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#Bill Denbrough icons
favorite-characters · 8 months
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𝕀𝕋
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Jaeden Martell as ʙɪʟʟ ᴅᴇɴʙʀᴏᴜɢʜ (dir. Andy Muschietti • 2017)
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fleurskiss · 1 year
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░⃝ 🎐 losers club 𝗁𝖾𝖺𝖽𝖾𝗋𝗌 & 𝗂𝖼𝗈𝗇𝗌. ᵔᴥᵔ
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░ ♡゚ 💭 𝗅𝗂𝗄𝖾 𝗈𝗋 𝗋𝖾𝖻𝗅𝗈𝗀. ⅒
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m8rtell · 2 years
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JAEDEN WESLEY ICONS
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liv45no · 1 year
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Rewatched the chapter 2 flashbacks (and melancholic Stan *sniff sniff*) for THIS
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“Stanley, we’re not afraid of fucking spiders.”
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‘yeah no I’m gonna listen to that shit ur slippin again’
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‘well i am stop exposing me’
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‘the actual fuck richie’
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‘we’re not?’
‘ur right baby’
*deeply embarrassed*
‘whatever u say beautiful boyfriend’
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nightskeleton232 · 2 years
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✨Bill Denbrough✨
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ilovts · 2 years
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you got, you got the cinema.
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sunshinereddie · 1 year
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saintlopezlov3r · 2 years
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Bill Denbrough🚲
It
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nico-the-newt · 1 year
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The Losers Club as Vines
Bill: Hey everybody, today my brother pushed me so I'm starting a kickstarter to put him down
Bill: the benefits of killing him would be I would get pushed way less
Eddie: I saw you hanging out with *Connor* yesterday
Richie: E-Eddie it's not what you think
Eddie: I won't hesitate bitch *pew*
*At Eddie's funeral*
Bev: We will now play the deceased's favourite song
Bev: *cries as 'Simple 2' - imovie plays*
Richie: Why do we need labels? Gay? Straight? We're all humans
Stan: Are you eating mayonaise?
Richie: It's just food, why do we need labels?
Mike: Let me see what you have
Eddie: *running past* A KNIFE
Mike: no-
Stan: Okay, let's tell each other secrets about ourselves
Stan: I'll go first
Stan: I hate you
*In yoga*
Instructor: and release all those sounds that are trapped in your mind
Mike: *high pitched screaming*
Bev: Jokes on you,,the Jonas Brothers can't break up they're brothers
Richie: Stop saying I look like chicken little - he's dumb and he's a coward and I am nOT A COWARD
Bill: ahah hey it's ur boy,,skinny p*nis
Ben: Man do you have any shaving cream?
Richie: No, I don't like the taste
Ben: You eat shaving cream???
Richie: No, why would I eat it if I don't like the taste
Ben: I'm in me mums car - broom broom
Ben's Mum: Get out me car
Ben: awe :(
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favorite-characters · 8 months
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𝕀𝕋
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Jaeden Martell as ʙɪʟʟ ᴅᴇɴʙʀᴏᴜɢʜ (dir. Andy Muschietti • 2017)
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creepswrites · 1 year
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❝ CREEPS ‣ HE/IT ‣ REQUESTS OPEN ❞ ‣ ALL WRITING ‣ MASTERLIST ‣ VIEW RULES AND REGULATIONS BELOW TO REQUEST!
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I. ❝ RESTRICTIONS ❞
‣ The following themes are PROHIBITED: racism, homophobia, transphobia, inc*st, ped*philia, illegal age gaps, extreme/harmful fetishes and kinks, r*pe, self-h*rm, suic*de, & extremely graphic abuse/depictions of abuse.
‣ Topics such as mental illness, violent scenes, and mention/depiction of abuse may pop up on occasion and will be properly tagged. While violent scenes may occur, I try to avoid topics I know to be upsetting to read as well as topics I myself find upsetting.
‣ I will NOT write smut with underage muses of mine, even if the reader is the same age.
‣ I will write for AMAB, AFAB, TRANS, and GN READERS! If you have specific pronouns for your reader request, make sure to state those! I always default to gender neutral reader unless otherwise specified :)
‣ Please do NOT repost my writing anywhere! Ask to translate, do not unless I have given explicit permission for you to do so.
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II. ❝ THEMES ❞
‣ Common themes I write for include but are not limited to:
fluff / slice of life
angst / darker themes
nsfw / smut
violence
multi-chapter stories
‣ I do write reader x canon OR canon x canon, so long as it does not violate any of my restrictions! I can be picky about what canon x canon pairing I write for though, it has to speak to me.
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III. ❝ REQUESTING ❞
‣ I reserve the right to deny any request for any reason.
‣ Do not spam/pressure me to write! I write for what inspires me in the moment. Requests will be completed when I have the time.
‣ Requests sent when they're closed will be discarded!
HEADCANONS | 1-3K ONESHOT | 4K+ ONESHOT
‣ Headcanons : Five character max, one character min. If the headcanon prompt is specific enough, it can be combined with a small drabble! These vary in length/detail. Unless characters for headcanons are specified, I'll likely write as many/as few as I feel inspired for! Usually within the same fandom/theme, so long as they fit the prompt given!
‣ 1-3k Oneshot : These vary in length & detail depending on the material provided. If requesting, please specify, otherwise I default to headcanons. These can take me longer than headcanons so I take requests for them more sparingly.
‣ 4k+ Oneshot : Meant for more specific scenarios with lots of ideas & content involved! I rarely do these unless I'm particularly inspired by the prompt given. Usually, 4k+ is reserved for long-term story chapters.
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IV. ❝ MUSES ❞
‣ Michael Myers : Halloween (1987, RZ, & 2018/Kills)
‣ Jason Voorhees : Friday the 13th
‣ Bubba Sawyer & Thomas Hewitt : The Texas Chainsaw Massacre
‣ Brahms Heelshire : The Boy (2016)
‣ Billy Lenz : Black Christmas (1974)
‣ Vincent Sinclar, Bo Sinclair, & Lester Sinclair : House of Wax (2005)
‣ Stu Macher & Billy Loomis : Scream
‣ Leslie Vernon : Behind the Mask: The Rise of Leslie Vernon
‣ Pyramid Head : Silent Hill
‣ Carrie White : Carrie
‣ Danny Johnson, Anna, & Amanda Young : Dead by Daylight ‣ You may ask me to try any DBD character though!
‣ Corey Cunningham : Halloween Ends (sparingly)
‣ Steve Harrington, Eddie Munson, Mike Wheeler, Will Byers : Stranger Things (sparingly)
‣ Bill Denbrough, Eddie Kaspbrak, Richie Tozier, Mike Hanlon, Beverly Marsh, Ben Hanscom : IT (1990, 2017 & 2019) (sparingly)
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‣ ICON + HEADER ‣ COVER IMAGE ‣ LAYOUT INSPO
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heavenboy09 · 1 month
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Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊 To You
The Most Influential & Dedicated Scottish 🏴󠁧󠁢󠁳󠁣󠁴󠁿Actor In The Best & Biggest Blockbuster Films & Independent Movies 🎥 Of The 21st Century
McAvoy was born on 21 April 1979 in Glasgow, to bus-driver-turned-builder James McAvoy Sr. and psychiatric nurse Elizabeth
He is a Scottish🏴󠁧󠁢󠁳󠁣󠁴󠁿actor. He made his acting debut as a teen in The Near Room (1995) and appeared mostly on television until 2003, when his feature film career began. His notable television work include the thriller State of Play (2003), the science fiction miniseries Frank Herbert's Children of Dune (2003), and the drama series Shameless (2004–2005).
McAvoy gained recognition for playing Mr. Tumnus in the fantasy film The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005) and an assassin in the action film Wanted (2008). His performances in the period dramas The Last King of Scotland (2006) and Atonement (2007) gained him nominations for the BAFTA Award. In 2011 he voiced the title character in Arthur Christmas, and portrayed Charles Xavier in the superhero film X-Men: First Class, a role he reprised in future installments of the X-Men series. McAvoy gained praise for starring in the independent crime film Filth (2013) and as a man with 23 alternate personalities in M. Night Shyamalan's Split (2016) and Glass (2019). He portrayed Lord Asriel in the fantasy series His Dark Materials from 2019 to 2022, and starred as Bill Denbrough in the horror film It Chapter Two (2019).
On stage, McAvoy has starred in several West End productions, such as Three Days of Rain in 2010, Macbeth in 2013, The Ruling Class in 2015, and Cyrano de Bergerac in 2020, for which he received four nominations for the Laurence Olivier Award for Best Actor.
Please Wish This Highly Acclaimed & Prestigious Scottish 🏴󠁧󠁢󠁳󠁣󠁴󠁿 Actor Of The 21st Century A Very Happy Birthday 🎂 🥳 🎉 🎈 🎁 🎊
YOU KNOW HIM AS MANY ROLES OF MANY ICONIC 🎥 FILMS
YOU SEEN HIM PERFORM THE BEST KIND OF CINEMA 🎥 IN ANY GENRE
& THE LADIES 🚺 CANT HELP THEMSELVES BUT STARE AT HIM & LOVE THE HIGHLADER ACCENT
THE 1 & ONLY
MR. JAMES MCAVOY🏴󠁧󠁢󠁳󠁣󠁴󠁿 AKA YOUNG CHARLES XAVIER OF THE X-MEN FILM SAGA 🎥
HAPPY 45TH BIRTHDAY 🎂 🥳 🎉 🎈 🎁 🎊 TO YOU MR. MCAVOY🏴󠁧󠁢󠁳󠁣󠁴󠁿 & HERE'S TO MANY MORE YEARS TO COME
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#JamesMcavoy #TheChroniclesOfNarnia #Wanted #XmenOrigins #XmenDaysOfFuturePast #XmenApocalyspe #DarkPhoenix #Split #Glass
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liv45no · 1 year
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The Losers as Charlie Spring comic icons
Bill Ben
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Mike Richie
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Beverly Eddie
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Stan
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ripdenbrough · 9 months
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#RIPDENBROUGH. an independent, selective, private, & low-activity BILL DENBROUGH based in the 2019 film IT: CHAPTER TWO. 18+, headcanon-heavy, oc & crossover-friendly. written by NOAH (23, he/they). all graphics made by me, with the exception of gif icons made by @leiaofrph. dash only. PERSONALS DO NOT INTERACT.
FIND ME: richie. eddie. mike. jonathan. elijah. (oc)
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monstersunderneath · 9 months
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THE HORROR ICONS THEMSELVES !!
CHANEL OBERLIN.      /     twenty-one.     she/hers.      heterosexual.       emma roberts.
GRACE GARDNER.      /     twenty-one.     she/hers.      heterosexual.       skyler samuels.
CHANEL NUMBER TWO.      /     twenty-one.     she/hers.      heterosexual.       ariana grande.
TIFFANY VALENTINE.      /     thirty-eight.     she/hers.      pansexual.       jennifer tilly.
CHUCKY.      /     fifties/sixties.     he/his.      heterosexual.       N/A.
ANDY BARCLAY.      /     thirty.     he/his.      bisexual.       alex vincent.
DAVID.      /     eternally twenty-eight.     he/his.      bisexual.       david sutherland.
MICHAEL EMERSON.      /     twenty-one.     he/his.      heterosexual.       jason patric.
SAM EMERSON.      /     nineteen.     he/his.      bisexual.       corey haim.
SERGEANT LEO BARNES.      /     thirty-three.     he/his.      heterosexual.       frank grillo.
BILLY DENBROUGH.      /     thirty-eight.     he/his.      heterosexual.       james mcavoy.
BEVERLY MARSH.      /     thirty-eight.     she/hers.      bisexual.       jessica chastain.
BEN HANSCOM.      /     thirty-eight.     he/his.      heterosexual.       jay ryan.
RICHIE TOZIER.      /     thirty-eight.     he/his.      homosexual.       bill hader.
PENNYWISE.      /     thousands.     they/them.      asexual       bill skarsgard.
PATRICK BATEMAN. / thirty-four. he/him. heterosexual. christian bale.
SIENNA SHAW. / nineteen. she/her. bisexual. lauren lavera.
CARLOS. / twenty-two. he/him. heterosexual. TBD.
GABRIELLA. / twenty-five. she/her. heterosexual. renata vaca.
JOHN KRAMER. / fifty-two. he/him. heterosexual. tobin bell.
AMANDA YOUNG. / twenty-seven. she/her. bisexual. shawnee smith.
MARK HOFFMAN. / thirty-seven. he/him. heterosexual. costas mandylor.
LAWRENCE GORDON. / thirty-five. he/him. bisexual. cary elwes.
ORIGINAL CHARACTERS !!
TOM VALENTINE. / twenty-seven. he/him. bisexual. matthew daddario.
LARA CRAFTSMAN / twenty-six. she/hers. bisexual. kaya scodelario.
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everydayhybridity · 2 years
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“You can’t be careful on a skateboard”
Skateboarding is notoriously difficult to write about. Iain Borden flags this in the introduction to Richard Gilligan’s work on DIY skateparks, underlining how the visual medium works so much more effectively than the scribed word. Similarly Kyle Beachy crafts a magnetic novel on skateboarding in patiently describing the art while also painstakingly pushing away the cringe that so often creeps in to so many attempts to render the board in literature. Skateboarders are all too familiar with the quick spike of pleasure when a board appears in a film, TV show, or music video. This sudden excitement cools rapidly as we observe the way our precious toy is depicted. It is almost always wrong.
I was therefore taken by surprise at the treatment afforded a skateboard by Stephen King is his now iconic novel IT. Originally published in 1986 the year that Animal Chin was released, the book sits before the modern rise in skateboarding. The boom of vert and well in advance of the heady days of street skateboarding. Yet King taps into both the peculiar and the authentic. Over a few short pages that come just over midway through the hefty text, the central character Bill Denbrough encounters a young boy with a fibreglass board. Stood over the very drain where Bill lost his younger brother to the murderous clown from the id some 30 years prior.
During their brief exchange Bill asks if he can have a go on the young boy’s board.
“The kid looked at him gape-mouthed at first, then laughing. “That’d be funny” he said. “I never saw a grownup on a skateboard.” 
This is the first reckoning with time. Back in 1986 adults on skateboards were an amusing rarity. Indeed that prejudice may well linger now. A skateboarding adult may be a source of amusement, but rare they are not. It would be difficult to imagine a 10 year old kid being so bemused by an adult skateboarder in 2022.
The next description is material, sensual, and emotional. Bill handles the board and inspects it before he attempts to ride it.
“He turned one of the skateboard’s scuffed wheels with his finger, liking the speedy ease with which it turned - it sounded like there was about a million ball-bearings in there. It was a good sound. It called up something very old in Bill’s chest. Some desire as warm as want, as lovely as love. he smiled.”
This description resonates. The pleasure in the sound and the way it conjures a feeling of warmth and love, strikes as authentic. Bill appears to be connecting not so much with the joy of skateboarding, but of the skateboard itself. He recognises it as some kind portal to freedom. Or as Lefebvre comments, children’s toys appear to be ‘cosmic’ objects demoted in status some way status.(Critique of Everyday Life Vol1.1991, p 118).
As Bill proceeds to stand on the skateboard he becomes fearful of the practicalities of falling. He imagines a doctor chiding him for attempting to use a skateboard at the age of forty. He imagines that the kid rides the board with no such fear, as an attempt to “beat the devil” like no tomorrow.
He surrenders the skateboard to the kid and gives up on his attempt to ride it. He tells the kid to be careful on the skateboard and gets a more powerful rebuke than the one in the imagined exchange with the doctor.
“Be careful on that,” Bill said.
“You can’t be careful on a skateboard,” the kid replied looking at Bill as if he might be the one with toys in the attic.”
“Right,” Bill said.
He then watches him push away down the hill. This is another evocative passage that I will only repeat in part. It does once again chime with the emotional experience of riding a skateboard and the longing for the freedom of youth.
“But he rode as Bill had suspected he would: with lazy hipshot grace. Bill felt love for the boy, and exhilaration, and a desire to be the boy, along with an almost suffocating fear. The boy rode as if there were no such things as death or getting older. The boy seemed somehow eternal and ineluctable in his khaki Boy Scout shorts and scuffed sneakers, his ankles sockless and quite dirty, his hair flying back behind him.”
The exchange with the skateboarder resolves when Bill stumbles across his old childhood bike ‘Silver’ in a second hand store. Something of the freedom and love expressed toward the skateboard translates to his childhood memories of recklessly speeding through town on this mammoth bike. The two elements of the chapter complement each other sweetly.
In the 2019 film adaptation of the book. IT Chapter 2 the scene is included and is stripped of all emotional content. The young skateboarder no longer has the old fibreglass board but a modern popsicle replete with subtle Overlook Hotel carpet graphics. In the film Bill has already found Silver before he encounters the boy and has his moment of rekindled youth riding the bike. Remarkably the film from 2019 gets it all wrong and the book from 1986 gets it right. To underline this fact, the skateboard kid in the film become a victim of Pennywise, the boy in the book survives.
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