An important thing to remember as an artist that started out drawing characters crudely and then started learning the fundamentals, at first your art will not look nice.
At first, drawing faces and bodies in different positions will make your characters look weird, then poor perspective will make your characters look weird, and finally when all the kinda things I mentioned above will be dealt with, just the hype of finally knowing how to draw anatomy will bite you in the ass because you can do all these things, you can draw them correctly or close to that, but whether that's figure drawing knowledge gaps, or awkwards poses/composition, or just not a very harmonious combination of realism and stylization in facial features or in general, but your before and after pictures might get this look of "clear objective technical improvement but many would consider it a downgrade"
That's a very common thing. I used to be in this before/after art community, and it was so toxic it was a meme within the community that no matter how much you've improved there will be people that will say that the before is better. There's a seed of truth to these words though, what they fundamentally get wrong is this implication that you "ruined your art"
That's a big example of why you shouldn't listen to non-art people for art advice. Keep going. You're closer to your art dreams than you ever were, you just need to look into all these things like the remaining knowledge gaps or personality to your art you might've lost as you were on your anatomy grind.
Keep creating, keep looking at art that inspires you and try to think of how to make yourself like your art better. Don't get stuck on it, if it begins being unfun, please do take a breather. Also, none of that is objective, people will still prefer things different to what you find beautiful. It's alright, create what you like, that's what this post is about. If you don't wanna, don't focus on aesthetics, just the process of creating art is fun and will eventually get you in the right place, that's what I do, I just occasionally throw in things I like and sometimes they work. Take care.
These are my current thoughts on the topic. I wouldn't take them too close to heart, this is just a blogging site and I'm blogin 👍
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I'm re-reading the Discworld series for reasons, and honestly the most relatable part of reading these as an adult is how many of the protagonists start out being tired, used to their little routine and vaguely disgruntled by the interruption of the Plot. Sam Vimes wants to lie drunk in a gutter and absolutely doesn't want to be arresting dragons. Rincewind is yanked into every situation he's ever encountered, though he'd much rather be lying in a gutter too. (Minus the alcohol. Plus regretting everything he's ever done said witnessed or even heard about fourth-hand in his whole life.) Granny Weatherwax is deeply suspicious of foreign parts and that includes the next town over; Nanny has leaned into the armor of "nothing ever happens to jolly grannies who terrorize their daughters-in-law and make Saucy Jokes"
Only the young people don't seem to have picked up on this---and that's fortunate, because someone has to run around making things happen, if only so Vimes and Granny and Rincewind have a reason to get up (complaining bitterly the whole time) and put it all to rights. Without Carrot, Margrat, Eric, etc. these characters don't have that reason; they're likely to stay in the metaphorical gutter and keep wondering where it all went wrong or why anything has to change.
............well, that's not quite true. You get the sense that Vetinari knows how much certain people hate the Plot. And as the person sitting behind the metaphorical lighting board of Ankh-Morpork, he takes no small pleasure in forcing the Plot-haters specifically to stand up, and say some lines.
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I mostly think this poll is hilarious (and some people are taking it way, way too seriously) but it’s starting to get really weird how often people on the opposite side are dismissing Gundam — a giant of science fiction that remade a genre in its image — and quite literally lying about Suletta and Miorine. I’ve seen people claim they were canonically married to men, people claim the show’s ending was rewritten by interns, claim they never hugged, and other claims regarding them not being canon.
While Bandai and Kadokawa did censor one interview, and Bandai released an “open to interpretation” statement, these no longer hold true. Official material has henceforth referred to them as married. One instance of censorship and a statement they’ve clearly walked back on does not erase the fact that the show itself heavily emphasizes their wedding rings, refers to Miorine as Eri’s sister-in-law, and makes it abundantly clear that they are married.
“I knew I was going to make an epilogue, but it was a while before I decided upon the exact number of years that should pass in-between. The ending itself follows “The Tempest,” and depicts Suletta and Miorine getting married and becoming partners.”
- Hiroshi Kobayashi
They are completely and unambiguously canon, and arguably were never decanonized to begin with given the literal text of the show.
An addendum to this: I’ve also seen a strange dismissal of the history that G-Witch pulls from.
The original Gundam inspired Revolutionary Girl Utena, with Lalah Sune in particular (the creator of an iconic Gundam archetype) serving as the inspiration for Anthy Himemiya. Gundam has had a queer fanbase for decades, and has had gay characters (with Yoshiyuki Tomino himself confirming this) since the 1990s.
G-Witch draws from Gundam’s extensive, genre-shaking history, classics like Utena and Rose of Versailles, and Shakespeare’s The Tempest. It brings Gundam and Utena’s connection full circle, and is in conversation with every Gundam series that came before it.
It’s unfair to dismiss it as just some random show, or — as I’ve seen some do — credit its open queerness to the influence of completely unrelated American media, as if Japan is utterly devoid of gay people.
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Part 7, the final comic in my SIGN OF THE FOUR chapter. (Part one), (part two), (part three), (part four), (part five), (part six).
The context for this conversation is: Holmes has had no work from Scotland Yard due to rumors about his and Watson's relationship. He responded to this with excessive cocaine use and then working himself unhealthy on the one case that came along; Mary Morstan's. Meanwhile, Watson befriended Mary, who is also gay, and realized that a lavender marriage with her could make him and Holmes safe, as well as granting her more freedom. Watson has not yet told Holmes of his decision.
(This is part of the Watsons sketchbook series!)
canon scene under the cut, which is achingly poignant in its own right:
“Well, and there is the end of our little drama,” I remarked, after we had set some time smoking in silence. “I fear that it may be the last investigation in which I shall have the chance of studying your methods. Miss Morstan has done me the honour to accept me as a husband in prospective.”
He gave a most dismal groan. “I feared as much,” said he. “I really cannot congratulate you.”
I was a little hurt. “Have you any reason to be dissatisfied with my choice?” I asked.
“Not at all. I think she is one of the most charming young ladies I ever met, and might have been most useful in such work as we have been doing. She had a decided genius that way: witness the way in which she preserved that Agra plan from all the other papers of her father. But love is an emotional thing, and whatever is emotional is opposed to that true cold reason which I place above all things. I should never marry myself, lest I bias my judgment.”
“I trust,” said I, laughing, “that my judgment may survive the ordeal. But you look weary.”
“Yes, the reaction is already upon me. I shall be as limp as a rag for a week.”
“Strange,” said I, “how terms of what in another man I should call laziness alternate with your fits of splendid energy and vigour.”
“Yes,” he answered, “there are in me the makings of a very fine loafer and also of a pretty spry sort of fellow. I often think of those lines of old Goethe,—
Schade dass die Natur nur einen Mensch aus Dir schuf,
Denn zum würdigen Mann war und zum Schelmen der Stoff.
“By the way, à propos of this Norwood business, you see that they had, as I surmised, a confederate in the house, who could be none other than Lal Rao, the butler: so Jones actually has the undivided honour of having caught one fish in his great haul.”
“The division seems rather unfair,” I remarked. “You have done all the work in this business. I get a wife out of it, Jones gets the credit, pray what remains for you?”
“For me,” said Sherlock Holmes, “there still remains the cocaine-bottle.” And he stretched his long white hand up for it.
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