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#Calle Euripides
nando161mando · 19 days
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El sábado 13 de Abril la asociación Familias frente a la Crueldad Carcelaria harán un acto en nuestro local (CNT-AIT Granada, Calle Eurípides s/n) a las 19:30h para presentar su proyecto de Goteo con la que afrontar la acumulación de gastos jurídicos que supone su actividad. Más info en
On Saturday, April 13, the Families Against Prison Cruelty association will hold an event at our premises (CNT-AIT Granada, Calle Euripides s/n) at 7:30 p.m. to present their Goteo project with which to face the accumulation of expenses legal aspects of their activity.
@antifainternational @anarchistmemecollective @radicalgraff @kropotkindersurprise
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dreametheworld · 1 year
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maybe i’ll see you in another life / if this one wasn’t enough
orestes, euripides // kimi no na wa (2016) // jueves, la oreja de van gogh // the haunting of bly manor (2020) // call me maybe, carly rae jepsen // the good place (2016 - 2020) // eurydice, sarah ruhl // spirited away (2001) // soneto xvi, pablo neruda // letter by gabriela mistral to doris dana //  the love poems of rumi, rumi // everything has changed, taylor swift // falstaff, arrigo boito // the end of love, florence + the machine
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sarafangirlart · 30 days
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Forever heartbroken over what we lost.
Euripides Andromeda fragments
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jules-and-company · 2 months
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one of the funniest lines in aeschylus’ theatre is in the choephores when orestes is about to kill clytemnestra and he has a moment of hesitation and he just turns to pylades with his arm still raised in combat position and asks « pylades should i kill her » and pylades just seems to stand there for a second looking in bewilderment at him and going « …yes. yes . of course. she- oh zeus. orestes she literally murdered your father and exiled you when you were two to a guy she knew would be likely to either kill you or sell you into slavery. so yes. just fucking slit her throat already »
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Reading Euripides’s “Hecuba” and it’s fascinating that he has Agamemnon, specifically, oppose sacrificing Hecuba’s daughter Polyxena after the war to appease/honor the demanding ghost of Achilles. The Athenian leaders, Neoptolemus, and, very prominently, Odysseus, convince the Greek forces to sacrifice Polyxena; Agamemnon seems to be the major voice opposing it.
Iphigenia’s name doesn’t come up, but Agamemnon’s resistance to sacrificing Polyxena even though Achilles demands it, Polyxena’s dignity in going to her sacrifice—it all evokes Iphigenia so strongly. A sacrifice of a noble daughter to begin and to end the war. Agamemnon’s sympathy and even kindness to Hecuba after Polyxena’s death makes me think he’s thinking of his own daughter sacrificed at the beginning of the war—and after ten years of this, ending right back where he started, in a way. His sympathy to Hecuba is extremely personal. He knows. He’s sorry.
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Me when Dionysus and Pentheus are flirting in The Bacchae:
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I wonder how the people who got mad at me for writing about sex work on my avatar blog would feel about that one Anne Carson quote a lot of fans associate with Azula comes from a pretty sexually explicit poem.
Yeah, the line about not being able to put her trauma down is from a poem about dealing with an incredibly upsetting break up by visiting her mother and reading Emily Brontë. She describes trying to convince her boyfriend to stay with her by stripping nude and turning around because he liked to fuck doggy style and that the last night they spent together he stayed limp but she came many times. One of the things she can't put down is thrusting her bare ass toward her uninterested boyfriend and the shame she feels looking back and the understanding she would have done the same no matter the circumstances of the break up.
Even i wasn't that explicit.
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finelythreadedsky · 1 year
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broke: aristophanes didn’t include sophocles in the frogs because sophocles was still alive when he was writing it and didn’t die until too close to the time of the performance to be included in a major role
woke: aristophanes didn’t include sophocles in the frogs because he would’ve just won, no contest
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Having to explain to my bf that while, yes, by modern standards I am mostly researching dead white dudes, during their time the idea of whiteness as a race thing didn’t exist, so it’s limiting to call them that, but also yes they are part of this racist idea of The West and stuff, but also there’s nuance, and then I realize I’ve completely lost him
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wakeofvultures · 2 years
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It’s been a hot second since I’ve read Euripides’ Medea so bear with me, but to all the people comparing Medea to Alicent, thanks I am going feral.
Anyway, here is a ramble:
(Spoilers for HOTD/Fire and Blood and I guess also Medea)
It’s the fact that Alicent’s Medea by accident. It’s the fact that she’s putting the dagger to her children’s throats, however unwillingly (however unknowingly).
All to get back at Jason, but who is Jason?
Is Jason Viserys?
Is Jason the political hierarchy/patriarchy/duty?
Is Jason Rhaenyra?
The things that she agreed to support (and love) above even her own family. The things that she believed should protect and stay true to her and end up betraying her.
Jason who cannot see from Medea’s perspective and cannot understand how Medea sees what he is doing as a betrayal.
How Medea may be pitied, but no one wants her to act out. No one wants her to resist like she has been. That Jason and Creon see her pain and hurt as unreasonable.
It is all so Alicent.
The way that Medea is a foreigner with no allies save Aegeus in the same way that Alicent is friendless in King’s Landing for so long.
The way that Medea cannot go home after marrying Jason, and Alicent cannot go home after marrying Viserys because that is how her marriage works. But also Medea, fearing the wrath of a father. Alicent, being partially the reason her own father is not at her side.
It’s the fact that those who know how the Dance ends know that Alicent will fail to be Medea.
Because Medea may not have been half-god, but she had the blood of gods and that allowed her to flee from Jason’s grasp, however much of her still remained after she murdered her children, on a chariot pulled by dragons.  That’s not possible for Alicent who will become the Queen in Chains.
Medea’s ending feels very Targaryen, but as Alicent accepts when she dons that green dress, she will never be a Targaryen.
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temerateadnascentia · 9 months
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i just got told im cassandra illiad coded by a silly little internet quiz. interesting. anyways, time for me to keep telling people how they’re gonna bring their own destruction. i hope they believe me.
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steampunk-raven · 6 months
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These lyric changes hate me personally
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girldevouring · 1 year
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“I think I would like to call myself “the girl who wanted to be God.”
Sylvia Plath, Letters Home / Ethel Cain, Sun Bleached Flies / Kristin Chang / Simone de Beauvoir, Memoirs of a Dutiful Daughter / Anne Carson, Grief Lessons: Four Plays by Euripides / Sylvia Plath, The Unabridged Journals of Sylvia Plath / Florence and the Machine, King / Jenny Hval, Girls Against God / Florence and the Machine, Girls Against God
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salemoleander · 1 year
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3rd Life SMP Webweave // sources under readmore
Pt. 1: thatsbelievable // Cliffs of the Upper Colorado River, Wyoming Territory / Thomas Moran // Caernarvon Castle / George Elbert Burr // Study for "Science Instructing Industry" / Kenyon Cox // mr_froodo // The Beheading of St. John Baptist / Fortunato Duranti // Wolf in White Van / John Darnielle // Slow Dance / Ron Hicks // Ancient Castle / Georgette Agutte // screenshotsofdespair
Pt 2: Brooding Silence / John Carlson // thatsbelievable // a-doctor-not-a-fangirl // Rosencrantz and Guildenstern Are Dead / Tom Stoppard // Tiktok comment by anothersomebodie // mountainqoats // stigmate // Suite Vénitienne / Sophie Calle & Jean Baudrillard 
Pt. 3: Grief Lessons: Four Plays by Euripides / Anne Carson // Rosencrantz and Guildenstern Are Dead / Tom Stoppard // God's Idea / Da Loria Norman // Tangiers / Arnold William Brunner // molabuddy
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faustandfurious · 1 year
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Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief […] Grief and rage — you need to contain that, to put a frame around it, where it can play itself out without you or your kin having to die […] Do you want to go down to the pits of yourself all alone? Not much. What if an actor could do it for you? Isn’t that why they are called actors? They act for you […] The actor, by reiterating you, sacrifices a moment of his own life in order to give you a story of yours.
- Anne Carson: Preface to Grief Lessons: Four Plays by Euripides
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