Pass which can be purchased for 2,500 pesos at the CCP Box Office.

click link for Tickets and Festival Pass details:

http://bitly.ws/tbNx

Looking for free screenings? There are several films scheduled in a first-come, first-served basis for free. It includes the Gawad CCP para sa Alternatibong Pelikula at Video, a film competition with 4 categories: Shorts, Animation, Experimental and Documentary films.

click link for the Gawad CCP schedule:

http://bitly.ws/tcFA

Another free admission is the opening ceremony on Aug 5, 2022, at the CCP Main Theater which features Martika Ramirez Escobar’s film, Leonor Will Never Die, a Sundance Film Festival’s Jury Prize winner.

click link for Opening Ceremony and Film details:

http://bitly.ws/tbNt

Talkback at the Cinemalaya Tent is an additional free opportunity. With this, you will get your chance to interact and hear the filmmakers’ perspective and experiences with making their entries. It will be on a first-come, first-served basis, too.

For those who plan to have a one-day marathon, there will be food stalls located at the CCP Promenade and coffee shops within the building. But remember, only bottled water is allowed inside the theaters.

The CCP Film Society members can watch previous Cinemalaya entries at the CCP Library. An event such as book launch of different artists including the National Artist, Ricky Lee is also scheduled.

The output of John Lloyd Cruz photographs with the filmmakers will be exhibited at the 3rd floor hallway, Pasilyo Guillermo Tolentino. The Center also prepare multiple instagrammable set-ups all over the building for picture-taking.

Since we’re still adjusting to the new normal, CCP management is still strict when it comes to Covid-19 safety protocols. Vaccination ID/card must be presented upon entry along with the temperature check. Of course, wearing of facemask and physical distancing must be observed at all times.

Are you living too far from CCP? You can check the cinemas near you. Because SM Cinemas will join Ayala Malls in screening Cinemalaya entries starting on Aug 10 until Aug 16 for 230 pesos to 250 pesos. Online streaming will be available on Oct 17-31, 2022 via CCP Vimeo account.

For more details, follow Cinemalaya social media accounts: https://www.facebook.com/Cinemalaya/ https://twitter.com/cinemalayaoffcl https://www.instagram.com/cinemalaya/

#cinemalaya #ccp #sm cinema #ayala malls #breaking through noise

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adrunkensoliloquy · 2 years

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Liway by Kip Oebanda | https://youtu.be/jVzF8xqctco

48:23